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Grateful Dead http://www.dead.net   Date Venue - City, State City Media   1. 01/13/80 Flac 16 - 0, 106517 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2. 01/13/80 Flac 16 - 0, 110680 Oakland Oakland-Alameda County Coliseum flac16; Recorded by BEAR. Transferred by Jim Blackwood at 32 bit 88.2 kHz Edited and Mastered by Jamie Waddell Weiss Saracon for 16 bit 44.1 kHz conversion notes 3. 01/13/80 Shn - 0, 6145 Oakland Oakland-Alameda County Coliseum sbd> mr> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT notes 4. 01/13/80 Flac 16/48 - , 158146 Oakland Oakland-Alameda County Coliseum flac1648 Recording info: Maxell MX90 cassette from Bear via Jamie Waddell Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > FLAC24 Recorded by Augustus Owsley Stanley III (aka Bear) Transferred (Nov 2021) and mastered by Jim Blackwood Speed/pitch adjusted by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel notes 5. 01/13/80 Flac 24/96 - , 158145 Oakland Oakland-Alameda County Coliseum flac2496 Recording info: Maxell MX90 cassette from Bear via Jamie Waddell Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > FLAC24 Recorded by Augustus Owsley Stanley III (aka Bear) Transferred (Nov 2021) and mastered by Jim Blackwood Speed/pitch adjusted by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel notes 6. 03/30/80 Flac 16 - 0, 27752 Passaic Capitol Theater flac16; SBD> Cassette Master> Dat, plus patch from FOB Nak 700> Cass; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes 7. 03/30/80 Flac 16 - 0, 96014 Passaic Capitol Theater flac16; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0082 notes 8. 03/30/80 Flac 16 - 0, 92666 Passaic Capitol Theater flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 & v10.1 -> Adobe Audition v1.5 -> FLAC notes 9. 03/30/80 Flac 16 - 0, 96455 Passaic Capitol Theater flac16; MTX; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe Sbd Source: 27752 flac16; SBD> Cassette Master> Dat, plus patch from FOB Nak 700> Cass; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes 10. 03/30/80 Shn - 0, 4740 Passaic Capitol Theater Recording by Barry Glassberg: nak 700 > sony tc d5m fob tascam 112 > sony pcm r-500 > hhb cdr-850, taper Barry G.; nonseeking shns via Steve Barbella to CDead notes 11. 03/30/80 Flac 24 - 0, 96015 Passaic Capitol Theater flac24; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0082 notes 12. 03/31/80 Shn - 0, 4741 Passaic Capitol Theater Recording by Rob Eaton: sennnheiser 421 > nak 550 fob analog mastering AND analog to digital by rob eaton; dat > cd was sony pcm r-700 > hhb cdr-800; nonseeking shns via Steve Barbella to CDead; some cuts and missing songs (see info file) notes 13. 03/31/80 Flac 24/96 - 0, 151345 Passaic Capitol Theater flac24/96khz Recording Info: (FOB) Sennheiser 421 > Cassette Master (Nakamichi 550) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) notes 14. 03/31/80 Flac 16/44,1 - 0, 151425 Passaic Capitol Theater flac16/44.1khz Recording Info: (FOB) Sennheiser 421 > Cassette Master (Nakamichi 550) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) -- 151345 24 -> 16 @ 44.1 notes 15. 04/01/80 Flac - 0, 12386 Passaic Capitol Theater mixed sources: SBD> Rm> Dat> Sonic Solutions> CD> EAC> SHN, SBD> Rm> Cass> Dat> CD> Cool Edit Pro> CD> EAC> SHN, and AUD> Cm> Dat> CD> EAC> SHN; edited, converted, seeded by Charlie Miller notes 16. 04/01/80 Flac 24/96 - 0, 96453 Passaic Capitol Theater flac24; MOTB.0076; FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe notes 17. 04/01/80 Flac 16 - 0, 96452 Passaic Capitol Theater flac16; FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 x x Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >>MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe notes 18. 04/01/80 Flac 16 Mtx - 0, 96454 Passaic Capitol Theater flac16; MTX; FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe SBD Source: Miller's - 12386 notes 19. 04/01/80 Shn - 0, 26178 Passaic Capitol Theater Bertha remaster of Charlie Miller's previous seed, by Jay Ashley notes 20. 04/01/80 Shn - 0, 4742 Passaic Capitol Theater Recording by Barry Glassberg: nak 700 > sony tc d5m fob tascam 112 > sony pcm r-500 > hhb cdr-850, taper Barry G.; nonseeking shns via Steve Barbella to CDead notes 21. 04/01/80 Shn - 0, 9670 Passaic Capitol Theater SBD>MC>??>CDR; 35 seconds of He's Gone and the Other One, as well as the Shakedown encore are provided by an audience source; See info file for details; via Paul B; Seeded to etree by Willy notes 22. 04/01/80 Flac 16/44,1 - , 152610 Passaic Capitol Theater flac16/44.1khz Recording Info: SBD > Cassette Master > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/16 notes 23. 04/28/80 Flac 16 - 0, 128382 Birmingham Boutwell Auditorium flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes 24. 04/28/80 Flac 16 - 0, 88858 Birmingham Boutwell Auditorium flac16 Recording by Barry Glassberg: MOTB Release: 0040 16/44.1 Source: Master Audience Recording [1st Row Loge, DFC] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe notes 25. 04/28/80 Flac 24/96 - 0, 88906 Birmingham Boutwell Auditorium flac24 Recording by Barry Glassberg: MOTB Release: 0040 24/96 Source: Master Audience Recording [1st Row Loge, DFC] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe notes 26. 04/28/80 Shn - 0, 3402 Birmingham Boutwell Auditorium Recording by Barry Glassberg: non-dank version, with differing md5s; FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)> Sony R500 @44.1; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII CD>SHN: EAC (see info file)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch> additional step(s) (reDAE, reSHN?) by unIDed person; to abgd and etree; upgrade in circulation notes 27. 04/28/80 Shn - 0, 4993 Birmingham Boutwell Auditorium Recording by Barry Glassberg: QC courtesy dankseeds, of Jamie's shns as listed in info file; FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)> Sony R500 @44.1; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII CD>SHN: EAC (see info file)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; non-dank version may also circulate, but with different md5s; upgrade in circulation notes 28. 04/28/80 Flac 16 - 0, 99886 Birmingham Boutwell Auditorium flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009 notes 29. 04/29/80 Flac 16 - 0, 128627 Atlanta Fox Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes 30. 04/29/80 Flac 16 - 0, 88772 Atlanta Fox Theater flac16 Recording by Barry Glassberg; MOTB Release: 0041 16/44.1 Source: Master Audience Recording [Loge, Row AA, Seat 101] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky notes 31. 04/29/80 Shn - 0, 5455 Atlanta Fox Theater Recording by Barry Glassberg: QC courtesy dankseeds, of Jamie's original version, note d1 md5s: FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; alternate version may also be in circ; note dankseeds certified as of 1/8/02 ; upgrade in circulation notes 32. 04/29/80 Shn - 0, 3403 Atlanta Fox Theater Recording by Barry Glassberg; possible reshn or reDAE (in d1) by unIDed person, of Jamie's version: FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; upgrade in circulation notes 33. 04/29/80 Flac 24/96 - 0, 88864 Atlanta Fox Theater flac24 Recording by Barry Glassberg; MOTB Release: 0041 24/96 Source: Master Audience Recording [Loge, Row AA, Seat 101] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky notes 34. 04/29/80 Flac 16 - 0, 99887 Atlanta Fox Theater flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009 notes 35. 04/29/80 Flac 16 - 0, 88872 Atlanta Fox Theater flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 36. 05/01/80 Flac 16 - 0, 128684 Greensboro Greensboro Coliseum flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes 37. 05/01/80 Flac 16 - 0, 96313 Greensboro Greensboro Coliseum flac16; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] notes 38. 05/01/80 Flac 24/96 - 0, 106612 Greensboro Greensboro Coliseum flac24; 1st Set: Shure mics; 2nd Set: Beyer mics (unknown models) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded from the floor by Bob Morris notes 39. 05/01/80 Shn - 0, 3418 Greensboro Greensboro Coliseum Recording by Barry Glassberg: possible reshn or reDAE by unIDed person, of Jamie's version: FOB (Nakamichi 700)> Master Cassette (Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; d2 tracked for 80 min; to abgd; upgrade in circulation notes 40. 05/01/80 Flac 24/96 - 0, 96316 Greensboro Greensboro Coliseum flac24; MAC = 2 x Maxell XLII C90, Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DFF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB0084 notes 41. 05/01/80 Flac 16 - 0, 99951 Greensboro Greensboro Coliseum flac16; 1st Set: Shure mics; 2nd Set: Beyer mics (unknown models) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009 notes 42. 05/01/80 Shn - 0, 5917 Greensboro Greensboro Coliseum Recording by Barry Glassberg; FOB (Nakamichi 700)> Master Cassette (Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; d2 tracked for 80 min; QC courtesy dankseeds; see info file for listening notes etc notes 43. 05/01/80 Flac 24/48 - , 155931 Greensboro Greensboro Coliseum flac2448; Source: AKG-414's (mid-side configuration) > Sony TC-D5 > Maxell UDXLII's, set up at the soundboard, recording by the GD crew. Transfer: MAC > Nakamichi CR-5A (Dolby-B) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2022 notes 44. 05/02/80 Flac 24 - 0, 128515 Hampton Hampton Coliseum flac24; Beyer M-160>Nakamichi 550; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded in the "Sweet Spot"; Recorded and transfered By Richie Stankiewicz notes 45. 05/02/80 Flac 16 - 0, 128686 Hampton Hampton Coliseum flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes 46. 05/02/80 Flac 16 - 0, 88873 Hampton Hampton Coliseum flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 47. 05/02/80 Shn - 0, 3202 Hampton Hampton Coliseum Recordings by John Hance and Jim Wise: Mixed Source AUD: FOB (NAK 700 (set 1, John Hance) & AKG 1000E (set 2, Jim Wise))> Master Cassette (Sony TC-D5); Master Cassette (Nakamichi Dragon)> A/D Conversion via Sony R700> COAX to ZA2> Soundforge> MASTER CDR> EAC in Secure Mode> Soundforge> CD WAV> SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD> SHN by Jamie Lutch; via Tim L. to etrade offer; QC courtesy dankseeds; see info file for listening notes etc notes 48. 05/02/80 Flac 24/96 - 0, 106613 Hampton Hampton Coliseum flac24; (FOB) Beyer mics (unknown model) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 Recorded FOB from the floor by Bob Morris; Upgrade in circulation notes 49. 05/02/80 Flac 24/96 - 0, 111142 Hampton Hampton Coliseum flac24; (FOB) Beyer mics (unknown model) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0; Recorded FOB from the floor by Bob Morris notes 50. 05/02/80 Flac 16 - 0, 96450 Hampton Hampton Coliseum flac16; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0085 notes 51. 05/02/80 Flac 24/96 - 0, 96451 Hampton Hampton Coliseum flac24; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0085 notes 52. 05/02/80 Flac 16 - 0, 99952 Hampton Hampton Coliseum flac16; (FOB) Beyer mics (unknown model) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009 notes 53. 05/04/80 Flac 16 - 0, 96910 Baltimore Baltimore Civic Center b>flac16; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037 (This source fixes the flaws in the previous MOTB seed.) notes 54. 05/04/80 Flac 16 - 0, 128688 Baltimore Baltimore Civic Center flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes 55. 05/04/80 Flac 16 - 0, 99953 Baltimore Baltimore Civic Center flac16; Recorded by Bob Morris Nakamichi shotguns>Marantz Superscope CD320>Maxell XLII Nak Transfer: DR-1>Korg MR-1000>Audiogate>16/44>cdwav by Bob Morris, June, 2009 notes 56. 05/04/80 Flac 24/96 - 0, 96585 Baltimore Baltimore Civic Center flac24; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037. A fixed version now circulates. notes 57. 05/04/80 Flac 16 - 0, 96584 Baltimore Baltimore Civic Center flac16; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037. A fixed version now circulates notes 58. 05/04/80 Shn - 0, 11768 Baltimore Baltimore Civic Center Nak 300's>MC>DAT>CD; via Paul B; Seeded to etree by Willy notes 59. 05/04/80 Flac 16 - 0, 106081 Baltimore Baltimore Civic Center flac16; Nakamichi shotgun x2 (CM-300?) > Cassette Master (Marantz Superscope CD320>Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Patched w/ shnid 11768 Nak 300's using Soundforge 9.0; Recorded by Bob Morris notes 60. 05/04/80 Flac 24/96 - 0, 106622 Baltimore Baltimore Civic Center flac24; Nakamichi shotgun x2 (CM-300?) > Cassette Master (Marantz Superscope CD320>Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96kHz) > Soundforge 9.0 Encore recorded with Charlie Connor's Sony ECM-990 stereo mic. Recorded by Bob Morris notes 61. 05/04/80 Flac 24/96 - 0, 96925 Baltimore Baltimore Civic Center flac24; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037 (This source fixes the flaws in the previous MOTB seed.) notes 62. 05/04/80 Flac 24/96 - 0, 119812 Baltimore Baltimore Civic Center flac24; 2 AKG-1000E> Sony D-5; Recorded by Jim Wise; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes 63. 05/06/80 Flac 16 - 0, 99954 State College Recreation Hall, Pennsylvania State University flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded by Bob Morris; transferred & mastered by Bob Morris, June, 2009; Patched upgrade in circulation notes 64. 05/06/80 Flac 16 - 0, 128608 State College Recreation Hall, Pennsylvania State University flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes 65. 05/06/80 Shn - 0, 5075 State College Recreation Hall, Pennsylvania State University Unknown Audience Recording: ??> cassette> wav> shn; playback: Sony es> soundblasterlive platinum> cooledit> cdwave editor> MKWact; A>D conversion, shn, seeded By Popi n. Feeldz; missing encore notes 66. 05/06/80 Shn - 0, 6691 State College Recreation Hall, Pennsylvania State University Recording by Rob Eaton: Sennnheiser 421 > Nak 550 fob analog; mastering and analog to digital by Rob Eaton; dat > cd: sony pcm r-700 > hhb cdr-800; via Seth Kaplan, Steve Barbella notes 67. 05/06/80 Flac 16 - 0, 111027 State College Recreation Hall, Pennsylvania State University flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor; Recorded by Bob Morris. Transfer (6/09) & edit / patch (9/10) by Bob Morris notes 68. 05/07/80 Shn - 0, 26349 Ithaca Barton Hall, Cornell University SBD> Cassette Master> Reel> Dat> CD> EAC> SHN; Converted By Charlie Miller notes 69. 05/07/80 Flac 16 - 0, 128832 Ithaca Barton Hall, Cornell University flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes 70. 05/07/80 Shn - 0, 3294 Ithaca Barton Hall, Cornell University Master Audience Cassette; Nakamichi CM700 + Nakamichi CM300 blend> Sony TC-D5M > DAT > CDR; CD Mastering> EAC> SHN by Scott Clugston notes 71. 05/07/80 Flac 24/96 - , 152802 Ithaca Barton Hall, Cornell University flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes 72. 05/07/80 Flac 16/48 - , 152801 Ithaca Barton Hall, Cornell University flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes 73. 05/08/80 Shn - 0, 15034 Glens Falls Glens Falls Civic Center Master Soundboard Cassette > Cassette > DAT> CDR (Primary Source) patched with the Jim Wise audience source: Recorded by Jim Wise (via Jeff Hellman), 2 Nak 700s + Nak 300 blend>Sony TC-D5: AUD>MC>DAT>CDR>EAC>mkwACT>SHN; Patched by R.Carman notes 74. 05/08/80 Shn - 0, 7538 Glens Falls Glens Falls Civic Center Master Soundboard Cassette > Cassette > DAT> CDR; via Scott Clugston; patched upgrade in circulation notes 75. 05/08/80 Flac 16 - 0, 82434 Glens Falls Glens Falls Civic Center flac16; Master SDB Cassette > Cassette > DAT > CDR. Playback: CDR > Classic Portable CD Player > Panasonic EQ > Tascam CDRW 5000 Stand Alone CD Burner > CDR > increased the volume to acceptable levels and did some other tweaking > Flac frontend > flac; unknown relation to prior patched sbd in circulation notes 76. 05/08/80 Flac 24/96 - 0, 119061 Glens Falls Glens Falls Civic Center flac24; Recorded by Jim Wise; 2 Nakamichi CM-700s with shotguns> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes 77. 05/08/80 Shn - 0, 13189 Glens Falls Glens Falls Civic Center Updated lineage: Recording by Jim Wise: 3 nak 700's with cpu capsules at the sbd >Nak 550 taped by Jim Wise via Raoul Duke and the Miami SHN Machine notes 78. 05/08/80 Flac 16 - 0, 120093 Glens Falls Glens Falls Civic Center flac16; 3-Nak 700 Shotguns > Superscope CD-320 > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche notes 79. 05/08/80 Flac 16 - 0, 100401 Glens Falls Glens Falls Civic Center flac16; Recording Info: (3) Nakamichi CM700 Shotguns -> Namakmichi 550 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes 80. 05/08/80 Flac 16 - 0, 100243 Glens Falls Glens Falls Civic Center flac16; Source: (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320 Maxell UDXLI);Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit 5.6MHz) >Audiogate 1-bit 5.6MHz > 16-bit 44.1KHz) > cdwav (edits); Recorded from Section 103, Row P, Seat 14 by Bob Morris with thanks to Sam R and Charlie Connor notes 81. 05/08/80 Flac 24/96 - , 152804 Glens Falls Glens Falls Civic Center flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes 82. 05/08/80 Flac 16/48 - , 152803 Glens Falls Glens Falls Civic Center flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes 83. 05/10/80 Flac 16 - 0, 91938 Hartford Hartford Civic Center flac16; Set 2 only, Recording Info: SBD -> Cassette Master -> Dat -> Sound Forge -> WAV; Transfer Info: WAV -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC notes 84. 05/10/80 Flac 16 - 0, 110830 Hartford Hartford Civic Center flac16; 2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry Glassberg notes 85. 05/10/80 Flac 16/48 - 0, 132518 Hartford Hartford Civic Center flac16/48kHz; Cassette Audience Master recorded By Jim Wise (patched out of Jeff Hellman); Nakamichi CM-700 Electret Condenser Microphones w/ CP-4 Shotgun Capsules-Sony TC D-5 Cassette Recorder; Location @ Sound Board; Analog to Digital: Dolby B Decoded Maxell UD-XL11 C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)Tagging(Tag & Re-name)Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise notes 86. 05/10/80 Flac 24/96 - 0, 132517 Hartford Hartford Civic Center flac24; Cassette Audience Master recorded By Jim Wise (patched out of Jeff Hellman); Nakamichi CM-700 Electret Condenser Microphones w/ CP-4 Shotgun Capsules-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded Maxell UD-XL11 C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise notes 87. 05/10/80 Flac 16 - 0, 98724 Hartford Hartford Civic Center flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Recorded right beside the soundboard on the left side Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes 88. 05/10/80 Flac 16 - 0, 100402 Hartford Hartford Civic Center flac16; Recording Info: (3) Nakamichi CM700 Shotguns -> Namakmichi 550 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes 89. 05/10/80 Shn - 0, 18158 Hartford Hartford Civic Center Recording by Steve Rolfe: Nak 700's > Sony D5 Master Cassette recorded by Steve Rolfe from "right beside the soundboard on the left side" AUDMC > DAT > wav(48K) > Cool Edit > CDWAV > mkwact > SHN(seekable) via Dave Minor, converted and shn'd by Marc Pujol and Matt Vernon notes 90. 05/10/80 Flac 16 - 0, 100248 Hartford Hartford Civic Center flac16; Source:(FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Section B, Row R, Seat 12 by Bob Morris with thanks to Sam R and Charlie Connor notes 91. 05/10/80 Flac 16 - 0, 83063 Hartford Hartford Civic Center flac16; Recording by Jim Wise: AUD Source: Three Nakamichi CM-300\'s > patched thru Nakamichi 550 > Sony TC-D5. Mics on a stand, next to the soundboard. Taped and transferred (MAC > CDR) by Jim Wise. Transfer: MAC > CD (likely equipment: Nakamichi Dragon > HHB CDR burner). CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC, by Andrew F notes 92. 05/10/80 Flac 16 - 0, 107544 Hartford Hartford Civic Center flac16; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2010 notes 93. 05/10/80 Flac 2448 - 0, 107543 Hartford Hartford Civic Center flac24; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 05/2010 notes 94. 05/10/80 Shn - 0, 7559 Hartford Hartford Civic Center Recording by Steve Rolfe: Nak 700's (was listed as Nak 300's) > Sony D5; Seeded to etree by Willy; upgrade in circulation notes 95. 05/10/80 Flac 24/96 - 0, 110832 Hartford Hartford Civic Center flac24; 2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry Glassberg notes 96. 05/10/80 Flac 24/96 - , 152806 Hartford Hartford Civic Center flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes 97. 05/10/80 Flac 16/48 - , 152805 Hartford Hartford Civic Center flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes 98. 05/11/80 Flac 16 - 0, 89577 Portland Cumberland County Civic Center flac16; SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller. This is a repatch and remaster of shn id 13087 notes 99. 05/11/80 Flac 16 Mtx - 0, 126880 Portland Cumberland County Civic Center flac16; 2 Source Matrix By Dave Usborne;soundboard (shnid:89577); Transfers and Mastering By Charlie Miller;Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; Audience (shnid:98929);Recorded by Steve Rolfe;2 Nak 700s> Sony TC-D5;Transfer and FLAC encoding by David Minches:Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes 100. 05/11/80 Shn - 0, 33501 Portland Cumberland County Civic Center SBD> C (Dick's master)> C (Dick copied for Patrick)> DAT> CDR> EAC> SHN V.3 - Patched version of the earlier soundboard version by Bill Tetzeli (upgrade in circulation). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 101. 05/11/80 Shn - 0, 12259 Portland Cumberland County Civic Center SBD> C (Dick's master)> C (Dick copied for Patrick)> DAT> CDR> EAC> SHN V.3 except for Brokedown, which is from an unknown AUD source; EAC and SHN'ed by terrapinstation ; patched upgrade in circulation notes 102. 05/11/80 Flac 24/96 - 0, 106615 Portland Cumberland County Civic Center flac24; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLI Disc 1 & 2; UDXLII Disc 3) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Tape flip in Space patched (0:17-0:40) w/ ID 97523 Nak 700s. Recorded FOB from floor by Bob Morris. notes 103. 05/11/80 Shn - 0, 7539 Portland Cumberland County Civic Center Nak 300's>Sony D5>master cassette>DAT(3); Transfer by Frank Venezia; via JD Foltz; Seeded to etree by Willy; Note- d2t09 does not exist, this was a mistake in naming the files, the show is complete as is. notes 104. 05/11/80 Shn - 0, 19266 Portland Cumberland County Civic Center Recording by Steve Rolfe: Nak 700's > Sony D5 recorded by Steve Rolfe from FOB left center about 40 feet from stage via David Minor, conversion and encoding by Marc Pujol and Matt Vernon notes 105. 05/11/80 Flac 16 - 0, 98929 Portland Cumberland County Civic Center flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding; Thanks to Joe B. Jones for pitch correction notes 106. 05/11/80 Flac 16 - 0, 97522 Portland Cumberland County Civic Center flac16; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC>> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Audience Source: FOB Master Cassettes (MAC) Taped By: Barry Glassberg notes 107. 05/11/80 Flac 24/96 - 0, 97523 Portland Cumberland County Civic Center flac24; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC>> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Audience Source: FOB Master Cassettes (MAC) Taped By: Barry Glassberg notes 108. 05/11/80 Flac 2448 - 0, 107226 Portland Cumberland County Civic Center flac24; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand "next to the soundboard". Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 04/2010 notes 109. 05/11/80 Flac 16 - 0, 100250 Portland Cumberland County Civic Center flac16; Source: (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLI Disc 1 & 2; UDXLII Disc 3); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor notes 110. 05/11/80 Flac 16 - 0, 107227 Portland Cumberland County Civic Center flac16; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand "next to the soundboard". Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 04/2010 notes 111. 05/11/80 Shn - 0, 13087 Portland Cumberland County Civic Center riginal SBD> C (Dick's master)> C (Dick copied for Patrick)> DAT> CDR with patches from the etree Nak 300's> Sony D5>master cassette>DAT(3) source; see info file for details; patching done by Doug Nawrocki; upgrade in circulation notes 112. 05/11/80 Flac 24/48 - 0, 152441 Portland Cumberland County Civic Center flac24/48 Recording Information: Microphones: Beyer M201c worn in hat Recorder: Sony TC-D5 Maxell UDXLII no nr This Copy: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes 113. 05/11/80 Flac 16/44 - 0, 152440 Portland Cumberland County Civic Center flac16/44 Microphones: Beyer M201c (worn in hat??) Recorder: Sony TC-D5 Maxell UDXLII no nr This Copy: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes 114. 05/11/80 Flac 16/44 - , 156568 Portland Cumberland County Civic Center flac1644 Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156013 2496 > 1644.1 notes 115. 05/12/80 Flac 16 - 0, 92239 Boston Boston Garden flac16 Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; this source has a patch in a cut in d2t09 of the previous Miller source (source ID 91931) notes 116. 05/12/80 Flac 16 Mtx - 0, 127287 Boston Boston Garden flac16; Matrix 70% sbd/30% aud; Soundboard source: SBD > Cassette Master > Reel > Dat (48k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Professional v10.02 > Cool Edit Pro v2.0 > FLAC; All Transfers and Mastering By Charlie Miller and Audience source: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand, set up in center of upper balcony behind the stage, mics pointed at rear-facing P.A. Taped by Tim Friend. Transfer: MAC > Re-shelled > Nakamichi DR-8 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 16; Transfer by Andrew F. notes 117. 05/12/80 Flac 16 - 0, 91931 Boston Boston Garden flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation notes 118. 05/12/80 Shn - 0, 5922 Boston Boston Garden Recording by Steve Rolfe: Nak 700's > Sony TC158 Master Cassette, recorded by Steve Rolfe, front row balcony; A>D by Noah Weiner: AudMC > DAT > Soundforge normalizing and editing > CDWAV > SHN; via Audience Devotional Tree; tracked for 2x80 notes 119. 05/12/80 Flac 16 - 0, 100251 Boston Boston Garden flac16; Source: Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor notes 120. 05/12/80 Flac 2448 - 0, 107021 Boston Boston Garden flac24; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand, set up in center of upper balcony behind the stage, mics pointed at rear-facing P.A. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Re-shelled > Nakamichi DR-8 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 04/2010 notes 121. 05/12/80 Flac 16 - 0, 107022 Boston Boston Garden flac16; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand, set up in center of upper balcony behind the stage, mics pointed at rear-facing P.A. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Re-shelled > Nakamichi DR-8 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 04/2010 notes 122. 05/14/80 Shn - 0, 3295 Uniondale Nassau Veterans Memorial Coliseum Master Soundboard Cassette > Reel to Reel > DAT > CDR; CD Mastering> EAC> SHN by Scott Clugston notes 123. 05/14/80 Flac 16 - 0, 111136 Uniondale Nassau Veterans Memorial Coliseum flac16; Analog Audience Source: FOB Master Cassettes (MAC); Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5 >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > ? > flac/16; Taped By: Barry Glassberg notes 124. 05/14/80 Flac 16 Mtx - 0, 126608 Uniondale Nassau Veterans Memorial Coliseum flac16; 2 source matrix by dusborne; Soundboard (shnid:3295) Master Soundboard Cassette > Reel to Reel > DAT > CDR; CD Mastering by Scott Clugston and Audience (shnid:125962) Recording by Jim Wise: Master Audience Cassette 2 Nakamichi 700's with 1 Nakamichi 300 Blend> Nak 550> Sony D-5 at the SBD; Transfer and FLAC encoding by David Minches notes 125. 05/14/80 Flac 24/96 - 0, 125962 Uniondale Nassau Veterans Memorial Coliseum flac24; Recording by Jim Wise: Master Audience Cassette; 2 Nakamichi 700's with 1 Nakamichi 300 Blend> Nak 550> Sony D-5 at the SBD; Transfer and FLAC encoding by David Minches: October 25 2013; Master played back on: Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding notes 126. 05/14/80 Flac 16 - 0, 111028 Uniondale Nassau Veterans Memorial Coliseum flac16; Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor; Recorded by Bob Morris (from a not-so-good location -- sorry) notes 127. 05/14/80 Flac 16 - 0, 141890 Uniondale Nassau Veterans Memorial Coliseum flac16; Source Info: Master Soundboard Cassettes > Reel to Reel > Dat > HHB-CDR 850 > EAC > Cool Edit Pro; This is a remaster of shnid 3295 from 2001 notes 128. 05/14/80 Flac 24/96 - 0, 150724 Uniondale Nassau Veterans Memorial Coliseum FLAC 2496 Recording Info: FOB Nakamichi CM700 > Cassette Master (Maxell UDXLII) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition > Samplitude Pro X5 Suite > WAV (24-bit/96k) Recorded by Bob Wagner Mastered by Scott Clugston and Charlie Miller notes 129. 05/14/80 Flac 16/44 - 0, 150723 Uniondale Nassau Veterans Memorial Coliseum FLAC 1644 Recording Info: FOB Nakamichi CM700 > Cassette Master (Maxell UDXLII) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition > Samplitude Pro X5 Suite > WAV (24-bit/96k) 2496 > 1644 using Wavelab 10.0 (resample, MBit+ dither) Recorded by Bob Wagner Mastered by Scott Clugston and Charlie Miller notes 130. 05/15/80 Flac 16 - 0, 93426 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording Info:SBD -> Cassette Master -> Dat (48k); Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 131. 05/15/80 Flac16 Mtx - 0, 126892 Uniondale Nassau Veterans Memorial Coliseum flac16; 2 Source Matrix by dusborne; Soundboard (shnid:93426) Recording Info: SBD -> Cassette Master -> Dat (48k); Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC and Audience (shnid:126082) Recording by Jim Wise: Master Audience Cassette; 2 Sony ECM-280s> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes 132. 05/15/80 Shn - 0, 12790 Uniondale Nassau Veterans Memorial Coliseum AUD> MC> DAT> CDR; via Alan Schlissel, with thanks to Paul B notes 133. 05/15/80 Flac 16 - 0, 34721 Uniondale Nassau Veterans Memorial Coliseum flac16; AUD Source: AUD MC > DAT > CDR > EAC > Cool Edit 2K > CDWave > SHN FM Patches: FM > CASS > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH > FLAC Edit: SHN > WAV > WaveMerge > Sound Forge > CDWave > FLAC (level 8) notes 134. 05/15/80 Flac 16 - 0, 103182 Uniondale Nassau Veterans Memorial Coliseum flac16;Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> 16/44.1 notes 135. 05/15/80 Flac 24/96 - 0, 103183 Uniondale Nassau Veterans Memorial Coliseum flac24;Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Adam Egert notes 136. 05/15/80 Flac 24/96 - 0, 126082 Uniondale Nassau Veterans Memorial Coliseum flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sony ECM-280s> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes 137. 05/15/80 Flac 24/96 - 0, 150726 Uniondale Nassau Veterans Memorial Coliseum FLAC 2496 Recording Info: FOB Nakamichi CM700 > Cassette Master (Maxell UDXLII) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition > Samplitude Pro X5 Suite > WAV (24-bit/96k) Recorded by Bob Wagner Mastered by Scott Clugston and Charlie Miller notes 138. 05/15/80 Flac 16/44 - 0, 150725 Uniondale Nassau Veterans Memorial Coliseum FLAC 1644 Recording Info: FOB Nakamichi CM700 > Cassette Master (Maxell UDXLII) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition > Samplitude Pro X5 Suite > WAV (24-bit/96k) Tracking & 2496 > 1644: Wavelab 10.0 (resample, MBit+ dither) Recorded by Bob Wagner Mastered by Scott Clugston and Charlie Miller notes 139. 05/16/80 Shn - 0, 7472 Uniondale Nassau Veterans Memorial Coliseum Master Soundboard Cassette > Cassette > DAT> CDR; via Scott Clugston notes 140. 05/16/80 Flac 16 - 0, 111170 Uniondale Nassau Veterans Memorial Coliseum flac16; Source: FOB Audience Recording Media: MAC = Maxell UDXLII; Lineage: 2 x Nakamichi CM700 w/ EQ 26th Row Center> Sony TC-D5 (dolby encode) Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] > ? > flac16; Taped by: Barry Glassberg notes 141. 05/16/80 Flac 16 Mtx - 0, 126718 Uniondale Nassau Veterans Memorial Coliseum flac16; 2 source matrix by Dusborne; Soundboard (shnid:89473) Source 1: Master Soundboard Cassette > Cassette > DAT> CDR (s101-s211) Source 2: Unknown nth generation audience cassette > Sony TC-KE500S > The Card > CoolEdit > shntool > FLAC (s211-s212) Source 3: FM broadcast > cassette (TDK SA-90). Transfer: Cassette > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, checksums and FLAC compression) > FLAC (s213) and Audience (shnid:126104) Recording by Jim Wise: Master Audience Cassette; 2 Sony ECM-280s > Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo])Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding notes 142. 05/16/80 Flac 16 - 0, 89473 Uniondale Nassau Veterans Memorial Coliseum flac16; Source 1: Master Soundboard Cassette > Cassette > DAT> CDR (shnid 7472) Supplies whole show up to half way through D3T5 Source 2: Recording: FM broadcast > cassette (TDK SA-90). Transfer: Cassette > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH > FLAC (shnid 34685) Supplies d3t7 Source 3: Unknown nth generation audience cassette > Sony TC-KE500S > TheCard > CoolEdit > shntool > FLAC Supplies end of D3T5 and all of D3T6 Seeded by Thomas Hempel 10-Jan-2008 notes 143. 05/16/80 Flac 16 - 0, 107187 Uniondale Nassau Veterans Memorial Coliseum flac16; Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Transfer: Master Cassette Transfer->RR ->Cassette Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac notes 144. 05/16/80 Flac 16 - 0, 100160 Uniondale Nassau Veterans Memorial Coliseum flac16; Source: 3 Nak 300's > NAK550 Lineage: MAUD>C>WAV>FLAC notes 145. 05/16/80 Flac 24/96 - 0, 126104 Uniondale Nassau Veterans Memorial Coliseum flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sony ECM-280s > Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo])Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding notes 146. 05/29/80 Shn - 0, 14836 Des Moines Des Moines Civic Center Source: A:C:C:D > CDR via David Minches, shn encoding Matt Vernon notes 147. 05/29/80 Shn - 0, 25993 Des Moines Des Moines Civic Center sets 1p,2; Nak 300, FOB right center of stage> Nak 550 > DAT, taper unknown; Transfer: DATs (48) > Sony 60ES > M-Audio Audiophile USB > CDWAV > Golwave minor edits and resampling > CDWAV tracking > mkwACT SHN; transfer by Joshua Braveman notes 148. 05/29/80 Flac 24/96 - 0, 152534 Des Moines Des Moines Civic Center FLAC2496 Source Info: Roughly 10th row FOB master audience tapes from an Anonymous Benefactor, actual gear lost to the fog of memory Transfer Info: Transferred at 24 bit 96 kHz. Speed Correction by Jason Chastain Critical Listening and Track FLAC, Pack by Steven Gravel Mastering by Jamie Waddell FLAC Level 8 at 24 bit 96kHz notes 149. 05/29/80 Flac 16/48 - 0, 152539 Des Moines Des Moines Civic Center FLAC1648 Source Info: Roughly 10th row FOB master audience tapes from an Anonymous Benefactor, actual gear lost to the fog of memory Transfer Info: Transferred at 24 bit 96 kHz. Speed Correction by Jason Chastain Critical Listening and Track FLAC, Pack by Steven Gravel Mastering by Jamie Waddell 16 Bit 48 kHz FLAC Level 8 from 24 Bit 96 kHz source via Izotope RX8 with MBIT+ dither notes 150. 05/29/80 Flac 16/44 - 0, 152540 Des Moines Des Moines Civic Center FLAC1644 Source Info: Taper's Section Set Two SBD MP3 patched with GEMS AUD Source ID 152534 Transfer Info: Transferred at 16 bit 44.1 kHz Mastering by Jamie Waddell FLAC Level 8 notes 151. 05/30/80 Flac 16 - 0, 92217 Milwaukee Milwaukee Auditorium flac16 Recording Info:Set 1: SBD -> ? -> 5th Gen Cassette Set 2: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info:Set 1: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) ->Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16; Set 2: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC/16; Set 1 Transferred By Charlie Miller; Set 2 Transferred By Rob Eaton; All Mastering By Charlie Miller notes 152. 05/30/80 Flac 16 - 0, 128381 Milwaukee Milwaukee Auditorium flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes 153. 05/30/80 Flac 16 - 0, 91932 Milwaukee Milwaukee Auditorium flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes 154. 05/30/80 Shn - 0, 14837 Milwaukee Milwaukee Auditorium Source: A:C:C:D > CDR via David Minches shn encoding Matt Vernon notes 155. 05/31/80 Flac 16 - 0, 91763 Bloomington Metropolitan Sports Center flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes 156. 05/31/80 Shn - 0, 11927 Bloomington Metropolitan Sports Center AUD>MC>DAT>CD; via Paul B; Seeded to etree by Willy notes 157. 05/??/80 Flac 16 - 0, 34685 Uniondale Nassau Veterans Memorial Coliseum flac16; FM broadcast > cassette (TDK SA-90) > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, checksums and FLAC compression) > FLAC notes 158. 05/??/80 Flac 24/96 - 0, 144275 Uniondale Nassau Veterans Memorial Coliseum flac24; FM Broadcast (King Biscuit Flower Hour); 7" Reel @ 3.75 ips; Transfer Info: 7" 3.75 ips reel (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496 notes 159. 05/??/80 Flac 16/48 - 0, 144274 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; FM Broadcast (King Biscuit Flower Hour); 7" Reel @ 3.75 ips; Transfer Info: 7" 3.75 ips reel (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 160. 06/05/80 Flac 16 - 0, 100252 Tempe Compton Terrace Amphitheatre flac16; Source: (FOB) Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLI); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor notes 161. 06/05/80 Flac 24/96 - 0, 106616 Tempe Compton Terrace Amphitheatre flac24; (FOB) Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLI) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded FOB by Bob Morris. Transfer (Jul 09) and 24/96 edit/patch (Dec 09) by Bob Morris. notes 162. 06/05/80 Shn - 0, 4663 Tempe Compton Terrace Amphitheatre FOB (Sennheiser 421's)> Master Cassette> DAT> CDR> EAC> SHN; Processed with DCArt Millenium software; DAE (EAC) and SHN Encoding by Jeff M.; tracked for 2x80; missing encore notes 163. 06/05/80 Flac 24 - 0, 141714 Tempe Compton Terrace Amphitheatre flac24; Set 2 Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 164. 06/05/80 Flac 16 - 0, 141902 Tempe Compton Terrace Amphitheatre flac16; Set 2 Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 165. 06/07/80 Flac 16 - 0, 128414 Boulder Folsom Field, University Of Colorado flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes 166. 06/07/80 Flac 16 - 0, 88451 Boulder Folsom Field, University Of Colorado flac16;Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXLII-C90) All Transfers and Mastering By Charlie Miller notes 167. 06/07/80 Shn - 0, 11533 Boulder Folsom Field, University Of Colorado Aud>?>CD; Distortion throughout post drums segment; via Tom G; Seeded to etree by Willy notes 168. 06/07/80 Flac 16 - 0, 96567 Boulder Folsom Field, University Of Colorado flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole at soundboard> Sony TC-D5 (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes 169. 06/07/80 Flac 16 - 0, 100253 Boulder Folsom Field, University Of Colorado flac16; Source: Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII except d3t01-d3t12: UDXLI); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor notes 170. 06/07/80 Flac 16 - 0, 31348 Boulder Folsom Field, University Of Colorado flac16; mac > 1st gen cass > cdr > eac > flac; tapes provided by Jeff "Mr Tapes" Maas (1980); transfer by Paul "ESPN" Epstein (2005); via SIRMick notes 171. 06/07/80 Flac 24/96 - 0, 142841 Boulder Folsom Field, University Of Colorado flac24; Set 1 Recording Info: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII-90); Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496 notes 172. 06/07/80 Flac 16/48 - 0, 142842 Boulder Folsom Field, University Of Colorado flac16/48kHz; Set 1 Recording Info: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII-90); Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 173. 06/07/80 Flac 24/96 - 0, 144748 Boulder Folsom Field, University Of Colorado flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (pole mounted at the soundboard)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 174. 06/07/80 Flac 16/48 - 0, 144747 Boulder Folsom Field, University Of Colorado flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (pole mounted at the soundboard)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 175. 06/07/80 Flac 16/48 - , 155700 Boulder Folsom Field, University Of Colorado flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes 176. 06/07/80 Flac 24/96 - , 155701 Boulder Folsom Field, University Of Colorado flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes 177. 06/08/80 Flac 16 - 0, 128415 Boulder Folsom Field, University Of Colorado flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes 178. 06/08/80 Flac 16 - 0, 88452 Boulder Folsom Field, University Of Colorado flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXLII-C90) All Transfers and Mastering By Charlie Miller notes 179. 06/08/80 Shn - 0, 7563 Boulder Folsom Field, University Of Colorado Master Audience Cassette; Sennheiser 421 mics > Sony D5> DAT> CDR, CD Mastering by Scott Clugston, EAC'ed / SHN'ed by Scott Clugston, Posted to abgd via Charlie Connor notes 180. 06/08/80 Flac 16 - 0, 100260 Boulder Folsom Field, University Of Colorado flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 181. 06/08/80 Shn - 0, 7193 Boulder Folsom Field, University Of Colorado Recording by Rob Eaton: FOB Senn 421's> Nak 550 Cm> DAT> CD> EAC> Soundforge4> SHN; Recorded By Rob Eaton; includes alternate AUD patches (see info for notes and flaws); stemming from DNC tree Round 9 (1/01); via Tome notes 182. 06/08/80 Flac 24/96 - 0, 142843 Boulder Folsom Field, University Of Colorado flac24; Set 2 Recording Info: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII-90); Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496 notes 183. 06/08/80 Flac 16/48 - 0, 142844 Boulder Folsom Field, University Of Colorado flac16/48kHz; Set 2 Recording Info: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII-90); Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 184. 06/08/80 Flac 24/96 - 0, 144750 Boulder Folsom Field, University Of Colorado flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (pole mounted at the soundboard)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 185. 06/08/80 Flac 16/48 - 0, 144749 Boulder Folsom Field, University Of Colorado flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (pole mounted at the soundboard)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 186. 06/08/80 Flac 16/48 - , 152600 Boulder Folsom Field, University Of Colorado flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496 notes 187. 06/08/80 Flac 24/96 - , 152601 Boulder Folsom Field, University Of Colorado flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496 notes 188. 06/08/80 Flac 16/48 - , 155742 Boulder Folsom Field, University Of Colorado FLAC 1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXL-II 90, except for Feel Like A Stranger and Ship Of Fools TDK SA 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes 189. 06/08/80 Flac 24/96 - , 155741 Boulder Folsom Field, University Of Colorado FLAC 2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXL-II 90, except for Feel Like A Stranger and Ship Of Fools TDK SA 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes 190. 06/12/80 Flac 16 - 0, 104967 Portland Portland Memorial Coliseum flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x Nakamichi cm700 >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> WAV [16/44.1] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0108 16/44.1 notes 191. 06/12/80 Shn - 0, 11361 Portland Portland Memorial Coliseum AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy notes 192. 06/12/80 Shn - 0, 7007 Portland Portland Memorial Coliseum set 2; Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; Shn'ed by Scott Clugston notes 193. 06/12/80 Flac 16 - 0, 100261 Portland Portland Memorial Coliseum flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from the left-side riser by Bob Morris notes 194. 06/12/80 Flac 16 - 0, 141805 Portland Portland Memorial Coliseum flac16; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp notes 195. 06/12/80 Flac 24 - 0, 141798 Portland Portland Memorial Coliseum flac24; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 196. 06/12/80 Flac 24 - 0, 150005 Portland Portland Memorial Coliseum flac24; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This fixes the out of phase left channel on source ID 141798 notes 197. 06/12/80 Flac 16 - 0, 150233 Portland Portland Memorial Coliseum flac16; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This fixes the out of phase left channel on source ID 141798, this file set is 16 bit @ 44.1 notes 198. 06/13/80 Flac 16 - 0, 100259 Seattle Seattle Center Arena flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII except: d3t03-d3t08 UDXLI) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded "extreme fob" at the stage barricade, center, by Bob Morris notes 199. 06/13/80 Flac 16 - 0, 91220 Seattle Seattle Center Arena flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 45' from stage Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes 200. 06/13/80 Shn - 0, 7196 Seattle Seattle Center Arena Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; CD Mastering, Shn'ed by Scott Clugston notes 201. 06/13/80 Flac 24/96 - 0, 144768 Seattle Seattle Center Arena flac24; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (DFC, mounted on pole 35' from stage) > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 202. 06/13/80 Flac 16/48 - 0, 144767 Seattle Seattle Center Arena flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (DFC, mounted on pole 35' from stage) > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 203. 06/13/80 Flac 16/48 - , 155743 Seattle Seattle Center Arena flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA 90, except Sugar Magnolia and Alabama Getaway-Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes 204. 06/13/80 Flac 24/96 - , 155744 Seattle Seattle Center Arena flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA 90, except Sugar Magnolia and Alabama Getaway-Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes 205. 06/14/80 Flac 16 - 0, 91362 Spokane Spokane Coliseum flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 50' from stage center Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes 206. 06/14/80 Flac 16 - 0, 100258 Spokane Spokane Coliseum flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 207. 06/14/80 Flac 24/96 - 0, 106617 Spokane Spokane Coliseum flac24; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded by Bob Morris. Transfer (Jul 09) and edit/patch (Dec 09) by Bob Morris notes 208. 06/14/80 Shn - 0, 7198 Spokane Spokane Coliseum Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; CD Mastering, Shn'ed by Scott Clugston notes 209. 06/14/80 Flac 16 - 0, 105537 Spokane Spokane Coliseum flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x Nakamichi cm700 >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe MOTB Release: 0030 16/44.1 notes 210. 06/14/80 Flac 24/96 - 0, 144772 Spokane Spokane Coliseum flac24; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (DFC, mounted on pole 50' from stage) > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 211. 06/14/80 Flac 16/48 - 0, 144771 Spokane Spokane Coliseum flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (DFC, mounted on pole 50' from stage) > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 212. 06/14/80 Flac 16/48 - , 155813 Spokane Spokane Coliseum flac16/48 Set 2 only. Source Info: Scott Wiseman's Master Audience Cassette; AKG SE-5E mics with CE-1 cardioid capsules (center, behind soundboard, 11' stand) > Sony TC-D5 (TDK SA 90, except One More Saturday Night encore - Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes 213. 06/14/80 Flac 24/96 - , 155814 Spokane Spokane Coliseum flac24/96 Set 2 only. Source Info: Scott Wiseman's Master Audience Cassette; AKG SE-5E mics with CE-1 cardioid capsules (center, behind soundboard, 11' stand) > Sony TC-D5 (TDK SA 90, except One More Saturday Night encore - Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes 214. 06/19/80 Flac 16 - 0, 80631 Anchorage West High Auditorium flac 16; Source: SBD -> Cassette Master; Transfer Info: Cassette Master -> Sonic Solutions -> SBM2 -> CD; Mastering Info: CD -> Samplitude Professional v8.01 -> FLAC; Cassette Masters supplied by Richard Hale; Transferred By David Gans; Patch Source Recorded By Mark Severson; Additional Mastering By Charlie Miller notes 215. 06/19/80 Flac 16 - 0, 113300 Anchorage West High Auditorium flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller notes 216. 06/19/80 Flac 16 - 0, 89125 Anchorage West High Auditorium flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs + 1 Maxell UD XL-I) Recorded from Row M, Seat 12, Left Side Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes 217. 06/19/80 Shn - 0, 10056 Anchorage West High Auditorium SBD>MC>??>DAT>CDR; via paul B; Seeded to etree by Willy; upgrade in circulation notes 218. 06/19/80 Flac 24/96 - 0, 144905 Anchorage West High Auditorium flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (mounted on pole, Row M, Seat 12, left side) > Sony TC-D5(2 Maxell XLII's, 1 Maxell UDXLI); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 219. 06/19/80 Flac 16/48 - 0, 144904 Anchorage West High Auditorium flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (mounted on pole, Row M, Seat 12, left side) > Sony TC-D5(2 Maxell XLII's, 1 Maxell UDXLI); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 220. 06/19/80 Flac 16 Mtx - , 153162 Anchorage West High Auditorium flac16/44 flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 113300 & 144904. notes 221. 06/20/80 Flac 16 Mtx - 0, 92783 Anchorage West High Auditorium flac16; SBD/AUD Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) notes 222. 06/20/80 Flac 16 - 0, 113301 Anchorage West High Auditorium flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller notes 223. 06/20/80 Shn - 0, 13532 Anchorage West High Auditorium both sets; SBD> MC> 1C> WAV (via SBLive)> CDR; Conversion/Editing: SBLive!> COOLEDIT2000 (Noise reduction, tracking at sector boundaries and bass boost)> mkwACT> SHN; via Brian Donohue; see editing notes in info file; upgrade in circulation notes 224. 06/20/80 Shn - 0, 25469 Anchorage West High Auditorium Recording Info: SBD -> Cassette Master -> Sonic Solutions (20bit) -> SBM2 (Dithered To 16bit) -> CD (Master Production Discs) -> EAC -> SHN (3 Discs Audio / 2 Discs SHN)Patch Info: Patches in Let It Grow and Drums supplied By AKG 414 -> Cm -> Dat -> CD -> EAC -> SHN via Charlie Miller notes 225. 06/20/80 Flac 16 - 0, 89188 Anchorage West High Auditorium flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded from Row J, Seat 2, Right Side; 25' from stage Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes 226. 06/20/80 Shn - 0, 20205 Anchorage West High Auditorium Recording by Eddie Claridge at the soundboard patched from Dan Healy. AKG 414 stereo mic -> Sony TC-158 deck via John Gaetzi encoded by Matt Vernon notes 227. 06/20/80 Flac 16 - 0, 73846 Anchorage West High Auditorium flac16; SBD > MC > SS > SBM2 > CDA> WAV(EAC) > SHN > DAW(Bertha) > CDA/SHN > CE2k > FLAC [pitch corrected version of shn id 25468 by Bill Tetzeli]. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 228. 06/20/80 Shn - 0, 25468 Anchorage West High Auditorium SBD>>MC>>SS>SBM2>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN via Jay Ashley notes 229. 06/20/80 Shn - 0, 1474 Anchorage West High Auditorium set 1; analog SBD -> Processed in Sound Forge 4.0 -> CDR; Generation Unknown; had been around for a while as data wavs in abgd circles, now shned by James Hicks; note most tracks have more than 1 song; upgrade in circulation notes 230. 06/20/80 Shn - 0, 17268 Anchorage West High Auditorium SBE-fixed version of previous source: Source: SBD>MC>1C>CD-R CONVERSION: SBLIVE>COOLEDIT2000>mkwACT>SHN Mastered, edited, and shn'd from first gen cassette by Brian Donohue, Kodiak, Alaska. ; upgrade in circulation notes 231. 06/20/80 Flac 24/96 - 0, 144907 Anchorage West High Auditorium flac24; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted on pole 25' from stage, right side, Row J Seat 2) > Sony TC-D5 (Maxell XLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 232. 06/20/80 Flac 16/48 - 0, 144906 Anchorage West High Auditorium flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted on pole 25' from stage, right side, Row J Seat 2) > Sony TC-D5 (Maxell XLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 233. 06/21/80 Flac 16 Mtx - 0, 112150 Anchorage West High Auditorium flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes 234. 06/21/80 Flac 16 - 0, 113302 Anchorage West High Auditorium flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller notes 235. 06/21/80 Shn - 0, 27590 Anchorage West High Auditorium Bertha Remaster of Master Soundboard Cassette Source notes 236. 06/21/80 Flac 16 Mtx - 0, 28470 Anchorage West High Auditorium flac16; SBD/AUD Matrix Mix (60%-SBD/40%-AUD) SBD source: Soundboard > Cassette Master > Sonic Solutions (20bit) > Sony SBM2 > Master CD > EAC > FLAC (shn id 27448); AUD source: Source: AKG 414 stereo mic -> Sony TC-158 deck, Taper: Eddie Claridge (shn id 23531). SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. This is a 60% SBD, 40% AUD mix. Mixed by dan@am-dig.com. note: info file now reflects tracking for 80 minutes CDs notes 237. 06/21/80 Shn - 0, 23531 Anchorage West High Auditorium Source: Recorded by Eddie Claridge at the soundboard patched from Dan Healy. AKG 414 stereo mic -> Sony TC-158 deck Lineage: MAC > [DAT?] > CDR (no intermediate cassette generations) Encoding: EAC(secure) > Cool Edit Pro > CDWAV > shntool > mkwact > SHN(seekable) by Matt Vernon via John Gaetzi notes 238. 06/21/80 Flac 24/44 - 0, 28475 Anchorage West High Auditorium flac24; DVD-A 24/44 SBD+AUD Matrix Mix - 24 bit version of other Matrix source by Dan. notes 239. 06/21/80 Flac 16 - 0, 27448 Anchorage West High Auditorium flac 16; Soundboard> Cassette Master> Sonic Solutions (20bit)> SBM2> Master CD> EAC> FLAC. Cassette Masters provided by Richard Hale, Transfer and patch by David Gans, FLAC and upload by Joe Samaritano notes 240. 06/21/80 Shn - 0, 8639 Anchorage West High Auditorium Sources:Primary Source:Master Soundboard Cassette > Reel To Reel > DAT> CDR; Secondary Source:Master Audience Cassette; AKG 414 mics source supplies the "Announcements/Intro", portions of "Sugaree", "Loser", "Big Railroad Blues" "Drums". Patching/CD Mastering & shn'ed by Scott Clugston; To fungus and abgd via Charlie Connor ; upgrade in circulation notes 241. 06/21/80 Flac16 Dts 5.1 - 0, 32228 Anchorage West High Auditorium flac16; DTS-Audio-CD 5.1 Mix of SBD Cassette Master> Sonic Solutions (20bit) (shn id 27448) and AUD AKG 414 stereo mic -> Sony TC-158 deck (shn id 23531) note: info file now reflects tracking for 80 minutes CDs notes 242. 06/21/80 Flac 16 - 0, 89214 Anchorage West High Auditorium flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded from Row M, Seat 2, Right Center Floor Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes 243. 06/21/80 Flac 16 - 0, 74407 Anchorage West High Auditorium flac16; Repatched fix of shn id 8369 - Master Soundboard Cassette > Reel To Reel > DAT> CDR by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 244. 06/21/80 Shn - 0, 321 Anchorage West High Auditorium SBD -> ?? -> DAT(2) -> CDR; transfer: Sony PCM-M1 -> coaxial SRC -> Marantz CDR630 ->? Astarte CD-Copy 2.0.3 -> AIFF -> SoundApp (WAVE) -> SHN; seed via J. Wise et al; transfer by Dan M.; d1t1, Random digi-noise/distortion for first 45 seconds; d1t6,? Major Splice is on Master; d2t3, 1st Verse is missing; see additional flaw note about d2t7 in pub comments; upgrade in circulation notes 245. 06/21/80 Flac 24/96 - 0, 144909 Anchorage West High Auditorium flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (mounted on pole, right center, Row M Seat 2) > Sony TC-D5 (Maxell XLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 246. 06/21/80 Flac 16/48 - 0, 144908 Anchorage West High Auditorium flac1648 Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (mounted on pole, right center, Row M Seat 2) > Sony TC-D5 (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 247. 06/29/80 Shn - 0, 10057 Los Angeles Pauley Pavilion, UCLA 2nd set; SBD>MC>??>DAT>CDR; Missing Sunshine Daydream & US Blues; via Paul B; Seeded to etree by Willy notes 248. 06/29/80 Shn - 0, 16438 Los Angeles Pauley Pavilion, UCLA set 1; SBD > ? > C > CDR; via Joey Browning, encoded by Matt Vernon notes 249. 06/29/80 Flac 16 - 0, 128523 Los Angeles Pauley Pavilion, UCLA flac16; Recorded by Mason Taylor; set one master tape; set two first generation safety copy notes 250. 06/29/80 Flac 16 - 0, 88976 Los Angeles Pauley Pavilion, UCLA flac16; Set 2 Only Ambient master recording by Mase Senn MD421 n.c. -> Sony TC-D5 w/ Maxell XLII 90 Master Maxell XLII cassette - TC-D5 -> Teac A100 casette deck 1st gen copy w/ TC-D5M no n.r. line-out -> Sound Devices 722 @ 24bit 48khz by mfrench track split by Sound Studios 2.2.4, with some "dead-air" removed at tape flip points, with no other edits dither to 44.1 kHz notes 251. 06/29/80 Flac 16 - 0, 29917 Los Angeles Pauley Pavilion, UCLA flac16; Unknown Mikes> Sony D5 (Maxel XL2s) (master cassette)> Denon DRW-840G (Maxel XL2s) (1st gen cassette)> sony PCM-R300 (via sony 750es & monster interlink cables) (1st DAT gen) > HD (via CTD8000H-S SGI/Seagate Audio Capable DDS-2 DAT running dat2wav) > cdwav 1.54> converted to .flac w/ dbpowerAMP 11 using FLAC codec 1.1.2) notes 252. 06/29/80 Flac 24/48 - 0, 88977 Los Angeles Pauley Pavilion, UCLA flac24; Set 2 Only Ambient master recording by Mase Senn MD421 n.c. -> Sony TC-D5 w/ Maxell XLII 90 Master Maxell XLII cassette - TC-D5 -> Teac A100 casette deck 1st gen copy w/ TC-D5M no n.r. line-out -> Sound Devices 722 @ 24bit 48khz by mfrench track split by Sound Studios 2.2.4, with some "dead-air" removed at tape flip points, with no other edits notes 253. 07/01/80 Flac 16 - 0, 125844 San Diego San Diego Sports Arena flac16; Source: SBD > ? > DAT, however there are clearly multiple sources patched together; Conversion: My DAT > Tascam DA-20 S/PDIF > M-Audio Audiophile S/PDIF > Total Recorder (PC) (44.1/16-bit) > WAV > Split with CDWave > Encode to FLAC (Traders Little Helper); Conversion: Justin Mason notes 254. 07/01/80 Shn - 0, 9361 San Diego San Diego Sports Arena sbd>?>dat; there are splices from an unknown source at Althea and also for the encore; Seeded to etree by Brian Cole notes 255. 07/01/80 Flac 16 - 0, 136754 San Diego San Diego Sports Arena flac16; Source: Unknown AUD, from the collection of Brian Schley. Transfer: Old TDK SA90s > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. notes 256. 07/01/80 Flac 16 - 0, 139308 San Diego San Diego Sports Arena flac16; source: sbd; Jerry Moore’s 2nd gen cassettes; maxell udxlII90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transfer & seeded by Rob Berger notes 257. 07/01/80 Flac 24/96 - 0, 139309 San Diego San Diego Sports Arena flac24; source: sbd; Jerry Moore’s 2nd gen cassettes; maxell udxlII90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transfer & seeded by Rob Berger notes 258. 07/01/80 Flac 16 - 0, 141396 San Diego San Diego Sports Arena flac16; Source Info: Master Soundboard Cassettes > ?? > Reel to Reel > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 259. 07/01/80 Flac 16 - 0, 137885 San Diego San Diego Sports Arena flac16: unknown audience recording from collection of CC Transfer: first gen cassette > VHS HiFi > HK CDR2 > FLAC notes 260. 08/16/80 Flac 16 - 0, 88959 Edwardsville Southern Illinois University flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 261. 08/16/80 Flac 16 - 0, 128616 Edwardsville Southern Illinois University flac16; Set 1 & Partial Set 2 Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; the original version had sector boundary errors; don't circulate the original versio notes 262. 08/16/80 Shn - 0, 14044 Edwardsville Southern Illinois University Source: MAC>DAT>CDR & MAC>Cass. x ?>DAT>CDR via Andy Lemieux shn encoding by Matt Vernon notes 263. 08/16/80 Shn - 0, 20137 Edwardsville Southern Illinois University Recording by Joani Walker: FOB MAC w/ Sony ECM-250s>Sony TC-158>CDR via Paul Scotton, tracking & tweaking by Scott Clugston, SHN encoding by Andy Lemieux ; upgrade in circulation notes 264. 08/17/80 Flac 16 - 0, 93037 Kansas City Kansas City Municipal Auditorium flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes 265. 08/17/80 Shn - 0, 12107 Kansas City Kansas City Municipal Auditorium AUD>?>CD; via Paul B; Seeded to etree by Willy notes 266. 08/19/80 Flac 16 - 0, 88172 Chicago Uptown Theater flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> ? -> Dat (48k) Transfer Info: Set 1: Cassette -> Apogee MiniMe -> Samplitude Professional v9.11 -> FLAC Set 2: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes 267. 08/19/80 Shn - 0, 28043 Chicago Uptown Theater et 2p; SBD > Cass(m) > Cass > reel > DAT; conversion: fostex d-5 > zoltrix nightingale > cdwave (resample to 44.1khz, tracking) > shn; upgrade in circulation notes 268. 08/19/80 Flac 24 - 0, 127497 Chicago Uptown Theater flac24; Set 1 Recorded 1st row balcony Sennheiser 421>Sony TCD-5M>Nak 550; Patched into Neil (aka froggy RIP); transfered by Richie Stankiewicz; 1st Gen>DAT Cakewalk UA-1G notes 269. 08/19/80 Flac 16 - 0, 131445 Chicago Uptown Theater flac16; Partial; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes 270. 08/19/80 Shn - 0, 8739 Chicago Uptown Theater Recording by Dougal Donaldson: FOBalcony Nak 700's w/shotgun caps>Sony TC-158 MC>DAT>CD; via Mark Lindenbaum; Seeded to etree by Willy notes 271. 08/19/80 Flac 16/48 - 0, 140366 Chicago Uptown Theater flac16/48kHz; Set 2 Audience Cassette of unknown lineage > PC > Soundforge notes 272. 08/19/80 Flac 16 - 0, 150336 Chicago Uptown Theater flac16; Remaster of source ID 8739: FOB Balcony Nak 700's w/shotgun caps > Master Cassette (Sony TC-158) > DAT > CD; Edited & Remastered using Adobe Audition by Joe Noel; see info file for details notes 273. 08/19/80 Flac 16/44 - 0, 151796 Chicago Uptown Theater Flac1644 Source: Sennheiser MD-421's (1st row balcony) > TC-D5 > MAC > Low-Gen (1st or 2nd) tapes from the collection of Brian Schley. Transfer: TDK-SA (Set1) & Maxell-XLII (Set2) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. notes 274. 08/20/80 Flac 16 - 0, 128619 Chicago Uptown Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes 275. 08/20/80 Shn - 0, 8740 Chicago Uptown Theater Recording by Dougal Donaldson: FOBalcony Nak 700's w/shotgun caps>Sony TC-158 MC>DAT>CD; via Mark Lindenbaum; Seeded to etree by Willy notes 276. 08/20/80 Flac 16 - 0, 140367 Chicago Uptown Theater flac16; Partial Set 2 Audience Cassette of unknown lineage with fills from Archives .wav files > PC > Soundforge notes 277. 08/20/80 Flac 16 - 0, 147370 Chicago Uptown Theater b>flac16; Set 1 Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This fileset is 16 bit at 44.1 notes 278. 08/20/80 Flac 24 - 0, 147366 Chicago Uptown Theater flac24; Set 1 Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 279. 08/20/80 Flac 24/48 - 0, 149293 Chicago Uptown Theater flac24; Source: AUD of unknown lineage > ? > lo-gen cassette via Richie & Rip. Transfer: TDK SA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2020 notes 280. 08/20/80 Flac 16 - , 151836 Chicago Uptown Theater FLAC 16 ; Source: AUD of unknown lineage > ? > lo-gen cassette via Richie & Rip. Transfer: TDK SA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2020 24/48 -> 16/48 of shnid 149293 via Saracon notes 281. 08/21/80 Flac 16 - 0, 99034 Chicago Uptown Theater flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 282. 08/21/80 Flac 16 - 0, 128623 Chicago Uptown Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes 283. 08/21/80 Shn - 0, 7913 Chicago Uptown Theater SBD>MC>C>DAT>CD; via Scott Shindell; Seeded to etree by Willy notes 284. 08/21/80 Flac 16 - 0, 126369 Chicago Uptown Theater flac16; AUD: 2 AKG D222E + 1 Beyer M160 > Nakamichi 550, Orch 20th row right center. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 12/2013 notes 285. 08/21/80 Flac 24/96 - 0, 126368 Chicago Uptown Theater flac24; AUD: 2 AKG D222E + 1 Beyer M160 > Nakamichi 550, Orch 20th row right center. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 12/2013 notes 286. 08/23/80 Flac 16 - 0, 89130 East Troy Alpine Valley Music Theatre flac16; Recording Info: Unknown Mics -> Cassette Master -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 287. 08/23/80 Shn - 0, 11928 East Troy Alpine Valley Music Theatre Unknown audience equipment>Cass>CDR; Seeded to etree by Glenn Gillis notes 288. 08/24/80 Flac 16 - 0, 128391 Grand Rapids Grand Center flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes 289. 08/24/80 Shn - 0, 10531 Grand Rapids Grand Center Recording by Rob Eaton: FOB Nakamichi 300> Sony TC-D5> DAT> CDs(3X?); via Dr. Sketchy; Seeded to etree by jim@juddcreek notes 290. 08/26/80 Shn - 0, 13815 Cleveland Cleveland Public Hall sbd-> cassette-> unknown digital xfer(s)-> Sonic-> CD-> CD-> EAC-> SHN Note: Beginning gap in Don't Ease Me In patched by David Gans using a piece of the chorus in. This is not a "new" source notes 291. 08/26/80 Flac 16 - 0, 128614 Cleveland Cleveland Public Hall flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes 292. 08/26/80 Shn - 0, 9632 Cleveland Cleveland Public Hall SBD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy notes 293. 08/26/80 Flac 16 - 0, 106342 Cleveland Cleveland Public Hall flac16:source: master cassette recorded by Nick Millner Nak 300 mics -> Sony D5 patched out of "Gus from Arkansas" 1st gen cassette: Sony D5 -> unknown cassette recorder this recording: 1st gen cassette p/b in Sony D-5 -> sound card -> CDWav editor -> Wav -> FLAC. Seeded at Dime-A-Dozen ~ 2/26/2010 notes 294. 08/26/80 Flac 16 - 0, 82166 Cleveland Cleveland Public Hall flac16; Recorded by Joel Barnhama Master Audience Cassette; 2 Sennheiser 421s + center mike> Nakamichi 550 (Fuji FX-1) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (24/96)> Adobe Audition > Downsample/Dither> flac encoding > FLAC notes 295. 08/27/80 Flac 16 - 0, 92385 Clarkston Pine Knob Music Theater flac16; Recording Info:SBD -> Master Cassette -> Cassete -> Dat (48k) -> Pro Tools -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes 296. 08/27/80 Flac 16 - 0, 123988 Clarkston Pine Knob Music Theater flac16; Recording Info: SBD -> Master Cassette -> Dat; Transfer Info: Dat -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 297. 08/27/80 Shn - 0, 12160 Clarkston Pine Knob Music Theater AUD>MC>??>DAT>CDR; Multiple analog gens suspected; via Paul B; Seeded to etree by Willy notes 298. 08/29/80 Flac 16 - 0, 91694 Philadelphia The Spectrum flac16; Recording Info: SBD -> Master Cassette -> Cassete -> Dat (48k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes 299. 08/29/80 Flac 16 - 0, 102013 Philadelphia The Spectrum flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 300. 08/29/80 Flac 16 - 0, 100390 Philadelphia The Spectrum flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes 301. 08/29/80 Flac 16 - 0, 123588 Philadelphia The Spectrum flac16; Set 2 only, AUD, unknown equipment & lineage. Pitch adjusted. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > TLH > FLAC 1644, January 2013. notes 302. 08/29/80 Shn - 0, 10033 Philadelphia The Spectrum 1st Set; Senn 421's>MC>DAT>CDR 2nd Set; SBD>MC>C>DAT>CDR, with ~1 min of aud patches during Other One & Drums, see info file for details; via Paul B; Seeded to etree by Willy notes 303. 08/30/80 Flac 16 - 0, 110152 Philadelphia The Spectrum flac16; Recording Info:Set 1: SBD -> Cassette Master -> ? -> CD; Set 2: SBD -> Cassette Master -> Dat -> Sonic Solutions -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 304. 08/30/80 Flac 16 - 0, 127431 Philadelphia The Spectrum flac16; First Set only. Source: SBD > 3rd Gen cassette (Dolby C) with thanks to Jon Pasternak. Transfer: XLII (Dolby C) > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. notes 305. 08/30/80 Flac 16 - 0, 107394 Philadelphia The Spectrum flac16; Set 1 SBD>?>CD Set 2 SBD>MR>DAT>DAT Clone>CDR>FLAC>WAV>Cool Edit Repitch>FLAC (see text file for caveats) (note: This fixed source was originally seeded with a flawed d2t01 notes 306. 08/30/80 Flac 16 - 0, 100392 Philadelphia The Spectrum flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes 307. 08/30/80 Shn - 0, 15408 Philadelphia The Spectrum 1st Set Only; SBD>?>CD; Entire set pitch corrected; via Joey Browning; Seeded to etree by Willy notes 308. 08/30/80 Flac 16 - 0, 102015 Philadelphia The Spectrum flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 309. 08/30/80 Shn - 0, 16039 Philadelphia The Spectrum Recording by Jim Wise: complete; AUD @ Soundboard w/Senn 421's mounted on a pole> Sony TC-D5> CM > Nak Dragon > Sony PCM R-700 > D > HD > SndFge > CDR via Mike McCarthy, encoded by Matt Vernon notes 310. 08/30/80 Flac 16 - 0, 34939 Philadelphia The Spectrum flac16; Soundboard shn id 15408 and fixed version of shn id 8875 via Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 311. 08/30/80 Shn - 0, 8775 Philadelphia The Spectrum 2nd set only; SBD>MC>DAT>DAT Clone>CDR; via Rich Graboyes; Seeded to etree by Willy (update source info) notes 312. 08/31/80 Flac 16 - 0, 128509 Landover Capital Centre flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes 313. 08/31/80 Shn - 0, 26353 Landover Capital Centre AUD, SBD combo: Set 1: Sennheiser 421> Cassette Master> Dat> Sound Forge> CD> EAC> SHN; Set 2: SBD> Cassette Master> Cassette> Dat> CD> EAC> SHN; Converted To SHN By Charlie Miller notes 314. 08/31/80 Shn - 0, 8824 Landover Capital Centre Audience (unknown equipment -- may be Jim Wise's master); Seeded to etree by Peter Braverman notes 315. 08/31/80 Shn - 0, 7456 Landover Capital Centre Recording by Jim Wise: Master Audience Cassette > DAT > Hard disk (Sound Forge) > CD; , at the soundboard with Sennheiser 421's; via Popi notes 316. 08/31/80 Flac 16 - 0, 34418 Landover Capital Centre flac16; Recording by Mark Cohen: Master cassette audience>DAT>CD ; Nak 700s> Sony TC-D5 notes 317. 08/31/80 Flac 16 - 0, 101718 Landover Capital Centre flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 318. 08/31/80 Flac 16 - 0, 139642 Landover Capital Centre flac16; Recording Info: Set 1: Sennheiser 421 > Cassette Master > SHN (shnid=7456); Set 2: SBD > Cassette Master > Cassette > CD (shnid=26353); Transfer Info: CD > Adobe Audition CC 2015 > Samplitude Professional v11.2.1 > FLAC; All Mastering By Charlie Miller notes 319. 08/31/80 Flac 16/48 - 0, 142993 Landover Capital Centre flac16/48kHz; Source Info: George Sterry's Master Audience Cassettes; Unknown mics > Sony TC158SD (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 320. 08/31/80 Flac 24/96 - 0, 142992 Landover Capital Centre flac24; Source Info: George Sterry's Master Audience Cassettes; Unknown mics > Sony TC158SD (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496 notes 321. 08/31/80 Flac 24/96 - 0, 144289 Landover Capital Centre b>flac24; Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 322. 08/31/80 Flac 16/48 - 0, 144288 Landover Capital Centre flac16/48kHz; Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 323. 08/31/80 Flac 24/96 - , 154698 Landover Capital Centre flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2021 > TLH2496 notes 324. 08/31/80 Flac 16/48 - , 154697 Landover Capital Centre flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2021 > TLH2496 notes 325. 09/02/80 Flac 16 - 0, 28299 Rochester Community War Memorial Auditorium flac16; mixed sources: d1,2: SBD> Cassette Master> (~4 cass gens?)> Cool Edit Pro> FLAC; d3: SBD> Cassette Master> Dat> Sonic Solutions> CD; Encore: FOB Nakamichi 300/CP1> Cassette Master> Dat> CD; Transferred and Edited By Charlie Miller notes 326. 09/02/80 Flac 16 - 0, 128438 Rochester Community War Memorial Auditorium flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes 327. 09/02/80 Flac 16 - 0, 127274 Rochester Community War Memorial Auditorium flac16 Set 2 AUD: 2x Beyers M160's > Nakamichi 550, FOB center. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 03/2014 notes 328. 09/02/80 Flac 16 - 0, 34940 Rochester Community War Memorial Auditorium flac16; Patched version of soundboard shn id 28299 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 329. 09/02/80 Flac 16 Mtx - 0, 110895 Rochester Community War Memorial Auditorium flac16; Matrix: 60% sbd/40% aud Recording Info: Discs 1 & 2: SBD -> Cassette Master -> ? -> Cool Edit Pro -> FLAC Disc 3: SBD -> Cassette Master -> Dat -> Sonic Solutions -> CD Encore: (FOB) Nakamichi 300/CP1 -> Cassette Master -> Dat -> CD Transfer Info: WAV -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller and FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand FOB, taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. notes 330. 09/02/80 Shn - 0, 26094 Rochester Community War Memorial Auditorium Audience Recording: MC? > Reel/Cass > DAT; Transfer: Sony PCM-R500 DAT > HHB CDR-850> SoundStream WAV> mkACT SHN notes 331. 09/02/80 Shn - 0, 26458 Rochester Community War Memorial Auditorium AUD (FOB, unknown mics)> MC> DAT> CDR> EAC> SHN; complete version of SHN ID 4954, ; reEAC> SHN from the original source audio CDs; CD Mastering, EAC> SHN> seeding to abgd by Skankweed notes 332. 09/02/80 Flac 16 - 0, 102776 Rochester Community War Memorial Auditorium flac16; FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand FOB, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 11/2009 notes 333. 09/02/80 Flac 24/96 - 0, 127723 Rochester Community War Memorial Auditorium flac24; Set 2 AUD: 2x Beyers M160's > Nakamichi 550, FOB center. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 03/2014 notes 334. 09/02/80 Flac 2448 - 0, 102775 Rochester Community War Memorial Auditorium flac24; FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand FOB, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 11/2009 notes 335. 09/02/80 Flac 16/44 - 0, 148953 Rochester Community War Memorial Auditorium flac16/44.1kHz; 2nd Set Source Info: Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M > Rich Gastwirt's Dat (16/44.1); Transfer Info: Dat (Sony PCM-R500)(16/44.1) > Tascam DA-3000 > .wav (16/44.1) > Adobe Audition 2020 > TLH flac16 notes 336. 09/03/80 Flac 24/96 - 0, 106618 Springfield Springfield Civic Center flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Tape flip in drums at 5:35 spliced using Soundforge 9.0. Recorded FOB from Section 63, Row J, Seat 12 by Bob Morris notes 337. 09/03/80 Flac 16 - 0, 102016 Springfield Springfield Civic Center flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded FOB from Section 63, Row J, Seat 12 by Bob Morris notes 338. 09/03/80 Shn - 0, 16925 Springfield Springfield Civic Center MAC > ? > CD > EAC > SHNv3; EAC(secure mode) and encoded to shnv3(seek enabled) by Charles Bass notes 339. 09/03/80 Shn - 0, 12576 Springfield Springfield Civic Center Fixed reseed; FOB by Jim Wise and Eddie Claridge (Sony ECM-280 mics > Sony TC-D5) > Master Audience Cassette > CD-R; Seeded to etree by Sean Cribbs Note- Apparently the first shn set to circulate was corrupt. See the public comments for the original seed for more info notes 340. 09/03/80 Flac 16 - 0, 103169 Springfield Springfield Civic Center flac16:FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up in the arena riser center, end of floor facing the stage. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 12/2009 notes 341. 09/03/80 Flac 24/48 - 0, 103168 Springfield Springfield Civic Center flac24;FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up in the arena riser center, end of floor facing the stage. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 12/2009 notes 342. 09/03/80 Flac 24/96 - 0, 126722 Springfield Springfield Civic Center flac24; Recording by Jim Wise & Eddie Claridge; Master Audience Cassette; Sony ecm 280's > Sony D-5 FOB; Transfer and FLAC encoding by David Minches: 1-10-14; Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes 343. 09/03/80 Flac 16/48 - 0, 143031 Springfield Springfield Civic Center flac16/48kHz; Source Info: Primary: George Sterry's Master Audience Cassettes; Unknown mics > Sony TC-158SD > 1st generation cassette (TDK D90); Secondary: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII C90); Transfer Info: Primary: 1st generation cassettes(Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; Secondary: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 344. 09/03/80 Flac 24/96 - 0, 143030 Springfield Springfield Civic Center flac24; Source Info: Primary: George Sterry's Master Audience Cassettes; Unknown mics > Sony TC-158SD > 1st generation cassette (TDK D90); Secondary: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII C90); Transfer Info: Primary: 1st generation cassettes(Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; Secondary: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496 notes 345. 09/04/80 Flac 16 Mtx - 0, 95601 Providence Providence Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes 346. 09/04/80 Flac 16 - 0, 95497 Providence Providence Civic Center flac16; Recording Info:Set 1: SBD -> Master Cassette -> ? -> Dat -> CD; Set 2: SBD -> Master Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 347. 09/04/80 Flac 2448 - 0, 104936 Providence Providence Civic Center flac24; FOB AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up FOB aprx 20th row, center right. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 12/2009 notes 348. 09/04/80 Flac 16 - 0, 104937 Providence Providence Civic Center flac16; FOB AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up FOB aprx 20th row, center right. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 12/2009 notes 349. 09/04/80 Shn - 0, 20014 Providence Providence Civic Center Set 2 Soundboard Cassette Master > Reel > Dat > CDR via Andy Lemieux and Kingbee Patch Source: AUD>MC>DAT>SF>CD; encoding by Matt Vernon notes 350. 09/04/80 Shn - 0, 17432 Providence Providence Civic Center Set 1 SBD>?>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN(Seekable) notes 351. 09/04/80 Flac 24/96 - 0, 106619 Providence Providence Civic Center flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded from floor Section 8, Row V, Seat 12 by Bob Morris notes 352. 09/04/80 Shn - 0, 12270 Providence Providence Civic Center AUD>MC>DAT>SF>CD; Transferred with Nakamichi Dragon to Sony PCM R-700; via Paul B; Seeded to etree by Willy notes 353. 09/04/80 Shn - 0, 24829 Providence Providence Civic Center Recording by Jim Wise: FOB Sony ECM-280s mounted on a stand > Sony TC-D5 > MAC > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV > CD (untracked) > EAC > WAV > CD Wave tracking > SHN or CD. Original recording, transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs notes 354. 09/04/80 Flac 16 - 0, 93725 Providence Providence Civic Center flac16; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes 355. 09/04/80 Flac 16 - 0, 101719 Providence Providence Civic Center flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from floor Section 8, Row V, Seat 12 by Bob Morr notes 356. 09/04/80 Flac 24/96 - 0, 126719 Providence Providence Civic Center flac24; Recording by Jim Wise & Eddie Claridge; Master Audience Cassette; Sony ecm 280's > Sony D-5 FOB; Transfer and FLAC encoding by David Minches: 1-10-14; Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes 357. 09/06/80 Flac 16 - 0, 93782 Lewiston State Fairgrounds flac16; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-II); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes 358. 09/06/80 Flac 16 - 0, 126441 Lewiston State Fairgrounds flac16; source: aud cassette master; taped by The Commander; audio-technica condensor mics > sony tc-152, tdk sa-c90's, no nr; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer/seed by Rob Berger & Taperchuck notes 359. 09/06/80 Shn - 0, 25471 Lewiston State Fairgrounds Recording by Jim Wise: FOB Nak 700s > Sony TC-D5 (Steve Rolfe?s) > Sony TC-D5 (Jim Wise?s) > MAC (Maxell XII; Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV > CD (untracked) > EAC > WAV > CD Wave tracking > SHN or CD. Original recording, transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs. notes 360. 09/06/80 Shn - 0, 25560 Lewiston State Fairgrounds Recording Info (Source 1): SBD -> Master Cassette -> ? -> Cass -> Fostex D5 (pass-through only) -> ZA2 -> Samplitude v7.02 Professional -> SHN Supplies d1t01 through d2t03 (Provided By Joe Samaritano) Recording Info (Source 2): (FOB) Nakamichi 700 -> Master Cassette (Sony D5) -> Dat -> CD Supplies patch at end of d1t06 and also provides d2t04 through of the show. (Taped By Jim Wise). Remastering by Charlie Miller notes 361. 09/06/80 Flac 16 - 0, 101685 Lewiston State Fairgrounds flac16; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XL-II 90's. Mics on stand FOB, near the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. 09/20 notes 362. 09/06/80 Flac 24/96 - 0, 101684 Lewiston State Fairgrounds flac24; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XL-II 90's. Mics on stand FOB, near the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. 09/2009 notes 363. 09/06/80 Flac 16 - 0, 119726 Lewiston State Fairgrounds flac16; FOB 3 mic blend taped by John Hance; FOB>AMC>DAT>CD>EAC>TLH>FLAC; extracted and flac encoded by Michale Turi notes 364. 09/06/80 Flac 16 - 0, 102017 Lewiston State Fairgrounds flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded FOB by Bob Morris (note: this source was originally seeded with a corrupt d1t02. A fixed version was seeded on 10/14/2009.) notes 365. 09/06/80 Shn - 0, 322 Lewiston State Fairgrounds Nak Dragon > Sony PCM r-500 DAT > CDR notes 366. 09/06/80 Shn - 0, 16926 Lewiston State Fairgrounds MAC > ? > CD > EAC > SHNv3; EAC (secure mode) and encoded to shnv3 (seek enabled) by Charles Bass; missing encores notes 367. 09/06/80 Flac 24/96 - 0, 106620 Lewiston State Fairgrounds flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded FOB by Bob Morris notes 368. 09/06/80 Flac 24/88.2k - 0, 93783 Lewiston State Fairgrounds flac24; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-II); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes 369. 09/06/80 Shn - 0, 23371 Lewiston State Fairgrounds Set 1 Only* Soundboard->Unknown->Cassette. Cassette->Fostex D5 (pass-through only)-> ZA2->Samplitude v7.02 Professional-> .wav->mkw->SHN. Cassette seed provided by Joey Browning. Transfer, editing, and SHN by Joe Samaritano notes 370. 09/06/80 Flac 16/48 - 0, 142972 Lewiston State Fairgrounds flac16/48kHz; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII-C90)(patched out of Steve Rolfe); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 371. 09/06/80 Flac 24/96 - 0, 142971 Lewiston State Fairgrounds flac24; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII-C90)(patched out of Steve Rolfe); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes 372. 09/06/80 Flac 16 - 0, 136807 Lewiston State Fairgrounds flac16; Recording by Steve Rolfe & Jim Wise: Master Audience Cassette; 2 NaKamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches; Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes 373. 09/06/80 Flac 24/96 - 0, 126539 Lewiston State Fairgrounds flac24; source: aud cassette master taped by The Commander; audio-technica condensor mics > sony tc-152, tdk sa-c90's, no nr; nak dragon > benchmark adc1 24/96 > adobe audition cs6 > flac; transfer/seed by Rob Berger & Taperchuck notes 374. 09/06/80 Flac 24/96 - 0, 147839 Lewiston State Fairgrounds flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 375. 09/06/80 Flac 24/96 - 0, 147840 Lewiston State Fairgrounds flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 376. 09/06/80 Flac 24/96 - 0, 127165 Lewiston State Fairgrounds flac24; Recording by Steve Rolfe & Jim Wise: Master Audience Cassette; 2 NaKamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: February 20 , 2014; Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes 377. 09/06/80 Flac 24/96 - 0, 150981 Lewiston State Fairgrounds flac24/96 1st gen AUD Cassette (unknown source/taper) 1st gen CAS (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Listening Assistance and Track FLAC Pack by Steve Gravel notes 378. 09/06/80 Flac 16/48 - 0, 150980 Lewiston State Fairgrounds flac16/48khz 1st gen AUD Cassette (unknown source/taper) 1st gen CAS (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Listening Assistance and Track FLAC Pack by Steve Gravel notes 379. 09/25/80 Shn - 0, 18740 San Francisco Warfield Theater Acoustic Set only; SBD > MR > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes 380. 09/25/80 Shn - 0, 7303 San Francisco Warfield Theater Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5; via Douglas Ferguson, Matt Vernon notes 381. 09/25/80 Flac 24/96 - 0, 144697 San Francisco Warfield Theater flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 382. 09/25/80 Flac 16/48 - 0, 144696 San Francisco Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 383. 09/26/80 Flac 16 - 0, 118444 San Francisco Warfield Theater flac16; Recording Info: SBD -> ? -> FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 384. 09/26/80 Shn - 0, 18741 San Francisco Warfield Theater Acoustic Set only; SBD > MR > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes 385. 09/26/80 Flac 16 - 0, 89536 San Francisco Warfield Theater flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008. notes 386. 09/26/80 Shn - 0, 7304 San Francisco Warfield Theater Recording (attributed to ) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5; via Douglas Ferguson, Matt Vernon notes 387. 09/26/80 Flac 24/96 - 0, 144651 San Francisco Warfield Theater flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 388. 09/26/80 Flac 16/48 - 0, 144650 San Francisco Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 389. 09/26/80 Flac 24/96 - , 155411 San Francisco Warfield Theater Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 390. 09/26/80 Flac 16/44 - , 155426 San Francisco Warfield Theater flac16/44 Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 155411 2496 > 1644 notes 391. 09/27/80 Flac 16 - 0, 96271 San Francisco Warfield Theater flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder> analog in PCM501ES analog out > Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48] Mastering: In WaveLab with Nomad Blue Tube Plugins Rate Conversion with r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 6, 2008, Green Mountain Bros. notes 392. 09/27/80 Shn - 0, 11590 San Francisco Warfield Theater Acoustic set: Master Soundboard Reel > PCM > DAT > CDR;Electric Sets: Master Audience Cassette:(3) Nakamichi CM700 mics> Mixer>Sony D5>1 cassette gen> DAT> CDR;The Audience source supplies "The Race Is On" (d1t01), the first 1:15 of "Jackaroe"(d1t02), from 0:04 - 0:42 and from 5:09 - 6:42 of "Bird Song" (d1t06), as well as from 2:58 thru the end of "Ripple" (d1t09). The Audience source was missing the beginning of "The Race Is On";The multiple patches in "Bird Song" were necessary due to problems on the Master Reels; Acoustic SBD DAT source from Joe Samaritano; Patching/CD Re-Mastering & Shn'ed by Scott Clugston; Uploaded to fungus and posted to abgd via Charlie Connor; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments) notes 393. 09/27/80 Flac 16 - 0, 89006 San Francisco Warfield Theater flac16; Recording by Joani Walker: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 394. 09/27/80 Shn - 0, 7998 San Francisco Warfield Theater acoustic and electric; AUD> NAK CM700 mics X 3> Mixer>Sony D5> Master Cassette> Cassette; Playback: JVC TD-W309 (Pitch Correction)> Tascam DA-20mkII (A/D)> Tascam CD-RW700> CD; seeded by Jeff M. notes 395. 09/27/80 Shn - 0, 7305 San Francisco Warfield Theater Recording (attributed to Bob Menke): Nakamichi CM700 Mics (3)>Mixer>Sony D-5; via Douglas Ferguson, Matt Vernon notes 396. 09/27/80 Flac 24/48 - 0, 144228 San Francisco Warfield Theater flac24; Set 1; Source: Mono AUD unknown lineage > ? > Cassette, via Richie & Rip. Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 12/2018 notes 397. 09/27/80 Flac 24/96 - 0, 144699 San Francisco Warfield Theater flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 398. 09/27/80 Flac 16/48 - 0, 144698 San Francisco Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 399. 09/27/80 Flac 16 - 0, 145209 San Francisco Warfield Theater flac16; Set 1; Source: Mono AUD unknown lineage > ? > Cassette, via Richie & Rip. Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 12/2018; This file set is 16 bit @ 44.1 notes 400. 09/27/80 Flac 24/96 - , 155740 San Francisco Warfield Theater Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24 notes 401. 09/27/80 Flac 24/96 - , 155901 San Francisco Warfield Theater flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA-90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes 402. 09/27/80 Flac 16/48 - , 155900 San Francisco Warfield Theater flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA-90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes 403. 09/27/80 Flac 16/44 - , 156572 San Francisco Warfield Theater flac1644 Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24 - This is 155740 2496 > 1644.1 notes 404. 09/29/80 Shn - 0, 21926 San Francisco Warfield Theater SBD > MC > C > DAT > CD > EAC > SHN; To Lay Me Down patched with current AUD source; EAC/SHN by Darryl Hinko notes 405. 09/29/80 Flac 16 - 0, 89075 San Francisco Warfield Theater flac16; Recording by Ron Elner: Source: Master Cassette >Teac Reel > CD Nakamichi 700’s > Sony TC D-5 Location: FOB either on the floor or 1st row balcony Recorded and archived by Ron Elner, the master cassettes were stolen. CD Extraction with EAC > TLH > FLAC level 8 CD Extraction and seeded by B. Koucky Green Mountain Bros. December 2007 notes 406. 09/29/80 Flac 16 - 0, 106783 San Francisco Warfield Theater flac16; Recording Info: Nakamichi 300/CP1 -> Cassette Master (Sony D5M/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 407. 09/29/80 Shn - 0, 12886 San Francisco Warfield Theater Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 from center balcony Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson SHN Conversion: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable) by Matt Vernon notes 408. 09/29/80 Flac 24/96 - 0, 144655 San Francisco Warfield Theater flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info:Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 409. 09/29/80 Flac 16/48 - 0, 144654 San Francisco Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info:Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 410. 09/30/80 Flac 16 - 0, 96066 San Francisco Warfield Theater flac16; Acoustic Set Recording Info:SBD -> 24 Track Master Reel -> Cassette -> Cassette; Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 411. 09/30/80 Flac 16 - 0, 132375 San Francisco Warfield Theater flac16; Recording Info: SBD -> Cassette Master -> FLAC; Transfer Info: FLAC -> Adobe Audition v5.5 -> Samplitude Pro X2 Suite -> FLAC; All Transfers and Mastering By Charlie Miller notes 412. 09/30/80 Flac 16 Mtx - 0, 132779 San Francisco Warfield Theater flac16; 2 source matrix by Dusborne; Soundboard(shinid:132375) SBD -> Cassette Master -> FLAC, FLAC -> Adobe Audition v5.5 -> Samplitude Pro X2 Suite -> FLAC and Audience(shinid:089554) Master Cassette > Nakamichi 700s > Sony TC D-5, Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction with EAC > TLH > FLAC level 8 notes 413. 09/30/80 Flac 16 - 0, 89554 San Francisco Warfield Theater flac16; Recording by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008 notes 414. 09/30/80 Shn - 0, 12882 San Francisco Warfield Theater Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 from balcony center taped by Bob Menke Remaster by Douglas Ferguson: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 SHN Conversion by Matt Vernon: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable) notes 415. 09/30/80 Flac 24/96 - 0, 144728 San Francisco Warfield Theater flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 416. 09/30/80 Flac 16/48 - 0, 144727 San Francisco Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 417. 10/02/80 Flac 16 - 0, 114364 San Francisco Warfield Theater flac16; Recording Info: Set 1: SBD -> Reel Master -> Cassette -> Dat -> CD (shnid=8039); Set 2: Nakamichi 700 -> Cassette Master -> Reel -> Dat -> CD (shnid=89111); Set 3: SBD -> Cassette Master -> Dat -> CD (shnid=2204); Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v3 -> FLAC; All Transfers and Mastering By Charlie Miller notes 418. 10/02/80 Flac 16 - 0, 89111 San Francisco Warfield Theater flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700’s > Sony TC D-5 > Teac Reel > Transfer to PC tracked & burned to CD Location: FOB either on the floor or 1st row balcony CD Extraction with EAC > TLH > FLAC level 8 Recorded and archived by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Peter Mandell CD Extraction and seeded by Bill Koucky Green Mountain Bros. December 2007 notes 419. 10/02/80 Flac 16 - 0, 96067 San Francisco Warfield Theater flac16; Acoustic Set Recording Info:SBD -> 24 Track Master Reel -> Cassette -> Cassette; Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 420. 10/02/80 Shn - 0, 2204 San Francisco Warfield Theater set 3; SBD-> Master Cassette-> DAT-> Sonic Solutions-> CD; CD-> EAC-> SHN conversion and upload by Adam Jerugim; seed via David Gans, Chris Meyer, Charlie Miller notes 421. 10/02/80 Flac 16 - 0, 92204 San Francisco Warfield Theater flac16; Acoustic Set, Matrix sources: a) (shnid 8039) sbd > mr > cass > dat > cdr > eac > shn and b) (shnid 89111) Master Cassette > Nakamichi 700s > Sony TC D-5 > Teac Reel > Transfer to PC tracked & burned to CD Location: FOB either on the floor or 1st row balcony CD Extraction with EAC > TLH > FLAC level 8 Matrix by SIRMick June 2008 notes 422. 10/02/80 Shn - 0, 8039 San Francisco Warfield Theater Acoustic set; SBD> MR> CASSETTE> DAT> CDR; via Paul B.; Tim Wiley notes 423. 10/02/80 Shn - 0, 16154 San Francisco Warfield Theater acoustic and electric sets; Nak300 > Sony TC-152; via Charles Gannon, encoded by Matt Vernon notes 424. 10/02/80 Flac 16 - 0, 138019 San Francisco Warfield Theater flac16; SBD > ? > cassette > CD > WAV > FLAC notes 425. 10/02/80 Flac 16 - 0, 141014 San Francisco Warfield Theater flac16; Partial Show Recording Info: AKG Mics (m/s) > Cassette Master (Sony TC-D5M/Maxell UD-XLII/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 426. 10/02/80 Flac 16 - 0, 141014 San Francisco Warfield Theater flac16; Partial Show Recording Info: AKG Mics (m/s) > Cassette Master (Sony TC-D5M/Maxell UD-XLII/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 427. 10/03/80 Flac 16 Mtx - 0, 94131 San Francisco Warfield Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes 428. 10/03/80 Shn - 0, 2200 San Francisco Warfield Theater acoustic; SBD-> Master Cassette-> DAT-> Sonic Solutions-> CD; CD-> EAC-> SHN conversion and upload by Adam Jerugim; seed via David Gans, Chris Meyer, Charlie Miller notes 429. 10/03/80 Flac 16 - 0, 89128 San Francisco Warfield Theater flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700’s > Sony TC D-5. Location: FOB either on the floor or 1st row balcony 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction: EAC > TLH > FLAC level 8. Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction and seeded by Bill Koucky. Green Mountain Bros. December 2007. notes 430. 10/03/80 Shn - 0, 16208 San Francisco Warfield Theater Nak300 > Sony TC-152 > AMC > CoolEdit Pro > CD; via Charles Gannon; encoded by Matt Vernon notes 431. 10/03/80 Flac 16 Mtx - 0, 146232 San Francisco Warfield Theater flac16 Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) of shnid's 2200 and 89128 notes 432. 10/04/80 Shn - 0, 14989 San Francisco Warfield Theater complete SBD>?>CDR>EAC>Cool Edit(minor cleanup, normalization)>CDWAV(tracking)>mkwact(seekable) via Joey Browning, Steve Blanchard notes 433. 10/04/80 Shn - 0, 19147 San Francisco Warfield Theater SBD>>MR>>PCM>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN notes 434. 10/04/80 Shn - 0, 8778 San Francisco Warfield Theater Acoustic and partial set 2; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy notes 435. 10/04/80 Flac 16 - 0, 141334 San Francisco Warfield Theater flac16; Source Info: Betty's 7" two track reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 436. 10/04/80 Flac 24/96 - 0, 151265 San Francisco Warfield Theater flac24/96khz Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 notes 437. 10/04/80 Flac 16/44,1 - 0, 151266 San Francisco Warfield Theater flac16/44.1khz Source: Master SBD Reel > PCM > DAT Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44 notes 438. 10/06/80 Flac 16 - 0, 89169 San Francisco Warfield Theater flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5. Location: FOB either on the floor or 1st row balcony. 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction with EAC > TLH > FLAC level 8. Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction and seeded by Bill Koucky; Green Mountain Bros. December 2007. notes 439. 10/06/80 Shn - 0, 8779 San Francisco Warfield Theater Acoustic set only; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy notes 440. 10/06/80 Shn - 0, 13062 San Francisco Warfield Theater Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 tfrom Balcony, Center. Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson. shn conversion by Matt Vernon via Raoul Duke notes 441. 10/06/80 Flac 16 - 0, 141335 San Francisco Warfield Theater flac16; Source Info: Betty's 7" two track reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 442. 10/06/80 Flac 24/96 - 0, 144726 San Francisco Warfield Theater flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 443. 10/06/80 Flac 16/48 - 0, 144725 San Francisco Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 444. 10/06/80 Flac 16/44,1 - 0, 151267 San Francisco Warfield Theater flac16/44.1khz Source: Master SBD Reel > PCM > DAT Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44 notes 445. 10/06/80 Flac 24/96 - , 155950 San Francisco Warfield Theater flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes 446. 10/06/80 Flac 16/48 - , 155949 San Francisco Warfield Theater flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes 447. 10/07/80 Shn - 0, 24664 San Francisco Warfield Theater Source: Acoustic and partial set 1 electric: MSR>C>DAT>WAV>SHN C>SHN Encoding by Cousinit Seeded to abgd notes 448. 10/07/80 Flac - 0, 198882 San Francisco Warfield Theater SBD > Reel > Sony TCD5 > Cassette Master (Betty's) TDK SA-X 60 > DAT > Mastering (Custom Analog & Digital 06-10 ) > WAV. Reel to cassette transfer on 1981-02-06. Lineage: WAV > FLAC [7]. Recording Engineer: possibly Bear (Tape noted: Bear's Monitor At Gig). Original Cassette Master > DAT Transfer: Jim Blackwood. Mastering: Jim Blackwood, Mastering assistance: Jamie Waddell notes 449. 10/07/80 Shn - 0, 14046 San Francisco Warfield Theater Recording (attributed to) Bob Menke: Balcony, Center Nakamichi CM700 Mics (3)>Mixer>Sony D-5. Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson shn encoding by Matt Vernon via Raoul Duke notes 450. 10/07/80 Flac 16 - 0, 89189 San Francisco Warfield Theater flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5M. Location: FOB either on the floor or 1st row balcony. 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction with EAC > TLH > FLAC level 8. Masters Recorded by Ron Ellner and archived to Reels by Peter Mandell, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction by Bill Koucky. Green Mountain Bros. December 2007. notes 451. 10/07/80 Flac 24/96 - 0, 144739 San Francisco Warfield Theater flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 452. 10/07/80 Flac 16/48 - 0, 144738 San Francisco Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 453. 10/07/80 Flac 24/96 - 0, 151264 San Francisco Warfield Theater flac24/96khz Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24 notes 454. 10/07/80 Flac 16/44,1 - 0, 151440 San Francisco Warfield Theater flac16/44.1khz Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24 -- 151264 24 -> 16 @ 44.1 notes 455. 10/09/80 Shn - 0, 11042 San Francisco Warfield Theater labelled as SBD> R> DAT> CD, but see info file notes; note same txt file as other shn set, but md5s differ notes 456. 10/09/80 Shn - 0, 32402 San Francisco Warfield Theater Source: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > 3 DAT Generations DAT > WAV > SHN: Dan Stephens (dms@well.com) Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE) notes 457. 10/09/80 Flac 16 - 0, 140924 San Francisco Warfield Theater flac16; Partial 1st Electric Set Source Info: Betty's 7" 2-track Master Soundboard Reel @ 7.5 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 458. 10/09/80 Flac 16 - 0, 141349 San Francisco Warfield Theater flac16; Source Info: Betty's 7" two track reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 459. 10/09/80 Flac 24/96 - 0, 144735 San Francisco Warfield Theater flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 460. 10/09/80 Flac 16/48 - 0, 144734 San Francisco Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit viadBpweramp notes 461. 10/09/80 Flac 16/44,1 - 0, 151441 San Francisco Warfield Theater flac16/44.1khz Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24, 151344 24 -> 16 @ 44.1 notes 462. 10/10/80 Flac 16 - 0, 28740 San Francisco Warfield Theater flac16; SBD/AUD Matrix of 3 previously circulated seeds; prepared by Chris Chappell notes 463. 10/10/80 Shn - 0, 24710 San Francisco Warfield Theater MSR>C>C>DAT>WAV>SHN; C>DAT Conversion by Cousinit Patch Source: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 notes 464. 10/10/80 Shn - 0, 8780 San Francisco Warfield Theater Acoustic set only; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy notes 465. 10/10/80 Shn - 0, 14386 San Francisco Warfield Theater Acoustic set only; SBD>MR>PCM>DAT>CDR>EAC>SHN This new seed does not have the problems in Dark Hollow like the previous seed. notes 466. 10/10/80 Flac 16 - 0, 73820 San Francisco Warfield Theater flac16; Acoustic Set - sbd reel master > dats @ 44.1 kHz wavelab > cd wave/flac notes 467. 10/10/80 Flac 16 - 0, 89560 San Francisco Warfield Theater flac16; Recording by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008. notes 468. 10/10/80 Shn - 0, 13989 San Francisco Warfield Theater Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 from Balcony, Center Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson, via Roual Duke, SHN Conversion by Matt Vernon notes 469. 10/10/80 Flac 24/96 - 0, 144766 San Francisco Warfield Theater flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5(Maxell UDXLI); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 470. 10/10/80 Flac 16/48 - 0, 144765 San Francisco Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5(Maxell UDXLI); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 471. 10/10/80 Flac 24/96 - , 156341 San Francisco Warfield Theater flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes 472. 10/10/80 Flac 16/48 - , 156340 San Francisco Warfield Theater flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes 473. 10/11/80 Shn - 0, 16336 San Francisco Warfield Theater SBD:MC >? >CDR >EAC >cool edit 2000 (minor clean up,normalization) >CDWAV (tracking) >mkwact(seekable) w/expanded drums this becomes a 3 disc show. notes 474. 10/11/80 Flac 16 - 0, 73821 San Francisco Warfield Theater flac16; Acoustic Set - sbd reel master > dats @ 44.1 kHz wavelab > cd wave/flac notes 475. 10/11/80 Shn - 0, 323 San Francisco Warfield Theater acoustic set; SBD> Reel> PCM> DAT> CDR> Plexwriter CD-R (EAC)> HP 8200i CDRW Drive (EAC); via Andy "Bear" Greider, Stephen Windsor, Darrin Sacks notes 476. 10/11/80 Flac 16 - 0, 89615 San Francisco Warfield Theater flac16; Recorded by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008 notes 477. 10/11/80 Shn - 0, 6198 San Francisco Warfield Theater shn set from Bob Clevenger; edit of previously circulating sh set - see info for details notes 478. 10/11/80 Flac 24/96 - 0, 142012 San Francisco Warfield Theater flac24; Source Info: Master Soundboard Cassettes > 1st generation cassettes > Matt Smith's 2nd generation cassettes; Transfer Info: 2nd generation cassettes (Nakamichi BX-300)> Apogee Mini Me > Apogee Mini DAC > WaveLab 5.0 (.wav 24-bit/96k) > Adobe Audition 3.0 > TLH flac2496 notes 479. 10/11/80 Flac 16/48 - 0, 142010 San Francisco Warfield Theater flac16/48kHz; Master Soundboard Cassettes > 1st generation cassettes > Matt Smith's 2nd generation cassettes (Nakamichi BX-300)> Apogee Mini Me > Apogee Mini DAC > WaveLab 5.0 (.wav 24-bit/96k) > Adobe Audition 3.0 > TLH flac 24/96; This is a 16/48 fileset. 24-bit > 16-bit via dBpoweramp notes 480. 10/11/80 Flac 24/96 - , 155315 San Francisco Warfield Theater Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 481. 10/11/80 Flac 16/44 - , 155431 San Francisco Warfield Theater flac16/44: Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 155315 2496 > 1644 notes 482. 10/11/80 Flac 24/96 - , 156343 San Francisco Warfield Theater flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496 notes 483. 10/11/80 Flac 16/48 - , 156342 San Francisco Warfield Theater flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496 notes 484. 10/13/80 Shn - 0, 25559 San Francisco Warfield Theater Recording Info: Set 1: SBD -> Master Reel -> PCM -> Dat -> CD -> EAC -> SHN Set 3: SBD -> 3rd Gen Pro Shot Video Transfer Info: 3rd Gen Pro Shot Video -> Dat (Sony R500/48k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller notes 485. 10/13/80 Shn - 0, 13064 San Francisco Warfield Theater Acoustic set only; SBD>MR>PCM>DAT>CDR; via Paul B; Seeded to etree by Willy notes 486. 10/13/80 Flac 16 - 0, 137256 San Francisco Warfield Theater flac16; Recording Info: 1st Electric Set & 2nd Electric Set partial (thru The Other One) SBD > many cassette generations > Cass; Transfer Info: Cassette played back on Nakamichi Dragon > Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) > Korg AudioGate > WAV [24/96] > Adobe Audition 6.0> FLAC encoding notes 487. 10/13/80 Flac 16 - 0, 137297 San Francisco Warfield Theater flac16; sbd composite upgrade by Alan Bershaw; see info file for details notes 488. 10/13/80 Flac 16 - 0, 114417 San Francisco Warfield Theater flac16; source: unknown audience recording > cassette x2 > CDR (using Nakamichi BX300 playback > H/K CDR2 (stand alone CD recorder); transfer: CDR > MacBook using Xact to create flac files, no other work has been done on this recording notes 489. 10/14/80 Flac - 0, 108883 San Francisco Warfield Theater SBD > Reel > Sony TCD5 > Cassette Master (Betty's) TDK SA-X 60 > DAT > Mastering (Custom Analog & Digital 06-10 ) > WAV. Reel to cassette transfer on 1981-02-06. Lineage: WAV > FLAC [7]. Recording Engineer: possibly Bear (Tape noted: Bear's Monitor At Gig). Original Cassette Master > DAT Transfer: Jim Blackwood. Mastering: Jim Blackwood. Mastering assistance: Jamie Waddell notes 490. 10/14/80 Shn - 0, 3576 San Francisco Warfield Theater SBD> MR> DAT> CDR> EAC> SHN; note Acoustic first set and encore missing; via Tony Gardner; note upgrade in circulation notes 491. 10/14/80 Shn - 0, 3828 San Francisco Warfield Theater Set 1 and encores: unknown audience> ?> CDR> EAC> SHN; Sets 2,3: SBD> MR> DAT> CDR> EAC> SHN; via Tony Gardner, with thanks to Paul B., Mario Mancilla; update to Tony's previous shn set, his comments: "I found another source for the acoustic set and called it disc 0. encores are added on disc 3. I cut about two minutes of silence from the end of disc 1 and 2, no other changes"; see info file for more comments notes 492. 10/14/80 Flac 16 - 0, 89632 San Francisco Warfield Theater flac16; Recorded by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > WaveLab (edits) > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and edits by Bill Koucky. Green Mountain Bros. January 2008 notes 493. 10/14/80 Flac 16 - 0, 119320 San Francisco Warfield Theater flac16; Sets 2 and 3; 2 source matrix-electric sets: Soundboard (shnid=3828): SBD> MR> DAT> CDR> EAC> SHN >TLH >flac and Audience (shnid=89632): FOB either on the floor or 1st row balcony Master Cassette > Nakamichi 700s > Sony TC D-5M notes 494. 10/14/80 Flac 16/48 - 0, 137560 San Francisco Warfield Theater flac16/48Khz; Set 2 & 3 Recording Info: SBD -> Master Reel (10in 15ips 1/2 trk) > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes 495. 10/14/80 Flac 16/44 - , 155439 San Francisco Warfield Theater flac16/44 Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 155412 2496 > 1644 notes 496. 10/18/80 Flac 16 - 0, 133594 New Orleans Saenger Performing Arts Center flac16; Recording Info: SBD -> Cassette Master -> Dat -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 497. 10/18/80 Flac 16 - 0, 135529 New Orleans Saenger Performing Arts Center flac16; Recording Info: SBD -> Cassette Master -> Dat -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 498. 10/18/80 Shn - 0, 13596 New Orleans Saenger Performing Arts Center FOB Neumann km84> Cm> Dat> CD via Mike McCarthy and Raoul Duke, encoding subcontracted to Matt Vernon by The Miami SHN Machine notes 499. 10/19/80 Flac 16 - 0, 125633 New Orleans Saenger Performing Arts Center flac16; AUD: 2x Beyer M160's > Sony TC-D5, 20-foot spread, front edge of balcony. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013. notes 500. 10/19/80 Flac 16/48 - 0, 134368 New Orleans Saenger Performing Arts Center flac16/48kHz; s1 described as aud, s2 and s3 described as fob aud cas> R2; see info file for details; Transfer: trade dats at 48k > m-audio audiophile 2496 > cooledit2000 > 48k wav > flac notes 501. 10/19/80 Flac 16 - 0, 125234 New Orleans Saenger Performing Arts Center flac16; Set 3 Source: Unknown AUD, lo-gen tape kindly provided by Seaweed1010. Transfer: XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 07/2013 notes 502. 10/19/80 Flac 24/96 - 0, 125632 New Orleans Saenger Performing Arts Center flac24; AUD: 2x Beyer M160's > Sony TC-D5, 20-foot spread, front edge of balcony. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013. notes 503. 10/19/80 Shn - 0, 16908 New Orleans Saenger Performing Arts Center AUDMC(unknown mics) > C > C > WAV; set 1 acoustic only (other sets already circulate); via Hanno Bunjes, encoded by Matt Vernon notes 504. 10/19/80 Shn - 0, 13469 New Orleans Saenger Performing Arts Center unknown FOB aud source electric sets 2-3 via Raoul Duke and Mike McCarthy, encoding by Matt Vernon notes 505. 10/22/80 Flac 16 - 0, 101778 New York Radio City Music Hall flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Orchestra Row SS, Seat 109 by Bob Morris notes 506. 10/22/80 Flac 16 - 0, 100416 New York Radio City Music Hall flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes 507. 10/22/80 Shn - 0, 8479 New York Radio City Music Hall AUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley notes 508. 10/22/80 Flac 16 - 0, 120053 New York Radio City Music Hall flac16; Lodge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 Tracked in Audacity 2.0 by dusborne notes 509. 10/23/80 Flac 16 - 0, 101256 New York Radio City Music Hall flac16; Recording Info:(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Taped By Jim Wise; All Transfers and Mastering By Charlie Miller notes 510. 10/23/80 Flac 24/96 - 0, 111029 New York Radio City Music Hall flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded from Orchestra Row A, Seat 310, by Bob Morris; This is an upgrade to shn 108016: deleted extraneous bad tracks; renamed files; Patched with ID 101256 notes 511. 10/23/80 Flac 16 - 0, 102026 New York Radio City Music Hall flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Orchestra Row A, Seat 310, by Bob Morris notes 512. 10/23/80 Flac 24/96 - 0, 108016 New York Radio City Music Hall flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded from Orchestra Row A, Seat 310, by Bob Morris; Upgrade in circulation notes 513. 10/23/80 Flac 16 - 0, 120072 New York Radio City Music Hall flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 ; Tracked in Audacity 2.0 by dusborne notes 514. 10/23/80 Shn - 0, 8700 New York Radio City Music Hall AUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley notes 515. 10/23/80 Shn - 0, 13140 New York Radio City Music Hall Recording by Mark Cohen: AUD from orchestra seats with Nak 700s > Sony D5; Lineage: AUDMC > Cass > DAT > CDR via Jay Jurina, conversion Matt Vernon notes 516. 10/23/80 Flac 24/96 - 0, 143352 New York Radio City Music Hall flac24; Source Info: Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony D5 (located in the orchestra seats); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496 notes 517. 10/23/80 Flac 16/48 - 0, 143351 New York Radio City Music Hall flac16/48kHz; Source Info:Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony D5 (located in the orchestra seats); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 518. 10/25/80 Flac 16 - 0, 116769 New York Radio City Music Hall flac16; AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. 10/2011 notes 519. 10/25/80 Flac 16 - 0, 120163 New York Radio City Music Hall flac16; Nak 700's > Sony D-5 > AMC; Recorded Dead front center loge by Keith Gatto & Pete Jaeger; AMC > DAT > CDR > EAC > FLac (EAC > Flac by Michael Turi); Equalization: Used a multifilter with the following order: 20-band EQ with linear increases from 0-500 Hz. One subharmonic synthesizer set at 125 Hz. Two expanders (dynamic noise in expander mode) to increase the dynamic range. May, 2012-Dan McDonald notes 520. 10/25/80 Flac 16 - 0, 102405 New York Radio City Music Hall flac16; Recording Info:(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes 521. 10/25/80 Flac 24/48 - 0, 116768 New York Radio City Music Hall flac24; AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. 10/2011 notes 522. 10/25/80 Flac 16 - 0, 93804 New York Radio City Music Hall flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes 523. 10/25/80 Shn - 0, 8726 New York Radio City Music Hall AUD>MC>DAT>CDR; Seeded to etree by Tim W notes 524. 10/26/80 Flac16 Mtx - 0, 101967 New York Radio City Music Hall flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) notes 525. 10/26/80 Shn - 0, 18896 New York Radio City Music Hall PLEASE NOTE: This is a Remaster of the original SBD SHN Seed released by Darryl Hinko. Main Source: SBD>MR>DAT>CD>EAC>SHN ; Patch Source: AUD(Wise Sony ECM 280?s)>Sony D-5>MC Playback on Nak Dragon>Sony PCM-R700>Hard Drive via ZA2>CDR>EAC(secure)>Cool Edit Pro>CD WAV>SHN(seekable) ; Remaster Conversion: SHN>WAV>ADWS>SHN(Seekable); Via Hinks ; Seeded by T. Wiley 08/15/2003. notes 526. 10/26/80 Shn - 0, 18862 New York Radio City Music Hall Updated Source; SBD > MR > C (no dolby) > DAT > CD > EAC > SHN; was marked: SBD > MR > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes 527. 10/26/80 Shn - 0, 8765 New York Radio City Music Hall Updated lineage: Recording by Jim Wise: Nak 700s>Sony D-5>MC>PCM>ZA2>CDR; Seeded to etree by Tim W notes 528. 10/26/80 Flac 16 - 0, 120169 New York Radio City Music Hall flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 05-17-2012 notes 529. 10/26/80 Shn - 0, 11837 New York Radio City Music Hall Source: CAUD >D>CD>EAC>WAV>SHN Location: 1st row, Lowest Balcony, Center Seats Source Recording: Sony ECM 270 Condensors > Cassette With 10/18/88 (Matrix) filler; See info file for details; Seeded to etree by JR Fishman notes 530. 10/26/80 Flac 16 - 0, 116426 New York Radio City Music Hall flac16; AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 10/2011 notes 531. 10/26/80 Flac 16 - 0, 94269 New York Radio City Music Hall flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes 532. 10/27/80 Flac 16 - 0, 101293 New York Radio City Music Hall flac16; Recording Info: Sennheiser 441 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Taped By Jim Wise; All Transfers and Mastering By Charlie Miller notes 533. 10/27/80 Shn - 0, 324 New York Radio City Music Hall Recording by Jim Wise: senn. 441 > d-5 center lower balcony several rows back; playback on nak dragon & ran the signal right through sony pcm r-700 directly to hard disc via za2; no other processing apart form minor editing and normalization; recording, transfer by J. Wise; EAC> SHN by R. Donnelly> CD > SHN by M. Lai; known flaw: some sporadic wow & flutter (mainly on elec#1); Donnelly's 4/00 original shns may not have gotten mirrored from stellablue before a loss- 5/00 reextraction (md5s shown) by M. Lai notes 534. 10/27/80 Flac 24/48 - 0, 116195 New York Radio City Music Hall flac2448: AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine front row, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011 notes 535. 10/27/80 Flac 16 - 0, 116196 New York Radio City Music Hall flac16: AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine front row, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 09/2011 notes 536. 10/27/80 Shn - 0, 7290 New York Radio City Music Hall Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd notes 537. 10/29/80 Flac 16 - 0, 122003 New York Radio City Music Hall flac16; Partial Soundboard, Set 1: SBD>?>?cassette in Dolby B>Harmon Kadon TD 302, Dolb B on>Zoom H2>PC>edited and tracked with wavepad>flac and checksums with traderslittlehelper, sept.14, 2012 by John Wenzel notes 538. 10/29/80 Shn - 0, 1953 New York Radio City Music Hall Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd notes 539. 10/29/80 Flac 16 - 0, 101306 New York Radio City Music Hall flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Taped By Jim Wise; All Transfers and Mastering By Charlie Miller notes 540. 10/29/80 Flac 16 - 0, 120307 New York Radio City Music Hall flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 05-22-2012 notes 541. 10/29/80 Flac 16 - 0, 126919 New York Radio City Music Hall flac16; AUD: 2x Beyer M160's > Sony TC-D5, Fifth row center orchestra. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 02/2014 notes 542. 10/29/80 Flac 16 - 0, 35029 New York Radio City Music Hall flac16; Seamless fix/combination of shn id 1953 and shn id 32538 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 543. 10/29/80 Flac 16 - 0, 32538 New York Radio City Music Hall **Partial SBD** Recording Info: SBD -> Cassette Master -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller -- Thanks to Paul Scotton and Joani walker for the cassette notes 544. 10/29/80 Flac 24 - 0, 140302 New York Radio City Music Hall flac24; partial set 1 source: sbd 2nd gen cassette; Jerry Moore’s copy; nakamichi dragon/c > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger notes 545. 10/29/80 Flac 16 - 0, 140301 New York Radio City Music Hall flac16; Partial Sets 2 & 3 Recording Info: SBD > Cassette Master > Cassette; Transfer Info: Cassette (Sony TC-WE475) > Sony R500 (Pass Through) > SEK'D Prodif Plus > Samplitude Professional v8.01 > Flac; Transferred and Edited By Charlie Miller; This is a pitch corrected version of source ID 32538; edited by SIRMick notes 546. 10/29/80 Flac 16 - 0, 140496 New York Radio City Music Hall flac16; partial set 1 source: sbd 2nd gen cassette; Jerry Moore’s copy; nakamichi dragon/c > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger notes 547. 10/29/80 Flac 16 - 0, 140899 New York Radio City Music Hall flac16; SBD DAT-> Panasonic SV-3700-> SP; DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Mastering, Patching & Editing by Jason Chastain in Audition CC 2015; Final Mastering by Jamie Waddell in Wavelab 7.1 notes 548. 10/30/80 Flac 16 - 0, 101427 New York Radio City Music Hall flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded by Jim Wise; All Transfers and Mastering By Charlie Miller notes 549. 10/30/80 Shn - 0, 1954 New York Radio City Music Hall Recording by Jim Wise. Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd notes 550. 10/30/80 Flac 16 - 0, 120537 New York Radio City Music Hall flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 06-06-2012 notes 551. 10/30/80 Flac 16 - 0, 139599 New York Radio City Music Hall flac16; Source: 10Ó 1/4 track SBD Feed Master Reels @ 7.5ips; Lineage: 10Ó 1/4 track Reels (Revox A-77 playback) -> Lexicon Lambda (24/96) -> Logic (mastering: speed correction, track indexing, dithering to 16/44.1) -> AIFF -> Xact (sbe correction) -> wav -> flac; Transfer (November 2009) and mastering (October 2017) by Alan Bershaw notes 552. 10/31/80 Flac 16 Mtx - 0, 122543 New York Radio City Music Hall flac16; 3 Source Matrix: Soundboard (shnid=83158): Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN; Electric: MSR>R>C>DAT>WAV>SHN; Audience (shnid=94270): Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Audience (shnid=120839): Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger notes 553. 10/31/80 Flac 24 - 0, 131907 New York Radio City Music Hall flac24; Partial Show; Beyer M-88>Sony TCD-5M 4th row right center; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded and transfered By Richie stankiewicz notes 554. 10/31/80 Flac 16/48 - 0, 132277 New York Radio City Music Hall flac16/48kHz; Cassette Audience Master recorded By Jim Wise; Sony ECM 280 Cardioid Condenser Microphones-Sony TC D-5 Cassette Recorder; Location:Mics placed Overhanging Rail Ledge Dead Center 1st Lodge; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-tagging(Tag & Re-name)-Sample Rate Conversions(r8atebrain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise notes 555. 10/31/80 Flac 24/96 - 0, 132278 New York Radio City Music Hall flac24; Cassette Audience Master recorded By Jim Wise; Sony ECM 280 Cardioid Condenser Microphones-Sony TC D-5 Cassette Recorder; Location:Mics placed Overhanging Rail Ledge Dead Center 1st Lodge; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name)-Sample Rate Conversions(r8atebrain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise notes 556. 10/31/80 Shn - 0, 20377 New York Radio City Music Hall Source: Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN Electric: MSR>R>C>DAT>WAV>SHN C>SHN Conversion by Cousinit Seeded to abgd 10/03 notes 557. 10/31/80 Flac 16 - 0, 120839 New York Radio City Music Hall flac16; Loge Dead front center Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 06-20-2012 notes 558. 10/31/80 Flac 16 - 0, 101428 New York Radio City Music Hall flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded by Jim Wise; All Transfers and Mastering By Charlie Miller notes 559. 10/31/80 Flac 24/88 - 0, 94270 New York Radio City Music Hall flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes 560. 10/31/80 Flac 16 - 0, 137839 New York Radio City Music Hall flac16; Source: Soundboard (monitor mix) > Sony TC-D5 > cassette (2nd gen); Taped by Happy Jack and friend; Transfer: Cassette > Nakamichi CD1 > Sony PCM-M10 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; transferred, edited and mastered SIRMick notes 561. 10/31/80 Flac 24/96 - 0, 137840 New York Radio City Music Hall flac24; Source: Soundboard (monitor mix) > Sony TC-D5 > cassette (2nd gen); Taped by Happy Jack and friend; Transfer: Cassette > Nakamichi CD1 > Sony PCM-M10 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; transferred, edited and mastered SIRMick notes 562. 10/31/80 Flac 16 - 0, 140416 New York Radio City Music Hall flac16; Source: 10” 1/4 track SBD Feed Master Reels @ 7.5ips; Lineage: 10” 1/4 track Reels (Revox A-77 playback) -> Lexicon Lambda (24/96) -> Logic (mastering: speed correction, track indexing, dithering to 16/44.1) -> AIFF -> Xact (sbe correction) -> wav -> flac; Transfer (October 2009) and mastering (December 2017) by Alan Bershaw notes 563. 10/31/80 Flac 16 - 0, 141354 New York Radio City Music Hall flac16; Source Info: Satellite Feed > (McIntosh) 10" Master Reels @ 7.5 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 564. 10/31/80 Shn - 0, 1955 New York Radio City Music Hall Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd notes 565. 10/31/80 Flac 16 - 0, 83158 New York Radio City Music Hall flac16; Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN; Electric: MSR>R>C>DAT>WAV>SHN; Edits: SHNs > WAV > Cool Edit 2000/Cool Edit Pro > shntool > FLAC Edited and seeded by Bill Tetzeli notes 566. 10/31/80 Flac 24/96 - 0, 137448 New York Radio City Music Hall flac24; Updated source Info: Source: SBD Recording [This is A 2nd Generation]; Lineage: mixingboard [Line out Left/Right] > TC-d5 [Line In recording level 3.5. No Dolbly] > Master Cassettes [Sony UCX90]; tapes was dubbed on a Aiwa CX-NA555; Tape Transfer: Sharp RT100 Deck [Sony UCX90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, removing some cable connection pops. Pitch correction & speed correction. No music was Lost, Altered and/or Touched. Still some tape warble; CD Wave Editor To Split Tracks & converted to Flac24 [Level 6]; the original seed of this source was marked as an AUD notes 567. 10/31/80 Flac 16 - 0, 137449 New York Radio City Music Hall flac16; Updated source Info: SBD Recording [This is A 2nd Generation]; Lineage: mixingboard [Line out Left/Right] > TC-d5 [Line In recording level 3.5. No Dolbly] > Master Cassettes [Sony UCX90]; tapes was dubbed on a Aiwa CX-NA555; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 12/27/2016; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, removing some cable connection pops. Pitch correction & speed correction. No music was Lost, Altered and/or Touched. Still some tape warble; Converting Sample Rate: Adobe Audition 3.0 was also used to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor To Split Tracks & converted to Flac16 [Level 6]; TLH to fix SBE; the original seed of this source was marked as an AUD notes 568. 11/26/80 Shn - 0, 3380 Pembroke Pines The Sportatorium Master Soundboard Cassette > Cassette > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; 6/01 note: new d2.md5 from abgd submitted here with unspecified fixes on d2t3,4- not given how, or by whom notes 569. 11/26/80 Flac 24/96 - 0, 132222 Pembroke Pines The Sportatorium flac24; Cassette Audience Master recorded By Jim Wise (patched out of Richie Stankiewicz); Beyerdynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; This is the 24 bit 96KHz file set; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise notes 570. 11/26/80 Flac 16 Mtx - 0, 132344 Pembroke Pines The Sportatorium flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:03380) Source: Master Soundboard Cassette > Cassette > DAT > CDRCD and Audience (shnid:101699) Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)by Jim Wise Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16 notes 571. 11/26/80 Shn - 0, 82278 Pembroke Pines The Sportatorium Main source: Master Soundboard Cassette > Cassette > DAT > CDR Patch source: Beyer M-160?s>Sony TC-D5>MC>DAT>CDRCD by Bill Tetzeli notes 572. 11/26/80 Flac 16 - 0, 134094 Pembroke Pines The Sportatorium flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 573. 11/26/80 Flac 16 - 0, 135530 Pembroke Pines The Sportatorium flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 574. 11/26/80 Flac 16 - 0, 101699 Pembroke Pines The Sportatorium flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes 575. 11/26/80 Shn - 0, 13065 Pembroke Pines The Sportatorium Recording by Jim Wise: Beyer M-160?s>Sony TC-D5>MC>DAT>CDR; via Paul B; Seeded to etree by Willy notes 576. 11/26/80 Flac 16 - 0, 132221 Pembroke Pines The Sportatorium flac16/48kHz; Cassette Audience Master recorded By Jim Wise (patched out of Richie Stankiewicz); Beyerdynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Cassette Masters (TDK SA-90) played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; This is the properly dithered 16 bit 48 KHz file set; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise notes 577. 11/26/80 Flac 16 Mtx - 0, 150965 Pembroke Pines The Sportatorium Sick Bits Vol. 33a Source: Matrix (SBD-AUD mix) ratio ~ Phi (the Golden Ratio) - 1.618-1 or 62%-38% SBD: (shnid=3380) Source: Master Soundboard Cassette > Cassette > DAT > CDR. via Scott Clugston (EAC-SHN) AUD: (shnid=13065) Jim Wise Beyer M-160’s > Sony TC-D5 > MC > DAT > CDR. via Paul B (CDRs). via Willy (EAC-SHN) Matrixed by Chris Chappell. (SHN > Vegas 5 > CD Wave > Flac16) March 17, 2007 notes 578. 11/28/80 Flac 16 - 0, 127546 Lakeland Lakeland Civic Center flac16; Recording by Bob Wagner/Jim Wise: Master Audience Cassette; FOB 2 Nakamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes 579. 11/28/80 Flac 16 - 0, 90013 Lakeland Lakeland Civic Center flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 580. 11/28/80 Flac 16 - 0, 90062 Lakeland Lakeland Civic Center flac16; Source: (original shnid 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR via Scott Clugston Encoding/patching by Matt Vernon - speed correction and additional patching by Kevin Tobin notes 581. 11/28/80 Flac 16 Mtx - 0, 90057 Lakeland Lakeland Civic Center flac16; Matrix 2 Source Mix - SBD (shn id 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Encoding/patching by Matt Vernon + AUD (shn id 89932) Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky - matrix mixing by Kevin Tobin notes 582. 11/28/80 Shn - 0, 20049 Lakeland Lakeland Civic Center Source: Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR via Scott Clugston Encoding/patching by Matt Vernon notes 583. 11/28/80 Flac 24/96 - 0, 127547 Lakeland Lakeland Civic Center flac24; Recording by Bob Wagner/Jim Wise: Master Audience Cassette; FOB 2 Nakamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes 584. 11/28/80 Flac 16 - 0, 89932 Lakeland Lakeland Civic Center flac16; Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky February 7, 2008 notes 585. 11/28/80 Shn - 0, 2222 Lakeland Lakeland Civic Center Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR; via Scott Clugston notes 586. 11/28/80 Flac 16 - 0, 76519 Lakeland Lakeland Civic Center flac16; Source Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT Transfer: Casio DA-7 > Tascam CD-RW 700 (pass through -2 db) > Audiophile 2496 > @ 24 Bit to WaveLab > 16 Bit > CD Wave > EAC > Flac ; upgrade in circulation notes 587. 11/28/80 Flac Dts 5.1 - 0, 90062 Lakeland Lakeland Civic Center DTS Audio 5.1; SBD (shn id 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Encoding/patching by Matt Vernon + AUD (shn id 89932) Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky - dts mixing by Kevin Tobin notes 588. 11/29/80 Flac 24 - 0, 127229 Gainesville Alligator Alley Gymnasium, University Of Florida flac24; Recorded Sony TCD-5m>Beyer M-88 in the "sweet spot"; Transfer MAC>Nakamichi 1000II>USBPre 2; Recorded and transfered by Richie Stankiewicz notes 589. 11/29/80 Flac 16/48 - 0, 132456 Gainesville Alligator Alley Gymnasium, University Of Florida flac16/48kHz; Cassette Audience Master recorded By Jim Wise (patched out of MadRiverRich); Beyer dynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded TDK SA-C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise notes 590. 11/29/80 Flac 24/96 - 0, 132457 Gainesville Alligator Alley Gymnasium, University Of Florida flac24; Cassette Audience Master recorded By Jim Wise (patched out of MadRiverRich); Beyer dynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded TDK SA-C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise notes 591. 11/29/80 Flac 16 - 0, 90104 Gainesville Alligator Alley Gymnasium, University Of Florida flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 592. 11/29/80 Flac 24/48 - 0, 134703 Gainesville Alligator Alley Gymnasium, University Of Florida flac24; AUD: Unknown mics > unknown lead deck > Sony TC-D5 > TDK-SA (1st Set) and Maxell XLII (2nd Set), recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2015 notes 593. 11/29/80 Flac 16 - 0, 134704 Gainesville Alligator Alley Gymnasium, University Of Florida flac16; AUD: Unknown mics > unknown lead deck > Sony TC-D5 > TDK-SA (1st Set) and Maxell XLII (2nd Set), recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2015 notes 594. 11/29/80 Shn - 0, 325 Gainesville Alligator Alley Gymnasium, University Of Florida no source info; via D. Barrick notes 595. 11/29/80 Shn - 0, 2409 Gainesville Alligator Alley Gymnasium, University Of Florida Recording by Jim Wise: FOB - Beyer M-160's> Sony TC-D5> CDR via Alesis Masterlink; Mics were on a 15'? pole at the SBD; Taped by Jim Wise; via Darrin Sacks, Rango Keshavan and Dankstar; note upgrade relative to previous shn set notes 596. 11/29/80 Flac - 0, 139321 Gainesville Alligator Alley Gymnasium, University Of Florida flac24; Set 2 Recording Info: SBD > Multi-Gen Cassette (Maxell XLII 90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 597. 11/29/80 Flac 16 - 0, 139322 Gainesville Alligator Alley Gymnasium, University Of Florida flac16; Set 2 Recording Info: SBD > Multi-Gen Cassette (Maxell XLII 90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139321 24 bit -> 16 bit notes 598. 11/29/80 Flac 16 - 0, 89938 Gainesville Alligator Alley Gymnasium, University Of Florida flac16; Recording by Jim Wise. Source: Beyer M-160's > Sony TC-D5 > CDR > DAT Recording by Jim Wise Mics were on a 15' pole at the SBD Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 7, 2008 notes 599. 11/29/80 Flac 16 - 0, 145665 Gainesville Alligator Alley Gymnasium, University Of Florida flac16; Recorded Sony TCD-5m>Beyer M-88 in the "sweet spot"; Transfer MAC>Nakamichi 1000II>USBPre 2; Recorded and transfered by Richie Stankiewicz; 16bit, 44.1khz file set notes 600. 11/29/80 Flac 16 - 0, 101722 Gainesville Alligator Alley Gymnasium, University Of Florida flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise (mics were set up at soundboard); All Transfers and Mastering By Charlie Miller notes 601. 11/30/80 Flac 16 Mtx - 0, 110936 Atlanta Fox Theater flac16; Source: Matrix (SBD/AUD mix) Ratio ~ Phi SBD: (shnid=2416): Source: MSC>Reel>DATs>CDRs>EAC>SHN (Through Scarlet>Fire only), AUD1: 24 bit (set 1 only) Recording Info: Taped by Dr. Bob Wagner Nakamichi 700s (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B), and AUD2: 24 bit (shnid=90530) (Scarlet>Fire only) AUD3: 16 bit (shnid=90497) (rest of the show - no matrix) Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Matrixed by Chris Chappell notes 602. 11/30/80 Flac 24/96 - 0, 127319 Atlanta Fox Theater flac24; Set 1 - Recording by Jim Oade & Jim Wise: Master Audience Cassette: 2 Teac ME-120s> Sony D-5; location: SBD and Partial Set 2 - Recording by Richie Stankiewicz & Jim Wise: Master Audience Cassette: 2 Beyer M160s> Sony D-5 location SBD; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo])Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes 603. 11/30/80 Flac 16 - 0, 128440 Atlanta Fox Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes 604. 11/30/80 Flac 16 - 0, 90497 Atlanta Fox Theater flac16; Set 2 only, Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 605. 11/30/80 Flac 24/96 - 0, 123306 Atlanta Fox Theater flac24; Partial source: aud cassette master taped by Jerry Moore or ???*; sennheiser 421's > sony d5m, fofb; maxell mx-90/dolby b; nak dragon/b > tascam hd-p2 24/96 > pc > adobe audition 2.0 > cd wave > flac; transferred & seeded by Rob Berger notes 606. 11/30/80 Flac 16 - 0, 110921 Atlanta Fox Theater flac16; Set 1 Only, Recording Info: Taped by Dr. Bob Wagner Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble (24bit/44.1kHz) -> Peak Pro -> AIFF -> Vegas 10 > CD WAV -> FLAC/16 All Transfers and Mastering By Chris Chappell notes 607. 11/30/80 Shn - 0, 2416 Atlanta Fox Theater complete; MSC> Reel> DATs> CDRs> EAC> SHN (set I and Scarlet>Fire from Set II); remainder Jim Wise's Sony ECM280s> D5> DATs> CDRs> EAC> SHN, also with patches from other AUDs (see info file); via Scott Clugston, Dankstar, Darrin Sacks; upgrade relative to previous shn set; note copy a noted at shakedown- has fixed track boundaries, copy b noted at gdlive does not (d3 is same for both)- see pub comments notes 608. 11/30/80 Flac 24/96 - 0, 90530 Atlanta Fox Theater flac24; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/24 All Transfers and Mastering By Charlie Miller notes 609. 12/06/80 Shn - 0, 5478 Mill Valley Mill Valley Recreation Center Betty Cantor-Jackson's Master Audience Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston notes 610. 12/12/80 Flac 16 - 0, 31509 San Bernardino Swing Auditorium flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette Transfer Info: Cassette (Nak CR7A) -> Dat (Sony R500/SBM On) Transferred By Neil Sturtevant Dat (Sony D8) -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC; Transferred and Remastered Charlie Miller notes 611. 12/12/80 Flac 16 - 0, 89134 San Bernardino Swing Auditorium flac16; Recorded by Ron Ellner: MOTB Release: 0059 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x TDK SA-X 90 Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Ron Ellner MAC Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: SIRMick notes 612. 12/12/80 Flac 16 - 0, 124542 San Bernardino Swing Auditorium flac16; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 70us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes); Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave notes 613. 12/12/80 Shn - 0, 13912 San Bernardino Swing Auditorium 2nd set only; AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy notes 614. 12/12/80 Shn - 0, 16906 San Bernardino Swing Auditorium set 1; aud (unknown mics); via Brad Kelsey; encoded by Matt Vernon. notes 615. 12/12/80 Flac 24/96 - 0, 89247 San Bernardino Swing Auditorium flac24: Recorded by Ron Ellner: MOTB Release: 0059 24/96 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x TDK SA-X 90 Analog Lineage: 2 x Nakamichi CM-700 => Nakamichi 550 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Ron Ellner MAC Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: SIRMick notes 616. 12/12/80 Flac 16 Mtx - 0, 136722 San Bernardino Swing Auditorium flac16; 3 source matrix by Dusborne; Soundboard(Shnid:31509) Recording Info: SBD -> Cassette Master -> ? -> Cassette; Transfer Info: Cassette (Nak CR7A) -> Dat (Sony R500/SBM On); Dat (Sony D8) -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC; Audience 1(Shnid:89134) Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5M >> MAC,Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] =>Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Ron Ellner; Audience 2(Shnid:124542) Recorded by: Ron Goldshine and John Musgrave 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes)My Copy of masters:Sony D5M (w/ Dolby, Bias @ 70us) > AkaiiGX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes); Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor notes 617. 12/13/80 Flac 16 - 0, 91939 Long Beach Long Beach Arena flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller notes 618. 12/13/80 Flac 16 - 0, 128617 Long Beach Long Beach Arena flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes 619. 12/13/80 Flac 16 - 0, 88964 Long Beach Long Beach Arena flac16; Recording by Joani Walker: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 620. 12/13/80 Flac 16 - 0, 124551 Long Beach Long Beach Arena flac16; Recorded from the 15th row dead center on the floor with the microphones about 10 feet apart; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes) Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave notes 621. 12/13/80 Shn - 0, 13412 Long Beach Long Beach Arena Complete; (FOB) Nak 700 -> Cm -> Reel -> Dat shn encoding Charlie Miller notes 622. 12/13/80 Shn - 0, 1633 Long Beach Long Beach Arena set 2; Master Audience Cassette; Sony ECM-280 mics > Sony D5> DAT > CDR; via Scott Clugston, Lee Revell notes 623. 12/13/80 Flac 16 Mtx - 0, 136725 Long Beach Long Beach Arena flac16; 3 source matrix by Dusborne;Soundboard (Shnid:91939) Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 ->Cool Edit Pro v2.0 -> FLAC; Audience 1 (Shnid:88964) Recording Info: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->Samplitude Professional v9.12 -> FLAC/16; and Audience 2 (Shnid:124551) Recorded by: Ron Goldshine and John Musgrave; 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes)My Copy of masters: Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes)) Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) >NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor notes 624. 12/14/80 Flac 16 - 0, 108813 Long Beach Long Beach Arena flac16; MSC>C (originally listed as nnknown generation cassette from sound board master) Transfer and FLAC encoding by David Minches: Cassette played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/pitch Correction by Joe B. Jones. Missing sections were patched with SHNID 89058. Patch Info: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Thanks to Michael Parrish for the sound board recording. notes 625. 12/14/80 Flac 16 - 0, 128626 Long Beach Long Beach Arena flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes 626. 12/14/80 Flac 16 - 0, 124583 Long Beach Long Beach Arena flac16; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 70us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes); Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave notes 627. 12/14/80 Shn - 0, 13193 Long Beach Long Beach Arena AUD(Nak 700?s)>MC>DAT>CDR; via Paul B; Seeded to etree by Willy; upgrade in circulation notes 628. 12/14/80 Flac 16 - 0, 89058 Long Beach Long Beach Arena flac16; Recording by Joani Walker: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 629. 12/14/80 Flac 16 - 0, 89003 Long Beach Long Beach Arena flac16; Recording Info: Nakamichi 700 -> Cassette Master (Sony D5M) -> Dat Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude Professional v6.0 -> SHN -> FLAC All Transfers And Mastering By Charlie Miller notes 630. 12/14/80 Flac 16 Mtx - 0, 136726 Long Beach Long Beach Arena flac16; 3 source matrix by Dusborne; Soundboard (Shnid:108813) MSC > C; Cassette played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC; Audience 1 (Shnid:89058) Recording Info: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16; Audience 2 (Shnid:124583) Recorded by: Ron Goldshine and John Musgrave; 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes) Copy of masters: Sony D5M (w/ Dolby, Bias @ 70us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes) Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor notes 631. 12/26/80 Flac 16 Mtx - 0, 121533 Oakland Oakland Auditorium Arena flac16; Matrix 3 Source Mix - SBD1 (shn id 17279) MSR>C>DAT>WAV>SHN w/ Aud Patch - NAK 700's FOB>MAC>C>DAT>WAV>SHN. C>SHN Conversion by Cousinit + SBD2 Mono from Video soundtrack used to patch Sbd 1 + AUD1 (shn id 89260) Recording by Joani Walker: Nakamichi 300/CP1 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin notes 632. 12/26/80 Flac 24 - 0, 127564 Oakland Oakland Auditorium Arena flac24; Recorded with Sony TCD-5M>Beyer M-160; Recording made in the "Sweet Spot"; Transfer MAC>Sony TCDKA-3ES>USBPre2; Recorded and transfered by Richie Stankiewicz notes 633. 12/26/80 Shn - 0, 17279 Oakland Oakland Auditorium Arena MSR>C>DAT>WAV>SHN w/ Aud Patch - NAK 700's FOB>MAC>C>DAT>WAV>SHN. C>SHN Conversion by Cousinit notes 634. 12/26/80 Flac 16 - 0, 123631 Oakland Oakland Auditorium Arena flac16; MSR>C>DAT>WAV>SHN w/mono audio patch from video and timing correction. Originally converted by Cousinit (Shnid=17279) notes 635. 12/26/80 Flac 16 - 0, 89260 Oakland Oakland Auditorium Arena flac16; Recording by Joani Walker: Nakamichi 300/CP1 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 636. 12/26/80 Flac Dts 5.1 - 0, 121572 Oakland Oakland Auditorium Arena DTS-Audio-CD 5.1 Mix; SBD1 (shn id 17279) MSR>C>DAT>WAV>SHN w/ Aud Patch - NAK 700's FOB>MAC>C>DAT>WAV>SHN. C>SHN Conversion by Cousinit + SBD2 Mono from Video soundtrack used to patch Sbd 1 + AUD1 (shn id 89260) Recording by Joani Walker: Nakamichi 300/CP1 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin notes 637. 12/26/80 Shn - 0, 15880 Oakland Oakland Auditorium Arena Recording by Joani Walker: Nak 300's > D5 > ACM recorded by Joani Walker(1), ACM > CDR by Paul Scotton, encoding Matt Vernon ; upgrade in circulation notes 638. 12/26/80 Flac 16 - 0, 34400 Oakland Oakland Auditorium Arena flac16; Recording by Joan Walker: Source: Nak 300's > D5 > ACM recorded by Joani Walker(1) Lineage: ACM > CDR > EAC > Cool Edit > CDWAV > SHN; Fix: SHN > WAV > SoundForge > CDWave > SHNTOOOL > FLAC. Fix of shnid 15880 ; upgrade in circulation notes 639. 12/27/80 Flac 24 - 0, 127152 Oakland Oakland Auditorium Arena flac24; Sony TCD-5M two Beyer M-88; Recorded in the "Sweet Spot"; Recorded and tansfered by Richie Stankiewicz notes 640. 12/27/80 Shn - 0, 327 Oakland Oakland Auditorium Arena SBD; via Stewart McCloskey (his transfer setup: PCM R500> AES/EBU monstercable> ZA2> Cooledit)? to ShortSnail/ shntraders list; d2 reportedly needs breaking up as desired (see addendum); info and md5s here courtesy Bill Borsodi, John Primozic notes 641. 12/27/80 Shn - 0, 18736 Oakland Oakland Auditorium Arena MSR>C>DAT>WAV>SHN; Conversion by Cousinit notes 642. 12/27/80 Flac 16 - 0, 107791 Oakland Oakland Auditorium Arena flac16; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller notes 643. 12/27/80 Flac 16 - 0, 136139 Oakland Oakland Auditorium Arena flac16; Fix of shnid.135987 - Soundboard, unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag; Editing and Mastering by Jamie Waddell in Wavelab 7.1; shnid.135987 had the channels reversed in Set 1, this fixes that issue notes 644. 12/27/80 Flac 16 - 0, 89269 Oakland Oakland Auditorium Arena flac16; Recording by Joani Walker: Nakamichi 300/CP4 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 645. 12/27/80 Flac 16 - 0, 141648 Oakland Oakland Auditorium Arena flac16; Source Info: Jeff Hellman's Master Soundboard Cassettes (dolby B) > Dan DeLuca's 1st generation reels > Tim Dalton's PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 646. 12/28/80 Flac 16 - 0, 35036 Oakland Oakland Auditorium Arena flac16; Seamless fix of shn id 17421 - Main SRC: MSR>C>DAT>WAV>SHN with patches Patch source: shn id 13299 AUD (Nak 300's)>MC>DAT>CD>SHN from LlaMA by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 647. 12/28/80 Flac 16 - 0, 34368 Oakland Oakland Auditorium Arena flac16; MSR>C>DAT>WAV>SHN; Patches from AUD (Nak 300's)>MC>DAT>CD; (Fix) SHN>WAV>Sound Forge>CDWAVE>SHNTOOL>FLAC; Patched, re-tracked and encoded by aolong. notes 648. 12/28/80 Flac 16 Mtx - 0, 122408 Oakland Oakland Auditorium Arena flac16; Matrix: sbd 70%/aud 30%; sbd: Source: MSR>C>DAT>WAV>SHN; Edit: SHN>WAV>Sound Forge>CDWAVE>SHNTOOL>FLAC & aud: Recording Info: Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Bob Wagner; editing and matrix: SIRMick notes 649. 12/28/80 Flac 16 - 0, 107792 Oakland Oakland Auditorium Arena flac16; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller notes 650. 12/28/80 Flac 16 - 0, 135991 Oakland Oakland Auditorium Arena flac16; Soundboard, unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums and tagged with xACT; Editing and Mastering by Jamie Waddell in Wavelab 7.1 notes 651. 12/28/80 Shn - 0, 13299 Oakland Oakland Auditorium Arena AUD (Nak 300's)>MC>DAT>CD; via Paul B; Seeded to etree by Willy notes 652. 12/28/80 Shn - 0, 17421 Oakland Oakland Auditorium Arena MSR>C>DAT>WAV>SHN via Cousin-It notes 653. 12/28/80 Flac 16 - 0, 141649 Oakland Oakland Auditorium Arena flac16; Source Info: Jeff Hellman's Master Soundboard Cassettes (dolby B) > Dan DeLuca's 1st generation reels > Tim Dalton's PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 654. 12/28/80 Shn - 0, 8862 Oakland Oakland Auditorium Arena SB:>?>DAT>Tascam DA-20>EgoSys WaveTermanial 2496>CD-Wave > SHN; via Peter Gallagher; Seeded to etree by Willy notes 655. 12/30/80 Flac 16 Mtx - 0, 121396 Oakland Oakland Auditorium Arena flac16; Source: Matrix (50/50) using mono sbd from video mixed with (shnid = 13300): AUD (nak 300's); Mixed by kevtobin@yahoo.com; FLAC conversion 17-JUL-2012 notes 656. 12/30/80 Flac 16 - 0, 90468 Oakland Oakland Auditorium Arena flac16; Soundcheck Recording Info: Sennheiser 421 -> Cassette Master -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 657. 12/30/80 Shn - 0, 13300 Oakland Oakland Auditorium Arena Recording by Steve Rolfe: AUD (nak 300's)>MC>DAT>CD; via Paul B; Seeded to etree by Willy notes 658. 12/30/80 Flac 24/48 - 0, 146611 Oakland Oakland Auditorium Arena flac24; Source: AUD of unknown lineage > Lo-gen cassette via Richie & Rip. Transfer: SA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 05/2019 notes 659. 12/31/80 Flac 16 - 0, 108290 Oakland Oakland Auditorium Arena flac16; SBD master cassette > cassette; Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz notes 660. 12/31/80 Flac 16 Mtx - 0, 105029 Oakland Oakland Auditorium Arena flac16; Matrix 3 Source Mix - SBD (shn id 17693) MSR>C>DAT>WAV>SHN, C>SHN Conversion by Cousinit + AUD1 (shn id 104971) Analog Audience Source:FOB Master Cassettes (MAC) Medium Stock Brands:3 x Maxell UDXL II 90 Analog Lineage:2 x Nakamichi CM 300 >> Sony TC D5 >> MAC Analog Sound Preservation:: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Anonymous Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0106 24/96 + AUD2 (shn id 16911) Recording by Steve Rolfe: Nak 300 Shotguns > D5 > MAC > DAT > CDR; taped by Steve Rolfe via Dave Minor; encoded by Matt Vernon - matrix mixing by Kevin Tobin notes 661. 12/31/80 Flac 16 - 0, 105027 Oakland Oakland Auditorium Arena flac16; MSR>C>DAT>WAV>SHN - pitch correction and patches by Kevin Tobin (update of source ID 17693) notes 662. 12/31/80 Shn - 0, 17693 Oakland Oakland Auditorium Arena MSR> C> DAT> WAV> SHN, plus Aud Patch - NAK 700's FOB> MAC> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit notes 663. 12/31/80 Flac 16 - 0, 123336 Oakland Oakland Auditorium Arena flac16; set 3 only: aud cassette master, sennheiser 421's>d5m maxell mx-90's, dolby b; nak dragon/b > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 > flac; unknown taper, transfer Rob Berger notes 664. 12/31/80 Flac 16 - 0, 35083 Oakland Oakland Auditorium Arena flac16; - SBD > Rm > Cass > Dat > Samplitude > CDR > EAC > SHN - Seamless fix and patch of shn id 6391 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 665. 12/31/80 Shn - 0, 6391 Oakland Oakland Auditorium Arena SBD > Rm > Cass > Dat > Samplitude > CDR > EAC> SHN; plus AUD patches (see info file for notes and flaws); EAC, SHN, etreed by G.Gorinsky; with thanks to Bill Golden notes 666. 12/31/80 Shn - 0, 16911 Oakland Oakland Auditorium Arena Recording by Steve Rolfe: Nak 300 Shotguns > D5 > MAC > DAT > CDR; taped by Steve Rolfe via Dave Minor; encoded by Matt Vernon notes 667. 12/31/80 Flac 16 - 0, 104968 Oakland Oakland Auditorium Arena flac16; Analog Audience Source:FOB Master Cassettes (MAC) Medium Stock Brands:3 x Maxell UDXL II 90 Analog Lineage:2 x Nakamichi CM 300 >> Sony TC D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Anonymous Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0106 16/44.1 notes 668. 12/31/80 Flac 16 - 0, 107822 Oakland Oakland Auditorium Arena flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller notes 669. 12/31/80 Flac 16 Dts.5.1 - 0, 105031 Oakland Oakland Auditorium Arena DTS-Audio-CD 5.1 Mix; SBD (shn id 17693) MSR> C> DAT> WAV> SHN, plus Aud Patch - NAK 700's FOB> MAC> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit + AUD1 (shn id 104971) Analog Audience Source:FOB Master Cassettes (MAC) Medium Stock Brands:3 x Maxell UDXL II 90 Analog Lineage:2 x Nakamichi CM 300 >> Sony TC D5 >> MAC Analog Sound Preservation:: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Anonymous Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0106 24/96 + AUD2 (shn id 16911) Recording by Steve Rolfe: Nak 300 Shotguns > D5 > MAC > DAT > CDR; taped by Steve Rolfe via Dave Minor; encoded by Matt Vernon - dts mixing by Kevin Tobin notes 670. 12/31/80 Flac 24/96 - , 163454 Oakland Oakland Auditorium Arena flac2496; Source info: Two Maxell MX90s from Bear via Jamie Waddell, Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > 24 Bit 96 kHz FLAC, Recorded by Augustus Owsley Stanley III (aka Bear), Transferred and mastered by Jim Blackwood, Speed/pitch adjusted by Jason Chastain, Minor repairs, track, FLAC, and pack by Steve Gravel notes 671. 12/31/80 Flac 16/48 - , 163455 Oakland Oakland Auditorium Arena flac1648; Source info: Two Maxell MX90s from Bear via Jamie Waddell, Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > 24 Bit 96 kHz FLAC, Recorded by Augustus Owsley Stanley III (aka Bear), Transferred and mastered by Jim Blackwood, Speed/pitch adjusted by Jason Chastain, Minor repairs, track, FLAC, and pack by Steve Gravel notes 672. 12/31/80 Flac 16 - , 155390 Oakland Oakland Auditorium Arena flac16; Patched & Pitch Corrected Soundboard: - (original shnid = 108290) SBD master cassette > cassette; Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz - pitch correction and patches by Kevin Tobin notes 673. 12/31/80 Flac 16/48 LPCM - , 155424 Oakland Oakland Auditorium Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 155390) Patched & Pitch Corrected Soundboard: - (original shnid = 108290) SBD master cassette > cassette; Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz - pitch correction and patches by Kevin Tobin + AUD (shnid = 107822) Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller - surround mixing by Kevin Tobin notes 674. ??/??/80 Flac 1644 - 0, 142330 San Rafael Club Front flac24; Lineage: The tape was labelled "2nd generation off master", taken to mean MSR or MSC > Cass1 > Cass2; Transfer: Maxell UD-XLI > Nakamichi DR-8 (Dobly Off) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC1644 notes 675. 02/17/81 Flac 24 - 0, 142325 San Rafael Club Front flac24; Recording Info: Rough Mixes > Cassette (TDK SA-X90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 676. 02/17/81 Flac 16 - 0, 142487 San Rafael Club Front flac16; Recording Info: Rough Mixes > Cassette (TDK SA-X90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 677. 02/26/81 Flac 16 Mtx - 0, 28383 Chicago Uptown Theater flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell notes 678. 02/26/81 Shn - 0, 4597 Chicago Uptown Theater SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes notes 679. 02/26/81 Flac 16 - 0, 128750 Chicago Uptown Theater flac16; Recorded By Mason Taylor on a Sony D5 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on a Nak Cr7A notes 680. 02/26/81 Shn - 0, 20342 Chicago Uptown Theater Taped by Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B. Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal via Mark Cohen. Encoded by Matt Vernon notes 681. 02/26/81 Flac 16 - 0, 140360 Chicago Uptown Theater flac16; Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/44; Transfer Info: Sony PCM-R500 > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 notes 682. 02/26/81 Flac 24/48 - 0, 149226 Chicago Uptown Theater flac24; Source: Sennheiser MD-421's > MAC > 1st-Gen cassettes via Richie & Rip. Transfer: TDK SA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2020 notes 683. 02/27/81 Flac 16 Mtx - 0, 28384 Chicago Uptown Theater flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell notes 684. 02/27/81 Flac 24 - 0, 127511 Chicago Uptown Theater flac24; Recorded 1st row balcony Sony TCD-5M> Beyer M-160; MAC>Sony TCKA3ES>USBPre-2 notes 685. 02/27/81 Flac 16 - 0, 128712 Chicago Uptown Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes 686. 02/27/81 Flac 16 Mtx - 0, 120386 Chicago Uptown Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ work > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes 687. 02/27/81 Shn - 0, 4598 Chicago Uptown Theater SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes; note encore missing notes 688. 02/27/81 Shn - 0, 20344 Chicago Uptown Theater Taped by Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B. Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal via Mark Cohen. Encoded by Matt Vernon notes 689. 02/27/81 Flac 24 - 0, 139732 Chicago Uptown Theater flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 (patched out of Rip Thompkins)> Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes 690. 02/27/81 Flac 16 - 0, 139731 Chicago Uptown Theater flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 (patched out of Rip Thompkins)> Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes 691. 02/28/81 Flac 16 Mtx - 0, 28398 Chicago Uptown Theater flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell notes 692. 02/28/81 Flac 16 Mtx - , 154897 Chicago Uptown Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 151913, 20345 (set 1) & 143844 (set 2). notes 693. 02/28/81 Shn - 0, 4668 Chicago Uptown Theater SBD > Cassette Master > DAT(0) (Reel> DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > CDR Master (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes; d1 tracked for 80 min notes 694. 02/28/81 Flac 16 - 0, 128747 Chicago Uptown Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak550 properly notes 695. 02/28/81 Shn - 0, 20345 Chicago Uptown Theater Taped by Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B. Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal via Mark Cohen. Encoded by Matt Vernon notes 696. 02/28/81 Flac 16 - 0, 141412 Chicago Uptown Theater flac16; Recording Info: Master Soundboard Cassette > Dat (Panasonic SV-3700 16/48k) > CDR > Dat (Sony PCM R-700 16/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 notes 697. 02/28/81 Flac 24/96 - 0, 143845 Chicago Uptown Theater flac24; 2nd Set: Source Info: Frank Streeter's Master Audience Cassette; Beyer M-160 mics > Sony D5 Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496 notes 698. 02/28/81 Flac 16/48 - 0, 143844 Chicago Uptown Theater flac16/48kHz; 2nd Set: Source Info: Frank Streeter's Master Audience Cassette; Beyer M-160 mics > Sony D5 Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 699. 02/28/81 Flac 16/44 - 0, 151913 Chicago Uptown Theater flac16/44 This is an updated version of shnid142412 using an alternate soundboard source for patching rather than an audience source Recording Info: Master Soundboard Cassette > Dat (Panasonic SV-3700 16/48k) > CDR > Dat (Sony PCM R-700 16/44.1k) Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 2020 > TLH flac16 notes 700. 02/28/81 Flac 16/44 - 0, 151914 Chicago Uptown Theater flac16/44 Source Info: Master Soundboard Cassette > ? > DAT (16/44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 (16/44.1k) > Adobe Audition 2020 > TLH flac16 notes 701. 03/02/81 Flac 16 - 0, 112768 Cleveland Cleveland Music Hall flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> AIFF -> Adobe Audition v1.5 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller notes 702. 03/02/81 Flac 16 - 0, 83826 Cleveland Cleveland Music Hall flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer: Cassette Master > HHB Porta-a-DAT DAT Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing Info- Wavelab 6.0 using Ozone and L2 for dither notes 703. 03/02/81 Flac 16 - 0, 89119 Cleveland Cleveland Music Hall flac16; Recording by Bob Wagner: MOTB Release: 0058 16/44.1 Analog Audience Source: Master Cassettes [FOB, 15th Row] (MAC) Analog Copy Instances: Reel Set 1 (R1) Medium Stock Brands: MAC = Maxell XLIIS-90, R1 = 2 x Maxell UD 35-90 Analog Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] => Sony TC-D5M >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [7.5 IPS] >> R1 Analog Sound Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner R1 Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: D. McCabe notes 704. 03/02/81 Flac 16 - 0, 90165 Cleveland Cleveland Music Hall flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 705. 03/02/81 Flac 24/96 - 0, 89129 Cleveland Cleveland Music Hall flac24; Recording by Bob Wagner: Analog Audience Source: Master Cassettes [FOB, 15th Row] (MAC) Analog Copy Instances: Reel Set 1 (R1) Medium Stock Brands: MAC = Maxell XLIIS-90, R1 = 2 x Maxell UD 35-90 Analog Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] => Sony TC-D5M >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [7.5 IPS] >> R1 Analog Sound Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner R1 Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: D. McCabe notes 706. 03/02/81 Shn - 0, 9511 Cleveland Cleveland Music Hall Recording by Bob Wagner: Nak 700's> TC-D5> MC> DAT> CDR; via Paul B; Seeded to etree by Willy; upgrade in circulation notes 707. 03/02/81 Flac 24/96 - 0, 139734 Cleveland Cleveland Music Hall flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM-700 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes 708. 03/02/81 Flac 16 - 0, 139733 Cleveland Cleveland Music Hall flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM-700 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes 709. 03/02/81 Flac 24/96 - 0, 90450 Cleveland Cleveland Music Hall flac24/96; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/24 All Transfers and Mastering By Charlie Miller notes 710. 03/03/81 Flac 16 - 0, 112777 Cleveland Cleveland Music Hall flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> AIFF -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation notes 711. 03/03/81 Flac 16 - 0, 83828 Cleveland Cleveland Music Hall flac16; Recording by Mason Taylor and Mark Radnor: NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer: Cassette Master > HHB Porta-a-DAT DAT Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing Info- Wavelab 6.0 using Ozone and L2 for dither notes 712. 03/03/81 Flac 16 - 0, 90473 Cleveland Cleveland Music Hall flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 713. 03/03/81 Flac 16 - 0, 123978 Cleveland Cleveland Music Hall flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> AIFF -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; Dats Supplied By Rob Eaton; Transferred By Digitalrbb; Mastered By Charlie Miller notes 714. 03/03/81 Shn - 0, 9113 Cleveland Cleveland Music Hall Recording by Mark Horvath: fob> Sennheiser 421s> master cassette> cdr; via Mark Horvath; Seeded to etree by Sean Cheadle; Note- New d2t05 now circ's; See 'user comments' for details notes 715. 03/03/81 Shn - 0, 3902 Cleveland Cleveland Music Hall aud> mics?> cassette master> dat> cdr; via Mike Lai notes 716. 03/03/81 Shn - 0, 18579 Cleveland Cleveland Music Hall Recording by Bob Wagner; Nak 700s>Sony TC-D5. AUDMC > SHN conversion by David Minches notes 717. 03/03/81 Flac 24/96 - 0, 139736 Cleveland Cleveland Music Hall flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M88 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes 718. 03/03/81 Flac 16 - 0, 139735 Cleveland Cleveland Music Hall flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M88 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes 719. 03/04/81 Flac 24 - 0, 142326 San Rafael Club Front flac24; Recording Info: Master Production Disc > Cassette Master (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 720. 03/04/81 Flac 16 - 0, 142485 San Rafael Club Front flac16; Recording Info: Master Production Disc > Cassette Master (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 721. 03/05/81 Shn - 0, 14024 Pittsburgh Stanley Theater Set 2 soundboard, minus encore, last song cut; See info file for details; S : MC > C > D > CD > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. notes 722. 03/05/81 Flac 24/96 - 0, 128300 Pittsburgh Stanley Theater flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s > Sony D-5 Center Loge; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding notes 723. 03/05/81 Flac 16 - 0, 129756 Pittsburgh Stanley Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak550 notes 724. 03/05/81 Flac 16 - 0, 128378 Pittsburgh Stanley Theater flac16; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s > Sony D-5 Center Loge; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding 16/44.1 version notes 725. 03/05/81 Flac 16 - 0, 83494 Pittsburgh Stanley Theater flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Location: 1st Row of lower balcony Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer by: Adam Gross - Cassette Master > HHB Porta-a-DAT DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 (note: this was originally seeded with the files named incorrectly. The info file below reflects the corrected file names and a renamed md5 file has been included.) notes 726. 03/05/81 Shn - 0, 3920 Pittsburgh Stanley Theater Audience recording by Jim Wise (Sennheiser 421>D5) set up loge center; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam cd-d4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD>SHN by Jamie Lutch; QC courtesy dankseeds notes 727. 03/05/81 Flac 16 - 0, 139506 Pittsburgh Stanley Theater flac16; AUD: Unknown taper & gear > Low-gen tapes, kindly provided from the collection of Craig L. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2017 notes 728. 03/05/81 Flac 24/96 - 0, 139740 Pittsburgh Stanley Theater flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes 729. 03/05/81 Flac 16 - 0, 139739 Pittsburgh Stanley Theater flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes 730. 03/05/81 Flac 16/48 - 0, 152596 Pittsburgh Stanley Theater flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 731. 03/05/81 Flac 24/96 - 0, 152597 Pittsburgh Stanley Theater flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 732. 03/06/81 Shn - 0, 14019 Pittsburgh Stanley Theater Set 2 soundboard, minus encore; S : MC > C > D > CDR > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. notes 733. 03/06/81 Flac 16 - 0, 129552 Pittsburgh Stanley Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on crome tapes, with Nakamichi microphones; mics spread 15' on lip of lower balcony onto Maxell Metal tapes notes 734. 03/06/81 Flac 16 - 0, 83827 Pittsburgh Stanley Theater flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Location: 1st Row of lower balcony Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer: Cassette Master > HHB Porta-a-DAT DAT Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing Info- Wavelab 6.0 using Ozone and L2 for dither notes 735. 03/06/81 Flac 16 - 0, 128579 Pittsburgh Stanley Theater flac16; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5 Center Loge; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes 736. 03/06/81 Flac 24 - 0, 128664 Pittsburgh Stanley Theater flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5 Center Loge; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]); Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding (24/96 version) notes 737. 03/06/81 - 0, Pittsburgh Stanley Theater flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes 738. 03/06/81 Flac 16 - 0, 139741 Pittsburgh Stanley Theater flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes 739. 03/06/81 Shn - 0, 3921 Pittsburgh Stanley Theater Audience recording by Jim Wise (Sennheiser 421>D5) set up loge center; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam cd-d4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD>SHN by Jamie Lutch; QC courtesy dankseeds notes 740. 03/07/81 Flac 16 - 0, 82370 College Park Cole Field House, University Of Maryland flac16; Recording by Barry Glassberg; MOTB-0008 Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner notes 741. 03/07/81 Flac 16 - 0, 128755 College Park Cole Field House, University Of Maryland flac16; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5; Location: set up at the SBD; Transfer and FLAC encoding by David Minches; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes 742. 03/07/81 Shn - 0, 22933 College Park Cole Field House, University Of Maryland Recording by Jim Wise: Senn 421 mics, > SonyD5> MC> CD> ?> EAC> SHN notes 743. 03/07/81 Shn - 0, 6961 College Park Cole Field House, University Of Maryland FOB> Nak 700 mics> Sony TCD5M> MC> Sony D8> DAT@48k> ZA2> @44.1khz> SF & CD Architect4.5> CD; EAC/SHN by Willy, from Scott Shindell seed discs; missing Passenger, cut in LLR; tracked for 2x80 notes 744. 03/07/81 Flac 24/96 - 0, 82371 College Park Cole Field House, University Of Maryland flac24/96; Recording by Barry Glassberg: MOTB-0008: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner notes 745. 03/07/81 Flac 24/96 - 0, 128812 College Park Cole Field House, University Of Maryland flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5; Transfer and FLAC encoding by David Minches: May 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding 24/96 source notes 746. 03/09/81 Flac 16 Mtx - 0, 101168 New York Madison Square Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC16) notes 747. 03/09/81 Flac 16 - 0, 74220 New York Madison Square Garden flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller notes 748. 03/09/81 Flac 24/96 - 0, 95179 New York Madison Square Garden flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes 749. 03/09/81 Flac 16 - 0, 95060 New York Madison Square Garden flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes 750. 03/09/81 Shn - 0, 4953 New York Madison Square Garden Sources: Master Soundboard Cassette > Cassette > DAT > CDR; Jim Wise's Master Audience Cassette; Nakamichi CM700 mics >Sony TC-D5 supplies the tuning and first few notes of "Deep Elem Blues" (d1t06), approximately 0:38. ; upgrade in circulation notes 751. 03/09/81 Flac 16 - 0, 130233 New York Madison Square Garden flac16; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5 Location @ Soundboard; Transfer and FLAC encoding by David Minches: June 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]); Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes 752. 03/09/81 Flac 24 Mtx - 0, 101159 New York Madison Square Garden flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC24) notes 753. 03/09/81 Shn - 0, 328 New York Madison Square Garden Recording by Barry Glassberg: FOB Nak700> SonyTCD5M> Sony TCD-D8> HHB800> "Sonic Super Charge" (Jim Wise)> CDRs (Mastered by Jim Wise)> EAC> SHN; via DNC Permatree, D. Sacks; upgrade in circulation notes 754. 03/09/81 Shn - 0, 7473 New York Madison Square Garden Recording by Barry Glassberg: Improved 'transfer' of original fob source; via Barry glassberg; Jim Wise; upgrade in circulation notes 755. 03/09/81 Flac 24 - 0, 82373 New York Madison Square Garden flac24/96; Recording by Barry Glassberg: MOTB-0009 Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner notes 756. 03/09/81 Flac 16 - 0, 82372 New York Madison Square Garden flac16; Recording by Barry Glassberg: MOTB-0009 Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner notes 757. 03/10/81 Flac 16 - 0, 115598 New York Madison Square Garden flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 758. 03/10/81 Flac 24/96 - 0, 131564 New York Madison Square Garden flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5; Transfer and FLAC encoding by David Minches: September 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes 759. 03/10/81 Flac 16 - 0, 131563 New York Madison Square Garden flac16; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5; Transfer and FLAC encoding by David Minches: September 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes 760. 03/10/81 Flac 16 Mtx - 0, 131701 New York Madison Square Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes 761. 03/10/81 Flac 16 - 0, 95275 New York Madison Square Garden flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes 762. 03/10/81 Flac 16 - 0, 82374 New York Madison Square Garden flac16; Recording by Barry Glassberg: MOTB-0010 Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner notes 763. 03/10/81 Shn - 0, 7630 New York Madison Square Garden Recording by Barry Glassberg: Improved 'transfer' of original fob source; via Barry glassberg; Jim Wise; ; upgrade in circulation notes 764. 03/10/81 Flac 24/96 - 0, 82375 New York Madison Square Garden flac24/96; Recording by Barry Glassberg: MOTB-0010: Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner notes 765. 03/10/81 Flac 24/96 - 0, 95276 New York Madison Square Garden flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes 766. 03/10/81 Flac 16 - 0, 91764 New York Madison Square Garden flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller notes 767. 03/10/81 Flac 16/48 - , 162636 New York Madison Square Garden flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 768. 03/10/81 Flac 24/96 - , 152637 New York Madison Square Garden flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 769. 03/12/81 Flac 16 - 0, 95243 Boston Boston Garden flac16; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes 770. 03/12/81 Shn - 0, 7584 Boston Boston Garden Recording by Steve Rolfe: Nak 700's > Sony D5 Master Cassette; 16th Row ; A>D by Noah Weiner; d1 tracked for 80 min; passes shntool check notes 771. 03/12/81 Flac 16 - 0, 102025 Boston Boston Garden flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA except d3t1-t6: Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Floor Section BB, Row 45, Seat 2 by Bob Morris notes 772. 03/12/81 Shn - 0, 3307 Boston Boston Garden taped in "upper left", Sony ECM 280 > Sony TC-D5 > CD > EAC (see info) > SHN v3; via Mike Murray, Chris L notes 773. 03/12/81 Flac 16 - 0, 109872 Boston Boston Garden flac16; AUD: 3x Nakamichi CM300/CP4's shotguns > Nakamichi 550 > Maxell XLII-S 90's, set up center balcony facing stage, section 102. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 09/2010 notes 774. 03/12/81 Flac 24/96 - 0, 139831 Boston Boston Garden flac24; Source: (FOB) AKG D330BT's >Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer : Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > TLH > flac 2496 - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick November 2017 notes 775. 03/12/81 Flac 24/96 - 0, 95259 Boston Boston Garden flac24; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes 776. 03/12/81 Flac 16 - 0, 145210 Boston Boston Garden flac16; Source: (FOB) AKG D330BT's >Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer : Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > TLH > flac 2496 - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick November 2017; This file set is 16 bit @ 44.1 notes 777. 03/12/81 Flac 24/48 - 0, 152443 Boston Boston Garden flac2448 Recording Information: Microphones:Beyer M201's in hat Recorder: Sony TCD5 Maxell UDXLII 90's Location: lower balcony behind drums This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes 778. 03/12/81 Flac 16/44 - 0, 152442 Boston Boston Garden flac1644 Recording Information: Microphones:Beyer M201's in hat Recorder: Sony TCD5 Maxell UDXLII 90's Location: lower balcony behind drums This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes 779. 03/13/81 Flac 16 - 0, 112659 Utica Utica Memorial Auditorium flac16; Partial Set 1, Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Mastered By Charlie Miller; Upgrade in circulation notes 780. 03/13/81 Flac 16/48 - 0, 132620 Utica Utica Memorial Auditorium flac16/48kHz; Cassette Audience Master recorded by Jim Wise; Sennheiser MD 421 mic's mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Maxell XL-11 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversion(r8brain) by Jim Wise notes 781. 03/13/81 Flac 24 - 0, 132621 Utica Utica Memorial Auditorium flac24; Cassette Audience Master recorded by Jim Wise; Sennheiser MD 421 mic's mounted on a stand- Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Maxell XL-11 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name) Jim Wise notes 782. 03/13/81 Flac 16 - 0, 33336 Utica Utica Memorial Auditorium flac16; Second Set Only; Source: Mono Soundboard of unknown lineage Transfer: Cassette > Sony TC-D5M > Soundblaster > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-fix, checksums, and FLAC compression) notes 783. 03/13/81 Shn - 0, 4167 Utica Utica Memorial Auditorium Recording by Jim Wise: Sennheiser 421>D5 , set up at SBD; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam CD-D4000mkII > EAC> Soundforge > CD WAV > SHNv3 w/seek; A>D>CD Conversion by Jim Wise; CD>SHN by Jamie Lutch, 5/2001; QC courtesy dankseeds; see info file for flaws etc notes 784. 03/13/81 Flac 16 - 0, 99104 Utica Utica Memorial Auditorium flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes 785. 03/13/81 Flac 16 - 0, 81392 Utica Utica Memorial Auditorium flac16; Recorded by Alan Zimmerman Master Audience Cassette; 2 Sennheiser 421s (Alan thinks)> Sony TC-158 (Fuji FX-I 90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC notes 786. 03/13/81 Flac 16 - 0, 90455 Utica Utica Memorial Auditorium flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 787. 03/13/81 Flac 24/96 - 0, 140010 Utica Utica Memorial Auditorium flac24; Source: AKG D330BT's >Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer : Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > TLH > flac 2496 - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick November 2017 notes 788. 03/13/81 Flac 16 - 0, 113101 Utica Utica Memorial Auditorium flac16; Partial Set 1, Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Mastered By Charlie Miller; Upgrade of Shn ID 112659 notes 789. 03/13/81 Flac 24/96 - 0, 147852 Utica Utica Memorial Auditorium flac24; Recording Info:Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (with bass EQ)> Sony D5M (dolby B)(Maxell XLIIS); Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 790. 03/13/81 Flac 16/48 - 0, 147851 Utica Utica Memorial Auditorium flac16/48kHz; Recording Info:Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (with bass EQ)> Sony D5M (dolby B)(Maxell XLIIS); Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 791. 03/14/81 Flac 16 - 0, 112720 Hartford Hartford Civic Center flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:at (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Mastered By Charlie Miller notes 792. 03/14/81 Flac 16 - 0, 84826 Hartford Hartford Civic Center flac16; Recording by Barry Glassberg: MOTB-0029 Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner notes 793. 03/14/81 Flac 16 - 0, 95287 Hartford Hartford Civic Center flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes 794. 03/14/81 Flac 16 - 0, 109989 Hartford Hartford Civic Center flac16; AUD: 3x Nakamichi CM300/CP4's shotguns > Nakamichi 550 > Maxell XLII-S 90's, set up in arena riser "all the way back" center, facing the stage. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 09/2010 notes 795. 03/14/81 Flac 16 - 0, 81340 Hartford Hartford Civic Center flac16; Recorded by Bob Wagner Master Audience Cassette; 2 Nak 700s> Sony D5M (Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC Patches supplied by A:C:D:CD recorded with Sennheiser 421s notes 796. 03/14/81 Shn - 0, 7217 Hartford Hartford Civic Center Aud (?)-> CD-> EAC-> SHN; via Andy Hayum;Admin note:This is the Glassberg recording as noted in comments by C. Ladner. upgrade now in circulation. notes 797. 03/14/81 Flac 24/96 - 0, 95288 Hartford Hartford Civic Center flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes 798. 03/14/81 Flac 24/96 - 0, 139797 Hartford Hartford Civic Center flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes 799. 03/14/81 Flac 16 - 0, 139796 Hartford Hartford Civic Center flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes 800. 03/14/81 Flac 24/96 - 0, 132757 Hartford Hartford Civic Center flac24; Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder-Location:Soundboard; Analog to Digital:Dolby B Decoded Maxell XL-11 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96]Transfer: David Minches:Oct 2014; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise notes 801. 03/14/81 Flac 24/48 - 0, 152445 Hartford Hartford Civic Center flac24/48 Recording Information: Microphones: Beyer M201's in hat Recorder: Sony TCD5 Maxell UDXLII 90 no nr Location: behind drums > This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes 802. 03/14/81 Flac 16/44 - 0, 152444 Hartford Hartford Civic Center flac16/44 Recording Information: Microphones: Beyer M201's in hat Recorder: Sony TCD5 Maxell UDXLII 90 no nr Location: behind drums > This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes 803. 03/14/81 Flac 16/48 - , 152901 Hartford Hartford Civic Center flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 804. 03/14/81 Flac 24/96 - , 152902 Hartford Hartford Civic Center flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 805. 03/20/81 Flac 16 - 0, 104928 London Rainbow Theatre flac16; master soundboard cassettes > Nak Dr-1 > Lynx2 Studio Interface 24 bit 48kHz. Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz MetaData with Tag and Rename TLH for FLAC Level 8 SBE FREE Seeded on The Winter Solstice 2009 (Note: The original 12-21-2009 version of this source had flaws and should not be circulated.) notes 806. 03/20/81 Flac 24/48 - 0, 104938 London Rainbow Theatre flac24; soundboard master cassettes > Nak Dr-1 > Lynx2 Studio Interface 24 bit 48kHz. Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station MetaData with Tag and Rename TLH for FLAC Level 8 notes 807. 03/20/81 Flac 16 - 0, 113433 London Rainbow Theatre flac16: Soundcheck Source: AUD cassette (Unknown equipment & lineage). Tape kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged, May 2011 notes 808. 03/20/81 Shn - 0, 9198 London Rainbow Theatre MAC > C > C > D > CD; via Jack Warner; seeded to etree by Matt Vernon notes 809. 03/20/81 Shn - 0, 32142 London Rainbow Theatre AUD > MC > C > SB!Live > CD > EAC > WaveLab > CDWave > shn MC: Sony TC D5M, dolby B, TDK MA C90, Sennheiser 406T C/1: TDK SA-C90, dolby B, Nakamishi DR1 Different mics position in set 2. via Bernd Weiskircher notes 810. 03/20/81 Flac 24/96 - 0, 139744 London Rainbow Theatre flac24; Source Info: 1st Set: Frank Streeter's Master FOB Audience assette; Sennheiser 421 > Sony TC-D5M (TDK MA90); 2nd Set: Master FOB Audience Cassette; AKG 224> Sony TC-D5M > 1 cassette gen (Maxell UDXLII); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes 811. 03/20/81 Flac 16 - 0, 139743 London Rainbow Theatre flac16; Source Info: 1st Set: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 > Sony TC-D5M (TDK MA90); 2nd Set: Master FOB Audience Cassette; AKG 224> Sony TC-D5M > 1 cassette gen (Maxell UDXLII); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes 812. 03/20/81 Flac 24/96 - , 154684 London Rainbow Theatre FLAC2496 Recording Info: UDXL1 SBD cassettes from Bear via Jamie Waddell Transfer Info: Nakamichi CR-7A (March 2021 transfer) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Recorded by Augustus Owsley Stanley III (aka Bear) Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Track, FLAC, and pack by Steve Gravel notes 813. 03/20/81 Flac 16/48 - , 154685 London Rainbow Theatre FLAC1648 Recording Info: UDXL1 SBD cassettes from Bear via Jamie Waddell Transfer Info: Nakamichi CR-7A (March 2021 transfer) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Recorded by Augustus Owsley Stanley III (aka Bear) Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Track, FLAC, and pack by Steve Gravel notes 814. 03/21/81 Flac 16 Mtx - 0, 114710 London Rainbow Theatre flac16; SBD/AUD - Matrix SBD:MC > C > CD (speed corrected) & AUD:MC > C/1 > SB!Live > WaveLab > shn MC: Sony TC D5M, dolby B, TDK MA C90, Sennheiser 406T C/1: TDK SA-C90, Maxell XL II, dolby B, Nakamishi DR1 minor denoising and equalising (WaveLab) Frank Streeter's Sennheiser 421 mic > Sony D5 Audience source supplies the Intro as well as a patch in Drums notes 815. 03/21/81 Flac 16 - 0, 106778 London Rainbow Theatre flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 816. 03/21/81 Shn - 0, 6684 London Rainbow Theatre SBD:MC> Cass> CD, with AUD Senn 421 patches (see info file); tracked for 2x80 notes 817. 03/21/81 Shn - 0, 6666 London Rainbow Theatre Master Soundboard Cassette > Cassette > CDR, with AUD Senn 421 patches (see info file); CD Mastering, Patching, EAC, SHN by Scott Clugston; tracked for 2x80; to abgd notes 818. 03/21/81 Shn - 0, 3594 London Rainbow Theatre Senn 421's> Sony TC-D5 positioned at SBD> MC> DAT> CDR> EAC> CDWAV (retrack)> SHN (W/seek tables appended); Frank Streeter recording; A>D by Rich Gastwirt; D>CD Sony R-700> HHB CDR 800 by Jim Wise; EAC/SHN by Charles Hogan; d2 tracked for 80 min notes 819. 03/21/81 Shn - 0, 32143 London Rainbow Theatre AUD > MC > C > Nakamishi DR1 > SB!Live > WaveLab > CDWave > SHN MC: Sony TC D5M, dolby B, metal-cassettes, Sennheiser 406T C/1: TDK SA-C90, Maxell XL II, dolby B via Bernd Weiskircher notes 820. 03/21/81 Flac 24/96 - 0, 139799 London Rainbow Theatre flac24; Source Info: Frank Streeter's Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes 821. 03/21/81 Flac 16 - 0, 139798 London Rainbow Theatre flac16; Source Info: Frank Streeter's Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes 822. 03/23/81 Shn - 0, 6685 London Rainbow Theatre AUD> MC> DAT> CD notes 823. 03/23/81 Shn - 0, 32145 London Rainbow Theatre AUD > MC > C > Nakamishi DR1 > SB!Live > WaveLab > CDWave > shn MC: Sony TC D5M, dolby B, TDK MA C90, Sennheiser 406T C/1: TDK SA-C90, dolby B via Bernd Weiskircher notes 824. 03/23/81 Flac 16 - 0, 81275 London Rainbow Theatre flac16; Recording by B.Koucky. Source: Condenser mics, portable JVC Boombox, 20 ft from stage left, hand held on a riser 6ft off floor > Maxell UDXL-Is Transfer: MAC playback on Nakamichi DR-2, no NR > Presonus Firebox > firewire > PC, XP-Pro > recorded as 24 bit/96 KHz PCM WAV, Wavelab 5 > Waves X-Noise and L3 Multimaximizer @ 24 bit > UVHR-22 (dither to 16/44.1) > CDWAV 1.9 > WAV > FLAC notes 825. 03/23/81 Flac 24/96 - 0, 139843 London Rainbow Theatre flac24; Source Info: Frank Streeter's Master Audience Cassette(at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes 826. 03/23/81 Flac 16 - 0, 139842 London Rainbow Theatre flac16; Source Info: Frank Streeter's Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes 827. 03/24/81 Shn - 0, 10532 London Rainbow Theatre Recording by Frank Streeter: Senn 421's> TC-D5> MC> DAT> CDR; via Paul B; Seeded to etree by Alan Schlissel notes 828. 03/24/81 Shn - 0, 10308 London Rainbow Theatre AUD > MC > C > SB!Live > CD > EAC > WaveLab > shn MC: Sony TC D5M, dolby B, metal-cassettes, Sennheiser 406T C/1: Maxell XL II C90, dolby B, Nakamishi DR1; Seeded to etree by Bernd Weiskircher notes 829. 03/24/81 Flac 24 - 0, 139845 London Rainbow Theatre flac24; Source Info: 1st Set: Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M > 1 cassette gen (Maxell UDXLII); 2nd Set: Frank Streeter's Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: 1st Set: 1st generation cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; 2nd Set: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes 830. 03/24/81 Flac 16 - 0, 139844 London Rainbow Theatre flac16; Source Info: 1st Set: Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M > 1 cassette gen (Maxell UDXLII); 2nd Set: Frank Streeter's Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: 1st Set: 1st generation cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; 2nd Set: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes 831. 03/28/81 Shn - 0, 3306 Essen Grugahalle stereo FM -> reel master -> DAT -> CDWAV -> SoundForge -> CDR, with other FM patches; via Hanno Bunjes et al; see info file for detailed notes; Hanno's notes notes 832. 03/28/81 Flac 16 - 0, 22802 Essen Grugahalle flac16; SBE fixed and FLAC'd version of Stereo Soundboard Reel Master by deep_elem@despammed.com. notes 833. 03/28/81 Shn - 0, 1343 Essen Grugahalle updated lineage: copy of bootleg CD "Trippin Around", not SBRD> Pre-FM> DAT> CD-R> EAC> SHN ("unconfirmed"); to abgd by Jeremy Duncan; 3/01 note- upgrade now in circulation notes 834. 03/28/81 Flac 16 - 0, 85958 Essen Grugahalle flac16; FM (live broadcast) > Revox A76 Tuner > Revox A77 (1/2 track, 3 1/2 ips, TDK LX 35) March 2007: TDK LX 35 > Revox A77 > Audiophile 2496 > WaveLab > CDWave > Flac frontend notes 835. 03/28/81 Shn - 0, 16434 Essen Grugahalle partial set 2 (post Drums); Master time-coded pre-broadcast tapes> first-gen Hi-Fi VHS> WAV> SHN; via Sean Cribbs notes 836. 03/28/81 Flac 24/88 Fm - 0, 136977 Essen Grugahalle flac24; Recording Lineage: FM broadcast -> Master Reel on Revox B77; Playback Lineage: Master Reel on same Revox B77 -> Alesis Masterlink ML9600 @ 24/88 -> AIFF -> Foobar2000 to FLAC notes 837. 03/28/81 Flac 16/48 - 0, 140323 Essen Grugahalle flac16/48kHz; Recording Info: Master FM Cassette > Dat 16/48; Transfer Info: Sony PCM-R500 16/48 > Tascam DA-3000 16/48 > Adobe Audition 3.0> TLH flac1648 notes 838. 04/25/81 Flac - 0, Berkeley Berkeley Community Theater notes 839. 04/25/81 Flac 16/48 - , 157604 Berkeley Berkeley Community Theater flac1648 Recording Info: TDK MA90 cassette from Bear via Jamie Waddell Transfer Info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Recorded by Augustus Owsley Stanley III (aka Bear) Transferred and mastered by Jim Blackwood Speed/pitch adjustment by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel notes 840. 04/25/81 Flac 24/96 - , 157603 Berkeley Berkeley Community Theater flac2496 Recording Info: TDK MA90 cassette from Bear via Jamie Waddell Transfer Info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Recorded by Augustus Owsley Stanley III (aka Bear) Transferred and mastered by Jim Blackwood Speed/pitch adjustment by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel notes 841. 04/30/81 Flac 16 - 0, 91728 Greensboro Greensboro Coliseum flac16; Recording Info:SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info:Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes 842. 04/30/81 Flac 24/96 - 0, 134544 Greensboro Greensboro Coliseum flac24; Cassette Audience Master recorded By Jim Wise; Set 1 Beyerdynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Set 2 Nakamichi 700's -Sony TC D-5; Location @ 12 row center stage; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000 (DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing (Adobe Audition CC)-Mastering (iZotope Ozone 6)-FLAC ; encoding (dBpoweramp)-Tagging (Tag & Re-name); All Editing & Processing Jim Wise notes 843. 04/30/81 Shn - 0, 5057 Greensboro Greensboro Coliseum Recording by Jim Wise: mixed-source AUD: set 1, Beyer M160's > Sony D5 @ SBD; set 2: NAK 700's > Sony D5 12th row center; Master cass> DAT> CD> EAC> (Tracked in)CoolWave> SHN> CD; EAC> tracking> shn by Seth Kaplan; etreed by Steve Bertoni; see info file for flaw notes notes 844. 04/30/81 Flac 16 - 0, 139758 Greensboro Greensboro Coliseum flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 845. 04/30/81 Flac 24 - 0, 139759 Greensboro Greensboro Coliseum flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 846. 04/30/81 Flac 24/96 - 0, 147854 Greensboro Greensboro Coliseum flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (12th row)> Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 847. 04/30/81 Flac 16/48 - 0, 147853 Greensboro Greensboro Coliseum flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (12th row)> Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 848. 05/01/81 Flac 16 Mtx - 0, 107749 Hampton Hampton Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes 849. 05/01/81 Flac 16 - 0, 92415 Hampton Hampton Coliseum flac16; CM-700 => Sony TCD5-M >> Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taper Bob Wagner, Transfer: aegert, Edit: dmccabe MOTB.0074 notes 850. 05/01/81 Flac 16 - 0, 29087 Hampton Hampton Coliseum flac16; SBD > MC > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes 851. 05/01/81 Flac 16 - 0, 107437 Hampton Hampton Coliseum flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of shnid 29087 notes 852. 05/01/81 Flac 24/96 - 0, 92416 Hampton Hampton Coliseum flac24; 2 x Nakamichi CM-700 => Sony TCD5-M >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner Transfer By: Adam Egert Mastering By: Derek McCabe MOTB 0074 24bit notes 853. 05/01/81 Flac 24 - 0, 135069 Hampton Hampton Coliseum flac24; Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: FOB DFC; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96] Transfer by David Minches notes 854. 05/01/81 Flac 16 - 0, 136387 Hampton Hampton Coliseum flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII-S 90's, Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 07/2016 notes 855. 05/01/81 Flac 24/48 - 0, 136386 Hampton Hampton Coliseum flac24; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII-S 90's, Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2016 notes 856. 05/01/81 Flac 16 - 0, 99233 Hampton Hampton Coliseum flac16; Recording Info: (FOB) Sennheiser 421 -> Sony TC D-5 Transfer Info: Cassette Master(Dolby B) Maxell XL Type 2 -> Playback On Nackamichi Dragon -> Sony PCM R700 DAT -> Hard Drive (via Zefiro ZA-2 & Sound Forge 4.0) -> CD (via HHB CDR-800 PRO) ->FLAC recorded by Jim Wise; upgrade to the previous Jim Wise source notes 857. 05/01/81 Shn - 0, 2218 Hampton Hampton Coliseum Recording by Jim Wise: Master FOB Audience Cassette > Sennheiser 421 mics> Sony D5 cassette deck > DAT > CDR; via Scott Clugston; upgrade in circulation notes 858. 05/01/81 Flac 16 - 0, 139774 Hampton Hampton Coliseum flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 859. 05/01/81 Flac 24/96 - 0, 139775 Hampton Hampton Coliseum flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 860. 05/01/81 Flac 24/96 - 0, 142845 Hampton Hampton Coliseum flac24; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes 861. 05/01/81 Flac 16/48 - 0, 142846 Hampton Hampton Coliseum flac16/48kHz; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 862. 05/01/81 Flac 24/96 - 0, 147856 Hampton Hampton Coliseum flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 863. 05/01/81 Flac 16/48 - 0, 147855 Hampton Hampton Coliseum flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 864. 05/01/81 Flac 16/48 - , 152903 Hampton Hampton Coliseum flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 865. 05/01/81 Flac 24/96 - , 152904 Hampton Hampton Coliseum flac24/96 Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 866. 05/02/81 Flac 16 - 0, 30152 Philadelphia The Spectrum flac16; SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat Transferred By Joe Samaritano Patched and Edited By Charlie Miller notes 867. 05/02/81 Shn - 0, 22310 Philadelphia The Spectrum Main Lineage: Soundboard -> Cassette Master -> 1/2 track 7.5 Reel -> DAT. DAT -> ZA2 -> SoundForge -> .wav -> mkw -> SHN. Patch Lineage: (Jim Wise FOB) Sennheiser 421 -> Cassette Master (Sony TCD5M) -> Dat -> CD -> EAC -> SHN. Patch and patchwork provided by Charlie Miller. Soundboard seed and transfer by Joe Samaritano notes 868. 05/02/81 Flac 24 - 0, 134759 Philadelphia The Spectrum b>flac24; Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000 (DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing (Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging (Tag & Re-name); All Editing & Processing by Jim Wise notes 869. 05/02/81 Flac 16 Mtx - 0, 135559 Philadelphia The Spectrum flac16; 2 source matrix by Dusborne; Soundboard (shnid:30152) Recording Info: SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat; Transfer Info: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude v7.02 Professional -> FLAC,Transferred By Joe Samaritano,Patched and Edited By Charlie Miller; Audience (shnid:134759)Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder, Location: Soundboard,Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96],Recording,Editing & Processing by Jim Wise,Transfer by David Minches notes 870. 05/02/81 Shn - 0, 15981 Philadelphia The Spectrum AUD : MC (FOB Senn 421s > Sony TC-D5M by Jim Wise) > DAT > CD > EAC > SHN Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net); Thanks to Charlie Miller for the seeds notes 871. 05/02/81 Shn - 0, 7463 Philadelphia The Spectrum Recording by Jim Wise. (FOB) Senn 421> Cm> Dat> CD; via Craig Reimer; Seeded to etree by Willy ; upgrade in circulation notes 872. 05/02/81 Flac 16 - 0, 28304 Philadelphia The Spectrum flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape. (Jeff Silberman's guns on Howard Shame's bodies); Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; Transferred: CD> FLAC by Alex Ford notes 873. 05/02/81 Flac 24/96 - 0, 142847 Philadelphia The Spectrum flac24; Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes 874. 05/02/81 Flac 16/48 - 0, 142848 Philadelphia The Spectrum flac16/48kHz; Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 875. 05/04/81 Shn - 0, 2250 Philadelphia The Spectrum Master Soundboard Cassette > Cassette > DAT > CDR, with patches from AUD Nakamichi CM300 mics > Sony D5 source; via Scott Clugston; see info file for notes notes 876. 05/04/81 Flac 16 - 0, 90454 Philadelphia The Spectrum flac16; 1st Gen (FOB) 2 x Nakamichi 700 [on a stand] > Sony D5 > MAC > TDK MA90 (Set I) and Maxell XLII 90 (Set II). Taper: Nick Milner. 1st gen audience cassettes graciously provided by Mark McCue. Transferred and mastered by Alex Ford February 2008. notes 877. 05/04/81 Flac 24/96 - 0, 134792 Philadelphia The Spectrum flac24; Cassette Audience Master recorded By Jim Wise Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name notes 878. 05/04/81 Flac 16 Mtx - 0, 135560 Philadelphia The Spectrum flac16; 2 source matrix by Dusborne; Soundboard (shnid:2250), Master Soundboard Cassette > Cassette > DAT > CDR, CD Mastering by Scott Clugston; Audience (shnid:134792),Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder,Location:Soundboard,Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Recording,Editing and Mastering by Jim Wise, Transfer by David Minches notes 879. 05/04/81 Shn - 0, 30112 Philadelphia The Spectrum Recording by Ohr Weinberg. Master Audience Cassette : 2 Sony ECM-23F microphones > Nakamichi 550 Cassette Deck (Maxell XLII-S 90 Cassettes), Dolby B. Transfer: Master Cassette > Nakamichi Dragon > HHB CDR-830 Plus (by Ohr)> EAC > Sound Forge 5.0 (spliced tape flip during drums, fades, and cleanup) > CD Wave 1.71 > WAV > SHN (by Anne Cohen) 5/2005 notes 880. 05/04/81 Flac 16 - 0, 141484 Philadelphia The Spectrum flac16; Source Info: Master Soundboard Cassette > Cassette (Latvala)> Dat 16/44.1(Latvala); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000(.wav 16/44.1) > Adobe Audition 3.0 > TLH flac16 notes 881. 05/04/81 Flac 16/48 - 0, 142850 Philadelphia The Spectrum flac16/48kHz; Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 882. 05/04/81 Flac 24/96 - 0, 142849 Philadelphia The Spectrum flac24; Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes 883. 05/04/81 Flac 16/48 - 0, 151458 Philadelphia The Spectrum flac16/48khz Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes 884. 05/04/81 Flac 24/96 - 0, 151459 Philadelphia The Spectrum flac24/96khz Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes 885. 05/04/81 Flac 16/48 - 0, 152195 Philadelphia The Spectrum flac16/48 Source Info: Jim Vita's Master (FOB) Audience Cassettes (12th row, center); Nakamichi DM500 mics > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 886. 05/04/81 Flac 24/96 - 0, 152196 Philadelphia The Spectrum flac24/96 Source Info: Jim Vita's Master (FOB) Audience Cassettes (12th row, center); Nakamichi DM500 mics > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 887. 05/05/81 Flac 16 - 0, 135255 Glens Falls Glens Falls Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony D5, maxell ud-xlII90’s, dolby b; floor, near sound board; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger notes 888. 05/05/81 Flac 24/96 - 0, 135254 Glens Falls Glens Falls Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony D5, maxell ud-xlII90’s, dolby b; floor, near sound board; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger notes 889. 05/05/81 Flac 24/96 - 0, 134951 Glens Falls Glens Falls Civic Center flac24; Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing (Adobe Audition CC)-Mastering (iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing by Jim Wise notes 890. 05/05/81 Flac 16 - 0, 125867 Glens Falls Glens Falls Civic Center flac16; Set 2 Source: Unknown AUD, lo-gen tape kindly provided by Ted Gidley. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 10/2013 notes 891. 05/05/81 Shn - 0, 8595 Glens Falls Glens Falls Civic Center Recording by Jim Wise. Master Audience Cassette: Sennheiser 421 mics > Sony TC-D5 > DAT> CDR; Seeded to etree by Scott Clugston notes 892. 05/05/81 Flac 16 - 0, 102023 Glens Falls Glens Falls Civic Center flac16; (FOB) Nakamichi CM-300 Shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded FOB from floor Section 105, Row H, Seat 10 by Bob Morris notes 893. 05/05/81 Flac 16 - 0, 28356 Glens Falls Glens Falls Civic Center flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies); Mic Config: "primitive DIN" pointing the mics directly at the stacks forming a "Y"; Mic Location: first row behind the soundboard cage; Sony D5 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; taped and transferred by Doug Mow; CDR> flac by Alex Ford notes 894. 05/05/81 Flac 16/48 - 0, 143044 Glens Falls Glens Falls Civic Center flac16/48kHz; Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 895. 05/05/81 Flac 24/96 - 0, 143043 Glens Falls Glens Falls Civic Center flac24; Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes 896. 05/05/81 Flac 16 - 0, 150659 Glens Falls Glens Falls Civic Center flac16; Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-S/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; Recorded by Bob Wagner, This file set is 16 bit @ 44.1 notes 897. 05/05/81 Flac 24/48 - 0, 152447 Glens Falls Glens Falls Civic Center flac24/48 Recording Information: Microphones: Beyer m201c Recorder: Sony TCD5 Maxell UDXLII 90's Location: tape says: 'Mics in hat 2nd row reserved even with sbd' Meaning about 75 feet from stacks 5-7 feet off of the floor This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLIIc90 no nr Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity (reduced speed 3.47%)| cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes 898. 05/05/81 Flac 16/44 - 0, 152446 Glens Falls Glens Falls Civic Center flac16/44 Recording Information: Microphones: Beyer m201c Recorder: Sony TCD5 Maxell UDXLII 90's Location: tape says: 'Mics in hat 2nd row reserved even with sbd' Meaning about 75 feet from stacks 5-7 feet off of the floor This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLIIc90 no nr Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity (reduced speed 3.47%)| cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes 899. 05/06/81 Flac 16 - 0, 82368 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording by Jim Wise. Sennheiser 421's > Sony TC-D5, set up near the soundboard. Taped and transferred (MAC > CD) by Jim Wise. Transfer: MAC > CD (likely equipment: Nakamichi Dragon > HHB CDR burner). CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC, by Andrew F notes 900. 05/06/81 Shn - 0, 10379 Uniondale Nassau Veterans Memorial Coliseum Recording by Barry Glassberg. Nak 700's > Sony TC-D5M > MC > DAT > CD; via Jay Jurina; Seeded to etree by Matt Vernon; Note- This show is available as Dick's Picks 13 ; upgrade in circulation notes 901. 05/06/81 Shn - 0, 17697 Uniondale Nassau Veterans Memorial Coliseum NAK-700's > SONY TC-D5M Dolby On taped by Barry Glassberg FOB via Mark Cohen, John Steinthal encoded by Matt Vernon; Note- - this version supercedes a previous shn set from this same source notes 902. 05/06/81 Flac 24/96 - 0, 136735 Uniondale Nassau Veterans Memorial Coliseum b>flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes 903. 05/06/81 Flac 16 - 0, 136736 Uniondale Nassau Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes 904. 05/06/81 Flac 24/96 - 0, 139786 Uniondale Nassau Veterans Memorial Coliseum flac24; Set 2 Source Info: Frank Streeter's Master FOB Audience Cassette; Unknown mics (?? Sennheiser 421's ??) > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 905. 05/06/81 Flac 16 - 0, 139785 Uniondale Nassau Veterans Memorial Coliseum flac16; Set 2 Source Info: Frank Streeter's Master FOB Audience Cassette; Unknown mics (?? Sennheiser 421's ??) > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 906. 05/06/81 Flac 24/96 - 0, 140903 Uniondale Nassau Veterans Memorial Coliseum flac24; Source Info: Jim Wise's Master Audience Cassette w/ dolby B; Sennheiser 421's > Sony TC-D5; Transfer Info: Cassette Master (Nakamichi Dragon) w/ dolby B > KORG MR1000 (.wav 24 bit-96k) > Samplitude > Adobe Audition 3.0> TLH flac2496 notes 907. 05/06/81 Flac 16 - 0, 140902 Uniondale Nassau Veterans Memorial Coliseum flac16; Source Info: Jim Wise's Master Audience Cassette w/ dolby B; Sennheiser 421's > Sony TC-D5; Transfer Info: Cassette Master (Nakamichi Dragon) w/ dolby B > KORG MR1000 (.wav 24 bit-96k) > Samplitude > Adobe Audition 3.0> TLH flac2496; 24 bit > 16 bit via dBpoweramp notes 908. 05/06/81 Flac 24/96 - 0, 144701 Uniondale Nassau Veterans Memorial Coliseum flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - on a handheld pole 30' from stage in the penalty box)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 909. 05/06/81 Flac 16/48 - 0, 144700 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - on a handheld pole 30' from stage in the penalty box)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 910. 05/06/81 Flac 24/48 - 0, 150430 Uniondale Nassau Veterans Memorial Coliseum flac24; AUD: Unknown mics & lead deck > Sony TC-D5 > Maxell XLII-S 90's. Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2020 notes 911. 05/06/81 Flac 16/48 - , 152949 Uniondale Nassau Veterans Memorial Coliseum notes 912. 05/06/81 Flac 24/96 - , 152950 Uniondale Nassau Veterans Memorial Coliseum flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 913. 05/07/81 Flac 16/44,1 - 0, 147903 New York Tommorow With Tom Snyder, NBC Studios flac16/44.1khz Source: Cable Broadcast > VHS(M) > standalone DVD recorder > DVD(0) Lineage: DVD(0) > TMPGEnc [demux] > DVD Architect [chapters/author] > DVD Audio Specs: PCM 1.54Mbps Audio only, ffmpeg extraction from DVD (gd1981-05-07.tomsnyder.dvdf) down-sampled from 16-48 to 16-44.1 using ffmpeg sector boundary errors fixed using shntool notes 914. 05/08/81 Flac 16 Mtx - 0, 92002 Uniondale Nassau Veterans Memorial Coliseum flac16; MATRIX MIX: SBD/2 AUD (About 60%/40%) notes 915. 05/08/81 Flac 16 - 0, 95764 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD -> Master Cassette -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes 916. 05/08/81 Shn - 0, 28300 Uniondale Nassau Veterans Memorial Coliseum SBD> Master Cassette> Dat (44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Barry Glassberg's FOB Nakamichi 700 source; Transferred and Patched By Charlie Miller notes 917. 05/08/81 Flac 24 - 0, 136537 Uniondale Nassau Veterans Memorial Coliseum flac24; Cassette Audience Master: Recorded By Jeff Hellman (lead deck) > Eddie Claridge (2nd deck) > Jim Wise (3rd deck); Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorders; Location: Soundboard Stand permitted by Dan Healy; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing (Adobe Audition CC)-FLAC encoding (dBpoweramp); Tagging (Tag & Re-name) notes 918. 05/08/81 Shn - 0, 9712 Uniondale Nassau Veterans Memorial Coliseum Recording by Jim Wise: FOB Senn 421's> Sony D5> MC> DAT> CDR; via Mark Linden; Seeded to etree by Willy notes 919. 05/08/81 Shn - 0, 17698 Uniondale Nassau Veterans Memorial Coliseum Recording by Barry Glassberg. FOB NAK-700's > SONY TC-D5M Dolby On via Mark Cohen, John Steinthal encoded by Matt Vernon notes 920. 05/08/81 Flac 16 - 0, 136760 Uniondale Nassau Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes 921. 05/08/81 Flac 24 - 0, 139788 Uniondale Nassau Veterans Memorial Coliseum flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Unknown mics (?? Sennheiser 421's ??) > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 922. 05/08/81 Flac 16 - 0, 139787 Uniondale Nassau Veterans Memorial Coliseum flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Unknown mics (?? Sennheiser 421's ??) > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 923. 05/08/81 Flac 24/96 - 0, 136739 Uniondale Nassau Veterans Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes 924. 05/08/81 Flac 16 - 0, 139412 Uniondale Nassau Veterans Memorial Coliseum flac16; Set 2 AUD: Unknown mics & lead decks > Sony TC-D5 > Maxell XLIIS-90, FOB recording by Brian Schley; Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged; Transferred by Andrew F. 09/2017 notes 925. 05/08/81 Flac 24/48 - 0, 139413 Uniondale Nassau Veterans Memorial Coliseum flac24; Set 2 AUD: Unknown mics & lead decks > Sony TC-D5 > Maxell XLIIS-90, FOB recording by Brian Schley; Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged; Transferred by Andrew F. 09/2017 notes 926. 05/08/81 Flac 24/96 - 0, 148945 Uniondale Nassau Veterans Memorial Coliseum flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - standing on a chair 35' from stage)> custom mixer by Jamie Poris > Sony TC-D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 927. 05/08/81 Flac 16/48 - 0, 148944 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - standing on a chair 35' from stage)> custom mixer by Jamie Poris > Sony TC-D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 928. 05/08/81 Flac 16/48 - , 152971 Uniondale Nassau Veterans Memorial Coliseum flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 929. 05/08/81 - , 152971 Uniondale Nassau Veterans Memorial Coliseum flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 930. 05/09/81 Flac 16 Mtx - 0, 92246 Uniondale Nassau Veterans Memorial Coliseum flac16; MATRIX MIX: 1 SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) June 10, 2008 notes 931. 05/09/81 Shn - 0, 10031 Uniondale Nassau Veterans Memorial Coliseum Recording by Jim Wise. AUD> MC> DAT> CD; Missing encore; via Paul B; Seeded to etree by Willy notes 932. 05/09/81 Shn - 0, 17699 Uniondale Nassau Veterans Memorial Coliseum Recording by Barry Glassberg. FOB NAK-700's > SONY TC-D5M Dolby On via Mark Cohen, John Steinthal encoded by Matt Vernon notes 933. 05/09/81 Flac 16 - 0, 137370 Uniondale Nassau Veterans Memorial Coliseum flac16; Sennheiser MD421 Dynamic Cardioid Microphones > TC D5 Cassette Recorders> Jim Wise's Cassette Audience Master; Location: Soundboard Stand permittted by Dan Healy; Transfer: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000 > DSF 1-bit 5.6448 MHz Stereo > Korg AudioGate > WAV 24/96; Lineage: Wav 24/96 > Adobe Audition 3.0.1 > > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > WAv 16/44.1 > CD Wave > TLH > Flac16; Transferred by David Minches; Edited and mastered SIRMick notes 934. 05/09/81 Flac 24/96 - 0, 137366 Uniondale Nassau Veterans Memorial Coliseum flac24; Sennheiser MD421 Dynamic Cardioid Microphones > TC D5 Cassette Recorders> Jim Wise's Cassette Audience Master; Location: Soundboard Stand permitted by Dan Healy; Transfer: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000 > DSF 1-bit 5.6448 MHz Stereo > Korg AudioGate > WAV 24/96; Lineage: Wav 24/96 > Adobe Audition 3.0.1 > > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; Transferred by David Minches; Edited and mastered SIRMick notes 935. 05/09/81 Flac 16 - 0, 139664 Uniondale Nassau Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger 10/2017 notes 936. 05/09/81 Flac 24/96 - 0, 139665 Uniondale Nassau Veterans Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger 10/2017 notes 937. 05/09/81 Flac 16 - 0, 32883 Uniondale Nassau Veterans Memorial Coliseum flac16;Recording By Rob Eaton. Recording Info: (FOB) Sennheiser 421 + PZM -> Cassette Master (Nak 500) -> Dat (48k). Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC. All Transfers and Mastering By Charlie Miller notes 938. 05/09/81 Flac 16 - 0, 44930 Uniondale Nassau Veterans Memorial Coliseum flac16; SBD -> Cassette Master -> Dat All Transfers and Mastering By Charlie Miller notes 939. 05/09/81 Flac 16 Mtx - 0, 118878 Uniondale Nassau Veterans Memorial Coliseum flac16; Matrix of SBD (shnid=33930) and AUDs (shnid=17699 & 32883) by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging). This is a pitch corrected version of shnid=92246. notes 940. 05/09/81 Flac 24/96 - 0, 148948 Uniondale Nassau Veterans Memorial Coliseum flac24; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell MX); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 941. 05/09/81 Flac 16/48 - 0, 148947 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell MX); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 942. 05/09/81 Flac 16/48 - , 153007 Uniondale Nassau Veterans Memorial Coliseum flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 943. 05/09/81 Flac 24/96 - , 153008 Uniondale Nassau Veterans Memorial Coliseum flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 944. 05/11/81 Flac 16 Mtx - 0, 107252 New Haven Veterans Memorial Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes 945. 05/11/81 Flac 16 - 0, 30646 New Haven Veterans Memorial Coliseum flac16; SBD -> Master Cassette -> Reel -> Dat Transferred and Edited By Charlie Miller notes 946. 05/11/81 Flac 16 - 0, 102086 New Haven Veterans Memorial Coliseum flac16; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side (stage right) first-level riser, about half way back. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 10/09 notes 947. 05/11/81 Flac 16 - 0, 118959 New Haven Veterans Memorial Coliseum flac16; source: (2) nakamichi 300> d-5; conversion: sony tc we435> soundcard> cdwave 48000/stereo/16 bit 44.1kHz> traders little helper encoding option 8; conversion rate: 48000/stereo/16 bit 44.1kHz; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 948. 05/11/81 Shn - 0, 4142 New Haven Veterans Memorial Coliseum notes 949. 05/11/81 Flac 16 - 0, 28355 New Haven Veterans Memorial Coliseum flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies); Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; Taped and transferred by Doug Mow; CDR> FLAC by Alex Ford notes 950. 05/11/81 Flac 24/96 - 0, 136746 New Haven Veterans Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; behind the stage speakers; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes 951. 05/11/81 Flac 16 - 0, 136747 New Haven Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; behind the stage speakers; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes 952. 05/11/81 Flac 24/96 - 0, 139882 New Haven Veterans Memorial Coliseum flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 953. 05/11/81 Flac 16 - 0, 139881 New Haven Veterans Memorial Coliseum flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 954. 05/11/81 Flac 24/48 - 0, 102085 New Haven Veterans Memorial Coliseum flac24; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side stage right) first-level riser, about half way back. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 10/09 notes 955. 05/11/81 Flac 24/96 - 0, 149197 New Haven Veterans Memorial Coliseum flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496 notes 956. 05/11/81 Flac 16/48 - 0, 149196 New Haven Veterans Memorial Coliseum flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 957. 05/12/81 Flac 16 Mtx - 0, 99045 New Haven Veterans Memorial Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes 958. 05/12/81 Flac 16 - 0, 123259 New Haven Veterans Memorial Coliseum flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 959. 05/12/81 Flac 16 - 0, 99007 New Haven Veterans Memorial Coliseum flac16; Set 1 Source: Senn 421>?>Cassette, Set 2 Source: Senn 421>Cassette Master Lineage: AUD>MC>DAT>CD>EAC>WAV>FLAC Encoding Post DAE Editing: 1st Set was somewhat too speedy and needed to be reprocessed. 1st set was speed corrected by 2.2 percent with Audacity. notes 960. 05/12/81 Shn - 0, 1664 New Haven Veterans Memorial Coliseum SBD> Master Cassette> Cassette > DAT> CDR; via Jeff M. notes 961. 05/12/81 Shn - 0, 5241 New Haven Veterans Memorial Coliseum essentially same as previous shn set, but with redundant, split China-Rider tacked onto d1; 9/01: noted at gdlive with incorrect info file and- d1.md5; see pub comments. ; upgrade in circulation notes 962. 05/12/81 Flac 16 - 0, 101925 New Haven Veterans Memorial Coliseum flac16; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side (stage right) first-level riser, about half way back. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. 10/2009 notes 963. 05/12/81 Flac 24/48 - 0, 101924 New Haven Veterans Memorial Coliseum flac24; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side (stage right) first-level riser, about half way back. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448. Transfer by Andrew F. 10/2009 notes 964. 05/12/81 Flac 16 - 0, 118987 New Haven Veterans Memorial Coliseum flac16; Updated Source Info: Copy of source ID 1664: SBD> Master Cassette> Cassette > DAT> CDR (Had been marked: sbd> d-5sony> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8); Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 965. 05/12/81 Flac 24/96 - 0, 139675 New Haven Veterans Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; behind stage; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes 966. 05/12/81 Flac 16 - 0, 139674 New Haven Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; behind stage; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes 967. 05/12/81 Flac 16 - 0, 139953 New Haven Veterans Memorial Coliseum flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 968. 05/12/81 Flac 24/96 - 0, 139954 New Haven Veterans Memorial Coliseum flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 969. 05/12/81 Flac 24/96 - 0, 149199 New Haven Veterans Memorial Coliseum flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496 notes 970. 05/12/81 Flac 16/48 - 0, 149198 New Haven Veterans Memorial Coliseum flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 971. 05/12/81 Flac 16/48 - , 153021 New Haven Veterans Memorial Coliseum flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 972. 05/12/81 Flac 24/96 - , 153022 New Haven Veterans Memorial Coliseum flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 973. 05/13/81 Flac 16 - 0, 86780 Providence Providence Civic Center flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes 974. 05/13/81 Flac 16 Mtx - 0, 87917 Providence Providence Civic Center flac16; Matrix 3 Source Mix - SBD (shn id 86780) SBD -> Master Cassette -> Reel -> Dat (48k) + AUD1 (shn id 8918) Nak 300's>MC>DAT>CDR + AUD2 Master VHS -> David Minor friend's 1st GEN VHS-> standalone dvd recorder - matrix mixing by Kevin Tobin notes 975. 05/13/81 Shn - 0, 86947 Providence Providence Civic Center DTS Audio 5.1 - SBD (shn id 86780) SBD -> Master Cassette -> Reel -> Dat (48k) + AUD1 (shn id 8918) Nak 300's>MC>DAT>CDR + AUD2 Master VHS -> David Minor friend's 1st GEN VHS-> standalone dvd recorder - dts mixing by Kevin Tobin notes 976. 05/13/81 Flac 2448 - 0, 102180 Providence Providence Civic Center flac24; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550. Mics on stand, 25th row right center. Taped by Tim Friend & Joe Morrone. MAC copied to 1st Gen Maxell XL-II 90's on Nakamichi 680ZX. Transfer: 1st Gen cassettes > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 10/09 notes 977. 05/13/81 Flac 16 - 0, 119041 Providence Providence Civic Center flac16; lineage: nak 300 (fob)> d-5> mc tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8 Appears to be a copy of SHN # 8918. Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 978. 05/13/81 Shn - 0, 8918 Providence Providence Civic Center Nak 300's>MC>DAT>CDR; Missing Mama Tried>Mexicali; via Paul B; Seeded to etree by Willy notes 979. 05/13/81 Flac 24/96 - 0, 136723 Providence Providence Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; recorded from the floor; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes 980. 05/13/81 Flac 16 - 0, 136724 Providence Providence Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; recorded from the floor; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes 981. 05/13/81 Flac 24/96 - 0, 136723 Providence Providence Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; recorded from the floor; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes 982. 05/13/81 Flac 16 - 0, 136724 Providence Providence Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; recorded from the floor; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes 983. 05/13/81 Flac 16 - 0, 139955 Providence Providence Civic Center flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 984. 05/13/81 Flac 24/96 - 0, 139957 Providence Providence Civic Center flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 985. 05/13/81 Flac 16 - 0, 102181 Providence Providence Civic Center flac16; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550. Mics on stand, 25th row right center. Taped by Tim Friend & Joe Morrone. MAC copied to 1st Gen Maxell XL-II 90's on Nakamichi 680ZX. Transfer: 1st Gen cassettes > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 10/09 notes 986. 05/13/81 Flac 16 Mtx - 0, 152426 Providence Providence Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 86780 & 136724. notes 987. 05/15/81 Flac 16 - 0, 95751 Piscataway Athletic Center, Rutgers University flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes 988. 05/15/81 Shn - 0, 30113 Piscataway Athletic Center, Rutgers University MAC>DAT>CD. Recording by Kenny Mance. AKG CE-1 microphones > Uher CR-240 cassette deck, no dolby, TDK SA C90 cassettes. audience cassette master recorded by Kenny Mance. Transfer: MAC > Uher CR-240 > Sony PCM-M1(2/05). Sony PCM-R500 > HHB CDR830plus > EAC > Sound Forge 5.0 > CD Wave 1.71 > cd. *1/2 step patch source: (downloaded 4/2005 from tol- gd1981-05-15.senn.munder.9008) fob Senn 421>Cm>Dat>CD (0 to 6:48). a-d transfer 2/05, editing, tracking and shn conversion by Anne Cohen 4/05. notes 989. 05/15/81 Shn - 0, 9008 Piscataway Athletic Center, Rutgers University (FOB) Senn 421> Cm> Dat> CD; via Charlie Miller; Seeded to etree by Willy notes 990. 05/15/81 Flac 16 Mtx - 0, 137907 Piscataway Athletic Center, Rutgers University flac16; 2 source matrix by Dusborne; Soundboard (Shnid:95751), Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k),Transfer Info:Dat (Sony D8) -> Samplitude Professional v9.11 -> Adobe Audition v1.5 -> FLAC; and Audience (shnid:30113), MAC>DAT>CD,AKG CE-1 microphones > Uher CR-240 cassette deck, no dolby, TDK SA C90 cassettes.audience cassette master recorded by Kenny Mance; Transfer: MAC > Uher CR-240 > Sony PCM-M1(2/05). Sony PCM-R500 > HHB CDR830plus > EAC > Sound Forge 5.0 > CD Wave 1.71 > cd notes 991. 05/15/81 Flac 16 - 0, 86783 Piscataway Athletic Center, Rutgers University flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes 992. 05/15/81 Flac 16/48 - 0, 142953 Piscataway Athletic Center, Rutgers University flac16/48 Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard) Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496. Mastered by Scott Clugston. notes 993. 05/15/81 Flac 24/96 - 0, 142954 Piscataway Athletic Center, Rutgers University flac24/96 Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard) Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496. Mastering by Scott Clugston. notes 994. 05/15/81 Flac 16 Mtx - 0, 152448 Piscataway Athletic Center, Rutgers University flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 95751 & 142953. notes 995. 05/16/81 Flac 16 Mtx - 0, 107484 Ithaca Barton Hall, Cornell University flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Soundtrack > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes 996. 05/16/81 Flac 16 - 0, 30647 Ithaca Barton Hall, Cornell University flac16; Set 1: SBD -> Master Cassette -> Reel -> Dat Set 2: SBD -> Master Cassette -> Dat Transferred and Edited By Charlie Miller notes 997. 05/16/81 Flac 16 - 0, 28007 Ithaca Barton Hall, Cornell University flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape; Transferred Nak ZX7> CDR by Doug Mow; CDR> FLAC16, minor editing by Alex Ford notes 998. 05/16/81 Shn - 0, 2212 Ithaca Barton Hall, Cornell University Recording by Jim Wise. FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise); etreed by Darrin Sacks; some clicking and analog dropouts- see flaw notes in info file; upgrade in circulation notes 999. 05/16/81 Shn - 0, 14714 Ithaca Barton Hall, Cornell University Recording by Jim Wise. Main Source:FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise).(Previous SHN release); Patch Source: Eddie Claridge's 421 mics(set up on the SBD)>(Eddie's)D-5>(Jim Wise's)D-5>D-5>D-5>CDR ; Please see text file for further details on sources ; Via Torbjorn & Tommy Dunscuk ; Seeded to Etree by T. Wiley notes 1000. 05/16/81 Shn - 0, 2203 Ithaca Barton Hall, Cornell University Recording by Jim Wise. Senn 421 > Sony TC-D5 (way up high on a mic boom stand right at the Soundboard). Maxell XL-II, Dolby B master > Nak Dragon > hard disk (a > d using a Sony PCM R-700) > CDR; via Mike "Dank Star" Parrillo; upgrade in circulation notes 1001. 05/16/81 Flac 24/96 - 0, 139959 Ithaca Barton Hall, Cornell University flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; (3) Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 1002. 05/16/81 Flac 16 - 0, 139958 Ithaca Barton Hall, Cornell University flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; (3) Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 1003. 05/16/81 Flac 16/48 - 0, 142974 Ithaca Barton Hall, Cornell University flac16/48kHz; Set 2 Source Info: George Sterry's Master Audience Cassettes; Unknown mics > Sony D3 (TDK-SA90); Transfer Info: Cassette Masters (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; ; 24-bit > 16-bit via dBpoweramp notes 1004. 05/16/81 Flac 24/96 - 0, 142973 Ithaca Barton Hall, Cornell University flac24; Set 2 Source Info: George Sterry's Master Audience Cassettes; Unknown mics > Sony D3 (TDK-SA90); Transfer Info: Cassette Masters (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496 notes 1005. 05/16/81 Flac 24/48 - 0, 150394 Ithaca Barton Hall, Cornell University b>flac24; 2nd Set; AUD: Unknown mics > (lead deck?) > Sony TC-D5 > TDK MA-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2020 notes 1006. 05/16/81 Flac 24/48 - 0, 152450 Ithaca Barton Hall, Cornell University flac24/48 Recording Information: Microphones: Beyer m201c Recorder: Sony TC-D5 Dolby Location: worn in cowboy hat about 60-75' from stacks in Balcony This Source: 1GenAUDCA 1st Analog Transfer: Sony TC-D5 > Denon DR330 On Maxell UDXLII 90's Dolby B on Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC; speed corrected -.65% Recorded by: David Prescott Transfer by: Kyle Holbrook notes 1007. 05/16/81 Flac 16/44 - 0, 152449 Ithaca Barton Hall, Cornell University flac16/44 Recording Information: Microphones: Beyer m201c Recorder: Sony TC-D5 Dolby Location: worn in cowboy hat about 60-75' from stacks in Balcony This Source: 1GenAUDCA 1st Analog Transfer: Sony TC-D5 > Denon DR330 On Maxell UDXLII 90's Dolby B on Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC; speed corrected -.65% Recorded by: David Prescott Transfer by: Kyle Holbrook notes 1008. 05/17/81 Flac 16 - 0, 112865 Syracuse Onondaga County War Memorial flac16;set2: Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Mastered By Charlie Miller notes 1009. 05/17/81 Flac 16 - 0, 27974 Syracuse Onondaga County War Memorial flac16; Recording by Doug Mow. 2 Nak CM300 (DIN, TS) > Sony TC-D5M > Maxell MX tape; Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC16; Minor editing and EAC> FLAC16 by Alex Ford notes 1010. 05/17/81 Shn - 0, 9000 Syracuse Onondaga County War Memorial Possible Jim Wise Recording: AUD>MC>SF>CDR; via Paul B; Seeded to etree by Willy notes 1011. 05/17/81 Flac 24/96 - 0, 139961 Syracuse Onondaga County War Memorial flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 1012. 05/17/81 Flac 16 - 0, 139960 Syracuse Onondaga County War Memorial flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 1013. 05/17/81 Flac 16/48 - 0, 143036 Syracuse Onondaga County War Memorial flac16/48kHz; Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1014. 05/17/81 Flac 24/96 - 0, 143035 Syracuse Onondaga County War Memorial flac24; Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes 1015. 05/17/81 Flac 24/48 - 0, 152452 Syracuse Onondaga County War Memorial flac24/48 Recording Information: Microphones: Beyer M 300n Recorder: Nakamichi 550 Location: unknown This Source: 2Gen AUDCA 1st Analog Transfer: Nakamichi 550 >Sony TC-D5 2nd Analog Transfer: Sony TC-D5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes 1016. 05/17/81 Flac 16/44 - 0, 152451 Syracuse Onondaga County War Memorial flac16/44 Recording Information: Microphones: Beyer M 300n Recorder: Nakamichi 550 Source: 1st Analog Transfer: Nakamichi 550 >Sony TC-D5 2nd Analog Transfer: Sony TC-D5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes 1017. 07/02/81 Flac 16 - 0, 134520 Houston The Summit flac16; Source: 1st Set AUD tape kindly provided by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 notes 1018. 07/02/81 Flac 16 - 0, 134521 Houston The Summit flac16; 2nd Set AUD: Unknown Mics > lead deck > Sony TC-D5 > Hitachi ME Metal tape, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 notes 1019. 07/02/81 Flac 24/48 - 0, 134522 Houston The Summit flac24; 2nd Set AUD: Unknown Mics > lead deck > Sony TC-D5 > Hitachi ME Metal tape, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2015 notes 1020. 07/02/81 Shn - 0, 9828 Houston The Summit Senn 421's>MC>DAT>CD; Missing US Blues Encore; via Paul B; Seeded to etree by Willy notes 1021. 07/02/81 Flac 16/48 - , 152646 Houston The Summit flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony TC-D5M (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 1022. 07/02/81 Flac 24/96 - , 152547 Houston The Summit flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony TC-D5M (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 1023. 07/04/81 Flac 16 - 0, 110199 Austin Manor Downs flac16; Recording Info:SBD -> Cassette Master -> Dat (48k); Transfer Info: Dat -> Samplitude Professional 11.1 -> Adobe Audition v3.0 -> FLAC; Transferred By Joe Samaritano; Mastered By Charlie Miller notes 1024. 07/04/81 Flac 24/48 - 0, 134381 Austin Manor Downs flac24; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLIIS-90's, FOB recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015 notes 1025. 07/04/81 Flac 16 - 0, 134382 Austin Manor Downs flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLIIS-90's, FOB recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015 notes 1026. 07/04/81 Flac 16 - 0, 102022 Austin Manor Downs flac16; Nakamichi CM-300 Shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris notes 1027. 07/04/81 Shn - 0, 21802 Austin Manor Downs Recording Info:SBD -> Cassette Master -> Dat -> ZA2 -> SHN (Transfered By Joe Samaritano). Patch Notes: (FOB) Nakamichi 700 -> Cassette Master -> Cassette -> Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> SHN (Transfered By Charlie Miller). Patched and Edited By Charlie Miller ; upgrade in circulation notes 1028. 07/04/81 Shn - 0, 2216 Austin Manor Downs Master FOB Audience Cassette: Nakamichi CM700 mics > Sony D5 > DAT > CDR; via Scott Clugston notes 1029. 07/04/81 Flac 16/48 - 0, 140286 Austin Manor Downs flac16/48kHz; Source Info: Jim Vita's Master (FOB) Audience Cassette; Nakamichi CM300 mics > Sony TC-D5 > Dat 16/48; Transfer Info: Dat 16/48 (Sony PCM-R500) > Tascam DA-3000 16/48 > Adobe Audition 3.0 > TLH flac16/48 notes 1030. 07/04/81 Flac 16 - 0, 30151 Austin Manor Downs flac16; SBD -> Cassette Master -> Dat (48k) Transferred By Joe Samaritano Patched and Edited By Charlie Miller notes 1031. 07/04/81 Flac 16/48 - , 152649 Austin Manor Downs flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony TC-D5M (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 1032. 07/04/81 Flac 24/96 - , 152650 Austin Manor Downs flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony TC-D5M (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 1033. 07/04/81 Flac 16/44 - , 155432 Austin Manor Downs flac16/44 Master Cassettes recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Sony TC-D5M Cassette Deck (Maxell XLII-S 90 Cassettes with Dolby B) Transfer: Anne Cohen: AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR-800 > CD Ohr: CD > EAC > WAV > FLAC notes 1034. 07/05/81 Flac 16 - 0, 109639 Oklahoma City Zoo Amphitheater flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a remaster of shnid=30648 notes 1035. 07/05/81 Flac 16/48 - 0, 132362 Oklahoma City Zoo Amphitheater flac16/48kHz; Set 2 Cassette Audience Master recorded by Ohr Weinberg FOB DFC; Sony ECM23-F Electret Condenser Microphones-Nakamichi 550 Cassette Recorder; Analog to Digital Transfer-Dolby B Decoded Master played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 48KHz; DAT Master played back on a Sony PCM R-500- Digital Audio Labs Carddeluxe-WAV 16/48; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name) notes 1036. 07/05/81 Flac 24/48 - 0, 135205 Oklahoma City Zoo Amphitheater flac24; 2nd Set Aud: Nakamichi Cm300/cp4 Shotguns > Unknown Lead Deck > Sony Tc-d5m > Hitachi Me-metal, Fob Recording By Brian Schley. Transfer: Mac > Nakamichi Cr-5a > Edirol Fa-66 > Wavelab 2448 > Cd-wave (24bit Output) > Tlh > Flac 2448 Tagged. Transferred By Andrew F. 02/2016 notes 1037. 07/05/81 Flac 16 - 0, 135206 Oklahoma City Zoo Amphitheater flac16; 2nd Set AUD: Nakamichi CM300/CP4 shotguns > unknown lead deck > Sony TC-D5M > Hitachi ME-Metal, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2016 notes 1038. 07/05/81 Flac 16 - 0, 30648 Oklahoma City Zoo Amphitheater flac16; SBD -> Master Cassette -> Reel -> Dat Transferred and Edited By Charlie Miller notes 1039. 07/05/81 Shn - 0, 9126 Oklahoma City Zoo Amphitheater Nak CM700?s> Sony D-5> MC> DAT> CD; via Paul B; Seeded to etree by Willy notes 1040. 07/05/81 Flac 16 - 0, 109861 Oklahoma City Zoo Amphitheater flac16; Set 2 only, audience tape trade cdrs -> flac notes 1041. 07/05/81 Flac 24/96 - , 152669 Oklahoma City Zoo Amphitheater flac24/96 Source Info: Jim Vita's Master Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 1042. 07/05/81 Flac 16/48 - , 152668 Oklahoma City Zoo Amphitheater flac16/48 Source Info: Jim Vita's Master Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 1043. 07/07/81 Flac 16 - 0, 109850 Kansas City Kansas City Municipal Auditorium Arena flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat; Transfer Info: Dat (sony R500) -> Samplitude Professional V11.1 -> Adobe Audition V3.0 -> Flac; All Transfers And Mastering By Charlie Miller; This Is A Remaster Of Shnid=30649 notes 1044. 07/07/81 Flac 16 Mtx - 0, 110637 Kansas City Kansas City Municipal Auditorium Arena flac16; Matrix 60% sbd/40% aud SBD -> Cassette Master -> Reel -> Dat (shnid 109850) and Aud (Neumann KMi84's)>MC>DAT>CD (shnid 13962) notes 1045. 07/07/81 Flac 16 - 0, 30649 Kansas City Kansas City Municipal Auditorium Arena flac16; SBD -> Master Cassette -> Reel -> Dat Transferred and Edited By Charlie Miller notes 1046. 07/07/81 Flac 24/48 - 0, 134089 Kansas City Kansas City Municipal Auditorium Arena flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2015 notes 1047. 07/07/81 Flac 16 - 0, 134090 Kansas City Kansas City Municipal Auditorium Arena flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015 notes 1048. 07/07/81 Shn - 0, 7292 Kansas City Kansas City Municipal Auditorium Arena 1st Set Only; SBD> Cm> Reel> Dat> CD via Charlie Miller; Seeded to etree by Willy ; upgrade in circulation notes 1049. 07/07/81 Shn - 0, 13962 Kansas City Kansas City Municipal Auditorium Arena Complete; Aud (Neumann KMi84's)>MC>DAT>CD; via Tommy Danscuk; Seeded to etree by Willy notes 1050. 07/08/81 Flac 24/48 - 0, 134091 St. Louis Kiel Auditorium flac24; AUD: Nakamichi CM300's > lead deck > Sony TC-D5 > Maxell XLII's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2015 notes 1051. 07/08/81 Flac 16 - 0, 134092 St. Louis Kiel Auditorium flac16; AUD: Nakamichi CM300's > lead deck > Sony TC-D5 > Maxell XLII's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015 notes 1052. 07/08/81 Shn - 0, 13301 St. Louis Kiel Auditorium (FOB) Neumann KM84>Cm>Dat>Cool Edit Pro>CD; via Charlie Miller; Seeded to etree by Willy notes 1053. 07/08/81 Flac 24/96 - 0, 139980 St. Louis Kiel Auditorium flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 1054. 07/08/81 Flac 16 - 0, 139979 St. Louis Kiel Auditorium flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 1055. 07/10/81 Shn - 0, 7314 St. Paul St. Paul Civic Center Originally mislabeled as "Behind (Stage) Nak 300/cp1>Cm>Cass>Dat>CD; via Charlie Miller; Seeded to etree by Willy", actually (FOB) Sennheiser 421; upgrade in circulation notes 1056. 07/10/81 Flac 16 - 0, 135490 St. Paul St. Paul Civic Center flac16; AUD: Unknown mics & lead deck > Sony TC-D5 > Maxell XLII-S 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016 notes 1057. 07/10/81 Shn - 0, 14195 St. Paul St. Paul Civic Center Recording by Ohr Weinberg. MAC w/ Sony ECM F's BOS>Sony TC-D5M>DAT>CDR>EAC>SHN notes 1058. 07/10/81 Flac 16 - 0, 32880 St. Paul St. Paul Civic Center flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes 1059. 07/10/81 Flac 24/48 - 0, 137693 St. Paul St. Paul Civic Center flac24; 2nd Set AUD: Nakamichi CM-700's > lead deck > Sony TC-D5 > TDK MA-Metal, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2017 notes 1060. 07/10/81 Flac 16 - 0, 137694 St. Paul St. Paul Civic Center flac16; 2nd Set AUD: Nakamichi CM-700's > lead deck > Sony TC-D5 > TDK MA-Metal, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017 notes 1061. 07/10/81 Flac 16/48 - 0, 141430 St. Paul St. Paul Civic Center flac16/48kHz; Unknown audience > DAT @ 16/48; Editing, volume adjustments, fades and tracking with Audacity; Tagged with mp3tag; flac level 8 and checksums with traderslittlehelper notes 1062. 07/10/81 Flac 16/48 - , 152767 St. Paul St. Paul Civic Center flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics (behind the stage, patched out of John Steinthal)> Sony TC-D5M (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 1063. 07/10/81 Flac 24/96 - , 152768 St. Paul St. Paul Civic Center flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics (behind the stage, patched out of John Steinthal)> Sony TC-D5M (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 1064. 07/11/81 Shn - 0, 14020 East Troy Alpine Valley Music Theatre Set 2; S : MC > C > D > CDR > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. notes 1065. 07/11/81 Flac 16 - 0, 122830 East Troy Alpine Valley Music Theatre flac16; Partial 2 song Matrix by Hunter Seamons; Soundboard recording by Dan Healy; Audience recording transferred by Rick Martin notes 1066. 07/11/81 Shn - 0, 7370 East Troy Alpine Valley Music Theatre Senn 421>CM>DAT>CD; via Rick Martin; Seeded to etree by Willy notes 1067. 07/13/81 Shn - 0, 3903 Denver McNichols Sports Arena SBD; via Mike Lai notes 1068. 07/13/81 Flac 16 - 0, 128714 Denver McNichols Sports Arena flac16; Recording and transfer info: SBD > MC? > C? > C? > C > CD; CD > wav > Sound Forge 10 > TLH > fla notes 1069. 07/13/81 Flac 16 - 0, 130172 Denver McNichols Sports Arena flac16; Set 2 Lineage: from Sandy Troy's reel through the kindness of Charlie Miller - SBD MC > R?? Maybe one more gen in there; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes 1070. 07/13/81 Flac 24 - 0, 135739 Denver McNichols Sports Arena flac24; AUD: Nakamichi CM300/CP4 shotguns > unknown lead deck > Sony TC-D5M > Maxell XLII's, FOB(?) recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2016 notes 1071. 07/13/81 Flac 16 - 0, 135740 Denver McNichols Sports Arena flac16; AUD: Nakamichi CM300/CP4 shotguns > unknown lead deck > Sony TC-D5M > Maxell XLII's, FOB(?) recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2016 notes 1072. 07/13/81 Flac 24/96 - 0, 130034 Denver McNichols Sports Arena flac24; Set 2 Lineage: from Sandy Troy's reel - SBD MC > R?? Maybe one more gen; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC (originally seeded with files mislabeled "gd1981-07-31") notes 1073. 07/13/81 Flac 16 - 0, 138742 Denver McNichols Sports Arena flac16; source: SBD; Jerry Moore’s 2nd gen cassette; maxell mx90’s/dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac16; transfer & mastering - Rob Berger 7/2017 notes 1074. 07/13/81 Flac 24/96 - 0, 138741 Denver McNichols Sports Arena flac24; source: SBD; Jerry Moore’s 2nd gen cassette; maxell mx90’s/dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac24; transfer & mastering - Rob Berger 7/2017 notes 1075. 07/13/81 Flac 16 - 0, 141402 Denver McNichols Sports Arena flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90) > Frank Streeter's Reel to Reel @ 3.75 ips (Sony TC770/Maxell UD35-90B) > Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 1076. 07/13/81 Flac 16 - , 155435 Denver McNichols Sports Arena flac16/44 Master Cassettes recorded by Ohr Weinberg: 2 Nakamichi CM-100 microphones w/ CP-4 Shotgun Capsules > Sony TC-D5M Cassette Deck (1st Set: Maxell XLII-S 90 Cassette, 2nd Set: TDK MA-C90 Cassette), Dolby B Transfer: Anne Cohen: AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR-800 > CD Ohr: CD > EAC > WAV > FLAC notes 1077. 07/14/81 Flac 24/48 - 0, 135808 Denver McNichols Sports Arena flac24; AUD: Nakamichi CM100/CP4 shotguns > unknown lead deck > Sony TC-D5M > TDK MA-Metal, FOB(?) recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2016 notes 1078. 07/14/81 Flac 16 - 0, 135809 Denver McNichols Sports Arena flac16; AUD: Nakamichi CM100/CP4 shotguns > unknown lead deck > Sony TC-D5M > TDK MA-Metal, FOB(?) recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2016 notes 1079. 07/14/81 Shn - 0, 9794 Denver McNichols Sports Arena AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy notes 1080. 07/14/81 Flac 16/48 - , 152844 Denver McNichols Sports Arena flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 1081. 07/14/81 Flac 24/96 - , 152845 Denver McNichols Sports Arena flac24/96 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 1082. 08/12/81 Shn - 0, 10548 Salt Lake City Salt Palace SBD>MC>R>DAT>CDR (with unknown aud patches); See info file for details; via paul B; Seeded to etree by Willy notes 1083. 08/12/81 Flac 16 - 0, 130235 Salt Lake City Salt Palace flac16; Recording Info: SBD > MC > R > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC notes 1084. 08/12/81 Flac 16 - 0, 95346 Salt Lake City Salt Palace flac16; Source: aud > ??? > cass (unknown gens) Transfer: cass > Nakamichi BE-125E > EMU 0202 > Wavelab > wav (24/96) > flac notes 1085. 08/12/81 Flac 16/48 - 0, 139593 Salt Lake City Salt Palace flac16/48kHz; Recording Info: SBD > Cassette Master (Sony TC-D5M) > Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes 1086. 08/12/81 Flac 24/96 - 0, 139592 Salt Lake City Salt Palace flac24; Partial Show; Monitor Mix sbd [Jerry's side]; Source: sbd > > Sony TC-D5 > Master Cassettes; Transfer: Clone [Maxell MX90 Cassette] > Nakamichi CR-3A > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Recording Mode: LPCM [wav] 96.00kHz/24bit; Lineage: 96.00kHz/24bit wav > Adobe Audition 3.0. > WaveLab6 > iZotope Ozone 3 > CD Wave > TLH > Flac 24 notes 1087. 08/12/81 Flac 24/96 - 0, 142956 Salt Lake City Salt Palace flac24/96 Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) Transfer Info: 1st generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496. Mastered by Scott Cluston. notes 1088. 08/12/81 Flac 16/48 - 0, 142955 Salt Lake City Salt Palace flac16/48 Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) Transfer Info: 1st generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496. Mastered by Scott Clugston. notes 1089. 08/12/81 Flac 24/96 - , 153257 Salt Lake City Salt Palace flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sony Stereo mic > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 1090. 08/12/81 Flac 16/48 - , 153256 Salt Lake City Salt Palace flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sony Stereo mic > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 1091. 08/14/81 Flac 16 - 0, 134817 Seattle Seattle Center Coliseum flac16; Set 2 AUD: Unknown mics > unknown lead deck > Sony TC-D5 > Maxell MX, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2015 notes 1092. 08/14/81 Flac 16 - 0, 91768 Seattle Seattle Center Coliseum flac16; Recorded by Mark Severson; 3 Nak 700s with 2 carcoid, center omni head> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 45' from stage center Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes 1093. 08/14/81 Shn - 0, 8213 Seattle Seattle Center Coliseum NAK 700's>Sony TC-D5M>MC>R>DAT>CDR; Seeded to etree by Tony Gardner notes 1094. 08/14/81 Flac 16/48 - 0, 152262 Seattle Seattle Center Coliseum flac16/48 Source Info: Mark Severson's Master (FOB) Audience Cassettes (45' from stage, center); (2) Nakamichi 700 cardioid mics (L/R) + (1) Nakamichi 700 omni (center) blend, mounted on a hand held pole > unknown equalizer > Sony D5M (Maxell MX-90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 1095. 08/14/81 Flac 24/96 - 0, 152263 Seattle Seattle Center Coliseum flac24/96 Source Info: Mark Severson's Master (FOB) Audience Cassettes (45' from stage, center); (2) Nakamichi 700 cardioid mics (L/R) + (1) Nakamichi 700 omni (center) blend, mounted on a hand held pole > unknown equalizer > Sony D5M (Maxell MX-90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 1096. 08/15/81 Flac 16 - 0, 91771 Portland Portland Memorial Coliseum flac16; Recorded by Mark Severson; 3 Nak 700s with 2 carcoid, center omni head> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 35' from stage, left side Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes 1097. 08/15/81 Shn - 0, 11022 Portland Portland Memorial Coliseum Recording by Mark Severson. 3 Nak 700s>Sony D5M>MC>Reel>CDR; Distortion throughout first three songs; See info file for details; via David Minches & Paul B; Seeded to etree by Willy notes 1098. 08/16/81 Flac 16 - 0, 32019 Eugene McArthur Court, University Of Oregon flac16; SBD > ? > (Cx?) > CDR > EAC > WAV > WavMerge > Soundforge > CD-Wave > TLH (for checksums and SBE-OK) > FLAC Frontend notes 1099. 08/16/81 Flac 24/48 - 0, 135516 Eugene McArthur Court, University Of Oregon flac24; AUD: Nakamichi CM300/CP4 shotguns > lead Sony D5 > Sony TC-D5M > Maxell MX-90's, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2016 notes 1100. 08/16/81 Flac 16 - 0, 135517 Eugene McArthur Court, University Of Oregon flac16; AUD: Nakamichi CM300/CP4 shotguns > lead Sony D5 > Sony TC-D5M > Maxell MX-90's, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016 notes 1101. 08/16/81 Flac 16 - 0, 94900 Eugene McArthur Court, University Of Oregon flac16; Recording Info:Nakamichi 300 -> Master Cassette -> Dat -> CD -> SHN; Transfer Info:SHN -> Adobe Audition v1.5 -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1102. 08/16/81 Shn - 0, 9381 Eugene McArthur Court, University Of Oregon Recording by Jim Vita. Nakamichi CM300 mics with shotgun capsules >Sony TC-D5m cassette > HHb 800 master CD > SV-3800 DAT > CD (originally noted as Nak 300's>MC>DAT>CDR) notes 1103. 08/16/81 Flac 16 - 0, 148439 Eugene McArthur Court, University Of Oregon flac16; This is a remaster of the source ID 32019 soundboard source: Sbd > ? > CDR > EAC; see info file for details notes 1104. 08/16/81 Flac 16/48 - , 153276 Eugene McArthur Court, University Of Oregon flac16/48 Source Info: Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLII-S) Transfer Info: Master cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 1105. 08/16/81 Flac 24/96 - , 153277 Eugene McArthur Court, University Of Oregon flac24/96 Source Info: Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLII-S) Transfer Info: Master cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 1106. 08/27/81 Shn - 0, 4977 Long Beach Long Beach Arena FOB (unknown mics)> Master Cassette> DAT> CDR; processed with DC ART Millenium software; DAE(EAC) and SHN Encoding by Jeff M. notes 1107. 08/27/81 Flac 24/96 - 0, 139525 Long Beach Long Beach Arena flac24; Frank Streeter FOB Recording: Sennheiser 421 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 1108. 08/27/81 Flac 16 - 0, 141134 Long Beach Long Beach Arena flac16; Frank Streeter FOB Recording: Sennheiser 421 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 1109. 08/27/81 Flac 24/96 - 0, 149184 Long Beach Long Beach Arena flac24; Recording: (FOB) Sennheiser 421 > Cassette Master (Sony TC-D5M); Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Master Cassette Recording by Frank Streeter notes 1110. 08/27/81 Flac 16/48 - , 153334 Long Beach Long Beach Arena flac16/48 Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLII-S) Transfer Info: Master cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1111. 08/27/81 Flac 24/96 - , 153335 Long Beach Long Beach Arena flac24/96 Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLII-S) Transfer Info: Master cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1112. 08/28/81 Flac 16 - 0, 113680 Long Beach Long Beach Arena flac16; Recording Info: SBD -> Cassette Master -> ? -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional 11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1113. 08/28/81 Flac 16 Mtx - 0, 92893 Long Beach Long Beach Arena flac16; Matrix Mix - SBD Source: SBD>?>CD>WAV (100%) and AUD Source: MAC>DAT>CD>WAV (50%) 2008 Update: Encore Source: Barry Glassberg's master audience recording. Matrix by PainoMan notes 1114. 08/28/81 Shn - 0, 8670 Long Beach Long Beach Arena SBD>?>CD>EAC 0.9b3 (Secure Mode)>Sound Forge 4.5>CDWave 1.7>MKWact 0.97b1 (Seeking SHN); Seeded to etree by PainoMan ; upgrade in circulation notes 1115. 08/28/81 Flac 16 - 0, 91231 Long Beach Long Beach Arena flac16 MOTB Release:0065 - 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell XLIIS 90 Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Ron Ellner MAC Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Adam Egert (EQU) Mastering By: Bill Koucky (Edits/Tracking) notes 1116. 08/28/81 Shn - 0, 9572 Long Beach Long Beach Arena SBD>?>CD; w/ patches from AUD>MC>DAT>CD; upgrade to previous Paino seed; via Willy; Chris Cantergiani; Seeded to etree by PainoMan notes 1117. 08/28/81 Flac 24/96 - 0, 139526 Long Beach Long Beach Arena flac24; Frank Streeter FOB Recording: Sennheiser 421 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 1118. 08/28/81 Flac 16 - 0, 141136 Long Beach Long Beach Arena flac16; Frank Streeter FOB Recording: Sennheiser 421 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 1119. 08/28/81 Flac 24/96 - 0, 149185 Long Beach Long Beach Arena flac24; Recording: (FOB) Sennheiser 421 > Cassette Master (Sony TC-D5M); Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Master Cassette Recording by Frank Streeter notes 1120. 08/28/81 Flac 16/48 - , 153336 Long Beach Long Beach Arena flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 304 mics > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1121. 08/28/81 Flac 24/96 - , 153337 Long Beach Long Beach Arena flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 304 mics > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1122. 08/30/81 Flac 16 - 0, 105216 Tempe Compton Terrace Amphitheatre flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of shnid 30118 notes 1123. 08/30/81 Flac 16 - 0, 30118 Tempe Compton Terrace Amphitheatre flac16; SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD Transferred and Edited By Charlie Miller notes 1124. 08/30/81 Flac 16 - 0, 104973 Tempe Compton Terrace Amphitheatre flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller notes 1125. 08/30/81 Flac 24/96 - 0, 136727 Tempe Compton Terrace Amphitheatre flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; set up left of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes 1126. 08/30/81 Flac 16 - 0, 136728 Tempe Compton Terrace Amphitheatre flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; set up left of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes 1127. 08/30/81 Shn - 0, 9707 Tempe Compton Terrace Amphitheatre FOB Senn 441's>SonyTC-150>CM>DAT>CD; via Mike Rogers; Seeded to etree by Willy notes 1128. 08/30/81 Flac 24/96 - 0, 104976 Tempe Compton Terrace Amphitheatre flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/24; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller notes 1129. 08/30/81 Flac 24/96 - 0, 139997 Tempe Compton Terrace Amphitheatre flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 1130. 08/30/81 Flac 16 - 0, 139996 Tempe Compton Terrace Amphitheatre flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 1131. 08/30/81 Flac 24/96 - 0, 144668 Tempe Compton Terrace Amphitheatre flac24; Source Info: Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 1132. 08/30/81 Flac 16/48 - 0, 144667 Tempe Compton Terrace Amphitheatre flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1133. 08/30/81 Flac 16 - 0, 78602 Tempe Compton Terrace Amphitheatre flac16; Pitch and tempo adjusted version of shn id 30118 by JR Fishman to 96.92% using audience recording notes 1134. 08/30/81 Flac 24/96 - , 152724 Tempe Compton Terrace Amphitheatre flac24/96 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 1135. 08/30/81 Flac 16/48 - , 152723 Tempe Compton Terrace Amphitheatre flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 1136. 08/31/81 Flac 16 - 0, 110200 Las Vegas Aladdin Theater flac16; Recording Info:SBD -> Cassette Master -> ? -> Cassette -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1137. 08/31/81 Flac 16 Mtx - 0, 122085 Las Vegas Aladdin Theater flac16; 2 source matrix: Soundboard (shnid=110200) SBD -> Cassette Master -> ? -> Cassette -> CD -> Adobe Audition v3.0 -> Samplitude Professional and Audience (shnid=91893) from 1st gen cassette, unknown mics, unknown recorder; unknown taper notes 1138. 08/31/81 Flac 16 - 0, 91893 Las Vegas Aladdin Theater flac16; Audience from 1st gen cassette unknown mics unknown recorder unknown taper unknown transfer notes 1139. 08/31/81 Shn - 0, 9619 Las Vegas Aladdin Theater AUD>MC>DAT>CDR; Certified Owens Brothers Vault Release, processed with DC Art Millenium Software on a Dell Optiplex GX300 Workstation; via Paul B; Seeded to etree by Willy notes 1140. 08/31/81 Flac 24/96 - 0, 140007 Las Vegas Aladdin Theater flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 1141. 08/31/81 Flac 16 - 0, 140006 Las Vegas Aladdin Theater flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 1142. 08/31/81 Flac 16 - 0, 30070 Las Vegas Aladdin Theater flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller Patch Info: The beginning of Stranger and the middle Of Dew through the end of the show are patched with AUD>Cm>DAT>CD (shnid=9619). notes 1143. 08/31/81 Flac 24/96 - 0, 144666 Las Vegas Aladdin Theater flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX90); Transfer Info:Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 1144. 08/31/81 Flac 16/48 - 0, 144665 Las Vegas Aladdin Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX90); Transfer Info:Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1145. 08/31/81 Flac 16/48 - , 153343 Las Vegas Aladdin Theater flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 1146. 08/31/81 Flac 24/96 - , 153344 Las Vegas Aladdin Theater flac24/96 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 1147. 09/11/81 Flac 16 - 0, 95290 Berkeley Greek Theatre, University Of California flac16; Source: Audience Recording Lineage: 3 Nakamich 700's (left and right Cardiod at 100 Deg, center omni 45 deg up) 45 feet from stage, dead center > Hand made 3 mic mixer > Sony D5 > MAC (dolby B) > Nakamichi CR-5A (Dolby B) > Tascam HD-P2 > 24/96 Wave > WL 5 > plugins > r8brain pro > 16/44.1 wave > CD wave > flac lvl 8 (TLH) notes 1148. 09/11/81 Flac 16 - 0, 95743 Berkeley Greek Theatre, University Of California flac16; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-D5M/Maxell UDXLII); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded by Joani Walker; All Transfers and Mastering By Charlie Miller notes 1149. 09/11/81 Shn - 0, 7090 Berkeley Greek Theatre, University Of California Recording by Jim Wise. Sennheiser 421 mics > Sony TC D-5,(see Jim Wise notes in info file); d3 tracked for 80 min; via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy notes 1150. 09/11/81 Flac 16 - 0, 31791 Berkeley Greek Theatre, University Of California flac16; 2 nak 300 mics>Sony TC-5m(Dolby B)>Nak Dragon(dolby decoded)>Panasonic 3800 DAT (A-D)>Soundforge-CD Architect>cdr>roxio toast>Apple G4(Xact); Recorded by Ned Hoey notes 1151. 09/11/81 Flac 24 - 0, 123665 Berkeley Greek Theatre, University Of California flac24; Recorded, Transferred and Mastered by N. Hoey (tagged version) 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(TDK SA-X C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing) > xACT (flac-tagging) notes 1152. 09/11/81 Flac 16 - 0, 125676 Berkeley Greek Theatre, University Of California flac16; Recorded, Transferred and Mastered by N. Hoey (tagged version)(flac16); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(TDK SA-X C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing, sample rate conversion, dithering) > xACT (flac-tagging) notes 1153. 09/11/81 Flac 24/96 - 0, 148624 Berkeley Greek Theatre, University Of California flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right, omni center, 45' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 1154. 09/11/81 Flac 16/48 - 0, 148623 Berkeley Greek Theatre, University Of California flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 80 degree angle; 6db bass EQ, omni center pointed straight at stage, 45' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1155. 09/12/81 Flac 16 - 0, 125697 Berkeley Greek Theatre, University Of California flac16;Recorded, Transferred and Mastered by N. Hoey (shnid 123788)(tagged version) 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(tracks 01-13, 22 TDK SA-X C 90 ~ tracks 14-21, 23,24 Maxell UDXL II C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing, sample rate conversion, dithering) > xACT (flac-tagging) notes 1156. 09/12/81 Flac 16 - 0, 95391 Berkeley Greek Theatre, University Of California flac16; Source: Audience Recording Lineage: 3 Nakamichi 700's (l & R-Cross Cardiod, 6db Bass EQ, 75 Deg angle, center-omni straight at stage, 40 deg up) 40 feet from stage, dead center > 3 mic mixer(made by Jamie Poris) > Sony D5 > MAC (dolby B) > Nakamichi CR-5A (Dolby B) > Tascam HD-P2 > 24/96 Wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > CD wave > flac lvl 8 (TLH) notes 1157. 09/12/81 Flac 16 - 0, 105584 Berkeley Greek Theatre, University Of California flac16;Recording Info:Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller notes 1158. 09/12/81 Flac 16 - 0, 95671 Berkeley Greek Theatre, University Of California flac16; Recording Info:(FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-D5M/Maxell UDXLII); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recoded by Joani Walker; All Transfers and Mastering By Charlie Miller notes 1159. 09/12/81 Shn - 0, 7091 Berkeley Greek Theatre, University Of California Recording by Jim Wise. Sennheiser 421 mics > Sony TC D-5, (see Jim Wise's notes in info file); d3 tracked for 80 min; via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy notes 1160. 09/12/81 Shn - 0, 23658 Berkeley Greek Theatre, University Of California This is the same as shnid 7091 with Good Lovin' added (from an alternate aud source) so that the show is now complete via SIRMick(thedarkstar@btinternet.com) notes 1161. 09/12/81 Flac 16 - 0, 23729 Berkeley Greek Theatre, University Of California flac16; Recording by Steven Martin. Master audience cassette (modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding notes 1162. 09/12/81 Shn - 0, 25317 Berkeley Greek Theatre, University Of California Recording by Jim Wise. FOB Senn 421s > Sony TC-D5 > MAC (Maxell XL II 90, Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV (no processing!) > CD > EAC > WAV > SHN. Transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs notes 1163. 09/12/81 Flac 16 - 0, 101497 Berkeley Greek Theatre, University Of California flac16; Recording info: 2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(TDK SA-X 90, Maxell UDXL-II 90 'Estimated thru Baby Bloe') Playback, Editing, Preparation info: Nakamichi Dragon (Dolby B decoded) > Panasonic SV 3700 DAT (A/D conversion)(HP data cartridge) > Apple G4 (RME interface)(Peak 5 editing) > Xact notes 1164. 09/12/81 Flac 24 - 0, 123788 Berkeley Greek Theatre, University Of California flac24; Recorded, Transferred and Mastered by N. Hoey (shnid 123665)(tagged version); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(tracks 01-13, 22 TDK SA-X C 90 ~ tracks 14-21, 23,24 Maxell UDXL II C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing) > xACT (flac-tagging) notes 1165. 09/12/81 Flac 24/96 - 0, 142835 Berkeley Greek Theatre, University Of California flac24; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes 1166. 09/12/81 Flac 16/48 - 0, 142836 Berkeley Greek Theatre, University Of California flac16/48kHz; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1167. 09/12/81 Flac 24/96 - 0, 148626 Berkeley Greek Theatre, University Of California flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 75 degree angle; 6db bass EQ, omni center pointed straight at stage, 40' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 1168. 09/12/81 Flac 16/48 - 0, 148625 Berkeley Greek Theatre, University Of California flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 75 degree angle; 6db bass EQ, omni center pointed straight at stage, 40' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1169. 09/13/81 Flac 16 - 0, 32576 Berkeley Greek Theatre, University Of California flac16; Set 1: SBD -> Cassette Master -> ? -> Cassette -> Sound Forge -> CD Set 2: SBD -> Cassette Master -> Cassette All Transfers and Mastering By Charlie Miller notes 1170. 09/13/81 Flac 16 - 0, 95425 Berkeley Greek Theatre, University Of California flac16; Source: Audience Recording Lineage: 3 Nakamichi 700's (l & R-Cross Cardiod, 6db Bass EQ, 80 Deg angle, center-omni straight at stage) 45 feet from stage, dead center > 3 mic mixer(made by Jamie Poris) > Sony D5 > MAC (dolby B) > Nakamichi CR-5A (Dolby B) > Tascam HD-P2 > 24/96 Wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > CD wave > flac lvl 8 (TLH) notes 1171. 09/13/81 Flac 24 - 0, 125670 Berkeley Greek Theatre, University Of California flac24; Recorded, Transferred and Mastered by N. Hoey (tagged version); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B) (tracks 01-11 TDK SA-X C 90 ~ tracks 14-26 Maxell UDXL IIS C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing) > xACT (flac-tagging) notes 1172. 09/13/81 Flac 16 - 0, 105585 Berkeley Greek Theatre, University Of California flac16;Recording Info:Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller notes 1173. 09/13/81 Flac 16 - 0, 103437 Berkeley Greek Theatre, University Of California flac16; Recording Info:Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes 1174. 09/13/81 Shn - 0, 32132 Berkeley Greek Theatre, University Of California Set 1 Soundboard of unknown lineage. Transfer: Cassette > Sony TC-D5M > Soundblaster > WAV > Soundforge > CD-Wave > TLH (SBE-OK, FLAC compression, checksums) > bt.etree 01/06. ; upgrade in circulation notes 1175. 09/13/81 Shn - 0, 7092 Berkeley Greek Theatre, University Of California Recording by Jim Wise. Sennheiser 421 mics > Sony TC D-5, (see Jim Wise's notes in info file); via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy notes 1176. 09/13/81 Flac 24/96 - 0, 140011 Berkeley Greek Theatre, University Of California flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 1177. 09/13/81 Flac 24/96 - 0, 140012 Berkeley Greek Theatre, University Of California flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 1178. 09/13/81 Flac 16/48 - 0, 148627 Berkeley Greek Theatre, University Of California flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 80 degree angle; 6db bass EQ, omni center pointed straight at stage, 45' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1179. 09/13/81 Flac 24/96 - 0, 148628 Berkeley Greek Theatre, University Of California flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 80 degree angle; 6db bass EQ, omni center pointed straight at stage, 45' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 1180. 09/13/81 Flac 24/96 - 0, 148724 Berkeley Greek Theatre, University Of California flac24; Source Info: Master Soundboard Cassette > Cassette; Transfer Info: 1st generation cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 1181. 09/13/81 Flac 16/48 - 0, 148723 Berkeley Greek Theatre, University Of California flac16/48kHz; Source Info: Master Soundboard Cassette > Cassette; Transfer Info: 1st generation cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1182. 09/25/81 Flac 16 - 0, 88822 Bethlehem Stabler Arena, Lehigh University flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller notes 1183. 09/25/81 Shn - 0, 2215 Bethlehem Stabler Arena, Lehigh University Master Soundboard Cassette > Cassette > CDR, with AUD patches from Sennheiser 441 and Nakamichi CM300's + CP4's; via Scott Clugston; see extensive notes in info file ; upgrade in circulation notes 1184. 09/25/81 Shn - 0, 13725 Bethlehem Stabler Arena, Lehigh University Source: MAC>DAT>CDR (x2)>EAC>CoolEdit 2000>WAV>SHN (seekable); Note- TMNSP may be from another (unknown) source; See info file for detail notes 1185. 09/25/81 Shn - 0, 23626 Bethlehem Stabler Arena, Lehigh University Recording by Steve Rolfe. AUDMC > DAT > WAV > SHN from 1st row off the floor, center stage with two Nak 700 mics into a Sony D-5 deck. Added to etree by Noah Weiner notes 1186. 09/25/81 Flac 24/96 - 0, 140018 Bethlehem Stabler Arena, Lehigh University flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 1187. 09/25/81 Flac 16 - 0, 140017 Bethlehem Stabler Arena, Lehigh University flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 1188. 09/25/81 Flac 16 - 0, 139467 Bethlehem Stabler Arena, Lehigh University flac16; Source info: Master FOB Audience Cassette; Nakamichi CM300's + CP4's > DAT > CDR; Transfer info: Master cassette played back via Nak BX300 > Panasonic SV-3500 > HHB 850 > EAC > Cool Edit Pro; Transfer by Scott Clugston; Mastered by Scott Clugston notes 1189. 09/25/81 Flac 16 - 0, 148686 Bethlehem Stabler Arena, Lehigh University flac16; Sources Info: Master Soundboard Cassettes > Dick Latvala's Cassettes; Transfer Info: Dick Latvala's Cassettes (Nakamichi BX-300) > HHb CDR850 > CDR > EAC > Adobe Audition CC2019 > TLH flac16 notes 1190. 09/25/81 Flac 24/96 - , 153965 Bethlehem Stabler Arena, Lehigh University flac24/96 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 microphones > Sony TC-D5M (TDK MA-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1191. 09/25/81 Flac 16/48 - , 153964 Bethlehem Stabler Arena, Lehigh University flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 microphones > Sony TC-D5M (TDK MA-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1192. 09/26/81 Flac - 0, 18110 Buffalo Community War Memorial Auditorium SBD>Cm>Cass>Dat>CD with aud patches via Charlie Miller notes 1193. 09/26/81 Flac 16 Mtx - 0, 30117 Buffalo Community War Memorial Auditorium flac16; Sick Bits Vol. 10 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 18110, and AUD - SHN ID# 12554); edited and transfered by Chris Chappell notes 1194. 09/26/81 Flac 16 - 0, 112234 Buffalo Community War Memorial Auditorium flac16: AUD: 2x Sennheiser mics > Sony TC-D5. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. notes 1195. 09/26/81 Shn - 0, 12554 Buffalo Community War Memorial Auditorium Recording by Dan Healy. Set 1: Nak 100's w/cardioid capsules>Uher CR-240>DAT>CDR Set 2: AKG 414's>Revox cassette deck (Cass. Master)>DAT>CDR (Recorded by Dan Healy at the sbd); Thanks to John Tallmadge for the discs; eac>shn popi n. feeldz notes 1196. 09/26/81 Shn - 0, 9418 Buffalo Community War Memorial Auditorium AUD>MC>?>CD; via Scott Shindell; Seeded to etree by Willy notes 1197. 09/26/81 Flac 16 - 0, 140027 Buffalo Community War Memorial Auditorium flac16; Set 2 Recording Info: Dan Healy's Master Soundboard Cassette (Sony TC-D5)> Cassette (Sony TC-D5 > Maxell UDXL-II); Transfer Info: 1st generation cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; the original source had the channels reversed; please don't circulate that source notes 1198. 09/26/81 Flac 24 - 0, 140028 Buffalo Community War Memorial Auditorium flac24; Set 2 Recording Info: Dan Healy's Master Soundboard Cassette (Sony TC-D5)> Cassette (Sony TC-D5 > Maxell UDXL-II); Transfer Info: 1st generation cassette Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; the original source had the channels reversed; please don't circulate that source notes 1199. 09/26/81 Flac 24/48 - 0, 152508 Buffalo Community War Memorial Auditorium flac24/48 Microphones: Beyer M201c (worn in hat??) Recorder: Sony TC-D5 Maxell UDXLII no nr Location: Balcony behind and above drums This Copy: 1st Gen AUDCA s1: Maxell UDXLIIc90 s2: Scotch AVM 90 Studio Master Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLIIc90/Scotch AVM 90 no nr Digital Transfer: Nakamichi LX5 > Tascam DR-680 @24/48|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes 1200. 09/26/81 Flac 16/44 - 0, 152507 Buffalo Community War Memorial Auditorium flac16/44 Microphones: Beyer M201c (worn in hat??) Recorder: Sony TC-D5 Maxell UDXLII no nr Location: Balcony behind and above drums This Copy: 1st Gen AUDCA s1: Maxell UDXLIIc90 s2: Scotch AVM 90 Studio Master Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLIIc90/Scotch AVM 90 no nr Digital Transfer: Nakamichi LX5 > Tascam DR-680 @24/48|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes 1201. 09/27/81 Shn - 0, 8910 Landover Capital Centre SBD>Cm>PCM>Dat>CD; via Charlie Miller; Seeded to etree by Willy; Upgrade in circulation notes 1202. 09/27/81 Flac 16 - 0, 122188 Landover Capital Centre flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1203. 09/27/81 Flac 16 - 0, 110054 Landover Capital Centre flac16; Set 2 Source: Unknown AUD (cassette circa 1982) Transfer: Maxell UD90 > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC Tagged notes 1204. 09/27/81 Flac 1644 - 0, 110722 Landover Capital Centre 2 Nakamichi 300's (taped to railing split approx 10 ft. behind stage) > Sony D5 > MAC (dolby B) Lineage: 1st Gen. cassette (dolby B) > Nakamichi CR-2A (Dolby B) > Tascam HD-P2 > 24/88.2 Wave > Wavelab 5 (UV22HR) > 16/44.1 wave > CD wave > FLAC Taped by: Unknown Transferred by: Dean Grabski notes 1205. 09/27/81 Flac 16 - 0, 112343 Landover Capital Centre flac16; Set 1 Source: AUD (unknown equipment) MAC > 2nd Gen cassette. Transfer: Maxell UDXLII > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. notes 1206. 09/30/81 Flac 24 - 0, 123231 Edinburgh Playhouse Theatre b>flac24; sbd 2nd gen cassette, Jerry Moore's copy; lineage: sbd > master > cassette > cassette source copies made 10/86: Nak BX2 > Sony D5m, Maxell MX-90's, dolby b; nak dragon/b > tascam hd-p2 24/96 compact flash > pc > adobe audition 2.0 ( levels, edits ) > cd wave > flac; transferred & seeded by Rob Berger notes 1207. 09/30/81 Shn - 0, 12229 Edinburgh Playhouse Theatre SBD> ?> C > C> WAV> noise reduction applied in Cool Edit Pro> SHN; EAC/SHN by jim; see info file for flaw notes ; upgrade in circulation notes 1208. 09/30/81 Flac 24/96 - 0, 151110 Edinburgh Playhouse Theatre Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > Flac 24 edited and mastered SIRMick December 2020 notes 1209. 09/30/81 Flac 16 - 0, 151109 Edinburgh Playhouse Theatre Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 notes 1210. 10/02/81 Flac 16 - 0, 128794 London Rainbow Theatre flac16; Recording and transfer info: SBD > MC? > C > C; C > wav > Sound Forge 10 > TLH > flac notes 1211. 10/02/81 Shn - 0, 6147 London Rainbow Theatre sbd> reel> ?> dats> wave> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT; missing Mama Tried, Mexicali notes 1212. 10/02/81 Flac 16 - 0, 80289 London Rainbow Theatre flac16; source: aud > low gen cass > Wavelab > wav > flac transfer: Sony TC-FX2 > Creative Extigy > wav via Simon Phillips and SirMick notes 1213. 10/02/81 Flac 16 - 0, 120454 London Rainbow Theatre flac16; Set 2, Beyer M-160 (x2) > Sony TCD5M / CM > C1 > C2 (Maxell UDXLII-C90); Cassette 2 (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > Soundforge 9 (patch) > Trader's Little Helper > Flac16 Transfer, edit, & patch by Bob Morris, May 2012 notes 1214. 10/02/81 Flac 16 - 0, 138170 London Rainbow Theatre flac16/96kHz; Source: Audience recording > Sony ECM-99 > JVC CD-1635 > Master Cassettes (C90 Maxell UD XLII x 2); Taped by Peter Williams from the balcony, about halfway between centre and right wall; Transfer: Cassette > Nakamichi CD1 > Tascam DR-100mkIII > wav 24/176.4; Lineage: wav 24/176.4 > Adobe Audition CC > iZotope RX4 Advanced > iZotope 5 Advanced > iZotope RX4 Advanced > wav 24/96 > CD Wave > TLH > Flac 24; edited and mastered SIRMick notes 1215. 10/02/81 Flac 16 - 0, 138169 London Rainbow Theatre flac16; Source: Audience recording > Sony ECM-99 > JVC CD-1635 > Master Cassettes (C90 Maxell UD XLII x 2); Taped by Peter Williams from the balcony, about halfway between centre and right wall; Transfer: Cassette > Nakamichi CD1 > Tascam DR-100mkIII > wav 24/176.4; Lineage: wav 24/176.4 > Adobe Audition CC > iZotope RX4 Advanced > iZotope 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > > CD Wave > TLH > Flac 16; edited and mastered SIRMick notes 1216. 10/02/81 Flac 24/176,4 - 0, 138171 London Rainbow Theatre flac24/176.4kHz; Source: Audience recording > Sony ECM-99 > JVC CD-1635 > Master Cassettes (C90 Maxell UD XLII x 2); Taped by Peter Williams from the balcony, about halfway between centre and right wall; Transfer: Cassette > Nakamichi CD1 > Tascam DR-100mkIII > wav 24/176.4; Lineage: wav 24/176.4 > Adobe Audition CC > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick notes 1217. 10/02/81 Flac 16/48 - 0, 151207 London Rainbow Theatre flac16/48khz Recording Info: SBD > Cassette Master > Cassette (Tascam 122mkIII) Transfer Info: Cassette (Nakamichi Dragon) > DAT (Panasonic SV-3800/48k) > Avid MBox Pro > Pro Tools 12 > WAV notes 1218. 10/02/81 Flac 24 - 0, 151194 London Rainbow Theatre Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > Flac 24 edited and mastered SIRMick notes 1219. 10/02/81 Flac 16 - 0, 151193 London Rainbow Theatre Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick December 2020 notes 1220. 10/02/81 Flac 24/96 - 0, 151771 London Rainbow Theatre FLAC 24 Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > Flac 24 edited and mastered SIRMick February 2021 notes 1221. 10/02/81 Flac 16 - 0, 151770 London Rainbow Theatre FLAC 16 Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick February 2021 notes 1222. 10/03/81 Flac 16 - 0, 103480 London Rainbow Theatre flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Cool Edit Pro v2.0 -> FLAC ; All Transfers and Mastering By Charlie Miller notes 1223. 10/03/81 Shn - 0, 2369 London Rainbow Theatre complete; SBD> MC> DAT> CDR; EAC> SHN by Jeff M. notes 1224. 10/03/81 Flac 16/48 - 0, 143078 London Rainbow Theatre flac16/48kHz; Master Soundboard Cassettes > 1st generation reels (Technics)> Dat(Panasonic SV-3800)(16-bit/48k)> Tim Dalton's Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)(16-bit/48k)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/48k) > Adobe Audition 3.01 > TLH flac1648 notes 1225. 10/03/81 Flac 24/48 - 0, 145249 London Rainbow Theatre flac24; 2nd set, Source: BeyerDynamic M160's > Sony TC-D5M > MAC > 1st-Gen tape. Concert recording by Richie Stankiewicz, copy via Rip Tompkins. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019 notes 1226. 10/03/81 Flac 16 - 0, 145359 London Rainbow Theatre flac16; 2nd set, Source: BeyerDynamic M160's > Sony TC-D5M > MAC > 1st-Gen tape. Concert recording by Richie Stankiewicz, copy via Rip Tompkins. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019; This file set is 16 bit @ 44.1 notes 1227. 10/04/81 Flac 16 - 0, 118248 London Rainbow Theatre flac16; Source: SBD > ? > Cassette, kindly provided by Seaweed1010 & Bernie Brown. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. Januray 2012 notes 1228. 10/04/81 Flac 24 - 0, 127286 London Rainbow Theatre flac24; Partial Audience Recording TCD-5M> beyer M-88 Right side; Transfered 1st gen cassette>Sony TCKA-3Es>USBPre 2 notes 1229. 10/04/81 Flac 16 - 0, 128620 London Rainbow Theatre flac16; Sbd > CM? > C > C; C > Pioneer deck > wav > Sound Forge 10 > TLH > Flac; Could be CM > C. This is one gen (or more) upgrade of shnid 12887 notes 1230. 10/04/81 Shn - 0, 12887 London Rainbow Theatre Source 1: SBD>?>C>C>WAV>SHN; Source 2: SBD>?>C>C>WAV>SHN; See info file for detail; Seeded to etree by jim@juddcreek notes 1231. 10/04/81 Flac 24/96 - 0, 151455 London Rainbow Theatre flac24/96khz Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > Flac 24 edited and mastered SIRMick January 2021 notes 1232. 10/04/81 Flac 16/44,1 - 0, 151454 London Rainbow Theatre flac16/44.1hz Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick January 2021 notes 1233. 10/06/81 Flac 16 - 0, 103627 London Rainbow Theatre flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1234. 10/06/81 Flac 16 - 0, 120405 London Rainbow Theatre flac16; Recording Info: SBD > MC > C > C; Transfer Info: C > Nak DR2 > WAV > Sound Forge 10 > TLH > FLAC notes 1235. 10/06/81 Flac 16 - 0, 126527 London Rainbow Theatre flac16; AUD 2nd Set Only: 2x Beyer M-88 > Sony TC-D5, taped from the orchestra (stalls) section. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 01/2014. notes 1236. 10/06/81 Shn - 0, 3303 London Rainbow Theatre Master Soundboard Cassette > Cassette > CDR ; EAC > SHN by Brian Polgar; to abgd; cuts are master tape flips or ends. The first few words of Sunshine Daydream are also clipped notes 1237. 10/06/81 Flac 16 - 0, 137268 London Rainbow Theatre flac16; Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by John Wenzel notes 1238. 10/06/81 Flac 24/96 - 0, 139198 London Rainbow Theatre flac24; Audience recording > Sony ECM-99 > JVC CD-1635 > Master Cassettes (C90 Maxell UD XLII x 3); Taped by Peter Williams from middle of stalls, just right of centre and about 1/3 back from front of stage; Transfer: Cassette > Nakamichi CD1 > Tascam DR-100mkII > wav 24/176.4; Lineage: wav 24/176.4 > Adobe Audition CC > iZotope RX5 Advanced > iZotope Ozone 5 Advanced > iZotope RX5 Advanced wav 24/96 > CD Wave >TLH > Flac 24; transferred, edited and mastered SIRMick April 2017 notes 1239. 10/06/81 Flac 16 - 0, 139197 London Rainbow Theatre flac16; Audience recording > Sony ECM-99 > JVC CD-1635 > Master Cassettes (C90 Maxell UD XLII x 3); Taped by Peter Williams from middle of stalls, just right of centre and about 1/3 back from front of stage; Transfer: Cassette > Nakamichi CD1 > Tascam DR-100mkII > wav 24/176.4; Lineage: wav 24/176.4 > Adobe Audition CC > iZotope RX5 Advanced > iZotope Ozone 5 Advanced > iZotope RX5 Advanced wav 16.44.1 > CD Wave >TLH > Flac 24; transferred, edited and mastered SIRMick April 2017 notes 1240. 10/06/81 Flac 24 - 0, 138249 London Rainbow Theatre flac/176.4kHz; Source: Audience recording > Sony ECM-99 > JVC CD-1635 > aster Cassettes (C90 Maxell UD XLII x 3); Taped by Peter Williams from middle of stalls about 1/3 back from front of stage; Transfer: Cassette > Nakamichi CD1 > Tascam DR-100mkII > wav 24/176.4; Lineage: wav 24/176.4 > Adobe Audition CC > iZotope RX5 Advanced > iZotope Ozone 5 Advanced > CD Wave >TLH > Flac 24 notes 1241. 10/06/81 Flac 24/96 - 0, 126571 London Rainbow Theatre flac24; AUD 2nd Set Only: 2x Beyer M-88 > Sony TC-D5, taped from the orchestra (stalls) section. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 01/2014. notes 1242. 10/08/81 Shn - 0, 7918 Copenhagen Forum Theater SBD: CM > CASS > DAT > Pro CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon notes 1243. 10/08/81 Flac 16 - 0, 128681 Copenhagen Forum Theater flac16; Recording and transfer info SBD > CM > C; C > Pioneer deck > wav > Sound Forge 10 > TLH > flac notes 1244. 10/08/81 Flac 16 - 0, 126105 Copenhagen Forum Theater flac16; Partial, AUD: 2x Beyer M-88 > Sony TC-D5, center floor area, MAC. Transfer: 1st-gen tape > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 11/2013 notes 1245. 10/08/81 Flac 24/96 - 0, 151700 Copenhagen Forum Theater flac24/96khz Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > Flac 24 edited and mastered SIRMick February 2021 notes 1246. 10/08/81 Flac 16/44,1 - 0, 151699 Copenhagen Forum Theater flac16/44.1khz Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick February 2021 notes 1247. 10/08/81 Flac 16/44 - 0, 152229 Copenhagen Forum Theater flac16/44 Source: Sony ECM-150 -> Sony TCD-D5 Transfer: Master Casette -> B&O Beocord 9000 -> Sony pcm-a1 (96/24) -> audition -> cdwav -> flac Taper: G. [2021-03-31 transfer by W.- No EQ - Only downsampled to 44,1/16] notes 1248. 10/10/81 Flac 24 - 0, 127498 Bremen Stadthalle flac24; Recording Sony TCD-5M>Beyer M-88(ribbon); Recorded in back of Board GA concert 1/2 empty; Transfer MAC>DAT>Cakewalk UA-1G; Recording and transfer by Richie Stankiewicz notes 1249. 10/10/81 Shn - 0, 12998 Bremen Stadthalle SBD>?>C>C>WAV>SHN; Seeded to etree by jim@juddcreek notes 1250. 10/10/81 Shn - 0, 7481 Bremen Stadthalle Recording by Bernd Weiskircher. Sennheiser MD441 > Sony TCD 5M > Maxell MX C90 tape (Dolby B) 15-20 m in front of stage; MC via Nakamichi DR-1 > HD > remaster (see notes) > CD by Bernd Weiskircher; Eurodead 10/81 Tree disks supplied by Nigel Mouncey; Seeded to etree by Matt Vernon notes 1251. 10/10/81 Flac 16 - 0, 151745 Bremen Stadthalle flac16/44 Source: Soundboard Cassette Master Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick February 2021 notes 1252. 10/10/81 Flac 24/96 - 0, 151746 Bremen Stadthalle flac24/96 Source: Soundboard Cassette Master Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > Flac 24 edited and mastered SIRMick February 2021 notes 1253. 10/12/81 Shn - 0, 7916 Munich Olympia Halle SBD: MC > CASS > DAT > CDR; via Jens Tilsner; Alasdair Macdonald; Seeded to etree by Matt Vernon notes 1254. 10/12/81 Flac 16 - 0, 128591 Munich Olympia Halle flac16; Recording and transfer details: SBD > MC > C(Maxell XL II) C > Pioneer deck > wav > Sound Forge 10 > TLH > flac notes 1255. 10/12/81 Shn - 0, 3196 Munich Olympia Halle sbd > mc > dat > cd > eac > wav > shn; missing encore; via anon benefactor to vine, now etreed. ; upgrade in circulation notes 1256. 10/12/81 Shn - 0, 32146 Munich Olympia Halle Recording by Uwe Dehnel. AUD > MC > CD > EAC > SHN Sony TC D5, one point stereo mic, handhold Mastering: MC > CD by Uwe Dehnel via Bernd Weiskircher notes 1257. 10/12/81 Flac 16 - 0, 130555 Munich Olympia Halle flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette -> Dat -> CD (shnid=7916); Set 2: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90); Transfer Info: Set 1: CD -> Samplitude Professional v11.1 -> FLAC; Set 2: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 1258. 10/12/81 Flac 16/48 - 0, 143063 Munich Olympia Halle flac16/48kHz; Master Soundboard Cassettes > Dick Latvala's 1st generation cassettes (Tascam 122mkIII)> Rob Eaton's 2nd generation cassettes (Nakamichi Dragon) > Rob Eaton's Dat (Panasonic SV-3800)(16-bit/48k) > Tim Dalton's Dat (16-bit/48k) Transfer Info: Dat (Sony PCM-R500)(16-bit/48k)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/48k) > Adobe Audition 3.01 > TLH flac1648 notes 1259. 10/13/81 Shn - 0, 13143 Russelsheim Walter Koebel Halle SBD> ?> C> C> WAV> SHN; via Jim; caution- d1 does not fit on 80 min, see pub comments notes 1260. 10/13/81 Flac 16 - 0, 128542 Russelsheim Walter Koebel Halle flac16; Recording and transfer info: SBD > MC > C > C (Maxell XL II) C > Pioneer deck > wav > Sound Forge 10 > TLH > flac notes 1261. 10/13/81 Shn - 0, 7496 Russelsheim Walter Koebel Halle AUD > MR > DAT > CD no mic info; via Bernd Weiskircher; Matt Vernon notes 1262. 10/13/81 Flac 16 - 0, 139556 Russelsheim Walter Koebel Halle flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Dat -> CD (shnid=13143); Set 2: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90); Transfer Info: Set 1: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; Set 2: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 1263. 10/15/81 Flac 16 - 0, 126148 Amsterdam Club Melk Weg flac16; AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 11/2013. notes 1264. 10/15/81 Flac 16 - 0, 120382 Amsterdam Club Melk Weg flac16; Beyer M-160 (x2) > Sony TCD5M / CM > C1 > C2 (Maxell XLII C90); Cassette 2 (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > Soundforge 9.0 (patch, pitch) > Trader's Little Helper > Flac16; Recorded by Rich S., transfer/edit (Mar 2010), patch/pitch (May 2012) by Bob Morris. notes 1265. 10/15/81 Shn - 0, 25829 Amsterdam Club Melk Weg Source:Senheiser-pro-direction.>New Marantz cass.rec.(looking like SonyTC-D5>TDK-SA-C90(master tape) Master cass.>SonyTC-D5M>CDwave>Mkw>Shn; upgrade in circulation notes 1266. 10/15/81 Shn - 0, 1406 Amsterdam Club Melk Weg AUD (FOB by unknown Belgian taper with unknown equipment)> CM> C> DAT> CDRx1> EAC> SHN; via Stephen Agan to abgd notes 1267. 10/15/81 Flac 16 - 0, 79933 Amsterdam Club Melk Weg flac16; Aud master tapes > CDwave > Flac - One Shure and one Senheiser attached together in "V" on a round battery and held by hand (heavy !). The recorder was a brand new Marrantz (superscope) lookalike Sony TC-D5. The cassette tapes were TDK-SA90. notes 1268. 10/15/81 Flac 24/96 - 0, 126147 Amsterdam Club Melk Weg flac24; AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 11/2013. notes 1269. 10/16/81 Flac16 Mtx - 0, 110497 Amsterdam Club Melk Weg flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) notes 1270. 10/16/81 Flac 16 - 0, 110351 Amsterdam Club Melk Weg flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 1271. 10/16/81 Flac16 Mtx - 0, 95431 Amsterdam Club Melk Weg flac16; Sick Bits Vol. 27 - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=1217) + AUD (shnid=80060). Matrixed by Chris Chappell. notes 1272. 10/16/81 Flac 24/96 - 0, 125733 Amsterdam Club Melk Weg flac24; AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013 notes 1273. 10/16/81 Shn - 0, 25938 Amsterdam Club Melk Weg Source:Senheiser-pro-direction.>New Marantz cass.rec.(looking like SonyTC-D5>TDK-SA-C90(master tape) Master cass.>SonyTC-D5M>CDwave>Mkw>Shn. ; upgrade in circulation notes 1274. 10/16/81 Shn - 0, 1217 Amsterdam Club Melk Weg SBD:MCASS> CASS> DAT> CDR, with aud patches: FOB:MCASS> CASS> DAT> CDR; EAC> SHN by Dan Vinson; patched in Playin' and Sugar Mag- see info file for notes notes 1275. 10/16/81 Flac 16 - 0, 125774 Amsterdam Club Melk Weg flac16; AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013. notes 1276. 10/16/81 Flac 16 - 0, 80060 Amsterdam Club Melk Weg flac16; Aud master tapes > CDwave > Flac - One Shure and one Senheiser attached together in "V" on a round battery and held by hand (heavy !). The recorder was a brand new Marrantz (superscope) lookalike Sony TC-D5. The cassette tapes were TDK-SA90. notes 1277. 10/16/81 Flac 16 - 0, 120383 Amsterdam Club Melk Weg flac16; Beyer M-160 (x2) > Sony TCD5M / CM > C1 > C2 (Maxell XLII C90); Cassette 2 (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > Soundforge 9 (patch, pitch) > Trader's Little Helper > Flac16; Recorded by Rich S., transfer/edit (Mar 2010) & patch/pitch (May 2012) by Bob Morris notes 1278. 10/16/81 Flac 16/48 - 0, 147843 Amsterdam Club Melk Weg flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 110351) Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125774) AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013. - surround mixing by Kevin Tobin notes 1279. 10/16/81 Flac 16 Dts.5.1 - 0, 147842 Amsterdam Club Melk Weg DTS-Audio-CD 5.1 Mix; - SBD (shnid = 110351) Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125774) AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013. - dts mixing by Kevin Tobin notes 1280. 10/16/81 Flac 16 Mtx - 0, 147841 Amsterdam Club Melk Weg flac16; Matrix 2 Source Mix - SBD (shnid = 110351) Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125774) AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013. - matrix mixing by Kevin Tobin notes 1281. 10/17/81 Flac 16 - 0, 116993 Paris The Hippodrome flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 1282. 10/17/81 Shn - 0, 7915 Paris The Hippodrome SBD: MC > DAT > CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon notes 1283. 10/17/81 Flac 16 - 0, 86854 Paris The Hippodrome flac16; SBD: MC > DAT > CDR; seamless fix of shn id 7915 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 1284. 10/17/81 Shn - 0, 32147 Paris The Hippodrome AUD > MC > CD > EAC > SHN Sony TCD 5M, Sennheiser MK 2002, Dolby B Mastering: MC via Nakamichi DR-1 > HD > CD by Bernd Weiskircher notes 1285. 10/17/81 Flac 24/48 - 0, 145260 Paris The Hippodrome flac24; 2nd set, Source: BeyerDynamic M160's > Sony TC-D5M > MAC > 1st-Gen tape. Concert recording by Richie Stankiewicz, copy via Rip Tompkins. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019 notes 1286. 10/17/81 Flac 16 - 0, 145360 Paris The Hippodrome flac16; 2nd set, Source: BeyerDynamic M160's > Sony TC-D5M > MAC > 1st-Gen tape. Concert recording by Richie Stankiewicz, copy via Rip Tompkins. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019; This file set is 16 bit @ 44.1 notes 1287. 10/19/81 Flac - 0, 95791 Barcelona Sports Palace flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD -> EAC -> SHN; Transfer Info:SHN -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1288. 10/19/81 Flac 24 - 0, 131465 Barcelona Sports Palace flac24; Beyer M-160>Sony TC-D5m; Transfer 1st set MAC>Sony TC-K3es>USBPre2; Transfer 2nd set 1st Gen>Sony TC-K3es>USBPre2; Recorded center directly in back of soundboard; Recorded and transfered By Richie stankiewic notes 1289. 10/19/81 Flac - 0, 131522 Barcelona Sports Palace flac16; Source: Beyer M-160>Sony TC-D5M. Transfer 1st set: MAC > Sony TC-K3es > USBPre2. Transfer 2nd set: 1st Gen > Sony TC-K3es > USBPre2. Recorded center directly in back of soundboard. Recorded and transferred to 24bit/96kHz by Richie Stankiewicz. 16bit: ID-131465 > TLH > R8Brain > Wavelab > CD-Wave > TLH > FLAC 1644 tagged notes 1290. 10/19/81 Flac - 0, 131801 Barcelona Sports Palace flac16; 2 source matrix by Dusborne; Soundboard (shnid:095781) Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD -> EAC -> SHN; Transfer Info: SHN -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; and Audience (shnid:131465) Beyer M-160>Sony TC-D5m; Transfer 1st set MAC>Sony TC-K3es>USBPre2; Transfer 2nd set 1st Gen>Sony TC-K3es>USBPre2; Recorded center directly in back of soundboard; Recorded and transferred By Richie stankiewicz notes 1291. 10/19/81 Shn - 0, 7914 Barcelona Sports Palace SBD: CM > CASS > DAT > Pro CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon notes 1292. 10/19/81 Flac - 0, 119976 Barcelona Sports Palace flac16: recording: aud master recording lineage: master analog tape SONY low noise 90 x 2 > aiwa wx 220 > audacity> cd wave ed.>TLH> flac equipment: unknown recorded : by Zappa edited by carbobueno notes 1293. 11/29/81 Flac 16 - 0, 108844 Pittsburgh Civic Arena flac16;Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC. All Transfers and Mastering By Charlie Miller notes 1294. 11/29/81 Flac 24 - 0, 134752 Pittsburgh Civic Arena flac24; Cassette Audience Master recorded By Jim Vita; Sennheiser MD421 Dynamic Cardioid Microphone TC D-5 Cassette Recorder; Location: FOB; Analog to Digital: Dolby B Decoded High-Bias(CrO2) Cassette Masters played back on Tascam MK11-Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96]; Transfer by John Steinthal notes 1295. 11/29/81 Shn - 0, 9610 Pittsburgh Civic Arena Senn 421's>MC>DAT>CDR; via Paul B; seeded to etree by Willy notes 1296. 11/29/81 Flac 24 - 0, 140035 Pittsburgh Civic Arena flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 1297. 11/29/81 Flac 16 - 0, 140034 Pittsburgh Civic Arena flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes 1298. 11/29/81 Flac 16/48 - , 153700 Pittsburgh Civic Arena flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300mics + CP4 caps > Sony TC-D5M (Maxell XLII-S 90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes 1299. 11/29/81 Flac 24/96 - , 153701 Pittsburgh Civic Arena flac24/96 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300mics + CP4 caps > Sony TC-D5M (Maxell XLII-S 90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition 2021> TLH flac2496 notes 1300. 11/30/81 Flac 16 - 0, 108843 Dayton Hara Arena flac16;Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC. All Transfers and Mastering By Charlie Miller notes 1301. 11/30/81 Flac 16 - 0, 133562 Dayton Hara Arena flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1302. 11/30/81 Shn - 0, 9591 Dayton Hara Arena Nak 300?s>Sony D-5>MC>DAT>CD; via Paul B; Seeded to etree by Willy notes 1303. 11/30/81 Flac 16 - 0, 124605 Dayton Hara Arena flac16; Source: AUD 2nd-Gen (MAC > C > C), unknown equipment. Transfer: XLII > Nakamichi CR5A > Edirol FA66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 & tagged. May 2013 notes 1304. 11/30/81 Flac 16/48 - 0, 143852 Dayton Hara Arena flac16/48kHz; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1305. 11/30/81 Flac 24/96 - 0, 143853 Dayton Hara Arena flac24; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes 1306. 11/30/81 Flac 16/48 - , 153766 Dayton Hara Arena flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 caps > Sony TC-D5M (Maxell XLII-S 90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition 2021> TLH flac2496 notes 1307. 11/30/81 Flac 24/96 - , 153767 Dayton Hara Arena flac24/96 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 caps > Sony TC-D5M (Maxell XLII-S 90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition 2021> TLH flac2496 notes 1308. 11/30/81 Flac 16 Mtx - , 158800 Dayton Hara Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 133562 & 153766. notes 1309. 12/02/81 Flac 16 - 0, 108842 Champaign Assembly Hall, University Of Illinois flac16;Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC. All Transfers and Mastering By Charlie Miller notes 1310. 12/02/81 Shn - 0, 9595 Champaign Assembly Hall, University Of Illinois (FOB) Senn 421>Cm>Dat>CD; Missing Drums & Don't Ease encore; via Charlie Miller; Seeded to etree by Willy notes 1311. 12/02/81 Flac 16/48 - 0, 144276 Champaign Assembly Hall, University Of Illinois flac1648; Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1312. 12/02/81 Flac 24/96 - 0, 144277 Champaign Assembly Hall, University Of Illinois flac24; Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496 notes 1313. 12/02/81 Flac 24 - 0, 145543 Champaign Assembly Hall, University Of Illinois flac24; Set 1 Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 1314. 12/02/81 Flac 16 - 0, 145662 Champaign Assembly Hall, University Of Illinois flac16; Set 1 Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This file set is 16 bit @ 44.1 notes 1315. 12/02/81 Flac 16 Mtx - , 158823 Champaign Assembly Hall, University Of Illinois flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 145662, 108842 & 144276. notes 1316. 12/03/81 Flac 16 - 0, 108335 Madison Dane County Coliseum flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1317. 12/03/81 Flac 16 - 0, 118889 Madison Dane County Coliseum flac16; Set 2 Only, Recorded by the late George "Fingers" Bethke FOB in the sweet spot as always; Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M>1st gen backup copy from Justin Lee No Dolby on master cassettes. first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz) 24/96 with Korg Audiogate 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen February 2011 notes 1318. 12/03/81 Shn - 0, 6143 Madison Dane County Coliseum Nak 300's > Sony D5; via Peter Gallagher, Willy notes 1319. 12/03/81 Flac 16 - 0, 28901 Madison Dane County Coliseum flac16; Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. A true gem. Seeded to bt.etree.org on 04/08/05 by Alex Ford notes 1320. 12/03/81 Flac 16/48 - 0, 141698 Madison Dane County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 108335) Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 28901) Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. A true gem. Seeded to bt.etree.org on 04/08/05 by Alex Ford. - surround mixing by Kevin Tobin notes 1321. 12/03/81 Flac 16 Dts - 0, 141697 Madison Dane County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid = 108335) Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 28901) Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. A true gem. Seeded to bt.etree.org on 04/08/05 by Alex Ford. - dts mixing by Kevin Tobin notes 1322. 12/03/81 Flac 16 Mtx - 0, 141696 Madison Dane County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 108335) Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 28901) Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. A true gem. Seeded to bt.etree.org on 04/08/05 by Alex Ford. - matrix mixing by Kevin Tobin notes 1323. 12/03/81 Flac 16/48 - 0, 142018 Madison Dane County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 108335) Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 28901) Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. A true gem. Seeded to bt.etree.org on 04/08/05 by Alex Ford. - surround mixing by Kevin Tobin notes 1324. 12/03/81 Flac 16/48 - , 153800 Madison Dane County Coliseum flac16/48 Source Info: Jim Vita's Master Audience Cassettes ; Nakamichi 300 mics + CP4 capsules > Sony D5M (TDK SA-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 1325. 12/03/81 Flac 24/96 - , 153801 Madison Dane County Coliseum flac24/96 Source Info: Jim Vita's Master Audience Cassettes ; Nakamichi 300 mics + CP4 capsules > Sony D5M (TDK SA-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes 1326. 12/03/81 Flac 16 Mtx - , 158830 Madison Dane County Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 108335 & 153800. notes 1327. 12/05/81 Flac 16 - 0, 109393 Indianapolis Market Square Arena flac16; Updated Info: NAK 300>CM>DAT (Up Front Audience)>DAT @ 44.1k -> HT OMega 7.1 Soundcard (Optical Inputs)>WAV (44.1> >CD WAV (Track Split)>FLAC notes 1328. 12/05/81 Shn - 0, 5488 Indianapolis Market Square Arena Master Soundboard Cassette > Reel to Reel > DAT > CDR, with Audience source for Ramble on Rose d1t7; CD Re-mastering, EAC'ed / SHN'ed by Scott Clugston notes 1329. 12/05/81 Flac 16 - 0, 80290 Indianapolis Market Square Arena flac16; Recording Info: Unknown Audience Recording From Jim Wise -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes 1330. 12/05/81 Flac 16 - 0, 31945 Indianapolis Market Square Arena flac16; Recording by Doug Mow. Nak 700 shotguns (mics pointed at stacks) > Sony TC D5M > Maxell XLIIS Transfer: D5 > Edirol UA5 custom Oade mod > USB > IBM R40 > Soundforge > WAV > CDR > EAC > WinXP Pro > Flac Frontend > FLAC16. Transferred By Doug Mow EAC, conversion & upload to bt.etree.org by Alex Ford 12/23/05 notes 1331. 12/05/81 Flac 24/48 - 0, 139173 Indianapolis Market Square Arena flac24; AUD: Beyers mics > lead deck (Richie Stankiewicz) > Sony TC-D5 > Hitachi UD-90's, FOB recording by Craig L (patched out). Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 08/2017 notes 1332. 12/05/81 Flac 16 - 0, 139180 Indianapolis Market Square Arena flac16; AUD: Beyers mics > lead deck (Richie Stankiewicz) > Sony TC-D5 > Hitachi UD-90's, FOB recording by Craig L (patched out). Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. 08/2017 notes 1333. 12/05/81 Flac 16/48 - 0, 144086 Indianapolis Market Square Arena flac16/48kHz; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1334. 12/05/81 Flac 24/96 - 0, 144087 Indianapolis Market Square Arena flac24; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496 notes 1335. 12/05/81 Flac 16 - 0, 111784 Indianapolis Market Square Arena flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 1336. 12/05/81 Flac 16/48 - , 153869 Indianapolis Market Square Arena flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M (TDK-MA C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2020 > TLH flac2496 notes 1337. 12/05/81 Flac 24/96 - , 153870 Indianapolis Market Square Arena flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M (TDK-MA C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2020 > TLH flac2496 notes 1338. 12/05/81 Flac 16 Mtx - , 158836 Indianapolis Market Square Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 111784 & 139180. notes 1339. 12/06/81 Flac 16 - 0, 108841 Rosemont Rosemont Horizon flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC. All Transfers and Mastering By Charlie Miller notes 1340. 12/06/81 Flac 16 - 0, 133563 Rosemont Rosemont Horizon flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1341. 12/06/81 Flac 16 - 0, 119584 Rosemont Rosemont Horizon flac16; Recorded by the late George "Fingers" Bethke; FOB, Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz); 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen February 2011 notes 1342. 12/06/81 Shn - 0, 8200 Rosemont Rosemont Horizon Unknown Aud>DAT>CDR; via Glenn Gillis; Seeded to etree by Peter Braverman notes 1343. 12/06/81 Flac 16 - 0, 32317 Rosemont Rosemont Horizon flac16;Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell MX 90 transferred by Doug Mow Conversion and seeding to bt.etree.org by Alex Ford notes 1344. 12/06/81 Flac 16 - 0, 78646 Rosemont Rosemont Horizon flac16; AUD Master Cass>DAT>HD-P2>Soundforge 6.0>CD Wave>FLAC Frontend>.flac notes 1345. 12/06/81 Flac 2448 - 0, 139344 Rosemont Rosemont Horizon flac24; AUD: First Set; Richie Stankiewicz's Beyer M160's FOB. Second Set; Nakamichi CM300's w/CP4 shotguns from the floor area. Both Sets; Lead decks(s) > Sony TC-D5 > Hitachi UD-90's. Recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2017 notes 1346. 12/06/81 Flac 16 - 0, 139345 Rosemont Rosemont Horizon flac16; AUD: First Set; Richie Stankiewicz's Beyer M160's FOB. Second Set; Nakamichi CM300's w/CP4 shotguns from the floor area. Both Sets; Lead decks(s) > Sony TC-D5 > Hitachi UD-90's. Recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. 09/2017 notes 1347. 12/06/81 Flac 24/96 - 0, 148950 Rosemont Rosemont Horizon flac24; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496 notes 1348. 12/06/81 Flac 16/48 - 0, 148949 Rosemont Rosemont Horizon flac16/48kHz; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1349. 12/06/81 Flac 16/48 - , 153910 Rosemont Rosemont Horizon flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421's + Nakamichi 300 + CP4 capsule blend > Sony D5M (Maxell XLIIS 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2021 > TLH flac2496 notes 1350. 12/06/81 Flac 24/96 - , 163911 Rosemont Rosemont Horizon flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421's + Nakamichi 300 + CP4 capsule blend > Sony D5M (Maxell XLIIS 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2021 > TLH flac2496 notes 1351. 12/06/81 Flac 16 Mtx - , 158845 Rosemont Rosemont Horizon flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 133563 & 139345. notes 1352. 12/07/81 Flac - 0, 12970 Des Moines Des Moines Civic Center 2nd set only; SBD> MC> C> DAT> CD; seeded by Charlie Miller notes 1353. 12/07/81 Flac 16 - 0, 79857 Des Moines Des Moines Civic Center flac16; pitch corrected version of shn id 8448: Unknown Audience Source via SirMick. notes 1354. 12/07/81 Shn - 0, 8448 Des Moines Des Moines Civic Center Unknown Audience Source; via Scot Mellor; Seeded to etree by Willy; upgrade in circulation notes 1355. 12/07/81 Flac 24 - 0, 141707 Des Moines Des Moines Civic Center flac24; SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 1356. 12/07/81 Flac 16 - 0, 141898 Des Moines Des Moines Civic Center b>flac16; SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 1357. 12/07/81 Flac 16/48 - 0, 143938 Des Moines Des Moines Civic Center flac16/48kHz; Set 2 Source Info: Frank Streeter's Master Audience Cassette; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassette (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1358. 12/07/81 Flac 24/96 - 0, 143939 Des Moines Des Moines Civic Center flac24; Set 2 Source Info: Frank Streeter's Master Audience Cassette; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassette (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496 notes 1359. 12/07/81 Flac 16 Mtx - , 158878 Des Moines Des Moines Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 141898 & 8448. notes 1360. 12/09/81 Shn - 0, 13061 Boulder Events Center, University Of Colorado Master Soundboard Cassette > Reel to Reel > DAT> CDR Sennheiser 421 Audience source supplies "Mama Tried" (d1t06), the first 1:38 of "Mexicali Blues" (d1t07), as well as from 4:54 of "Space" (d3t01) thru 4:13 of "The Other One" (d3t02) Patching / CD Mastering by Scott Clugston EAC'ed / Shn'ed by Scott Clugston 10/02/02 ; upgrade in circulation notes 1361. 12/09/81 Shn - 0, 11626 Boulder Events Center, University Of Colorado SBD>Rm>Dat>CD, with 'unknown aud' patches; See info file for details; via Zephyr; Seeded to etree by MOTU ; upgrade in circulation notes 1362. 12/09/81 Shn - 0, 7827 Boulder Events Center, University Of Colorado SBD Unknown Analog Master> Cassette> Cassette> DAT> via 20bit SBM> DATPort> Cool Edit (NR@ 5% to reduce tape hiss)> CDWAV (split tracks)> CDR; Missing Satisfaction (2nd encore); via John Spaventa; Seeded to etree by Willy; upgrade in circulation notes 1363. 12/09/81 Flac 16 - 0, 87349 Boulder Events Center, University Of Colorado flac16; SBD -> Master Reel (7 inch Reel @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes 1364. 12/09/81 Flac 16 - 0, 82199 Boulder Events Center, University Of Colorado flac16; Recording by Jim Wise. AUD Source: Sennheiser 421's > Sony TC-D5, set up near the sbd. transferred (MAC > CD) by Jim Wise. Transfer: MAC > CD likely Nakamichi Dragon > HHB CDR burner. CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC notes 1365. 12/09/81 Flac 24/48 - 0, 147222 Boulder Events Center, University Of Colorado flac24; Source: BeyerDynamic M88's > Sony TC-D5M > TDK MA (1st Set and Satisfaction) and Maxell XLIIS (2nd Set thru USBlues). Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2019 notes 1366. 12/09/81 Flac 16 Mtx - , 158935 Boulder Events Center, University Of Colorado flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 87349 & 82199. notes 1367. 12/12/81 Flac 16 - 0, 83462 San Mateo Fiesta Hall, San Mateo County Fairgrounds flac16; Recording Details: Soundboard -> Master Reel -> DAT(4); Transfer Details: DAT(4) > Panasonic sv-3700 (spdif out)->Lynx L22 AES/EBU (spdif in)-> Soundforge 8.0 16bit/48kHz wav notes 1368. 12/12/81 Shn - 0, 14011 San Mateo Fiesta Hall, San Mateo County Fairgrounds MAC w/ Nak 300's>Sony TC-D5M (w/ Dolby B)>DAT>CDR via Andy Lemieux encoded by Matt Vernon notes 1369. 12/12/81 Flac 16/48 - 0, 142976 San Mateo Fiesta Hall, San Mateo County Fairgrounds flac16/48kHz; Source Info: Master Audience Cassettes; Nakamichi CM300 mics with CP4 capsules > Sony TC-D5M (dbx)> Frank Streeter's 1st generation (dbx decoded) cassettes (Sony TC-D5M)(Maxell UDXLII-C90); Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1370. 12/12/81 Flac 24/96 - 0, 142975 San Mateo Fiesta Hall, San Mateo County Fairgrounds flac24; Source Info: Master Audience Cassettes; Nakamichi CM300 mics with CP4 capsules > Sony TC-D5M (dbx)> Frank Streeter's 1st generation (dbx decoded) cassettes (Sony TC-D5M)(Maxell UDXLII-C90); Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k) > TLH flac2496 notes 1371. 12/26/81 Flac 16 - 0, 84265 Oakland Oakland Auditorium Arena flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette -> LynxOne -> CD Set 2: SBD -> Cassette Master (Maxell UDXLII-90) Set 1 Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC Set 2 Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; note: this version has the 2 drop outs in shn id 83996 d3t02 fixed notes 1372. 12/26/81 Shn - 0, 10533 Oakland Oakland Auditorium Arena Recording by Bob Menke. AUD> MC> R> DAT> CDR> EAC> SHN; Senn 421s>Sony TC-D5; via Paul; Seeded to etree by Glyde notes 1373. 12/26/81 Flac 16 - 0, 23897 Oakland Oakland Auditorium Arena flac16; Recording by Steven Martin. Master audience cassette (2 modified Nakamichi CM-700 mics with boost + 1 Shure mic without boost > Sony TC-D5M on Maxell metal tape, about 20' in front of the soundboard) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding notes 1374. 12/26/81 Flac 16 - 0, 136898 Oakland Oakland Auditorium Arena flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XL-II (S1 + Encore) and Sony UCX-S (S2), FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2016 notes 1375. 12/26/81 Flac 16 - 0, 120368 Oakland Oakland Auditorium Arena flac16; Audience Cassette Master, Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(Set 1-encore Maxell UDXL-IIS 90)(Set II TDK MA C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(transferred @ 44.1/24[soft limit] dithered to 44.1/16 bit) > (Peak 7 OS X editing-dithering) > xACT notes 1376. 12/26/81 Flac 16/48 - 0, 143444 Oakland Oakland Auditorium Arena flac16/48kHz; Set 2 Source Info: Joani Walker's Master Soundboard Cassettes; Nakamichi 550(Maxell UDXLII-90) Transfer Info:Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1377. 12/26/81 Flac 24/96 - 0, 143445 Oakland Oakland Auditorium Arena flac24; Set 2 Source Info: Joani Walker's Master Soundboard Cassettes; Nakamichi 550(Maxell UDXLII-90) Transfer Info:vMaster Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes 1378. 12/26/81 Flac 16/48 - 0, 143446 Oakland Oakland Auditorium Arena flac16/48kHz; Source Info: 1st Set: Joani Walker's Master Audience Cassettes; Sennheiser 421 mics > Nakamichi 550(Maxell UDXLII-90)(patched out of Jim Voss, located at the soundboard) 2nd Set: Joani Walker's 1st generation Audience Cassettes; Sennheiser 421 mics > Nakamichi 550 (Maxell UDXLII-90) (copy of Jim Voss's Sennheiser 421 master, located at the soundboard); 24-bit > 16-bit via dBpoweramp notes 1379. 12/26/81 Flac 24/96 - 0, 143447 Oakland Oakland Auditorium Arena flac24; Source Info: 1st Set: Joani Walker's Master Audience Cassettes; Sennheiser 421 mics > Nakamichi 550(Maxell UDXLII-90) (patched out of Jim Voss, located at the soundboard); 2nd Set: Joani Walker's 1st generation Audience Cassettes; Sennheiser 421 mics > Nakamichi 550 (Maxell UDXLII-90)(copy of Jim Voss's Sennheiser 421 master, located at the soundboard); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes 1380. 12/27/81 Flac 16 - 0, 33568 Oakland Oakland Auditorium Arena flac16; Recording Info: SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Dolby B) -> Sonic 24bit -> SBM2 -> CD -> EAC -> FLAC Transferred and Mastered By David Gans Converted To FLAC By Charlie Miller Thanks to Joani Walker and Paul Scotton for the tapes notes 1381. 12/27/81 Flac 16 - 0, 120133 Oakland Oakland Auditorium Arena flac16; Audience Cassette Master, Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(Set 1-encore Maxell UDXL-IIS 90)(Set II TDK MA C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(transferred @ 44.1/24[soft limit] dithered to 44.1/16 bit) > (Peak 7 OS X editing-dithering) > Xact notes 1382. 12/27/81 Shn - 0, 8201 Oakland Oakland Auditorium Arena SBD>MC>DAT>CD; Missing Baby Blue encore; via Mark Perini; Seeded to etree by Willy; upgrade in circulation notes 1383. 12/27/81 Flac 16 - 0, 96562 Oakland Oakland Auditorium Arena flac16; Source: Audience Recording Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Wavelab 5 > Plugins > r8brain Pro > 16/44.1 Wave > CD Wave > flac16 notes 1384. 12/27/81 Shn - 0, 9733 Oakland Oakland Auditorium Arena Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; To abgd via Charlie Connor. ; upgrade in circulation notes 1385. 12/27/81 Flac 16 - 0, 140329 Oakland Oakland Auditorium Arena flac16; Recording Info: Vault Master Soundboard Cassette -> PCM; Transfer Info: PCM (Sony SL-10) > Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 notes 1386. 12/27/81 Flac 16 - 0, 143468 Oakland Oakland Auditorium Arena flac16; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B) (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1387. 12/27/81 Flac 24/96 - 0, 143469 Oakland Oakland Auditorium Arena flac24; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B) (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes 1388. 12/27/81 Flac 24/96 - 0, 143630 Oakland Oakland Auditorium Arena flac24; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes 1389. 12/27/81 Flac 16 - 0, 143629 Oakland Oakland Auditorium Arena flac16; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1390. 12/28/81 Flac 16 - 0, 96304 Oakland Oakland Auditorium Arena flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 1391. 12/28/81 Shn - 0, 21036 Oakland Oakland Auditorium Arena SBD > MC > C > DAT > CD > EAC > SHN; Hiss reduction applied; EAC/SHN by Darryl Hinko notes 1392. 12/28/81 Flac 16 - 0, 96571 Oakland Oakland Auditorium Arena flac16; Audience Recording Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Wavelab 5.0 > Waves L3 UltraMaximizer > 16/44.1 Wave > CD Wave > TLH > flac16. Taped by Mark Severson, he who wishes to remain anonymous, and Jamie Poris. Transferred & Edited by Bgreen. Edited and Mastered by Alex Ford. notes 1393. 12/28/81 Shn - 0, 10534 Oakland Oakland Auditorium Arena AUD (Senn. 421?s)> MC> DAT> CD; via Paul; Seeded to etree by Glyde notes 1394. 12/28/81 Flac 24 - 0, 123597 Oakland Oakland Auditorium Arena notes 1395. 12/28/81 Flac 16 - 0, 143470 Oakland Oakland Auditorium Arena flac16; Source Info: Joani Walker's Master Audience Cassettes; Dan Healy's AKG 414 mics > Nakamichi 550 (Maxell UDXLII C90); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1396. 12/28/81 Flac 24/96 - 0, 143471 Oakland Oakland Auditorium Arena flac24; Source Info: Joani Walker's Master Audience Cassettes; Dan Healy's AKG 414 mics > Nakamichi 550(Maxell UDXLII C90); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes 1397. 12/28/81 Flac 24/96 - 0, 145475 Oakland Oakland Auditorium Arena flac24; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B) (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes 1398. 12/28/81 Flac 16/48 - 0, 143474 Oakland Oakland Auditorium Arena flac16; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info:Master Cassettes (Dolby B) (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1399. 12/28/81 Flac 24/96 - 0, 143473 Oakland Oakland Auditorium Arena flac24; Set 2 only. Source Info: Master Soundboard Cassette; Sony D5 (Maxell UDXLIIS-90) Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes 1400. 12/28/81 Flac 16 - 0, 143472 Oakland Oakland Auditorium Arena flac16; Set 2 Source Info: Master Soundboard Cassette; Sony D5 (Maxell UDXLIIS-90); Transfer Info:Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1401. 12/30/81 Flac 16 - 0, 117246 Oakland Oakland Auditorium Arena flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat -> CD; Set 2 Pre Drums: SBD -> Cassette Master -> PCM -> Dat -> CD; Set 2 Post Drums: SBD -> Cassette Master -> Reel -> Cassette -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1402. 12/30/81 Flac 16 - 0, 96582 Oakland Oakland Auditorium Arena flac16; Source: Audience Recording Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > 16/44.1 Wave > CD Wave > TLH > flac16. notes 1403. 12/30/81 Flac 16 - 0, 90866 Oakland Oakland Auditorium Arena flac16; SBD>MC>DAT>CD>SHN>TLH>FLAC patched with: D2T01 Unknown Aud>MC>?>C>Sony TC-KE500S>TheCard>CoolEdit>TLH>FLAC and D2T02-3 SBD>Cm>C>C>C>C>Sony TC-KE500S>TheCard>CoolEdit>TLH>FLAC notes 1404. 12/30/81 Shn - 0, 8211 Oakland Oakland Auditorium Arena 1st Set SBD> MC> DAT> CD; 2nd Set Pre Drums SBD> Cm> PCM> Dat> CD>Cool Edit Pro> CD; 2nd Set Post Drums SBD> Cm> Reel> Cass> CD; via Charlie Miller; Seeded to etree by Willy notes 1405. 12/30/81 Flac 16 - 0, 139771 Oakland Oakland Auditorium Arena flac16; Set 1 + Set 2 Partial; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > TDK MA-90. Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2017 notes 1406. 12/30/81 Flac 24/96 - 0, 143560 Oakland Oakland Auditorium Arena flac24 Source Info:Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B)(TDK MA-R C90) Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes 1407. 12/30/81 Flac 16 - 0, 143559 Oakland Oakland Auditorium Arena flac16 Source Info:Joani Walker's Master Audience Cassettes; Dan Healy's AKG 414 mics > Nakamichi 550(Maxell UDXLII C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes 1408. 12/30/81 Flac 24/48 - 0, 147937 Oakland Oakland Auditorium Arena notes 1409. 12/31/81 Flac 16 - 0, 96106 Oakland Oakland Auditorium Arena flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.) notes 1410. 12/31/81 Flac 16 Mtx - 0, 126611 Oakland Oakland Auditorium Arena flac16; Matrix 3 Source Mix - SBD (shnid=96107) flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 96611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. + VID (no shn id) low generation video found on the internet for a video project - matrix mixing by Kevin Tobin notes 1411. 12/31/81 Flac 16 - 0, 33660 Oakland Oakland Auditorium Arena flac16; SBD> Cassette Master (Dolby B)> Sonic 24bit> SBM2> CD> EAC> FLAC; Transferred and Mastered By David Gans; FLAC By Charlie Miller notes 1412. 12/31/81 Shn - 0, 12784 Oakland Oakland Auditorium Arena Jay Ashley (Bertha) remaster of Jay Serafin's 4 TRACK RTR source; SBD> MR> PCM> DAT> CDR> SHN> DAW(Bertha)> CDA; Note- Joan Baez set missing notes 1413. 12/31/81 Shn - 0, 7041 Oakland Oakland Auditorium Arena electric sets; Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB; via Jay Serafin to gdlive; see extensive notes in txt files notes 1414. 12/31/81 Shn - 0, 14040 Oakland Oakland Auditorium Arena Acoustic set only (w/ Joan Baez); SBD > MR > CASS > DAT > CDR > EAC > SHN via Chris Warren; upgrade in circulation notes 1415. 12/31/81 Flac 16 - 0, 96611 Oakland Oakland Auditorium Arena flac16; Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither notes 1416. 12/31/81 Flac 24/96 - 0, 96107 Oakland Oakland Auditorium Arena flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.) notes 1417. 12/31/81 Shn - 0, 14686 Oakland Oakland Auditorium Arena Master reels->cass->DAT->CD-R->EAC(x2 w/wav compare)->shn. ; upgrade in circulation notes 1418. 12/31/81 Shn - 0, 331 Oakland Oakland Auditorium Arena Reels > Cass > Dat > CDR; via G. Lanum; 8/00: note tracklist now apparently corrected here from what had been listed originally; see pub comments for flaw notes.; upgrade in circulation notes 1419. 12/31/81 Flac 16 - 0, 96082 Oakland Oakland Auditorium Arena flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes 1420. 12/31/81 Flac 16 - 0, 85628 Oakland Oakland Auditorium Arena flac16; Recording by Matt Field. Source: FOB Nak 100's > D-5 > D-5 > Maxell UDXL I cassettes. Transfer and Mastering: Cassette (1st Gen) playback on Nakamichi CR-7A, azimuth adjusted, no Dolby > Grace Lunatec V3, sample rate at 96 KHz > AES digital connection > LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. Transfer and mastering by Chris L. notes 1421. 12/31/81 Flac 24/96 - 0, 96090 Oakland Oakland Auditorium Arena flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes 1422. 12/31/81 Flac 24/96 - 0, 143571 Oakland Oakland Auditorium Arena flac24; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes 1423. 12/31/81 Flac 16/48 - 0, 143570 Oakland Oakland Auditorium Arena flac16/48kHz; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B) (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1424. 12/31/81 Flac 16/48 - 0, 143777 Oakland Oakland Auditorium Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 143571) Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 + AUD (shnid = 096611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - surround mixing by Kevin Tobin notes 1425. 12/31/81 Flac 16 - 0, 143773 Oakland Oakland Auditorium Arena flac16; Patched & Pitch Corrected Audience - AUD (original shnid = 96611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - pitch correction and patches by Kevin Tobin notes 1426. 12/31/81 Flac Dts 5.1 - 0, 143775 Oakland Oakland Auditorium Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 143571) Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 + AUD (shnid = 096611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - dts mixing by Kevin Tobin notes 1427. 12/31/81 Flac 16 Mtx - 0, 143774 Oakland Oakland Auditorium Arena flac16; Matrix 2 Source Mix - SBD (shnid = 143571) Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 + AUD (shnid = 096611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - matrix mixing by Kevin Tobin notes 1428. 12/31/81 Flac 24/96 - , 156059 Oakland Oakland Auditorium Arena flac2496 Source Info: Jim Voss's Master FOB Audience Cassettes: Sennheiser 421 mics (14th row)> Sony D5 Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1429. 12/31/81 Flac 16/48 - , 156058 Oakland Oakland Auditorium Arena flac1648 Source Info: Jim Voss's Master FOB Audience Cassettes: Sennheiser 421 mics (14th row)> Sony D5 Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1430. 01/01/82 Shn - 0, 19808 Novato Mickey's ranch studio studio recording by Mickey Hart, Barry Melton, Bill Graham and others - 'The Bugs' - unreleased radio play. from 3rd gen cassette via Hanno Bunjes, Uli Teute notes 1431. 02/16/82 Shn - 0, 19502 San Francisco Warfield Theater MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape, about 20 feet in front of the soundboard) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1 notes 1432. 02/16/82 Flac 16 - 0, 111364 San Francisco Warfield Theater flac16: Recorded, Transferred and Mastered by N. Hoey 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(Maxell UDXL-IIS 90) (lower loge) Nakamichi Dragon (Dolby B decoded) > RME PAD 96(A/D conversion) > Apple G4 (Peak editing) > Xact (SBE Fixed version seeded 01/08/2011.) notes 1433. 02/16/82 Shn - 0, 19267 San Francisco Warfield Theater Set 1 and Encore Audience (unknown mics) via Barry Bryson. C > WAV conversion by Peter Braverman, encoded by Matt Vernon notes 1434. 02/16/82 Flac 24/48 - 0, 149928 San Francisco Warfield Theater flac24; Set One & Encore: AUD: Unknown mics > Sony TC-D5 > Maxell MX-90, FOB recording by Brian Schley; Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged; Transferred by Andrew F. 05/2020 notes 1435. 02/16/82 Flac 16 - 0, 149912 San Francisco Warfield Theater flac16; Source: Unknown mics > Sony TC-D5 > Maxell XLIIS 90's; Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz; Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged; Transferred by Andrew F. 05/2020 notes 1436. 02/17/82 Flac 16 - 0, 112408 San Francisco Warfield Theater flac16;Recording Info:Set 1: SBD -> Cassette Master (TDK MA-R90); Set 2: SBD -> Cassette Master -> Cassette (Dolby C); Transfer Info:Set 1: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> FLAC/16; Set 2: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 1437. 02/17/82 Shn - 0, 23221 San Francisco Warfield Theater Main source: MSC>DAT>CD (http://db.etree.org/shn_downloadtxt.php?shnid=15033) Patch source: Steven Martin's MAC>DAT>CD (http://db.etree.org/shninfo_detail.php?shnid=21916) via Sean Cribbs notes 1438. 02/17/82 Shn - 0, 15033 San Francisco Warfield Theater Source: SBD Lineage: Master Cassette> DAT> CD> SHN; Seeded by Peter Braverman notes 1439. 02/17/82 Flac 16 - 0, 111448 San Francisco Warfield Theater flac16; Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(Maxell UDXL-IIS 90) (Lower Loge Section 3 Row AA Seats 3-7) Nakamichi Dragon (Dolby B decoded) > TC Electronics Konnekt8 (A/D conversion)(transferred @ 88.2/24-resampled to 44.1k/dithered to 16 bit) > Apple OS X 10.5.8 (Peak 6 editing-resampling-dithering) > Xact (SBE Fixed version seeded 01/10/2011.) notes 1440. 02/17/82 Flac - 0, 21916 San Francisco Warfield Theater MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding (flac 1.1.0, compression level 8) notes 1441. 02/17/82 Flac 16 Mtx - 0, 138012 San Francisco Warfield Theater flac16; Matrix of SBD (shnid=112408) and AUD (shnid=21916) by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes 1442. 02/17/82 Flac 16/48 - 0, 144621 San Francisco Warfield Theater flac16/48kHz; Frank Streeter's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M (TDK SA-90); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1443. 02/17/82 Flac 24/96 - 0, 144622 San Francisco Warfield Theater flac24; Frank Streeter's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M (TDK SA-90); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496 notes 1444. 02/19/82 Flac 16 - 0, 94395 San Diego Golden Hall, Community Concourse flac16; Recording Info: (FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller notes 1445. 02/19/82 Flac 16 - 0, 136426 San Diego Golden Hall, Community Concourse flac 16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal. FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 notes 1446. 02/19/82 Shn - 0, 13570 San Diego Golden Hall, Community Concourse Sony ECM200T>SonyTCD5>C>NakDR1>PCM> PC>CoolEditBass Boost>DAT>CDR via Rick Martin, encoding by Willy, The Miami SHn Machine notes 1447. 02/19/82 Flac 16 - 0, 28382 San Diego Golden Hall, Community Concourse flac16; MAC (Recorded by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); A > D by Steven Martin, EAC> FLAC by Jack Warner notes 1448. 02/19/82 Shn - 0, 28732 San Diego Golden Hall, Community Concourse Recorded by Rango Keshavan 6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B On Playback by Rango Keshavan Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cable > Turtle Beach Montego II Digital I/O card > PC (CDWav used to record and break up tracks) notes 1449. 02/19/82 Flac 24/96 - 0, 149020 San Diego Golden Hall, Community Concourse flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (55' from stage, 10' right of center, section 201, row 10, seat 4); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes 1450. 02/19/82 Flac 16/48 - 0, 149019 San Diego Golden Hall, Community Concourse flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (55' from stage, 10' right of center, section 201, row 10, seat 4); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1451. 02/19/82 Flac 24/96 - , 151132 San Diego Golden Hall, Community Concourse flac24/96khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 1452. 02/19/82 Flac 16/48 - , 151131 San Diego Golden Hall, Community Concourse flac16/48khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes 1453. 02/19/82 Flac 24/48 - , 156326 San Diego Golden Hall, Community Concourse flac2448; Source: BeyerDynamic mics > Sony TC-D5M > Maxell-MX. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022 notes 1454. 02/20/82 Flac - 0, 94410 San Diego Golden Hall, Community Concourse flac16; Recording Info: (FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller notes 1455. 02/20/82 Shn - 0, 13613 San Diego Golden Hall, Community Concourse AUD>MC>DAT>CD; via Scott Shindell; seeded to etree by Willy notes 1456. 02/20/82 Shn - 0, 23823 San Diego Golden Hall, Community Concourse Recording by Rango Keshevan: Nakamichi 300/CP4 -> Cassette Master (Sony TCD5M / Hitachi ME C90 Metal Tape). Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> Samplitude v7.02 Professional -> SHN Transfered By Bill Reutelhuber Tracked and Edited By Charlie Miller notes 1457. 02/20/82 Flac 24 - 0, 137590 San Diego Golden Hall, Community Concourse flac24; Set 1 AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2017 notes 1458. 02/20/82 Flac - 0, 137591 San Diego Golden Hall, Community Concourse flac16; Set 1 AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017 notes 1459. 02/20/82 Shn - 0, 28778 San Diego Golden Hall, Community Concourse Recorded by Rango Keshavan 6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B On Playback by Rango Keshavan Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cable > Turtle Beach Montego II Digital I/O card > PC (CDWav used to record and break up tracks) notes 1460. 02/20/82 Flac 24/96 - 0, 149022 San Diego Golden Hall, Community Concourse flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (50' from stage, 5' right of center, section 201, row 11, seat 5); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes 1461. 02/20/82 Flac 16/48 - 0, 149021 San Diego Golden Hall, Community Concourse flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (50' from stage, 5' right of center, section 201, row 11, seat 5); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1462. 02/20/82 Flac 24/96 - , 151134 San Diego Golden Hall, Community Concourse flac24/96khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 1463. 02/20/82 Flac 16/48 - , 151133 San Diego Golden Hall, Community Concourse flac16/48khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes 1464. 02/21/82 Shn - 0, 16247 Los Angeles Pauley Pavilion, UCLA Sbd> cassette > dat> cdr> Eac > cool edit pro > shntool > cdwav > shnv3; eac > shnv3 (secure with proper offsets) by Ernie Dodd; Discs kindly provided by Mark Horvath notes 1465. 02/21/82 Flac 24/48 - 0, 144729 Los Angeles Pauley Pavilion, UCLA flac24; 2nd set only; Source: BeyerDynamic M88's > Sony TC-D5M > Maxell XLIIS. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2019 notes 1466. 02/21/82 Flac 16 - 0, 148007 Los Angeles Pauley Pavilion, UCLA flac16; Source Info: Master Soundboard Cassette > Cassette > Dat (16/44.1); Transfer Info: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Sound Devices 744T (wav 16/44)> Adobe Audition CC 2019 > TLH flac16 notes 1467. 02/21/82 Flac 24/96 - 0, 149024 Los Angeles Pauley Pavilion, UCLA flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (20' left of center, 35-40' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes 1468. 02/21/82 Flac 16/48 - 0, 149023 Los Angeles Pauley Pavilion, UCLA flac16/48; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (20' left of center, 35-40' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1469. 02/21/82 Flac 24/96 - , 151136 Los Angeles Pauley Pavilion, UCLA flac24/96khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 1470. 02/21/82 Flac 16/48 - , 151135 Los Angeles Pauley Pavilion, UCLA flac16/48khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes 1471. 02/21/82 Flac 16/48 - , 154098 Los Angeles Pauley Pavilion, UCLA flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5 (Maxell XLII-S 90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1472. 02/21/82 Flac 24/96 - , 154099 Los Angeles Pauley Pavilion, UCLA flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5 (Maxell XLII-S 90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1473. 02/21/82 Flac 16 - , 155433 Los Angeles Pauley Pavilion, UCLA flac16/44 Master Cassettes recorded by Ohr Weinberg: 2 unknown microphones (don't remember) -> Sony TC-D5M (Maxell MX-90 Cassettes with Dolby B) Transfer: Anne Cohen: AD Transfer - Master cassettes played on Nakamichi Dragon -> HHB CDR-800 -> EAC -> CD Ohr: CD > EAC >WAV > FLAC notes 1474. 03/13/82 Flac 16 - 0, 112858 Reno Reno Centennial Coliseum flac16 set2; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC notes 1475. 03/13/82 Flac 16/48 - , 154365 Reno Reno Centennial Coliseum flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5 (Maxell XLII C90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1476. 03/13/82 Flac 24/96 - , 154366 Reno Reno Centennial Coliseum flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5 (Maxell XLII C90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1477. 03/13/82 Flac 24/48 - 0, 134012 Reno Reno Centennial Coliseum flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2015 notes 1478. 03/13/82 Flac 16 - 0, 134013 Reno Reno Centennial Coliseum flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015 notes 1479. 03/13/82 Shn - 0, 18983 Reno Reno Centennial Coliseum Set 2 Neumann M-25?s via Raoul Duke encoded by Matt Vernon notes 1480. 03/13/82 Shn - 0, 21918 Reno Reno Centennial Coliseum MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding (flac 1.1.0, compression level 8) via Jack Warner notes 1481. 03/13/82 Flac 24/96 - 0, 149033 Reno Reno Centennial Coliseum flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (+3db bass boost) > Mixer > Sony D5 (60' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes 1482. 03/13/82 Flac 16/48 - 0, 149032 Reno Reno Centennial Coliseum flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (+3db bass boost) > Mixer > Sony D5 (60' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1483. 03/14/82 Shn - 0, 24457 Davis Recreation Hall, UC Davis Source: Master Soundboard Cassette > Reel to Reel > DAT > CDR; same as 7220 with sector boundary errors fixed. notes 1484. 03/14/82 Flac 24/48 - 0, 133984 Davis Recreation Hall, UC Davis flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLIIS (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2015 notes 1485. 03/14/82 Flac 16 - 0, 133985 Davis Recreation Hall, UC Davis flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLIIS (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015 notes 1486. 03/14/82 Shn - 0, 7220 Davis Recreation Hall, UC Davis Master Soundboard Cassette > Reel to Reel > DAT > CDR; CD Mastering, SHN'ed by Scott Clugston; d1 tracked for 80 min notes 1487. 03/14/82 Flac 24/48 - 0, 147055 Davis Recreation Hall, UC Davis flac24; Source: FOB Beyers M88's > Sony TC-D5M > Maxell XLIIS. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2019 notes 1488. 03/14/82 Flac 16 - 0, 139382 Davis Recreation Hall, UC Davis flac16; Recording Info: SBD > Reel Master > Cassette > Dat 44.1k; Transfer Info: Dat Sony PCM-R500 > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/44.1k; Transfer By Charlie Miller; Speed correction by Jason Chastain in Adobe CC; Mastering by Jamie Waddell in Wavelab 7.2.1; FLAC8 16 bit 44.1 kHz SBE Free notes 1489. 03/14/82 Flac 24/96 - 0, 149035 Davis Recreation Hall, UC Davis flac24; Source Info: 1st Set: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center -3db) L/R 95 degrees, center down 20 degrees > Mixer (equal balance) > Sony D5M (30' from stage, row L, seat 8); 2nd Set: Mark Severson's Master (FOB) Audience Cassettes; 2 x Nakamichi 700 cardioids (left/right), 1 x Nakamichi 700 omni (center, -6db), L/R 80 degrees, center up 10 degrees > Mixer (equal balance) Sony D5M (30' from stage, row L, seat 8); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes 1490. 03/14/82 Flac 16/48 - 0, 149034 Davis Recreation Hall, UC Davis flac16/48kHz; Source Info: 1st Set: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center -3db) L/R 95 degrees, center down 20 degrees > Mixer (equal balance) > Sony D5M (30' from stage, row L, seat 8); 2nd Set: Mark Severson's Master (FOB) Audience Cassettes; 2 x Nakamichi 700 cardioids (left/right), 1 x Nakamichi 700 omni (center, -6db), L/R 80 degrees, center up 10 degrees > Mixer (equal balance) Sony D5M (30' from stage, row L, seat 8); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1491. 03/14/82 Flac 16/48 - , 156432 Davis Recreation Hall, UC Davis flac1648 Source Info: Master Soundboard Cassettes (Sony D6) Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 notes 1492. 03/14/82 Flac 24/96 - , 156433 Davis Recreation Hall, UC Davis flac2496 Source Info: Master Soundboard Cassettes (Sony D6) Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 notes 1493. 04/02/82 Shn - 0, 34846 Durham Cameron Indoor Stadium, Duke University MSC>C>DAT>CD>EAC>SHN - Seamless fix of shn id 7221 via Bill Tetzeli notes 1494. 04/02/82 Flac - 0, 129029 Durham Cameron Indoor Stadium, Duke University flac16; Recording Info: SBD > MC > C > ? > ? > DAT > CDR; Transfer Info: CDR > WAV > Sound Forge 10 > TLH > FLAC notes 1495. 04/02/82 Flac - 0, 132918 Durham Cameron Indoor Stadium, Duke University flac16; AUD Source: Low-gen, unknown taper & gear, kindly provided by Tom P. aka "Laser Beam" and poordevil. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged; Tape transfer & editing by Andrew F. April 2015 notes 1496. 04/02/82 Flac 24 - 0, 135561 Durham Cameron Indoor Stadium, Duke University flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Hitachi ME Metal C-90s, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2016 notes 1497. 04/02/82 Flac - 0, 135562 Durham Cameron Indoor Stadium, Duke University flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Hitachi ME Metal C-90s, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016 notes 1498. 04/02/82 Flac - 0, 110597 Durham Cameron Indoor Stadium, Duke University flac16; AUD Source: Nakamichi CM-700's > Sony TC-D5. Low Gen (1st or 2nd) copy, provided by Tim Friend. Transfer: Maxell XLIIs > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2010 notes 1499. 04/02/82 Flac - 0, 132146 Durham Cameron Indoor Stadium, Duke University flac16; NAK deck > 2 90 minute UDXL II cassette masters, REC from centered seats behind the stage. Tascam 322 > Marantz CDR 510 > CDR > EAC > WAV > CD WAV Editor > Flac 8; Upgrade in circulation notes 1500. 04/02/82 Flac - 0, 122822 Durham Cameron Indoor Stadium, Duke University flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony TC-D5M/Maxell XLIIS/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller notes 1501. 04/02/82 Shn - 0, 7221 Durham Cameron Indoor Stadium, Duke University Master Soundboard Cassette > Cassette > DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; upgrade in circulation notes 1502. 04/02/82 Flac 16/48 - , 154425 Durham Cameron Indoor Stadium, Duke University flac16/48 Source Info: Master Audience Cassettes; (2) Beyer M160 + (1) Beyer M88 blend > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX 90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1503. 04/02/82 Flac 24/96 - , 154426 Durham Cameron Indoor Stadium, Duke University flac24/96 Source Info: Master Audience Cassettes; (2) Beyer M160 + (1) Beyer M88 blend > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX 90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1504. 04/03/82 Flac 16 - 0, 96069 Norfolk The Scope flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1505. 04/03/82 Flac 16 - 0, 119009 Norfolk The Scope flac16; Source: SBD > ? > Lo-gen Cassette, kindly provided by Seaweed1010. Transfer: Maxell MX90 > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2012 notes 1506. 04/03/82 Flac 16 - 0, 112827 Norfolk The Scope flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony TC-D5M/Maxell XLIIS/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner notes 1507. 04/03/82 Flac 16 - 0, 82757 Norfolk The Scope flac16; Recording by Bob Wager, Nak 700s>Sony TC-D5M Transfer : A:C:D:CD. Seeded to etree by David Minches notes 1508. 04/03/82 Shn - 0, 23824 Norfolk The Scope Up Front Audience, Sennheiser 441 Microphones > Cassette Master > DAT (via Fostex D-10 Playback) > CD-R (hhb 800 Standalone) > EAC 0.9 > WAV > CDRWAV (for track recutting)>SHN (via MKWACT) via Fishman notes 1509. 04/03/82 Shn - 0, 5314 Norfolk The Scope AUD?> Bootleg CD> EAC> SHN; "liberated" by Justin Snyder notes 1510. 04/03/82 Flac 16 - 0, 140074 Norfolk The Scope flac16; AUD: Nakamichi CM300/CP4 shotguns > lead deck (?) > Sony TC-D5 > Maxell XLII 90's, recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017 notes 1511. 04/03/82 Flac 16 - 0, 142851 Norfolk The Scope flac16; Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; this is 142815 24 -> 16 at 44.1 notes 1512. 04/03/82 Flac 24 - 0, 142815 Norfolk The Scope flac24; Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 1513. 04/03/82 Flac 24/48 - 0, 150384 Norfolk The Scope flac24; Source: FOB Beyers mics > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2020 notes 1514. 04/03/82 Flac 16 Mtx - , 163574 Norfolk The Scope flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 142851 & 140074. notes 1515. 04/05/82 - , 154912 Philadelphia The Spectrum flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1516. 04/05/82 - , 164911 Philadelphia The Spectrum flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1517. 04/05/82 Flac 16 - 0, 90496 Philadelphia The Spectrum flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 1518. 04/05/82 Shn - 0, 113612 Philadelphia The Spectrum (FOB, 4th Row) Senn 441>Cm>Dat>CD; via Charlie Miller; Seeded to etree by Willy notes 1519. 04/05/82 Flac 24/48 - 0, 147439 Philadelphia The Spectrum flac24; Source: AUD (unknown gear) > MAC > 1st-Gen cassette via Richie & Rip. Transfer: Maxell XLII-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2019 notes 1520. 04/06/82 Flac 16 - 0, 105237 Philadelphia The Spectrum flac16;Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 1521. 04/06/82 Flac 16 - 0, 90469 Philadelphia The Spectrum flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 1522. 04/06/82 Shn - 0, 16768 Philadelphia The Spectrum AUD/fob cm>dat>cdr>eac>shn extraction and conversion by cdipietro notes 1523. 04/06/82 Shn - 0, 16785 Philadelphia The Spectrum Main Source: SBD(unknown lineage)>SHN(Mike Lai Seed) ; Patch Source: AUD/FOB>CM>DAT>CDR>EAC>SHN ; Remastering/Seeded by T. Wiley 4/23/03 notes 1524. 04/06/82 Flac 24/96 - 0, 143051 Philadelphia The Spectrum flac24; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Bob Wagner's Sony TC-D5M > Jim's Sony TC-D5M (Maxell UDXLII-C90) Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes 1525. 04/06/82 Flac 16 - 0, 143370 Philadelphia The Spectrum flac16; Matrix: SBD -> Cassette Master -> Dat +2db added to SBD source and Jim Wise's Master (FOB) Audience Cassettes notes 1526. 04/06/82 Flac 16/48 - 0, 143050 Philadelphia The Spectrum flac16/48kHz; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Bob Wagner's Sony TC-D5M > Jim's Sony TC-D5M (Maxell UDXLII-C90)Transfer Info:Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1527. 04/08/82 Flac 16 - 0, 109567 Syracuse Onongada County War Memorial flac16; Set 2 Only Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1528. 04/08/82 Flac 16 - 0, 102213 Syracuse Onongada County War Memorial flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog Lineage: Sennheiser 421 > Sony TC-D5M > MAC Analog Sound Preservation: MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Jim Vita Transfer By: John Steinthal Mastering By: Bill Koucky notes 1529. 04/08/82 Flac 24 - 0, 136854 Syracuse Onongada County War Memorial flac24; Recording Info: (2) Beyer M160's + (1) Sennheiser 421 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); Recorded By Frank Streeter; Transferred and Mastered By Charlie Miller notes 1530. 04/08/82 Shn - 0, 8475 Syracuse Onongada County War Memorial Jim Wise sennheiser 421 mics; via DNC Feb 2002 Vine; seeded to etree by Matt Vernon notes 1531. 04/08/82 Flac 16 - 0, 103280 Syracuse Onongada County War Memorial flac16; Nak 700's > Bass Box > TCD-5M Digitized 24/48 > Sound Forge 7.0 > CD wave > Flac.16 notes 1532. 04/08/82 Shn - 0, 14543 Syracuse Onongada County War Memorial FOB) Senn 421 -> Cm (sony D5/Dolby B)-> Dat -> Behringer UltraMatch SRC 2000 -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD; Dat -> CD Transfer done by Charlie Miller notes 1533. 04/08/82 Flac 16 - 0, 137071 Syracuse Onongada County War Memorial flac16; Recording Info: (2) Beyer M160's + (1) Sennheiser 421 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); Recorded By Frank Streeter; Transferred and Mastered By Charlie Miller notes 1534. 04/08/82 Flac 24/96 - 0, 102214 Syracuse Onongada County War Memorial flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog Lineage: Sennheiser 421 > Sony TC-D5M > MAC Analog Sound Preservation: MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Jim Vita Transfer By: John Steinthal Mastering By: Bill Koucky notes 1535. 04/08/82 Flac 24/96 - 0, 140785 Syracuse Onongada County War Memorial flac24; source: nak 300 (3 rows fob,lc, 7’) > tcd5m > udxlii +dolby > master > tascam 122 mkii -dolby > rosetta200 > audacity (levels, normalize, tracks, fades) > flac24/96 > xact (tags, checksums); recorded: david barfield + david lane; transferred/seeded: barfield notes 1536. 04/08/82 Flac 24/48 - 0, 152456 Syracuse Onongada County War Memorial flac24/48 Microphones: Nakamichi 300 shotguns Recorder:Sony TC-D5M 2nd deck in line Location:10 feet behind SBD, LOC (left side of the audience/stage right) This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott & Chuck Sussman Transfer by: Kyle Holbrook notes 1537. 04/08/82 Flac 16/44 - 0, 152455 Syracuse Onongada County War Memorial flac16/44 Source: 1st Gen AUDCA:Nakamichi 300 shotguns > Sony TC-D5M 2nd deck in line Maxell UDXLII 90's Location:10 feet behind SBD, LOC (left side of the audience/stage right) Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott & Chuck Sussman Transfer by: Kyle Holbrook notes 1538. 04/09/82 Flac 16/48 - , 155210 Rochester Community War Memorial Auditorium flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLIIS 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1539. 04/09/82 Flac 24/96 - , 155211 Rochester Community War Memorial Auditorium flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLIIS 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1540. 04/09/82 Flac 16 - 0, 107054 Rochester Community War Memorial Auditorium flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1541. 04/09/82 Flac 16 - 0, 105524 Rochester Community War Memorial Auditorium flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog Lineage: Sennheiser 421 > Sony TC-D5M > MAC Analog Sound Preservation: MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Jim Vita Transfer By: John Steinthal Mastering By: Bill Koucky; MOTB Release: 0098 16/44.1 notes 1542. 04/09/82 Flac 16 - 0, 32716 Rochester Community War Memorial Auditorium flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes 1543. 04/09/82 Shn - 0, 28204 Rochester Community War Memorial Auditorium FOB Rob Eaton Recording Senn 441's>Nak 550>DAT>CDRs>EAC>SHN (seekable). This is the same as shn id 10918 with undocumented changes to d3t05. notes 1544. 04/09/82 Flac 24/96 - 0, 136855 Rochester Community War Memorial Auditorium flac24; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); Recorded By Frank Streeter; Transferred and Mastered By Charlie Miller notes 1545. 04/09/82 Flac 16 - 0, 103245 Rochester Community War Memorial Auditorium flac16;Nak 700's > Bass Box> Digitized 24/48 > Sound Forge 7 > CD Wave > Flac 16 Recorded and seeded by David Dyche notes 1546. 04/09/82 Shn - 0, 10918 Rochester Community War Memorial Auditorium Rob Eaton FOB Senn 441's>Nak 550>DAT>CDR; via Mike McCarthy; seeded to etree by Darrin Sacks notes 1547. 04/09/82 Flac 16 - 0, 137074 Rochester Community War Memorial Auditorium flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); Recorded By Frank Streeter; Transferred and Mastered By Charlie Miller notes 1548. 04/09/82 Flac 24 - 0, 137581 Rochester Community War Memorial Auditorium flac24; AUD: Nakamichi CM300/CP4 shotguns > lead deck (?) > Sony TC-D5 > Maxell XLII 90's, recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2017 notes 1549. 04/09/82 Flac - 0, 137582 Rochester Community War Memorial Auditorium flac16; AUD: Nakamichi CM300/CP4 shotguns > lead deck (?) > Sony TC-D5 > Maxell XLII 90's, recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017 notes 1550. 04/09/82 Flac 24/96 - 0, 144606 Rochester Community War Memorial Auditorium flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger 2019 notes 1551. 04/09/82 Flac 16 - 0, 144605 Rochester Community War Memorial Auditorium flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger 2019; fixed version circulated 01/17/2019 notes 1552. 04/09/82 Flac 24/48 - 0, 152458 Rochester Community War Memorial Auditorium flac24/48 Microphones: Beyer m201's in hat Recorder: Sony TCD5 no dolby Location: 40' from stacks in 100's reserved RT of SBD (about 12 feet above floor.) This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes 1553. 04/09/82 Flac 16/44 - 0, 152457 Rochester Community War Memorial Auditorium flac16/44 Microphones: Beyer m201's in hat Recorder: Sony TCD5 no dolby Location: 40' from stacks in 100's reserved RT of SBD (about 12 feet above floor.) This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes 1554. 04/11/82 Flac 16 - 0, 108852 Uniondale Nassau Coliseum flac16;Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1555. 04/11/82 Flac 16 - 0, 114002 Uniondale Nassau Coliseum flac16; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 06/2011 notes 1556. 04/11/82 Shn - 0, 6959 Uniondale Nassau Coliseum Jim Wise - (9th row - center) Senn 421's > Sony TC D5 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1) >EAC >SHN (tracking with CDWAV); encore sourced from a beyer m160 > d5 master made at the sbd; d1 tracked for 80 min; via Darrin Sacks notes 1557. 04/11/82 Flac 16 - 0, 102037 Uniondale Nassau Coliseum flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris notes 1558. 04/11/82 Flac 16 Mtx - 0, 137976 Uniondale Nassau Coliseum flac16; 2 source matrix by Dusborne; Soundboard (shnid:108852), SBD -> Cassette Master -> Reel -> Dat (48k),Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.1 -> FLAC and Audience (shnid:114002), AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged notes 1559. 04/11/82 Flac 16 - 0, 144611 Uniondale Nassau Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger; fixed version circulated 01/17/2019 notes 1560. 04/11/82 Flac 16/48 - , 155626 Uniondale Nassau Coliseum flac16/48 Source Info: Master Audience Cassettes; Beyer M88 mics > unknown deck; Jim Vita's 1st generation cassette (Maxell XLIIS 90) Transfer Info: 1st generation cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1561. 04/11/82 Flac 24/96 - , 155627 Uniondale Nassau Coliseum flac24/96 Source Info: Master Audience Cassettes; Beyer M88 mics > unknown deck; Jim Vita's 1st generation cassette (Maxell XLIIS 90) Transfer Info: 1st generation cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1562. 04/12/82 Flac 16 - 0, 32014 Uniondale Nassau Coliseum flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC notes 1563. 04/12/82 Flac 16 - 0, 95638 Uniondale Nassau Coliseum flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; pitch corrected version of of shn id 32014 notes 1564. 04/12/82 Flac 16 - 0, 35160 Uniondale Nassau Coliseum flac16; Fix of shn id 32014 - SBD -> Cassette Master -> Reel -> Dat (48k). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 1565. 04/12/82 Flac 16 - 0, 113826 Uniondale Nassau Coliseum flac16; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2011 notes 1566. 04/12/82 Shn - 0, 9580 Uniondale Nassau Coliseum AUD>MC>DAT>CDR; via Paul; Seeded to etree by Glyde notes 1567. 04/12/82 Flac 24/48 - 0, 137410 Uniondale Nassau Coliseum flac24; AUD: Unknown mics (likely Beyers) > lead deck > Sony TC-D5M > Maxell XLII's, FOB recording by Brian Schley. Transfer: Set 1 (1982 1st-gen) and Set 2 (MAC) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2016 notes 1568. 04/12/82 Flac 16 - 0, 137411 Uniondale Nassau Coliseum flac16; AUD: Unknown mics (likely Beyers) > lead deck > Sony TC-D5M > Maxell XLII's, FOB recording by Brian Schley. Transfer: Set 1 (1982 1st-gen) and Set 2 (MAC) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2016 notes 1569. 04/12/82 Flac 24/48 - 0, 113824 Uniondale Nassau Coliseum flac24; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 05/2011 notes 1570. 04/12/82 Flac 16 Mtx - 0, 138011 Uniondale Nassau Coliseum flac16; 2 source matrix by Dusborne;Soundboard (shnid:95638), Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k),Transfer Info:Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 ->FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; amd Audience (shnid:113826), AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Joe Morrone; Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 notes 1571. 04/12/82 Flac 16 - 0, 141257 Uniondale Nassau Coliseum flac16; Source Info: Frank Streeter's Master FOB Audience Cassettes; Beyer M160 mics > Sony D5; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24/96)> Adobe Audition 3.0 (.wav 24/96) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1572. 04/12/82 Flac 24/96 - 0, 141258 Uniondale Nassau Coliseum flac24; Source Info: Frank Streeter's Master FOB Audience Cassettes; Beyer M160 mics > Sony D5; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24/96)> Adobe Audition 3.0 (.wav 24/96) > TLH flac2496 notes 1573. 04/12/82 Flac 16 - 0, 144613 Uniondale Nassau Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 1574. 04/12/82 Flac 24/96 - 0, 144614 Uniondale Nassau Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 1575. 04/14/82 Shn - 0, 7629 Glens Falls Glens Falls Civic Center SBD MC>Cass>DAT>CDR; via Peter Braverman notes 1576. 04/14/82 Flac 16 Mtx - 0, 30206 Glens Falls Glens Falls Civic Center flac16; Matrix of Soundboard and audience recording by Ohr Weinberg via PLS. notes 1577. 04/14/82 Flac Dts 5.1 - 0, 76504 Glens Falls Glens Falls Civic Center DTS Audio 5.1; dts version: SBD - MC > Cass > DAT > CDR and AUD - MAC > CD > WAV > SHN - dts mixed by pls notes 1578. 04/14/82 Shn - 0, 26234 Glens Falls Glens Falls Civic Center Recording by Ohr Weinberg: 2 Sennheiser MD421's > Sony TC-D5M 10th row (sec 102 row J seat 3) 7-8' stand, Maxell MX90 cassettes with Dolby B; A>D transfer by Anne Cohen: Master Cassette > Nakamichi Dragon (Modified by Stephen Sank) with Dolby B > HHB CDR 830plus > EAC > Sound Forge 5.0 (tape flip splice) > CD Wave Editor 1.71 > WAV > SHN, or > FLAC notes 1579. 04/14/82 Flac 24 - 0, 137550 Glens Falls Glens Falls Civic Center flac24; Recording Info: (FOB) Beyer M160 > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded By Frank Streeter notes 1580. 04/14/82 Flac 16 - 0, 137552 Glens Falls Glens Falls Civic Center flac16; Recording Info: (FOB) Beyer M160 > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded By Frank Streeter, 24bit > 16bit with r8brain notes 1581. 04/14/82 Flac 24/96 - 0, 144618 Glens Falls Glens Falls Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 1582. 04/14/82 Flac 16 - 0, 144617 Glens Falls Glens Falls Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 1583. 04/14/82 Flac 16/48 - , 155628 Glens Falls Glens Falls Civic Center flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1584. 04/14/82 Flac 24/96 - , 155629 Glens Falls Glens Falls Civic Center flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1585. 04/15/82 Flac 16 - 0, 106527 Providence Providence Civic Center flac16; AUD: 3x Nakamichi CM300/CP1's > Nakamichi 550 > Maxell XLII-S. Mics on stand, FOB floor, right center. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 03/2010 notes 1586. 04/15/82 Flac 24/96 - 0, 95435 Providence Providence Civic Center flac24; **SET 2 ONLY** Recording Info:(FOB/13th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Sony FeCr90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; Taped By Michael Kirschner; All Transfers and Mastering By Charlie Miller notes 1587. 04/15/82 Flac 16 - 0, 96434 Providence Providence Civic Center flac16; **SET 2 ONLY** Recording Info:(FOB/13th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Sony FeCr90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; Taped By Michael Kirschner; All Transfers and Mastering By Charlie Miller notes 1588. 04/15/82 Shn - 0, 11930 Providence Providence Civic Center AUD(NAK 700's)>MC>DAT>CD; via Paul; Seeded to etree by Glyde notes 1589. 04/15/82 Flac 24/48 - 0, 106526 Providence Providence Civic Center flac24; AUD: 3x Nakamichi CM300/CP1's > Nakamichi 550 > Maxell XLII-S. Mics on stand, FOB floor, right center. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 03/2010 notes 1590. 04/15/82 Flac 16 - 0, 144634 Providence Providence Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger 2019 notes 1591. 04/15/82 Flac 24/96 - 0, 144633 Providence Providence Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger 2019 notes 1592. 04/15/82 Flac 16 - 0, Providence Providence Civic Center notes 1593. 04/15/82 Flac 24/96 - , 155569 Providence Providence Civic Center flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII-S) Transfer Info: Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1594. 04/15/82 Flac 16/48 - , 155618 Providence Providence Civic Center flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1595. 04/17/82 Shn - 0, 23933 Hartford Hartford Civic Center Bertha Remaster of unknown Soundboard source (*)SBD>>???>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN notes 1596. 04/17/82 Shn - 0, 332 Hartford Hartford Civic Center set II; SBD> PCM> C> DAT> ZA2 downsampling> CDR; conversion: second half of the set was normalized because the levels were lower; known flaws: some mic crackle in shakedown, and a few clicks and pops- but does not have the bad diginoise in Sailor et al that's present on another widely circ copy; room for filler on each disc; via R. Nayfield notes 1597. 04/17/82 Flac 16 - 0, 115651 Hartford Hartford Civic Center flac16; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 08/2011 notes 1598. 04/17/82 Flac 16 - 0, 76142 Hartford Hartford Civic Center flac16; AUD: Unknown mics (possibly Shure) > Nakamichi 550 (likely) tape deck > Maxell UDXL-II 90's, with Dolby off. Set up in Section 114, Row R, Seat 9 (Brent's side). Taped by Dennis C. (See note below.) Transfer: MAC > Sony TC-D5M (Dolby off) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-Fix, Checksums, FLAC compression) > FLAC by Andrew F. notes 1599. 04/17/82 Flac 16 - 0, 78747 Hartford Hartford Civic Center flac16; Recording by Barry Glassberg:FOB-Nak 700's > Sony D5 Transfer:Aud > mastercassette > DAT > CDR > EAC > Flac-level 8 notes 1600. 04/17/82 Flac 16 - 0, 137574 Hartford Hartford Civic Center flac16; Recording Info: (FOB) Beyer M160 > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded By Frank Streeter; Source ID 137573 24bit > 16bit with r8brain notes 1601. 04/17/82 Flac 24 - 0, 137573 Hartford Hartford Civic Center flac24; Recording Info: (FOB) Beyer M160 > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded By Frank Streeter notes 1602. 04/17/82 Flac 16 - 0, 141100 Hartford Hartford Civic Center flac16; Set 2 Source Info: Vault Master Soundboard PCM > PCM (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 1603. 04/17/82 Flac 16 - 0, 144638 Hartford Hartford Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 1604. 04/17/82 Flac 24/96 - 0, 144637 Hartford Hartford Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 1605. 04/17/82 Flac 16 - 0, 146324 Hartford Hartford Civic Center flac16; Recording Info: SBD > PCM Master (Sony PCM-F1/Maxell HG-T120 VHS); Transfer Info: PCM Master (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes 1606. 04/17/82 Flac 16 Mtx - 0, 151688 Hartford Hartford Civic Center flac16; 2 Source Matrix by Dusborne; Soundboard(shnid:146324)Recording Info: SBD > PCM Master (Sony PCM-F1/Maxell HG-T120 VHS),Transfer Info:PCM Master (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro >Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X4 Suite > FLAC/16,All Transfers and Mastering by Charlie Miller;Audience(shnid:137573)Recording Info:(FOB) Beyer M160 > Cassette Master (Sony TC-D5M/TDK MA-C90)Transfer Info:Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 All Transfers and Mastering By Charlie Miller notes 1607. 04/18/82 Flac 16 Mtx - 0, 107090 Hartford Hartford Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes 1608. 04/18/82 Flac - 0, 18116 Hartford Hartford Civic Center SBD -> Cm -> PCM -> Dat(48k) via Charlie Miller notes 1609. 04/18/82 Flac 16 - 0, 118275 Hartford Hartford Civic Center flac16; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 01/2012 notes 1610. 04/18/82 Flac 16 - 0, 82487 Hartford Hartford Civic Center flac16; AUD Source: Beyers M160's > Sony TC-D5, near the Sbd. Transfer: MAC > CDR from Jim Wise. CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC notes 1611. 04/18/82 Flac 16 - 0, 102038 Hartford Hartford Civic Center flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris notes 1612. 04/18/82 Flac 16 - 0, 78984 Hartford Hartford Civic Center flac16; Recording by Barry Glassberg FOB-Nak 700's > Sony D5. Transfer:Aud > mastercassette > DAT > CDR > EAC > Flac-level8 notes 1613. 04/18/82 Shn - 0, 14487 Hartford Hartford Civic Center FOB Nak 700's taped by Mark Cohen, MAC to CDR transfer by Jim Wise using Nak Dragon > HHB cdr 800 > cdr, EAC > wav > shn by Don Chase notes 1614. 04/18/82 Flac 24/96 - 0, 144652 Hartford Hartford Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 1615. 04/18/82 Flac 16 - 0, 144653 Hartford Hartford Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 1616. 04/18/82 Flac 16/48 - , 155702 Hartford Hartford Civic Center flac16/48 Source Info: Jim Vita's Master Audience Cassettes ; Sennheiser 421 mics > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2020 > TLH flac2496 notes 1617. 04/18/82 Flac 24/96 - , 155703 Hartford Hartford Civic Center flac24/96 Source Info: Jim Vita's Master Audience Cassettes ; Sennheiser 421 mics > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2020 > TLH flac2496 notes 1618. 04/19/82 Flac 16 Mtx - 0, 89314 Baltimore Baltimore Civic Center flac16; Matrix 2 Source Mix - SBD (shn id 89313) MAC > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV + AUD (shn id 19420) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD - matrix mixing by Kevin Tobin notes 1619. 04/19/82 Flac 16 - 0, 89313 Baltimore Baltimore Civic Center flac16;SBD Master Cassette > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV notes 1620. 04/19/82 Flac 24/96 - 0, 89384 Baltimore Baltimore Civic Center flac24; SBD Master Cassette > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV notes 1621. 04/19/82 Flac 16 Dts 5.1 - 0, 89354 Baltimore Baltimore Civic Center flac16; DTS Audio 5.1; SBD (shn id 89313) MAC > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV + AUD (shn id 19420) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD - matrix mixing by Kevin Tobin notes 1622. 04/19/82 Shn - 0, 2316 Baltimore Baltimore Civic Center Master Soundboard Cassette > Cassette > DAT > CDR; EAC'ed/SHN'ed by Scott Clugston; via David Warren to abgd notes 1623. 04/19/82 Shn - 0, 28291 Baltimore Baltimore Civic Center same as shn id 2316 with an undocumented change to d2t05; Master Soundboard Cassette > Cassette > DAT > CDR EAC'ed/SHN'ed by Scott Clugston notes 1624. 04/19/82 Shn - 0, 19420 Baltimore Baltimore Civic Center MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) ; upgrade in circulation notes 1625. 04/19/82 Flac 16 - 0, 89371 Baltimore Baltimore Civic Center flac16; MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) - original shnid 19420 - audio patches by Kevin Tobin notes 1626. 04/19/82 Flac 24/96 Mtx - 0, 89389 Baltimore Baltimore Civic Center flac24; Matrix 2 Source Mix - SBD (shn id 89313) MAC > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV + AUD (shn id 19420) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD - matrix mixing by Kevin Tobin notes 1627. 04/19/82 Flac 24/96 - 0, 144568 Baltimore Baltimore Civic Center flac24; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 1628. 04/19/82 Flac 16/48 - 0, 144567 Baltimore Baltimore Civic Center flac16/48kHz; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1629. 04/19/82 Flac 16 - , 155354 Baltimore Baltimore Civic Center Master Audience Cassettes - recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Sony TC-D5M Cassette Deck (1st & 2nd Sets: Maxell XLII-S 90 Cassettes), Dolby B Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR830Plus > CD Ohr : CD > EAC > WAV > FLAC notes 1630. 05/21/82 Shn - 0, 5041 Berkeley Greek Theatre, University Of California sbd master cassette > DAT > CDR > EAC > SHN; via Gerald Gorinsky with thanks to Kevin Gills, Mark Perini; see info file for flaw notes notes 1631. 05/21/82 Flac 16 - 0, 86330 Berkeley Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Pro fessional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes a flaw in the previous source. notes 1632. 05/21/82 Flac 16 Mtx - 0, 132100 Berkeley Greek Theatre, University Of California flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:96330) SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; CD -> Samplitude Professional v10.1 -> FLAC and Audience (shnid:109334) (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90); Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/16 notes 1633. 05/21/82 Flac 16 - 0, 96310 Berkeley Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation. notes 1634. 05/21/82 Flac 16 - 0, 109334 Berkeley Greek Theatre, University Of California flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/16; Recorded By Bob Wagner ; All Transfers and Mastering By Charlie Miller notes 1635. 05/21/82 Flac 24/48 - , 156363 Berkeley Greek Theatre, University Of California flac2448; 1st Set; Source: Sennheiser MD-421's > Sony TC-D5M > Maxell-MX. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022 notes 1636. 05/21/82 Flac 24/96 - 0, 122438 Berkeley Greek Theatre, University Of California flac24; Recorded. transferred and edited by N. Hoey; 2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(TDK MA C-90); Nakamichi Dragon (Dolby B decoded) > Apogee Mini Me (A/D 96/24 [soft limiting OFF] ) > OSX Peak 7 (editing) > xACT 1st 3 songs not recorded and are missing on this source notes 1637. 05/21/82 Flac 16/48 - 0, 149236 Berkeley Greek Theatre, University Of California flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M (50' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1638. 05/21/82 Flac 24/96 - 0, 149237 Berkeley Greek Theatre, University Of California flac24; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M (50' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes 1639. 05/22/82 Flac 16 Mtx - 0, 101450 Berkeley Greek Theatre, University Of California flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes 1640. 05/22/82 Flac 16 - 0, 96331 Berkeley Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1641. 05/22/82 Flac 16 - 0, 82532 Berkeley Greek Theatre, University Of California flac16; Set 2 only - SBD -> MSC -> PCM -> DAT(x2) Transfer: Panasonic SV-3800 -> Optical out -> FW 410. Recorded in Samplitude v.8.01 (24/48) Re-Mastered: Wavelab v.5. -> CD Wave -> FlacFrontend Level 8 -> check sums via. TLH via M.Townshend/GEMS notes 1642. 05/22/82 Flac 16 - 0, 101328 Berkeley Greek Theatre, University Of California flac16; 2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(FOB on stand)(Maxell UDXL-IIS 90) Playback, Editing, Preparation info: Nakamichi Dragon (Dolby B decoded) > Panasonic SV 3700 DAT (A/D conversion 44.1)(HP data cartridge) > Apple G4 (RME interface)(Peak 5 editing) > Xact. Recorded, transferred and mastering by N. Hoey notes 1643. 05/22/82 Flac 16 - 0, 109335 Berkeley Greek Theatre, University Of California flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller notes 1644. 05/22/82 Shn - 0, 5215 Berkeley Greek Theatre, University Of California soundboard -> master cassette > DAT > CDR > CDR > EAC > SHN; EAC, SHN, etreed by Gerald Gorinsky, with thanks to Kevin Gills and Mark Perini notes 1645. 05/22/82 Flac 24 - 0, 109336 Berkeley Greek Theatre, University Of California flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/24; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller notes 1646. 05/22/82 Flac 16 - 0, 81059 Berkeley Greek Theatre, University Of California flac16; Unknown FOB Audience source > ? > CD > EAC > FLAC notes 1647. 05/22/82 Flac 16/44 - , 155392 Berkeley Greek Theatre, University Of California flac16/44 Master Cassettes recorded by Ohr Weinberg: 2 PML (Pearl Mikrofon Laboratorium) VM-41 Microphones > PML 7320-S 48V Power Supply > Sony TC-D5M (Maxell MX-90 Cassettes with Dolby B). Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR830Plus > CD Ohr : CD > EAC > WAV > FLAC notes 1648. 05/22/82 Flac 16/48 - , 156108 Berkeley Greek Theatre, University Of California flac1648 Set 2 only. Source Info: Master Audience Cassettes; Beyer M160 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1649. 05/22/82 Flac 24/96 - , 156109 Berkeley Greek Theatre, University Of California flac2496 Set 2 only. Source Info: Master Audience Cassettes; Beyer M160 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1650. 05/23/82 Flac 16 Mtx - 0, 102124 Berkeley Greek Theatre, University Of California flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes 1651. 05/23/82 Flac 16 - 0, 96332 Berkeley Greek Theatre, University Of California flac16;Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1652. 05/23/82 Shn - 0, 5058 Berkeley Greek Theatre, University Of California sbd -> Master cassette > DAT > CDR> CDR > EAC (secure mode) > SHN; EAC, SHN , upload by Gerald Gorinsky, with thanks to Kevin Gills, Mark Perini notes 1653. 05/23/82 Flac 16 - 0, 135249 Berkeley Greek Theatre, University Of California flac16; AUD: Unknown mics (possibly handheld Naks) > unknown lead deck > Sony TC-D5M > Maxell MX-90's, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2016 notes 1654. 05/23/82 Flac 16 - 0, 101955 Berkeley Greek Theatre, University Of California flac16; 2 Nakamichi CM 300 mics > SONY TC D-5m(Dolby B)(TDK AD-X 90 set 1)(Maxell UDXLII-S, MX 90 set 2) Plybck: Nakamichi Dragon (Dolby B decoded) > Apple G4(RME DIGI PAD 96 A/D conversion 44.1k)(PEAK editing) > Xact notes 1655. 05/23/82 Flac 16 - 0, 109969 Berkeley Greek Theatre, University Of California flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller notes 1656. 05/23/82 Flac 16/48 - , 156110 Berkeley Greek Theatre, University Of California notes 1657. 05/23/82 Flac 16/48 - , 156110 Berkeley Greek Theatre, University Of California flac1648 Source Info: Master Audience Cassettes; Sennheiser 421 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1658. 05/23/82 Flac 24/96 - , 156111 Berkeley Greek Theatre, University Of California notes 1659. 05/28/82 Flac 16 - 0, 130199 San Francisco Moscone Convention Center flac16; (original shnid = 11362) SBD:Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner - pitch correction and patches by Kevin Tobin notes 1660. 05/28/82 Flac 16 Mtx - 0, 120201 San Francisco Moscone Convention Center flac16; Matrix 4 Source Mix - SBD (shnid=11362) Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner + AUD1 (shn id 87547) 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8) + AUD2 (shnid=10974) Partial Set 1, complete Set 2; Source: 1st gen analog Nakamichi 300 shotguns > Sony D-5 Transfer: Nakamichi DR-3 > Apogee AD-1000 > EGO-SYS WT2496 (soundcard) > Soundforge 4.5 > CDWAVE > Mkwact; Seeded to etree by dgrabski@efn.org + VID (no shn id) video used for patching and time correction - matrix mixing by Kevin Tobin notes 1661. 05/28/82 Flac 16 - 0, 87547 San Francisco Moscone Convention Center flac16; 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8). notes 1662. 05/28/82 Flac Dts 5.1 - 0, 130202 San Francisco Moscone Convention Center DTS-Audio-CD 5.1 Mix; SBD (shnid=11362) Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner + AUD1 (shn id 87547) 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8) + AUD2 (shnid=10974) Partial Set 1, complete Set 2; Source: 1st gen analog Nakamichi 300 shotguns > Sony D-5 Transfer: Nakamichi DR-3 > Apogee AD-1000 > EGO-SYS WT2496 (soundcard) > Soundforge 4.5 > CDWAVE > Mkwact; Seeded to etree by dgrabski@efn.org + VID (no shn id) video used for patching and time correction - dts mixing by Kevin Tobin notes 1663. 05/28/82 Shn - 0, 11362 San Francisco Moscone Convention Center SBD:Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner notes 1664. 05/28/82 Flac 16 - 0, 130200 San Francisco Moscone Convention Center flac16; (original shnid = 87547) 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8) - pitch correction and patches by Kevin Tobin notes 1665. 05/28/82 Shn - 0, 10947 San Francisco Moscone Convention Center Partial Set 1, complete Set 2; Source: 1st gen analog Nakamichi 300 shotguns > Sony D-5 Transfer: Nakamichi DR-3 > Apogee AD-1000 > EGO-SYS WT2496 (soundcard) > Soundforge 4.5 > CDWAVE > Mkwact; Seeded to etree by dgrabski@efn.org notes 1666. 05/28/82 Flac 2448 - 0, 136997 San Francisco Moscone Convention Center flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Sony UCXS-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2016 notes 1667. 05/28/82 Flac 16 - 0, 136998 San Francisco Moscone Convention Center flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Sony UCXS-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2016 notes 1668. 05/28/82 Flac 16 - 0, 131808 San Francisco Moscone Convention Center flac16; SBD: It's from a Pat Lee reel, Dick Latvala gave it to him. Maybe MC>R @3 3/4ips?? Maybe one more gen; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered June 2014 by Matt Smith notes 1669. 05/28/82 Flac 24/96 - 0, 131809 San Francisco Moscone Convention Center flac24; SBD: It's from a Pat Lee reel, Dick Latvala gave it to him. Maybe MC>R @3 3/4ips?? Maybe one more gen. Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered June 2014 by Matt Smith notes 1670. 07/17/82 Flac 16 - 0, 102494 Ventura Ventura County Fairgrounds flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes 1671. 07/17/82 Flac 16 - 0, 98609 Ventura Ventura County Fairgrounds flac16; 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) 25 foot back, Dead Center > -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D5 > MAC (Dolby B ) > Nak DR-1 > HD-P2 > 24/96 Wave > Wavelab 5 > UAD Plugs > r8brain Pro > izotope ozone mbit + > 16/44.1 Wave > Wavelab (tracking) > TLH (flac lvl8 ) notes 1672. 07/17/82 Flac 16 - 0, 136979 Ventura Ventura County Fairgrounds flac16; Set 2 AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patch) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2016 notes 1673. 07/17/82 Flac 16 - 0, 102172 Ventura Ventura County Fairgrounds flac16; Source: (FOB) Nakamichi CM-300s w/CP-4 Shotguns -> Sony WM-D6 -> WM-D6(M-Cass) Lineage: Cass/1 -> HHb CDR 800 PRO via analog i/o Taped by: Jim Ho Transferred by: Jeff Bowen CDR>EAC>TLH(6)>FLAC: Brad Foster (10/25/09) notes 1674. 07/17/82 Shn - 0, 8483 Ventura Ventura County Fairgrounds Senn 421's>MC>DAT>CDR; Believed to be Jim Wise's recording; Seeded to etree by Willy notes 1675. 07/17/82 Flac 16/48 - 0, 139532 Ventura Ventura County Fairgrounds flac16/48kHz; Jim Wise FOB recording: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) > DAT; Charlie Miller transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/48; Checksum & tags created in xACT notes 1676. 07/17/82 Flac 24/48 - , 152880 Ventura Ventura County Fairgrounds flac2448; Source: FOB Beyers mics > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021 notes 1677. 07/17/82 Flac 24/96 - , 156183 Ventura Ventura County Fairgrounds flac2496 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1678. 07/17/82 Flac 16/48 - , 156182 Ventura Ventura County Fairgrounds flac1648 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1679. 07/18/82 Flac 16 - 0, 102501 Ventura Ventura County Fairgrounds flac16; Recording Info: (FOB) (2) Sennheiser 421 + (1) Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes 1680. 07/18/82 Flac 16 - 0, 98604 Ventura Ventura County Fairgrounds flac16; Source: aud > Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) > -15 db pads > 3 mic mixer Preamp > Patchbay > Sony D5 > MAC (Dolby B) taping position: 25 foot back, Dead Center Lineage: mac > Nak DR-1 > HD-P2 > 24/96 Wave > Adobe Audition > Wavelab (with Izotope Ozone 4 and Algorithmix Pro) > iZotope RX Advanced > 16/44.1 wave > CD Wave > TLH > flac16 notes 1681. 07/18/82 Shn - 0, 8484 Ventura Ventura County Fairgrounds Senn 421's>MC>DAT>CDR; Believed to be Jim Wise recordings; Seeded to etree by Willy notes 1682. 07/18/82 Shn - 0, 17030 Ventura Ventura County Fairgrounds Recording by Ohr Weinberg, FOB w/ two Sennheiser MD-441's (8 1/2' Stand) > Sony TC-D5M (Maxell MX-90 Cassettes w/ Dolby B). A->D (Ohr): Master Cassette > Nakamichi Dragon > HHB CDR 830 Plus > EAC -> CD Wave > Drums Tape Flip Spliced w/ Soundforge 5.0 > MKW ACT > SHN notes 1683. 07/18/82 Flac 16 - 0, 100203 Ventura Ventura County Fairgrounds flac16; Recording and transfer info: FOB audience recording, taper and equipment unknown - may have been Dan Healy Master cassette -> metal cassette x 2 -> CD-R (Sony K717ES -> Marantz CDR500) -> Audacity -> FLAC; Pitch adjusted - 1% to match patch source. Transferred and mastered by Tom Van Sant, July 2009; fixed version now in circulation notes 1684. 07/18/82 Flac 16 - 0, 100727 Ventura Ventura County Fairgrounds flac16; Recording and transfer info: FOB audience recording, taper and equipment unknown Master cassette -> metal cassette x 2 -> CD-R (Sony TC-K717ES -> Marantz CDR500) -> Audacity -> AIFF -> FLAC Pitch adjusted - 1% to match patch source Transferred and mastered by Tom Van Sant; this is a fixed version of source ID 100203 notes 1685. 07/18/82 Flac 16 - 0, 102176 Ventura Ventura County Fairgrounds flac16; Source: (FOB) Nakamichi CM-300s w/CP-4 Shotguns -> Sony WM-D6 -> WM-D6(M-Cass) Lineage: Cass/1 -> HHb CDR 800 PRO via analog i/o Taped by: Jim Ho notes 1686. 07/18/82 Flac 16 - 0, 146889 Ventura Ventura County Fairgrounds flac16; 3 Nakamichi 700s (DBX II) > Master Cassette > PCM (2); Bill Reutelhuber transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Wav 16/44; Edited & Mastered by Joe Noel: Wav > Audacity > Flac 16/44 notes 1687. 07/18/82 Flac 24/96 - , 156185 Ventura Ventura County Fairgrounds flac2496 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1688. 07/18/82 Flac 16/48 - , 156184 Ventura Ventura County Fairgrounds flac1648 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1689. 07/25/82 Flac 16 - 0, 102502 Tempe Compton Terrace Amphitheatre flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes 1690. 07/25/82 Shn - 0, 18481 Tempe Compton Terrace Amphitheatre Lineage: AUD>?>DAT>CD>EAC>SHN>WAV>CE2K>CDWAVE>SHNTOOL>mkwACT. Source possibly Jim Wise FOB. Editing/Tracking/Seeding by JBGoode & MattMan notes 1691. 07/25/82 Flac 16 - 0, 80279 Tempe Compton Terrace Amphitheatre flac16; Recording by Jim Vita: 2 Sennheiser 421s> Sony D-5 (TDK MA-R) Transfer: Master cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC Transfer and FLAC encoding by David Minches notes 1692. 07/25/82 Flac 2448 - 0, 137191 Tempe Compton Terrace Amphitheatre flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > TDK-MA (Set 1), Maxell-MX (Set 2), FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2016 notes 1693. 07/25/82 Flac 2448 - 0, 138609 Tempe Compton Terrace Amphitheatre flac24 48khz Source: Master Audience Recording: Beyer M 201c Location: 150 feet from stage|40 ft LOC (on axis with LT stack) Lineage - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Transfer: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-7k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes 1694. 07/25/82 Flac 16/44 - 0, 138608 Tempe Compton Terrace Amphitheatre flac16 44 khz Source: Master Audience Recording: Beyer M 201c Location: 150 feet from stage|40 ft LOC (on axis with LT stack) Lineage - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Transfer: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-7k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes 1695. 07/25/82 Flac 16 - 0, 142278 Tempe Compton Terrace Amphitheatre flac16; Marc Severson & Anonymous Recording (FOB): Nakamichi 700s (DBX II) > Master Cassette > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Wav 16/44 notes 1696. 07/25/82 Flac 16 - 0, 137192 Tempe Compton Terrace Amphitheatre flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > TDK-MA (Set 1), Maxell-MX (Set 2), FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016 notes 1697. 07/25/82 Flac 24/96 - , 156345 Tempe Compton Terrace Amphitheatre flac2496 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1698. 07/25/82 Flac 16/48 - , 156344 Tempe Compton Terrace Amphitheatre flac1648 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 1699. 07/25/82 Flac 16 - , 156388 Tempe Compton Terrace Amphitheatre flac16; Nakamichi CM304>Sony TCD-5M (Maxell XLllS) > FOB, Stand at 6 feet Taper: >Michael Gardner, edited and uploaded by Tony Suraci This is your collection notes 1700. 07/25/82 Flac 24/48 - , 156387 Tempe Compton Terrace Amphitheatre flac2448; Nakamichi CM304>Sony TCD-5M (Maxell XLllS) > FOB, Stand at 6 feet Taper: >Michael Gardner, edited and uploaded by Tony Suraci notes 1701. 07/25/82 Flac 24/48 - , 156497 Tempe Compton Terrace Amphitheatre flac2448; 2nd set; Source: BeyerDynamic mics > Sony TC-D5M > TDK MA-90. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022 notes 1702. 07/27/82 Flac 16/48 - , 156434 Morrison Red Rocks Amphitheatre flac1648 Source Info: Master Audience Cassettes; Beyer M88 mics > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX-90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes 1703. 07/27/82 Flac 16 Mtx - 0, 109780 Morrison Red Rocks Amphitheatre flac16; Matrix 60% soundboard/40% audience; sources: 1 - SBD>Cass/1>DAT>HD-P2>Soundforge 6.0>Flac Frontend>FLAC (shnid 78746) Tranfer by Jake Clemens 2 - (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) (shnid 102570) Transfers and Mastering By Charlie Miller notes 1704. 07/27/82 Flac 16 - 0, 129411 Morrison Red Rocks Amphitheatre flac16 ; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes; Senn 441's>Sony D5>Mason's Nak 550: Transferred on Mason's restored Nak550 properly notes 1705. 07/27/82 Flac 16 - 0, 78746 Morrison Red Rocks Amphitheatre flac16; Source: SBD>Cass/1>DAT>HD-P2>Soundforge 6.0>Flac Frontend>FLAC Tranfer by: Jake Clemens notes 1706. 07/27/82 Flac 24/96 - 0, 143384 Morrison Red Rocks Amphitheatre flac24; Recording Info: (FOB) (2)Beyer M160 + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller notes 1707. 07/27/82 Flac 16 - 0, 134383 Morrison Red Rocks Amphitheatre flac16; Recording Info: (FOB) (2)Beyer M160 + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller notes 1708. 07/27/82 Flac 16 - 0, 135510 Morrison Red Rocks Amphitheatre flac16; nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> 16/44.1 > xACT flac; taped by Doug Lamarre; transferred and seeded by Rob Berger notes 1709. 07/27/82 Flac 24/96 - 0, 135509 Morrison Red Rocks Amphitheatre flac24; nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; taped by Doug Lamarre; transferred and seeded by Rob Berger notes 1710. 07/27/82 Flac 16 - 0, 102570 Morrison Red Rocks Amphitheatre flac16;Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes 1711. 07/27/82 Shn - 0, 4705 Morrison Red Rocks Amphitheatre Recording by Jim Wise FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression and Upload by Mike "dankstar" Parrillo; note crossfade applied on Drumz tape flip notes 1712. 07/27/82 Flac 24/96 - 0, 138611 Morrison Red Rocks Amphitheatre flac24 48khz Source Audience Recording: Beyer M 201c Location: 75 feet from stage|30' LOC Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes 1713. 07/27/82 Flac 16 44,1 - 0, 138610 Morrison Red Rocks Amphitheatre flac16 44.1khz Source Audience Recording: Beyer M 201c Location: 75 feet from stage|30' LOC Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes 1714. 07/27/82 Flac 16 - 0, 141510 Morrison Red Rocks Amphitheatre flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 1715. 07/27/82 Flac 16 - 0, 142566 Morrison Red Rocks Amphitheatre flac16; Marc Severson & Anonymous Recording (FOB): Nakamichi 700s > DBX box II > Master Cassette > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Wav 16/44 notes 1716. 07/27/82 Flac 24/96 - , 156435 Morrison Red Rocks Amphitheatre flac2496 Source Info: Master Audience Cassettes; Beyer M88 mics > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX-90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes 1717. 07/28/82 Flac 16 - 0, 129707 Morrison Red Rocks Amphitheatre flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on crome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak55 notes 1718. 07/28/82 Flac 24/96 - 0, 134511 Morrison Red Rocks Amphitheatre flac24; Recording Info: (FOB) (3)Nakamichi 700 -> dbx 222 -> Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) -> dbx 224 -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller notes 1719. 07/28/82 Flac 16 - 0, 134510 Morrison Red Rocks Amphitheatre flac16; Recording Info: (FOB) (3)Nakamichi 700 -> dbx 222 -> Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) -> dbx 224 -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller notes 1720. 07/28/82 Flac 24 - 0, 135515 Morrison Red Rocks Amphitheatre flac24; source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger notes 1721. 07/28/82 Flac 16 - 0, 135514 Morrison Red Rocks Amphitheatre flac16; source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2,compact flash > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger notes 1722. 07/28/82 Flac 16 - 0, 102571 Morrison Red Rocks Amphitheatre flac16;Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes 1723. 07/28/82 Shn - 0, 4980 Morrison Red Rocks Amphitheatre FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression & Upload by Mike "dankstar" Parrillo; note another version circulates with some different md5s notes 1724. 07/28/82 Flac 24/48 - 0, 138613 Morrison Red Rocks Amphitheatre flac24 48khz Source Audience Recording: Beyer M 201c Location: 50 feet from stage|DFC Lineage FOB - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II 90, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes 1725. 07/28/82 Flac 16 - 0, 142567 Morrison Red Rocks Amphitheatre flac16; Marc Severson & Anonymous Recording (FOB): Nakamichi 700s > DBX box II > Master Cassette > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Wav 16/44 notes 1726. 07/28/82 Flac 16/44,1 - 0, 138612 Morrison Red Rocks Amphitheatre flac16 44.1khz Source Audience Recording: Beyer M 201c Location: 50 feet from stage|DFC Lineage FOB - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II 90, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes 1727. 07/28/82 Flac 16 - 0, 32707 Morrison Red Rocks Amphitheatre flac16; Source: Soundboard of unknown lineage > ? > Cassette. Transfer: Cassettes > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-Fix, Checksums, and FLAC Compression) > FLAC notes 1728. 07/29/82 Flac 16 - 0, 129722 Morrison Red Rocks Amphitheatre flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak550 notes 1729. 07/29/82 Flac 16 - 0, 102569 Morrison Red Rocks Amphitheatre flac16; Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes 1730. 07/29/82 Flac 24 - 0, 135525 Morrison Red Rocks Amphitheatre flac24; source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell udxl-II90, mx90, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger notes 1731. 07/29/82 Flac 16 - 0, 135524 Morrison Red Rocks Amphitheatre flac16; source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell udxl-II90, mx90, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> 16/44.1 > xACT flac; transferred and seeded by Rob Berger notes 1732. 07/29/82 Flac 24 - 0, 135532 Morrison Red Rocks Amphitheatre flac24; Recording Info: (FOB) (2)Beyer M160's + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller notes 1733. 07/29/82 Flac 16 - 0, 135533 Morrison Red Rocks Amphitheatre flac16; Recording Info: (FOB) (2)Beyer M160's + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller notes 1734. 07/29/82 Shn - 0, 4722 Morrison Red Rocks Amphitheatre nearly same info as previous shn set, but checksums differ for d1t1,8, d2t1, d3t1; unspecified editing or reDAE?; via Mike Lai; upgrade in circulation notes 1735. 07/29/82 Flac 16 - 0, 102039 Morrison Red Rocks Amphitheatre flac16; Nakamichi CM-300 shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris notes 1736. 07/29/82 Shn - 0, 4981 Morrison Red Rocks Amphitheatre FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression & Upload by Mike "dankstar" Parrillo; ; note another version circulates with some different md5s notes 1737. 07/29/82 Flac 2448 - 0, 138615 Morrison Red Rocks Amphitheatre flac24 48khz Source Audience Recording: Beyer M 201c Location: 110 feet from stage|DFC (1st row behind soundboard) Lineage: Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 All but Minglewood: equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost. set 2 equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes 1738. 07/29/82 Flac 16 - 0, 142568 Morrison Red Rocks Amphitheatre flac16; Marc Severson & Anonymous Recording (FOB): Nakamichi 700s > DBX box II > Master Cassette > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Flac 16/44 notes 1739. 07/29/82 Flac 16/44,1 - 0, 138614 Morrison Red Rocks Amphitheatre flac16 44.1khz Source Audience Recording: Beyer M 201c Location: 110 feet from stage|DFC (1st row behind soundboard) Lineage: Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 All but Minglewood: equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost. set 2 equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes 1740. 07/29/82 Flac 24/48 - , 156430 Morrison Red Rocks Amphitheatre flac2448; Source: BeyerDynamic mics > Sony TC-D5M > TDK MA-90s. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022 notes 1741. 07/31/82 Flac 16 Mtx - 0, 30625 Austin Manor Downs flac16; SBD/AUD matrix - Sick Bits Vol. 11 (edited/mixed from 2 previously circulating sources: SBD - shnID=3415, AUD - shnID=19017) - prepared by Chris Chappell notes 1742. 07/31/82 Flac 16 - 0, 112575 Austin Manor Downs fkac16: Exact "as is" untouched DAT transfers from Dick Latvala Transfered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz notes 1743. 07/31/82 Shn - 0, 13310 Austin Manor Downs Lineage: Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN; Cleanup of previous Jeff M seed (by Chris Perkins); See info file for details; upgrade in circulation notes 1744. 07/31/82 Flac 16 - 0, 31002 Austin Manor Downs flac16; SBD -> Cassette Master -> Dat (44.1k) Transferred and Edited By Charlie Mille notes 1745. 07/31/82 Shn - 0, 3419 Austin Manor Downs Soundboard> Master Cassette> Cassette> Dat> CDR> EAC> SHN; DAE (EAC) + SHN Encoding by Jeff M.; upgrade in circulation notes 1746. 07/31/82 Shn - 0, 19017 Austin Manor Downs MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes 1747. 07/31/82 Flac 24/48 - 0, 138617 Austin Manor Downs flac24 48khz Source Audience Recording: Beyer M 201c Location: 85 feet from stage|DFC (15 feet in front of soundboard) Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes 1748. 07/31/82 Flac 16 44,1 - 0, 138616 Austin Manor Downs flac16 44.1khz Source Audience Recording: Beyer M 201c Location: 85 feet from stage|DFC (15 feet in front of soundboard) Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes 1749. 07/31/82 Flac 16 - 0, 141511 Austin Manor Downs flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 1750. 08/01/82 Shn - 0, 10226 Oklahoma City Zoo Amphitheater SBD>MC>DAT>CD; Missing JBG & US Blues; via Steve Wigley; Seeded to etree by Willy notes 1751. 08/01/82 Flac 16 Mtx - 0, 124193 Oklahoma City Zoo Amphitheater flac16; 2 Source Matrix by dusborne; Soundboard (shnid:10226) SBD>MC>DAT>CD EAC/SHN by Willy and Audience (shnid:82883) Source: (FOB) Nakamichi CM-700s > Sony TC-D5M > MC > Cassette x2 Location: FOB, 12th Row, LOC Taper: David Seligman Transfer: 2nd GEN Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR >Lunatec V3 (@24 bit 96 kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer(dither) > 16 bit WAV > CD Wave Editor > TLH > FLAC16. Transfer, edits and conversion by Alex Ford notes 1752. 08/01/82 Flac 24 - 0, 124646 Oklahoma City Zoo Amphitheater flac24; Akg CE1 > Uher Cr240 > Tandberg Tcd-420A >1st Gen TDK SA-X 90 Tapes > Nak Dragon Tape Deck > Korg Mr1000 > Adobe Audition CS6 > Traders Little Helper notes 1753. 08/01/82 Flac 16 - 0, 82883 Oklahoma City Zoo Amphitheater flac16; (FOB) Nakamichi CM-700s > Sony TC-D5M > MC > Cassette x2 Taper: David Seligman Transfer: 2nd GEN Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3 (@24 bit 96 kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer(dither) > 16 bit WAV > CD Wave Editor > TLH > FLAC16. 2nd GEN cassettes provided by Jake Feinberg. Transfer, edits and conversion by Alex Ford 02/26/07. notes 1754. 08/01/82 Flac 16 - 0, 124647 Oklahoma City Zoo Amphitheater flac16; Akg CE1 > Uher Cr240 > Tandberg Tcd-420A >1st Gen TDK SA-X 90 Tapes > Nak Dragon Tape Deck > Korg Mr1000 > Adobe Audition CS6 > Traders Little Helper notes 1755. 08/01/82 Flac 16/44,1 - 0, 138679 Oklahoma City Zoo Amphitheater flac16 44.1khz Master: Nakamichi 300 guns 120 feet from stage|12 feet up|DFC >>Nakamichi 550 >>Sony TCD5M; Maxell XLII 90, Dolby B on Transfer: Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes 1756. 08/01/82 Flac 24/48 - 0, 138680 Oklahoma City Zoo Amphitheater flac24 48khz Master: Nakamichi 300 guns 120 feet from stage|12 feet up|DFC >>Nakamichi 550 >>Sony TCD5M; Maxell XLII 90, Dolby B on Transfer: Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes 1757. 08/01/82 Flac 16 - 0, 141594 Oklahoma City Zoo Amphitheater flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 1758. 08/01/82 Flac 16/44 - 0, 152430 Oklahoma City Zoo Amphitheater flac16/44 2 Beyerm160>Sony TCD5M Master Tape > SHN > CD > EAC > FLAC notes 1759. 08/01/82 Flac 16/44 - , 155757 Oklahoma City Zoo Amphitheater flac16/44 Master Audience Cassettes - recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Sony TC-D5M Cassette Deck (1st & 2nd Sets: Maxell MX 90 Cassettes), Dolby B Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR800 > CD Ohr : CD > EAC > WAV > FLAC notes 1760. 08/03/82 Flac 16 - 0, 77196 Kansas City Starlight Theater flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller notes 1761. 08/03/82 Flac 16 - 0, 30705 Kansas City Starlight Theater flac16; Sick Bits Vol. 12, SBD/AUD matrix of two previously circulating sources; SBD: shnid=19228, AUD: shnid=5984; edited and mixed by Chris Chappell. notes 1762. 08/03/82 Shn - 0, 19228 Kansas City Starlight Theater Lineage:SBD>MC>PCM>DAT>CDR Missippi Half-Step cuts in at 12 seconds, Cassidy has several cuts throughout , Let It Grow cuts at tailend as they play out to drums * Aud patch assumed from widely circulated audience source ; upgrade in circulation notes 1763. 08/03/82 Flac 16 - 0, 136587 Kansas City Starlight Theater flac16; AUD: FOB, Sennheiser 441's > Sony TC-D5 > MAC > (likely) 1st Gen, from the Brian Schley tape collection; Transfer: TDK-MA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. notes 1764. 08/03/82 Shn - 0, 5984 Kansas City Starlight Theater Recording by Paul Hogan. MC (FOB, 27th Row, , Senn 441's > Sony TC-D5) > DAT > CD; includes SBD: ? > C patches in d1t5,6 by Alan Fink; orig CD seed from Paul B.; note md5s for unpatched d1t5,6 are also included for reference notes 1765. 08/03/82 Flac 16 - 0, 121407 Kansas City Starlight Theater flac16; Set 2 Source (unconfirmed): AKG CE-1 > UHER CR-40 (cassette master audience); Transfer: unknown cassette > ? > CD; CD > FLAC notes 1766. 08/03/82 Flac 24/96 - 0, 131973 Kansas City Starlight Theater flac24; Aud -> AKG CE1s -> Uher CR240 cassette -> Uher Royal Deluxe 7.5 ips -> Korg MR1000 @24/96 -> AudioGate -> flac level 8; Recorded by Jimi, transferred to digital by CR. AudioGate was used for tracking only notes 1767. 08/03/82 Flac 16 - 0, 33614 Kansas City Starlight Theater flac16; Patch fix of shnid 19228 by Bill Tetzeli; Main source: SBD> MC> PCM> DAT> CDR> EAC> SHN; Patch source: MAC> DAT> CD> EAC> SHN; upgrade in circulation. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 1768. 08/03/82 Flac 24/48 - 0, 138619 Kansas City Starlight Theater flac24 48khz Master: Nakamichi cm300|cp4 shotgun capsules >> Nakamichi 550 >>Sony TCD5M 2nd in line; Maxell XLII 90, Dolby B on Location: set1] 100 feet from stage| 8 feet up|25 ft LOC set2] 85 feet from stage|10 feet up|5 ft LOC Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48|SD Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 20-400 Hz cut ~2.5dB down. Taped by: Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes 1769. 08/03/82 Flac 16.44,1 - 0, 138618 Kansas City Starlight Theater flac16 44.1khz Master: Nakamichi cm300|cp4 shotgun capsules >> Nakamichi 550 >>Sony TCD5M 2nd in line; Maxell XLII 90, Dolby B on Location: set1] 100 feet from stage| 8 feet up|25 ft LOC set2] 85 feet from stage|10 feet up|5 ft LOC Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48|SD Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 20-400 Hz cut ~2.5dB down. Taped by: Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes 1770. 08/03/82 Flac 24/96 - 0, 140037 Kansas City Starlight Theater flac24; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017 notes 1771. 08/03/82 Flac 16 - 0, 145217 Kansas City Starlight Theater flac16; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017; This file set is 16 bit @ 44.1 notes 1772. 08/04/82 Flac 16 - 0, 93839 St. Louis Kiel Auditorium flac16; Source: Soundboard Lineage: SBD > ? > PCM > played through HHb CDR800 for digital signal lock > DAT (probably Panasonic SV3500 or SV3700). DAT > PCM-M1 > S/Pdif > Protools 4.1.1 > Audiomedia III PCI card > Powermac G3/266 > Protools 4.1.1 > AIFF > Powermac G4 MDD/ Dual 1.42 > Audacity 1.2.6 (tracking in 1/75 second increments) > AIFF\'s > xACT 1.64 > FLAC via morst notes 1773. 08/04/82 Shn - 0, 7388 St. Louis Kiel Auditorium SBD>MasterCass>DAT>CD; via Scott Whitford; Seeded to etree by Willy notes 1774. 08/04/82 Flac 16 - 0, 136573 St. Louis Kiel Auditorium flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell UDXLII 90s. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. July 2016 notes 1775. 08/04/82 Flac 24/48 - 0, 138621 St. Louis Kiel Auditorium flac24 48khz Source Audience Master Recording: Beyer M 201c Location: 25 feet from RT stacks (on axis with RT stack)|side section about 15 rows off floor Lineage: Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II Dolby B ON Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with overall bass boost below 400Hz, & some mid cut. set 2 equalized with less bass boost. Taped by: Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes 1776. 08/04/82 Flac 16 44,1khz - 0, 138620 St. Louis Kiel Auditorium flac16 44.1khz Source Audience Master Recording: Beyer M 201c Location: 25 feet from RT stacks (on axis with RT stack)|side section about 15 rows off floor Lineage: Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II Dolby B ON Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with overall bass boost below 400Hz, & some mid cut. set 2 equalized with less bass boost. Taped by: Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes 1777. 08/04/82 Flac 16 - 0, 141652 St. Louis Kiel Auditorium flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 1778. 08/04/82 Flac 24/48 - , 153018 St. Louis Kiel Auditorium flac2448; Source: FOB Beyers mics > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2021 notes 1779. 08/06/82 Flac 16 Mtx - 0, 101618 St. Paul St. Paul Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) notes 1780. 08/06/82 Flac 16 - 0, 118462 St. Paul St. Paul Civic Center flac16; Recording Info: SBD -> Cassette Master -> Cassette (Sony TC-D5M/Dolby B/TDK MA-C90); Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 1781. 08/06/82 Flac 16 Mtx - 0, 125889 St. Paul St. Paul Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging and embedded cover art) notes 1782. 08/06/82 Shn - 0, 16043 St. Paul St. Paul Civic Center S : MC > C1 > DAT > CDR > SHN Steve Apria's soundboard master cassette->Mark Cohen's cassette->DAT->CDR->.WAV->SHN (Steve Apria lost the master cassette years ago); Identical to previous sbd seed, except for d1t's 6&7; Aud patch in El Paso and silence removed from Bird Song by Darryl Hinko; See info file for details notes 1783. 08/06/82 Shn - 0, 15028 St. Paul St. Paul Civic Center S : MC > C1 > DAT > CDR > SHN Steve Apria's soundboard master cassette->Mark Cohen's cassette->DAT->CDR->.WAV->SHN (Steve Apria lost the master cassette years ago); Thanks to John Horzepa for seeding this!; Seeded to Etree by Alan J Fink; upgrade in circulation notes 1784. 08/06/82 Shn - 0, 7288 St. Paul St. Paul Civic Center Recording by Ohr Weinberg from behind the stage: Sony ECM 23-F's >Aud Master; A>D transfer by Jim Wise; via Todd Norman; Note- May circ with Goin Down the Road mislabeled as Good Lovin notes 1785. 08/06/82 Flac 24/48 - 0, 144702 St. Paul St. Paul Civic Center flac24; Source: BeyerDynamic M88's > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2019 notes 1786. 08/07/82 Shn - 0, 6148 East Troy Alpine Valley Music Theatre sbd> mc> pcm> dats> wave> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT notes 1787. 08/07/82 Shn - 0, 7720 East Troy Alpine Valley Music Theatre SBD > PCM > ? > D > Serafin Station mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes notes 1788. 08/07/82 Shn - 0, 7689 East Troy Alpine Valley Music Theatre SBD : MC > MR > DAT > CDR Transfer done by Jim Wise notes 1789. 08/07/82 Flac 16 - 0, 92183 East Troy Alpine Valley Music Theatre flac16; Set 2 - Master Cassette recorded by Ohr Weinberg: (20th row, center, 8ft stand)2 Sony ECM-23F microphones (90 degrees, coincident)-> Sony TC-D5M -> 2 Maxell XLII-S 90 Cassettes w/ Dolby B. Transfer by Ohr Weinberg: Master Cassette -> Nakamichi Dragon -> HHB CDR830 Plus -> EAC -> CDWave -> FLAC notes 1790. 08/07/82 Flac 16 - 0, 83513 East Troy Alpine Valley Music Theatre flac16; Source: *Mics>Sony D5M>Master Cass.>1st Gen Location: FOB, exact location and stand height unknown Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: *Unknown Transfer and upload by Tony Suraci notes 1791. 08/07/82 Flac 16 - 0, 137625 East Troy Alpine Valley Music Theatre flac16; Recording Info: SBD > Cassette Master > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller notes 1792. 08/07/82 Flac 24/48 - 0, 138632 East Troy Alpine Valley Music Theatre flac24 48khz Set 2 only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard) Lineage: Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook notes 1793. 08/07/82 Flac 16/44,1 - 0, 138622 East Troy Alpine Valley Music Theatre flac16 44.1khz Set two only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard) Lineage: Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook notes 1794. 08/07/82 Flac 16 - 0, 141795 East Troy Alpine Valley Music Theatre flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 1795. 08/07/82 Flac 16 Mtx - , 165372 East Troy Alpine Valley Music Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 137625 & 83513. notes 1796. 08/07/82 Flac 24/48 - , 156451 East Troy Alpine Valley Music Theatre flac2448; 1st Set; Source: BeyerDynamic mics > Sony TC-D5M > TDK MA-90. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022 notes 1797. 08/08/82 Shn - 0, 333 East Troy Alpine Valley Music Theatre no source info; via D. Barrick; no d3 .md5 available originally- one shown here supplied by J. Primozic from his copy notes 1798. 08/08/82 Shn - 0, 7690 East Troy Alpine Valley Music Theatre SBD : MC > MR > DAT > CDR Transfer done by Jim Wise notes 1799. 08/08/82 Shn - 0, 15580 East Troy Alpine Valley Music Theatre Soundboard cassette-> Reel-> DAT-> CDR-> .WAV-> SHN-> WAV-> SF 5.0 (retrack, d/o fixes)-> CD WAVE-> SHN, by Skankweed; Retrack/fix of previously circulating version of Merry Pranksters tree which is NOT listed here at db.etree.org notes 1800. 08/08/82 Flac 24 - 0, 138625 East Troy Alpine Valley Music Theatre flac24 48khz Master: Nakamichi 300 guns with NAK 300 center "blend" mic -> Nak MX 100 3 channel mixer 100 feet from stage|5 feet up|15 feet ROC-Right front Corner SBD >>Nakamichi 550 >>Sony TCD5 2nd in line; Maxell XLII 90, Dolby B on Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook notes 1801. 08/08/82 Flac 16 44,1khz - 0, 138624 East Troy Alpine Valley Music Theatre flac16 44.1khz Master: Nakamichi 300 guns with NAK 300 center "blend" mic -> Nak MX 100 3 channel mixer 100 feet from stage|5 feet up|15 feet ROC-Right front Corner SBD >>Nakamichi 550 >>Sony TCD5 2nd in line; Maxell XLII 90, Dolby B on Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook notes 1802. 08/08/82 Flac 24 - 0, 140124 East Troy Alpine Valley Music Theatre flac24; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24 notes 1803. 08/08/82 Flac 16 - 0, 140500 East Troy Alpine Valley Music Theatre flac16; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24 notes 1804. 08/08/82 Flac 16 - 0, 141498 East Troy Alpine Valley Music Theatre flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)(Harvey Lubar transfer)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 1805. 08/08/82 Flac 24/96 - 0, 144731 East Troy Alpine Valley Music Theatre flac24; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF-1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 1806. 08/08/82 Flac 16/48 - 0, 144730 East Troy Alpine Valley Music Theatre flac16/48kHz; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF-1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1807. 08/10/82 Flac 16 - 0, 102577 Iowa City University Of Iowa Fieldhouse flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1808. 08/10/82 Flac 16 Mtx - 0, 102902 Iowa City University Of Iowa Fieldhouse flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes 1809. 08/10/82 Flac 16 Mtx - 0, 92073 Iowa City University Of Iowa Fieldhouse flac16; MATRIX MIX: About 50%AUD/50%SBD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 7/25/07 Remastered 06/01/08; remastered version of shn id 86585 notes 1810. 08/10/82 Flac 16 Mtx - 0, 86585 Iowa City University Of Iowa Fieldhouse MATRIX MIX: 50% AUD/50% SBD using AKG CE-1 (4th row) > UHER CR-240 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x2) > EAC > FLAC (tracking with CDWAV) Taped by Kenny Mance (shn id 82875) and SBD -> Cm -> Dat -> Samplitude 2496 v6.0 -> CD -> EAC -> SHN (shn id 12453) Note: a SBE fixed version was also circulated. notes 1811. 08/10/82 Shn - 0, 334 Iowa City University Of Iowa Fieldhouse SBD > Master Cassette > DAT > Digidesign/Audio Media > DAT; Transfer: DAT > WAV (via TB Fiji S/PDIF) > SHN; via A. Gustin, J. Kempka; 4/19/82 filler; upgrade in circulation notes 1812. 08/10/82 Flac 16 - 0, 82875 Iowa City University Of Iowa Fieldhouse flac16; AKG CE-1 (4th row) > UHER CR-240 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x2) > EAC > FLAC (tracking with CDWAV) Taped by Kenny Mance. EAC to FLAC by cbass 2/25/07 notes 1813. 08/10/82 Shn - 0, 12453 Iowa City University Of Iowa Fieldhouse SBD -> Cm -> Dat -> Samplitude 2496 v6.0 -> CD -> EAC -> SHN; via Charlie Miller notes 1814. 08/10/82 Flac 16 - 0, 137640 Iowa City University Of Iowa Fieldhouse flac16; Source: Audience Recording > AKG CE-1 mics > Uher Cr-240 > master cassette; Taped by Jim Mance; Transfer: master cassette > Nakamichi Dragon > Sony R700 DAT > Sony PCM p-700 DAT @ 44.1k > Digital Audio Labs Card Deluxe > wav 16/44.1 by Jim Wise; Lineage: wav 16/44.1 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited by SIRMick notes 1815. 08/10/82 Flac 24 - 0, 139779 Iowa City University Of Iowa Fieldhouse flac24; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90); Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017 notes 1816. 08/10/82 Flac 24/96 - 0, 140989 Iowa City University Of Iowa Fieldhouse flac24; Source Info: Dan Healy's Master Soundboard Cassette (Sony D5)> Frank Streeter's 1st generation Reel to Reel (Sony TC-770, Maxell UD); Transfer Info: 1st generation Reels (Technics RS 1506)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 notes 1817. 08/10/82 Flac 16 - 0, 140988 Iowa City University Of Iowa Fieldhouse flac16; Source Info: Dan Healy's Master Soundboard Cassette (Sony D5)> Frank Streeter's 1st generation Reel to Reel (Sony TC-770, Maxell UD); Transfer Info: 1st generation Reels (Technics RS 1506)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp notes 1818. 08/10/82 Flac 16 - 0, 145223 Iowa City University Of Iowa Fieldhouse flac16; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90); Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017; This file set is 16 bit @44.1 notes 1819. 08/10/82 Flac 24/44 - , 152133 Iowa City University Of Iowa Fieldhouse flac24/44 AKG CE-1 (4th row, Dead Center) > UHER CR-240 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x2) > EAC > FLAC (tracking with CDWAV) Taped by Craig Rogers Transferred, tracked, and patched by Jim Wise patch s2t13 from 1:44 to 2:50 unknown source EAC to FLAC by cbass 2/25/07 Mastered by Craig Rogers 11/30/18 This is a mastered version of the raw transfer, shnid: 82875 It required quite significant EQ and became a much bigger file so it is now 24 bit. This recording has been erroneously credited to one or the other of the Mance brothers. Endless thanks to Jerry Garcia for his permission and providing the tickets. This is an Uher Archive production. uherarchive@live.com notes 1820. 08/10/82 Flac 16/44 - , 155680 Iowa City University Of Iowa Fieldhouse flac16/44 Master Audience Cassettes - recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Sony TC-D5M Cassette Deck (1st & 2nd Sets: Maxell XLII-S 90 Cassettes), Dolby B Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR830Plus > CD Ohr : CD > EAC > WAV > FLAC notes 1821. 08/28/82 Flac 16 - 0, 106166 Veneta Oregon Country Fair flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 1822. 08/28/82 Shn - 0, 2333 Veneta Oregon Country Fair sdb> cassette master> cassette> cdr; transfer by Mike Lai from Bruce Fried's seed; reportedly stemming from Rock Scully notes 1823. 08/28/82 Flac 16 - 0, 34933 Veneta Oregon Country Fair flac16; sbd>>cassette master>>cassette>>cdr>>WAV>>shn>>wav>>flac - fix of shn id 2333. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 1824. 08/28/82 Flac 16 - 0, 106749 Veneta Oregon Country Fair flac16;Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; fix of shnid 106166; Upgrade in circulation notes 1825. 08/28/82 Flac 16 - 0, 112828 Veneta Oregon Country Fair flac16;Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; This is a re-patch of source ID 106749 notes 1826. 08/28/82 Flac 16 - 0, 112955 Veneta Oregon Country Fair flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony TC-D5M/Maxell XLIIS/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller notes 1827. 08/28/82 Flac 16 - 0, 141624 Veneta Oregon Country Fair flac16; Source Info: Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (dolby B)(taper unknown) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 1828. 08/28/82 Flac 16 - 0, 79350 Veneta Oregon Country Fair flac16; Set 2 only - 1st Gen: (FOB) Nakamichi CM 300s w/ CP4 shotgun capsules > ?? > master audience cassette Master audience cassette > cassette (Maxell XLII-S 90) Taper: David Fleishner 1st Gen cassette provided by Jake Feinberg. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford 10/20/2006. notes 1829. 08/29/82 Shn - 0, 17957 Seattle Seattle Center Coliseum (FOB) Nak 300/CP4 > Cm > Dat > Sound Forge > CD > EAC > SHN encoded by Charlie Miller notes 1830. 08/29/82 Flac 24 - 0, 140735 Seattle Seattle Center Coliseum flac24; partial source: sbd unknown gen cassette; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger notes 1831. 08/29/82 Flac 16 - 0, 140984 Seattle Seattle Center Coliseum flac16; partial source: sbd unknown gen cassette; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger notes 1832. 08/29/82 Flac 16 - 0, 142688 Seattle Seattle Center Coliseum flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 1833. 08/29/82 Flac 24/96 - 0, 148748 Seattle Seattle Center Coliseum flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 1834. 08/29/82 Flac 16/48 - 0, 148747 Seattle Seattle Center Coliseum flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1835. 08/29/82 Flac 16/48 LPCM - , 156590 Seattle Seattle Center Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid 142688) Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 + AUD (shn id 148747) Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp - surround mixing by Kevin Tobin notes 1836. 08/29/82 Dts Audio 5.1 - , 156589 Seattle Seattle Center Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid 142688) Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 + AUD (shn id 148747) Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp - dts mixing by Kevin Tobin notes 1837. 08/29/82 Flac 16 Mtx - , 156588 Seattle Seattle Center Coliseum flac16; Matrix 2 Source Mix - SBD (shnid 142688) Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 + AUD (shn id 148747) Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp - matrix mixing by Kevin Tobin notes 1838. 09/05/82 Flac 16 - 0, 113726 Devore US Festival, Glen Helen Regional Park flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD -> SHN; Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes 1839. 09/05/82 Flac 16 - 0, 106681 Devore US Festival, Glen Helen Regional Park flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller notes 1840. 09/05/82 Shn - 0, 5490 Devore US Festival, Glen Helen Regional Park SBD: MC > DAT > CDR; From Jack Warner; with AUD patches in d1t1,2 by Alan J. Fink; cuts in d1t7 and between d1t5>6 notes 1841. 09/05/82 Flac 16 - 0, 87210 Devore US Festival, Glen Helen Regional Park flac16; source : Nakamichi CM300 shotguns > Technics 686 > Maxell UD XL II transfer : mac > Nakamichi 680ZX > Tascam CD RW5000 > Bias Peak 3.21 on G4 Powerbook > wav > flac (on 9/13/2007 a fixed version of this source was circulated; the info file for the fixed version is below. Please do not circulate the original source.) notes 1842. 09/05/82 Flac 16/48 - 0, Devore US Festival, Glen Helen Regional Park notes 1843. 09/05/82 Flac 16/48 - 0, 142714 Devore US Festival, Glen Helen Regional Park flac16/48kHz; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (wav 16-bit/48k)> Adobe Audition 3.0 > TLH flac16 notes 1844. 09/05/82 Flac 24/96 - 0, 149978 Devore US Festival, Glen Helen Regional Park b>flac24; Ben Lukosky's Master Audience Cassettes; FOB Sennheiser 421 mics > Sony D5 (Maxell MX-90) Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496; Transferred and Mastered by gsarchivist; Speed Correction by Jason Chastain notes 1845. 09/09/82 Shn - 0, 11735 New Orleans Saenger Performing Arts Center SBD> MC> PCM> DAT> CD; With aud patches; See info file for details; Missing both encores; via Kevin Gills; Seeded to etree by Willy; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments) notes 1846. 09/09/82 Flac 16 - 0, 123191 New Orleans Saenger Performing Arts Center flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller notes 1847. 09/09/82 Flac 16 - 0, 134287 New Orleans Saenger Performing Arts Center flac16; SBD>MC>PCM>DAT>CD; source ID 11735 with pre-emphasis removed, FLAC, tags using xAct 2.36 notes 1848. 09/09/82 Flac 24/96 - 0, 140051 New Orleans Saenger Performing Arts Center flac24; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick notes 1849. 09/09/82 Flac 16/48 - 0, 142762 New Orleans Saenger Performing Arts Center flac16/48kHz; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (wav 16-bit/48k)> Adobe Audition 3.0 > TLH flac1648; the original version had a duplicate "Space" ("Drums > Space" were 1 track, followed by "Space" again) notes 1850. 09/09/82 Flac 16 - 0, 145246 New Orleans Saenger Performing Arts Center flac16; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; This file set is 16 bit @ 44.1 notes 1851. 09/09/82 Flac 24/48 - 0, 149747 New Orleans Saenger Performing Arts Center flac24; Source: Set One & Encore, Unknown AUD > MAC > 1st Gen copy (see note) and; Set Two, Beyers-Dynamic M160's > Sony TC-D5 > MAC. Recording by Rip Tompkins & with thanks to Richie Stankiewicz! Transfer: TDK MA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 04/2020 notes 1852. 09/11/82 Shn - 0, 2192 West Palm Beach West Palm Beach Civic Center Master Soundboard Cassette > Reel to Reel > DAT> CDR; with patches from FOB Nak CM300 (see info file); via Scott Clugston to abgd and etree notes 1853. 09/11/82 Flac 16 - 0, 122155 West Palm Beach West Palm Beach Civic Center flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell MX-90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter notes 1854. 09/11/82 Flac 16 - 0, 85854 West Palm Beach West Palm Beach Civic Center flac16; Source: Two AUD cassette sources of unknown lineage. Transfer: Cassettes > Sony TC-D5M > Audiophile 2496 Analog RCA Input > Soundforge > CD-Wave > TLH > FLAC, June 2007. notes 1855. 09/11/82 Flac 16 Mtx - 0, 122988 West Palm Beach West Palm Beach Civic Center flac16; 2 source Matrix using SDB (shnid=2192) and AUD (shnid=122155) notes 1856. 09/11/82 Flac 24 - 0, 122154 West Palm Beach West Palm Beach Civic Center flac24; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell MX-90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter notes 1857. 09/11/82 Flac 16 - 0, 137379 West Palm Beach West Palm Beach Civic Center flac16; 10th Row Center; Nakamichi CM-300 > Sony TC-D5 > MC > DAT; DAT(c) @ 44.1 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (align on sector boundaries, flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell notes 1858. 09/11/82 Flac 16 Mtx - 0, 146916 West Palm Beach West Palm Beach Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) of shnid's 2192 and 122155 notes 1859. 09/11/82 Flac 16/44 - , 155686 West Palm Beach West Palm Beach Civic Center flac16/44 Recording Info: SBD > Cassette Master > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition > Samplitude Pro X6 Suite > FLAC notes 1860. 09/12/82 Flac 16 - 0, 114138 Lakeland Lakeland Civic Center flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v1.5 -> FLAC; This is a re-master of Source ID 7826; All Transfers and Mastering By Charlie Miller notes 1861. 09/12/82 Flac 16 - 0, 135162 Lakeland Lakeland Civic Center flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell MX-90. FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2016 notes 1862. 09/12/82 Flac 24/48 - 0, 135161 Lakeland Lakeland Civic Center SHNID: 135161 notes 1863. 09/12/82 Flac 16 - 0, 122168 Lakeland Lakeland Civic Center flac16; Recording Info: Sennheiser 441 -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; All Transfers and Mastering By Charlie Miller notes 1864. 09/12/82 Flac 24 - 0, 122169 Lakeland Lakeland Civic Center flac24; Recording Info: Sennheiser 441 -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded By Frank Streeter; All Transfers and Mastering By Charlie Miller notes 1865. 09/12/82 Flac 24/96 - 0, 144362 Lakeland Lakeland Civic Center b>flac24; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 1866. 09/12/82 Flac 16/48 - 0, 144361 Lakeland Lakeland Civic Center flac16/48kHz; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1867. 09/12/82 Shn - 0, 7826 Lakeland Lakeland Civic Center SBD>Cm>Reel>Dat>CD. via Paul B.; Chris Ladner; Upgrade in circulation notes 1868. 09/12/82 Flac 24/48 - , 152842 Lakeland Lakeland Civic Center flac2448; Source: Beyers mics > Sony TC-D5M > Maxell XLII-S 90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B out) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021 notes 1869. 09/14/82 Shn - 0, 20906 Charlottesville University Hall, University Of Virginia Recording Info: 1st Set: Beyer M160 -> Cassette Master (Sony D5) -> Dat -> CD -> EAC -> SHN 2nd Set: SBD -> Cassette Master -> Reel -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller notes 1870. 09/14/82 Flac 16 - 0, 121944 Charlottesville University Hall, University Of Virginia flac16; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Maxell XLII-S/TDK MA-R); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter notes 1871. 09/14/82 Shn - 0, 7547 Charlottesville University Hall, University Of Virginia Master Soundboard Cassette > Reel to Reel > DAT > CDR, CD Re-Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston 1/3/02, posted to abgd via Charlie Connor notes 1872. 09/14/82 Flac 24 - 0, 121943 Charlottesville University Hall, University Of Virginia flac24; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Maxell XLII-S/TDK MA-R); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter notes 1873. 09/14/82 Flac 24/48 - 0, 146663 Charlottesville University Hall, University Of Virginia flac24; Source: FOB Beyers M88's > Sony TC-D5M > Maxell XLIIS-90 (1st Set, He's Gone, and JBGoode) and TDK MA-90 (2nd Set). Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 06/2019 notes 1874. 09/14/82 Flac 16/44 - , 155665 Charlottesville University Hall, University Of Virginia flac16/44 Recording Info: SBD > Cassette Master > Cassette > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition > Samplitude Pro X6 Suite > FLAC/16 (2 Discs Audio / 1 DVD FLAC) notes 1875. 09/15/82 Flac - 0, 118440 Landover Capital Centre flac16; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller notes 1876. 09/15/82 Shn - 0, 11881 Landover Capital Centre Master Sondboard Cassette > PCM > CDR; With Audience Patches; Patching/CD Mastering by Scott Clugston; SHN'ed and Seeded to fungus by Scott Clugston; also to abgd via Charlie Connor notes 1877. 09/15/82 Flac - 0, 118451 Landover Capital Centre flac24; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/24; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller notes 1878. 09/15/82 Flac 24 - 0, 134869 Landover Capital Centre flac24; AUD: Nakamichi CM300/CP-4 shotguns > Sony TC-D5 > Maxell XLII. Set up inside SBD perimeter area for 1st Set, mics moved onto SBD platform for 2nd Set, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2015 notes 1879. 09/15/82 Flac - 0, 134870 Landover Capital Centre flac16; AUD: Nakamichi CM300/CP-4 shotguns > Sony TC-D5 > Maxell XLII. Set up inside SBD perimeter area for 1st Set, mics moved onto SBD platform for 2nd Set, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2015 notes 1880. 09/15/82 Flac - 0, 81690 Landover Capital Centre flac16; Recording by Tiger Rose - FOB Nak shotgun mics > Sony TC-D5. MAC > CD Analog to Digital transfer by David Howard." Transfer: CDR > EAC > WavMerge > Soundforge (on d2t12) > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC notes 1881. 09/15/82 Shn - 0, 8550 Landover Capital Centre combination SBD (Jim Wise) and FOB Nak shotguns (Tiger Rose, David Howard) - see notes in info file; Patching, tracking and Shn encoding by Sean Cribbs; Upgrade in circulation notes 1882. 09/15/82 Flac 16 - 0, 124586 Landover Capital Centre flac16; Recording Info: SBD -> Master Cassette -> Reel -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a remaster of source ID 8550 notes 1883. 09/15/82 Flac 16/48 - 0, 152347 Landover Capital Centre flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (3)Beyer M160 mics > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes 1884. 09/15/82 Flac 24/96 - 0, 152348 Landover Capital Centre flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (3)Beyer M160 mics > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes 1885. 09/17/82 Flac Mtx - 0, 82208 Portland Cumberland County Civic Center flac16; SBD + AUD Matrix - 4 Source Mix consisting of SBD Set 1 Recording: SBD > Dolby B metal cassette master, SBD Set 2 Recording: SBD > ? (likely cassette master), AUD1 FOB: Nak 700s > Sony D5 Cassette master recorded by Mark Cohen, AUD2 Master FOB Audience Cassette > Nak CM300 mics > Sony D5, AUD3 Unknown AUD notes 1886. 09/17/82 Flac - 0, 80770 Portland Cumberland County Civic Center flac16; Recording/Transfer Info: Set 1 - Recording: SBD > Dolby B metal cassette master Playback: Dolby B metal cassette master > 20-bit SBM2 > CDR (David Gans master) > EAC > SoundForge (create tracks) > CDR (Gen 1) > EAC > Flac Set 2 - Recording: SBD > ? (likely cassette master) Playback: ? > DAT (x N) > Delta Dio 24/96 > Cool Edit 2000 > CD Wave Editor > Flac All Transfers By Rob Harrison notes 1887. 09/17/82 Flac Dts 5.1 - 0, 82184 Portland Cumberland County Civic Center DTS Audio 5.1; 4 Source Mix: SBD Set 1. Recording: SBD > Dolby B metal cassette master, SBD Set 2. Recording: SBD > ? (likely cassette master), AUD1 FOB: Nak 700s > Sony D5 Cassette master recorded by Mark Cohen, AUD2 Master FOB Audience Cassette > Nak CM300 mics > Sony D5, and AUD3 Unknown AUD notes 1888. 09/17/82 Shn - 0, 18105 Portland Cumberland County Civic Center partial set 2 SBD>C or C1>D>CD>EAC>WAV>SHN via Fishman; upgrade in circulation notes 1889. 09/17/82 Flac - 0, 99888 Portland Cumberland County Civic Center flac16; (FOB) Nakamichi CM-300's (CP-1) > Cassette Master (Sony TCD5M/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009 notes 1890. 09/17/82 Flac - 0, 99679 Portland Cumberland County Civic Center flac16; AUD: 3x Nakamichi CM300's > Nakamichi 550 > Maxell XLII-S. Set up in the row of tapers directly behind the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 2496. Transfer by Andrew F. 06/2009 notes 1891. 09/17/82 Flac 24 - 0, 135445 Portland Cumberland County Civic Center flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, mics set-up on the SBD platform, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2016 notes 1892. 09/17/82 Flac - 0, 135446 Portland Cumberland County Civic Center flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, mics set-up on the SBD platform, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016 notes 1893. 09/17/82 Flac 24 - 0, 111030 Portland Cumberland County Civic Center flac24; (FOB) Nakamichi CM-300's (CP-1) > Cassette Master (Sony TCD5M/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded on the floor FOB by Bob Morris notes 1894. 09/17/82 Flac - 0, 119075 Portland Cumberland County Civic Center flac16; lineage: nakamichi 300 fob> d-5sony> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 1895. 09/17/82 Shn - 0, 18985 Portland Cumberland County Civic Center Recording by Mark Cohen Nak 700s> Sony D5, A:D by Mark Cohen, D>SHN by David Minches notes 1896. 09/17/82 Shn - 0, 2577 Portland Cumberland County Civic Center complete; marked sbd (see user comments concerning audience or matrix) ; via Mike Lai from Bruce Fried seed; d1 md5s identical to previous shn set; tracked for 2x80 notes 1897. 09/17/82 Flac - 0, 91483 Portland Cumberland County Civic Center flac16; AUD: FOB, Sennheiser MD-421's > Sony TC-D5. Concert recording and transfer to CDR by Jim Wise. CDR > EAC > WavMerge > CD-Wave > Soundforge > TLH > FLAC notes 1898. 09/17/82 Flac 24 - 0, 139320 Portland Cumberland County Civic Center flac24 48khz Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on. Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48. Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac). Taped by: Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager. Transferred by: Kyle Holbrook notes 1899. 09/17/82 Flac - 0, 139319 Portland Cumberland County Civic Center flac16 44.1khz Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on. Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48. Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac). Taped by: Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager. Transferred by: Kyle Holbrook. notes 1900. 09/17/82 Flac 24/96 - 0, 142824 Portland Cumberland County Civic Center flac24; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes 1901. 09/17/82 Flac 16/48 - 0, 142823 Portland Cumberland County Civic Center flac16/48kHz; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 1902. 09/17/82 Flac 24/96 - 0, 99678 Portland Cumberland County Civic Center flac24; AUD: 3x Nakamichi CM300's > Nakamichi 550 > Maxell XLII-S. Set up in the row of tapers directly behind the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. notes 1903. 09/17/82 Shn - 0, 335 Portland Cumberland County Civic Center Master FOB Audience Cassette > Nak CM300 mics > Sony D5: master cassette played back via a Nakamichi DR-1 > HHB 850 > EAC for DAE to Harddrive > CEP > CDWave > CDRWin > Yamaha CR8424 CDR; via S. Clugston, L. Revell notes 1904. 09/17/82 Flac 24/96 - 0, 144657 Portland Cumberland County Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 1905. 09/17/82 Flac 16 - 0, 144658 Portland Cumberland County Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 1906. 09/17/82 Flac 16 Mtx - , 152910 Portland Cumberland County Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 80770 & 91483, plus 135446 for two songs. notes 1907. 09/18/82 Flac 16 - 0, 107429 Boston Boston Garden flac16; SBD->Cassette Master(Dolby)>Cassette>CD>EAC>SHN>WAV>CE Processing>FLAC notes 1908. 09/18/82 Flac 16 - 0, 123061 Boston Boston Garden flac16; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1909. 09/18/82 Flac 16 - 0, 97590 Boston Boston Garden flac16; AUD: 2x Nakamichi CM300's with CP4 shotguns (L+R), plus 1x Nakamichi CM300 with CP1 cardioid (blend mic) > Nakamichi 550 > Maxell XLII-S 90's. Mics on stand, set up in center right section riser, just off the floor. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-8 (w/no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. Andrew F. 02/2009. notes 1910. 09/18/82 Shn - 0, 2335 Boston Boston Garden sdb> cassette master> cassette> cdr; transfer by Mike Lai from Bruce Fried seed; note a subsequent copy (b) at Mike's site 1/18 has all different md5s; upgrade in circulation notes 1911. 09/18/82 Flac 16 - 0, 98059 Boston Boston Garden flac16; Recording Info: (FOB) Nakamichi 300/CP4 -> Cassette Master (Sony TC-D5M/Maxell UDXLII); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v8.0 -> FLAC/16; Recorded By Bob Morris; All Transfers and Mastering By Charlie Miller notes 1912. 09/18/82 Flac 16 - 0, 119221 Boston Boston Garden flac16; Updated Source Info: This source is derived from source ID 3153 (Had been marked: sbd> d-5sony> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8); Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 1913. 09/18/82 Flac 24/96 - 0, 98061 Boston Boston Garden flac24;Recording Info: (FOB) Nakamichi 300/CP4 -> Cassette Master (Sony TC-D5M/Maxell UDXLII); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v8.0 -> FLAC/24; Recorded BY Bob Morris; All Transfers and Mastering By Charlie Miller notes 1914. 09/18/82 Flac 24/96 - 0, 144662 Boston Boston Garden flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 1915. 09/18/82 Flac 16 - 0, 144663 Boston Boston Garden flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 1916. 09/18/82 Shn - 0, 3153 Boston Boston Garden SBD> CAS/1 (Dolby)> CD; via Michael K. Weise; reported upgrade relative to previously circulating shn set notes 1917. 09/18/82 Flac 16 - 0, 150660 Boston Boston Garden flac16; Recording Info: AUD > Cassette Master; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 1918. 09/18/82 Flac 16 Mtx - 0, 150788 Boston Boston Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 123051 & 98059. notes 1919. 09/20/82 Flac 16 Mtx - 0, 97897 New York Madison Square Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes 1920. 09/20/82 Flac 16 - 0, 88857 New York Madison Square Garden flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v.20 -> FLAC All Transfers and Mastering By Charlie Miller (Pitch correction of shn id 77482.) notes 1921. 09/20/82 Shn - 0, 15806 New York Madison Square Garden 1st set only; SBD>Cm>Cass>CD; Seeded to etree by charlie miller and neil sturtevant; upgrade in circulation notes 1922. 09/20/82 Shn - 0, 18113 New York Madison Square Garden Set 2 SBD>Cm>Cass>CD via Charlie Miller; upgrade in circulation notes 1923. 09/20/82 Flac 16 - 0, 122089 New York Madison Square Garden flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter notes 1924. 09/20/82 Shn - 0, 19145 New York Madison Square Garden Recording by Mark Cohen Nak 700s> Sony D5 , A>D by Mark Coehn, D>SHN by David Minches notes 1925. 09/20/82 Flac 16 - 0, 119120 New York Madison Square Garden flac16; Updated Source Info: Recording by Jim Wise Sennheiser 421's (18th row - Center) > Sony TC-D5 > Master Cassette > ? > FLAC (Had been marked: lineage: nakamichi 300 (fob)> d-5> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8); Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 1926. 09/20/82 Shn - 0, 3151 New York Madison Square Garden Recording by Jim Wise Sennheiser 421's (18th row - Center) > Sony TC-D5 > Master Cassette > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1) > EAC(tracked with Addawav & CDWav) >SHN; transferred by Jim Wise; upload by Darrin Sacks notes 1927. 09/20/82 Flac 1644 - 0, 118799 New York Madison Square Garden flac16; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, from the end of floor riser, fifteen rows up, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. February 2012 notes 1928. 09/20/82 Flac 24 - 0, 122088 New York Madison Square Garden flac24; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recoded by Frank Streeter notes 1929. 09/20/82 Flac 24/48 - 0, 118798 New York Madison Square Garden flac24; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, from the end of floor riser, fifteen rows up, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. February 2012 notes 1930. 09/20/82 Flac 16 - 0, 77482 New York Madison Square Garden flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC ; upgrade in circulation notes 1931. 09/21/82 Flac 16 Mtx - 0, 97705 New York Madison Square Garden flac 16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes 1932. 09/21/82 Flac 16 - 0, 109209 New York Madison Square Garden flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC All Transfers and Mastering By Charlie Miller notes 1933. 09/21/82 Flac 16 - 0, 34723 New York Madison Square Garden flac16; Seamless fix of shn id 13306 - msc>dat>cd>wav>shn>wav>flac by Bill Tetzeli notes 1934. 09/21/82 Shn - 0, 13306 New York Madison Square Garden csbd>dat>cd (unconfirmed); Seeded to etree by C. Perkins ; upgrade in circulation notes 1935. 09/21/82 Flac 16 - 0, 33684 New York Madison Square Garden flac16; SBD -> Cassette Master -> Dat All Transfers and Mastering By Charlie Miller notes 1936. 09/21/82 Flac 16 - 0, 34754 New York Madison Square Garden flac16; Pitch corrected version of shn id 33684: SBD -> Cassette Master -> Dat by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 1937. 09/21/82 Flac 16 - 0, 105339 New York Madison Square Garden flac16; Nak 300 shotguns > Sony TCD-5M> Digitized 24-48 Sound Forge 7.0 > CD wave > Flac.16 Recorded by DDyche notes 1938. 09/21/82 Flac 16 - 0, 119147 New York Madison Square Garden flac16; Updated Source Info: Sennheiser 421's (18th row - Center) > Sony TC-D5 > Master Cassette > ? > FLAC (Hade been Marked: lineage: nak 300 (fob)> d-5sony> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8); Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 1939. 09/21/82 Shn - 0, 3152 New York Madison Square Garden Sennheiser 421's (18th row - Center) > Sony TC-D5 > Master Cassette > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1) > EAC(tracked with Addawav & CDWav) >SHN; taped and transferred by Jim Wise; upload by Darin Sacks notes 1940. 09/21/82 Flac 16/48 - 0, 142918 New York Madison Square Garden flac16/48kHz; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (wav 16-bit/48k)> Adobe Audition 3.01 > TLH flac1648 notes 1941. 09/21/82 Flac 24/48 - 0, 149659 New York Madison Square Garden flac24; Source: FOB Beyers M88's > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2020 notes 1942. 09/21/82 Flac 24/96 - , 152737 New York Madison Square Garden flac24/96 Recording Info: (FOB) AUD > Unknown Gen Cassette (Maxell UDXLII) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 notes 1943. 09/21/82 Flac 24/96 - , 152737 New York Madison Square Garden flac24/96 Recording Info: (FOB) AUD > Unknown Gen Cassette (Maxell UDXLII) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 notes 1944. 09/21/82 Flac 16/44 - , 154391 New York Madison Square Garden notes 1945. 09/23/82 Flac 16 - 0, 108973 New Haven New Haven Veterans Memorial Coliseum flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes 1946. 09/23/82 Flac 16 - 0, 100254 New Haven New Haven Veterans Memorial Coliseum flac16; Source: Sennheiser 421 x2 > Cassette Master (Sony TCD5M/Maxell UDXLII except Disc Two: UDXLII-S); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded on floor behind soundboard by Bob Morris with thanks to Sam notes 1947. 09/23/82 Flac 24/96 - 0, 111031 New Haven New Haven Veterans Memorial Coliseum flac24; Sennheiser 421 x2 > Cassette Master (Sony TCD5M/Maxell UDXLII except s2t01-t05: UDXLII-S); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edit/patch); Recorded on the floor behind the soundboard by Bob Morris notes 1948. 09/23/82 Shn - 0, 12520 New Haven New Haven Veterans Memorial Coliseum (FOB) Senn 421>Cm>Dat>CD; Seeded to etree by Charlie Miller notes 1949. 09/23/82 Flac 16 - 0, 117590 New Haven New Haven Veterans Memorial Coliseum flac16; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX 90s, set up in bottom of center riser facing stage, back of floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. December 2011 notes 1950. 09/23/82 Flac 24/48 - 0, 117589 New Haven New Haven Veterans Memorial Coliseum b>flac24; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX 90s, set up in bottom of center riser facing stage, back of floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. December 2011 notes 1951. 09/23/82 Flac 24/96 - 0, 144676 New Haven New Haven Veterans Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 1952. 09/23/82 Flac 16 - 0, 144677 New Haven New Haven Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 1953. 09/23/82 Flac 24/48 - , 153117 New Haven New Haven Veterans Memorial Coliseum flac2448; Source: FOB Beyers mics > Sony TC-D5M > Maxell MX-90 for 1st Set & Encore, and TDK MA-90 for 2nd Set. Concert recording by Rip Tompkins, and with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2021 notes 1954. 09/24/82 Shn - 0, 4994 Syracuse Carrier Dome, Syracuse University SBD> Master Cassette> 1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN w/ seek tables appended; DAT> WAV via Sony SDT-9000 DDS drive using VDAT 0.6f, wavs compared for errors using EAC; DAT seed from Rob Eaton, DAT> SHN by Jamie Lutch; QC courtesy dankseeds; see info file for flaws etc notes 1955. 09/24/82 Flac 16 Mtx - 0, 134685 Syracuse Carrier Dome, Syracuse University flac16; 3 Source Matrix by Dusborne;Soundboard (shnid:04994)SBD>Master Cassette>1Reel>DAT>DAT>WAV> Soundforge 4.0>CDWAV 1.53>MKW 0.97b>SHN w/ seek tables appended DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f;Audience (shnid:18987)AUD>MC>DAT>CDR;Audience (shnid:103388)Nakamichi CM300/CP4->Sony D-5M(Dolby B encoded)->Maxell XLII,MAC->Sony D-5M(Dolby B decoded)->Korg MR-1000 (1Bit/5.6Mhz)->Korg Audiogate->wav.(16/44.1)>Soundforge 8.0->Flac notes 1956. 09/24/82 Shn - 0, 18987 Syracuse Carrier Dome, Syracuse University AUD (Beyer 88?s) > MC > DAT > CDR via Raoul Duke encoded by Matt Vernon notes 1957. 09/24/82 Flac 16 - 0, 103388 Syracuse Carrier Dome, Syracuse University flac16; Source: Nakamichi CM300/CP4->Sony D-5M(Dolby B encoded)->Maxell XLII Lineage: MAC->Sony D-5M(Dolby B decoded)->Korg MR-1000 (1Bit/5.6Mhz)->Korg Audiogate->wav.(16/44.1)->Soundforge 8.0->Flac Taped by: D. Barfield and /or D. Lane; Transferred and Seeded By M. Watson notes 1958. 09/24/82 Flac 24/48 - 0, 139440 Syracuse Carrier Dome, Syracuse University flac24 48khz Source 1: First Gen of Audience Master Recording: Beyer M 201c Location: 120 feet from stage 12 Feet ROC directly even with SBD Lineage: Beyer M201's (hyper cardiod)handheld at shoulder height >> Sony TCD5M w TDK MA-C90 XL, Dolby B ON; First gen tape- Maxell UDXL-IIS Source 2: Sennheiser 421's Location: 60 feet from stage DFC Lineage: Sennheiser 421's >> Sony TCD5M Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD|WIN7|Audacity |cdwave editor|TLH flac 8 Recorded by: Executive Crew Kyle Holbrook, Mike Yacavone, olvy Johnson Transferred by: Kyle Holbrook notes 1959. 09/24/82 Flac 16 44,1 - 0, 139439 Syracuse Carrier Dome, Syracuse University flac16 44.1khz Source 1: First Gen of Audience Master Recording: Beyer M 201c Location: 120 feet from stage 12 Feet ROC directly even with SBD Lineage: Beyer M201's (hyper cardiod)handheld at shoulder height >> Sony TCD5M w TDK MA-C90 XL, Dolby B ON; First gen tape- Maxell UDXL-IIS. Source 2: Sennheiser 421's. Location: 60 feet from stage DFC. Lineage: Sennheiser 421's >> Sony TCD5M. Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48. Processing:SD|WIN7|Audacity |cdwave editor|TLH flac 8 Recorded by: Executive Crew Kyle Holbrook, Mike Yacavone, olvy Johnson. Transferred by: Kyle Holbrook notes 1960. 09/24/82 Flac 24/96 - 0, 140705 Syracuse Carrier Dome, Syracuse University flac24; source: nak 300 (vfh*, 50 yard line) > tcd5m > idxlii +dolby > master > tascam mk122mkii -dolby > apogee rosetta 200 (24/96) > audacity (levels, normalize, fades, tracks) > flac2496 > xact (tags, checksums); recorded: david lane + david Barfield; transferred seeded: david barfield notes 1961. 09/24/82 Flac 24/48 - 0, 144884 Syracuse Carrier Dome, Syracuse University flac24; Source: BeyerDynamic M88's > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019 notes 1962. 09/24/82 Flac 16 - 0, 145961 Syracuse Carrier Dome, Syracuse University flac16; Source: BeyerDynamic M88's > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019. This file set is 16 bit @ 44.1 notes 1963. 09/24/82 Flac 16 - 0, 145955 Syracuse Carrier Dome, Syracuse University flac16; source: nak 300 (vfh*, 50 yard line) > tcd5m > idxlii +dolby > master > tascam mk122mkii -dolby > apogee rosetta 200 (24/96) > audacity (levels, normalize, fades, tracks) > flac2496 > xact (tags, checksums); recorded: david lane + david Barfield; transferred seeded: david barfield. This file set is 16 bit @ 44.1 notes 1964. 10/09/82 Flac 16 - 0, 110621 Palo Alto Frost Amphitheatre flac16; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 1965. 10/09/82 Flac 16 Mtx - 0, 93811 Palo Alto Frost Amphitheatre flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) August 3, 2008 notes 1966. 10/09/82 Flac 16 - 0, 111040 Palo Alto Frost Amphitheatre flac16; Recorded, Transferred and Mastered by N. Hoey 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(TDK MA-90)(FOB) Nakamichi Dragon (Dolby B decoded) > Panasonic 3800 DAT (internal A/D conversion) > Soundforge (editing) > CD Architect > Mitsui disc > Toast 9 > Xact notes 1967. 10/09/82 Shn - 0, 23730 Palo Alto Frost Amphitheatre Soundboard->Cassette Master(MA-R90/Dolby B)-> 1st Generation Cassette(XLII-S90/Dolby C). 1st Generation Cassette->Fostex D5 (pass-through only)->ZA2->Samplitude v7.02 Professional->.wav->mkw->SHN. Transfer, editing, and SHN by Joe Samaritano notes 1968. 10/09/82 Flac 16 - 0, 95656 Palo Alto Frost Amphitheatre flac16; Source: Audience Recording Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) 25 foot back, Dead Center > -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D5 > MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > wavelab 5 > plugins > r8brain Pro > 16/44.1 wave > cd wave > THL (lvl 8) notes 1969. 10/09/82 Flac 24/88.2 - 0, 93825 Palo Alto Frost Amphitheatre flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d1t09 of the previous Charlie Miller source.) notes 1970. 10/09/82 Flac 16 - 0, 93682 Palo Alto Frost Amphitheatre flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller notes 1971. 10/09/82 Shn - 0, 15800 Palo Alto Frost Amphitheatre Main Source A : SBD>MR>PCM>DAT>CD-R ; Patch Source B : Rango Keshavan's FOB Master Audience Cassette, Sony ECM-220T mics > Sony TC-D5M > DAT > CDR ; Seeded by T. Wiley ; upgrade in circulation notes 1972. 10/09/82 Flac 16 - 0, 93827 Palo Alto Frost Amphitheatre flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d1t09 of the previous Charlie Miller source.) notes 1973. 10/09/82 Flac 24 - 0, 93683 Palo Alto Frost Amphitheatre flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller notes 1974. 10/09/82 Shn - 0, 5183 Palo Alto Frost Amphitheatre ango Keshavan's FOB Master Audience Cassette; Sony ECM-220T mics > Sony TC-D5M > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; to abgd notes 1975. 10/09/82 Shn - 0, 337 Palo Alto Frost Amphitheatre source update: SBDMR> PCM> DAT> CD-R; via Dave Barrick; upgrade in circulation notes 1976. 10/09/82 Flac 24/48 - 0, 147105 Palo Alto Frost Amphitheatre flac24; Source: FOB Beyers M160's > Sony TC-D5M > Maxell MX. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2019 notes 1977. 10/10/82 Flac 16 Mtx - 0, 110970 Palo Alto Frost Amphitheatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 > AIFF > Final Cut > AIFF CD tracking via Audacity (w/dither) > FLAC16 via xACT) notes 1978. 10/10/82 Flac 16 - 0, 110626 Palo Alto Frost Amphitheatre flac16; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes 1979. 10/10/82 Flac 16 - 0, 128808 Palo Alto Frost Amphitheatre flac16; AUD: 2x Beyers M160's > Sony TC-D5, in the sweet spot. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 05/2014. notes 1980. 10/10/82 Flac 24/48 - 0, 110628 Palo Alto Frost Amphitheatre flac24; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes 1981. 10/10/82 Flac 16 - 0, 79903 Palo Alto Frost Amphitheatre flac16; Patched fix of shnid 338 - MC>DAT>ZA2>CD>EAC>SHN (shn id 338) patched with Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC>FLAC (shn id 29315) notes 1982. 10/10/82 Shn Mtx - 0, 86784 Palo Alto Frost Amphitheatre Matrix mix: SBD/AUD (About 60%/40%) AUD: Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC Recorded by Rango Keshavan and SBD: MC>DAT>ZA2>CD>EAC>SHN notes 1983. 10/10/82 Flac 16 - 0, 123624 Palo Alto Frost Amphitheatre flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by David Gans; All Transfers and Mastering By Charlie Miller notes 1984. 10/10/82 Flac 16 - 0, 95682 Palo Alto Frost Amphitheatre flac16; Source: Audience Recording Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) 25 foot back, Dead Center > -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D5 > MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > wavelab 5 > plugins > r8brain Pro > 16/44.1 wave > cd wave > THL (lvl 8) notes 1985. 10/10/82 Flac 16 - 0, 93732 Palo Alto Frost Amphitheatre flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller notes 1986. 10/10/82 Flac 24/48 - 0, 110783 Palo Alto Frost Amphitheatre flac24; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; This source has the encores fixed notes 1987. 10/10/82 Flac 16 - 0, 29315 Palo Alto Frost Amphitheatre flac16; Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC Recorded by Rango Keshavan Flacs and covers by Tzuriel 5/2005 notes 1988. 10/10/82 Flac 24 Mtx - 0, 110744 Palo Alto Frost Amphitheatre flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 > AIFF > Final Cut > AIFF tracking via Audacity > FLAC24 via xACT) notes 1989. 10/10/82 Flac 24/96 - 0, 128807 Palo Alto Frost Amphitheatre flac24; AUD: 2x Beyers M160's > Sony TC-D5, in the sweet spot. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 05/2014. notes 1990. 10/10/82 Shn - 0, 338 Palo Alto Frost Amphitheatre SBD:MCass>(?)DAT>CD>EAC>SHN; transfer by David Hollister; via Josh Ayers; known flaws: small cut in Crazy Fingers, momentary "blip" during Saint, cut in Drums (tape flip), momentary dropout during The Wheel, the very end of Sunshine Daydream is cut; note problem with d3 on etree, fixed version up by 12/3 via Darrin Sacks (old md5s shown here?); upgrade in circulation notes 1991. 10/10/82 Flac 24 - 0, 93733 Palo Alto Frost Amphitheatre flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller notes 1992. 10/10/82 Flac 24/48 - 0, 124623 Palo Alto Frost Amphitheatre flac24; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded by David Gans; All Transfers and Mastering By Charlie Miller notes 1993. 10/10/82 Flac 16 - 0, 111039 Palo Alto Frost Amphitheatre flac16; Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(TDK MA-90)(FOB) Nakamichi Dragon (Dolby B decoded) > Panasonic 3800 DAT (internal A/D conversion) > Soundforge (editing) > CD Architect > Mitsui disc > Toast 9 > Xact notes 1994. 10/10/82 Flac 16 - 0, 109822 Palo Alto Frost Amphitheatre flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller notes 1995. 10/10/82 Flac 24/48 - 0, 109823 Palo Alto Frost Amphitheatre flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller notes 1996. 10/10/82 Flac 16 - 0, Palo Alto Frost Amphitheatre flac16; AUD>>CASS>>DAT>>CDA>>WAV(EAC)>>FLAC>>DAW(Bertha)>>FLAC; Bertha remaster of shn id 29315 notes 1997. 10/10/82 Flac 16 - 0, 110784 Palo Alto Frost Amphitheatre flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; This source has the encores fixed notes 1998. 10/10/82 Flac 16 - 0, 141523 Palo Alto Frost Amphitheatre flac16; Source Info: Master Soundboard Cassettes (TDK MA-R90/Dolby B > Tim Dalton's PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 1999. 10/10/82 Flac 24/96 - 0, 143391 Palo Alto Frost Amphitheatre flac24; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (TDK SA-90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k) notes 2000. 10/10/82 Flac 16 - 0, 145248 Palo Alto Frost Amphitheatre flac16; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (TDK SA-90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k); This file set is 16 bit @ 44.1 notes 2001. 10/10/82 Flac 16 Mtx - 0, 92058 Palo Alto Frost Amphitheatre flac16; MATRIX MIX: SBD/AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 08/13/07 Remastered: 05/30/08 (A re-synchronized version of d2t06 was circulated in April, 2009. No other changes were made to the file set.) notes 2002. 10/17/82 Shn - 0, 18108 Santa Fe Santa Fe Downs (FOB) AUD>Cm>Reel>Dat via Charlie Miller notes 2003. 10/17/82 Flac 24 - 0, 150574 Santa Fe Santa Fe Downs flac24; Recording Info: (FOB) AUD > Cassette Master > Reel; Transfer Info: Reel (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC (24-bit/48k) notes 2004. 10/17/82 Flac 16 - 0, 150661 Santa Fe Santa Fe Downs flac16; Recording Info: (FOB) AUD > Cassette Master > Reel; Transfer Info: Reel (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC (24-bit/48k), This file set is 16 bit @ 44.1 notes 2005. 11/25/82 Flac - 0, 112816 Montego Bay Bob Marley Performing Arts Center flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 2006. 11/25/82 Flac 24 - 0, 134118 Montego Bay Bob Marley Performing Arts Center flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX Metal. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2015 notes 2007. 11/25/82 Flac - 0, 134119 Montego Bay Bob Marley Performing Arts Center flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX Metal. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015 notes 2008. 11/25/82 Shn - 0, 34204 Montego Bay Bob Marley Performing Arts Center Source: SBD->CM->DAT Transfer: Tascam DA-20 mkII->Tascam HD-P2->Soundforge 6.0->CD Wave->mkwAct->.shn by Jake C notes 2009. 11/25/82 Shn - 0, 5647 Montego Bay Bob Marley Performing Arts Center poss Master Soundboard Cassette > Reel to Reel > DAT> CDR; fix of previous version, by Scott Clugston: tick removed, channel patching, speed correction (see info file); upgrade in circulation notes 2010. 11/25/82 Flac 24 - 0, 121817 Montego Bay Bob Marley Performing Arts Center flac24; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes 2011. 11/25/82 Shn - 0, 21065 Montego Bay Bob Marley Performing Arts Center lineage: MSC(Sony TCD-5M) > WAV > SHN recording: MSC - master soundboard cassette w/ Dolby B by Frank Streeter digital transfer: Nakamichi CD 2 cassette deck > HHB 850 Pro stand-alone CD burner (16 bit @ 44.1khz) by Frank Streeter and Henry Fisher tracking and editing: AIF (Toast 5.2) > WAV (Peak 3.21) > SHN (shntool 1.2.2) WAV sector boundaries verified with shntool by Ted Erhard notes 2012. 11/25/82 Flac - 0, 126243 Montego Bay Bob Marley Performing Arts Center flac16; SDB>>MR>>PCM>>DAT>>CDR>>SHN>>TLH>>FLAC8; tech notes: shorten files recoded to flac8 w/traders little helper v2.7.0 the source(B. Fried's) ran about 4 cents too fast. speed, pitch & tempo corrected -4.200% with Audacity(dc offsets, normalized, high qual shaped dithering) & exported as flac 8. tagged with foobar v1.2.9 & the tradersfriend/etree live show tagger notes 2013. 11/25/82 Shn - 0, 1419 Montego Bay Bob Marley Performing Arts Center possible updated lineage: SBD MCass> Reel> PCM> DAT @44.1K> CDR (had been marked SBD> MR> PCM> DAT> CDR, with possible cass gen somewhere)- see pub comment; via Mike Lai, from Bruce Fried DAT seed; note had date typo at first as 11/25/82, now corrected; upgrade in circulation notes 2014. 12/26/82 Flac 16 - 0, 81602 Oakland Oakland Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 2015. 12/26/82 Shn - 0, 6665 Oakland Oakland Auditorium Master Soundboard Cassette > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; d2 tracked for 80 min; to abgd; upgrade in circulation notes 2016. 12/26/82 Flac 16 - 0, 95953 Oakland Oakland Auditorium flac16; Set 2 only Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2017. 12/26/82 Shn - 0, 1420 Oakland Oakland Auditorium SDB> MR> PCM> DAT> CDR, with possible cass gen somewhere; via Mike Lai, from Bruce Fried DAT seed; upgrade in circulation notes 2018. 12/26/82 Flac 16/44 - , 154593 Oakland Oakland Auditorium flac16/44 Source: (FOB) Senn MD441-U > Sony TC-D5 > Cassette Master (Maxell UDXLII C90 Dolby On) > Nakamichi 581 > Cassette (1st gen) Transfer: 1st gen Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF 24/96 PCM) > Audacity (Trim, both tracks both sides amplified by +4db) Lineage: wav 24/96 > iZotope RX 9 Advanced > wav 16/44.1 > CD Wave > flac 16 edited and mastered SIRMick December 2021 notes 2019. 12/26/82 Flac 24/96 - , 154594 Oakland Oakland Auditorium flac24/96 Source: (FOB) Senn MD441-U > Sony TC-D5 > Cassette Master (Maxell UDXLII C90 Dolby On) > Nakamichi 581 > Cassette (1st gen) Transfer: 1st gen Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF 24/96 PCM) > Audacity (Trim, both tracks both sides amplified by +4db) Lineage: wav 24/96 > iZotope RX 9 Advanced > CD Wave > flac 24 edited and mastered SIRMick December 2021 notes 2020. 12/27/82 Flac 16 - 0, 95954 Oakland Oakland Auditorium flac16; Set 2 only Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2021. 12/27/82 Flac 16 Mtx - 0, 34705 Oakland Oakland Auditorium flac16; Sick Bits Vol. 18a - SBD/AUD Matrix of 3 sources (1 previously circulated SBD for set 1 - shnid=32134 and 2 uncirculated sources) - edited, mixed and encoded by Chris Chappell notes 2022. 12/27/82 Flac 16 - 0, 32134 Oakland Oakland Auditorium flac16; Source: SBD > MC(?) > Cx > DAT > DAT from Dr. Bruce Fried, 4/96 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV/FLAC > WAV (depopping/retracking, see below)> FLAC (level 5). Original digital transfer and FLAC seeded by billk@neci.edu, January 2006 via planetflac. Remastering and retracking by C.Ladner. notes 2023. 12/27/82 Flac 16 - 0, 81515 Oakland Oakland Auditorium flac16; Set 2 only, Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 notes 2024. 12/27/82 Flac 16 - 0, 77463 Oakland Oakland Auditorium flac16; Recording by Bill Koucky: FOB Sennheiser 441s > Sony D5 > Sony D5 (first gen CM). Transfer: Playback on Nakamich BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV > FLAC. Recording, transfer, and original encoding by Bill K. Remastering: FLAC > WAV > Wavelab 5 (smoothed pauses/flips with crossfades > Waves L3 Multimaximizer (-2 dB threshold/-0.1 dB ceiling/type I dither/ultra shaping) > WAV > CDWAV1.9 (tracking and level 5 FLAC encoding) > FLAC by Chris L. notes 2025. 12/27/82 Flac 24/96 - 0, 147920 Oakland Oakland Auditorium flac24; Source Info: Chris Hecht's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2026. 12/27/82 Flac 16/48 - 0, 147919 Oakland Oakland Auditorium flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2027. 12/28/82 Flac 16 - 0, 31967 Oakland Oakland Auditorium flac16; SBD -> Master PCM -> Dat/0 Transferred and Edited By Charlie Miller notes 2028. 12/28/82 Flac 16 Mtx - 0, 34715 Oakland Oakland Auditorium flac16; Sick Bits Vol. 18b - SBD/AUD Matrix of 1 previously circulated SBD source (shnid=31967) and 1 uncirculated AUD source. Edited, mixed and encoded by Chris Chappell notes 2029. 12/28/82 Shn - 0, 18980 Oakland Oakland Auditorium SBD > MC > DAT > CD > EAC > SHN; upgrade in circulation notes 2030. 12/28/82 Flac 24/48 - 0, 134117 Oakland Oakland Auditorium flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2) Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015 notes 2031. 12/28/82 Flac 16 - 0, 134178 Oakland Oakland Auditorium flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015 notes 2032. 12/28/82 Flac 16 - 0, 126612 Oakland Oakland Auditorium flac16; Recording Info: Nak300 (hand-held) -> Sony D-5; Transfer Info: Sony D-5 -> Turtle Beach -> Goldwave -> WAV -> CD -> EAC -> FLAC; Recorded, transferred and edited by Mark Fulton notes 2033. 12/28/82 Flac 16/48 - 0, 147921 Oakland Oakland Auditorium flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2034. 12/28/82 Flac 24/96 - 0, 147922 Oakland Oakland Auditorium flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2035. 12/30/82 Flac 16 - 0, 105819 Oakland Oakland Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 2036. 12/30/82 Flac 16 - 0, 95955 Oakland Oakland Auditorium flac16; Set 2 only Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2037. 12/30/82 Flac 16 - 0, 77300 Oakland Oakland Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes 2038. 12/30/82 Shn - 0, 8764 Oakland Oakland Auditorium SBD>MC>PCM>DAT>CDR (likely cass gen); Seeded to etree by Tony G; upgrade in circulation notes 2039. 12/30/82 Flac 24/48 - 0, 134321 Oakland Oakland Auditorium flac24; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLIIS 90s. Set up FOB near the SBD area, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015 notes 2040. 12/30/82 Flac 24/48 - 0, 134319 Oakland Oakland Auditorium flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015 notes 2041. 12/30/82 Flac 16 - 0, 134322 Oakland Oakland Auditorium flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLIIS 90s. Set up FOB near the SBD area, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015 notes 2042. 12/30/82 Flac 16 - 0, 134320 Oakland Oakland Auditorium flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015 notes 2043. 12/30/82 Flac 24/96 - 0, 147924 Oakland Oakland Auditorium flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2044. 12/30/82 Flac 16/48 - 0, 147923 Oakland Oakland Auditorium flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2045. 12/30/82 Flac 16/44 - 0, 151469 Oakland Oakland Auditorium flac16/44khz ; Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; Recorded by Bob Wagner 150778 24 -> 16 @ 44.1 notes 2046. 12/31/82 Flac 16 - 0, 105820 Oakland Oakland Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 2047. 12/31/82 Shn - 0, 5958 Oakland Oakland Auditorium SBD> MR> DAT> CD> EAC> SHN; Show and lineage information from Charlie Miller; DAE, SHN conversion, by Keith Bode; upgrade in circulation notes 2048. 12/31/82 Flac 16 - 0, 77301 Oakland Oakland Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes 2049. 12/31/82 Flac 16 - 0, 118487 Oakland Oakland Auditorium flac16; Set 3 Only, source: sbd> d-5; conversion: sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8; conversion rate: 48000/stereo/16 bit; lineage: sbd> d-5> sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 2050. 12/31/82 Flac 24/48 - 0, 134485 Oakland Oakland Auditorium flac24; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2015 notes 2051. 12/31/82 Flac 16 - 0, 134488 Oakland Oakland Auditorium flac16; 3rd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME Metal tape. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 notes 2052. 12/31/82 Flac 24/48 - 0, 134487 Oakland Oakland Auditorium flac24; 3rd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME Metal tape. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2015 notes 2053. 12/31/82 Flac 16 - 0, 134486 Oakland Oakland Auditorium flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 notes 2054. 12/31/82 Flac 16 - 0, 113090 Oakland Oakland Auditorium flac16; FM Radio Broadcast > Cassete > Wave > Flac notes 2055. 12/31/82 Flac 16/48 - 0, 148507 Oakland Oakland Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) SBD (shnid = 105820) SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015. - surround mixing by Kevin Tobin notes 2056. 12/31/82 Flac 16 Dts.5.1 - 0, 148506 Oakland Oakland Auditorium DTS-Audio-CD 5.1 Mix; SBD (shnid = 105820) SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015. - dts mixing by Kevin Tobin notes 2057. 12/31/82 Flac 16 Mtx - 0, 148505 Oakland Oakland Auditorium flac16; Matrix 2 Source Mix<.i> SBD (shnid = 105820) SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015. - matrix mixing by Kevin Tobin notes 2058. 12/31/82 Flac 16 - 0, 148498 Oakland Oakland Auditorium flac16; Patched & Pitch Corrected Audience AUD (original shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 - pitch correction and patches by Kevin Tobin notes 2059. 01/24/83 Shn - 0, 21264 Novato Stone House Studio Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03 notes 2060. 01/31/83 Shn - 0, 21265 Novato Stone House Studio Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03 notes 2061. 02/01/83 Shn - 0, 21266 Novato Stone House Studio Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03 notes 2062. 02/06/83 Shn - 0, 21270 Novato Stone House Studio Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03 notes 2063. 03/14/83 Shn - 0, 21269 San Rafael Club Front - Rehearsals Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03 notes 2064. 03/25/83 Shn - 0, 23572 Tempe Compton Terrace Amphitheatre SBD -> Cassette Master -> Reel -> Cass -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN;Patched with 3 Sennheiser 421's -> Cassette Master -> Dat -> CD -> EAC -> SHN; Patched and Edited By Charlie Miller notes 2065. 03/25/83 Flac 24/48 - 0, 134370 Tempe Compton Terrace Amphitheatre flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015 notes 2066. 03/25/83 Flac 16 - 0, 134371 Tempe Compton Terrace Amphitheatre flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015 notes 2067. 03/25/83 Shn - 0, 7350 Tempe Compton Terrace Amphitheatre FOB>3 Senn. 421's>MC>DAT>CD; via Tom Eliason; Seeded to etree by Willy notes 2068. 03/25/83 Flac 16 - 0, 139596 Tempe Compton Terrace Amphitheatre flac16; Source Info: Master FOB Audience PCM; (3)Sennheiser 421 mics; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Adobe Audition 3.0> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston notes 2069. 03/25/83 Flac 24/48 - 0, 141356 Tempe Compton Terrace Amphitheatre flac24/48 Recording Information Master AUD Cassette: Nakamichi 300's >Sony TCD5> 3rd in line Sony TCD5M|TDK MA-C90 Location: 75 ft from stacks DFC Transfer: Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded by: Kyle Holbrook Transferred: Kyle Holbrook notes 2070. 03/25/83 Flac 16/44,1 - 0, 141355 Tempe Compton Terrace Amphitheatre flac16/44.1 Recording Information Master AUD Cassette: Nakamichi 300's >Sony TCD5> 3rd in line Sony TCD5M|TDK MA-C90 Location: 75 ft from stacks DFC Transfer: Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded by: Kyle Holbrook Transferred: Kyle Holbrook notes 2071. 03/25/83 Flac 16 - 0, 148801 Tempe Compton Terrace Amphitheatre flac16; Source Info: Master Soundboard Cassette > Cassette > PCM; Transfer Info: PCM (unknown equipment) > .wav (16/44.1) > Adobe Audition 2019 > TLH flac16 notes 2072. 03/26/83 Flac 16 - 0, 79605 Las Vegas Aladdin Theater flac16; Set2: Sennheiser 421 > Sony TC-770 Reel to Reel at 3 3/4 ips > Sony DTC-2000ES > DAT > M-Audio Delta 410 > wav > *Adobe AUdition 1.5 > shntool > FLAC lvl8 notes 2073. 03/26/83 Flac 16/48 - 0, 79606 Las Vegas Aladdin Theater flac16/48; Set2: Sennheiser 421 > Sony TC-770 Reel to Reel at 3 3/4 ips > Sony DTC-2000ES > DAT > M-Audio Delta 410 > wav > Adobe Audition 1.5 > shntool > FLAC lvl8 notes 2074. 03/26/83 Flac 16 - 0, 81092 Las Vegas Aladdin Theater flac16; Recording Info: (FOB) Neumann KM54 -> Cassette Master -> Dat Transfer Info: Dat -> CD (Tascam CDRW700) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes 2075. 03/26/83 Shn - 0, 11260 Las Vegas Aladdin Theater AUD>MC>DAT>CDR KM 54?s; via the Retired General; Seeded to etree by Ernie Dodd notes 2076. 03/26/83 Flac 16 - 0, 137371 Las Vegas Aladdin Theater flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLIIS, mics clamped to balcony rail center, recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (insert patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2016 notes 2077. 03/26/83 Flac 16/48 - 0, 140315 Las Vegas Aladdin Theater flac16/48kHz; Recording Info: Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 notes 2078. 03/26/83 Flac 24/48 - 0, 141353 Las Vegas Aladdin Theater flac24/48 Recording Info: First set: Unknown mics-> Sony PCMF1->Analog out-> Sony TCD5M (4th in line) Maxell XLII90 Dolby B on; 18th row DFC Second Set: JVC HM 200E Binaural headphone microphones worn on head >>Sony TCD5M; Maxell XLII 90, Dolby B on; 100 feet from stage DFC Transfer: Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Kyle Holbrook Transferred & Processed: Kyle Holbrook notes 2079. 03/26/83 Flac 16 44,1 - 0, 141352 Las Vegas Aladdin Theater flac16/44.1 Recording Info: First set: Unknown mics-> Sony PCMF1->Analog out-> Sony TCD5M (4th in line) Maxell XLII90 Dolby B on; 18th row DFC Second Set: JVC HM 200E Binaural headphone microphones worn on head >>Sony TCD5M; Maxell XLII 90, Dolby B on; 100 feet from stage DFC Transfer: Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Kyle Holbrook Transferred & Processed: Kyle Holbrook notes 2080. 03/27/83 Shn - 0, 11261 Irvine Irvine Meadows AUD> MC> DAT> CDR Senn 421s; via Paul; Seeded to etree by Ernie Dodd notes 2081. 03/27/83 Flac 16/48 - 0, 140316 Irvine Irvine Meadows flac16/48kHz; Set 2 Recording Info: Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 notes 2082. 03/27/83 Flac 16 - 0, 142769 Irvine Irvine Meadows flac16; Source Info: Master Audience Cassettes; Sennheiser 421 mics > unknown deck > Dat > CDR, Eac > Cool Edit > shntool > cdwav >shnv3 EAC >shn; Re-Mastered by Scott Clugston; This is a pitch corrected and re-mastered version of shnid 11261 notes 2083. 03/27/83 Flac 16 - 0, 142769 Irvine Irvine Meadows flac16; Source Info: Master Audience Cassettes; Sennheiser 421 mics > unknown deck > Dat > CDR, Eac > Cool Edit > shntool > cdwav >shnv3 EAC >shn; Re-Mastered by Scott Clugston; This is a pitch corrected and re-mastered version of shnid 11261 notes 2084. 03/27/83 Flac 16/48 - 0, 142767 Irvine Irvine Meadows flac16/48kHz; Set 2 Recording Info: Master Soundboard Cassettes > Technics Reel to Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Dat (Sony PCM-R500 16/48) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16/48) > Adobe Audition 3.0 > TLH flac1648; This is a patched and pitch corrected version of shnid 140316 notes 2085. 03/27/83 Flac 16/48 - 0, 142768 Irvine Irvine Meadows flac16/48kHz; Recording Info: Master Soundboard Cassettes > Cassette > Dat 16/48; Transfer Info: Dat (Sony PCM-R500 16/48) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16/48) > Adobe Audition 3.0 > TLH flac1648 notes 2086. 03/29/83 Shn - 0, 11262 San Francisco Warfield Theater AUD>MC>CDR Paul Hogan, 1st row behind SBD, Senn 441?s>Sony D-6; via Paul B; Seeded to etree by Ernie Dodd notes 2087. 03/29/83 Flac - 0, 137269 San Francisco Warfield Theater flac16; Source: AUD from the Brian Schley tape collection (see note). Transfer: Maxell XLII 90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (insert patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016 notes 2088. 03/30/83 Flac - 0, 77081 San Francisco Warfield Theater flac16; SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2089. 03/30/83 Shn - 0, 10919 San Francisco Warfield Theater SBD>CM>Cassette x1>DAT>CDRx2; Seeded to etree by Jim Bennett ; upgrade in circulation notes 2090. 03/30/83 Flac - 0, 137243 San Francisco Warfield Theater flac16; Set 1 AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII-90, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016 notes 2091. 03/30/83 Flac - 0, 139681 San Francisco Warfield Theater flac16 44.1khz Source Info: Sennheiser 441-> Cassette-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. notes 2092. 03/31/83 Flac - 0, 94016 San Francisco Warfield Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes 2093. 03/31/83 Flac - 0, 77086 San Francisco Warfield Theater flac16; SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes 2094. 03/31/83 Flac - 0, 32306 San Francisco Warfield Theater flac16; SBD -> Cassette Master -> ? -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller ; upgrade in circulation notes 2095. 03/31/83 Flac - 0, 32296 San Francisco Warfield Theater SBD > C(x5) > Sony TC-D5M > Soundblaster > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (SBE-OK, checksums, Flac compression) > bt.etree 01/06. ; upgrade in circulation notes 2096. 03/31/83 Shn - 0, 18112 San Francisco Warfield Theater (FOB) Sennheiser 421 -> Cm (Sony D5) -> Dat via Charlie Miller notes 2097. 04/09/83 Flac 16 Mtx - 0, 97109 Hampton Hampton Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes 2098. 04/09/83 Flac 16 - 0, 93145 Hampton Hampton Coliseum flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN -> WAV -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller notes 2099. 04/09/83 Flac 16 - 0, 135190 Hampton Hampton Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2100. 04/09/83 Flac 24/96 - 0, 135191 Hampton Hampton Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2101. 04/09/83 Shn - 0, 27703 Hampton Hampton Coliseum SBD> Master Cassette> Reel> Dat (48k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Rob Eaton's FOB Senn 441 source; Transferred, Edited and Patched By Charlie Miller notes 2102. 04/09/83 Flac 24/48 - 0, 137037 Hampton Hampton Coliseum flac24; Set Two AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2016 notes 2103. 04/09/83 Flac 16 - 0, 137038 Hampton Hampton Coliseum flac16; Set Two AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2016 notes 2104. 04/09/83 Shn - 0, 14190 Hampton Hampton Coliseum Audience Recording: Sennheiser 441-->Sony D6 Note: Track 1 is incomplete; posted to abgd notes 2105. 04/09/83 Shn - 0, 9199 Hampton Hampton Coliseum Senn 421 mics > Sony TC-D5 > MAC > DAT > CD; via Tiger-Rose; Seeded to etree by Sean Cribbs notes 2106. 04/09/83 Flac 24/48 - 0, 141615 Hampton Hampton Coliseum flac24/48 Source Audience Recording: JVC200E Binaural headphone microphones Location: 60 feet from stage|DFC Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone Transferred by Kyle Holbrook notes 2107. 04/09/83 Flac 24/48 - 0, 141613 Hampton Hampton Coliseum flac24/48 Source Audience Recording: Beyer M 201c Location: 60 feet from stage|DFC Lineage: MA CA FOB - Beyer M201's (hyper cardiod)XY 6ft>> Sony TCD5M w Maxell XL-II, No Dolby Playback: Nakamichi CR-5A ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney Transferred by Kyle Holbrook notes 2108. 04/09/83 Flac 16 44,1 - 0, 141614 Hampton Hampton Coliseum flac16/44.1 Source Audience Recording: JVC200E Binaural headphone microphones Location: 60 feet from stage|DFC Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone Transferred by Kyle Holbrook notes 2109. 04/09/83 Flac 16 44,1 - 0, 141612 Hampton Hampton Coliseum flac16/44.1 Source Audience Recording: Beyer M 201c Location: 60 feet from stage|DFC Lineage: MA CA FOB - Beyer M201's (hyper cardiod)XY 6ft>> Sony TCD5M w Maxell XL-II, No Dolby Playback: Nakamichi CR-5A ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney Transferred by Kyle Holbrook notes 2110. 04/09/83 Flac 24/96 - 0, 145467 Hampton Hampton Coliseum flac24; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 2111. 04/09/83 Flac 16/48 - 0, 145466 Hampton Hampton Coliseum flac16/48kHz; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2112. 04/10/83 Shn - 0, 16579 Morgantown West Virginia University Coliseum Set 1 SBD > PCM > Dat x 2 > CDR > SHN; Set 2 SBD > Cassette Master > Dat x 2 > CDR > SHN; via Bob Harrell; drgseeds notes 2113. 04/10/83 Flac 24/96 - 0, 130279 Morgantown West Virginia University Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes 2114. 04/10/83 Flac 16 - 0, 130282 Morgantown West Virginia University Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2115. 04/10/83 Shn - 0, 9993 Morgantown West Virginia University Coliseum KG 581?s>Sony D-5>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd notes 2116. 04/10/83 Shn - 0, 14191 Morgantown West Virginia University Coliseum Audience Recording: Sennheiser 441-->Sony D6; posted to abgd notes 2117. 04/10/83 Flac 24/48 - 0, 137676 Morgantown West Virginia University Coliseum flac24; 2nd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2017 notes 2118. 04/10/83 Flac 16 - 0, 137677 Morgantown West Virginia University Coliseum flac16; 2nd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017 notes 2119. 04/10/83 Flac 24 - 0, 140084 Morgantown West Virginia University Coliseum flac24; aud cassette master, nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger notes 2120. 04/10/83 Flac 16 - 0, 140085 Morgantown West Virginia University Coliseum flac16; aud cassette master, nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger notes 2121. 04/10/83 Flac 24/48 - 0, 141631 Morgantown West Virginia University Coliseum flac24/48 Source Audience Recording: JVC200E Binaural headphone microphones Location: 80 feet from stage|Right corner of SBD ~ 20' ROC Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone Transferred by Kyle Holbrook notes 2122. 04/10/83 Flac 16 44,1 - 0, 141630 Morgantown West Virginia University Coliseum flac16/44.1 Source Audience Recording: JVC200E Binaural headphone microphones Location: 80 feet from stage|Right corner of SBD ~ 20' ROC Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone Transferred by Kyle Holbrook notes 2123. 04/12/83 Flac 16 - 0, 30808 Binghamton Broome County Arena flac16; Recording Info: SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.0 -> FLAC notes 2124. 04/12/83 Flac 16 Mtx - 0, 124253 Binghamton Broome County Arena flac16; 3 Source Matrix by Dusborne: Soundboard (shnid:17264) Set 1 SBD > Cassette master > Dats > CDR > SHN by drgseeds, Soundboard (shnid:30808) Set 2 Recording Info: SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller and Audience (shnid:93961) Source: MAC; (FOB) 2 x Sennheiser 421 > Sony D5 > 2 x Maxell UDXL II C90 Location: 20th Row center. Recorded by Rick "Coyote" Colyard. Transfer and mastering by Alex Ford. notes 2125. 04/12/83 Shn - 0, 10075 Binghamton Broome County Arena SBD>PCM>DAT>CDR; with aud patches; See info file for details; via Rick Martin, Willy, and Paul B; Seeded to etree by Ernie Dodd; upgrade in circulation notes 2126. 04/12/83 Flac 16 - 0, 134998 Binghamton Broome County Arena flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Fuji Metal (S1) and TDK MA-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2016 notes 2127. 04/12/83 Flac 16 - 0, 93961 Binghamton Broome County Arena flac16; MAC; (FOB) 2 x Sennheiser 421 > Sony D5 > 2 x Maxell UDXL II C90 Taper: Rick "Coyote" Colyard. Transferred and mastered by Alex Ford notes 2128. 04/12/83 Shn - 0, 9947 Binghamton Broome County Arena Jim Wise recording, FOB Sennheuser 421s>Sony D5>DAT>CDR; Seeded to etree by Darrin Sacks notes 2129. 04/12/83 Shn - 0, 17264 Binghamton Broome County Arena Primary source: SBD > Cassette master > Dats > CDR > SHN. Patch source: FOB Sennheuser 421s > Sony D5 > DAT > CDR. via drgseeds; upgrade in circulation notes 2130. 04/12/83 Flac 24/96 - 0, 103166 Binghamton Broome County Arena flac24; nakamichi 300 > tcd5m (udxl IIs, dolby on, @ soundboard) > master cassette/tcd5m (original recorder, +dolby) > minime (24/96) > sd744t > audacity > xact (flac24) notes 2131. 04/12/83 Shn - 0, 9746 Binghamton Broome County Arena 2nd set only; AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd notes 2132. 04/12/83 Flac 16 - 0, 137356 Binghamton Broome County Arena flac16; nakamichi 300 > tcd5m (udxl IIs, dolby on, @ soundboard) > master cassette/tcd5m (original recorder, +dolby) > minime (24/96) > sd744t > audacity > xact (flac24), 24bits > 16bits with r8brain notes 2133. 04/12/83 Flac 16/48 - 0, 138560 Binghamton Broome County Arena flac16/48kHz; Unknown Taper (FOB): Sennheiser 421 > cassette master* > dat; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, Patch & Pack : Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 2134. 04/12/83 Flac 16 - 0, 140047 Binghamton Broome County Arena flac16; Set 2 Recording Info: Master Soundboard PCM > PCM; Transfer Info: PCM (Sony SLV-M20HF)> Sony PCM 601ESD> Behringer Ultramatch Pro> Tascam DA-3000 (16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; Mastered by Scott Clugston notes 2135. 04/12/83 Flac 24 - 0, 140087 Binghamton Broome County Arena flac24; aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger notes 2136. 04/12/83 Flac 16 - 0, 140086 Binghamton Broome County Arena flac16; aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger notes 2137. 04/12/83 Flac 24/48 - 0, 141633 Binghamton Broome County Arena flac24/48 Location: 80ft from Stacks Dead center First Gen AUD: Master was:Sennheiser MD421's-> Sony TCD5M (2nd in line)|TDK MA (TP,OJ,MY,KH) Marked as patched out of Jim Wise. Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded by Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney Transferred by: Kyle Holbrook notes 2138. 04/12/83 Flac 16 44,1 - 0, 141632 Binghamton Broome County Arena flac16/44.1 Location: 80ft from Stacks Dead center First Gen AUD: Master was:Sennheiser MD421's-> Sony TCD5M (2nd in line)|TDK MA (TP,OJ,MY,KH) Marked as patched out of Jim Wise. Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded by Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney Transferred by: Kyle Holbrook notes 2139. 04/13/83 Flac 16 Mtx - 0, 113852 Burlington Patrick Gymnasium, U of Vermont flac16; Matrix by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes 2140. 04/13/83 Shn - 0, 23849 Burlington Patrick Gymnasium, U of Vermont SDB>>CM>>C>>DAT>>CDR via Mike Lai notes 2141. 04/13/83 Shn - 0, 1614 Burlington Patrick Gymnasium, U of Vermont MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN; via Jim Wise, Darrin Sacks notes 2142. 04/13/83 Flac 24/96 - 0, 119845 Burlington Patrick Gymnasium, U of Vermont flac24; Updated Source Info: (2) sennheiser 421 fob>d-5; conversion: sony tc we435>sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/stereo/24 bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures notes 2143. 04/13/83 Flac 16 - 0, 102860 Burlington Patrick Gymnasium, U of Vermont flac 16 Source: 3 Microphone Setup>unknown Deck>cassette Master->my Cassette notes 2144. 04/13/83 Flac 16 - 0, 82876 Burlington Patrick Gymnasium, U of Vermont flac16; AUD Source: Nakamichi CM-300's (no shotguns) > patched thru one Sony D5 > Marantz PMD-340 > TDK SA-90's. Mics on stand aprx six feet high, set up second or third row up in the bleachers directly behind the soundboard. Transfer: MAC > Sony TC-D5M (no Dolby) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC. Taped and transferred by Andrew F notes 2145. 04/13/83 Flac 16/48 - 0, 138339 Burlington Patrick Gymnasium, U of Vermont b>flac16/48kHz; Set 2 1st gen dbx cassette SBD > Cassette Master > Cassette (dbx) > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48 notes 2146. 04/13/83 Flac 16 - 0, 119554 Burlington Patrick Gymnasium, U of Vermont flac16; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2012 notes 2147. 04/13/83 Flac 24/48 - 0, 119531 Burlington Patrick Gymnasium, U of Vermont flac24; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. notes 2148. 04/13/83 Flac 24 - 0, 140090 Burlington Patrick Gymnasium, U of Vermont flac24; aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger notes 2149. 04/13/83 Flac 16 - 0, 140089 Burlington Patrick Gymnasium, U of Vermont flac16; aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger notes 2150. 04/13/83 Shn - 0, 21921 Burlington Patrick Gymnasium, U of Vermont Source: MAC(FOB Sennheiser 421)>DAT>CDR>WAV>SHN. Taper: M.Horvath notes 2151. 04/13/83 Flac 16/44,1 - 0, 141636 Burlington Patrick Gymnasium, U of Vermont flac16/44.1 Location: 50ft from Right Stack about row 17 aisle seats First Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH) Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney & Kyle Holbrook Transferred by: Kyle Holbrook notes 2152. 04/13/83 Flac 24/48 - 0, 141637 Burlington Patrick Gymnasium, U of Vermont flac24/48 Location: 50ft from Right Stack about row 17 aisle seats First Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH) Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney & Kyle Holbrook Transferred by: Kyle Holbrook notes 2153. 04/15/83 Flac - 0, 32780 Rochester Community War Memorial Auditorium Recording Info: Set 1: SBD -> Cassette Master -> Reel -> Dat (48k) Set 2: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 2154. 04/15/83 Flac 16 - 0, 94282 Rochester Community War Memorial Auditorium flac16;Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B); Transfer Info:Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded and Transfered By Charlie Miller (Previous transfers were not dolby decoded, this one is.) notes 2155. 04/15/83 Flac 16 - 0, 135460 Rochester Community War Memorial Auditorium flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII (Set 1 + JBG & Baby Blue), Hitachi ME-Metal (Set 2 thru A&A), FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016 notes 2156. 04/15/83 Flac 16 - 0, 87725 Rochester Community War Memorial Auditorium flac16; Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II) Transfer Info: Cassette Master (Namamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 Recorded and Transfered By Charlie Miller notes 2157. 04/15/83 Shn - 0, 9975 Rochester Community War Memorial Auditorium 2nd set; SBD>PCM>DAT>Sonic Solutions>CDR; via Paul B; Seeded to etree by Ernie Dodd; upgrade in circulation notes 2158. 04/15/83 Flac 24/96 - 0, 94283 Rochester Community War Memorial Auditorium flac24; Recording Info:(FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded and Transfered By Charlie Miller (Previous transfers were not dolby decoded, this one is.) notes 2159. 04/15/83 Flac 24/48 - 0, Rochester Community War Memorial Auditorium flac24; Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II) Transfer Info: Cassette Master (Namamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/24 Recorded and Transfered By Charlie Miller notes 2160. 04/15/83 Shn - 0, 9974 Rochester Community War Memorial Auditorium Senn. 421?s > MC>DAT>CD; via Paul B; Seeded to etree by Ernie Dodd notes 2161. 04/15/83 Flac 16 - 0, 88659 Rochester Community War Memorial Auditorium flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-11th row DFC @6 ft high on stand(head high) Taper: Rick "Coyotte" Colyard 2 maxell UD-XL2-S-Cassette MASTERS Transfer: Cassette Masters> Sony TC-W21>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16 Tapeflips joined with Media Join 2.0 Transfered and edited and seeded freely by Muletaper 11-18-2007 notes 2162. 04/15/83 Shn - 0, 23850 Rochester Community War Memorial Auditorium (FOB) Audio Technica Mics -> Sony D5 (Lead Deck) -> Cassette Master (Patched Off Of Lead Deck With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN. Recorded and Transfered By Charlie Miller; upgrade in circulation notes 2163. 04/15/83 Flac 16 Mtx - 0, 138067 Rochester Community War Memorial Auditorium flac16; 2 source matrix by Dusborne; Soundboard (shnid:32780), Recording Info: set 1: SBD -> Cassette Master -> Reel -> Dat (48k)Set 2: SBD -> PCM -> Dat (44.1k)Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC and Audience (shnid:94282), Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->Samplitude Professional v10.1 -> FLAC/16, Recorded and Transfered By Charlie Miller notes 2164. 04/15/83 Flac 16 - 0, 140059 Rochester Community War Memorial Auditorium flac16; Set 2 Recording Info: Master Soundboard PCM > PCM; Transfer Info: PCM (Sony SLV-M20HF)> Sony PCM 601ESD> Behringer Ultramatch Pro> Sound Devices 744T (16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; Mastered by Scott Clugston notes 2165. 04/15/83 Flac 24 - 0, 140095 Rochester Community War Memorial Auditorium flac24; aud cassette master, nak 300 guns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger notes 2166. 04/15/83 Flac 16 - 0, 140094 Rochester Community War Memorial Auditorium flac16; aud cassette master; nak 300 guns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger notes 2167. 04/15/83 Flac 24 - 0, 143055 Rochester Community War Memorial Auditorium flac24; Recording Info: (FOB) Audio Technica ATM11 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded, Transferred and Mastered by Charlie Miller notes 2168. 04/15/83 Flac 24/96 - 0, 140687 Rochester Community War Memorial Auditorium flac24; source: nak-300 (12’ near sbd) > tcd5m > udxliis +dolby > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (normalize, fades, tracks) > flac2496 > xact (tags, checksums); recorded: david barfield + david lane; transferred seeded: barfield notes 2169. 04/15/83 Flac 16 - 0, 143504 Rochester Community War Memorial Auditorium flac16; Recording Info: (FOB) Audio Technica ATM11 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded, Transferred and Mastered by Charlie Miller; This file set is 16 bit @ 44.1 notes 2170. 04/15/83 Flac 16/44,1 - 0, 141638 Rochester Community War Memorial Auditorium flac16/44.1 Recording Information Master AUD: Beyer M201 hypercardiod XY 65ft from stacks ->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Executive Crew- KAH, MY, OJ, assist to TP notes 2171. 04/15/83 Flac 24/48 - 0, 141639 Rochester Community War Memorial Auditorium flac24/48 Recording Information Master AUD: Beyer M201 hypercardiod XY 65ft from stacks ->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Executive Crew- KAH, MY, OJ, assist to TP notes 2172. 04/15/83 Flac 16/44,1 - 0, 141640 Rochester Community War Memorial Auditorium flac16/44.1 Recording Information First Gen AUD: Master was: Sennheiser MD421's XY 60ft from stacks ->Marantz Superscope PMD430 (3rd in line)|TDK MA no Dolby (TP) Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded BY: Tom Pinney assist to Executive Crew Transferred by: Kyle Holbrook notes 2173. 04/15/83 Flac 24/48 - 0, 141641 Rochester Community War Memorial Auditorium flac24/48 Recording Information First Gen AUD: Master was: Sennheiser MD421's XY 60ft from stacks ->Marantz Superscope PMD430 (3rd in line)|TDK MA no Dolby (TP) Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded BY: Tom Pinney assist to Executive Crew Transferred by: Kyle Holbrook notes 2174. 04/16/83 Flac 16 - 0, 28294 East Rutherford Meadowlands Arena flac16; mixed sources: SBD> Cassette Master> Reel> Dat> CD> EAC> WAV> FLAC; Set 2: SBD> PCM> Dat> Cool Edit Pro> WAV; WAV> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes 2175. 04/16/83 Flac 16 - 0, 125924 East Rutherford Meadowlands Arena flac16; (FOB) Sennheiser 421s > Sony D5 > MAC (from lead deck) > 1st Gen Cassettes (via Mark McCue); Location: (FOB) 8th or 10th row center, chest to head level; Transfer/Lineage: 1st Gen Cassette> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16e> WaveLab 7.2.1(UAD-2)> .wav @24/88.2> Apogee UV22HR> .wav @16/44.1> xAct> flac16; Taped by Tom G. Transferred, edited and mastered by Alex Ford notes 2176. 04/16/83 Flac 16 - 0, 132874 East Rutherford Meadowlands Arena flac16; Soundboard Master Cassettes > (Unk) Reel To Reel > Low Gen PCM Early 90's > Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD > SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave; Track Renamed With AudioGate Software V.3.0.2 @ 16/44 Wave; Tracked/Flacked With AudioGate V.3.0.2; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2177. 04/16/83 Shn - 0, 14940 East Rutherford Meadowlands Arena S : MC > DAT > CDR > EAC > SHN Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper sector boundaries verified via shntool. Seeded to Etree by Alan J Fink 02/02/2003. Thanks to Jeff Williams for the disks!; upgrade in circulation notes 2178. 04/16/83 Flac 16 44,1 - 0, 32618 East Rutherford Meadowlands Arena Set 2 Only: Source: Sennheiser 421's > Sony TCD5M > Sony D-6 Master Maxell XLIIS Tape Transfer: Nakamichi CR-2A > Apogee MiniMe (16/44.1) > EGOSYS WT2496 > Soundforge 7 Location: 4-5 rows up from the back of the floor dead center notes 2179. 04/16/83 Shn - 0, 23851 East Rutherford Meadowlands Arena (FOB) Beyer M160 -> Sony D5 (Lead Deck) -> Cassette Master (Patched With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN. Recorded and Transfered By Charlie Miller notes 2180. 04/16/83 Shn - 0, 7316 East Rutherford Meadowlands Arena AudMC > DAT > CDWAV > SHN; Taped by Steve Rolfe; via Noah Weiner; tracked for 2x80; passes shntool check notes 2181. 04/16/83 Flac 24/96 - 0, 119967 East Rutherford Meadowlands Arena flac24; Updated Lineage: Set 2 Only: (2) nakamichi 300 fob> d-5> sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures notes 2182. 04/16/83 Flac 16 - 0, 117477 East Rutherford Meadowlands Arena flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2183. 04/16/83 Flac 16 - 0, 137376 East Rutherford Meadowlands Arena flac16; Set 2 Recording Info: (FOB) Beyer M160 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller, 24bits > 16bits with r8brain notes 2184. 04/16/83 Flac 24 - 0, 137372 East Rutherford Meadowlands Arena flac24; Set 2 Recording Info: (FOB) Beyer M160 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller notes 2185. 04/16/83 Flac 16 Mtx - 0, 138225 East Rutherford Meadowlands Arena flac16; 2 source matrix by Dusborne; Soundboard (shnid:28294),Recording Info: Set 1: SBD -> Cassette Master -> Reel -> Dat -> CD -> EAC -> WAV -> FLAC; Set 2: SBD -> PCM -> Dat -> Cool Edit Pro -> FLAC -> WAV, Transfer Info: WAV -> Samplitude v7.02 Professional -> FLAC; Audience (shnid:117477), Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott, Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes, Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2186. 04/16/83 Flac 24/96 - 0, 140308 East Rutherford Meadowlands Arena flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlIIs90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger notes 2187. 04/16/83 Flac 16 - 0, 140307 East Rutherford Meadowlands Arena flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlIIs90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger notes 2188. 04/16/83 Flac 16 - 0, 140359 East Rutherford Meadowlands Arena flac16; Partial Set 1, All of Set 2 Recording Info: Master Soundboard Vault PCM > PCM Clone by Gans; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T (16-bit/44.1k); Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T (16-bit/44.1k) notes 2189. 04/16/83 Flac 16/48 - 0, 140358 East Rutherford Meadowlands Arena flac1648; Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 > Tascam DA-3000 16/48 > Adobe Audition 3.0 > TLH flac1648 notes 2190. 04/16/83 Flac 24/48 - 0, 141684 East Rutherford Meadowlands Arena flac24/48 First Gen AUD Cassette: Maxell UDXLI90 set1; Maxell XLII90 set2 Master was: Beyer M201 hypercardiod XY 120ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney Transferred By: Kyle Holbrook notes 2191. 04/16/83 Flac 16 44,1 - 0, 141681 East Rutherford Meadowlands Arena flac16/44.1 First Gen AUD Cassette: Maxell UDXLI90 set1; Maxell XLII90 set2 Master was: Beyer M201 hypercardiod XY 120ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney Transferred By: Kyle Holbrook notes 2192. 04/16/83 Flac 24 - 0, 143070 East Rutherford Meadowlands Arena flac24; Set 2 Recording Info: (FOB) Beyer M160 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded, Transferred and Mastered by Charlie Miller notes 2193. 04/16/83 Flac 16 - 0, 143237 East Rutherford Meadowlands Arena flac16; Set 2 Recording Info: (FOB) Beyer M160 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded, Transferred and Mastered by Charlie Miller; This file set is 16 bit @ 44.1 notes 2194. 04/16/83 Flac 24/96 - , 153497 East Rutherford Meadowlands Arena flac24/96 Recording Info: (FOB) Beyer M160 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 2195. 04/16/83 Flac 16/44 - , 154392 East Rutherford Meadowlands Arena flac1644; Recording Info: (FOB) Beyer M160 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 153497 2496 > 1644 notes 2196. 04/17/83 Shn - 0, 14941 East Rutherford Meadowlands Arena SBD : MC > C > DAT > CDR Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper sector boundaries verified via shntool. Seeded to Etree by Alan J Fink 02/02/2003. Thanks to Jeff Williams for the disks! notes 2197. 04/17/83 Flac 16 - 0, 132876 East Rutherford Meadowlands Arena flac16; Soundboard Master Cassettes > Unk > Low Gen PCM Early 90's > Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD > SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave; Track Renamed With AudioGate Software V.3.0.2 @ 16/44 Wave; Tracked/Flacked With AudiGate V.3.0.2; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2198. 04/17/83 Flac 16 - 0, 127256 East Rutherford Meadowlands Arena flac16; Updated source info: (FOB) Recoton mm180 mics > Sony D5 > master cassette > Aiwa home deck > 1st gen cassette(McCue); Location: FOB; center floor, approx. 35 ft. from stage. Lineage: MAC> Sony D5> Aiwa home deck> 1st gen cassettes (1983)> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16e> WaveLab 7.2.1(UAD-2)> .wav @24/88.2> Apogee UV22HR> .wav @16/44.1> xAct> flac16(tags). Taper: Tom Gagen; Master cassette transfer by Mark McCue (April 1983); 1st Gen cassette transfer, editing, mastering: Alex Ford notes 2199. 04/17/83 Flac 24 - 0, 120026 East Rutherford Meadowlands Arena flac24; Updated Lineage: (2) beyers m88 fob> d-5> mc> sony tc we435> sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures notes 2200. 04/17/83 Shn - 0, 7317 East Rutherford Meadowlands Arena AudMC > DAT > CDWAV > SHN; Taped by Steve Rolfe; via Noah Weiner; d1 tracked for 80 min; passes shntool check notes 2201. 04/17/83 Shn - 0, 23852 East Rutherford Meadowlands Arena (FOB/3 mic Mix) Three Beyer M160's -> Sony D5 (Lead Deck) -> Cassette Master (Patched With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN. Recorded and Transfered By Charlie Miller notes 2202. 04/17/83 Flac 16 - 0, 117500 East Rutherford Meadowlands Arena flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2203. 04/17/83 Flac 16 - 0, 137378 East Rutherford Meadowlands Arena flac16; Set 1 Recording Info: (FOB) 3 Beyer M160's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller, 24bits > 16bits with r8brain notes 2204. 04/17/83 Flac 24 - 0, 137377 East Rutherford Meadowlands Arena flac24; Set 1 Recording Info: (FOB) 3 Beyer M160's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller notes 2205. 04/17/83 Flac 24 - 0, 137398 East Rutherford Meadowlands Arena flac24; Partial Show Source: sbd; Lineage: mixingboard > d5 [recording level 4.5. No Dolbly] > MASTER Cassettes [Maxell XLII90]; Master Cassette copied on an Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] no Dolby; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Laptop HD by way of USB > 96.00kHz/24bit wav; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; CD Wave Editor to Split Tracks & covert to Flac24 [Level 6] notes 2206. 04/17/83 Flac 16 - 0, 137399 East Rutherford Meadowlands Arena flac16; Partial Show Source: sbd; Lineage: mixingboard > d5 [recording level 4.5. No Dolbly] > MASTER Cassettes [Maxell XLII90]; Master Cassette copied on an Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] no Dolby; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Laptop HD by way of USB > 96.00kHz/24bit wav; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor To Split Tracks & converted to Flac16 [Level 6]; TLH to fix SBE notes 2207. 04/17/83 Flac 16 Mtx - 0, 138277 East Rutherford Meadowlands Arena flac16; 2 source matrix by Dusborne;Soundboard (shnid:132876), Soundboard Master Cassettes > Unk > Low Gen PCM Early 90's >Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD >SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave; Audience (shnid:117500) Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott, Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes, Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2208. 04/17/83 Flac 16 - 0, 138602 East Rutherford Meadowlands Arena b>flac16; SBD > Cassette Master* > Dat; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac, Pack & Patch: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT notes 2209. 04/17/83 Flac 16/48 - 0, 140357 East Rutherford Meadowlands Arena flac1648; Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 > Tascam DA-3000 16/48 > Adobe Audition 3.0 > TLH flac1648 notes 2210. 04/17/83 Flac 24/48 - 0, 141683 East Rutherford Meadowlands Arena flac24/48 First Gen AUD Cassette: Maxell UDXLI90 set1; Maxell XLII90 set2 Master was: Beyer M201 hypercardiod XY 120ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney Transferred By: Kyle Holbrook notes 2211. 04/17/83 Flac 16/44 - 0, 141682 East Rutherford Meadowlands Arena flac16/44.1khz First Gen AUD Cassette: Maxell XLII90 x 2 Master was: Beyer M201 hypercardiod XY 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney Transferred by: Kyle Holbrook notes 2212. 04/17/83 Flac 24/96 - , 153580 East Rutherford Meadowlands Arena flac24/96 Recording Info: (FOB) 3-Beyer M160's > Yamaha Mixer > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 2213. 04/17/83 Flac 16/44 - , 154393 East Rutherford Meadowlands Arena flac1644; Recording Info: (FOB) 3-Beyer M160's > Yamaha Mixer > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 153580 2496 > 1644 notes 2214. 04/19/83 Flac - 0, 123052 Orono Alfond Arena, University Of Maine flac16; Set 1 Recording Info: SBD -> Cassette Master -> Cassette -> FLAC (shnid=123036); Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Mastering By Charlie Miller notes 2215. 04/19/83 Flac - 0, 123036 Orono Alfond Arena, University Of Maine flac16 Set 1 sbd, unknown gen, Jerry Moore's copy, Rob Berger transfer/seed; lineage: sbd > ? > cassette nak dragon > tascam hd-p2 24/96 > pc > adobe audition 2.0 > cd wave > flac notes 2216. 04/19/83 Shn - 0, 3856 Orono Alfond Arena, University Of Maine set 1; sdb> ?> cassette> cdr; transferred and edited by Mike Lai, from Bruce Fried seed notes 2217. 04/19/83 Flac - 0, 118073 Orono Alfond Arena, University Of Maine flac16; AUD: 2x Nakamichi CM300 w/CP1 cardioids > Sony TC-D5M > Maxell MX-90s, floor, left of the soundboard (stage right), taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. January 2012 notes 2218. 04/19/83 Flac - 0, 83761 Orono Alfond Arena, University Of Maine flac16; Main Source: Rumored to be a Steve Rolfe Recording (FOB Nak700's > d5 ?) Lineage: cm>dat>cd>eac>Cool Edit Pro > cdwav flac16 (lev 8) via Dave Minor encoding etc. Matt Vernon notes 2219. 04/19/83 Shn - 0, 21922 Orono Alfond Arena, University Of Maine Recording Info: (FOB/Center) 3 Sennheiser 421 -> Mixer -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Nakamichi Dragon) -> Sony R700 (As A>D Converter) -> ZA2 -> Sound Forge -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) 12/9/03 Recorded and Transfered By Jim Wise Converted To SHN BY Charlie Miller notes 2220. 04/19/83 Flac 24 - 0, 123037 Orono Alfond Arena, University Of Maine flac24; Set 1 sbd, unknown gen, Jerry Moore's copy, Rob Berger transfer/seed; lineage: sbd > ? > cassette nak dragon > tascam hd-p2 24/96 > pc > adobe audition 2.0 > cd wave > flac notes 2221. 04/19/83 Flac 24 - 0, 118072 Orono Alfond Arena, University Of Maine flac24; AUD: 2x Nakamichi CM300 w/CP1 cardioids > Sony TC-D5M > Maxell MX-90s, floor, left of the soundboard (stage right), taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. January 2012 notes 2222. 04/19/83 Flac 24 - 0, 140304 Orono Alfond Arena, University Of Maine flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlIIs90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger notes 2223. 04/19/83 Flac - 0, 140303 Orono Alfond Arena, University Of Maine flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlIIs90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger notes 2224. 04/20/83 Flac 16 - 0, 27860 Providence Providence Civic Center flac16; SBD> Master Cassette> Reel> Dat (SV3800/48k), plus patch from FOB Sennheiser 421> Master Cassette; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes 2225. 04/20/83 Flac 16 - 0, 92322 Providence Providence Civic Center flac16; AUD: Sennheiser MD-421's > Sony TC-D5, recorded from "upper level". Concert recording and transfer to CDR by Jim Wise. CDR > EAC > WavMerge > CD-Wave > Soundforge > TLH > FLAC notes 2226. 04/20/83 Flac 16 - 0, 102040 Providence Providence Civic Center flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 2227. 04/20/83 Shn - 0, 10090 Providence Providence Civic Center FOB-Senn. 421?s>Sony D-5>CM>DAT>CDR; via Charlie Miller, Paul B; seeded to etree by Ernie Dodd notes 2228. 04/20/83 Flac 16 - 0, 120098 Providence Providence Civic Center flac16; Beyer M160's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche notes 2229. 04/20/83 Flac 16/48 - 0, 139219 Providence Providence Civic Center flac16/48kHz; Unknown taper: (FOB) Sennheiser 441 > Master Cassette > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/48; Checksum & tags created in xACT notes 2230. 04/20/83 Flac 24 - 0, 139213 Providence Providence Civic Center flac24; Set 1 Recording Info: (FOB) Beyer M160 > Sony TC-D5M > Cassette Master (Sony WM-D6C/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller notes 2231. 04/20/83 Flac 24 - 0, 120287 Providence Providence Civic Center flac24; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, floor center section 23rd row, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2012 notes 2232. 04/20/83 Flac 16 - 0, 120288 Providence Providence Civic Center flac16; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, floor center section 23rd row, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2012 notes 2233. 04/20/83 Flac 16 - 0, 139277 Providence Providence Civic Center flac16; Set 1 Recording Info: (FOB) Beyer M160 > Sony TC-D5M > Cassette Master (Sony WM-D6C/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller, This is 139213 24 bit -> 16 bit notes 2234. 04/20/83 Flac 24 - 0, 140669 Providence Providence Civic Center flac24; source: nak 300 > tcd5m (udxliis +dolby) > master > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (fades, normalize, tracks) > flac2496 > xact; recorded: david barfield; transferred/seeded: barfield notes 2235. 04/20/83 Flac 24/96 - 0, 144679 Providence Providence Civic Center flac24; Set 2 source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5; maxell xlIIS90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred by Rob Berger notes 2236. 04/20/83 Flac 16 - 0, 144678 Providence Providence Civic Center flac16; Set 2 source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5; maxell xlIIS90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred by Rob Berger notes 2237. 04/22/83 Flac 16 - 0, 119987 New Haven Veterans' Memorial Coliseum flac16; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2012 notes 2238. 04/22/83 Shn - 0, 1863 New Haven Veterans' Memorial Coliseum FOB-Sennheiser 421> Master Cass(Sony D5)> Dat> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes notes 2239. 04/22/83 Shn - 0, 21442 New Haven Veterans' Memorial Coliseum Barry Glassberg FOB AUDMC w/Nak 700s > Sony TC-D5 > DAT > CDR notes 2240. 04/22/83 Flac 16 - 0, 88088 New Haven Veterans' Memorial Coliseum flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-14th row DFC @6 ft high on stand Taper: Rick "Coyotte" Colyard 2 maxell xl2's-cassette MASTERS Transfer: Sony ES-950>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)> FlacFrontend (level-8)>flac-16 Transfered and edited by muletaper 10/07 notes 2241. 04/22/83 Flac 24/96 - 0, 119995 New Haven Veterans' Memorial Coliseum b>flac24; Updated Lineage: (2) sennheiser 441 fob>d-5> mc> sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures notes 2242. 04/22/83 Flac 16 - 0, 102045 New Haven Veterans' Memorial Coliseum flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 2243. 04/22/83 Flac 16 - 0, 124522 New Haven Veterans' Memorial Coliseum flac16; 1st Gen AUD Unknown Mics > DAT > CD > EAC > FLAC > TLH notes 2244. 04/22/83 Flac 24/48 - 0, 119986 New Haven Veterans' Memorial Coliseum flac24; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2012 notes 2245. 04/22/83 Flac 16 - 0, 140318 New Haven Veterans' Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger notes 2246. 04/22/83 Flac 24/96 - 0, 140319 New Haven Veterans' Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger notes 2247. 04/22/83 Flac 24/48 - 0, 141734 New Haven Veterans' Memorial Coliseum flac24/48 First Gen AUD Cassette: Maxell XLII90 x 2 no NR Master was: Nakamichi 700 wcp1 caps 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby (arrived late and patched) Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney assist to Executive Crew Transferred by: Kyle Holbrook notes 2248. 04/22/83 Flac 16/44,1 - 0, 141733 New Haven Veterans' Memorial Coliseum flac16/44.1 First Gen AUD Cassette: Maxell XLII90 x 2 no NR Master was: Nakamichi 700 wcp1 caps 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby (arrived late and patched) Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney assist to Executive Crew Transferred by: Kyle Holbrook notes 2249. 04/22/83 Flac 16/48 - 0, 143128 New Haven Veterans' Memorial Coliseum flac16/48kHz; Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2250. 04/22/83 Flac 24/96 - 0, 143129 New Haven Veterans' Memorial Coliseum flac24; Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes 2251. 04/23/83 Flac 16 - 0, 29469 New Haven Veterans' Memorial Coliseum flac16; SBD -> Cassette Master -> Reel -> Dat -> CD Transferred and Edited By Charlie Miller; Scarlet -> Fire patched from Charlie Miller's Aud: (FOB) Senn 421 -> Cassette Master -> Sound Forge -> CD notes 2252. 04/23/83 Flac 16 - 0, 119742 New Haven Veterans' Memorial Coliseum flac16; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, first row in the riser, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2012 notes 2253. 04/23/83 Flac 16 - 0, 119873 New Haven Veterans' Memorial Coliseum flac16; Set 2 Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded, Transferred and Mastered By Charlie Miller notes 2254. 04/23/83 Flac 16 - 0, 96150 New Haven Veterans' Memorial Coliseum flac16; Source:FOB-Sennheiser 421 > Master Cass (Sony D5) > Dat > CDR > EAC > SHN > Wav > flac; edited with Adobe Audition and remastered with iZotope Ozone by SIRMick, December 2008 notes 2255. 04/23/83 Flac 24 - 0, 120025 New Haven Veterans' Memorial Coliseum flac24; Updated Lineage: (2) nakamichi 300 fob> d-5> sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96kHz/24bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures notes 2256. 04/23/83 Flac 16 - 0, 117598 New Haven Veterans' Memorial Coliseum flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2257. 04/23/83 Shn - 0, 1864 New Haven Veterans' Memorial Coliseum FOB-Sennheiser 421> Master Cass(Sony D5)> Dat> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes notes 2258. 04/23/83 Flac 16 - 0, 88482 New Haven Veterans' Memorial Coliseum flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-11th row DFC @6 ft high on stand. Transfer: Sony ES-950>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16 Transfered and edited by muletaper 10/31/07 notes 2259. 04/23/83 Flac 16 - 0, 102044 New Haven Veterans' Memorial Coliseum flac16; Nakamichi shotgun x2 (CM-300?) > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded behind the board by Bob Morris notes 2260. 04/23/83 Flac 16 - 0, 124568 New Haven Veterans' Memorial Coliseum flac16; Set 2 only compilation of Soundboard and Audience sources: 1st Gen AUD Unknown Mics > DAT > CD > EAC > FLAC > TLH and sbd from Dick Latvala > ? > FLAC notes 2261. 04/23/83 Flac 24 - 0, 119741 New Haven Veterans' Memorial Coliseum flac24; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, first row in the riser, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2012 notes 2262. 04/23/83 Flac 24 - 0, 119875 New Haven Veterans' Memorial Coliseum flac24; Set 2 Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; Recorded, Transferred and Mastered By Charlie Miller notes 2263. 04/23/83 Flac 24 - 0, 140325 New Haven Veterans' Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger notes 2264. 04/23/83 Flac 16 - 0, 140324 New Haven Veterans' Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger notes 2265. 04/23/83 Flac 24/48 - 0, 141736 New Haven Veterans' Memorial Coliseum flac24/48 First Gen AUD Cassette: TDK MA 90 x 2 no NR Master was: Beyer M201's hypercardiod XY 120 ft from stage DFC (1st row behind SBD)->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Executive Crew- Tom Pinney & Kyle Holbrook Transferred by: Kyle Holbrook notes 2266. 04/23/83 Flac 16/44 - 0, 141735 New Haven Veterans' Memorial Coliseum flac16/44.1 First Gen AUD Cassette: TDK MA 90 x 2 no NR Master was: Beyer M201's hypercardiod XY 120 ft from stage DFC (1st row behind SBD)->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Executive Crew- Tom Pinney & Kyle Holbrook Transferred by: Kyle Holbrook notes 2267. 04/23/83 Flac 16/48 - 0, 143126 New Haven Veterans' Memorial Coliseum flac16/48kHz; Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2268. 04/23/83 Flac 24/96 - 0, 143127 New Haven Veterans' Memorial Coliseum flac24; Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes 2269. 04/25/83 Flac 2448 - 0, 134417 Philadelphia The Spectrum flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2015 notes 2270. 04/25/83 Flac 16 - 0, 134418 Philadelphia The Spectrum flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 notes 2271. 04/25/83 Flac 16 - 0, 88164 Philadelphia The Spectrum flac16; Source:2-Nak 700's>Sony D5 Location: FOB-7th row DFC @6 ft high on stand(head high) Taper: Rick "Coyotte" Colyard 2 maxell UDXL2-Cassette MASTERS Transfer: Sony TCW-21(analog out)>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>Media Join(join tape flips)>FlacFrontend (level-8)>flac-16 notes 2272. 04/25/83 Flac 24/96 - 0, 136748 Philadelphia The Spectrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2273. 04/25/83 Flac 16 - 0, 136749 Philadelphia The Spectrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2274. 04/25/83 Flac 16 - 0, 119642 Philadelphia The Spectrum flac16; Set 1 Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded, Transferred and Mastered By Charlie Miller notes 2275. 04/25/83 Shn - 0, 9763 Philadelphia The Spectrum Source: Senn 421's > MC > Dat > Cdr; via Paul B; Seeded to etree by Ernie Dodd notes 2276. 04/25/83 Flac 16 - 0, 112559 Philadelphia The Spectrum flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes notes 2277. 04/25/83 Flac 24/96 - 0, 119643 Philadelphia The Spectrum b>flac24; Set 1 Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; Recorded, Transferred and Mastered By Charlie Miller notes 2278. 04/26/83 Flac 16 - 0, 97544 Philadelphia The Spectrum flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2279. 04/26/83 Flac 16 Mtx - 0, 132607 Philadelphia The Spectrum flac16; 2 Source Matrix by Dusborne; Soundboard(shinid:97544) SBD -> Cassette Master -> Cassette -> Dat (48k); Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; and Audience(shinid:28360) Unknown mics > MC > C > C > Hardrive via souncard > Cool Edit to split tracks > flac notes 2280. 04/26/83 Flac 16/48 - 0, 132784 Philadelphia The Spectrum flac16/48kHz; Master Soundboard Cassette (Dan Healy)-1st Generation 7 Inch Reel @ 7.5 ips 1/4 Track(Dick L)-Tascam 122MK111 Cassette Deck-Technics 1506 Reel 2 Reel); Analog To Digital-Reel Playback on Otari MX5050-JVC SV-3700 DAT Deck @48KHz; DAT x Zero-DAT x One JVC 3700-JVC 3700 via AES cable; DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/48KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise notes 2281. 04/26/83 Flac 24/88 .2 - 0, 133385 Philadelphia The Spectrum flac24; MAC; (FOB) Recoton mm180s > Sony TCM-D5; Location: 14th row center; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon>Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> .wav @ 24/88.2>UAD-2> .wav@24/88.2> xAct> flac24; Tapers: Rick "Coyote" Colyard and Tom Gagen; Transfer, edits and mastering: Alex Ford notes 2282. 04/26/83 Flac 16 - 0, 133384 Philadelphia The Spectrum flac16; MAC; (FOB) Recoton mm180s > Sony TCM-D5; Location: 14th row center; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon>Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> .wav @ 24/88.2>UAD-2> UVHR22/Crystal Resampler> .wav@16/44.1> xAct> flac16. Tapers: Rick "Coyote" Colyard and Tom Gagen; Transfer, edits and mastering: Alex Ford notes 2283. 04/26/83 Flac 16 - 0, 34395 Philadelphia The Spectrum flac16; Seamless fix of shn id 2606 - SBDMC>Cass>DAT>CDR>EAC>SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 2284. 04/26/83 Shn - 0, 28161 Philadelphia The Spectrum set2; Sennheiser shotguns > Sony D-5 onto Maxell XLIIS-90, No dolby used; recorded by David Hanscom, center, about 2/3rds back on floor (FOB); Transfer: MC > CDR: NAK BX-300 > Philips CDR-820 standalone recorder, as long, multi-song files; EAC> CDWAV> shn by Bzl notes 2285. 04/26/83 Shn - 0, 2606 Philadelphia The Spectrum SBDMC> Cass> DAT> CDR> EAC> SHN; via Mike 'Dank Star' Parrillo notes 2286. 04/26/83 Flac 16 - 0, 28360 Philadelphia The Spectrum flac16; Unknown mics > MAC > C > C > Hardrive via souncard > Cool Edit to split tracks > flac; transfer by David Dillon notes 2287. 04/26/83 Flac 16 - 0, 136745 Philadelphia The Spectrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2288. 04/26/83 Flac 24/96 - 0, 136744 Philadelphia The Spectrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2289. 04/26/83 Flac 16 - 0, 112583 Philadelphia The Spectrum flac16; Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2290. 04/26/83 Flac 24/48 - 0, 141738 Philadelphia The Spectrum flac24/48 Master AUD: Beyer M201 hypercardiod XY->Sony TCD5M|TDK MA90 No Dolby Location: set1 20ft from stacks RT side lower section set2 behind stage 20 feet from stacks 5 ' ROC Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Olvy Johnson Transferred by: Kyle Holbrook notes 2291. 04/26/83 Flac 16/44,1 - 0, 141737 Philadelphia The Spectrum flac16/44.1 Master AUD: Beyer M201 hypercardiod XY->Sony TCD5M|TDK MA90 No Dolby Location: set1 20ft from stacks RT side lower section set2 behind stage 20 feet from stacks 5 ' ROC Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Olvy Johnson Transferred by: Kyle Holbrook notes 2292. 05/13/83 Flac 16 - 0, 95059 Berkeley Greek Theatre, University Of California flac16; Recording Info: SBD -> Master Cassette -> PCM -> Apogee Ensemble -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2293. 05/13/83 Flac 16 - 0, 94514 Berkeley Greek Theatre, University Of California flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller; pitch corrected source of 94393 notes 2294. 05/13/83 Flac 16 - 0, 94393 Berkeley Greek Theatre, University Of California flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller notes 2295. 05/13/83 Flac 16 - 0, 96817 Berkeley Greek Theatre, University Of California flac16; Audience Recording Lineage: 3 Nak 700's (L & R Cardioids, Center Omni - 3 DB Low Pass filter)> -15 db pads> 3 mic mixer Preamp> Patchbay> Sony D6> MAC (Dolby B )> CR-5A> HD-P2> 24/96 .wav> WaveLab 5.0> Waves L3 UltraMaximizer> 16/44.1 .wav> CD Wave Editor> TLH> flac16. Taped by the anonymous taper, Mark Severson and Jamie Poris. notes 2296. 05/13/83 Shn - 0, 18224 Berkeley Greek Theatre, University Of California FOB Sony ECM-220T>TC-D5>DAT>CDR>EAC(secure)>SHN FOB Sony ECM-220T>TC-D5 by Rango Keshavan see notes for patch information Jim Powell provided the seed discs EAC>SHN by J.Barnes (heyitsmejess@aol.com) notes 2297. 05/13/83 Shn - 0, 341 Berkeley Greek Theatre, University Of California FOB Sony Mics > D5 > DAT; Transfer:? D8 > ZA2 (S/PDIF) > SHN; Good Lovin' ends rather abruptly and may be cut; a dropout or two, but could be tape flips from cass master; DAT seed via Jon Boltz; transfer by Jeff Kempka notes 2298. 05/13/83 Flac 24/96 - 0, 147897 Berkeley Greek Theatre, University Of California flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2299. 05/13/83 Flac 16/48 - 0, 147896 Berkeley Greek Theatre, University Of California flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpweramp notes 2300. 05/13/83 Flac 16 - 0, 32809 Berkeley Greek Theatre, University Of California flac16; 2 Nak 700's > Bass Box EQ > Sony D5 > Sony D5 > Maxell MX 90's Taper: unknown Mark McCue Master Transfer by Mark McCue notes 2301. 05/14/83 Flac 16 - 0, 91136 Berkeley Greek Theatre, University Of California flac16; Set 1 only, Soundboard->Cassette Master->1st Generation Cassette repatched by Bill Tetzeli notes 2302. 05/14/83 Shn - 0, 25407 Berkeley Greek Theatre, University Of California *Set 1 Only* Soundboard->Cassette Master->1st Generation Cassette. 1st Generation Cassette->Audiophile 2496->Samplitude v7.02 Professional->.wav->mkw->SHN. Transfer, editing, and SHN by Joe Samaritano notes 2303. 05/14/83 Flac 16 - 0, 96570 Berkeley Greek Theatre, University Of California flac16; Source: Audience Recording Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter)> -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D6 > MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone and Waves RBass > iZotope RX Advanced > 16/44.1 wave > CD Wave > TLH > flac16; Taped by the anonymous taper, Jamie Poris, and the many others notes 2304. 05/14/83 Flac 16 - 0, 94396 Berkeley Greek Theatre, University Of California flac16; Recording Info:(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller notes 2305. 05/14/83 Flac 16 - 0, 94515 Berkeley Greek Theatre, University Of California flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller; pitch corrected source of 94396 notes 2306. 05/14/83 Flac 16/48 - 0, 33502 Berkeley Greek Theatre, University Of California flac16; Master: Beyer M201's X-Y > Sony TCD5M (Maxell MX 90, no dolby) Location: 85 feet from stage, DFC Transfer: Sony TC-RX 370 > Echo Gina 24@16/48 > BIAS PEAK VST 2.8 > Mac G-4 dual 533 > Adaptec toast > Matshita CD-RW 7573 (internal) > EAC (PC w/pentium III 700) > flac v1.7.1 etree ed. Mastered by the Executive Crew (T.P, K.H.) Transferred by Kyle Holbrook notes 2307. 05/14/83 Shn - 0, 18225 Berkeley Greek Theatre, University Of California FOB Sennheiser 421s>Sony PCM F-1>DAT>CDR>EAC(secure)>SHN seed provided by jim powell. EAC>SHN by j.barnes (heyitsmejess@aol.com) see notes for patch information notes 2308. 05/14/83 Shn - 0, 15387 Berkeley Greek Theatre, University Of California FOB: Sennheiser 421's > Sony PCM-F1 (Jeff Silberman's PCM Master) encoded by Jeff Fishman notes 2309. 05/14/83 Shn - 0, 342 Berkeley Greek Theatre, University Of California FOB: 3 Sennheiser 421's > Sony PCM-F1, M. Field, D. Cramer; Conversion: 3800-> Montego II Plus @44k > HD via Soundforge> CDWav, A. Gustin; known flaw: very end of Bertha is cut notes 2310. 05/14/83 Flac 16 - 0, 138938 Berkeley Greek Theatre, University Of California Source: Audience recording > Schoeps > pcm > dat (44k) recorded FOB, taper unknown. Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 edited and mastered SIRMick August 2017 notes 2311. 05/14/83 Flac 16/48 - 0, 140368 Berkeley Greek Theatre, University Of California flac16/48kHz; Recording Info: 1st Set: Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; 2nd Set: Unknown Audience Master; possibly recorded at the soundboard by a crew member, presumably, this is what is in the vault for this date; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 notes 2312. 05/14/83 Flac 24/48 - 0, 141945 Berkeley Greek Theatre, University Of California b/>flac24/48 Master: AUD MC Beyer M201's X-Y > Sony TCD5M no dolby TDK MA90 s1|Maxell MX90 s2 Location: 85 feet from stage DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Tom Pinney Kyle Holbrook John Hance Transferred by Kyle Holbrook notes 2313. 05/14/83 Flac 16/44,1 - 0, 141946 Berkeley Greek Theatre, University Of California flac16/44.1 Master: AUD MC Beyer M201's X-Y > Sony TCD5M no dolby TDK MA90 s1|Maxell MX90 s2 Location: 85 feet from stage DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Tom Pinney Kyle Holbrook John Hance Transferred by Kyle Holbrook notes 2314. 05/15/83 Flac 16 - 0, 94516 Berkeley Greek Theatre, University Of California flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller; pitch corrected source of 94397 notes 2315. 05/15/83 Flac 16 - 0, 96565 Berkeley Greek Theatre, University Of California flac16; Source: Audience Recording Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter)> -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D6 > MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone and Waves RBass > iZotope RX Advanced > 16/44.1 wave > CD Wave > TLH > flac16 notes 2316. 05/15/83 Shn - 0, 2217 Berkeley Greek Theatre, University Of California FOB Aud Sony ECM 220T > Sony D5 using Fuji Metals no dolby> Played back on a Nak DR1 with Azimuth adjustment > Sony PCMR500 DAT 48KHz SBM ON > PC transfer via Turtle Beach Montego II Digital I/O > SHN; via Rango Keshavan notes 2317. 05/15/83 Flac 16 - 0, 34167 Berkeley Greek Theatre, University Of California flac16; Set 2 ONLY; Source: 2 Nak 700's > Bass Box EQ > Sony D5 > Sony D5 > Maxell MX 90's Taper: unknown Mark McCue Master #05 Transfer by Mark McCue. EAC, patch, conversion, and seeding to bt.etree.org by Alex Ford notes 2318. 05/15/83 Flac 16 - 0, 94397 Berkeley Greek Theatre, University Of California flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller notes 2319. 05/15/83 Flac 24/96 - 0, 147899 Berkeley Greek Theatre, University Of California flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2320. 05/15/83 Flac 16/48 - 0, 147898 Berkeley Greek Theatre, University Of California flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2321. 06/18/83 Flac 24/96 - 0, 124569 Saratoga Springs Saratoga Performing Arts Center flac24; Set 2 Only; Original Recording By Jeff Silberman; Sennheiser 441 (Front Row Balcony) > PCM > Dat >?; DAT Transfer Info: Friend's Dat (2 Hour) > (Possibaly 1 PCM) > (Unknown Cassette Deck) > Tape TDK MA 110; Transfer Information: Nakamichi MR-1 > Korg MR-1000 @ 1Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz notes 2322. 06/18/83 Flac 16 - 0, 105236 Saratoga Springs Saratoga Performing Arts Center flac16; Recording Info: (2) Beyer M160 + (1) Beyer M88 -> Cassette Master (Nakamichi 550/TDK SA90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded By Rudy Huston notes 2323. 06/18/83 Shn - 0, 14411 Saratoga Springs Saratoga Performing Arts Center Source: Senn 421's > Sony D-5 > CDR taped by Jim Wise *these are not the originally seeded shns (well mostly) see below for details * I rejoined the Morning Dew and Crowd tracks that were separated with a disc break and a fade out from the Dew into one track with Cool Edit Pro. The original md5's are the same except for the Morning Dew and the track names have changed on Space and all the tunes after that. - Doug Nawrocki notes 2324. 06/18/83 Flac 16 - 0, 103285 Saratoga Springs Saratoga Performing Arts Center flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes 2325. 06/18/83 Flac 16 - 0, 103293 Saratoga Springs Saratoga Performing Arts Center flac16; Set 2 only, Recording Info: (Front Row Balcony) Sennheiser 441 -> PCM -> Dat -> CD -> Dat Transfer Info: Dat (Sony D8) -> Behringer UltraMatch SRC 2000 -> CD (Tascam CDRW700) -> Samplitude Professional v10.22 -> FLAC; Recorded by Jeff Silberman; This is a re-master of source ID 21741; All Transfers and Mastering By Charlie miller notes 2326. 06/18/83 Flac 16 - 0, 119438 Saratoga Springs Saratoga Performing Arts Center flac16; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, recorded from inside the pavilion, directly behind the soundboard area, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2012 notes 2327. 06/18/83 Shn - 0, 21741 Saratoga Springs Saratoga Performing Arts Center (Front Row Balcony) Sennheiser 441 -> PCM -> CD -> Dat notes 2328. 06/18/83 Shn - 0, 4605 Saratoga Springs Saratoga Performing Arts Center Sennheiser 421's> Sony D-5 taped by Jim Wise; cass master> CDR; via Tony Gardner with thanks to Paul B.; Note-May circ with mislabelled tracks, they would read 6-13-83 notes 2329. 06/18/83 Flac 16 - 0, 124473 Saratoga Springs Saratoga Performing Arts Center flac16; Set 2 Only; Original Recording By Jeff Silberman; Sennheiser 441 (Front Row Balcony) > PCM > Dat >?; DAT Transfer Info: Friend's Dat (2 Hour) > (Possibaly 1 PCM) > (Unknown Cassette Deck) > Tape TDK MA 110; Transfer Information: Nakamichi MR-1 > Korg MR-1000 @ 1Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2330. 06/18/83 Flac 16 - 0, 138859 Saratoga Springs Saratoga Performing Arts Center flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns* > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 notes 2331. 06/18/83 Flac 24/96 - 0, 138860 Saratoga Springs Saratoga Performing Arts Center flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns* > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 notes 2332. 06/18/83 Flac 2448 - 0, 119437 Saratoga Springs Saratoga Performing Arts Center flac24; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, recorded from inside the pavilion, directly behind the soundboard area, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2012 notes 2333. 06/18/83 Flac 24/48 - 0, 142271 Saratoga Springs Saratoga Performing Arts Center flac24/48 Master: AUD MC Beyer M201's X-Y 8'up > Sony TCD5M no dolby Maxell MX90 x 2. First Gen patch: [Same mics]Sony TCD5M no dolby Maxell UDXLII 90 Cassette copy: Sony TCD5M> Denon DR330 Location: ~150 feet from stage, 40 feet from lawn rail on lawn DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8. Mastered: Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor Transferred: Kyle Holbrook This is your collection notes 2334. 06/18/83 Flac 16/44,1 - 0, 142270 Saratoga Springs Saratoga Performing Arts Center flac16 44.1khz Master: AUD MC Beyer M201's X-Y 8'up > Sony TCD5M no dolby. Maxell MX90 x 2. First Gen patch: [Same mics]Sony TCD5M no dolby Maxell UDXLII 90. Cassette copy: Sony TCD5M> Denon DR330 Location: ~150 feet from stage, 40 feet from lawn rail on lawn DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor Transferred: Kyle Holbrook notes 2335. 06/18/83 Flac 16 - 0, 143267 Saratoga Springs Saratoga Performing Arts Center flac16; Lineage: Aud Pcm Master# 16-441 Recorded Front Row Balcony>Dat>cool edit Pro 16-441; Unknown Pcm Recorder Most Likely 2 Or 3 Sennheiser 441 Mics; Remasterd Beerengineer On 10-05 18 notes 2336. 06/18/83 Flac 16/48 - 0, 148043 Saratoga Springs Saratoga Performing Arts Center flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2337. 06/18/83 Flac 24/96 - 0, 148044 Saratoga Springs Saratoga Performing Arts Center flac24; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2338. 06/18/83 Flac 16 - , 154660 Saratoga Springs Saratoga Performing Arts Center flac16 Source: Sennheiser 441 > Technics 14 Bit Pcm > Dat Location: Front Row Balcony Transfer Info: Pcm Vhs Master > Sony Pcm 2500 Dat Recorder @khz (by Jeff); Tascam Da20 Mark Ii Dat > Roland Src-2 Sample Rate Format Converter (from Spdif To Optical) > Mac Mini > Audacity@k > Wave (by John) Recorded By Jeff Silberman Pcm To Dat Transfer By Jeff Silberman Dat Transfer By John Ammons Edited & Mastered (adobe Audition) By Joe Noel November 05, 2021 notes 2339. 06/20/83 Flac 16 - 0, 32795 Columbia Merriweather Post Pavilion flac16; Source: Nakamichi 300's > Sony TCD5M > Sony D-6 Maxell XLIIS Master (outside in the insane weather and thick sound!) Thanks to Ted (?) for the patch Transfer: Maxell XLIIS Master > Nakamichi DR-3 > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 notes 2340. 06/20/83 Shn - 0, 3926 Columbia Merriweather Post Pavilion set 2; Sen. 441 -> D5 -> Dat Recorded by J. Silberman; Mastering: Pan SV3700 -> Za2 -> .shn by SWS notes 2341. 06/20/83 Flac 24 - 0, 119816 Columbia Merriweather Post Pavilion flac24; source: (3) audio technica atm11> d-5; conversion: sony tc we435> soundcard> cdwave 44100/stereo/24 bit> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 2342. 06/20/83 Flac 16 - 0, 102042 Columbia Merriweather Post Pavilion flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Section Right Loge, Row J, Seat 208 by Bob Morris notes 2343. 06/20/83 Flac 16 - 0, 83762 Columbia Merriweather Post Pavilion flac16; Source: fob about the 12th row ctr. or so with a sony 939lt stereo - single point mic > d6 taped and transferred by David Minor Lineage: MAC > CD > EAC > Cool Edit Pro > CDWAV > flac16 level 8 encoding etc. by Matt Vernon notes 2344. 06/20/83 Flac 16 - 0, 117531 Columbia Merriweather Post Pavilion flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2345. 06/20/83 Shn - 0, 11931 Columbia Merriweather Post Pavilion Set 1 and Set 2 up to Drums is: FOB-Sennheiser 421>MasterCass>Dat>CD; Set 2 From Space to Sugar Mags is FOB-Sennheiser 441>PCM>Dat>CD; Seeded to etree by SWS notes 2346. 06/20/83 Flac 24/96 - 0, 140672 Columbia Merriweather Post Pavilion flac24; source: nak 300 (location ?) > tcd5m MX90 +dolby > master > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (normalize, tracks, fades) > flac2496 > act (tags, checksums); recorded: david lane + david barfield; transferred/seeded: barfield notes 2347. 06/20/83 Flac 16 - 0, 32643 Columbia Merriweather Post Pavilion flac16; Source:FOB-35FT off Stage@10ft 2 Sennheiser Md421's>Sony TCD5>Maxell XL2 Cassettes Recorded by Rick Colyard Transfer.Sony TCD21>Soundforge 8.0(record,resample,fades,anti-alias filter in highest setting)>CDWav(tracks)>Flacfrontend(flac16bit) Trandsfer and editing by: MULETAPER notes 2348. 06/20/83 Flac 24/96 - 0, 148016 Columbia Merriweather Post Pavilion flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2349. 06/20/83 Flac 16/48 - 0, 148015 Columbia Merriweather Post Pavilion flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2350. 06/21/83 Flac 16 - 0, 102041 Columbia Merriweather Post Pavilion flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Section Right Loge, Row H, Seat 212 by Bob Morris notes 2351. 06/21/83 Flac 16 - 0, 117317 Columbia Merriweather Post Pavilion flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2352. 06/21/83 Flac 16 - 0, 83763 Columbia Merriweather Post Pavilion flac16; Source: fob about the 12th row ctr. or so with a sony 939lt stereo - single point mic > d6 by David Minor Lineage: MAC > CD > EAC > Cool Edit Pro > CDWAV > flac16 level 8 encoding etc. by Matt Vernon notes 2353. 06/21/83 Shn - 0, 11491 Columbia Merriweather Post Pavilion AUD>MC>DAT>CDRSony ECM-939?s; via Paul; seeded to etree by Ernie Dodd notes 2354. 06/21/83 Flac - 0, 32881 Columbia Merriweather Post Pavilion Source: Nakamichi 300's w/CP-4 capsules > Sony TCD5M > Sony D-6 Maxell XLIIS & MX Master Transfer: Maxell XLIIS & MX Master > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Recorded and transferred by Dean Grabski notes 2355. 06/21/83 Flac 24/96 - 0, 140698 Columbia Merriweather Post Pavilion flac24; Set 1 source: nak 300 (7’ right front corner of sbd w/+nod from healy) > tcd5m > mx90 +dolby > master > tascam 122mkii -dolby > apogee rosetta 200 (24/96) > audacity (fix levels, normalize, fades, tracks) > flac2496 > act (tags,checksums); recorded: david barfield; transferred/seeded: barfield notes 2356. 06/21/83 Flac 24/96 - 0, 147953 Columbia Merriweather Post Pavilion flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2357. 06/21/83 Flac 16/48 - 0, 147952 Columbia Merriweather Post Pavilion flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2358. 06/22/83 Flac 16 - 0, 88881 Harrisburg City Island flac16; source: Nakamichi CM300/CP4 > Sony TCD5M > Sony D-6 > Maxell XL-IIS masters transfer: Master cassettes > Nakamichi CR-2A > Tascam HD-P2 (88.2/24) > firewire > DAW WAVELAB (UV22HR) > CDWAVE > FLAC notes 2359. 06/22/83 Flac 16 - 0, 92208 Harrisburg City Island flac16; AUD: FOB, Sennheiser ME-88 shotguns > patched thru 1 or 2 decks > Marantz PMD-340 cassette deck > TDK SA-90's, Dolby on. Transfer: MAC > Nakamichi DR-8 (Dolby on) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Taped & transferred by Andrew F. notes 2360. 06/22/83 Flac 24/96 - 0, 136719 Harrisburg City Island flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2361. 06/22/83 Flac 16 - 0, 136720 Harrisburg City Island flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2362. 06/22/83 Flac 24/96 - 0, 119806 Harrisburg City Island flac24; Updated Lineage: (3) audio technica atm11 (fob)> d-5 mc> sony tc we435> pcm-m10> cdwave> traders little helper encoding option 8; conversion rate: 96/24 bit Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures notes 2363. 06/22/83 Flac 16 - 0, 102068 Harrisburg City Island flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : (3) audio technica atm fob> tcm d-5> cm> cd Recording Location: fob Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8 notes 2364. 06/22/83 Flac 24/96 - 0, 81511 Harrisburg City Island flac24/96; Recordist: Kyle Holbrook Location: ~10' Left Of Center, ~100' from stage lip Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > TDK MA-R90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: TDK MA-R90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 notes 2365. 06/22/83 Shn - 0, 7222 Harrisburg City Island Recorded on Sony D5M using (2) Sennheiser ME-80 and (2) AKG D-1000 mikes run through mixer, 30 feet from stage dead center. Recorded by Tommy McKeown; Master > Peak encoded AIFF using Audiophile 2496 A/D converter > SHN; note spaces in tracknames; note user DES reports this show circulates with a shntool fix of d2. Those md5's are listed here along with the originals.; upgrade in circulation notes 2366. 06/22/83 Shn - 0, 14908 Harrisburg City Island 2 Sennheiser ME-80 and 2 AKG D-1000 mikes run through mixer>Sony D5M (30 feet from stage dead center. Recorded by Tommy McKeown) Note- This is the same source as the previous etree seed (shnid #7222), though I believe the previous seed has been normalized. The previous seed was also missing the last 4 minutes of Deal, and had small (DAO) silent spots between all the tracks; via Eric Ray; Seeded to etree by Willy notes 2367. 06/22/83 Flac 16 - 0, 81274 Harrisburg City Island flac16; Recordist: Kyle Holbrook Location : ~10' Left Of Center, ~100' from stage lip Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > TDK MA-R90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: TDK MA-R90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 notes 2368. 06/22/83 Flac 24 - 0, 140681 Harrisburg City Island flac24; source: nak 300 (12’ only patch of grass near soundboard) > tcd5m > udxliis -1st fuji fr-metal90 2nd +dolby > tascam 122mkii -dolby > apogee rosetta 200 (24/96) > audacity > (fades, tracks, normalize) > xact (tags, checksums); recorded: david barfield + david lane; transferred/seeded: david barfield notes 2369. 06/22/83 Flac 16/48 - 0, 148029 Harrisburg City Island flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2370. 06/22/83 Flac 24/96 - 0, 148030 Harrisburg City Island flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2371. 06/22/83 Flac 16 - 0, 150102 Harrisburg City Island flac16; Source: Sennheiser 422's > Sony D5; Location: FOB; No other source or transfer information notes 2372. 06/22/83 Flac 16/48 - 0, Harrisburg City Island flac16/48khz Source Info: Master Audience Cassettes (possibly 1st generation); Unknown equipment Transfer Info: Cassette Master (possibly 1st generation)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496 notes 2373. 06/22/83 Flac 24/96 - 0, 151457 Harrisburg City Island flac24/96khz Source Info: Master Audience Cassettes (possibly 1st generation); Unknown equipment Transfer Info: Cassette Master (possibly 1st generation)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496 notes 2374. 06/22/83 Flac 24/96 - , 155966 Harrisburg City Island flac24/96 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 notes 2375. 06/22/83 Flac 16/48 - , 155965 Harrisburg City Island flac1648 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 notes 2376. 06/24/83 Flac 16 - 0, 135375 Madison Dane County Coliseum flac16; Audience recording, taper, gear and generation unknown; 16 bit version; Trade cassettes > Teac W890R, heads aligned to tape > m-audio 2496 audiophile sound card @ 24/48 > editing, volume adjustments and tracked with Audacity; 24/48 resampled and dithered to 16/44.1 with dBpoweramp; flac level 8 and checksums with traderslittlehelper; Tagged with winamp; Transfer and all other mastering by arfarf, March 13, 2016 notes 2377. 06/24/83 Flac 24/96 - 0, 135481 Madison Dane County Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2378. 06/24/83 Flac 16 - 0, 135482 Madison Dane County Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2379. 06/24/83 Flac 16 - 0, 118888 Madison Dane County Coliseum flac16; Recorded by the late George "Fingers" Bethke FOB in the sweet spot as always Sennheisser 421s>Sony TCD5M>Sony TCD5M (1st gen backup copy from Justin Lee) No Dolby on master cassettes. The first gen. cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen February 2011; additional lineage: files tagged with Tag&Rename, checksums created with traderslittlehelper, Tagging, checksums and text February 12,2012 - John Wenzel notes 2380. 06/24/83 Shn - 0, 7291 Madison Dane County Coliseum D5>Nakamichi 300 Shotguns in front of the stage 10th row; via Clark Ohnesorge; Seeded to etree by Willy notes 2381. 06/24/83 Flac 24/48 - 0, 135376 Madison Dane County Coliseum flac24; Audience recording, taper, gear and generation unknown; 24 bit version; Trade cassettes > Teac W890R, heads aligned to tape > m-audio 2496 audiophile sound card @ 24/48 > editing, volume adjustments and tracked with Audacity; flac level 8 and checksums with traderslittlehelper; tagged with winamp; Transfer and all other mastering by arfarf, March 13, 2016 notes 2382. 06/24/83 Flac 24 - 0, 140520 Madison Dane County Coliseum flac24; Robert Bryant FOB recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT notes 2383. 06/24/83 Flac 16 - 0, 141159 Madison Dane County Coliseum flac16; Robert Bryant FOB recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 2384. 06/24/83 Flac 24 - 0, 146150 Madison Dane County Coliseum flac24 Source: Nakamichi CM300 (with CP4 caps)>Sony TCD-5M Location: FOB, Stand at 7.5 feet Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac24 Taper: Michael Gardner Transfer and editing: Tony Suraci. Note - This version has the fixed track for Brown Eyed Women notes 2385. 06/24/83 Flac 16/44,1 - 0, 146149 Madison Dane County Coliseum flac16/44.1khz Source: Nakamichi CM300 (with CP4 caps)>Sony TCD-5M Location: FOB, Stand at 7.5 feet Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16 Taper: Michael Gardner Transfer and editing: Tony Suraci. Note - This version has the fixed track for Brown Eyed Women notes 2386. 06/24/83 Flac 24/96 - 0, 147991 Madison Dane County Coliseum flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2387. 06/24/83 Flac 16/48 - 0, 147990 Madison Dane County Coliseum flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2388. 06/25/83 Flac 16 - 0, 118005 St. Paul St. Paul Civic Center flac16; Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Center Of Horseshoe 1/2 Way Up)> Sony WM-D6 (Maxell UD-XLII); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 2389. 06/25/83 Flac 16 - 0, 135474 St. Paul St. Paul Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2390. 06/25/83 Flac 24/96 - 0, 135473 St. Paul St. Paul Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2391. 06/25/83 Flac 24/48 - 0, 118004 St. Paul St. Paul Civic Center flac24; Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Center Of Horseshoe 1/2 Way Up)> Sony WM-D6 (Maxell UD-XLII); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 2392. 06/25/83 Shn - 0, 11802 St. Paul St. Paul Civic Center ACM>C>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd notes 2393. 06/25/83 Flac 24 - 0, 140521 St. Paul St. Paul Civic Center flac24; Robert Bryant FOB recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT notes 2394. 06/25/83 Flac 16 - 0, 141160 St. Paul St. Paul Civic Center flac16; Robert Bryant FOB recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 2395. 06/25/83 Flac 16 - 0, 118900 St. Paul St. Paul Civic Center flac16; Sennheisser 421s>Sony TCD5M>cassette>cassette, Recorded by the late George "Fingers" Bethke FOB in the sweet spot as always; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz) 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen notes 2396. 06/25/83 Flac 24/48 - 0, 142363 St. Paul St. Paul Civic Center flac24/48 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 ++ First Gen patch: [Same mics]Marantz Superscope PMD420| Maxell UDXLII 90 Cassette copy: Sony TCD5M> Denon DR330 Location: ~40 feet from stage, 25 feet LOC (in front of Phil) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook notes 2397. 06/25/83 Flac 16/44,1 - 0, 142362 St. Paul St. Paul Civic Center flac16 44.1khz Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 ++ First Gen patch: [Same mics]Marantz Superscope PMD420| Maxell UDXLII 90 Cassette copy: Sony TCD5M> Denon DR330 Location: ~40 feet from stage, 25 feet LOC (in front of Phil) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook notes 2398. 06/25/83 Flac 16/48 - 0, 148002 St. Paul St. Paul Civic Center flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2399. 06/25/83 Flac 24/96 - 0, 148003 St. Paul St. Paul Civic Center flac24; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2400. 06/27/83 Flac 24/96 - 0, 135377 Hoffman Estates Poplar Creek Music Theatre flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2401. 06/27/83 Flac 16 - 0, 135378 Hoffman Estates Poplar Creek Music Theatre flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2402. 06/27/83 Flac 16 - 0, 119577 Hoffman Estates Poplar Creek Music Theatre b>flac16; Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M; FOB Recorded by the late George "Fingers" Bethke; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz); 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen February 2011 notes 2403. 06/27/83 Flac 16 - 0, 89790 Hoffman Estates Poplar Creek Music Theatre b>flac16; Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat -> CD Transfer Info #1: Dat (Sony D8) -> CD (Tascam CD-RW700) Transfer Info #2: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes 2404. 06/27/83 Shn - 0, 9994 Hoffman Estates Poplar Creek Music Theatre Aud>Cass Master>C>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd notes 2405. 06/27/83 Flac 24 - 0, 140552 Hoffman Estates Poplar Creek Music Theatre flac24; Robert Bryant recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT notes 2406. 06/27/83 Flac 16 - 0, 141161 Hoffman Estates Poplar Creek Music Theatre flac16; Robert Bryant recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 2407. 06/27/83 Flac 16 - 0, 141770 Hoffman Estates Poplar Creek Music Theatre flac16; Updated Recording Info: FOB Sennheiser 441 mics > Canare Cable > Technics SV100 PCM > Panasonic VHS; Taper: Timon Malloy; Master FOB PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 2408. 06/27/83 Flac 24/48 - 0, 142390 Hoffman Estates Poplar Creek Music Theatre flac24/48 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~100 feet from stage, 15 feet LOC (just left of SBD cage) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook notes 2409. 06/27/83 Flac 16/44,1 - 0, 142389 Hoffman Estates Poplar Creek Music Theatre flac16/44.1 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~100 feet from stage, 15 feet LOC (just left of SBD cage) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook notes 2410. 06/27/83 Flac 24/96 - 0, 148046 Hoffman Estates Poplar Creek Music Theatre flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2411. 06/27/83 Flac 16/48 - 0, 148045 Hoffman Estates Poplar Creek Music Theatre flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2412. 06/28/83 Flac 16 - 0, 135356 Hoffman Estates Poplar Creek Music Theatre flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2413. 06/28/83 Flac 24/96 - 0, 135355 Hoffman Estates Poplar Creek Music Theatre flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2414. 06/28/83 Flac 16 - 0, 119579 Hoffman Estates Poplar Creek Music Theatre flac16; Recorded by the late George "Fingers" Bethke; FOB, Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz); 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions) notes 2415. 06/28/83 Shn - 0, 3593 Hoffman Estates Poplar Creek Music Theatre FOB Senn 421's> Sony TCD5M w/ Maxell XLII dolby B encoded MC> DAT> CDR> EAC> SHN (w/seek tables appended); Jim Vita recording, 17th Row center; Analog> digital> cdr: tascam 112mk11> Sony PCM R500 @44.1khz> HHB CDR-850 transfer by Jim Wise; Eac/SHN by Chuck Hogan with thanks to John Tallmadge notes 2416. 06/28/83 Flac 16 - 0, 28361 Hoffman Estates Poplar Creek Music Theatre flac16; FOB Sennheiser 441> PCM> Dat> CD; Transfer: CD> EAC> Samplitude Professional v8.0> FLAC; plus patch from FOB Sennheiser 421 source; Transferred and Edited By Charlie Miller notes 2417. 06/28/83 Flac 24 - 0, 140523 Hoffman Estates Poplar Creek Music Theatre flac24; Robert Bryant recording: unknown mics > cassette master (sony wm-d6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT notes 2418. 06/28/83 Flac 16 - 0, 141162 Hoffman Estates Poplar Creek Music Theatre flac16; Robert Bryant recording: unknown mics > cassette master (sony wm-d6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 2419. 06/28/83 Flac 24/48 - 0, 142395 Hoffman Estates Poplar Creek Music Theatre flac24/48 First GEN AUD: Beyer M201's X-Y 7'up > Marantz Superscope PMD420 Maxell UDXLII 90 > Cassette copy: (Superscope to Denon Dr330) [1983] > Maxell UDXLII 90 Master was: MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~80 feet from stage, 20 feet ROC (just in front and right of SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook notes 2420. 06/28/83 Flac 16/44,1 - 0, 142394 Hoffman Estates Poplar Creek Music Theatre flac16/44.1 First GEN AUD: Beyer M201's X-Y 7'up > Marantz Superscope PMD420 Maxell UDXLII 90 > Cassette copy: (Superscope to Denon Dr330) [1983] > Maxell UDXLII 90 Master was: MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~80 feet from stage, 20 feet ROC (just in front and right of SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook notes 2421. 06/28/83 Flac 24 - 0, 146188 Hoffman Estates Poplar Creek Music Theatre flac24; Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M; Location: FOB, Stand at 7.5 feet; Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac24; Taper: Michael Gardner; Transfer and editing: Tony Suraci notes 2422. 06/28/83 Flac 16 - 0, 146187 Hoffman Estates Poplar Creek Music Theatre flac16; Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M; Location: FOB, Stand at 7.5 feet; Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16; Taper: Michael Gardner; Transfer and editing: Tony Suraci notes 2423. 06/28/83 Flac 24/192 - 0, 149921 Hoffman Estates Poplar Creek Music Theatre flac24/192kHz; Mics: Mics: AKG 460B with the CK1 capsules; Recorder: 1981 TCD-5M Sony Cassette Pro Portable; Location: Sec 100 Row C Seat 107; Cassettes: Fuji Metal Bias C90: Dolby on but left off for this playback; Playback: Sony TCD-5M unit calibrated to this era (not same identical unit). Tape speed and head alignment; Chord Company Interconnect Cable (Naim Co.); Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz; Sound Forge just to track notes 2424. 06/28/83 Flac 16 - 0, 149944 Hoffman Estates Poplar Creek Music Theatre flac16; Mics: AKG 460B with the CK1 capsules; Recorder: 1981 TCD-5M Sony Cassette Pro Portable; Location: Sec 100 Row C Seat 107; Cassettes: Fuji Metal Bias C90: Dolby on but left off for this playback; Playback: Sony TCD-5M unit calibrated to this era (not same identical unit). Tape speed and head alignment; Chord Company Interconnect Cable (Naim Co.); Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz; Sound Forge just to track 24/192 > 16/44.1 notes 2425. 07/30/83 Flac 16 - 0, 96401 Ventura Ventura County Fairgrounds flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2 -> r8brain PRO v1.5 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller notes 2426. 07/30/83 Shn - 0, 11932 Ventura Ventura County Fairgrounds ACM>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd notes 2427. 07/30/83 Flac 16/48 - 0, 140317 Ventura Ventura County Fairgrounds flac16/48kHz; Recording Info: Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 notes 2428. 07/30/83 Flac 16/48 - 0, 150939 Ventura Ventura County Fairgrounds flac16/48 Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 2429. 07/30/83 Flac 24/96 - 0, 150940 Ventura Ventura County Fairgrounds flac24/96 Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 2430. 07/31/83 Flac 16 - 0, 88149 Ventura Ventura County Fairgrounds flac16; SBD -> Cassette Master -> Cass -> Dat -> CD All Transfers and Mastering By Charlie Miller notes 2431. 07/31/83 Flac 16 - 0, 96409 Ventura Ventura County Fairgrounds flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.2 -> r8brain PRO v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Recorded by Rango Keshavan notes 2432. 07/31/83 Shn - 0, 11933 Ventura Ventura County Fairgrounds AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd notes 2433. 07/31/83 Flac - 0, 140320 Ventura Ventura County Fairgrounds flac16/48kHz; Recording Info: Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 notes 2434. 07/31/83 Flac 24/96 - , 151138 Ventura Ventura County Fairgrounds flac24/96khz Source : Nakamichi mics > Nakamichi deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 2435. 07/31/83 Flac 16/48 - , 151137 Ventura Ventura County Fairgrounds flac16/48khz Source : Nakamichi mics > Nakamichi deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes 2436. 08/20/83 Flac 16 - 0, 96387 Palo Alto Frost Amphitheatre flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2 -> r8brain PRO v1.5 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller notes 2437. 08/20/83 Flac 16 - 0, 111528 Palo Alto Frost Amphitheatre flac16; Source: 2 Sennheiser 421 microphones (25 feet from stage-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2438. 08/20/83 Shn - 0, 12081 Palo Alto Frost Amphitheatre AUD(Neumann KM 84?s)>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd notes 2439. 08/20/83 Flac 24/96 - 0, 148067 Palo Alto Frost Amphitheatre flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2440. 08/20/83 Flac 16/48 - 0, 148066 Palo Alto Frost Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2441. 08/20/83 Flac 24/96 - , 151140 Palo Alto Frost Amphitheatre flac24/96khz MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 2442. 08/20/83 Flac 16/48 - , 151139 Palo Alto Frost Amphitheatre flac16/48khz MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes 2443. 08/20/83 Flac 24/96 - , 155968 Palo Alto Frost Amphitheatre flac2496 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 notes 2444. 08/20/83 Flac 16/48 - , 155967 Palo Alto Frost Amphitheatre flac1648 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 notes 2445. 08/21/83 Flac 16 - 0, 95672 Palo Alto Frost Amphitheatre flac16; Recording Info:(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Michael Kirschner; All Transfers and Mastering By Charlie Miller notes 2446. 08/21/83 Flac 24/96 - 0, 95687 Palo Alto Frost Amphitheatre flac24; Recording Info:(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Michael Kirschner; All Transfers and Mastering By Charlie Miller notes 2447. 08/21/83 Flac 16 - 0, 111536 Palo Alto Frost Amphitheatre flac16; Source: 2 Sennheiser 421 microphones (25 feet from stage-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2448. 08/21/83 Shn - 0, 10920 Palo Alto Frost Amphitheatre FOB Senn 441>Sony TC-D5>DAT>CD; via Pete; Seeded to etree by Jim Bennett notes 2449. 08/21/83 Shn - 0, 23853 Palo Alto Frost Amphitheatre Recording Info: (Immediate Left Of SBD) Nakamichi 300/CP4 -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) Process Info:Processed through Nuendo using Waves (slight eq and rendered down to a 16 bit wave file). Recorded and Transfered BY Bill Reutelhuber Tracked and SHN'd By Charlie Miller notes 2450. 08/21/83 Flac 24/48 - 0, 142899 Palo Alto Frost Amphitheatre flac24/48khz Source: MAC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~125 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Transferred: Kyle Holbrook notes 2451. 08/21/83 Flac 16/44,1 - 0, 142898 Palo Alto Frost Amphitheatre flac16/44.1khz Source: MAC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~125 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Transferred: Kyle Holbrook notes 2452. 08/21/83 Flac 24/96 - 0, 148073 Palo Alto Frost Amphitheatre flac24; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2453. 08/21/83 Flac 16/48 - 0, 148072 Palo Alto Frost Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2454. 08/21/83 Flac 24/96 - , 151142 Palo Alto Frost Amphitheatre flac24/96khz Source : Nakamichi mics > Nakamichi deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 2455. 08/21/83 Flac 16/48 - , 151141 Palo Alto Frost Amphitheatre />flac16/48khz Source : Nakamichi mics > Nakamichi deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes 2456. 08/26/83 Flac 16 - 0, 110903 Portland Portland Memorial Coliseum flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes 2457. 08/26/83 Shn - 0, 12258 Portland Portland Memorial Coliseum AUD (Senn. 421's)> MC >DAT>CDR; Eac >cool edit > shntool > cdwav >shnv3, by Ernie Dodd notes 2458. 08/26/83 Flac 24/48 - 0, 142901 Portland Portland Memorial Coliseum flac24/48khz ource Audience Recording: Beyer M 201c;1st gen TDK MA metal 90 Location: set 1: 100 feet from stage|DFC set 2: 70 feet from stage|DFC Lineage: Master was: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON 1st Gen copied to TDK MA metal 90 Sony TCD5M -> Sony TCD5M Playback: Nakamichi CR-5A ->Tascam DR-680 24/48 Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8 Taped by Kyle Holbrook & Chris Kidwell Transferred by Kyle Holbrook notes 2459. 08/26/83 Flac 16/44,1 - 0, 142900 Portland Portland Memorial Coliseum flac16/44.1khz ource Audience Recording: Beyer M 201c;1st gen TDK MA metal 90 Location: set 1: 100 feet from stage|DFC set 2: 70 feet from stage|DFC Lineage: Master was: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON 1st Gen copied to TDK MA metal 90 Sony TCD5M -> Sony TCD5M Playback: Nakamichi CR-5A ->Tascam DR-680 24/48 Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8 Taped by Kyle Holbrook & Chris Kidwell Transferred by Kyle Holbrook notes 2460. 08/26/83 Flac 24/96 - 0, 148833 Portland Portland Memorial Coliseum flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mini mics (mounted in hat, left side, 40' from stage)(Row A, Section 15, seats 4 & 5) > Sony D5M (TDK-MA90); Transfer Info: Master Cassettes (Nakamchi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 2461. 08/26/83 Flac 16/48 - 0, 148832 Portland Portland Memorial Coliseum flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mini mics (mounted in hat, left side, 40' from stage)(Row A, Section 15, seats 4 & 5) > Sony D5M (TDK-MA90); Transfer Info: Master Cassettes (Nakamchi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2462. 08/27/83 Shn - 0, 16439 Seattle Seattle Center Coliseum Unknown AUD, with patches from an alternate source; via Darryl Hinko notes 2463. 08/27/83 Shn - 0, 12359 Seattle Seattle Center Coliseum AUD(Senn. 421?s)>MC>DAT>CDR Eac >shn (secure with proper offsets) by Ernie Dodd; Note Ernie has since supplied the missing tracks (disc 3); See info file for details notes 2464. 08/27/83 Flac 16 - 0, 31635 Seattle Seattle Center Coliseum flac16; source: unknown mics > Sony D5 cassette deck (probable) Location: (FOB?) Recorded by: Jamie Herbst transfer: cassettes (2nd gen) > PC > CDWAV (track splits) > GOLDWAVE (fades) > FLAC notes 2465. 08/27/83 Flac 16 - 0, 111818 Seattle Seattle Center Coliseum flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2466. 08/27/83 Flac 24/48 - 0, 142903 Seattle Seattle Center Coliseum flac24/48khz Source Audience Recording: Beyer M 201c: Master Maxell MX90 Location: set 1: 70 feet from stage|DFC Lineage: Master AUD: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON Playback: Nakamichi CR-5A ->Tascam DR-680 24/48 Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8 Taped by Kyle Holbrook & Chris Kidwell Transferred by Kyle Holbrook notes 2467. 08/27/83 Flac 16/44,1 - 0, 142902 Seattle Seattle Center Coliseum flac16/44.1khz Source Audience Recording: Beyer M 201c: Master Maxell MX90 Location: set 1: 70 feet from stage|DFC Lineage: Master AUD: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON Playback: Nakamichi CR-5A ->Tascam DR-680 24/48 Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8 Taped by Kyle Holbrook & Chris Kidwell Transferred by Kyle Holbrook notes 2468. 08/27/83 Flac 16 - 0, 92307 Seattle Seattle Center Coliseum flac16; FOB, Nakamichi CM300's > Sony TC-D5. Tape copied after show, MAC > C1, Sony TC-D5 > Marantz PMD-340 > TDK SA-90's (no Dolby). Transfer: C1 > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes 2469. 08/27/83 Flac 24/96 - 0, 148750 Seattle Seattle Center Coliseum flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (60' from stage, DFC)> Jamie Pouris' custom preamp/dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 2470. 08/27/83 Flac 16/48 - 0, 148749 Seattle Seattle Center Coliseum flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (60' from stage, DFC)> Jamie Pouris' custom preamp/dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2471. 08/29/83 Shn - 0, 11603 Eugene Silva Hall, Hult Center SBD>Cass(2)>DAT>CDR; Seeded to etree by Willy notes 2472. 08/29/83 Flac 16 - 0, 105523 Eugene Silva Hall, Hult Center flac16; FOB AUD: Nakamichi CM300's > unknown deck > MAC > 1st Gen tape. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. notes 2473. 08/29/83 Flac 16 - 0, 135945 Eugene Silva Hall, Hult Center flac16; Soundboard > PCM;Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 for Minor Edits by Jamie Waddell; channels flipped, minor cuts, and tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH; the original seed for this had errors notes 2474. 08/29/83 Flac 16/48 - 0, 140330 Eugene Silva Hall, Hult Center flac16/48kHz; Recording Info: Master Soundboard Cassette -> Tascam MKIII 1st Gen Cassette -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 notes 2475. 08/29/83 Flac 24/96 - 0, 141485 Eugene Silva Hall, Hult Center flac24; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300) > Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496 notes 2476. 08/29/83 Flac 16 - 0, 141486 Eugene Silva Hall, Hult Center flac16; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp notes 2477. 08/29/83 Flac 24/48 - 0, 142925 Eugene Silva Hall, Hult Center flac24/48 Source: Master Was: Beyer M201's X-Y 6'up > Sony TCD5M no dolby Denon DXM 90 Metal x 2 This take: First Gen TDK MA90 x 2 Location: ~80 feet from stage, 40'ROC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes 2478. 08/29/83 Flac 16 - 0, 105285 Eugene Silva Hall, Hult Center flac16; Source: Unknown audience recording > cass (unknown gens) Lineage: cass > Nakamichi BX-125E > EMU 0202 > Wavelab 6 > wav 24/96 > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > flac 16 notes 2479. 08/29/83 Flac 16 - 0, 111087 Eugene Silva Hall, Hult Center flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes 2480. 08/29/83 Flac 16/44,1 - 0, 142924 Eugene Silva Hall, Hult Center flac16/44.1 Source: Master Was: Beyer M201's X-Y 6'up > Sony TCD5M no dolby. Denon DXM 90 Metal x 2. This take: First Gen TDK MA90 x 2 Location: ~80 feet from stage, 40'ROC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes 2481. 08/29/83 Flac 24/96 - 0, 148763 Eugene Silva Hall, Hult Center flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mics on pole, held head high, 50' from stage - row O, seats 208 & 209- DFC) > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 2482. 08/29/83 Flac 16/48 - 0, 148762 Eugene Silva Hall, Hult Center flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mics on pole, held head high, 50' from stage - row O, seats 208 & 209- DFC) > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2483. 08/30/83 Shn - 0, 15110 Eugene Silva Hall, Hult Center Keysey intro: MSC>Cass. x 2>PCM>DAT>CDR Set Ip + Set II: Kesey's MSC>DAT>CDR Audience patches: Sennheiser 421's>Sony TC-D5M>Cass.>DAT>CDR taped by Rick Saeger (previous seed) notes 2484. 08/30/83 Flac 16 - 0, 29342 Eugene Silva Hall, Hult Center flac16; Source: Sennheiser 421's > Sony TC-D5 Lineage: MAC > C (first generation cassette used for this transfer) Transfer: C > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC. Seeded by nfagdtrfbyahoo notes 2485. 08/30/83 Flac 16 - 0, 111590 Eugene Silva Hall, Hult Center flac16; Source: 2 Sennheiser 441 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2486. 08/30/83 Shn - 0, 12485 Eugene Silva Hall, Hult Center AUD (Senn. 421?s)> MC> DAT> CDR; Eac >cool edit > shntool > cdwav >shnv3 by Ernie Dodd; missing second half of set 2 notes 2487. 08/30/83 Flac 24/96 - 0, 141487 Eugene Silva Hall, Hult Center flac24; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496 notes 2488. 08/30/83 Flac 16 - 0, 141488 Eugene Silva Hall, Hult Center flac16; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp notes 2489. 08/30/83 Flac 16/44,1 - 0, 142996 Eugene Silva Hall, Hult Center flac16/44.1kh Source: MAC: Beyer M201's X-Y 7'up > Sony TCD5M no dolby Denon DXM 90 Metal x 2 Location: ~70 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes 2490. 08/30/83 Flac 24/48 - 0, 142997 Eugene Silva Hall, Hult Center flac24/48 Source: MAC: Beyer M201's X-Y 7'up > Sony TCD5M no dolby Denon DXM 90 Metal x 2 Location: ~70 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes 2491. 08/31/83 Flac 16 - 0, 84934 Eugene Silva Hall, Hult Center flac16; AUD (Senn. 421’s)>MC>DAT>CDR>Eac >cool edit > shntool > cdwav >shnv3 repitched to 103.37% and converted to FLAC notes 2492. 08/31/83 Flac 16 - 0, 11598 Eugene Silva Hall, Hult Center flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2493. 08/31/83 Shn - 0, 12486 Eugene Silva Hall, Hult Center AUD (Senn. 421?s)> MC> DAT> CDR, via Paul B, seeded to Etree by Ernie Dodd notes 2494. 08/31/83 Flac 16 - 0, 34928 Eugene Silva Hall, Hult Center flac16; Lineage: AUD > unknown mics > Sony TC-D5 > MAC > 1st generation cassettes Transfer: Sony UCX-S 90s > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression, and checksums) > FLAC notes 2495. 08/31/83 Flac 16/48 - 0, 140336 Eugene Silva Hall, Hult Center flac16/48kHz; Recording Info: Master Soundboard Cassette -> Tascam MKIII 1st Gen Cassette -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 notes 2496. 08/31/83 Flac 24/96 - 0, 141489 Eugene Silva Hall, Hult Center flac24; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496 notes 2497. 08/31/83 Flac 16 - 0, 141490 Eugene Silva Hall, Hult Center flac16; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp notes 2498. 08/31/83 Flac 24/48 - 0, 142927 Eugene Silva Hall, Hult Center flac24/48 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Nakamichi ZX-C90 x 2 Location: 100 feet from stage, DFC (2 rows behind SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes 2499. 08/31/83 Flac 16/44,1 - 0, 142926 Eugene Silva Hall, Hult Center flac16/44.1 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Nakamichi ZX-C90 x 2 Location: 100 feet from stage, DFC (2 rows behind SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes 2500. 08/31/83 Flac 24/96 - 0, 148767 Eugene Silva Hall, Hult Center flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted in a hat)(row U, seat 104) > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 2501. 08/31/83 Flac 16/48 - 0, 148766 Eugene Silva Hall, Hult Center flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted in a hat)(row U, seat 104) > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2502. 09/02/83 Flac 16 Mtx - 0, 100930 Boise Boise State University Pavillion flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) notes 2503. 09/02/83 Shn - 0, 33819 Boise Boise State University Pavillion SBD> cassette master>DAT>CDR>SHN - Patched fix of shnid 2174 by Bill Tetzeli notes 2504. 09/02/83 Shn - 0, 2174 Boise Boise State University Pavillion SBD> cassette master> (cass?)> DAT> CDR; via anonymous benefactor; upgrade in circulation notes 2505. 09/02/83 Shn - 0, 1374 Boise Boise State University Pavillion FOB AUD PCM(dbx)> dbx decode> DAT> CD> EAC>WAV> SHN; Extracted and posted to alt.binaries.gdead by Bob Donnelly; later to etree notes 2506. 09/02/83 Shn - 0, 17958 Boise Boise State University Pavillion Source: FOB AUD PCM (DBX) > DBX Decode > DAT > CDR > EAC > *Cool Edit Pro 2.0 > CDWave > FLAC *Original source had most of the between track crowd cut out I applied crossfades to smooth these cuts. Patched D/O in Eyes. Original source was also in need of retracking. EAC'd... by Doug Nawrocki notes 2507. 09/02/83 Flac 16 - 0, 103181 Boise Boise State University Pavillion flac16, FOB MAC 2 Beyer M160 and 1 Sennheiser 421 > Sony TCD5M > Soundblaster PCI. This is a new transfer from the same FOB MACs as SHNID 23854. Recorded by vlenihan notes 2508. 09/02/83 Shn - 0, 23854 Boise Boise State University Pavillion 10th Row Center 2 BeyerM160 Left & Right Channels 1 Sennheiser 421 Center Chanel Sony TCD5M Cassette Master>SoundForge5; upgrade in circulation notes 2509. 09/02/83 Flac 16/44,1 - 0, 142998 Boise Boise State University Pavillion flac16/44.1 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Nakamichi ZX-C90 x 2 Location: 40 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes 2510. 09/02/83 Flac 24/48 - 0, 142999 Boise Boise State University Pavillion flac24/48 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Nakamichi ZX-C90 x 2 Location: 40 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes 2511. 09/02/83 Flac 24/96 - 0, 149224 Boise Boise State University Pavillion flac24; 2nd Set Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496 notes 2512. 09/02/83 Flac 16/48 - 0, 149223 Boise Boise State University Pavillion flac16/48kHz; Set 2 Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2513. 09/04/83 Flac 16 - 0, 117185 Park City Park West Ski Resort flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2514. 09/04/83 Flac 16 Mtx - 0, 132245 Park City Park West Ski Resort flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:117185) SBD -> Cassette Master -> Reel (Technics Deck) -> Dat (Panasonic SV3800/48k); Dat -> Samplitude Professional v11.2 -> FLAC and Audience (shnid:104956) MAC FOB 2 Beyer M160 & 1 Sennheiser 441 > Sony TCD5M > Sound Blaster PCI> CD Wav notes 2515. 09/04/83 Flac 16 - 0, 119805 Park City Park West Ski Resort flac16; Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Back Right Corner Of Soundboard/6 Feet High)> Sony WM-D6, Tapes Maxell UD-XLII's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2516. 09/04/83 Flac 16 - 0, 35214 Park City Park West Ski Resort flac16; Seamless fix of shn id 2193 - MSC>C>DAT>CD>EAC>SHN>WAV>FLAC w/patch in drums. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 2517. 09/04/83 Flac 24/48 - 0, 119804 Park City Park West Ski Resort flac24; Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Back Right Corner Of Soundboard/6 Feet High)> Sony WM-D6, Tapes Maxell UD-XLII's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 2518. 09/04/83 Shn - 0, 10253 Park City Park West Ski Resort Master Tape; 2 Beyer M160, 1 Sennheiser 441 Blend; Sony TCD5M > Sound Forge 5 > MKW .96f > Power Post 2K notes 2519. 09/04/83 Flac 24/96 - 0, 111032 Park City Park West Ski Resort flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris notes 2520. 09/04/83 Flac 16 - 0, 104956 Park City Park West Ski Resort flac16; MAC FOB 2 Beyer M160 & 1 Sennheiser 441 > Sony TCD5M > Sound Blaster PCI> CD Wav notes 2521. 09/04/83 Flac 16/48 - 0, 138366 Park City Park West Ski Resort flac16/48kHz; Set 2 Recording from Unknown taper: Senn 421, 3 mic blend> MAC> DAT set 2 only; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 2522. 09/04/83 Flac 16 - 0, 102050 Park City Park West Ski Resort flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 2523. 09/04/83 Flac 16/44 - 0, 143000 Park City Park West Ski Resort flac16/44 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes 2524. 09/04/83 Flac 24/48 - 0, 143001 Park City Park West Ski Resort flac24/48 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes 2525. 09/04/83 Flac 16 - 0, 142047 Park City Park West Ski Resort flac16; SBD MC>DAT>Clone>file created in Microtrack using a Tascam Dat deck>Goldwave tracking>TLH8 notes 2526. 09/04/83 Shn - 0, 2193 Park City Park West Ski Resort Master Soundboard Cassette > Cassette > DAT > CDR; via Scott Clugston to abgd and etree; upgrade in circulation notes 2527. 09/04/83 Flac 24/96 - 0, 149229 Park City Park West Ski Resort flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes 2528. 09/04/83 Flac 16/48 - 0, 149228 Park City Park West Ski Resort flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2529. 09/04/83 Flac 16 - , 150334 Park City Park West Ski Resort flac16; Source: Nakamichi 100 shotguns > Sony D5 > ? > FLAC; Location: FOB; Recorded by John O'Connor notes 2530. 09/06/83 Flac16 Mtx - 0, 95820 Morrison Red Rocks Amphitheatre flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes 2531. 09/06/83 Shn - 0, 5489 Morrison Red Rocks Amphitheatre Master Soundboard Cassette > Cassette > DAT > CDR, with AUD patches from 2 Master Audience Cassettes: Sennheiser 421 mics > Sony D5, Sennheiser 441 mics > Sony D6 (see info file); Patching / CD Mastering, EAC'ed / SHN'ed by Scott Clugston notes 2532. 09/06/83 Flac 24/96 - 0, 111033 Morrison Red Rocks Amphitheatre flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris notes 2533. 09/06/83 Shn - 0, 111866 Morrison Red Rocks Amphitheatre Senn 421's (FOB) > Analog Master > DAT > Montego > SoundForge 6 (normalize) > SHN; taped: Dean Grabski; seeded: Lou Wilkinson notes 2534. 09/06/83 Flac 16 - 0, 111711 Morrison Red Rocks Amphitheatre flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 2535. 09/06/83 Flac 16 - 0, 35084 Morrison Red Rocks Amphitheatre flac16; Master: Beyer M201's (X-Y) > Sony TCD5M (Maxell MX 90, no dolby) Location: 140 feet from stage (behind board) Transfer: Sony TC-RX 370 > Echo Gina 24 @ 16/48 > BIAS PEAK VST 2.8 > Mac G-4 dual 533 > Adaptec toast > Matshita CD-RW 7808 > EAC (PC w/pentium III 700) > flac v1.7.1 etree ed notes 2536. 09/06/83 Shn - 0, 11589 Morrison Red Rocks Amphitheatre 2 Sennheiser 421 > Sony TCD5M Half way between stage and board Master tape> Sound Forge5>Powerpost 2k To abgd via Walstib notes 2537. 09/06/83 Flac 24/48 - 0, 143040 Morrison Red Rocks Amphitheatre flac24/48 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 40 feet from stage (sixth row), DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes 2538. 09/06/83 Flac 16/44,1 - 0, 143039 Morrison Red Rocks Amphitheatre flac16/44.1 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 40 feet from stage (sixth row), DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes 2539. 09/06/83 Flac 16 Mtx - 0, 147910 Morrison Red Rocks Amphitheatre flac16; Matrix: Source One: shnid 5489: Master Soundboard Cassette > Cassette > DAT > CDR; Source Two: shnid 11589: Two Sennheiser 421 > Sony TCD5M: Source Three: shnid 35084: Beyer M201's X-Y 5.5'up > Maxell MX90 x 2 (Sony TCD5M, dolby off); Source Four: shnid 111711: Two Sennheiser 421 microphones > Sony TC-D5M > master analog cassettes; Matrix created with Audacity by Joe Noel notes 2540. 09/06/83 Flac 16 - 0, 102051 Morrison Red Rocks Amphitheatre flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 2541. 09/06/83 Flac 24/96 - 0, 148336 Morrison Red Rocks Amphitheatre flac24; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2542. 09/06/83 Flac 16/48 - 0, 148335 Morrison Red Rocks Amphitheatre flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2543. 09/07/83 Flac 16 - 0, 113550 Morrison Red Rocks Amphitheatre flac16; Recording Info: (FOB) 3 Nakamichi 700 Omni's -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded Bob Wagner; All Transfers and Mastering By Charlie Mille notes 2544. 09/07/83 Flac 16 - 0, 102052 Morrison Red Rocks Amphitheatre flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 2545. 09/07/83 Flac 24/96 - 0, 111034 Morrison Red Rocks Amphitheatre flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris notes 2546. 09/07/83 Flac 16 - 0, 110913 Morrison Red Rocks Amphitheatre flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2547. 09/07/83 Shn - 0, 10254 Morrison Red Rocks Amphitheatre 3 Beyer Dynamics M160> Sony TCD5m Mater Tape Recorded Half way between Board and Stage; Sound Forge 5> Power Post 2K notes 2548. 09/07/83 Flac 24/48 - 0, 143042 Morrison Red Rocks Amphitheatre flac24/48 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 50 feet from stage 8ft ROC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes 2549. 09/07/83 Flac 16/44,1 - 0, 143041 Morrison Red Rocks Amphitheatre flac16/44.1 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 50 feet from stage 8ft ROC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes 2550. 09/07/83 Flac 24/96 - 0, 148305 Morrison Red Rocks Amphitheatre flac24; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2551. 09/07/83 Flac 16/48 - 0, 148304 Morrison Red Rocks Amphitheatre flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2552. 09/08/83 Flac 16 - 0, 113684 Morrison Red Rocks Amphitheatre flac16; Recording Info: (FOB) 3 Nakamichi 700 Omni's -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller notes 2553. 09/08/83 Shn - 0, 20536 Morrison Red Rocks Amphitheatre Lineage: MSC>Reel>DAT>CDR (Scarlet>Fire from Eaton's MAC) notes 2554. 09/08/83 Flac 16 - 0, 84856 Morrison Red Rocks Amphitheatre flac16; SOURCES: Set 1: Nakamichi CM304's > Sony D5 > Sony D6 (shnid=79047) with patches for tuning before Shakedown & L.L. Rain from: Senn. 441s? > MC > DAT > CDR (shnid=12482) Set 2: MSC (except for AUD Scarlet>Fire) > Reel > DAT > CDR > EAC > SHN > WAV > FLAC (level 8) (shnid=20536) with patches for start of Baby Blue from: Nakamichi CM304's > Sony D5 > Sony D6 (shnid=79047) notes 2555. 09/08/83 Flac 16 - 0, 102053 Morrison Red Rocks Amphitheatre flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 2556. 09/08/83 Flac 24/96 - 0, 111035 Morrison Red Rocks Amphitheatre flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris notes 2557. 09/08/83 Flac 16 - 0, 111728 Morrison Red Rocks Amphitheatre flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; transfer: Sony TC-D5M (original record deck) >Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes 2558. 09/08/83 Shn - 0, 12482 Morrison Red Rocks Amphitheatre AUD (Senn. 441's)> MC> DAT> CDR; via Paul B. Seeded to etree by Ernie Dodd notes 2559. 09/08/83 Flac 16 - 0, 79047 Morrison Red Rocks Amphitheatre flac16; Source: Nakamichi CM304's>Sony D5>Sony D6 Location: At SBD, stand at 7 Feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16bit>CDwav>flac16 Tapers: Mike G. and Tony S notes 2560. 09/08/83 Flac 24/48 - 0, 143057 Morrison Red Rocks Amphitheatre flac24/48 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 3 Location: 140 feet from stage, 10 ft. ROC (~10 rows behind SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes 2561. 09/08/83 Flac 16/44,1 - 0, 143056 Morrison Red Rocks Amphitheatre flac16/44.1 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 3 Location: 140 feet from stage, 10 ft. ROC (~10 rows behind SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes 2562. 09/10/83 Flac 16 - 0, 96920 Santa Fe Santa Fe Downs flac16; Lineage: Master cassette: Nak 550 with Nak 300 mics with shotgun caps Transfer: Nak BX3->Mac->CD->EAC extract->cd wave to split China Rider ->TLH convert to Flac6 notes 2563. 09/10/83 Flac 16 - 0, 94508 Santa Fe Santa Fe Downs flac16; Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5m >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner Transfer By: Adam Egert Mastering By: Adam Egert notes 2564. 09/10/83 Flac 24/96 - 0, 94509 Santa Fe Santa Fe Downs flac24; 2 x Nakamichi CM700 => Sony TC-D5m >> MAC >> Nakamichi DR-1 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner Transfer By: Adam Egert Mastering By: Adam Egert notes 2565. 09/10/83 Flac 16 - 0, 110915 Santa Fe Santa Fe Downs flac16; source: 2 Sennheiser 421 microphones (25 feet from stage) ~ Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) ~Pre Sonus Inspire GT~Sound Forge~.wav files~Trader's Little Helper~flac files notes 2566. 09/10/83 Flac 16 - 0, 84487 Santa Fe Santa Fe Downs flac16; Recording Info: (FOB) Sennheiser 441 -> PCM (Technics SV100) -> Dat Transfer Info: Dat (Sony R500) -> VX Pocket v2 -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2567. 09/10/83 Flac 24/96 - 0, 139020 Santa Fe Santa Fe Downs flac24; billydee recording (patched out of): Beyerdynamics 180's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel, Flac 24/96; Checksum & tags created in xACT notes 2568. 09/10/83 Flac 16 - 0, 79068 Santa Fe Santa Fe Downs flac16; Source: *Nakamichi CM304's>Sony D5>Sony D6 Location: FOB, stand at 7 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: *Mike G. and Tony S. Transfered and uploaded by Tony S./nak700 notes 2569. 09/10/83 Shn - 0, 4860 Santa Fe Santa Fe Downs Sources: Primary: Jeff Silberman's Master Audience PCM; Sennheiser 441 mics > Technics SV100 PCM> DAT> CDR; Secondary: Aud> CM> C> NakDR10 (Playback Only)> PCM; Note: Secondary aud source used to patch in approximately 15 seconds missing from Minglewood. CD Remastering, EAC'ed / SHN'ed by Scott Clugston notes 2570. 09/10/83 Flac 16/48 - 0, 139299 Santa Fe Santa Fe Downs flac16/48kHz; Recording Info: SBD > Cassette Master > Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes 2571. 09/10/83 Flac 16 Mtx - 0, 139379 Santa Fe Santa Fe Downs flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 139020 & 139299. notes 2572. 09/10/83 Flac 16 - 0, 141023 Santa Fe Santa Fe Downs flac16; billydee recording (patched out of): Beyerdynamics 180's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel, Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 2573. 09/10/83 Flac 24/48 - 0, 143080 Santa Fe Santa Fe Downs flac24/48 Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 100 feet from stage, 2 ft. LOC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Transferred: Kyle Holbrook notes 2574. 09/10/83 Flac 16/44,1 - 0, 143079 Santa Fe Santa Fe Downs flac16/44.1 Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 100 feet from stage, 2 ft. LOC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Transferred: Kyle Holbrook notes 2575. 09/10/83 Flac 24/96 - 0, 151508 Santa Fe Santa Fe Downs flac24/96khz Source Info: Robert Bryant's Master (FOB) Audience Cassettes; unknown mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 2576. 09/10/83 Flac 16/48 - 0, 151507 Santa Fe Santa Fe Downs flac16/48khz Source Info: Robert Bryant's Master (FOB) Audience Cassettes; unknown mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 2577. 09/11/83 Shn - 0, 4995 Santa Fe Santa Fe Downs SBD> Master Cassette> 1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN; DAT> WAV via Sony SDT-9000 DDS drive using VDAT 0.6f; see info file for details and flaw notes; QC courtesy dankseeds notes 2578. 09/11/83 Flac 16 Mtx - 0, 125609 Santa Fe Santa Fe Downs flac16; 2 Source Matrix Matrix by dusborne; Soundboard (shinid:4995) SBD>Master Cassette>1 Reel>DAT>DAT>WAV>Soundforge 4.0>CDWAV 1.53>MKW 0.97b>SHN DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f and Audience (shnid:100454) FOB) Nakamichi CM300->PCM->DAT (16/44) Lineage: Dat clone->Sony PCM R-500->VX Pocket V2->SF6 Taper: Unknown Transferred and Seeded by Mike Watson notes 2579. 09/11/83 Flac 16 Mtx - 0, 131805 Santa Fe Santa Fe Downs flac16; 2 Source Matrix by dusborne; This is a remix and remaster of gd83-09-11.125609.mtx.dusborne.flac16 notes 2580. 09/11/83 Flac 16 - 0, 100454 Santa Fe Santa Fe Downs flac16; Source: (FOB) Nakamichi CM300->PCM->DAT (16/44) Lineage: Dat clone->Sony PCM R-500->VX Pocket V2->SF6 Taper: Unknown Transferred and Seeded by Mike Watson on 08/03/2009 notes 2581. 09/11/83 Flac 16 - 0, 112783 Santa Fe Santa Fe Downs flac16; source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2582. 09/11/83 Shn - 0, 109158 Santa Fe Santa Fe Downs SBD-> ?->CD->EAC->WAV->SHN w/ Aud Patches notes 2583. 09/11/83 Shn - 0, 4874 Santa Fe Santa Fe Downs Source: Jeff Silberman's Master Audience PCM; Sennheiser 441 mics > Technics SV100 PCM > DAT > CDR> EAC> SHN; CD Remastering, EAC'ed / SHN'ed by Scott Clugston; to abgd? notes 2584. 09/11/83 Shn - 0, 23224 Santa Fe Santa Fe Downs Source: Jeff Silberman's Master Audience PCM; Sennheiser 441 mics > Technics SV100 PCM > DAT > CDR *Additional Editing by The Mighty Terrapin(Had The Remaining tracks from d1t06-10) notes 2585. 09/11/83 Flac 16 - 0, 79168 Santa Fe Santa Fe Downs flac16; Source: *Nakamichi CM304's>Sony D5>Sony D6 Location: FOB, stand at 7 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: *Mike G. and Tony S. Transfered and uploaded by Tony S./nak700 notes 2586. 09/11/83 Flac 16 - 0, 139652 Santa Fe Santa Fe Downs flac16; Set 2 Jeff Silberman FOB Master Recording: Sennheiser 441's > Technics PCM master > Vault Clone > David Gans Clone; Charlie Miller Transfer: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k); Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT (note: the original source had an error of d2t05) notes 2587. 09/11/83 Flac 16 - 0, 141025 Santa Fe Santa Fe Downs flac16; billydee recording (patched out of): Beyerdynamics 180's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel, Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 2588. 09/11/83 Flac 24/48 - 0, 143082 Santa Fe Santa Fe Downs flac24/48 Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell UDXLII90 x 2 Location: 100 feet from stage DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Transferred: Kyle Holbrook notes 2589. 09/11/83 Flac 16/44,1 - 0, 143081 Santa Fe Santa Fe Downs flac16/44.1 Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell UDXLII90 x 2 Location: 100 feet from stage DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Transferred: Kyle Holbrook notes 2590. 09/11/83 Flac 24/96 - 0, 139021 Santa Fe Santa Fe Downs flac24; billydee recording (patched out of): Beyerdynamic m201 mics > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel, Flac 24/96; Checksum & tags created in xACT notes 2591. 09/11/83 Flac 24/96 - 0, 151510 Santa Fe Santa Fe Downs flac24/96khz Source Info: Robert Bryant's Master (FOB) Audience Cassettes; unknown mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 2592. 09/11/83 Flac 16/48 - 0, 151509 Santa Fe Santa Fe Downs flac16/48khz Source Info: Robert Bryant's Master (FOB) Audience Cassettes; unknown mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 2593. 09/11/83 Flac 16 Mtx - , 152635 Santa Fe Santa Fe Downs flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging),of shnid's 4995 & 151509. notes 2594. 09/13/83 Flac 16 - 0, 83117 Austin Manor Downs flac16; Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat Transfer Info: Dat -> CD (Tascam CDRW700) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes 2595. 09/13/83 Flac 16 - 0, 110772 Austin Manor Downs flac16; Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2596. 09/13/83 Shn - 0, 12483 Austin Manor Downs ACM> ??> CDR; EAC>SHN by Ernie Dodd, with thanks to Paul B. notes 2597. 09/13/83 Flac - 0, 110514 Austin Manor Downs Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Sennheiser 421 microphones (up front) > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 2598. 09/13/83 Flac 24/48 - 0, 143084 Austin Manor Downs flac24/48 Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 80 feet from stage DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Transferred: Kyle Holbrook notes 2599. 09/13/83 Flac 16/44,1 - 0, 143083 Austin Manor Downs flac16/44.1 Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 80 feet from stage DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Transferred: Kyle Holbrook notes 2600. 09/13/83 Flac 24 - 0, 146170 Austin Manor Downs flac24; Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M; Location: FOB, Stand at 7.5 feet; Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac24; Taper: Michael Gardner; Transfer and editing: Tony Suraci notes 2601. 09/13/83 Flac 16 - 0, 146169 Austin Manor Downs flac16; Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M; Location: FOB, Stand at 7.5 feet; Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16; Taper: Michael Gardner; Transfer and editing: Tony Suraci notes 2602. 09/13/83 Flac 16/48 - 0, 151514 Austin Manor Downs flac16/48khz Source Info: Robert Bryant's Master (FOB) Audience Cassettes; unknown mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 2603. 09/13/83 Flac 24/96 - 0, 151515 Austin Manor Downs flac24/96khz Source Info: Robert Bryant's Master (FOB) Audience Cassettes; unknown mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 2604. 09/18/83 Flac 16 - 0, 79375 Grass Valley Nevada County Fairgrounds flac16; FOB AUD Source: 2 Sony ECM-220 mics + 1 Sony ECM-939LT (stereo) mic > Sony MX-10L 4-channel mixer > Marantz PMD-340 cassette deck. Taped on Maxell UDXL-II 90's, Dolby on. Mics aprx seven feet high, and set up aprx half-way between the stage and the soundboard. Transfer: MAC > Sony TC-D5M (Dolby on) > Marantz CDR-500 > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, October 2006. Taped and transfered by Andrew F notes 2605. 09/18/83 Flac 16 - 0, 98307 Grass Valley Nevada County Fairgrounds flac16; Nak 700's w/D5 and dbx fob dfc MAC>NakCR-3A>dbx224>hd>Audacity>CDwave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler notes 2606. 09/18/83 Shn - 0, 7225 Grass Valley Nevada County Fairgrounds set 2; Master FOB Audience Cassette; Neumann KM84 mics > Sony D5M cassette deck: master cassette played back via a Nakamichi CR7A > Sony R500 w/ "Super Bit-Mapping" turned "On" > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston notes 2607. 09/18/83 Flac 24/96 - 0, 138828 Grass Valley Nevada County Fairgrounds flac24; billydee recording (patched out of Yamaguchi/Poris): Nak 700's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: master audio cassette > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Joe Noel Edited & Mastered in Audacity, Flac 24/96; Checksum & tags created in xACT notes 2608. 09/18/83 Flac 16 - 0, 140957 Grass Valley Nevada County Fairgrounds flac16; billydee recording (patched out of Yamaguchi/Poris): Nak 700's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: master audio cassette > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Joe Noel Edited & Mastered in Audacity, Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 2609. 09/18/83 Shn - 0, 17409 Grass Valley Nevada County Fairgrounds MSC>Cass>DAT>CDR Eac > cool edit pro > shntool > cdwav > shnv3 Discs kindly provided by Andy Lemieux Eac > shn by Ernie Dodd notes 2610. 09/18/83 Flac 24/96 - , 151143 Grass Valley Nevada County Fairgrounds flac24/96khz Source : Unspecified mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 2611. 09/18/83 Flac 16/48 - , 151144 Grass Valley Nevada County Fairgrounds flac16/48khz Source : Unspecified mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp 1648 notes 2612. 09/24/83 Shn - 0, 9201 Watsonville Santa Cruz County Fairgrounds 1st set only; SBD>MC>C>DAT>CDR; Seeded to etree by Tim W notes 2613. 09/24/83 Flac 16 - 0, 98308 Watsonville Santa Cruz County Fairgrounds flac16; Nak700's w/d5 dbx fob dfc MAC>NakCR-3A>dbx224>hd>Audacity>CDwave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler notes 2614. 09/24/83 Shn - 0, 9200 Watsonville Santa Cruz County Fairgrounds FOB-AUD(Neuman KM-84?s>Sony TC-D5)>MC>C>DAT>CDR; seeded to etree by Tim Wiley notes 2615. 09/24/83 Flac 24/96 - 0, 138952 Watsonville Santa Cruz County Fairgrounds flac24; Set 1 billydee recording (patched out of unknown): Nakamichi 300 shotguns > unknown deck > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: master audio cassette > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT notes 2616. 09/24/83 Flac 16 - 0, 141027 Watsonville Santa Cruz County Fairgrounds flac16; Set 1 billydee recording (patched out of unknown): Nakamichi 300 shotguns > unknown deck > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: master audio cassette > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 2617. 09/24/83 Flac 24 - 0, 146138 Watsonville Santa Cruz County Fairgrounds flac24; Source: Nakamichi CM300 (with CP4 caps)>Sony TCD-5M; Location: FOB, Stand at 7.5 feet; Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac24; Taper: Michael Gardner; Transfer and editing: Tony Suraci notes 2618. 09/24/83 Flac 16 - 0, 146137 Watsonville Santa Cruz County Fairgrounds flac16; Source: Nakamichi CM300 (with CP4 caps)>Sony TCD-5M; Location: FOB, Stand at 7.5 feet; Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16; Taper: Michael Gardner; Transfer and editing: Tony Suraci notes 2619. 09/24/83 Flac 24/96 - 0, 16702 Watsonville Santa Cruz County Fairgrounds flac24; Source: (FOB) Unknown recording > cassette (low gen); Transfer: Cassette > Nakamichi CD1 > Tascam DR100-MKIII > wav 24/96; Lineage: wav 24/96 > Adobe Auditon 3 > iZotope RX7 Advanced > iZotope Ozone 5 Adavanced > CD Wave > Flac24; edited and mastered SIRMick notes 2620. 09/24/83 Flac 16 - 0, 146701 Watsonville Santa Cruz County Fairgrounds flac16; Source: (FOB) Unknown recording > cassette (low gen); Transfer: Cassette > Nakamichi CD1 > Tascam DR100-MKIII > wav 24/96; Lineage: wav 24/96 > Adobe Auditon 3 > iZotope RX7 Advanced > iZotope Ozone 5 Adavanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac16; edited and mastered SIRMick June 2019 notes 2621. 10/08/83 Flac 24/96 - 0, 135278 Richmond Richmond Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2622. 10/08/83 Flac 16 - 0, 135279 Richmond Richmond Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2623. 10/08/83 Shn - 0, 11364 Richmond Richmond Coliseum D5 audience master from the Chris Beach library. 15th row center. 3 Nak 701s > Mx-100(modified) > D5 > D10 > HHB CDR800 > SHN; A/D transfers done on origianl D5; via furthur; Note- This source has missing tracks and other problems; See public comments area for details notes 2624. 10/08/83 Flac 16 - 0, 97883 Richmond Richmond Coliseum flac16; Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; Recorded by Jeff Silberman; All Transfers and Mastering By Charlie Miller notes 2625. 10/08/83 Flac 16 - 0, 89802 Richmond Richmond Coliseum flac16; Set 2 Only - Source: Master Audience Cassette Sennheiser 421 > Sony D5 > Sony D6 Location: FOB 8th Row Center Taper: Ross Lipton for Bill Devanney Media: TDK MA 90 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC notes 2626. 10/08/83 Flac 24 - 0, 137299 Richmond Richmond Coliseum flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2627. 10/08/83 Flac 16 - 0, 137317 Richmond Richmond Coliseum flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24 > 16 notes: 24 bit files decoded to wav > r8brain @ very high > 16 44.1 output wav; 16 44.1 wav > TLH encode flac level 8 & fix sbe > TLH notes 2628. 10/08/83 Shn - 0, 11734 Richmond Richmond Coliseum FOB-MC>DAT>CD; with patches from etree Nak source; See info file for details; via Tommy Danscuk; Seeded to etree by Willy notes 2629. 10/08/83 Shn - 0, 24156 Richmond Richmond Coliseum Source: MAC(FOB Atm 11)>DAT>CDR>WAV>SHN Taper: Mark Horvath. DAE(EAC0.9b4, offset corrected, secure mode) > wav editing (SF6) > tracking(cdwav) > sector boundaries confirmed (shntool) > SHN (mkwact) by C.Ladner. notes 2630. 10/08/83 Flac 16 - 0, 111147 Richmond Richmond Coliseum flac16; Source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (up front) > ? blend box ? > Sony TCD5M - analog master cassettes; Transfer: Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes 2631. 10/08/83 Flac 16 - 0, 101936 Richmond Richmond Coliseum flac16; FOB Audience Recording Lineage: master cassette > cd > eac > flac Recording Equipment: 3 audio techinca atm 11 > sony d-5 Recording Location: FOB DFC Sweet Spot Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 2632. 10/08/83 Flac 16 - 0, 100036 Richmond Richmond Coliseum flac16; Source: (FOB)Nak CM300->?->PCM->Apogee->DAT Lineage: Dat Clone->Sony PCM R-500->VX Pocket V2->Soundforge 6.0->FLAC; Taper: Unknown Transferred and seeded by M.Watson on 7/05/09 notes 2633. 10/08/83 Flac 24 - 0, Richmond Richmond Coliseum flac24; Updated Lineage: (3) audio technica atm11 (fob)> realistic mixer> d-5> tc sony tc we435> pcm m10> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96kHz/24 bit Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures notes 2634. 10/08/83 Flac 16 - 0, 123722 Richmond Richmond Coliseum flac16; Recording Info: Master was the third D5 in line; about halfway between soundboard and stage; First Set 3 Sennheiser 441s -> Sony MX-7 Blend Box -> Sony TC-D5m, Second Set 2 Sennheiser 441s -> Sony TC-D5m; Transfer Info: Master Sony UCX-S Cassette Playback on Sony TC-D5m -> Marantz PMD670 -> Wav -> FLAC notes 2635. 10/08/83 Flac 24/48 - 0, 143257 Richmond Richmond Coliseum flac24/48 Master: AUD MC Sennheiser mke2002 binaurals worn on head > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage DFC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 This is 24 bit copy Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Gary Steele Greg Martens Transferred: Kyle Holbrook notes 2636. 10/08/83 Flac 16/44,1 - 0, 143256 Richmond Richmond Coliseum flac16/44.1 Master: AUD MC Sennheiser mke2002 binaurals worn on head > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage DFC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Gary Steele Greg Martens Transferred: Kyle Holbrook notes 2637. 10/08/83 Flac 16/48 - 0, 143272 Richmond Richmond Coliseum flac16/48kHz; Source: (FOB) Beyer M-88'S > Cassette > DAT; Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC; Taper Unidentified; Transferred & Seeded by Bill Graves notes 2638. 10/09/83 Flac 16 - 0, 89786 Greensboro Greensboro Coliseum flac16; Set 2 Only - Source: Master Audience Cassette Sennheiser 421 > Sony D5 > Sony D6 Location: FOB 8th Row Center Taper: Ross Lipton Media: Maxell XLII 90 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC notes 2639. 10/09/83 Flac 24/96 - 0, 135284 Greensboro Greensboro Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2640. 10/09/83 Flac 16 - 0, 135283 Greensboro Greensboro Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2641. 10/09/83 Flac 16 - 0, 111240 Greensboro Greensboro Coliseum flac16; Source: 2 Sennheiser 421 microphones (up front) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2642. 10/09/83 Flac 16 - 0, 101937 Greensboro Greensboro Coliseum flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : 3 audio technica atm 11 > sony d-5 Recording Location: FOB DFC Sweet Spot Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 2643. 10/09/83 Flac 24 - 0, 137300 Greensboro Greensboro Coliseum flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2644. 10/09/83 Flac 16 - 0, 137321 Greensboro Greensboro Coliseum flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain notes 2645. 10/09/83 Shn - 0, 5077 Greensboro Greensboro Coliseum 3 Audio Technica ATM 11s > Sony TCM D-5 > MC, Cass > CD-R: MC > Sony TC-we 435 > analog Coax Cables > analog inputs > Philips CDR 870 > CD-R (see notes in info file); taped, Cass > CD-R conversion by Mark Horvath; CD-R> EAC 3x > .wavs compared by MD5s and EAC's .wav compare tool > Cool Edit (rejoin tracks and fades, see note in info) > CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN, by Jan Welch; d2 tracked for 80 min notes 2646. 10/09/83 Flac 24/96 - 0, 120042 Greensboro Greensboro Coliseum flac24; Updated Lineage: (3) audio technica atm 11 fob>tcm-d-5>mc>sony tc we435> pcm m10> > soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96kHz/24bit Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures notes 2647. 10/09/83 Flac 16/48 - 0, 143494 Greensboro Greensboro Coliseum flac16/48kHz; Source: (FOB) Beyer M-88's > Cassette > DAT; Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC; Taper Unknown; Transferred & Seeded by Bill Graves notes 2648. 10/11/83 Flac 16 - 0, 120001 New York Madison Square Garden flac16; 2 source matrix: Soundboard Source(shnid=07372): SBD > Cassette Master > Dat x 2 > CDR > SHN and Audience Source (shnid=344): FOB Sennheiser 441's > Technics PCM master > DAT; Transfer: DAT > ZA2 > SoundForge notes 2649. 10/11/83 Shn - 0, 26459 New York Madison Square Garden noise-reduced and Bertha Remaster of a Master Cassette source, probably this previous version, or possibly this one (not specified); an alternate NR version also circulates; via Jay Ashley notes 2650. 10/11/83 Shn - 0, 7339 New York Madison Square Garden Sbd > Cassette Master > Dat x 2 > CDR > SHN; plus AUD patches from Jeff Silberman Senn source (see info file); to etree via Bob Harrell ; upgrade in circulation notes 2651. 10/11/83 Shn - 0, 14525 New York Madison Square Garden Sbd > Cassette Master > Dat x 2 > CDR > SHN; plus AUD patches from Jeff Silberman Senn source (see info file); to gdlive via Bob Harrell Note: This is exactly the same seed as the one seeded to etree with the same lineage, but it has noise reduction applied and was seeded to gdlive. ; upgrade in circulation notes 2652. 10/11/83 Flac 16 - 0, 101949 New York Madison Square Garden flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : 3 audio technica atm 11 > sony d-5 Recording Location: FOB dead center Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd traders little helper (fixed version now in circulation); Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 2653. 10/11/83 Flac 16 Mtx - 0, 135250 New York Madison Square Garden flac16; 2 Source Matrix by Dusborne; Soundboard(shnid:07372)SBD > Cassette Master > Dat x 2 > CDR > SHN; Audience (shnid:91124) Recording Info:(FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; Recorded By Rob Eaton,Transfers and Mastering By Charlie Miller notes 2654. 10/11/83 Flac 24/96 - 0, 135286 New York Madison Square Garden flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2655. 10/11/83 Flac 16 - 0, 135285 New York Madison Square Garden flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked with Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2656. 10/11/83 Shn - 0, 7372 New York Madison Square Garden Peter Braverman 'fix' of the sub second audience patch in d2t01 of the original sbd version; SBD > Cassette Master > Dat x 2 > CDR > SHN notes 2657. 10/11/83 Flac 16 - 0, 91124 New York Madison Square Garden flac16; Recording Info: (FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller; Recorded By Rob Eaton notes 2658. 10/11/83 Flac 24 - 0, 137301 New York Madison Square Garden flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2659. 10/11/83 Flac - 0, 137322 New York Madison Square Garden flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain notes 2660. 10/11/83 Flac - 0, 102106 New York Madison Square Garden flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : 3 audio technica atm 11 > sony d-5; Recording Location: FOB dead center; Recorded By: chasingwilma; Transfer: sony tc-we435 > philips cdr870; Tracked in CDwave, FLACd traders little helper; presumably a fix of source ID 101949 notes 2661. 10/11/83 Shn - 0, 344 New York Madison Square Garden FOB Sennheiser 441's > Technics PCM master > DAT; Transfer: DAT > ZA2 > SoundForge; Taper: Jeff Silberman; via A. Gustin to etree, stemming from tree run by M. Daniel, F. Venezia; barely fits on 2 discs without filler; filler 4/17/84, same source notes 2662. 10/11/83 Flac 24 - 0, 122215 New York Madison Square Garden flac24; Updated Lineage: (3)audio technica atm11 fob> optimus> d-5> sony tc we435> pcm m10> > soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures notes 2663. 10/11/83 Flac 16 - 0, 118673 New York Madison Square Garden flac16; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8; conversion rate: 48000/stereo/16 bit; lineage: (3)audio technica atm11 fob> optimus> d-5> optimus> d-5> sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 2664. 10/11/83 Flac 16 - 0, 103298 New York Madison Square Garden flac16; Beyerdynamic M-201's xy 90 w/ Marantz CD-320 No nr Maxell XL II S 90 Recorded from directly in front of the board ,center Master>Nak CR-3AAudacity>CDWave>TLH Recorded by Tom Pinney Mastered by Russ Cansler notes 2665. 10/11/83 Flac - 0, 32644 New York Madison Square Garden Recording Info: Beyer M160 -> Cassette Master (Sony D5) -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.01 -> FLAC Recorded By Jim Wise Transferred and Edited By Charlie Miler notes 2666. 10/11/83 Flac 16/48 - 0, 143046 New York Madison Square Garden flac16/48kHz; Jim Wise's Master Audience Cassettes; Beyer M160 mics > Sony TC-D5 (Maxell UDXLII C90)(located at the soundboard)Transfer Info:Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2667. 10/11/83 Flac 24/96 - 0, 143047 New York Madison Square Garden flac24; Jim Wise's Master Audience Cassettes; Beyer M160 mics > Sony TC-D5 (Maxell UDXLII C90)(located at the soundboard) Transfer Info:Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes 2668. 10/11/83 Flac 24/48 - 0, 143295 New York Madison Square Garden flac24/48 Master set 1: AUD MC Sennheiser 421's ORTF 10'up > Sony TCD5M no dolby Maxell Metal90 (Third deck in line) Location set 1: 160 feet from stage, DFC (first row behind SBD) Master set 2: AUD MC Beyer M201's X-Y 9'up > Sony TCD5M no dolby Konica Metal90 Location set 2: 165 feet from stage, 5 ft. ROC (2 rows behind SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 24 bit copy Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook notes 2669. 10/11/83 Flac 16/44,1 - 0, 142258 New York Madison Square Garden flac16/44.1 Master set 1: AUD MC Sennheiser 421's ORTF 10'up > Sony TCD5M no dolby Maxell Metal90 (Third deck in line) Location set 1: 160 feet from stage, DFC (first row behind SBD) Master set 2: AUD MC Beyer M201's X-Y 9'up > Sony TCD5M no dolby Konica Metal90 Location set 2: 165 feet from stage, 5 ft. ROC (2 rows behind SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook notes 2670. 10/11/83 Flac 24/96 - 0, 143611 New York Madison Square Garden flac24; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496 notes 2671. 10/11/83 Flac 16 - 0, 143610 New York Madison Square Garden flac16; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg) Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2672. 10/11/83 Flac 24/96 - 0, 148172 New York Madison Square Garden flac24; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2673. 10/11/83 Flac 16/48 - 0, 148171 New York Madison Square Garden flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2674. 10/11/83 Shn - 0, 152504 New York Madison Square Garden 2 Beyer M160> Sony TCD5M Master Cassette> SHN (circulated ~ Jan 2003) notes 2675. 10/12/83 Flac 16 - 0, 92461 New York Madison Square Garden flac16; SBD and Audience Matrix Mix of about 60% SBD to 40% Audience. Completed June 26,2008 notes 2676. 10/12/83 Shn - 0, 8112 New York Madison Square Garden SBD > Cassette Master > Dat x 2 > CDR; via Bob Harrell notes 2677. 10/12/83 Flac 16 - 0, 30827 New York Madison Square Garden flac16; Source: FOB > 1 Neumann U87 + 2 Sennheiser 421's > Nak 550 (Master Cassette) > Dat Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 4.0 > Fades + Resampled to 44.1 > Cd Wave > Flac Transferred/Seeded By: Greg Lance notes 2678. 10/12/83 Flac 16 Mtx - 0, 135251 New York Madison Square Garden b>flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:08112) SBD > Cassette Master > Dat x 2 > CDR > SHN; Audience (shnid:91125) Recording Info: (FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k) Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; Recorded By Rob Eaton,Transfers and Mastering By Charlie Miller notes 2679. 10/12/83 Flac 16 - 0, 135290 New York Madison Square Garden flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Set 1 TDK MA 90, Set 2 Maxell UDXLII 90; Set 1 No Label, Set 2 Labelled As First Generation Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2680. 10/12/83 Flac 24/96 - 0, 135298 New York Madison Square Garden flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Set 1 TDK MA 90, Set 2 Maxell UDXLII 90; Set 1 No Label, Set 2 Labelled As First Generation Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2681. 10/12/83 Flac 16 - 0, 91125 New York Madison Square Garden flac16; Recording Info: (FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller; Recorded By Rob Eaton notes 2682. 10/12/83 Flac 24 - 0, 137302 New York Madison Square Garden flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2683. 10/12/83 Flac 16 - 0, 137323 New York Madison Square Garden flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain notes 2684. 10/12/83 Shn - 0, 345 New York Madison Square Garden unknown aud (could be FOB Schoeps mk4- see pub comments); Transfer:? DAT > ZA2 > SoundForge; via Andy Gustin to etree, stemming from tree run by M. Daniel, F. Venezia notes 2685. 10/12/83 Flac 24/96 - 0, 122216 New York Madison Square Garden flac24; Updated Lineage: Sennhesier 441 fob> tcm-d-5>mc> sony tc we435> sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer proced notes 2686. 10/12/83 Flac 16 - 0, 117774 New York Madison Square Garden flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2687. 10/12/83 Flac 16 - 0, 33340 New York Madison Square Garden flac16; Sennheiser 421's > Sony TCD-5M > Sony D-6 TDK MA and SAX masters; Transfer: TDK MA and SAX masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1; Location: approx 1/2 way between stage and sbd on the left side 10-15 rows up notes 2688. 10/12/83 Shn - 0, 99070 New York Madison Square Garden Beyer M160>Sony TCD5M Master Cassette>SHN notes 2689. 10/12/83 Flac 24 - 0, 140818 New York Madison Square Garden flac24; Partial Show Recording Info: AKG Mics (m/s) > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller This is your collection notes 2690. 10/12/83 Flac 16 - 0, 141012 New York Madison Square Garden flac16; Partial Show Recording Info: AKG Mics (m/s) > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2691. 10/12/83 Flac 24/96 - 0, 143609 New York Madison Square Garden flac24; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496 notes 2692. 10/12/83 Flac 16 - 0, 143608 New York Madison Square Garden flac16; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2693. 10/12/83 Flac 16 - 0, 101954 New York Madison Square Garden flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : 3 sennheiser 441 > sony d-5 Recording Location: behind the soundboard Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 2694. 10/14/83 Flac 24/96 - 0, 135129 Hartford Hartford Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2695. 10/14/83 Flac 16 - 0, 135320 Hartford Hartford Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2696. 10/14/83 Flac 16 - 0, 103233 Hartford Hartford Civic Center flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes 2697. 10/14/83 Flac 16 - 0, 102056 Hartford Hartford Civic Center flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 2698. 10/14/83 Flac 24 - 0, 137303 Hartford Hartford Civic Center flac24; Partial Set 2 Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2699. 10/14/83 Flac 16 - 0, 137326 Hartford Hartford Civic Center flac16; Partial Set 2Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain notes 2700. 10/14/83 Shn - 0, 16907 Hartford Hartford Civic Center 3 ATM 11 (tapers section) > d-5> cassmaster> cdr; Taped and discs kindly provided by Mark Horvath; Eac > cool edit pro > shntool > cdwav > shnv3 By Ernie Dodd notes 2701. 10/14/83 Shn - 0, 20023 Hartford Hartford Civic Center Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's->Sony CDR-W66>EAC>CDWave>CD via Ficca notes 2702. 10/14/83 Flac 16 - 0, 101999 Hartford Hartford Civic Center flac16; Lineage: master cassette > cd > eac > flac Recording Equipment: (3) audio technica atm fob> tcm d-5> cm> cd Recording Location: fob Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 2703. 10/14/83 Flac 24/96 - 0, 111055 Hartford Hartford Civic Center flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris notes 2704. 10/14/83 Flac 24/96 - 0, 103234 Hartford Hartford Civic Center flac24;nak 300/cp4 (row in front of board @ 8', dfc enough) > tcd5m > maxell mx 90s (+dolby) -- master cassette > tcd5m (orig recorder) > minime (24/96) > sd744t > audacity > xact (flac24) recorded: david lane and or david barfield transferred/seeded: david barfield notes 2705. 10/14/83 Flac 24/96 - 0, 122237 Hartford Hartford Civic Center flac24; Updated Lineage: (3)audio technica atm11 fob> optimus> sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures notes 2706. 10/14/83 Flac 16 - 0, 124718 Hartford Hartford Civic Center flac16; AUD: Nakamichi CM300 w/CP1 cardioid capsules > Sony TC-D5M > TDK MA90's, front row of center riser, straight back, Section 325 (aka 225), Row A, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 06/2013 notes 2707. 10/14/83 Flac - 0, 32360 Hartford Hartford Civic Center 2 Nak 700's>Sony TC-D5M>Maxell MX90 (1st set), TDK MA90 (2nd set) Taped and transferred by Doug Mow Conversion and seeding to bt.etree.org by Alex Ford 02/12/06 notes 2708. 10/14/83 Flac 24/48 - 0, 143261 Hartford Hartford Civic Center flac24/48 Source: Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC shoulder height (several rows in front of SBD) Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 24 bit copy Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Greg Martens Transferred: Kyle Holbrook notes 2709. 10/14/83 Flac 16/44,1 - 0, 143260 Hartford Hartford Civic Center flac16/44.1 Source: Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC shoulder height (several rows in front of SBD) Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Greg Martens Transferred: Kyle Holbrook notes 2710. 10/14/83 Flac 16 Mtx - , 165105 Hartford Hartford Civic Center flac1644 A Photoleon Matrix Source #1 (156564); Recording Info: (fob) Beyer M160 > Cassette Master (sony Tc-d5m Maxell Xlii-s90 Dolby B) Recorded By John Ficca & Transferred By Charlie Miller. February 17, 2022 Source #2 (150969); Recording Info: Sbd > Cassette Master > Dat (panasonic Sv-3700-k) > Dat (panasonic Sv-3800) Original Transfer And Mastering By Rob Eaton. Additional Mastering By Charlie Miller. Source #3 (124718); Recording Info: Nakamichi Cm300 W Cp1 Cardioid Capsules > Sony Tc-d5m > Tdk Ma90's, Front Row Of Center Riser, Straight Back, Section 325 (aka 225), Row A, Taped By Tim Friend & Joe Morrone. Transfer By Andrew F. notes 2711. 10/14/83 Flac 16 - 0, 150969 Hartford Hartford Civic Center Recording Info: SBD > Cassette Master > DAT (Panasonic SV-3700-44.1k) > DAT (Panasonic SV-3800) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-44.1k) Additional Mastering: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC Original Transfer and Mastering by Rob Eaton. Additional Mastering by Charlie Miller. November 29, 2020 notes 2712. 10/14/83 Flac 24/96 - 0, 151153 Hartford Hartford Civic Center flac24/96 Recording Info: Sennheiser 441 + (1) Neumann U87 blend > Cassette Master (Nakamichi 550) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k) Additional Mastering: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 2713. 10/14/83 Flac 16/44,1 - 0, 151597 Hartford Hartford Civic Center flac16/44.1khz Recording Info: Sennheiser 441 + (1) Neumann U87 blend > Cassette Master (Nakamichi 550) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k) Additional Mastering: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151153 24 -> 16 @ 44.1 notes 2714. 10/14/83 Flac 16 Mtx - , 153345 Hartford Hartford Civic Center flac16; 2 Source Matrix by Dusborne; Soundboard(shnid:150969)Recording Info: SBD > Cassette Master > DAT (Panasonic SV-3700/44.1k) > DAT (Panasonic SV-3800) Transfer Info:DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16bit/44.1k)Additional Mastering:WAV > Adobe Audition 2020 > Samplitude ProX5Suite>FLAC,Original Transfer and Mastering by Rob Eaton,Additional Mastering by Charlie Miller;Audience(shnid:151153),Recording Info: Sennheiser 441 + (1) Neumann U87 blend > Cassette Master (Nakamichi 550)Transfer Info:Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12>WAV(24bit/96k) Additional Mastering:WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 Transfer and Mastering by Rob Eaton,Additional Mastering by Charlie Miller notes 2715. 10/14/83 Flac 24 - , 155763 Hartford Hartford Civic Center Recording Info: (FOB) Beyer M160 > Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > DDi Codec (Dolby B) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 2716. 10/14/83 Flac 16 Mtx - , 155720 Hartford Hartford Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 150969 & 103233. notes 2717. 10/14/83 Flac 16/44 - , 156564 Hartford Hartford Civic Center flac1644 Recording Info: (FOB) Beyer M160 > Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > DDi Codec (Dolby B) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 155763 2496 > 1644.1 notes 2718. 10/15/83 Flac 16 Mtx - 0, 99326 Hartford Hartford Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes 2719. 10/15/83 Shn - 0, 12617 Hartford Hartford Civic Center Soundboard of unknown origin; seeded by Jack to gdlive, with noise reduction- see his pub comment; reportedly has SBEs; track timings reportedly match those of the previous FOB version notes 2720. 10/15/83 Flac 24/96 - 0, 124291 Hartford Hartford Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Set 1 Maxell UDXLII 90, Set 2 TDK MA 90; Set 1 Labelled:1st GEN - 2 Nakamichi 100 Guns Sandy, Set 2 No Label; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rena notes 2721. 10/15/83 Flac 16 - 0, 88018 Hartford Hartford Civic Center flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-4th row DFC @6 ft high Taper: Rick "coyotte"Colyard Team Old Skool FOB Released 10/28/07 2 maxell xl2's-cassette MASTERS Transfer: Sony ES-950>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)> FlacFrontend (level-8)>flac-16 Transfered by muletaper 10/07 notes 2722. 10/15/83 Flac 16 - 0, 93751 Hartford Hartford Civic Center flac16; Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat (44.1k);Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; Recorded By Jeff Silberman; All Transfers and Mastering By Charlie Miller notes 2723. 10/15/83 Flac 1644 - 0, 135914 Hartford Hartford Civic Center flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII for Set 1 and TDK MA-Metal for Set 2, FOB (approx tenth row) recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2496 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016 notes 2724. 10/15/83 Flac 24 - 0, 137304 Hartford Hartford Civic Center flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2725. 10/15/83 Flac 16 - 0, 137327 Hartford Hartford Civic Center flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain notes 2726. 10/15/83 Flac 16 - 0, 110904 Hartford Hartford Civic Center flac16; source: 2 Sennheiser 421 microphones (12th row-center) >Sony TC-D5M - master analog cassettes; transfer: Sony TC-D5M (original record deck) >Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes 2727. 10/15/83 Flac 16 - 0, 103306 Hartford Hartford Civic Center flac16; (3) Beyer M160\'s > Nax Blend Box > TCD 5M > Digitized 24/48 > Sound Forge 7.0 > CD wave > Flac.16 notes 2728. 10/15/83 Flac 16 - 0, 102000 Hartford Hartford Civic Center flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : (3) audio technica atm fob> tcm d-5> cm> cd Recording Location: fob Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 2729. 10/15/83 Shn - 0, 346 Hartford Hartford Civic Center FOB Sennheiser 441's > Technics PCM master > DAT; taper Jeff Silberman; Transfer:? DAT > ZA2 > SoundForge; via Andy Gustin to etree, stemming from tree run by M. Daniel, Frank Venezia; note d1t3,4 had pauses post-song, fixed versions up by 2/2 notes 2730. 10/15/83 Shn - 0, 20024 Hartford Hartford Civic Center Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's and 1 Beyer Dynamic 88->Sony CDR-W66>EAC>CDWave>CD via Ficca notes 2731. 10/15/83 Flac 16 - 0, 32293 Hartford Hartford Civic Center flac16; 2 Nak 700's pointed to stacks (FOB) > Maxell MX 90 > Sony TC-D5M Taped and transferred by Doug Mow. Conversion and Seeding to bt.etree.org by Alex Ford notes 2732. 10/15/83 Flac 24/96 - 0, 122371 Hartford Hartford Civic Center flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8 notes 2733. 10/15/83 Flac 24/96 - 0, 111056 Hartford Hartford Civic Center flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris notes 2734. 10/15/83 Flac 24/96 - 0, 138812 Hartford Hartford Civic Center flac16/96kHz; Set 2 billydee recording: Beyerdynamics 180's > Sony TC-D5M (patched out of Beyer setup) > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Joe Noel Edited & Mastered in Audacity, Flac 24/96; Checksum & tags created in xACT notes 2735. 10/15/83 Flac 16 - 0, 138858 Hartford Hartford Civic Center flac16; Jeff Silberman recording: Senn 441 > Technics PCM > DAT (FOB 17th row); Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT notes 2736. 10/15/83 Flac 16 - 0, 124552 Hartford Hartford Civic Center flac16; AUD: Nakamichi CM300 w/CP1 cardioid capsules > Sony TC-D5M > TDK MA90's, center floor section 8 row B, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 05/2013 notes 2737. 10/15/83 Flac 16 - 0, 102058 Hartford Hartford Civic Center flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 2738. 10/15/83 Flac 24/48 - 0, 143263 Hartford Hartford Civic Center flac24/48 Source: Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC shoulder height (several rows in front of SBD) Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 24 bit copy Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Transferred: Kyle Holbrook notes 2739. 10/15/83 Flac 16/44,1 - 0, 143262 Hartford Hartford Civic Center flac16/44.1 Source: Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC shoulder height (several rows in front of SBD) Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Greg Martens Transferred: Kyle Holbrook notes 2740. 10/15/83 Flac 16/44,1 - 0, 143302 Hartford Hartford Civic Center flac16/44.1 Master: AUD MC Sennheiser mke2002 binaurals worn on head > Sony TCD5M no dolby Maxell MX90 x 2 (kidwell) Location: 75 feet from stage DFC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook Transferred: Kyle Holbrook notes 2741. 10/15/83 Flac 24/48 - 0, 143303 Hartford Hartford Civic Center flac24/48 Master: AUD MC Sennheiser mke2002 binaurals worn on head > Sony TCD5M no dolby Maxell MX90 x 2 (kidwell) Location: 75 feet from stage DFC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook Transferred: Kyle Holbrook notes 2742. 10/15/83 Flac 24/96 - 0, 143606 Hartford Hartford Civic Center flac24; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496 notes 2743. 10/15/83 Flac 16/48 - 0, 143607 Hartford Hartford Civic Center flac16; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2744. 10/15/83 Flac 16 - 0, 145259 Hartford Hartford Civic Center flac16; Set 2 billydee recording (patched out of Yamaguchi/Poris): 3 Nak 700's blend > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Joe Noel Edited & Mastered in Audacity, Flac 24/96; This file set is 16 bit @ 44.1 using the Fixed 24 to make this 16 bit notes 2745. 10/15/83 Flac 16 Mtx - , 165106 Hartford Hartford Civic Center flac1644 A Photoleon Matrix Source #1 (1388580 - Remaster); Recording Info: (fob 17th Row) Senn 441 > Technics Pcm > Dat. Transfer Info: Dat (panasonic Sv-3700) > Tascam Da-3000 > Wav 16 Fob Recording By Jeff Silberman Transfer By Charlie Miller Edited & Mastered By Joe Noel July 2017 Source #2 (7313); Recording Info: Sbd > Cassette Master > Dat X 2 > Cdr > Shn (bob Harrell) Matrix Created In Adobe Audition By Joe Noel October 07, 2022 notes 2746. 10/17/83 Flac 16 Mtx - 0, 92424 Lake Placid Olympic Center flac16; MATRIX MIX: 2 SBD/ 1 AUD (About 60%/40%); Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC); yet another fix/ugrade of the previous matrix sources: shn id 91192 and shn id 91239 notes 2747. 10/17/83 Flac 16 - 0, 27585 Lake Placid Olympic Center flac16; mixed SBD sources, plus AUD patches: Set 1: SBD> Master Cassette> Dat> Sonic Solutions> CD> EAC> FLAC; Set 2: SBD> Master Cassette> Reel> Dat> CD> EAC> Samplitude v7.02 Professional> FLAC; Patch Info: (FOB/12th Row) Sennheiser 421> Master Cassette (Sony D5)> Dat> CD; Edited By Charlie Miller notes 2748. 10/17/83 Shn - 0, 26460 Lake Placid Olympic Center reDAE of very same audio CD as used for previous fileset, seeded to abgd by Skankweed; upgrade in circulation notes 2749. 10/17/83 Shn Mtx. - 0, 91239 Lake Placid Olympic Center MATRIX MIX: 2 SBD/ 1 AUD (About 60%/40%); this source fixes a flaw in the previous matrix source notes 2750. 10/17/83 Flac 24/96 - 0, 135188 Lake Placid Olympic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2751. 10/17/83 Flac 16 - 0, 135187 Lake Placid Olympic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2752. 10/17/83 Flac 16 - 0, 88957 Lake Placid Olympic Center flac16; Source: DAT Copy of Master Cassette Sennheiser MD 441 U > Sony TCD-5M FOB 10th Row Recorded and Copied to DAT by Chuck Jackson Transfer:Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 48 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/48 KHz WAV > Ozone 3.0 > MBIT+ and > CDWAV 1.9 Converted to 16/44.1 KHz WAV with r8brain > FLAC (level 8). with TLH Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. Transferred by C. Ladner Mastering by B. Koucky notes 2753. 10/17/83 Flac 16 - 0, 91126 Lake Placid Olympic Center flac16; Recording Info: (FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller; Recorded By Rob Eaton notes 2754. 10/17/83 Flac 24 - 0, 137305 Lake Placid Olympic Center flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2755. 10/17/83 Flac 16 - 0, 137328 Lake Placid Olympic Center flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain notes 2756. 10/17/83 Flac 16 - 0, 105301 Lake Placid Olympic Center b>flac16; 2 Beyer M160's & 1 Beyer M88 Blend > sony TCD-5m > Digitized 24/48 > Sound Forge 7.0 > CD wave > Flac.16 Recorded by DDyche notes 2757. 10/17/83 Flac 16 - 0, 102070 Lake Placid Olympic Center flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : (3) sennhesier 421 fob> tcm d-5> cm> cd Recording Location: fob Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 2758. 10/17/83 Shn - 0, 347 Lake Placid Olympic Center FOB (12th Row) > Sennheiser 421s > WM-D5 (Cassette master) > DAT > CD; 4/17/84 filler; stemming from Skankweed's post to abgd; etreed by Evan Levy 2/00 after reextraction/SHN (md5s here are for etree copy) notes 2759. 10/17/83 Flac 24/96 - 0, 122384 Lake Placid Olympic Center flac24; lineage: sennheiser 421 fob> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 2760. 10/17/83 Flac 16 - 0, 111611 Lake Placid Olympic Center flac16; Source: 2 Sennheiser 421 microphones (14th row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2761. 10/17/83 Flac 16/44,1 - 0, 143306 Lake Placid Olympic Center flac16/44.1khz AUD MC Sennheiser mke2002 binaurals on dummy head on stand > Sony TCD5M no dolby Maxell MX90 x 2 (kidwell) Location: 75 feet from stage 3-5' ROC 8 feet up on stand Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook Phil Schuman Mike Yacavone Olvy Johnson Transferred: Kyle Holbrook notes 2762. 10/17/83 Flac 24/48 - 0, 143305 Lake Placid Olympic Center flac24/48khz Master AUD/MC Beyer M201's X-Y 9'up > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC (several rows in front of SBD) Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Phil Schuman Mike Yacavone Olvy Johnson Transferred: Kyle Holbrook notes 2763. 10/17/83 Flac 16/44,1 - 0, 143304 Lake Placid Olympic Center flac16/44.1khz Master AUD/MC Beyer M201's X-Y 9'up > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC (several rows in front of SBD) Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Phil Schuman Mike Yacavone Olvy Johnson Transferred: Kyle Holbrook notes 2764. 10/17/83 Flac 24/48 - 0, 143307 Lake Placid Olympic Center flac24/48khz AUD MC Sennheiser mke2002 binaurals on dummy head on stand > Sony TCD5M no dolby Maxell MX90 x 2 (kidwell) Location: 75 feet from stage 3-5' ROC 8 feet up on stand Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook Phil Schuman Mike Yacavone Olvy Johnson Transferred: Kyle Holbrook notes 2765. 10/17/83 Flac 24/96 - 0, 148174 Lake Placid Olympic Center flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2766. 10/17/83 Flac 16/48 - 0, 148173 Lake Placid Olympic Center flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2767. 10/18/83 Flac 16 - 0, 135185 Portland Cumberland County Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2768. 10/18/83 Flac 24/96 - 0, 135186 Portland Cumberland County Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2769. 10/18/83 Flac 16 - 0, 91344 Portland Cumberland County Civic Center flac16; Recording Info: (FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; Recorded By Rob Eaton All Transfers and Mastering By Charlie Miller. notes 2770. 10/18/83 Flac 16 - 0, 87180 Portland Cumberland County Civic Center flac16; Set One Source: Sennheiser MD-421's > patched thru one deck > Marantz PMD-360 > Maxell XL-II, with no Dolby. Mics on stand, set up FOB. Taped by Ted Carpenter. Set Two source: First-gen cassette from another taper on the floor, equipment unknown. Transfer: MAC/1st Gen > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes 2771. 10/18/83 Flac 16 - 0, 102059 Portland Cumberland County Civic Center flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded FOB center by Bob Morris notes 2772. 10/18/83 Flac 24 - 0, 137306 Portland Cumberland County Civic Center flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2773. 10/18/83 Flac 16 - 0, 137330 Portland Cumberland County Civic Center flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain notes 2774. 10/18/83 Flac 24/96 - 0, 122385 Portland Cumberland County Civic Center flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 2775. 10/18/83 Flac 16 - 0, 120128 Portland Cumberland County Civic Center flac16; 3 - Nak 701's > Nak Blend Box > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche notes 2776. 10/18/83 Flac 16 - 0, 112006 Portland Cumberland County Civic Center flac16; Source: 2 Sennheiser 421 microphones (up front & center) > Sony TCD5M (dolby off) - analog master cassettes; Transfer: Sony TC-D5M (original record deck-dolby off) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2777. 10/18/83 Flac 24/96 - 0, 111057 Portland Cumberland County Civic Center flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded FOB center by Bob Morris notes 2778. 10/18/83 Flac 16 - 0, 102071 Portland Cumberland County Civic Center flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : (3) audio technica atm fob> tcm d-5> cm> cd Recording Location: fob Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8 notes 2779. 10/18/83 Shn - 0, 12484 Portland Cumberland County Civic Center FOB-AUD> MC> CDR; via Paul B., Seeded to etree by Ernie Dodd notes 2780. 10/18/83 Flac 16/48 - 0, 140356 Portland Cumberland County Civic Center flac1648; Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 notes 2781. 10/18/83 Flac 16/44,1 - 0, 143308 Portland Cumberland County Civic Center flac16/44.1 Master AUD/MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Konica Metal90 x 2 Location: 40 feet from stage, DFC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Sean Murtha Mike Yacavone Olvy Johnson Transferred: Kyle Holbrook notes 2782. 10/18/83 Flac 24/48 - 0, 143309 Portland Cumberland County Civic Center flac24/48 Master AUD/MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Konica Metal90 x 2 Location: 40 feet from stage, DFC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 24 bit copy Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Sean Murtha Mike Yacavone Olvy Johnson Transferred: Kyle Holbrook notes 2783. 10/18/83 Flac 16 - 0, 144722 Portland Cumberland County Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 2784. 10/18/83 Flac 24/96 - 0, 144721 Portland Cumberland County Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 2785. 10/18/83 Flac 16 Mtx - , 155810 Portland Cumberland County Civic Center flac16; Matrix 2 Source Mix - SBD (shnid = 140356) Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 + AUD (shnid = 144721) source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger - matrix mixing by Kevin Tobin notes 2786. 10/18/83 Flac 16 Dts 5.1 - , 155811 Portland Cumberland County Civic Center DTS-Audio-CD 5.1 Mix; - SBD (shnid = 140356) Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 + AUD (shnid = 144721) source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger - dts mixing by Kevin Tobin notes 2787. 10/18/83 Flac 16/48 - , 155812 Portland Cumberland County Civic Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140356) Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 + AUD (shnid = 144721) source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger - surround mixing by Kevin Tobin notes 2788. 10/20/83 Flac 24/96 - 0, 135089 Worcester The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's Tapes Labelled: Nak 100's w/Guns Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2789. 10/20/83 Flac 16 - 0, 102060 Worcester The Centrum flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 2790. 10/20/83 Flac 16 - 0, 28406 Worcester The Centrum flac16; AKG D224E > Sony TC-D5M > Maxell MX; Transfer: Sony TC-D5M > Edirol UA5 Custom mod > IBM R40/WinXP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; taped, transferred by Doug Mow; CDR> FLAC by Alex Ford notes 2791. 10/20/83 Flac 24 - 0, 137307 Worcester The Centrum flac24; Set 1 & Partial Set 2 Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2792. 10/20/83 Flac 16 - 0, 137331 Worcester The Centrum flac16; Set 1 & Partial Set 2 Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain notes 2793. 10/20/83 Shn - 0, 19515 Worcester The Centrum FOB Sony TCD5M with 2 Beyer Dynamic 160's recorded by Ficca and Brennan encoded by Jake Markezin notes 2794. 10/20/83 Shn - 0, 9960 Worcester The Centrum 20th row center w/ 3 Nak 701s > MX-100 > D5 > DAT > SHN; Unknown seeder; Note- You need to put Day Job on d1 if you want to fit this show onto two discs notes 2795. 10/20/83 Shn - 0, 13164 Worcester The Centrum AUD> Senn 441s (FOB)> PCM> DAT> CDRx?> EAC> SF 6.0> CDWAVE> SHN, Jeff Silberman; with Day Job patched from Sony 939s FOB; via Skankweed, with thanks to Duncan notes 2796. 10/20/83 Flac 24/96 - 0, 122445 Worcester The Centrum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 2797. 10/20/83 Flac 24/96 - 0, 111058 Worcester The Centrum flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris notes 2798. 10/20/83 Flac 16 - 0, 111381 Worcester The Centrum flac16; Source: 2 Sennheiser 421 microphones (15th row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2799. 10/20/83 Flac 16 - 0, 102125 Worcester The Centrum flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : 3 audio technica atm 11 > sony d-5 Recording Location: FOB dead center Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd traders little helper; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 2800. 10/20/83 Flac 16 - 0, 139323 Worcester The Centrum flac16; Jeff Silberman FOB Recording: Sennheiser 441's > Technics PCM master > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/44; Checksum & tags created in xACT notes 2801. 10/20/83 Flac 24/48 - 0, 143326 Worcester The Centrum flac24/48 Master AUD/MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 80 feet from stage, DFC ** patch source: AU/MC Sennheiser mke2002 headworn > Sony TCD5M Location: unknown Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Sean Murtha Chris Kidwell Greg Martens Transferred: Kyle Holbrook notes 2802. 10/20/83 Flac 16/44,1 - 0, 143325 Worcester The Centrum flac16/44.1 Master AUD/MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 80 feet from stage, DFC ** patch source: AU/MC Sennheiser mke2002 headworn > Sony TCD5M Location: unknown Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Sean Murtha Chris Kidwell Greg Martens Transferred: Kyle Holbrook notes 2803. 10/20/83 Flac 16 - 0, 144724 Worcester The Centrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90, mx-90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 2804. 10/20/83 Flac 24/96 - 0, 144723 Worcester The Centrum flac24: source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90, mx-90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 2805. 10/20/83 Flac 16 - 0, 135088 Worcester The Centrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's Tapes Labelled: Nak 100's w/Guns Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked with Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2806. 10/20/83 Flac 16/44 - , 156192 Worcester The Centrum flac1644Recording Info: (FOB) Sennheiser 441 > PCM Master > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X6 Suite > FLAC/16 notes 2807. 10/21/83 Flac 16 Mtx - 0, 105419 Worcester The Centrum flac16; Matrix by Hunter Seamons using Final Cut Pro & Soundtrack Pro (SHN>AIFF>Final Cut & Soundtrack>WAV>FLAC) notes 2808. 10/21/83 Shn - 0, 8113 Worcester The Centrum SBD > PCM > Dat X 3 > CDR; via Bob Harrell notes 2809. 10/21/83 Shn - 0, 9979 Worcester The Centrum Jay Ashley (Bertha) remaster of SBD>PCM source; SBD>>MPCM>>CASS>>DAT>>CDA>>SHN>>WAV>>DAW(Bertha)>>CDA; upgrade in circulation notes 2810. 10/21/83 Shn - 0, 5557 Worcester The Centrum Master Soundboard PCM > Cassette > DAT > CDR; see info file for flaw notes; CD Remastering, EAC'ed / SHN'ed by Scott Clugston notes 2811. 10/21/83 Flac 24/96 - 0, 135083 Worcester The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's Tapes Labelled: Nak 100's w/Guns Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2812. 10/21/83 Flac 16 - 0, 135082 Worcester The Centrum notes 2813. 10/21/83 Flac 2448 - 0, 111507 Worcester The Centrum flac24; AUD: 2 Beyer M88's plus 1 Nakamichi CM300/CP1 cardioid blend mic > Nakamichi 550 > Maxell XLII-S 90's, floor near the SBD. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 01/2011 notes 2814. 10/21/83 Flac 16 - 0, 102063 Worcester The Centrum flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 2815. 10/21/83 Flac 24 - 0, 137308 Worcester The Centrum flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2816. 10/21/83 Flac 16 - 0, 137332 Worcester The Centrum flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 24bit > 16bit with r8brain notes 2817. 10/21/83 Shn - 0, 24998 Worcester The Centrum SBD>>PCM>>Dat>>CDR>>SHN>>DAW(Bertha)>>CDA/SHN There is another Bertha Remaster of 10/21/83. That version was done with the source that had a cassette gen in the lineage. This version has no cassette gen. notes 2818. 10/21/83 Flac - 0, 28888 Worcester The Centrum flac16; AKG D224E > Sony TC-D5M > Maxell MX Taper: Doug Mow Lineage: Sony TC-D5M > Edirol UA5 Custom mod > IBM R40/WinXP Pro/Sound Forge 5.0/CDR > EAC (no errors) > WinXP Pro > FLAC Frontend > FLAC16. first time in circulation 4/7/05. notes 2819. 10/21/83 Shn - 0, 348 Worcester The Centrum FOB (2nd row, dead center) Sennheiser 441's > Technics PCM master > DAT; Transfer: DAT > ZA2 > SoundForge; Taper: Jeff Silberman; slight glitch in Music; JGB encore not on master; tracking not quite right in a few places; via Andy Gustin, stemming from tree run by M. Daniel, Frank Venezia notes 2820. 10/21/83 Flac 24/48 - 0, 143328 Worcester The Centrum flac24/48 Master AUD/MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Nakamichi ZX c-90 x 2 Location: 90 feet from stage, 10' ROC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Sean Murtha Transferred: Kyle Holbrook notes 2821. 10/21/83 Flac 16/44,1 - 0, 143327 Worcester The Centrum flac16/44.1khz Master AUD/MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Nakamichi ZX c-90 x 2 Location: 90 feet from stage, 10' ROC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Sean Murtha Transferred: Kyle Holbrook notes 2822. 10/21/83 Shn - 0, 19516 Worcester The Centrum FOB Sony TCD5M with 2 Beyer Dynamic 160's recorded by Ficca and Brennan encoded by Jake Markezin notes 2823. 10/21/83 Flac 16 - 0, 102126 Worcester The Centrum flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : 3 audio technica atm 11 > sony d-5 Recording Location: FOB dead center Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd traders little helper; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 2824. 10/21/83 Flac 16 - 0, 111388 Worcester The Centrum flac16; Source: 2 Sennheiser 421 microphones (16th row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2825. 10/21/83 Flac 24/96 - 0, 122446 Worcester The Centrum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 2826. 10/21/83 Flac 24/96 - 0, 111059 Worcester The Centrum flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris notes 2827. 10/21/83 Flac 24/96 - 0, 144732 Worcester The Centrum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 2828. 10/21/83 Flac 16 - 0, 144733 Worcester The Centrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 2829. 10/21/83 Flac 16 - 0, 139515 Worcester The Centrum flac16; Jeff Silberman Recording FOB (2nd row) Sennheiser 441's > Technics PCM master > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT notes 2830. 10/21/83 Flac 16/44 - , 156193 Worcester The Centrum flac1644 Recording Info: (FOB/2nd Row) Sennheiser 441 > PCM Master > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X6 Suite > FLAC/16 notes 2831. 10/22/83 Shn - 0, 17274 Syracuse Carrier Dome, Syracuse University SBD > Cassette Master > Cassette > Dat > CDR > SHN. via drgseeds notes 2832. 10/22/83 Flac 16 - 0, 88715 Syracuse Carrier Dome, Syracuse University flac16; Source:Sennheiser-MD421's>Sony D5 Location: FOB-6th Row DFC @8 ft high on stand Taper: Rick "Coyotte" Colyard 2 Maxell SA-X90-Cassette MASTERS Transfer:MAC> Sony TCW-21(Analog out)>Edirol Digi-Mod UA5@44.1khz>Digital-Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16 Transfered and Edited by MULETAPER- 11/23/07 notes 2833. 10/22/83 Flac 16 Mtx - 0, 135184 Syracuse Carrier Dome, Syracuse University flac16; 2 Source Matrix by Dusborne;Soundboard(shnid:17274)SBD > Cassette Master > Cassette > Dat > CDR > SHN; Audience(shnid:88725) Source:Sennheiser-MD421's>Sony D5,Taper: Rick "Coyotte" Colyard,Sennheiser-MD421's>Sony D5,Location: FOB-6th Row DFC @8 ft high on stand,Transfer:MAC> Sony TCW-21(Analog out)>Edirol Digi-Mod UA5@44.1khz>Digital-Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16,Transfered and Edited by MULETAPER- 11/23/07 notes 2834. 10/22/83 Flac 24/96 - 0, 135076 Syracuse Carrier Dome, Syracuse University flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's,Tapes Labelled: Nak 300 Gun's Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2835. 10/22/83 Flac 16 - 0, 135075 Syracuse Carrier Dome, Syracuse University b>flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of Sony TC-D5M, Tapes:Maxell UDXLII 90's,Tapes Labelled: Nak 300 Gun's Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2836. 10/22/83 Flac 24 - 0, 137309 Syracuse Carrier Dome, Syracuse University flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 2837. 10/22/83 Flac 16 - 0, 137333 Syracuse Carrier Dome, Syracuse University flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bit > 16bit with r8brain notes 2838. 10/22/83 Flac 24/44 - 0, 143147 Syracuse Carrier Dome, Syracuse University flac24; Master Audience Recording & Transfer by Ray Ackerman; 2 x Sennheiser 421 > Master Cassette (TDK MA XG) > Sony D5; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/44 notes 2839. 10/22/83 Flac 16/44,1 - 0, 143329 Syracuse Carrier Dome, Syracuse University flac16/44.1khz Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX-90 x 2 Location: 60 feet from stage, 15' LOC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Olvy Johnson Tom Pinney Mike Yacavone Transferred: Kyle Holbrook notes 2840. 10/22/83 Flac 24/48 - 0, 143330 Syracuse Carrier Dome, Syracuse University flac24/48khz Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX-90 x 2 Location: 60 feet from stage, 15' LOC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Olvy Johnson Tom Pinney Mike Yacavone Transferred: Kyle Holbrook notes 2841. 10/22/83 Flac 24/96 - 0, 122495 Syracuse Carrier Dome, Syracuse University flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 2842. 10/22/83 Shn - 0, 10547 Syracuse Carrier Dome, Syracuse University AUD>MC>DAT>CDR Senn. 421?s; via Paul B; Seeded to etree by Ernie Dodd notes 2843. 10/22/83 Flac 16 - 0, 111406 Syracuse Carrier Dome, Syracuse University flac16; Source: 2 Sennheiser 421 microphones (22nd row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2844. 10/22/83 Flac 24/96 - 0, 144763 Syracuse Carrier Dome, Syracuse University flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90, mx-90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 2845. 10/22/83 Flac 16 - 0, 144764 Syracuse Carrier Dome, Syracuse University flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90, mx-90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 2846. 10/22/83 Flac 24/96 - 0, 148200 Syracuse Carrier Dome, Syracuse University flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2847. 10/22/83 Flac 16/48 - 0, 148199 Syracuse Carrier Dome, Syracuse University flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2848. 10/22/83 Flac 16 - 0, 148290 Syracuse Carrier Dome, Syracuse University flac16; Source Info: Master Soundboard Cassette > Cassette > Dat (16/44.1); Transfer Info: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Sound Devices 744T (wav 16/44.1)> Adobe Audition CC 2019 > TLH flac16 notes 2849. 10/22/83 Flac 16 Mtx - 0, 143329 Syracuse Carrier Dome, Syracuse University flac16/44.1khz Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX-90 x 2 Location: 60 feet from stage, 15' LOC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Olvy Johnson Tom Pinney Mike Yacavone Transferred: Kyle Holbrook notes 2850. 10/30/83 Shn - 0, 22800 San Rafael Marin County Veterans Auditorium Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN) via Charlie Miller notes 2851. 10/30/83 Shn - 0, 92382 San Rafael Marin County Veterans Auditorium AUD: Realistic Mini-mics > Sony WM-D6 > Toshiba KT-R2 > Maxell XL-II (1st set) and Maxell XL-IIS (2nd set). Mics on stand, FOB aprx 20th row. Taped by Andrew F. A>D: MAC > Nakamichi CR-2A (tape 2 side A: Nakamichi Dragon) > HHB CDR 830-Plus > EAC > Soundforge 6.0 > CDWave 1.94.5 > WAV > SHN. Transfer by Anne C notes 2852. 10/30/83 Flac 24 - 0, 142967 San Rafael Marin County Veterans Auditorium flac24; Recording Info: SBD > Cassette Master > Cassette (TDK SA-X90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 notes 2853. 10/30/83 Flac 16 - 0, 143503 San Rafael Marin County Veterans Auditorium flac16; Recording Info: SBD > Cassette Master > Cassette (TDK SA-X90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; This file set is 16 bit @ 44.1 notes 2854. 10/31/83 Shn - 0, 34934 San Rafael Marin County Veterans Auditorium SBD>MC>DAT>CDR>EAC>CDWAV>SHN - Fix of shn id 3827 via Bill Tetzeli notes 2855. 10/31/83 Shn - 0, 3811 San Rafael Marin County Veterans Auditorium Master Soundboard Cassette > DAT > CDR; with possible matrix patch (see notes); CD Mastering, EAC'ed / SHN'ed by Scott Clugston ; upgrade in circulation notes 2856. 10/31/83 Shn - 0, 3827 San Rafael Marin County Veterans Auditorium SBD> MC> DAT> CDR> EAC> CDWAV> SHN; via Tony Gardner with thanks to Paul B.; upgrade in circulation notes 2857. 10/31/83 Flac 16 - 0, 138759 San Rafael Marin County Veterans Auditorium flac16; Source: FOB Audience recording > Nakamichi 700s > ??? > dbx cassette master >dat (44.1k); Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1; Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017 notes 2858. 10/31/83 Shn - 0, 19894 San Rafael Marin County Veterans Auditorium Source: FOB(Nak 700)>MC>DAT>CDR>WAV>SHN. Taper: Mark Horvath. SHN encoding via C.Ladner. notes 2859. 10/31/83 Flac 16 - 0, 151222 San Rafael Marin County Veterans Auditorium Soundboard Cassette Master > DAT Provided by ANON notes 2860. 12/27/83 Flac 16 - 0, 32502 San Francisco San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller notes 2861. 12/27/83 Flac 16 Mtx - 0, 133049 San Francisco San Francisco Civic Auditorium flac16; Matrix 2 Source Mix - SBD (shnid=96167) SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16 and AUD (shn id 89483) Sennheiser MD-441's > patched thru 2 tapedecks > Marantz PMD-340 > Sony UCX-S 90's, Dolby on. Mics on 8-foot stand, just behind the Sbd. Transfer: MAC > Nakamichi DR-8 (Dolby B on) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and tranferred by Andrew F. - matrix mixing by Kevin Tobin notes 2862. 12/27/83 Flac Dts 5.1 - 0, 133050 San Francisco San Francisco Civic Auditorium DTS-Audio-CD 5.1 Mix; SBD (shnid=96167) SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; and AUD (shn id 89483) Sennheiser MD-441's > patched thru 2 tapedecks > Marantz PMD-340 > Sony UCX-S 90's, Dolby on. Mics on 8-foot stand, just behind the Sbd. Transfer: MAC > Nakamichi DR-8 (Dolby B on) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and tranferred by Andrew F. - dts mixing by Kevin Tobin notes 2863. 12/27/83 Flac 16 - 0, 134872 San Francisco San Francisco Civic Auditorium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: First Tape 1st Gen Nak 100's with Guns, Second Tape None; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked with Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2864. 12/27/83 Flac 24/96 - 0, 134873 San Francisco San Francisco Civic Auditorium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: First Tape 1st Gen Nak 100's with Guns, Second Tape None; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2865. 12/27/83 Flac 16 - 0, 89483 San Francisco San Francisco Civic Auditorium flac16; AUD: Sennheiser MD-441's > patched thru 2 tapedecks > Marantz PMD-340 > Sony UCX-S 90's, Dolby on. Mics on 8-foot stand, just behind the Sbd. Transfer: MAC > Nakamichi DR-8 (Dolby B on) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and tranferred by Andrew notes 2866. 12/27/83 Shn - 0, 18258 San Francisco San Francisco Civic Auditorium SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko. [Note: This shn set differs from the previous one submitted by Darryl in the last 2 tracks of disk 3 which are patched here per the info file. This is the preferred shn set.]; upgrade in circulation notes 2867. 12/27/83 Flac 24/96 - 0, 137635 San Francisco San Francisco Civic Auditorium flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS 90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes 2868. 12/27/83 Flac 16 - 0, 137634 San Francisco San Francisco Civic Auditorium flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS 90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes 2869. 12/27/83 Shn - 0, 18222 San Francisco San Francisco Civic Auditorium SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko; upgrade in circulation notes 2870. 12/27/83 Flac 16 - 0, 112241 San Francisco San Francisco Civic Auditorium flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2871. 12/27/83 Flac 16 - 0, 79267 San Francisco San Francisco Civic Auditorium flac16; Source: *Sennheiser Shotguns>Sony D5M>Sony D5M Location: FOB/Right of Center/Stand at 8 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G. Transfer and upload by Tony S notes 2872. 12/27/83 Shn - 0, 17419 San Francisco San Francisco Civic Auditorium Aud>?>CD>EAC>SHN via Steve Barbella notes 2873. 12/27/83 Shn - 0, 17961 San Francisco San Francisco Civic Auditorium (FOB) Senn 441>PCM>Dat recorded by Jeff Silberman encoded by Charlie Miller notes 2874. 12/27/83 Flac 16 - 0, 96167 San Francisco San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 2875. 12/27/83 Flac 16/48 - , 154451 San Francisco San Francisco Civic Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=96167) SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; and AUD (shn id 89483) Sennheiser MD-441's > patched thru 2 tapedecks > Marantz PMD-340 > Sony UCX-S 90's, Dolby on. Mics on 8-foot stand, just behind the Sbd. Transfer: MAC > Nakamichi DR-8 (Dolby B on) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and tranferred by Andrew F. - surround mixing by Kevin Tobin notes 2876. 12/28/83 Flac 16 - 0, 96172 San Francisco San Francisco Civic Auditorium flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 2877. 12/28/83 Flac 16 Mtx - 0, 127489 San Francisco San Francisco Civic Auditorium b>flac16; Matrix 3 Source Mix - SBD (shnid=96172) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 99126) FOB AUD: Sennheiser MD-421's > patched thru one deck (Nak 550) > Marantz PMD-340 > Sony UCX-S 90's, with Dolby. Mics on seven-foot stand, aprx 25 feet from the stage in the center, mics angled up. Transfer: MAC > Nakamichi DR-8 (Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. 05/2009 + VID (no shn id) used for patching and timing reference - matrix mixing by Kevin Tobin notes 2878. 12/28/83 Shn - 0, 10312 San Francisco San Francisco Civic Auditorium SBD>MC>C>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd; upgrade in circulation notes 2879. 12/28/83 Flac 24/96 - 0, 134876 San Francisco San Francisco Civic Auditorium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: Nak 300's With Gun's Pointed High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2880. 12/28/83 Flac 16 - 0, 134875 San Francisco San Francisco Civic Auditorium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: Nak 300's With Gun's Pointed High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2881. 12/28/83 Flac 16 - 0, 99127 San Francisco San Francisco Civic Auditorium flac16; FOB AUD: Sennheiser MD-421's > patched thru one deck (Nak 550) > Marantz PMD-340 > Sony UCX-S 90's, with Dolby. Mics on seven-foot stand, aprx 25 feet from the stage in the center, mics angled up. Transfer: MAC > Nakamichi DR-8 (Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. 05/2009 notes 2882. 12/28/83 Flac 24/96 - 0, 137656 San Francisco San Francisco Civic Auditorium flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes 2883. 12/28/83 Flac 16 - 0, 137655 San Francisco San Francisco Civic Auditorium flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes 2884. 12/28/83 Flac 24/96 - 0, 99126 San Francisco San Francisco Civic Auditorium flac24; FOB AUD: Sennheiser MD-421's > patched thru one deck (Nak 550) > Marantz PMD-340 > Sony UCX-S 90's, with Dolby. Mics on seven-foot stand, aprx 25 feet from the stage in the center, mics angled up. Transfer: MAC > Nakamichi DR-8 (Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. 05/2009 notes 2885. 12/28/83 Flac 16 - 0, 112242 San Francisco San Francisco Civic Auditorium flac16:Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2886. 12/28/83 Flac 16/44 - 0, 79351 San Francisco San Francisco Civic Auditorium flac16; Source: *Nakamichi CM304's(pointed at stacks)>Sony D5M>Sony D5M Location: FOB/Right of Center/Stand at 8 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G notes 2887. 12/28/83 Shn - 0, 23061 San Francisco San Francisco Civic Auditorium Source: FOB AUD -- Senn. 441's > Marantz 340 Transfer: By Aoxoa from MCassette - (Probably) Playback on Nak Dragon > HHB 850 > EAC > SHN Recorded by Andy F., Aoxoa's neighbor notes 2888. 12/28/83 Flac 16/48 - 0, 147476 San Francisco San Francisco Civic Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=96172) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 99126) FOB AUD: Sennheiser MD-421's > patched thru one deck (Nak 550) > Marantz PMD-340 > Sony UCX-S 90's, with Dolby. Mics on seven-foot stand, aprx 25 feet from the stage in the center, mics angled up. Transfer: MAC > Nakamichi DR-8 (Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. 05/2009 - surround mixing by Kevin Tobin notes 2889. 12/28/83 Flac 16 Dts. - 0, 147475 San Francisco San Francisco Civic Auditorium flac16; DTS CD Audio - SBD (shnid=96172) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 99126) FOB AUD: Sennheiser MD-421's > patched thru one deck (Nak 550) > Marantz PMD-340 > Sony UCX-S 90's, with Dolby. Mics on seven-foot stand, aprx 25 feet from the stage in the center, mics angled up. Transfer: MAC > Nakamichi DR-8 (Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. 05/2009 - dts mixing by Kevin Tobin notes 2890. 12/28/83 Flac 16 - 0, 32505 San Francisco San Francisco Civic Auditorium b>flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller notes 2891. 12/28/83 Flac 24/96 - 0, 148205 San Francisco San Francisco Civic Auditorium flac24; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2892. 12/28/83 Flac 16/48 - 0, 148204 San Francisco San Francisco Civic Auditorium flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2893. 12/28/83 Flac 16/48 - 0, 150938 San Francisco San Francisco Civic Auditorium flac16/48 Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 2894. 12/28/83 Flac 24/96 - 0, 150941 San Francisco San Francisco Civic Auditorium flac24/96khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 2895. 12/30/83 Flac 16 - 0, 112281 San Francisco San Francisco Civic Auditorium flac16; Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2896. 12/30/83 Flac 16 - 0, 96181 San Francisco San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 2897. 12/30/83 Shn - 0, 10280 San Francisco San Francisco Civic Auditorium SBD>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd; upgrade in circulation notes 2898. 12/30/83 Flac 24/96 - 0, 134896 San Francisco San Francisco Civic Auditorium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: Nak 300's With Gun's Pointed High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2899. 12/30/83 Flac 16 - 0, 134895 San Francisco San Francisco Civic Auditorium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: Nak 300's With Gun's Pointed High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2900. 12/30/83 Flac 16 - 0, 109130 San Francisco San Francisco Civic Auditorium flac16; AUD: Sennheiser MD-441's > patched out of Nak 550 > Marantz PMD-340 > Sony UCX-S 90's. FOB 25 feet from stage in center. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2496 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Taped & transferred by Andrew F. 07/2010 notes 2901. 12/30/83 Flac 24/96 - 0, 109129 San Francisco San Francisco Civic Auditorium flac24; AUD: Sennheiser MD-441's > patched out of Nak 550 > Marantz PMD-340 > Sony UCX-S 90's. FOB 25 feet from stage in center. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2496 > CD-Wave > TLH > FLAC 2496 Tagged. Taped and transferred by Andrew F. 07/2010 notes 2902. 12/30/83 Flac 16 - 0, 137665 San Francisco San Francisco Civic Auditorium b>flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes 2903. 12/30/83 Flac 24/96 - 0, 137666 San Francisco San Francisco Civic Auditorium flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes 2904. 12/30/83 Flac 16 - 0, 77321 San Francisco San Francisco Civic Auditorium flac16; Nakamichi CM304's(pointed at stacks)>Sony D5M(Maxell UDXLII's) Location: FOB/Right of Center/Stand at 8 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G notes 2905. 12/30/83 Flac 16 - 0, 112281 San Francisco San Francisco Civic Auditorium flac16; Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2906. 12/30/83 Flac 16 - 0, 30072 San Francisco San Francisco Civic Auditorium flac16; Source: Sennheiser MD-441 mics > Marantz PMD-340 cassette deck Taped onto Sony UC-XS 90 cassette tape with Dolby On Set up FOB aprx 25 feet from stage, mics on 8-foot stand Transfer: MAC > Sony TC-D5M > Marantz CDR-500 > CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC notes 2907. 12/30/83 Flac 24/96 - 0, 151043 San Francisco San Francisco Civic Auditorium flac24/96khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 2908. 12/30/83 Flac 16/48 - 0, 151042 San Francisco San Francisco Civic Auditorium flac16/48khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 2909. 12/31/83 Flac 16 - 0, 94185 San Francisco San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 2910. 12/31/83 Flac 16 Mtx - 0, 126610 San Francisco San Francisco Civic Auditorium flac16; Matrix 3 Source Mix - SBD (shnid=96185) Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 112282) Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files + VID (no shn id) low generation video found on the internet for a video project - matrix mixing by Kevin Tobin notes 2911. 12/31/83 Flac 16 - 0, 90059 San Francisco San Francisco Civic Auditorium flac16; Set 3 only - National FM Broadcast > FM (93.3 WMMR) > unknown tape deck > TDK SA90 (Master Cassette) Transfer: Master FM Cassette > Nakamichi Cassette Deck 2 > Kind Kables RCA/XLR > Lunatec V3 (@ 24/96) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper FLAC16 notes 2912. 12/31/83 Flac 16 - 0, 134901 San Francisco San Francisco Civic Auditorium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: Nak 300's With Gun's Pointed High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 2913. 12/31/83 Flac 24/96 - 0, 134902 San Francisco San Francisco Civic Auditorium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: Nak 300's With Gun's Pointed High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 2914. 12/31/83 Flac 16 - 0, 32514 San Francisco San Francisco Civic Auditorium flac16; SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transferred and Edited By Charlie Miller notes 2915. 12/31/83 Shn - 0, 14948 San Francisco San Francisco Civic Auditorium Bertha Remaster) SBD>>MR>>DAT>>M-Audio2448>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A- Brokedown Palace Source: Pre-FM>Cm>Cass>Dat>CD - Sound C- notes 2916. 12/31/83 Shn - 0, 13963 San Francisco San Francisco Civic Auditorium SBD -> Rm -> Dat -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD (SHN) Brokedown Palace patched from Pre-FM>Cm>Cass>Dat>CD Dat -> SHN Transfer Done By Charlie Miller charliemiller87@earthlink.net 8/27/02; upgrade in circulation notes 2917. 12/31/83 Flac 24/96 - 0, 137701 San Francisco San Francisco Civic Auditorium flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes 2918. 12/31/83 Flac 16 - 0, 137700 San Francisco San Francisco Civic Auditorium flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes 2919. 12/31/83 Shn - 0, 6102 San Francisco San Francisco Civic Auditorium sbd> mr> dats> wav> shn w/seek; dat> wav> shn by popi n. feeldz, from Michael Grossman DAT seed; Brokedown missing; Jack Straw beginning cut; upgrade in circulation notes 2920. 12/31/83 Shn - 0, 18737 San Francisco San Francisco Civic Auditorium 3 Beyer M160 FOB> Sony TCD5M Master Cassette>shn; Seeded to abgd by Walstib notes 2921. 12/31/83 Flac 16 - 0, 79383 San Francisco San Francisco Civic Auditorium flac16; Source: *Nakamichi CM304's(pointed at stacks)>Sony D5M>Sony D5M Location: FOB/Right of Center/Stand at 8 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G notes 2922. 12/31/83 Flac 16 - 0, 112282 San Francisco San Francisco Civic Auditorium flac16; Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2923. 12/31/83 Flac 16/44 - 0, 34968 San Francisco San Francisco Civic Auditorium flac16; FOB Sennheiser 421s > Sony D5 > TDK MA90 MACs. Recorded by R.Lipton using B.Koucky's deck/blanks. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8). Transfer/mastering/encoding/initial torrenting at bt.etree.org via C.Ladner notes 2924. 12/31/83 Flac 24/96 - 0, 148208 San Francisco San Francisco Civic Auditorium flac24; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2925. 12/31/83 Flac 16/48 - 0, 148207 San Francisco San Francisco Civic Auditorium flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2926. 12/31/83 Flac 24/96 - 0, 151339 San Francisco San Francisco Civic Auditorium flac24/96khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 2927. 12/31/83 Flac 16/48 - 0, 151338 San Francisco San Francisco Civic Auditorium flac16/48khz Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 2928. 12/31/83 Flac 16/48 - , 155215 San Francisco San Francisco Civic Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=96185) Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 112282) Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - surround mixing by Kevin Tobin notes 2929. 03/28/84 Flac 16 - 0, 109259 San Rafael Marin County Veterans Auditorium flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 2930. 03/28/84 Shn - 0, 28296 San Rafael Marin County Veterans Auditorium 2 Sony ECM 939LT stereo microphones > Marantz PMD 340, TDK AD-X90 cassettes with Dolby B, 8' stand 2nd set, 6.5' 1st set, ~20th row center just behind soundboard, Recorded by AndrewF; A-D transfer: master cassette > Nakamichi Dragon (Dolby B) > HHB CDR 830plus > EAC > Sound Forge 5.0 > CD Wave Editor 1.71 > WAV > SHN by Anne Cohen; drums are cut notes 2931. 03/28/84 Shn - 0, 27303 San Rafael Marin County Veterans Auditorium (FOB/20th Row) Sony ECM 939LT> Cassette Master (Marantz PMD430); Transfer Info: Cassette Master (Nak Dragon/Dolby B)> CD (HHb CDr 830Plus)> EAC> Sound Forge 5.0> SHN; Recorded By Andrew Faintych; Transferred By Anne Cohen; Converted By Charlie Miller; Drums Are Cut notes 2932. 03/28/84 Shn - 0, 16665 San Rafael Marin County Veterans Auditorium unknown aud > cass > cd Discs kindly provided by Mark Horvath Eac > cool edit pro > shntool > cdwav > shnv3 by Ernie Dodd Partial 2nd set Only notes 2933. 03/28/84 Flac 24/96 - 0, 148339 San Rafael Marin County Veterans Auditorium flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2934. 03/28/84 Flac 16/48 - 0, 148337 San Rafael Marin County Veterans Auditorium flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2935. 03/29/84 Flac 16 - 0, 106071 San Rafael Marin County Veterans Auditorium flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 2936. 03/29/84 Flac 16 - 0, 109112 San Rafael Marin County Veterans Auditorium flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes - TDK MA-R90's transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 2937. 03/29/84 Flac 16 - 0, 32515 San Rafael Marin County Veterans Auditorium flac16; SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transferred and Edited By Charlie Miller notes 2938. 03/29/84 Shn - 0, 10559 San Rafael Marin County Veterans Auditorium Rex Foundation Benefit; Soundboard > ??? > CDR; Jerry's guitar is low in the mix at times; Seeded to etree by David Angelini; upgrade in circulation notes 2939. 03/29/84 Flac 16 - 0, 29645 San Rafael Marin County Veterans Auditorium flac16; Recording: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck Taped onto TDK AD-X normal bias tape, with Dolby on Set up two rows behind soundboard, and eight seats to the right Mics raised aprx seven and a half feet on a tent pole Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC Soundforge used for fades and some minor repairs (see notes) CD-Wave for Track ID's, and FLAC Frontend for lossless compression Verified and repaired SBE's with Traders Little Helper program notes 2940. 03/29/84 Flac 24/96 - 0, 148307 San Rafael Marin County Veterans Auditorium flac24; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2941. 03/29/84 Flac 16/48 - 0, 148306 San Rafael Marin County Veterans Auditorium notes 2942. 03/31/84 Flac 16 - 0, 105821 San Rafael Marin County Veterans Auditorium flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 2943. 03/31/84 Shn - 0, 3576 San Rafael Marin County Veterans Auditorium SBD; via Mike Lai; upgrade in circulation notes 2944. 03/31/84 Shn - 0, 14078 San Rafael Marin County Veterans Auditorium Source: SBD > MC > DAT > CDR > EAC > Cool Edit Pro 2.0* > CDWave > mkwACT EAC'd/Pitch Corrected/SHN'd by Doug Nawrocki Source kindly provided by Vojo; upgrade in circulation notes 2945. 03/31/84 Flac 16 - 0, 79468 San Rafael Marin County Veterans Auditorium flac16; Source: *Nakamichi CM301's>Sony D5M>Sony D5M Location: FOB/Stand at 6 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G notes 2946. 03/31/84 Flac 16 - 0, 29916 San Rafael Marin County Veterans Auditorium b>flac16; Recording: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck Taped onto TDK AD-X normal bias tape, with Dolby on Set up in center seat directly behind the soundboard Mics raised aprx seven and a half feet on a tent pole Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC Soundforge used for fades, edits and patches over the tape-flip areas CD-Wave for Track ID's, and FLAC Frontend for lossless compression Verified SBE's and checksums with Trader's Little Helper program Cross-faded patches taken from LAMA's source: SBD > MC > DAT > CDR > EAC > Cool Edit Pro 2.0 > CD-Wave > mkwACT notes 2947. 03/31/84 Flac 16 - 0, 111289 San Rafael Marin County Veterans Auditorium flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2948. 03/31/84 Flac 16 - 0, 98823 San Rafael Marin County Veterans Auditorium flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Rango Keshavan notes 2949. 03/31/84 Flac 16 - 0, 32516 San Rafael Marin County Veterans Auditorium flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation notes 2950. 03/31/84 Flac 24/96 - 0, 148340 San Rafael Marin County Veterans Auditorium flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 2951. 03/31/84 Flac 16/48 - 0, 148393 San Rafael Marin County Veterans Auditorium flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 2952. 04/01/84 Shn - 0, 7366 San Rafael Marin County Veterans Auditorium Master Soundboard Casette>PCM>DAT>DAT>Serafin Studios>CDR>EAC>SHN; upgrade in circulation notes 2953. 04/01/84 Flac 16 - 0, 105822 San Rafael Marin County Veterans Auditorium flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 2954. 04/01/84 Flac 16 - 0, 32535 San Rafael Marin County Veterans Auditorium flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation notes 2955. 04/01/84 Flac 16 - 0, 95693 San Rafael Marin County Veterans Auditorium flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Michael Kirschner; All Transfers and Mastering By Charlie Miller notes 2956. 04/01/84 Shn - 0, 9064 San Rafael Marin County Veterans Auditorium Analog Soundboard->Pioneer PDR-509->CDRW->Audio Catalyst 2.1->WAV->Cool Edit 2000->MKW Compression Tool->SHN; To abgd via Acquiesce; upgrade in circulation notes 2957. 04/01/84 Flac 16 - 0, 79458 San Rafael Marin County Veterans Auditorium flac16; Source: *Nakamichi CM304's>Sony D5M>Sony D5M Location: ^At SBD/Stand at 7 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G notes 2958. 04/01/84 Flac 16 - 0, 32797 San Rafael Marin County Veterans Auditorium flac16; FOB: 2 Beyer M160s + 1 Senn. 421>D5>MC>CDR>EAC>FLAC Taper: Jim Quirk notes 2959. 04/01/84 Flac 16 - 0, 111291 San Rafael Marin County Veterans Auditorium flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 2960. 04/01/84 Flac 16 - 0, 30828 San Rafael Marin County Veterans Auditorium flac16; Recording: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck Taped onto TDK AD-X normal bias tape, with Dolby on Set up in center seat, two rows behind the soundboard Mics raised aprx seven and a half feet on a tent pole Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC Soundforge used as noted below. CD-Wave for Track-ID's, Trader's Little Helper to verify SBE-OK and make checksums, and Flac Frontend for lossless compression notes 2961. 04/06/84 Shn - 0, 10159 Las Vegas Aladdin Theater SBD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy notes 2962. 04/06/84 Flac 16 - 0, 109232 Las Vegas Aladdin Theater flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (13th row-center) > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 2963. 04/06/84 Flac 16 - 0, 77310 Las Vegas Aladdin Theater flac16; Source: Nakamichi CM300*(with CP1 Card caps)>Sony TCD-5M Location: FOB/Right Center Orch. Sec. 1 Row M/Stand at 6-7 Feet Transfer: Sony D5M>Sound Device 722@24/96>Adobe Aud. 2.0> 16 bit>Cdwav>flac16. Tapers: Tony Suraci and Eugene D'alessandro notes 2964. 04/06/84 Flac 16 - 0, 148570 Las Vegas Aladdin Theater flac16; Source Info: Master Soundboard Cassettes; Sony D6 (dolby C) > Dat > PCM; Transfer Info: PCM (unknown equipment) > .wav 16/44.1 > Adobe Audition 2019 > TLH > flac16 notes 2965. 04/07/84 Shn - 0, 13816 Irvine Irvine Meadows sbd>MC>Dat>cd Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd notes 2966. 04/07/84 Flac 16 - 0, 135528 Irvine Irvine Meadows flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD (shnid=13816); Transfer Info: CD -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC; All Patching and Remastering By Charlie Miller notes 2967. 04/07/84 Flac 16 - 0, 108618 Irvine Irvine Meadows flac16; source: 3 Beyer M160's > Nak100 > Sony TC-D5M - 17th Row Center - analog master cassettes - TDK MA-R90's transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 2968. 04/07/84 Flac 16/48 - 0, 146012 Irvine Irvine Meadows flac16/48kHz; Soundboard Master from The Knudsen Collection at Lossless Legs; Nakamichi CR-7A -> Sound Devices MixPre-3M notes 2969. 04/13/84 Flac 24/96 - , 155212 Hampton Hampton Coliseum FLAC 2496 Recording Info: (FOB) Neumann U87 > Cassette Master (Nakamichi 550) Transfer Info: Master Cassettes (Nakamichi Dragon) > Avid Mbox Pro > Pro Tools 12 (WAV 24-bit/96k) Mastering Info: WAV > Samplitude Pro X6 Suite > FLAC/24 notes 2970. 04/13/84 Flac - 0, 27733 Hampton Hampton Coliseum flac16; SBD> Cassette Master> Cassette> Dat (Panasonic SV3800/48k), plus patches from Eaton FOB Neumann U87> Cass source; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes 2971. 04/13/84 Flac 16 - 0, 123178 Hampton Hampton Coliseum flac16; MAC; Nakamichi 300's(w/shotguns) > Sony D5 > Sony D6 (master) > 2 x Maxell XLII 90; Location/Info: center, directly behind SBD, 10-12 feet high; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@ 24/88.2)> Lynx AES16e> WaveLab 7.2.1> .wav @ 24/88.2> Crystal Resampler> Apogee UV22HR> .wav @16/44.1> xACT(encoding/tracking/meta tagging)> flac16 (level eight); Tapers: Mark McCue and Kurt Casey; Transfer, editing and mastering: Alex Ford notes 2972. 04/13/84 Flac 16 - 0, 126039 Hampton Hampton Coliseum flac16; Master: 2 Beter M-160s and Sony TC-D5m; 2nd deck in line after another D5; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670 notes 2973. 04/13/84 Flac 16 - 0, 137369 Hampton Hampton Coliseum flac16; Set 2 Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Robert Bryant 24bit > 16bit with r8brain notes 2974. 04/13/84 Flac 24 - 0, 137367 Hampton Hampton Coliseum flac24; Set 2 Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Robert Bryant notes 2975. 04/13/84 Flac 24/48 - 0, 132772 Hampton Hampton Coliseum flac24; Source:Sennheiser MKE2002 Binaurals mounted on fake head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi LX-5 >ESI Juli@ at 24/48> Wavelab >FLAC; Recorded by executive crew (SM,CK (owner of MKE2002s),TP,KH); Transferred by Kyle Holbrook notes 2976. 04/13/84 Flac 16 - 0, 132771 Hampton Hampton Coliseum flac16; Source:Sennheiser MKE2002 Binaurals mounted on fake head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi LX-5 >ESI Juli@ at 24/48> Wavelab >FLAC; Recorded by executive crew (SM,CK (owner of MKE2002s),TP,KH); Transferred by Kyle Holbrook notes 2977. 04/13/84 Flac 24/96 - 0, 122974 Hampton Hampton Coliseum flac24; source: (3) audio technica atm 11 fob>tcm-d-5; conversion: sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit notes 2978. 04/13/84 Flac 16 - 0, 109288 Hampton Hampton Coliseum flac16; source: 3 Beyer M160's (up front) > custom made blend box> Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 2979. 04/13/84 Flac 16 - 0, 90470 Hampton Hampton Coliseum flac16; Recording Info: (FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes 2980. 04/13/84 Shn - 0, 34469 Hampton Hampton Coliseum Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Location: FOB and to the left to avoid blocking view MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Audacity Normalization > WAV > CDWave > WAVs > mkwAC > SHNs notes 2981. 04/13/84 Shn - 0, 21130 Hampton Hampton Coliseum Rob Eaton FOB Center (Neumann U89)>Sony TC-D5>DAT>CDR>EAC>SHN notes 2982. 04/13/84 Shn - 0, 1521 Hampton Hampton Coliseum Neumann U-87 mics > Sony D6 cass > Dat > CDR; via PJ to abgd; includes alternate tracking suggestion for 2 discs notes 2983. 04/13/84 Flac 16 - 0, 102499 Hampton Hampton Coliseum flac16;Recording Info:SBD -> Cassette Master -> Cassette -> Dat (Panasonic SV3800/48k); Transfer Info:Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes 2984. 04/13/84 Flac 24/48 - 0, 149110 Hampton Hampton Coliseum flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook) Transferred by Kyle Holbrook notes 2985. 04/13/84 Flac 16/44 - 0, 149109 Hampton Hampton Coliseum flac 16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook) Transferred by Kyle Holbrook notes 2986. 04/13/84 Flac 16/48 - , 154377 Hampton Hampton Coliseum flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 2987. 04/13/84 Flac 24/96 - , 154378 Hampton Hampton Coliseum flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 2988. 04/13/84 Flac 16/44 - , 155699 Hampton Hampton Coliseum FLAC 16/44 Recording Info: (FOB) Neumann U87 > Cassette Master (Nakamichi 550) Transfer Info: Master Cassettes (Nakamichi Dragon) > Avid Mbox Pro > Pro Tools 12 (WAV 24-bit/96k) Mastering Info: WAV > Samplitude Pro X6 Suite > FLAC/24 This is 155212 2496 > 1644 notes 2989. 04/14/84 Flac 16 - 0, 105836 Hampton Hampton Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Dolby B/Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 2990. 04/14/84 Flac 16 - 0, 109331 Hampton Hampton Coliseum flac16; source: 2 Beyer M160's & 1 Sennheiser 421 Microphones (up front) > Nak MX100 w/2001> Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 2991. 04/14/84 Flac 16 - 0, 32501 Hampton Hampton Coliseum flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation notes 2992. 04/14/84 Flac 16 - 0, 126040 Hampton Hampton Coliseum flac16; Master: 2 Sennhesier 441s and Sony TC-D5m Cassette Master; 2nd deck in line after another D5; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670 notes 2993. 04/14/84 Flac 24 - 0, 139328 Hampton Hampton Coliseum flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24 notes 2994. 04/14/84 Flac 16 - 0, 139327 Hampton Hampton Coliseum flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/16 notes 2995. 04/14/84 Flac 24/96 - 0, 123023 Hampton Hampton Coliseum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 2996. 04/14/84 Flac 16 - 0, 90595 Hampton Hampton Coliseum flac16; Recording Info: (FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes 2997. 04/14/84 Flac 16 - 0, 79652 Hampton Hampton Coliseum flac16; (FOB) MAC: Sennheiser 421s (shoulder level) > Sony D5 > Sony D5 > Maxell XLII 90s Location: FOB. 15-20 feet from stage, DFC Tapers: unknown & Mark McCue Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > CDWAV > Trader's Little Helper > FLAC16. Master audience cassettes supplied by Mark McCue. Transfer, edits & upload to bt.etree.org by Alex Ford 11/01/2006. notes 2998. 04/14/84 Flac 16 - 0, 34901 Hampton Hampton Coliseum flac16; Source: FOB Sennheiser 441s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on cleaned/demagged Nakamich DR-2 > Presonus Firebox preamp/A-D > firewire > 2 GHz P4 PC - XP Pro > Wavelab 5, recorded as 24 bit/96 KHz WAV > rendered to 16 bit/44.1 KHz WAV using Waves L3 Multimaximizer, hi res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8). Transfer and editing by C.Ladner notes 2999. 04/14/84 Shn - 0, 34555 Hampton Hampton Coliseum Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Location: behind SBD and to the left. Taped and transfered to shn by Charles Bandrofcheck. MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Audacity Normaliation > WAV > CDWave > WAVs > mkwAC > SHN notes 3000. 04/14/84 Shn - 0, 12572 Hampton Hampton Coliseum 3 Nak 701s > MX-100(modified) > D5 > D10 > SHN (track names originally in the form of "d1t1.shn" - original md5 was not consistent with this file naming. with consistent file naming, all SHNs do verify) notes 3001. 04/14/84 Shn - 0, 1562 Hampton Hampton Coliseum Neumann U-87 mics > Sony D-6 > DAT > CDR; d2 is 80 min; via PJ to abgd; (thanks to Trip Bates for txt/md5 here) notes 3002. 04/14/84 Flac 24/96 - 0, 148458 Hampton Hampton Coliseum flac24; Source Info: Bill Koucky's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5 (Maxell MX90) (2nd deck in line, in the pit); Transfer Info: Master Cassettes (Nakamichi DR-1) > Edirol UA-5 24/96 > WaveLab 6.01 24/96 > Adobe Audition 24/96 > TLH flac2496 notes 3003. 04/14/84 Flac 16/48 - 0, 148457 Hampton Hampton Coliseum flac16/48kHz; Source Info: Bill Koucky's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5 (Maxell MX90) (2nd deck in line, in the pit); Transfer Info: Master Cassettes (Nakamichi DR-1) > Edirol UA-5 24/96 > WaveLab 6.01 24/96 > Adobe Audition 24/96 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 3004. 04/14/84 Flac 24/48 - 0, 149112 Hampton Hampton Coliseum flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook) Transferred by Kyle Holbrook notes 3005. 04/14/84 Flac 16/44 - 0, 149111 Hampton Hampton Coliseum flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook) Transferred by Kyle Holbrook notes 3006. 04/14/84 Flac 24/48 - 0, 149491 Hampton Hampton Coliseum flac24/48khz Source: MAUD CA: Beyer M201's XY 60 feet from stage >Sony TCD5M > s1 Sony Metallic90; s2:TDK MA c90 No Dolby Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook, Mike Yacavone, Olvy Johnson) Transferred by Kyle Holbrook notes 3007. 04/14/84 Flac 16/44,1 - 0, 149490 Hampton Hampton Coliseum flac16/44.1khz Source: MAUD CA: Beyer M201's XY 60 feet from stage >Sony TCD5M > s1 Sony Metallic90; s2:TDK MA c90 No Dolby Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook, Mike Yacavone, Olvy Johnson) Transferred by Kyle Holbrook notes 3008. 04/14/84 Flac 16/48 - , 154427 Hampton Hampton Coliseum flac16/48 Source Info: Master Audience Cassettes; (2) Beyer M160 + (1) Beyer M88 blend > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX 90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 3009. 04/14/84 Flac 24/96 - , 154428 Hampton Hampton Coliseum flac24/96 Source Info: Master Audience Cassettes; (2) Beyer M160 + (1) Beyer M88 blend > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX 90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 3010. 04/14/84 Flac 16 Mtx - , 161418 Hampton Hampton Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 105836 & 154427. notes 3011. 04/16/84 Flac 16 - 0, 109343 Rochester Community War Memorial Auditorium flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (12th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3012. 04/16/84 Flac 16 - 0, 127159 Rochester Community War Memorial Auditorium flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2014 notes 3013. 04/16/84 Flac 16 - 0, 133031 Rochester Community War Memorial Auditorium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3014. 04/16/84 Flac 24/96 - 0, 133032 Rochester Community War Memorial Auditorium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 3015. 04/16/84 Flac 24/48 - 0, 127158 Rochester Community War Memorial Auditorium flac24; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 02/2014 notes 3016. 04/16/84 Flac 16 - 0, 106621 Rochester Community War Memorial Auditorium flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded FOB by Bob Morris notes 3017. 04/16/84 Flac 16 - 0, 32884 Rochester Community War Memorial Auditorium flac16; Source: FOB Sennheiser 441s > Sony D5. Patched out of Steve Adleman's D5>D5 at the show. Transfer: MAC playback on Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs extracted with EAC to WAV > FLAC. Originally recorded to analog MAC and transferred to digital realm by B.Koucky. Editing/remastering: All editing with Wavelab 5 (Level fluctuations adjusted using gain function > Tape pauses between tracks during the first set & tape flips smoothed with crossfades > Waves L3 Multimaximizer at -1.1 dB threshold, ceiling -0.1 dB with hi res CD rendering > CDWAV 1.9 > FLAC (level 5) > bt.etree.org by C.Ladner. notes 3018. 04/16/84 Flac 16/48 - 0, 137003 Rochester Community War Memorial Auditorium flac16/48kHz; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam DA-3000 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller notes 3019. 04/16/84 Flac 24/96 - 0, 141022 Rochester Community War Memorial Auditorium flac24; Source Info: Ray Ackerman's Master Audience Cassettes ; 2 x Nakamichi 300/CP4 + 1 x Nakamichi 300/CP1 center fill > unknown mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkii)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96 notes 3020. 04/16/84 Flac 16 - 0, 141021 Rochester Community War Memorial Auditorium flac16; Source Info: Ray Ackerman's Master Audience Cassettes ; 2 x Nakamichi 300/CP4 + 1 x Nakamichi 300/CP1 center fill > unknown mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkii)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96; 24-bit > 16-bit via dBpoweramp notes 3021. 04/16/84 Flac 24/96 - 0, 113880 Rochester Community War Memorial Auditorium flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes 3022. 04/16/84 Shn - 0, 1298 Rochester Community War Memorial Auditorium Neumann U-87 > Sony d-6 >dat >cdr; d2 tracked for 80 min; posted to abgd notes 3023. 04/16/84 Flac 16 - 0, 35408 Rochester Community War Memorial Auditorium flac16; Pitch corrected and patched version of shn id 32884 - FOB Sennheiser 441s > Sony D5 > DAT > CD > EAC > FLAC by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 3024. 04/16/84 Flac 24/96 - 0, 123069 Rochester Community War Memorial Auditorium flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000Hz/24 bit notes 3025. 04/16/84 Flac 24/48 - 0, 149114 Rochester Community War Memorial Auditorium flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage ROC >Sony TCD5M > Maxell Metal 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson notes 3026. 04/16/84 Flac 16/44,1 - 0, 149113 Rochester Community War Memorial Auditorium flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage ROC >Sony TCD5M > Maxell Metal 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson notes 3027. 04/16/84 Flac 24/48 - 0, 149493 Rochester Community War Memorial Auditorium flac24/48khz Recording Information: Source: MAUD CA: Beyer M201's (Hypercardioid) 75 feet from stage DFC >Sony TCD5M > s1:TDK MA90; s2:TDK MA-R90 No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson notes 3028. 04/16/84 Flac 16/44,1 - 0, 149492 Rochester Community War Memorial Auditorium flac16/44.1khz Recording Information: Source: MAUD CA: Beyer M201's (Hypercardioid) 75 feet from stage DFC >Sony TCD5M > s1:TDK MA90; s2:TDK MA-R90 No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson notes 3029. 04/16/84 Flac 16/48 - , 154453 Rochester Community War Memorial Auditorium flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 3030. 04/16/84 Flac 24/96 - , 154454 Rochester Community War Memorial Auditorium flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes 3031. 04/17/84 Flac 16 - 0, 127261 Niagara Falls Niagara Falls Convention Center flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2014 notes 3032. 04/17/84 Flac 16 - 0, 133027 Niagara Falls Niagara Falls Convention Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3033. 04/17/84 Flac 24/96 - 0, 133028 Niagara Falls Niagara Falls Convention Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 3034. 04/17/84 Flac 24/48 - 0, 127260 Niagara Falls Niagara Falls Convention Center flac24; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2014 notes 3035. 04/17/84 Flac 16 - 0, 32708 Niagara Falls Niagara Falls Convention Center flac16; Source: FOB Sennheiser 441 > Sony D5. Transfer: MAC playback on Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs > (EAC)WAV > FLAC. Recorded at the show on analog master cassette and transferred to digital realm by B.Koucky. Editing/FLACing: Pauses between tracks during the first set and tape flips were smoothed with crossfades using Wavelab > Waves L3 Multimaximizer applied at hi res CD rendering settings, threshold of -1.1 dB and ceiling of -0.1 dB > CDWAV 1.9 (tracking/flac'ing). Edits/mastering and flac encoding via C.Ladner. notes 3036. 04/17/84 Flac 16 - 0, 109346 Niagara Falls Niagara Falls Convention Center flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (way up front) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3037. 04/17/84 Flac 16 - 0, 79670 Niagara Falls Niagara Falls Convention Center flac16; (FOB) MAC: 3 Beyer mics > Sony D5 > Teac mdx 90s: Location: FOB, 20-30 feet from stage; Taper: Mark McCue ;Master audience cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford notes 3038. 04/17/84 Flac 16/48 - 0, 137250 Niagara Falls Niagara Falls Convention Center flac16/48kHz; Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes 3039. 04/17/84 Flac 24 - 0, 139330 Niagara Falls Niagara Falls Convention Center flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24 notes 3040. 04/17/84 Flac 16 - 0, 139329 Niagara Falls Niagara Falls Convention Center flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/16 notes 3041. 04/17/84 Flac 24 - 0, 140463 Niagara Falls Niagara Falls Convention Center flac24; source: ots 12’ > nak 300 > tcd5m > master = tdk ma90 +dolby > master via tascam 122 mk ii > apogee rosetta 200 > (24/96) > audacity (normalize, tracks, fades) > xact (tags, ffp, md5); recorded: david barfield + david lane; transfer-seeded: barfield notes 3042. 04/17/84 Flac 24/96 - 0, 141837 Niagara Falls Niagara Falls Convention Center flac24; Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 notes 3043. 04/17/84 Shn - 0, 8460 Niagara Falls Niagara Falls Convention Center FOB Nak 300>?>CDR; Seeded to etree by JT James notes 3044. 04/17/84 Flac 16 - 0, 90543 Niagara Falls Niagara Falls Convention Center flac16; Recording Info: (FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes 3045. 04/17/84 Flac 16 - 0, 79556 Niagara Falls Niagara Falls Convention Center flac16; 1 Audio Technica + 2 Nakamichi 300s/cp4s > Sony D5 > DAT > CDR Location: FOB Taper: unknown Transfer: EAC (no errors) > CDWAV > TLH > FLAC16. Source CD-Rs provided by Mark McCue. Transfer from CDR through FLAC16 by Alex Ford. This source may be derived from the same master as shn id 8460 notes 3046. 04/17/84 Shn - 0, 28762 Niagara Falls Niagara Falls Convention Center 2 Beyer M160 > Sony TCD5M Master Cassette FOB > SHN notes 3047. 04/17/84 Flac 16 - 0, 86942 Niagara Falls Niagara Falls Convention Center flac16; Recorded by Gordon Sharpless Master Audience Cassette; 2 Neumann U-87s> Nakamichi 550> Sony D5 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3> Digital Audio Labs Card Deluxe soundcard > Adobe Audition > flac encoding > FLAC notes 3048. 04/17/84 Flac 16 - 0, 96460 Niagara Falls Niagara Falls Convention Center flac16; ATII/Nak 300 FOB ud>?>CDR>EAC>SHN > ? > FLAC notes 3049. 04/17/84 Flac 24/96 - 0, 113881 Niagara Falls Niagara Falls Convention Center flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes 3050. 04/17/84 Flac 24/96 - 0, 123129 Niagara Falls Niagara Falls Convention Center flac24; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3051. 04/17/84 Flac 16 - 0, 107548 Niagara Falls Niagara Falls Convention Center flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 3052. 04/17/84 Flac 16 - 0, 145332 Niagara Falls Niagara Falls Convention Center flac16; source: ots 12’ > nak 300 > tcd5m > master = tdk ma90 +dolby > master via tascam 122 mk ii > apogee rosetta 200 > (24/96) > audacity (normalize, tracks, fades); recorded: david barfield + david lane; transfer-seeded: barfield; This file set is 16 bit @ 44.1 notes 3053. 04/17/84 Flac 16 - 0, 145264 Niagara Falls Niagara Falls Convention Center flac16; Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1 notes 3054. 04/17/84 Flac 24/48 - 0, 149173 Niagara Falls Niagara Falls Convention Center flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson notes 3055. 04/17/84 Flac 16/44 - 0, 149172 Niagara Falls Niagara Falls Convention Center flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson notes 3056. 04/17/84 Flac 24/48 - 0, 149495 Niagara Falls Niagara Falls Convention Center flac24/48khz Recording Information: Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson notes 3057. 04/17/84 Flac 16/44,1 - 0, 149494 Niagara Falls Niagara Falls Convention Center flac16/44.1khz Recording Information: Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson notes 3058. 04/17/84 Flac 16/48 - , 154529 Niagara Falls Niagara Falls Convention Center flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes 3059. 04/17/84 Flac 24/96 - , 154530 Niagara Falls Niagara Falls Convention Center flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes 3060. 04/19/84 Flac 16 - 0, 27892 Philadelphia Philadelphia Civic Center flac16; SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC; Converted and Edited By Charlie Miller notes 3061. 04/19/84 Flac 16 - 0, 118658 Philadelphia Philadelphia Civic Center flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (SV3800/48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 3062. 04/19/84 Flac 24/96 - 0, 132980 Philadelphia Philadelphia Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Sennheiser 421's (X-Y Cross) And 2 Nakamichi CM300/CP4 Shotguns (Spread) > Unknown Mixer > Sony D5, Tapes:Maxell UDXLII - 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 3063. 04/19/84 Flac 16 - 0, 132979 Philadelphia Philadelphia Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Sennheiser 421's (X-Y Cross) And 2 Nakamichi CM300/CP4 Shotguns (Spread) > Unknown Mixer > Sony D5, Tapes:Maxell UDXLII - 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3064. 04/19/84 Shn - 0, 19598 Philadelphia Philadelphia Civic Center Sbd > Cassette Master > Cassette > Dat x 2 > CDR > SHN; Seeded to FurthurNET; upgrade in circulation notes 3065. 04/19/84 Flac 24/96 - 0, 135777 Philadelphia Philadelphia Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell mx90’s, dolby b, FOB, section 102 Row O; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger notes 3066. 04/19/84 Flac 16 - 0, 135776 Philadelphia Philadelphia Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell mx90’s, dolby b, FOB, section 102 Row O; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berge notes 3067. 04/19/84 Flac 16 - 0, 139155 Philadelphia Philadelphia Civic Center flac16; Jeff Silberman (FOB) Recording: Sennheiser 441's > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/44 notes 3068. 04/19/84 Flac 24 - 0, 139332 Philadelphia Philadelphia Civic Center flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24 notes 3069. 04/19/84 Flac 16 - 0, 139331 Philadelphia Philadelphia Civic Center flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/16 notes 3070. 04/19/84 Flac 16 - 0, 142045 Philadelphia Philadelphia Civic Center flac16; Jeff Silberman (FOB/15th row) Recording: Sennheiser 441's > PCM (Technics SV-100 14bit); Charlie Miller Transfer: from Ted's clone of Jeff's master > Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16 notes 3071. 04/19/84 Flac 16 - 0, 109352 Philadelphia Philadelphia Civic Center flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (12th row-center) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3072. 04/19/84 Flac 16 - 0, 99667 Philadelphia Philadelphia Civic Center flac16; Source: (fob) Nakamichi CM300/CP4->Sony D-5M (Dolby B encoded)->TDK MA90 (x2)->Sony D-5M (Dolby B decoded) ->Korg MR-1000 (1Bit/5.6MHz)->AudioGate->16/44.1 wav->Soundforge 8.0->flac; Tapers: Dave Barfield and Dave Lane; Transferred and seeded by M. Watson notes 3073. 04/19/84 Shn - 0, 34680 Philadelphia Philadelphia Civic Center Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Transfer: MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > SoundForge 5.0 normalization > WAV > CDWave > WAVs > mkwAC > SHNs Location: front of tapers section Transfer and seed by Charles Bandrofcheck notes 3074. 04/19/84 Shn - 0, 14013 Philadelphia Philadelphia Civic Center AUD>MC>CD; via Paul B; Seeded to etree by Willy notes 3075. 04/19/84 Flac 24/48 - 0, 149497 Philadelphia Philadelphia Civic Center flac24/48khz Recording Information: Source 1: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Source 2: 2 Beyer M160 (hypercardioid)& 1 Sennheiser 421 (hypercardioid)> Nakamichi MX100 mixer > Sony TCD5M Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes 3076. 04/19/84 Flac 16/44,1 - 0, 149496 Philadelphia Philadelphia Civic Center flac16/44.1khz Recording Information: Source 1: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Source 2: 2 Beyer M160 (hypercardioid)& 1 Sennheiser 421 (hypercardioid)> Nakamichi MX100 mixer > Sony TCD5M Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes 3077. 04/19/84 Flac 24/96 - , 154719 Philadelphia Philadelphia Civic Center flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row O, seat 15); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes 3078. 04/19/84 Flac 16/48 - , 154718 Philadelphia Philadelphia Civic Center flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row O, seat 15); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes 3079. 04/19/84 Flac 16 Mtx - , 166575 Philadelphia Philadelphia Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 118658 & 154718. notes 3080. 04/20/84 Flac 16 - 0, 103432 Philadelphia Philadelphia Civic Center flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (SV3800/48k) -> WAV; Transfer Info: WAV -> Samplitude v7.02 Professional -> Cool Edit Pro v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes 3081. 04/20/84 Flac 16 - 0, 132941 Philadelphia Philadelphia Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3082. 04/20/84 Flac 24/96 - 0, 132942 Philadelphia Philadelphia Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 3083. 04/20/84 Shn - 0, 11873 Philadelphia Philadelphia Civic Center Master Soundboard Cassette > Cassette > CDR; CD Mastering, Shn'ed and Seeded by Scott Clugston; also to abgd via Charlie Connor; upgrade in circulation notes 3084. 04/20/84 Flac 16 - 0, 27775 Philadelphia Philadelphia Civic Center flac16; SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC; Converted and Edited By Charlie Miller (note: a fixed fileset was circulated to correct a flaw in d2t02; additionally this source originally circulated tracked for 2 discs. The info below reflects the best available version of this source.) notes 3085. 04/20/84 Flac 24/96 - 0, 135799 Philadelphia Philadelphia Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger notes 3086. 04/20/84 Flac 16 - 0, 135800 Philadelphia Philadelphia Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 xACT flac; transferred and seeded by Rob Berger notes 3087. 04/20/84 Flac 16 - 0, 139156 Philadelphia Philadelphia Civic Center flac16; Jeff Silberman (FOB) Recording: Sennheiser 441's > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/44 notes 3088. 04/20/84 Flac 24 - 0, 139334 Philadelphia Philadelphia Civic Center flac24 Set 1 Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24 notes 3089. 04/20/84 Flac 16 - 0, 139333 Philadelphia Philadelphia Civic Center flac16; Set 1 Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/16 notes 3090. 04/20/84 Flac 24/96 - 0, 141519 Philadelphia Philadelphia Civic Center flac24; Set 2 Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 notes 3091. 04/20/84 Shn - 0, 7854 Philadelphia Philadelphia Civic Center Source Senn 441 > PCM Digital Audience (up-front) > DAT (SV3700) > DAT (Fostex D10) > CDR (Single WAV) > CDR-WAV (wav splits) > SHN (via MKWACT); via JR Fishman notes 3092. 04/20/84 Shn - 0, 4769 Philadelphia Philadelphia Civic Center DAUD(FOB/Senn 441s by Jim Wise)>PCM>DAT>CDA>SHN notes 3093. 04/20/84 Flac 16 - 0, 120265 Philadelphia Philadelphia Civic Center flac16; AKG 224's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche notes 3094. 04/20/84 Flac 16 - 0, 109353 Philadelphia Philadelphia Civic Center flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (14th row-center) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3095. 04/20/84 Flac 16 - 0, 144957 Philadelphia Philadelphia Civic Center flac16; Set 2 Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1 notes 3096. 04/20/84 Flac 24/48 - 0, 149499 Philadelphia Philadelphia Civic Center flac24/48khz Recording Information: Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes 3097. 04/20/84 Flac 16/44,1 - 0, 149498 Philadelphia Philadelphia Civic Center flac16/44.1khz Recording Information: ** This is a 16 bit fileset ** Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes 3098. 04/20/84 Flac 24/48 - 0, 149751 Philadelphia Philadelphia Civic Center flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 45 feet from stage ROC (13th row) >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from second deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes 3099. 04/20/84 Flac 16/44,1 - 0, 149750 Philadelphia Philadelphia Civic Center flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 45 feet from stage ROC (13th row) >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from second deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes 3100. 04/20/84 Flac 24/96 - , 154737 Philadelphia Philadelphia Civic Center flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes 3101. 04/20/84 Flac 16/48 - , 154736 Philadelphia Philadelphia Civic Center flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes 3102. 04/20/84 Flac 16 Mtx - , 166578 Philadelphia Philadelphia Civic Center notes 3103. 04/21/84 Flac 24/96 - 0, 132913 Philadelphia Philadelphia Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 3104. 04/21/84 Flac 16 - 0, 132913 Philadelphia Philadelphia Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3105. 04/21/84 Flac 24/96 - 0, 135804 Philadelphia Philadelphia Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger notes 3106. 04/21/84 Flac 16 - 0, 135805 Philadelphia Philadelphia Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac;transferred and seeded by Rob Berger notes 3107. 04/21/84 Flac 16 - 0, 136794 Philadelphia Philadelphia Civic Center flac16; Source: AUD FOB 2 Beyer 160s->sony TCD5M->Sony CDR-W66->EAC->cdwave->CD notes 3108. 04/21/84 Flac 16 - 0, 106643 Philadelphia Philadelphia Civic Center flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded by Bob & Amanda Morris, lower balcony Row J, Seats 5 & 6. notes 3109. 04/21/84 Flac 16/48 - 0, 137247 Philadelphia Philadelphia Civic Center flac16/48kHz; Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes 3110. 04/21/84 Flac 16/48 - 0, 137273 Philadelphia Philadelphia Civic Center flac16/48kHz: 5.1 LPCM Surround Sound (48k) - SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - mixing by Kevin Tobin notes 3111. 04/21/84 Flac Dts 5.1 - 0, 137272 Philadelphia Philadelphia Civic Center DTS-Audio-CD 5.1 Mix: SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - matrix mixing by Kevin Tobin notes 3112. 04/21/84 Flac 16 Mtx - 0, 137271 Philadelphia Philadelphia Civic Center flac16; Matrix 2 Source Mix - SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - matrix mixing by Kevin Tobin notes 3113. 04/21/84 Flac 16 - 0, 137380 Philadelphia Philadelphia Civic Center flac16; FOB; Schoeps (no other info given); DAT(c) @ 44.1 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (align on sector boundaries, flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell notes 3114. 04/21/84 Flac 16 - 0, 141118 Philadelphia Philadelphia Civic Center flac16; Source Info: Rob Ackerman's Master Audience Cassettes; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkII)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96; 24-bit > 16-bit via dBpoweramp notes 3115. 04/21/84 Flac 24/96 - 0, 141117 Philadelphia Philadelphia Civic Center flac24; Source Info: Rob Ackerman's Master Audience Cassettes; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkII)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96 notes 3116. 04/21/84 Shn - 0, 34682 Philadelphia Philadelphia Civic Center Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Transfer: MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > SoundForge 5.0 normalization > WAV > CDWave > WAVs > mkwAC > SHNs to end of Throwing stones. Very End of Throwing Stones, Not Fade Away & Brokedown place from LMA Source: Neumann U87's (cardioid) > Sony Pro Mixer > Technics SV100 PCM > DAT > CDR Transfer and seed by Charles Bandrofcheck notes 3117. 04/21/84 Flac 16 - 0, 109391 Philadelphia Philadelphia Civic Center flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (14th row-center) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3118. 04/21/84 Shn - 0, 18253 Philadelphia Philadelphia Civic Center Patched Eaton/Silberman FOB (17th Row Split 30 feet) Neumann U87's via Doug Nawrocki notes 3119. 04/21/84 Flac 24/96 - 0, 113882 Philadelphia Philadelphia Civic Center flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes 3120. 04/21/84 Shn - 0, 10035 Philadelphia Philadelphia Civic Center Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes notes 3121. 04/21/84 Flac 24/48 - 0, 149501 Philadelphia Philadelphia Civic Center flac24/48khz Recording Information: Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes 3122. 04/21/84 Flac 16/44,1 - 0, 149500 Philadelphia Philadelphia Civic Center flac16/44.1khz Recording Information: ** This is a 16 bit fileset ** Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes 3123. 04/21/84 Flac 16/48 - 0, 148828 Philadelphia Philadelphia Civic Center flac16/48kHz; Source Info: Robert Bryant's Master (FOB) Audience Cassettes; Schoeps CMC4 MK41 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 3124. 04/21/84 Flac 24/96 - 0, 148829 Philadelphia Philadelphia Civic Center flac24; Source Info: Robert Bryant's Master (FOB) Audience Cassettes; Schoeps CMC4 MK41 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 3125. 04/21/84 Flac 24/96 - , 154847 Philadelphia Philadelphia Civic Center FLAC 2496 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes 3126. 04/21/84 Flac 16/48 - , 154848 Philadelphia Philadelphia Civic Center FLAC 1648 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes 3127. 04/21/84 Flac 16 Mtx - , 166581 Philadelphia Philadelphia Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 137247 & 154848. notes 3128. 04/23/84 Flac 16 - 0, 105927 New Haven Veterans' Memorial Coliseum flac16; Recording Info:SBD -> Cassette Master -> Cassette (TDK SA-X90 Dolby B); Transfer Info:Cassette (Nakamichi DR-1 Dolby B) -> Sound Devices 744T (24bit 96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC 16; All Transfers and Mastering By Charlie Miller notes 3129. 04/23/84 Flac 16 - 0, 126316 New Haven Veterans' Memorial Coliseum flac16; 2nd set only. AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, lower arena riser, straight back, first rows off the floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2013 notes 3130. 04/23/84 Flac 16 - 0, 132885 New Haven Veterans' Memorial Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3131. 04/23/84 Flac 24/96 - 0, 132886 New Haven Veterans' Memorial Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 3132. 04/23/84 Flac 16 - 0, 32536 New Haven Veterans' Memorial Coliseum flac16; Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90 / Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Thanks to Paul Scotton and Joani Walker for the Cassettes -- This is an upgrade to all previous circulating sbd's notes 3133. 04/23/84 Flac 16 - 0, 31147 New Haven Veterans' Memorial Coliseum flac16; First Set - Soundboard (unknown lineage) Transfer: Cassette > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > TLH (to verify SBE-OK & make checksums) > CD-Wave (for Track-ID's) > FLAC Frontend (for lossless compression); upgrade in circulation notes 3134. 04/23/84 Flac 16 - 0, 32240 New Haven Veterans' Memorial Coliseum flac16; SBD -> Master Cassette -> Reel -> Dat -> CD Transferred and Edited by Charlie Miller; upgrade in circulation notes 3135. 04/23/84 Shn - 0, 14949 New Haven Veterans' Memorial Coliseum 2nd set only; SBD -> Cm -> Reel -> Dat -> CD; Seeded to etree by Charlie Miller; upgrade in circulation notes 3136. 04/23/84 Flac 24/96 - 0, 123463 New Haven Veterans' Memorial Coliseum flac24; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3137. 04/23/84 Flac 16 - 0, 109416 New Haven Veterans' Memorial Coliseum flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3138. 04/23/84 Shn - 0, 14563 New Haven Veterans' Memorial Coliseum Mark Horvath FOB ATM2?s>Sony TC-D5>MC>CDR; Muddy recording; 2nd set more so than the 1st; via Paul B; Seeded to etree by Willy notes 3139. 04/23/84 Flac 24/48 - 0, 149175 New Haven Veterans' Memorial Coliseum flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals worn on head 60-70 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes 3140. 04/23/84 Flac 16/44 - 0, 149174 New Haven Veterans' Memorial Coliseum flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals worn on head 60-70 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes 3141. 04/23/84 Flac 24/48 - 0, 149582 New Haven Veterans' Memorial Coliseum flac24/48khz Recording Information: Source: MAUD CA: Beyer M201 hypercardioid XY 90' 60-70 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes 3142. 04/23/84 Flac 16/44,1 - 0, 149581 New Haven Veterans' Memorial Coliseum flac16/44.1khz Source: MAUD CA: Beyer M201 hypercardioid XY 90' 60-70 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes 3143. 04/23/84 Flac 16/48 - , 155349 New Haven Veterans' Memorial Coliseum flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes 3144. 04/23/84 Flac 24/96 - , 155350 New Haven Veterans' Memorial Coliseum flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes 3145. 04/24/84 Flac 16 - 0, 105854 New Haven Veterans' Memorial Coliseum flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette, Set 2: SBD -> Cassette Master -> Cassette (TDK SA-X90/Dolby B); Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 3146. 04/24/84 Flac 16 - 0, 32620 New Haven Veterans' Memorial Coliseum flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Thanks to Paul Scotton, Joani Walker and Jacob Feinberg for the tapes notes 3147. 04/24/84 Flac 16 - 0, 92518 New Haven Veterans' Memorial Coliseum flac16; FOB AUD: Patched from unknown mics and lead decks > Marantz PMD-340 > Maxell XLII 90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, June 2008. Transfer by Andrew F. notes 3148. 04/24/84 Flac 16 - 0, 32537 New Haven Veterans' Memorial Coliseum flac16; Set 2 Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Thanks to Paul Scotton and Joani Walker for the Cassettes; upgrade in circulation notes 3149. 04/24/84 Flac 24/48 - 0, 126230 New Haven Veterans' Memorial Coliseum flac24; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, lower arena riser, straight back, first rows off the floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24 bit) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 11/2013 notes 3150. 04/24/84 Flac 16 - 0, 126231 New Haven Veterans' Memorial Coliseum flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, lower arena riser, straight back, first rows off the floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2013 notes 3151. 04/24/84 Flac 24 - 0, Oade New Haven Veterans' Memorial Coliseum notes 3152. 04/24/84 Shn - 0, 14564 New Haven Veterans' Memorial Coliseum Set 1; AUD (Nak300's)>MC>DAT>CDR Set 2; Mark Horvath FOB ATM2?s> Sony TC-D5>MC>CDR; Set 2 is 'muddy'; via Paul B; Seeded to etree by Willy notes 3153. 04/24/84 Flac 16 - 0, 109423 New Haven Veterans' Memorial Coliseum flac16; source: 3 Beyer M160 microphones (13th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3154. 04/24/84 Flac 24/48 - 0, 149587 New Haven Veterans' Memorial Coliseum flac24/48khz Source: MAUD CA: Beyer M201's (Hypercardioid) 45 feet from stage 6'high DFC >Sony TCD5M > TDK MA90; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook, Gary Steele notes 3155. 04/24/84 Flac 16/44,1 - 0, 149586 New Haven Veterans' Memorial Coliseum flac16/44.1khz Source: MAUD CA: Beyer M201's (Hypercardioid) 45 feet from stage 6'high DFC >Sony TCD5M > TDK MA90; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook notes 3156. 04/24/84 Flac 24/48 - 0, 149940 New Haven Veterans' Memorial Coliseum flac24/48khz Source: MAUD CA: Sennheiser mke2002 Binaural on dummy head 45 feet from stage 6'high DFC >Sony TCD5M > Sony TCD6M Maxell XLIIS90; No Dolby - Master copy from second deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes 3157. 04/24/84 Flac 16/44,1 - 0, 149939 New Haven Veterans' Memorial Coliseum flac16/44.1khz Source: MAUD CA: Sennheiser mke2002 Binaural on dummy head 45 feet from stage 6'high DFC >Sony TCD5M > Sony TCD6M Maxell XLIIS90; No Dolby - Master copy from second deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes 3158. 04/24/84 Flac 24/96 - , 155621 New Haven Veterans' Memorial Coliseum flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes 3159. 04/24/84 Flac 16/48 - , 155620 New Haven Veterans' Memorial Coliseum flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes 3160. 04/26/84 Flac 16 - 0, 91432 Providence Providence Civic Center flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes 3161. 04/26/84 Flac 16 Mtx - 0, 92297 Providence Providence Civic Center flac16; MATRIX MIX: SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>Soundtrack>WAV>SHN) May 10, 2008 Remastered June 14, 2008. Cleaned up version of the previous Seamons matrix source notes 3162. 04/26/84 Flac 16 - 0, 91432 Providence Providence Civic Center flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes 3163. 04/26/84 Flac 16 - 0, 125166 Providence Providence Civic Center flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor just to left (stage right) of soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 07/2013 notes 3164. 04/26/84 Shn - 0, 4770 Providence Providence Civic Center Master Soundboard Cassette > Cassette > DAT > CDR notes 3165. 04/26/84 Flac 16 - 0, 92429 Providence Providence Civic Center flac16; FOB AUD: Patched from unknown mics and lead decks > Marantz PMD-340 > Maxell XLII-S 90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F. notes 3166. 04/26/84 Flac 24/96 - 0, 135839 Providence Providence Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, sec 1, row g; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger notes 3167. 04/26/84 Flac 16 - 0, 135838 Providence Providence Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, sec 1, row g; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger notes 3168. 04/26/84 Flac 16 - 0, 78773 Providence Providence Civic Center flac16; Set I - 1st Gen; Sennheiser MKE 2002 (binaural, head worn) > Sony D5 > Sony D5 > Maxell XLII-S (no Dolby) Set II - MAC; Beyer M201s (hyper cards, X-Y) > Sony TC D5M > TDK MA90 (no Dolby) Tapers: Sennheiser MKE 2002s - Chris K./ Beyer M201s - Kyle H. Transfer: Nakamichi CD2 [azimuth adjusted]>Kind Kables rca>xlr>Lunatec V3>coax>Audiophile 24960> CEP 2.0 (normalized_100%)>CD Wave Editor>Traders Little Helper>FLAC16. Transfer, all edits, conversion & upload to bt.etree.org by Alex Ford 10/5/2006. notes 3169. 04/26/84 Flac 24/48 - 0, 125165 Providence Providence Civic Center flac24; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor just to left (stage right) of soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24 bit) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 07/2013 notes 3170. 04/26/84 Flac 24/96 - 0, 123621 Providence Providence Civic Center flac24; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3171. 04/26/84 Flac 16 - 0, 109441 Providence Providence Civic Center flac16; source: 2 Sennheiser 441's & 1 Beyer M160 microphones (15th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on)- analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3172. 04/26/84 Flac 16 - 0, 125778 Providence Providence Civic Center flac16; Master: 3 Sennhesier 441s/Yamaha MM10 Mic Mixer and Sony TC-D5m Cassette Master; 16th Row on Phil's side; 1st deck out of mic mixer; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670 notes 3173. 04/26/84 Flac 16/44,1 - 0, 149636 Providence Providence Civic Center flac16/44.1khz Source: set 1: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 50 feet from stage DFC >Sony TCD6M > TDK MA 90s No Dolby - Master copy from 2nd deck run by SM. set 2: MAUD CA: Beyer M201's (Hypercardioid) 50 feet from stage 6'high DFC >Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes 3174. 04/26/84 Flac 24/48 - 0, 149635 Providence Providence Civic Center flac24/48khz Source: set 1: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 50 feet from stage DFC >Sony TCD6M > TDK MA 90s No Dolby - Master copy from 2nd deck run by SM. set 2: MAUD CA: Beyer M201's (Hypercardioid) 50 feet from stage 6'high DFC >Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes 3175. 04/26/84 Flac 24/48 - 0, 149898 Providence Providence Civic Center flac24/48khz Recording Information: Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 50 feet from stage DFC >Sony TCD6M > TDK MA 90s x2.5 No Dolby - Master copy from 2nd deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes 3176. 04/26/84 Flac 16/44,1 - 0, 149897 Providence Providence Civic Center flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 50 feet from stage DFC >Sony TCD6M > TDK MA 90s x2.5 No Dolby - Master copy from 2nd deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes 3177. 04/26/84 Flac 16/48 - , 155745 Providence Providence Civic Center flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics (section 5, row G, seta10) > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes 3178. 04/26/84 Flac 24/96 - , 155746 Providence Providence Civic Center flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics (section 5, row G, seta10) > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes 3179. 04/27/84 Flac 16 - 0, 32619 Providence Providence Civic Center flac16; Source: FOB 15th Row Ctr Sennheiser 441 > Sony D5. Transfer: MAC playback on Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs extracted with EAC to WAV > FLAC. Originally recorded and transferred to digital realm by B.Koucky. Mastering: FLAC > WAV > Wavelab 5.0 (crossfaded tape flips, level adjustents and L3 Multimaximizer) > CDWAV 1.9 (tracking) > FLAC (level5) > torrenting by C.Ladner. notes 3180. 04/27/84 Shn - 0, 3158 Providence Providence Civic Center mixed source: 1st set - Neumann > D6 > DAT > CDR > EAC > WAV > SHN, 2nd set - MSbd> Cass > DAT > CDR > EAC > WAV > SHN; to abgd.hs by PJ notes 3181. 04/27/84 Flac 16 - 0, 132605 Providence Providence Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Sennheiser 421's (X-Y Cross) And 2 Nakamichi CM300/CP4 Shotguns (Spread) > Unknown Mixer > Sony D5, Tapes:Set 1 Maxell UDXLII - 90, Set 2 TDK MA - 90, Tapes Labelled:Master - Ross; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3182. 04/27/84 Flac 24/96 - 0, 132606 Providence Providence Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Sennheiser 421's (X-Y Cross) And 2 Nakamichi CM300/CP4 Shotguns (Spread) > Unknown Mixer > Sony D5, Tapes:Set 1 Maxell UDXLII - 90, Set 2 TDK MA - 90, Tapes Labelled:Master - Ross; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 3183. 04/27/84 Flac 16 - 0, 124956 Providence Providence Civic Center flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor just to left (stage right) of soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 07/2013 notes 3184. 04/27/84 Flac 16 - 0, 135908 Providence Providence Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, section 2 row S; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger notes 3185. 04/27/84 Flac 24/96 - 0, 135909 Providence Providence Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, section 2 row S; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger notes 3186. 04/27/84 Flac 16 - 0, 125779 Providence Providence Civic Center flac16; Master: 3 Sennhesier 441s/Yamaha MM10 Mic Mixer and Sony TC-D5m Cassette Master; 16th Row on Phil's side; 1st deck out of mic mixer; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670 notes 3187. 04/27/84 Flac 24/48 - 0, 124955 Providence Providence Civic Center flac24; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor just to left (stage right) of soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24 bit) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 07/2013 notes 3188. 04/27/84 Flac 24/96 - 0, 123721 Providence Providence Civic Center flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3189. 04/27/84 Flac 16 - 0, 109471 Providence Providence Civic Center flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on)- analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3190. 04/27/84 Flac 24/48 - 0, 149652 Providence Providence Civic Center flac24/48khz Recording Information: Source: MAUD CA: Beyer M201's (Hypercardioid) 50 feet from stage 6'high DFC >Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes 3191. 04/27/84 Flac 16/44,1 - 0, 149651 Providence Providence Civic Center flac16/44.1khz Recording Information:*** This is a 16 bit fileset *** Source: MAUD CA: Beyer M201's (Hypercardioid) 50 feet from stage 6'high DFC >Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes 3192. 04/27/84 Flac 24/48 - 0, 149952 Providence Providence Civic Center flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > TDK MA 90 No Dolby -second deck inline run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes 3193. 04/27/84 Flac 16 - 0, 149951 Providence Providence Civic Center flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > TDK MA 90 No Dolby -second deck inline run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes 3194. 04/27/84 Flac 16/48 - , 155815 Providence Providence Civic Center flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics (section 2, row S, seat 7) > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes 3195. 04/27/84 Flac 24/96 - , 155816 Providence Providence Civic Center flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics (section 2, row S, seat 7) > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes 3196. 04/29/84 Flac 16 - 0, 91146 Uniondale Nassau Coliseum flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5M/Maxell XLIIS-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller Recorded By Rick Pauline notes 3197. 04/29/84 Flac 16 - 0, 125853 Uniondale Nassau Coliseum flac16; Set 2 only; Master: 2 Crown PZM-315 Microphones and Sony TC-D5m Cassette Master microphones spread about 20 feet behind stage, obstructed view seating; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670 notes 3198. 04/29/84 Flac 16/48 - 0, 140355 Uniondale Nassau Coliseum flac1648; 1st Set: Rob Eaton's (FOB) Master Audience Cassette; Neumann U-87 mics > Sony TC-D5M (21st Row, DFC)> Panasonic SV-3800 16/48; 2nd Set: Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 notes 3199. 04/29/84 Flac 16 - 0, 109481 Uniondale Nassau Coliseum flac16; source: 2 Beyer M160 & 1 Sennheiser 421 mic's (17th row-center) > Nak100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3200. 04/29/84 Shn - 0, 15390 Uniondale Nassau Coliseum (FOB/14th Row) 3 Beyer M160's -> Cm -> Sound Forge -> CD -> EAC -> SHN; Converted to SHN By Charlie Miller notes 3201. 04/29/84 Flac 24/96 - 0, 123815 Uniondale Nassau Coliseum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3202. 04/29/84 Flac 24/48 - 0, 149679 Uniondale Nassau Coliseum flac24/48khz Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes 3203. 04/29/84 Flac 16/44,1 - 0, 149678 Uniondale Nassau Coliseum flac16/44.1khz Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes 3204. 04/29/84 Flac 24/48 - 0, 149684 Uniondale Nassau Coliseum flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 90 feet from stage DFC (1st row 2nd section)>Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Patch source: MAUD CA Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes 3205. 04/29/84 Flac 16/44,1 - 0, 149683 Uniondale Nassau Coliseum flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 90 feet from stage DFC (1st row 2nd section)>Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Patch source: MAUD CA Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes 3206. 04/30/84 Flac 16 - 0, 91165 Uniondale Nassau Coliseum flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5M/Maxell XLIIS-90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 3207. 04/30/84 Flac 16/48 - 0, 140354 Uniondale Nassau Coliseum flac1648 Set 1: (FOB) Neumann U-87 mics > Sony TC-D5M (21st Row, DFC)> Panasonic SV-3800 16/48; Set 2: Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac164 notes 3208. 04/30/84 Flac 16 - 0, 34687 Uniondale Nassau Coliseum flac16; Source: FOB/Row 11 Sennheiser 441s > Sony D5 > Maxell MX90 Type IV Cassettes (Master Audience Cassette). Taped by Bill "whynotus" Koucky. Transfer/Mastering: MAC playback on Nakamichi DR-2 cassette deck > gold RCAs > Audiophile 24/96-Pentium IV PC > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered using Waves XNoise (learn mode) and L3 Multimaximizer, rendered to 16 bit/44.1 KHz WAV using hi-res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8) notes 3209. 04/30/84 Shn - 0, 5302 Uniondale Nassau Coliseum aud> senn 441> cassette master> cdr; via Mike Lai with thanks to Alan Powell notes 3210. 04/30/84 Flac 16 - 0, 109497 Uniondale Nassau Coliseum flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (17th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3211. 04/30/84 Flac 24/96 - 0, 123922 Uniondale Nassau Coliseum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3212. 04/30/84 Flac 24/48 - 0, 149177 Uniondale Nassau Coliseum flac24/48khz Source: 1st Gen AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby -lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes 3213. 04/30/84 Flac 16/44 - 0, 149176 Uniondale Nassau Coliseum flac16/44.1khz Source: 1st Gen AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby -lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes 3214. 04/30/84 Flac 24/48 - 0, 149695 Uniondale Nassau Coliseum flac24/48khz Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes 3215. 04/30/84 Flac 16/44,1 - 0, 149692 Uniondale Nassau Coliseum flac16/44.1khz Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes 3216. 04/30/84 Flac 24/48 - 0, 149983 Uniondale Nassau Coliseum flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLIIS 90 s2:TDK MA 90 No Dolby -second deck inline run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes 3217. 04/30/84 Flac 16/44,1 - 0, 149982 Uniondale Nassau Coliseum flac16/44.1khz Recording Information: ** This is a 16 bit fileset ** Source: Master AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLIIS 90 s2:TDK MA 90 No Dolby -second deck inline run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes 3218. 05/06/84 Flac 16 - 0, 107138 Eugene Silva Hall, Hult Center flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 3219. 05/06/84 Flac 16 - 0, 77302 Eugene Silva Hall, Hult Center flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 3220. 05/06/84 Shn - 0, 18638 Eugene Silva Hall, Hult Center SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko; upgrade in circulation notes 3221. 05/06/84 Flac 16 - 0, 29302 Eugene Silva Hall, Hult Center flac16; Source: Sen 421's > patched thru 3(?) decks > Toshiba KT-R2 Walkman Taped on Sony UCX-S 90 cassette (no dolby on the Toshiba walkman) Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC; Set 2 Only notes 3222. 05/06/84 Flac 16/48 - 0, 152043 Eugene Silva Hall, Hult Center flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 3223. 05/06/84 Flac 24/96 - 0, 152044 Eugene Silva Hall, Hult Center flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 3224. 05/07/84 Flac 16 - 0, 96343 Eugene Silva Hall, Hult Center flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; this source fixes a flaw in the previous source. notes 3225. 05/07/84 Flac 16 - 0, 77303 Eugene Silva Hall, Hult Center flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 3226. 05/07/84 Flac 16 - 0, 96297 Eugene Silva Hall, Hult Center flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; upgrade in circulation. notes 3227. 05/07/84 Flac 16 - 0, 88850 Eugene Silva Hall, Hult Center flac16; source: sbd >dat x 2 > wav > shnn > wav > flac; upgrade in circulation notes 3228. 05/07/84 Shn - 0, 350 Eugene Silva Hall, Hult Center SBD> Cass> DAT> cdr; via Chris Vinci, Mike Lai; upgrade in circulation notes 3229. 05/07/84 Flac 16 - 0, 105436 Eugene Silva Hall, Hult Center flac16; Set 2 Only. Sennheiser 441's > patched thru unknown decks > Toshiba KTR2 Walkman. Recorded in the mezzanine. 1st Gen cassette transferred. Transfer: Maxell XLII > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. notes 3230. 05/07/84 Flac 16/48 - 0, 152056 Eugene Silva Hall, Hult Center flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 3231. 05/07/84 Flac 24/96 - 0, 152057 Eugene Silva Hall, Hult Center flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 3232. 05/08/84 Flac 16 - 0, 77312 Eugene Silva Hall, Hult Center flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 3233. 05/08/84 Shn - 0, 2573 Eugene Silva Hall, Hult Center SBD> MR> C> DAT> CDR; transfer by Mike Lai from Bruce Fried seed; upgrade in circulation notes 3234. 05/08/84 Flac 16 - 0, 134517 Eugene Silva Hall, Hult Center flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 3235. 05/08/84 Flac 16 Mtx - 0, 134627 Eugene Silva Hall, Hult Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes 3236. 05/08/84 Shn - 0, 12521 Eugene Silva Hall, Hult Center Set 2 only; (Mics?)>Sony D5>Master AUD Cassette>Cassette>WAV (CDWav)>SHN (MKWAct); Taped by Dave Morris, seeded by Jim Bennett and Brian Bontempo notes 3237. 05/08/84 Flac 16 - 0, 29304 Eugene Silva Hall, Hult Center flac16; Source: Sony ECM-939LT stereo mic > Marantz PMD-340 cassette deck. Sony UCX-S 90 cassettes, with Dolby B On. Taped by Andrew F. Mic on 7-foot tent pole, center seat of 30th row (rear orchestra). Transfer: MAC > Sony TC-D5M > Marantz CDR-500 > EAC > Soundforge > CD-Wave > FLAC Soundforge used for fades and to smooth out a few rough spots. There were too many yells and hand-claps to deal with, so I left those as-is. CD-Wave used for track-ID?s, and FLAC Frontend for lossless compression. notes 3238. 05/08/84 Flac 16/48 - 0, 152058 Eugene Silva Hall, Hult Center flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 3239. 05/08/84 Flac 24/96 - 0, 152059 Eugene Silva Hall, Hult Center flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 3240. 06/09/84 Flac 16 - 0, 77322 Sacramento Cal Expo flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 3241. 06/09/84 Shn - 0, 18251 Sacramento Cal Expo SBD > MC > DAT > CD > EAC > SHN via Darryl Hinko; upgrade in circulation notes 3242. 06/09/84 Shn - 0, 14950 Sacramento Cal Expo 1st set only; Lineage: SBD -> Cm -> Dat -> MiniDisc -> Samplitude -> CD Recording Info: SBD -> Cm -> Dat; Note- Deal is patched from an aud source; See info file for details; upgrade in circulation notes 3243. 06/09/84 Flac 16 - 0, 106006 Sacramento Cal Expo flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 3244. 06/09/84 Shn - 0, 14565 Sacramento Cal Expo AUD (Nak 700?s)>MC>DAT>CD; Missing encore; via Paul B; Seeded to etree by Willy notes 3245. 06/09/84 Flac 24/48 - 0, 148188 Sacramento Cal Expo flac24/48 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 40 feet from stage head height Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes 3246. 06/09/84 Flac 16/44 - 0, 148187 Sacramento Cal Expo flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 40 feet from stage head height Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes 3247. 06/09/84 Flac 24/96 - 0, 151074 Sacramento Cal Expo flac24/96khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 3248. 06/09/84 Flac 16/48 - 0, 151073 Sacramento Cal Expo flac16/48khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 3249. 06/10/84 Flac 16 - 0, 105976 Sacramento Cal Expo flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 ; All Transfers and Mastering By Charlie Miller notes 3250. 06/10/84 Shn - 0, 10163 Sacramento Cal Expo SBD>MC>C>DAT>CDR; Stranger & Brokedown cut in, see info file for details; via Paul B; seeded to etree by Willy; upgrade in circulation notes 3251. 06/10/84 Flac 16 - 0, 77323 Sacramento Cal Expo flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 3252. 06/10/84 Flac 16 - 0, 32366 Sacramento Cal Expo FOB: 2Beyer M160s>D5>MC>CDR>EAC>FLAC notes 3253. 06/10/84 Flac 24/48 - 0, 148190 Sacramento Cal Expo flac24/48 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 40 feet from stage head height Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes 3254. 06/10/84 Flac 16/44 - 0, 148189 Sacramento Cal Expo flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 40 feet from stage head height Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes 3255. 06/12/84 Flac 16 - 0, 78162 Morrison Red Rocks Ampitheatre flac16; Source: *Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: *Mike G. and Tony Suraci. Transfer and upload by Tony Suraci notes 3256. 06/12/84 Flac 24/96 - 0, 140182 Morrison Red Rocks Ampitheatre flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 notes 3257. 06/12/84 Flac 16 - 0, 140181 Morrison Red Rocks Ampitheatre flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp notes 3258. 06/12/84 Flac 16 - 0, 122313 Morrison Red Rocks Ampitheatre flac16; Set 2 Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M; Transfer: Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files; From: 1st generation analog cassette notes 3259. 06/12/84 Flac 24/48 - 0, 147334 Morrison Red Rocks Ampitheatre flac24/48khz Recording Information: Source: MAUD CA|Sennheiser MKE2002 Binaurals on Kyle's Head set 1; dummy head set 2 > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes 3260. 06/12/84 Flac 16/48 - 0, 147368 Morrison Red Rocks Ampitheatre flac16/48khz Recording Information: Source: MAUD CA|Sennheiser MKE2002 Binaurals on Kyle's Head set 1; dummy head set 2 > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes 3261. 06/12/84 Flac 24/48 - 0, 148192 Morrison Red Rocks Ampitheatre flac24/48 Recording Information: MAUD CA: Beyer M88 cardiod XY > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook notes 3262. 06/12/84 Flac 16/44 - 0, 148191 Morrison Red Rocks Ampitheatre flac16/44 Recording Information: MAUD CA: Beyer M88 cardiod XY > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook notes 3263. 06/12/84 Flac 24/96 - 0, 148388 Morrison Red Rocks Ampitheatre flac24; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 3264. 06/12/84 Flac 16/48 - 0, 148387 Morrison Red Rocks Ampitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 3265. 06/13/84 Shn - 0, 11263 Morrison Red Rocks Ampitheatre SBD>PCM>DAT>CDR; via Rick M; Seeded to etree by Chris L notes 3266. 06/13/84 Flac 16 - 0, 78363 Morrison Red Rocks Ampitheatre flac16; Source: *Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: *Mike G. and Tony S notes 3267. 06/13/84 Flac 24/96 - 0, 140184 Morrison Red Rocks Ampitheatre flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 notes 3268. 06/13/84 Flac 16 - 0, 140183 Morrison Red Rocks Ampitheatre flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp notes 3269. 06/13/84 Flac 16 - 0, 122132 Morrison Red Rocks Ampitheatre flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M; Transfer: Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files; From: 1st generation analog cassettes notes 3270. 06/13/84 Flac 16 - 0, 135955 Morrison Red Rocks Ampitheatre flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD -> SHN -> WAV; Transfer Info: WAV -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC notes 3271. 06/13/84 Flac 24/48 - 0, 148194 Morrison Red Rocks Ampitheatre flac24/48khz MAUD CA: Beyer M88's XY > Sony TCD5M|maxell MX90 x2 no NR ***[Hell in A Bucket from first generation same source] Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook, Sean Murtha, Chris Kidwell Transferred: Kyle Holbrook notes 3272. 06/13/84 Flac 16/44 - 0, 148193 Morrison Red Rocks Ampitheatre flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M|maxell MX90 x2 no NR ***[Hell in A Bucket from first generation same source] Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook, Sean Murtha, Chris Kidwell Transferred: Kyle Holbrook notes 3273. 06/13/84 Flac 24/96 - 0, 148390 Morrison Red Rocks Ampitheatre flac24; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 3274. 06/13/84 Flac 16/48 - 0, 148389 Morrison Red Rocks Ampitheatre flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 3275. 06/14/84 Shn - 0, 18804 Morrison Red Rocks Ampitheatre SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes 3276. 06/14/84 Flac 16 - 0, 78371 Morrison Red Rocks Ampitheatre flac16; Source: *Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: *Mike G. and Tony S. notes 3277. 06/14/84 Flac 16 - 0, 139553 Morrison Red Rocks Ampitheatre flac16; Recording Info: SBD > PCM Master > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller notes 3278. 06/14/84 Flac 24/96 - 0, 140186 Morrison Red Rocks Ampitheatre flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 notes 3279. 06/14/84 Flac 16 - 0, 140185 Morrison Red Rocks Ampitheatre flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp notes 3280. 06/14/84 Flac 16 - 0, 122133 Morrison Red Rocks Ampitheatre flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M; Transfer: Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files; From: 1st generation analog cassettes notes 3281. 06/14/84 Shn - 0, 351 Morrison Red Rocks Ampitheatre AUD/1>CD (poss Sennheiser>D5); via Teddy GoodBear to abgd; extensive notes notes 3282. 06/14/84 Flac 24/48 - 0, 147345 Morrison Red Rocks Ampitheatre flac24/48khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 140 feet from stage 15' ROC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes 3283. 06/14/84 Flac 16/48 - 0, 147367 Morrison Red Rocks Ampitheatre flac16/48khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 140 feet from stage 15' ROC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes 3284. 06/14/84 Flac 24/48 - 0, 148196 Morrison Red Rocks Ampitheatre flac24/48khz MAUD CA: Beyer M88 cardiod XY > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook notes 3285. 06/14/84 Flac 16/44 - 0, 148195 Morrison Red Rocks Ampitheatre flac16/44 MAUD CA: Beyer M88 cardiod XY > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook notes 3286. 06/21/84 Shn - 0, 15405 Maple Kingswood Music Theater FM>MC>PCM>DAT>Cool Edit Pro>CDR>SHN; Via Andy L; EAC'ed and SHN'ed by tbrame notes 3287. 06/21/84 Flac 24/96 - 0, 132583 Maple Kingswood Music Theater flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 3288. 06/21/84 Flac 16 - 0, 132582 Maple Kingswood Music Theater flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3289. 06/21/84 Shn - 0, 352 Maple Kingswood Music Theater "liberated" Bootleg CD > EAC > SHN; via B. de Vos; see flaw notes in pub comments notes 3290. 06/21/84 Flac 16 - 0, 32640 Maple Kingswood Music Theater flac16; AUD Source: Two Nakamichi CM-300's with CP-4 shotguns capsules, plus one Nakamichi CM-300 with CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6. Set up behind the soundboard. Taped by Ray Ackerman. notes 3291. 06/21/84 Flac 16/48 - 0, 137832 Maple Kingswood Music Theater flac16/48kHz; FM > MC > DAT; DAT @ 48kHz > Sony PCM-R500 > Tascam SS-R1 > Canare Coax > Samplitude Pro X2 Suite (Build 256) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; Transfer & edits by Jeff Mitchell notes 3292. 06/21/84 Flac 24/96 - 0, 140158 Maple Kingswood Music Theater flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 notes 3293. 06/21/84 Flac 16 - 0, 140157 Maple Kingswood Music Theater flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 notes 3294. 06/21/84 Flac 24/96 - 0, 141522 Maple Kingswood Music Theater flac24; Ray Ackerman’s Master Audience Cassettes; 2 Nakamichi CM-300's w/ CP-4 shotguns capsules + 1 Nakamichi CM-300 w/ CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6. Located behind the SBD dead center; Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 notes 3295. 06/21/84 Flac 24/96 - 0, 90982 Maple Kingswood Music Theater flac24; Partial Set 1 & All Set 2, Recordist: Kyle Holbrook Location: unknown Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Recorded Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 (No Dolby, Azimuth Adjusted) > Canare Star Quad interconnects > Sound Devices 722 (Line In, +10.0 dB) > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.2.0, FLAC Frontend v1.7.0.1, Level 8 All transfers and DSP performed by Tim Burke notes 3296. 06/21/84 Flac 16 - 0, 91024 Maple Kingswood Music Theater flac16; Partial Set 1 & All Set 2, Recordist: Kyle Holbrook Location: unknown Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Recorded Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 (No Dolby, Azimuth Adjusted) > Canare Star Quad interconnects > Sound Devices 722 (Line In, +10.0 dB) > IBM ThinkPad T41 Editing: Steinberg WaveLab v5.01b (resample, dither) Dither: MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.2, FLAC Frontend v1.7.0.1, Level 8, Sector Boundaries Aligned All transfers and DSP performed by Tim Burke notes 3297. 06/21/84 Flac 16 - 0, 117777 Maple Kingswood Music Theater flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (18th row)> Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes 3298. 06/21/84 Flac 16 - 0, 145045 Maple Kingswood Music Theater flac16; Ray Ackerman’s Master Audience Cassettes; 2 Nakamichi CM-300's w/ CP-4 shotguns capsules + 1 Nakamichi CM-300 w/ CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6. Located behind the SBD dead center; Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1 notes 3299. 06/21/84 Flac 24/48 - 0, 147383 Maple Kingswood Music Theater flac24/48khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes 3300. 06/21/84 Flac 16/44,1 - 0, 147382 Maple Kingswood Music Theater flac16/44.1khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes 3301. 06/21/84 Flac 16/44 - 0, 148197 Maple Kingswood Music Theater flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes 3302. 06/21/84 Flac 24/48 - 0, 148198 Maple Kingswood Music Theater flac24/48khz Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes 3303. 06/21/84 Flac 24/96 - 0, 151253 Maple Kingswood Music Theater flac24/96khz Recording Info: FM > Cassette Master (Tascam 122) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k) notes 3304. 06/21/84 Flac 16/44 - 0, 151598 Maple Kingswood Music Theater flac16/44khz Recording Info: FM > Cassette Master (Tascam 122) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k) - 151253 24 -> 16 @ 44.1 notes 3305. 06/23/84 Flac 16 - 0, 81280 Harrisburg City Island flac16; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 notes 3306. 06/23/84 Flac 24/96 - 0, 138874 Harrisburg City Island flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 notes 3307. 06/23/84 Flac 16 - 0, 138873 Harrisburg City Island flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 notes 3308. 06/23/84 Flac 16/48 - 0, 140159 Harrisburg City Island flac16/48kHz; Recording Info: Master Soundboard Cassette -> Reel to Reel -> Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 > Adobe Audition 3.0 -> TLH flac1648 notes 3309. 06/23/84 Flac 24 - 0, 140516 Harrisburg City Island flac24; source: nak 300 (12’ dfc by board) > tcd5m > master = maxwell udxl ii (1) / mx 90 (2) +dolby > master via tascam 122 mk ii > apogee rosetta 200(24/96) > audacity (normalize, tracks, fades) > flac24/96 > xact (tags, ffp, md5) notes 3310. 06/23/84 Flac 16 - 0, 141597 Harrisburg City Island flac16; Ray Ackerman’s Master Audience Cassettes; Four (4) Sennheiser 441's > Yamaha mixer > SonyD5 > SonyD6 > Cassette > DAT (FOB); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Kyocera D811 > Sony PCM 2600 using SBM > DAT 16/44 notes 3311. 06/23/84 Flac 24/96 - 0, 81548 Harrisburg City Island flac24/96; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 Cassette transfer, tracking and FLAC compression performed by Tim Burke notes 3312. 06/23/84 Shn - 0, 14951 Harrisburg City Island Recording Info: (FOB) Senn 441 -> PCM -> Dat; Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC (Plextor 24/10/40A) -> Cool Edit Pro v1.2 -> SHN (2 Discs SHN / 2 Discs Audio); Seeded to etree by Charlie Miller notes 3313. 06/23/84 Shn - 0, 14566 Harrisburg City Island AUD (Nak 100's)>MC>DAT>CDR; via Paul B; Seeded to etree by Willy notes 3314. 06/23/84 Flac 24/96 - 0, 124088 Harrisburg City Island flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3315. 06/23/84 Flac 16 - 0, 109812 Harrisburg City Island flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; Transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3316. 06/23/84 Shn - 0, 18226 Harrisburg City Island Nak 700> D-5 taped by Mark Cohen, A:D transfer by Mark Cohen, final mastering and encoding by David Minches notes 3317. 06/24/84 Flac 16 - 0, 27449 Saratoga Springs Saratoga Performing Arts Center flac16: SBD> Cassette Master> Dat; patches from Nakamichi 300/CP1> Cassette Master> Dat; Transfer: Dat> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> FLAC; All Transfers and Editing By Charlie Miller notes 3318. 06/24/84 Flac 16 - 0, 132576 Saratoga Springs Saratoga Performing Arts Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3319. 06/24/84 Flac 24/96 - 0, 132577 Saratoga Springs Saratoga Performing Arts Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 3320. 06/24/84 Flac 24/48 - 0, 109483 Saratoga Springs Saratoga Performing Arts Center flac24; FOB AUD: 3x Nakamichi CM300/CP1's cardioids > Nakamichi 550 > Maxell XLII-S 90's, set up in 12th row left of center. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 08/2010 notes 3321. 06/24/84 Flac 16 - 0, 89559 Saratoga Springs Saratoga Performing Arts Center flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5M/Maxell XLIIS-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller. notes 3322. 06/24/84 Flac 16 - 0, 109484 Saratoga Springs Saratoga Performing Arts Center flac16; FOB AUD: 3x Nakamichi CM300/CP1's cardioids > Nakamichi 550 > Maxell XLII-S 90's, set up in 12th row left of center. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 08/2010 notes 3323. 06/24/84 Flac 16 - 0, 138865 Saratoga Springs Saratoga Performing Arts Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 notes 3324. 06/24/84 Flac 24/96 - 0, 138866 Saratoga Springs Saratoga Performing Arts Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 notes 3325. 06/24/84 Flac 24/96 - 0, 139813 Saratoga Springs Saratoga Performing Arts Center flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 3326. 06/24/84 Flac 16 - 0, 141137 Saratoga Springs Saratoga Performing Arts Center flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 3327. 06/24/84 Flac 16 - 0, 81627 Saratoga Springs Saratoga Performing Arts Center flac16; Recordist: Kyle Holbrook Location: Set One: ~5' ROC, ~175' from stage lip, head height | Set Two: Centered, ~150' from stage lip, head height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 notes 3328. 06/24/84 Flac 24/96 - 0, 81707 Saratoga Springs Saratoga Performing Arts Center flac24/96; Recordist: Kyle Holbrook Location: Set One: ~5' ROC, ~175' from stage lip, head height | Set Two: Centered, ~150' from stage lip, head height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format : 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 notes 3329. 06/24/84 Shn - 0, 4628 Saratoga Springs Saratoga Performing Arts Center Aud> Nak300> CM> CDR> EAC(Secure Mode)> CDWave(Retracking Only)> Shnv3(MKW ACT) notes 3330. 06/24/84 Flac 24/96 - 0, 126261 Saratoga Springs Saratoga Performing Arts Center flac24; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3331. 06/24/84 Flac 16 - 0, 117800 Saratoga Springs Saratoga Performing Arts Center flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes 3332. 06/26/84 Flac 16 - 0, 110057 Columbia Merriweather Post Pavilion flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes 3333. 06/26/84 Flac 16 - 0, 123260 Columbia Merriweather Post Pavilion flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller notes 3334. 06/26/84 Flac 16 - 0, 127526 Columbia Merriweather Post Pavilion flac16; Source from Doug Oade: Schoeps cmc441 > Sony TC-D5M > Sony PCM-601ESD > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created and SBE's fixed in Traders Little Helper notes 3335. 06/26/84 Shn - 0, 20324 Columbia Merriweather Post Pavilion Source: SBD>PCM>DAT>CD>SHN. Tennessee Jed and Day Job are patched from an audience recording via Ray Hansen, encoded by Peter Braverman; upgrade in circulation notes 3336. 06/26/84 Flac 16 - 0, 91181 Columbia Merriweather Post Pavilion flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller notes 3337. 06/26/84 Flac 16 - 0, 87625 Columbia Merriweather Post Pavilion flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (patch upgrade of shn id 87511) notes 3338. 06/26/84 Flac 24/96 - 0, 139840 Columbia Merriweather Post Pavilion flac24; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 3339. 06/26/84 Flac 16 - 0, 141138 Columbia Merriweather Post Pavilion flac16; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 3340. 06/26/84 Flac 16 - 0, 81741 Columbia Merriweather Post Pavilion flac16; Recordist: Kyle Holbrook Location: ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 notes 3341. 06/26/84 Flac 24/96 - 0, 81875 Columbia Merriweather Post Pavilion flac24/96; Recordist: Kyle Holbrook Location: ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 Cassette transfer, tracking and FLAC compression performed by Tim Burke notes 3342. 06/26/84 Shn - 0, 7293 Columbia Merriweather Post Pavilion AUD SENN 421's>TCD5-M, Recorded by R. Pauline; MC transferred to CD by Lou B.; cdr > eac (secure) > mkwact > shn (seekable) by Matt Vernon notes 3343. 06/26/84 Flac 16 - 0, 81495 Columbia Merriweather Post Pavilion flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck notes 3344. 06/26/84 Shn - 0, 77449 Columbia Merriweather Post Pavilion Source Info:Sennheiser421's>Sony D5:CD Transfer: Denon DN-790r>Audiophile 2496>Cool Edit 200>wav>shn: Taped and Transferred by Phil Unger; originally posted to abgd July 2002; sbe's fixed with shntool 9/16/2006 notes 3345. 06/26/84 Flac 16 - 0, 111458 Columbia Merriweather Post Pavilion flac16; source: 2 Beyer M160 and 1 Sennheiser 421 microphones (14th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 3346. 06/26/84 Flac 24/96 - 0, 148234 Columbia Merriweather Post Pavilion flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 3347. 06/26/84 Flac 16/48 - 0, 148233 Columbia Merriweather Post Pavilion flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 3348. 06/27/84 Flac 16 - 0, 87467 Columbia Merriweather Post Pavilion flac16; SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation notes 3349. 06/27/84 Flac 16 - 0, 87658 Columbia Merriweather Post Pavilion flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller. This is a pitch correction of the previous Miller source, shn id 87467 notes 3350. 06/27/84 Flac 16 - 0, 82420 Columbia Merriweather Post Pavilion flac16; Recordist: Kyle Holbrook Location: Centered, ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 notes 3351. 06/27/84 Shn - 0, 4615 Columbia Merriweather Post Pavilion SBD> MC> C> DAT> CDRx1> EAC> SHN; Mastered, ripped, encoded and posted by Skankweed to abgd; upgrade in circulation notes 3352. 06/27/84 Shn - 0, 12929 Columbia Merriweather Post Pavilion SBD>Cassette Master>Cassette>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN (updated source info); upgrade in circulation notes 3353. 06/27/84 Flac - 0, 122873 Columbia Merriweather Post Pavilion flac16; 2nd set only. Gen 1 audience cassette > Sony TC-W320 > Marantz CDR 500 > CDR > EAC > flac notes 3354. 06/27/84 Flac 24/96 - 0, 82450 Columbia Merriweather Post Pavilion flac24; Recordist: Kyle Holbrook Location: Centered, ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 notes 3355. 06/27/84 Flac 24/96 - 0, 139841 Columbia Merriweather Post Pavilion flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 3356. 06/27/84 Flac 16 - 0, 141139 Columbia Merriweather Post Pavilion flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 3357. 06/27/84 Flac 16 - 0, 111477 Columbia Merriweather Post Pavilion flac16; source: 2 Beyer M160 and 1 Sennheiser 421 microphones (15th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 3358. 06/27/84 Flac 16 - 0, 81509 Columbia Merriweather Post Pavilion flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck notes 3359. 06/27/84 Shn - 0, 6999 Columbia Merriweather Post Pavilion Aud> Nak300> D5> CM> Cdr> EAC> CDWave (Retracking Only)> Shnv3 (MKW ACT); recorded by Steve Ziemba; transferred by Mike Lai; EAC. SHN by Charlie Connor; thanks to Mike Lai and Jon Rianhard; flip in Throwing Stones notes 3360. 06/27/84 Flac 16 - 0, 91375 Columbia Merriweather Post Pavilion flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller notes 3361. 06/27/84 Flac 24/96 - 0, 148236 Columbia Merriweather Post Pavilion flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 3362. 06/27/84 Flac 16/48 - 0, 148235 Columbia Merriweather Post Pavilion flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 3363. 06/29/84 Flac - 0, 32781 Cuyahoga Falls Blossom Music Center **SET 2 SOUNDBOARD** Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 3364. 06/29/84 Flac 24/96 - 0, 140004 Cuyahoga Falls Blossom Music Center flac24; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 3365. 06/29/84 Flac 16 - 0, 141140 Cuyahoga Falls Blossom Music Center flac16; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 3366. 06/29/84 Shn - 0, 14682 Cuyahoga Falls Blossom Music Center Jim Wise Senn 421?s>Sony TC-D5M>MC>DAT>CD; Second set pitch corrected; via Paul B; Seeded to etree by Willy notes 3367. 06/29/84 Flac 16 - 0, 111502 Cuyahoga Falls Blossom Music Center flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (18th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 3368. 06/29/84 Flac 24/48 - 0, 150222 Cuyahoga Falls Blossom Music Center flac24/48khz MAUD CA: Beyer M160's PAS > Sony TCD5M|s1 Maxell UDXLIIS90; s2 Maxell MX90 Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi LX5 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook, Sean Murtha, Eddie Wahba Transferred: Kyle Holbrook notes 3369. 06/29/84 Flac 16/44,1 - 0, 150223 Cuyahoga Falls Blossom Music Center flac16/44.1khz MAUD CA: Beyer M160's PAS > Sony TCD5M|s1 Maxell UDXLIIS90; s2 Maxell MX90 no NR Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi LX5 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook, Sean Murtha, Eddie Wahba Transferred: Kyle Holbrook notes 3370. 06/30/84 Flac 16 - 0, 120740 Indianapolis Indianapolis Sports and Music Center flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 3371. 06/30/84 Flac 16/48 - , 154329 Indianapolis Indianapolis Sports and Music Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 123778) Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 109804) source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files + AUD2 (shnid = 150278) Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook - surround mixing by Kevin Tobin notes 3372. 06/30/84 Dts Audio 5.1 - , 154327 Indianapolis Indianapolis Sports and Music Center DTS-Audio-CD 5.1 Mix; - SBD (shnid = 123778) Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 109804) source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files + AUD2 (shnid = 150278) Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook - dts mixing by Kevin Tobin notes 3373. 06/30/84 Flac 16 Mtx - , 154326 Indianapolis Indianapolis Sports and Music Center flac16; Matrix 3 Source Mix - SBD (shnid = 123778) Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 109804) source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files + AUD2 (shnid = 150278) Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook - matrix mixing by Kevin Tobin notes 3374. 06/30/84 Flac 16 - 0, 123778 Indianapolis Indianapolis Sports and Music Center flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 3375. 06/30/84 Shn - 0, 2542 Indianapolis Indianapolis Sports and Music Center set 2, plus set 1 partial; SBD> MC> DAT> CDR; from Merry Pranksters Tree round 5, SHN branch; possibly via David Finney to etree? notes 3376. 06/30/84 Flac 24 - 0, 137072 Indianapolis Indianapolis Sports and Music Center flac24; Recording Info: (FOB) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes 3377. 06/30/84 Flac 16 - 0, 137073 Indianapolis Indianapolis Sports and Music Center flac16; Recording Info: (FOB) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 3378. 06/30/84 Flac 16 - 0, 140199 Indianapolis Indianapolis Sports and Music Center flac16; Source Info: Master (FOB) Audience Cassette (11th row, DFC); 3 x Nakamichi CM700 mics > unknown deck > Dat > CDR; Transfer Info: CDR (EAC)> hard disk drive > Adobe Audition 3.0 > TLH flac16 notes 3379. 06/30/84 Shn - 0, 18559 Indianapolis Indianapolis Sports and Music Center FOB MAC (Sennheiser 2 ME-80's & 2 441's 12th row center>sony d-5>WAV>SHN>SHNTOOL>mkwACT. Recorded by Tommy McKeown. sbe fix/seeding by MattMan. notes 3380. 06/30/84 Flac 16 - 0, 31225 Indianapolis Indianapolis Sports and Music Center flac16; AUD: FOB, Sennheiser MD-421's > DBX NX-40 > Sony TC-D5 Taper: Unknown MAC > CD Transfer: Unknown CDR > EAC > WAV > WavMerge > CD-Wave > Soundforge > TLH > FLAC Frontend by Andrew F, Oct 2005. Some of the ID's were missing or in the wrong spot, so I merged the files and re-split them. I used Soundforge to make some small fades for the start and end of discs. I used TLH to verify SBE-OK and to make checksums, and Flac Frontend for lossless compression notes 3381. 06/30/84 Flac 16 - 0, 109804 Indianapolis Indianapolis Sports and Music Center flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3382. 06/30/84 Flac 24/48 - 0, 150278 Indianapolis Indianapolis Sports and Music Center flac24/48khz Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook notes 3383. 06/30/84 Flac 16/44 - 0, Indianapolis Indianapolis Sports and Music Center flac16/44.1khz Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook notes 3384. 06/30/84 Shn - 0, 152505 Indianapolis Indianapolis Sports and Music Center MAC> wav>shn Recorded by Tommy McKeown sony d-5 Sennheiser 2 ME-80 & 2 441's 12th. row center (originally circulated July 2003) notes 3385. 07/01/84 Flac 16 - 0, 115107 Clarkston Pine Knob Music Theater flac16; Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-6 (TDK MA90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Danny Taggart and Greg Holtz; Transfers, edits, track/FLAC by Greg Holtz notes 3386. 07/01/84 Flac 16/48 - 0, 137029 Clarkston Pine Knob Music Theater flac16/48kHz; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam DA-3000 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller notes 3387. 07/01/84 Flac 24/96 - 0, 140005 Clarkston Pine Knob Music Theater b>flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 3388. 07/01/84 Flac 16 - 0, 141151 Clarkston Pine Knob Music Theater flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 3389. 07/01/84 Flac 16 - 0, 109950 Clarkston Pine Knob Music Theater flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (14th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3390. 07/01/84 Shn - 0, 25810 Clarkston Pine Knob Music Theater Recorded by Bill Reutelhuber with Nak CM100 shotgun mics into a Sony TCD5M (lead deck) with Dolby B noise reduction on (Maxell MX 90 Metal tape) from the 20th row center FOB notes 3391. 07/01/84 Flac 16 - 0, 76620 Clarkston Pine Knob Music Theater flac16; Set 2 only - AUD Source: FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M cassette deck, onto Maxell UD-XLII tape, no Dolby. Taped by Ted Carpenter. MAC > CD transfer by Jim Wise (2002), likely done with Nakamichi Dragon > HHB Burner. Transfer Info: CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, by Andrew F notes 3392. 07/01/84 Shn - 0, 14683 Clarkston Pine Knob Music Theater AUD>MC>??>DAT>CDR; via Paul B; Seeded to etree by Willy notes 3393. 07/03/84 Flac 16 - 0, 115108 Kansas City Starlight Theater flac16; Source: (FOB) Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-6 (TDK MA90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Greg Holtz and Danny Taggart; Transfers, mastering, track/FLAC by Greg Holtz notes 3394. 07/03/84 Flac 16 - 0, 118238 Kansas City Starlight Theater flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software By Keo notes 3395. 07/03/84 Flac 24/48 - 0, 118263 Kansas City Starlight Theater flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 3396. 07/03/84 Flac 16 - 0, 139105 Kansas City Starlight Theater flac16; Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC notes 3397. 07/03/84 Flac 24 - 0, 140693 Kansas City Starlight Theater flac24; Set 2 Recording Info: SBD > PCM Master > PCM Clone (Maxell HGX Gold); Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 3398. 07/03/84 Flac 16 - 0, 141152 Kansas City Starlight Theater flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 3399. 07/03/84 Shn - 0, 14909 Kansas City Starlight Theater AUD>MC>??>DAT>CDR; via Paul B; seeded to etree by Willy notes 3400. 07/03/84 Flac 16 - 0, 31634 Kansas City Starlight Theater flac16; FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII tape, with no Dolby notes 3401. 07/03/84 Flac 16 - 0, 77440 Kansas City Starlight Theater flac16; Source: *Nakamichi CM300's(with CP1 Caps/pointed)>Sony D5M(XLIIS)Location: FOB/DFC Stand at 7 Feet/Pointed at Stacks Transfer: #Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud. 2.0 dither and resample/16Bit>Cdwav>flac16 Tapers: Tony Suraci and Eugene D'alessandro:Transfer and upload by Tony Suraci./Nak700 notes 3402. 07/03/84 Shn - 0, 25811 Kansas City Starlight Theater Nak CM100 shotgun mics into a Sony TCD5M (lead deck) with Dolby B noise reduction on (Maxell MX 90 Metal tape) from the 20th row behind the sbd with microphones separated left/right by 10', and 14' high; recorded by Bill Reutelhuber notes 3403. 07/03/84 Flac 16 - 0, 123823 Kansas City Starlight Theater flac16; nak300>cp4>d5 no dolby; ots dfc mics @ 10ft. pas; cass(m)>hhb830 16/44.1 cds in 2003; cd>audacity +2.7>cdwave splits>tlh flac 8 notes 3404. 07/03/84 Flac 24/96 - 0, 140013 Kansas City Starlight Theater flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 3405. 07/04/84 Flac 16 - 0, 93858 Cedar Rapids Five Seasons Center flac16; Recording Info:SBD -> Master Cassette -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes 3406. 07/04/84 Flac 16 - 0, 78958 Cedar Rapids Five Seasons Center flac16; Source: *Nakamichi CM304's>Sony D5M(XLIIS) Location: ^FOB at SBD, Stand at 9 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: Eugene D. and Tony S notes 3407. 07/04/84 Flac 16 - 0, 87341 Cedar Rapids Five Seasons Center flac16; AUD: Sennheiser MD-421's > patched thru one deck (D5?) > Sony TC-D5M > Maxell XL-II's, with no Dolby. Mics on stand set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes 3408. 07/04/84 Shn - 0, 27761 Cedar Rapids Five Seasons Center SBD> Master Cassette> Cassette> Dat, plus patches from FOB Sennheiser 421> Cass; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> Adobe Audition> SHN; Transferred and Patched By Charlie Miller; Speed corrected by +2.37% to match the speed of the FOB, by Jay Ashley notes 3409. 07/04/84 Shn - 0, 27862 Cedar Rapids Five Seasons Center noise reduction> Bertha Remaster of Master Cassette> Cassette source, by Jay Ashley notes 3410. 07/04/84 Flac 24/96 - 0, 140014 Cedar Rapids Five Seasons Center flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 3411. 07/04/84 Flac 16 - 0, 141153 Cedar Rapids Five Seasons Center flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 3412. 07/04/84 Flac 16 - 0, 78958 Cedar Rapids Five Seasons Center flac16; Source: *Nakamichi CM304's>Sony D5M(XLIIS) Location: ^FOB at SBD, Stand at 9 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: Eugene D. and Tony S notes 3413. 07/04/84 Shn - 0, 14194 Cedar Rapids Five Seasons Center AUD: MC (Sennheiser 421)> DAT> CD> SHN; Seeded by Peter Braverman notes 3414. 07/04/84 Flac 16 - 0, 109942 Cedar Rapids Five Seasons Center flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3415. 07/06/84 Flac 16 - 0, 86943 East Troy Alpine Valley Music Theatre flac16; AUD: Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell XL-II's, with no Dolby. Mics on stand set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes 3416. 07/06/84 Flac 16 - 0, 121096 East Troy Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/Back Of Left Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3417. 07/06/84 Flac 24/48 - 0, 121095 East Troy Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/Back Of Left Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes 3418. 07/06/84 Flac 16 - 0, 139531 East Troy Alpine Valley Music Theatre flac16; Recording Info: SBD > PCM Master > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller notes 3419. 07/06/84 Flac 24/96 - 0, 14032 East Troy Alpine Valley Music Theatre flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 3420. 07/06/84 Flac 16 - 0, 141154 East Troy Alpine Valley Music Theatre flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 3421. 07/06/84 Flac 16 - 0, 142540 East Troy Alpine Valley Music Theatre flac16; Bill Reutelhuber Master Recording: Nakamichi cm100 shotguns (spread on lawn) > master cassette (Maxell MX - Sony tcd5m Dolby B); A Philly Crew Transfer: Master Cassette > Nak CR7a > Korg MR1000 5.6 mhz 1 bit > Audiogate render > Flac 16/44 notes 3422. 07/06/84 Flac 16 - 0, 109764 East Troy Alpine Valley Music Theatre flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3423. 07/06/84 Shn - 0, 13898 East Troy Alpine Valley Music Theatre Fob: Sennheiser 441's > MC > Dat > Cd Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd notes 3424. 07/07/84 Flac 16 - 0, 94379 East Troy Alpine Valley Music Theatre flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Cassette -> PCM -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 3425. 07/07/84 Flac 16 - 0, 121124 East Troy Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/DFC Halfway In Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo notes 3426. 07/07/84 Shn - 0, 18752 East Troy Alpine Valley Music Theatre SBDMC(R?) > DAT > WAV > SHN w/ AUD(Senn 441s > D5 > DAT > CD) patches notes 3427. 07/07/84 Flac 24/48 - 0, 121123 East Troy Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/DFC Halfway In Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes 3428. 07/07/84 Flac 24/96 - 0, 140033 East Troy Alpine Valley Music Theatre flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 3429. 07/07/84 Flac 16 - 0, 141155 East Troy Alpine Valley Music Theatre flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 3430. 07/07/84 Flac 16 - 0, 142541 East Troy Alpine Valley Music Theatre flac16; Bill Reutelhuber Master Recording: Nakamichi cm100 shotguns (spread on lawn) > master cassette (Maxell MX - Sony tcd5m Dolby B); A Philly Crew Transfer: Master Cassette > Nak CR7a > Korg MR1000 5.6 mhz 1 bit > Audiogate render > Flac 16/44 notes 3431. 07/07/84 Flac 16 - 0, 109750 East Troy Alpine Valley Music Theatre flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones - 13th row-center > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3432. 07/07/84 Flac 16 - 0, 91489 East Troy Alpine Valley Music Theatre flac16; Set 2 Only, AUD: FOB, Nakamichi CM-300's w/CP-4 shotguns > Sony TC-D5M > Maxell XL-II, w/no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes 3433. 07/07/84 Shn - 0, 4861 East Troy Alpine Valley Music Theatre Aud>Nak300>D5>CM>CDR>EAC(Secure Mode)>CDWave(Retracking Only)>shnv3(MKW ACT) notes 3434. 07/13/84 Flac 16 Mtx - 0, 105570 Berkeley Greek Theatre, U. Of California flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes 3435. 07/13/84 Flac 16 - 0, 96153 Berkeley Greek Theatre, U. Of California flac16; Recording Info:SBD -> Cassette Master (Sony D6/Maxell XLII-S90/TDK MA90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 3436. 07/13/84 Flac 16 - 0, 31989 Berkeley Greek Theatre, U. Of California flac16; Source: FOB: 2Beyer M160s>D5>MC>CDR>EAC>FLAC notes 3437. 07/13/84 Shn - 0, 353 Berkeley Greek Theatre, U. Of California SBD > ? > CDR> DAE (cdparanoia)> SHN; via Mark Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an analog generation" notes 3438. 07/13/84 Flac 16 - 0, 90464 Berkeley Greek Theatre, U. Of California flac16; SBD > ? > CDR > WAV > Cool Edit Pro (see notes) > FLAC(8); pitch corrected version of shn id 353 notes 3439. 07/13/84 Flac 16 - 0, 136425 Berkeley Greek Theatre, U. Of California flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 notes 3440. 07/13/84 Flac 16 - 0, 139747 Berkeley Greek Theatre, U. Of California flac16; Partial Set 2 Recording Info: SBD > PCM (cloned from vault master); Transfer: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16 notes 3441. 07/13/84 Flac 24/96 - 0, 140048 Berkeley Greek Theatre, U. Of California flac24; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 3442. 07/13/84 Flac 16 - 0, 141156 Berkeley Greek Theatre, U. Of California flac16; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 3443. 07/13/84 Flac 24/96 - 0, 143392 Berkeley Greek Theatre, U. Of California flac24; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k) notes 3444. 07/13/84 Flac 16 - 0, 145333 Berkeley Greek Theatre, U. Of California flac16; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k); This file set is 16 bit @ 44.1 notes 3445. 07/13/84 Flac 24/44 - 0, 150404 Berkeley Greek Theatre, U. Of California flac24; Soundboard Cassette Masters Sony D-6 Dolby C; Speed Corrections by Jason Chastain; Mastering by Jim Blackwood and Jamie Waddell notes 3446. 07/13/84 Flac 16/44,1 - 0, 152324 Berkeley Greek Theatre, U. Of California flac16/44.1 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90/TDK MA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24- 152162 24 > 16 @ 44.1 notes 3447. 07/13/84 Flac 24/96 - 0, 152162 Berkeley Greek Theatre, U. Of California flac24/96 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90/TDK MA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 notes 3448. 07/13/84 Flac 16/48 - , 154195 Berkeley Greek Theatre, U. Of California flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 3449. 07/13/84 Flac 24/96 - , 154196 Berkeley Greek Theatre, U. Of California flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 3450. 07/14/84 Flac 16 - 0, 77326 Berkeley Greek Theatre, U. Of California flac16; Recording Info: SBD -> Cassette Master (Sony D6/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 3451. 07/14/84 Flac 16 Mtx - , 157189 Berkeley Greek Theatre, U. Of California flac1644;Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 152255 & 32093. notes 3452. 07/14/84 Flac 16 - 0, 96120 Berkeley Greek Theatre, U. Of California flac16; Recording Info: SBD -> Cassette Master (Sony D6/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 3453. 07/14/84 Shn - 0, 25316 Berkeley Greek Theatre, U. Of California Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller; upgrade in circulation notes 3454. 07/14/84 Shn - 0, 354 Berkeley Greek Theatre, U. Of California SBD > ? > CDR> DAE (cdparanoia)> SHN; via M. Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an anlog generation"; Jack Straw beginning cut; upgrade in circulation notes 3455. 07/14/84 Flac 16 - 0, 136427 Berkeley Greek Theatre, U. Of California flac16; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 notes 3456. 07/14/84 Flac 24/96 - 0, 140049 Berkeley Greek Theatre, U. Of California flac24; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 3457. 07/14/84 Flac 16 - 0, 141157 Berkeley Greek Theatre, U. Of California flac16; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 3458. 07/14/84 Flac 16 - 0, 32093 Berkeley Greek Theatre, U. Of California flac16; FOB: 2 Beyer M160s>D5>MC>CDR>EAC>FLAC Taper: Jim Quirk notes 3459. 07/14/84 Flac 24/44 - 0, 150405 Berkeley Greek Theatre, U. Of California flac24; Soundboard Cassette Masters Sony D-6 Dolby C; Speed Corrections by Jason Chastain; Mastering by Jim Blackwood and Jamie Waddell notes 3460. 07/14/84 Flac 16/44,1 - 0, 152255 Berkeley Greek Theatre, U. Of California flac16/44.1 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 152164 24 > 16 notes 3461. 07/14/84 Flac 24/96 - 0, 152164 Berkeley Greek Theatre, U. Of California flac24/96 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 3462. 07/14/84 Flac 16/48 - , 154224 Berkeley Greek Theatre, U. Of California flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 3463. 07/14/84 Flac 24/96 - , 154225 Berkeley Greek Theatre, U. Of California flc24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 3464. 07/15/84 Flac 16 - 0, 96152 Berkeley Greek Theatre, U. Of California flac16; Recording Info:SBD -> Cassette Master (Sony D6/Maxell XLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 3465. 07/15/84 Flac 16 Mtx - 0, 125681 Berkeley Greek Theatre, U. Of California flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) September 15, 2013 notes 3466. 07/15/84 Shn - 0, 355 Berkeley Greek Theatre, U. Of California SBD > ? > CDR> DAE (cdparanoia)> SHN; via M. Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an anlog generation"; a few track markers misplaced; upgrade in circulation notes 3467. 07/15/84 Flac 16 - 0, 30641 Berkeley Greek Theatre, U. Of California flac16; Set 1: SBD -> PCM Master -> Dat/0 -> Samplitude Professional v8.0 -> FLAC Set 2: SBD -> PCM Master -> Dat/0 -> Sonic Solutions -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller notes 3468. 07/15/84 Flac 16 - 0, 136514 Berkeley Greek Theatre, U. Of California flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo; 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 mastering by Jamie Waddell; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm notes 3469. 07/15/84 Flac 24/96 - 0, 140050 Berkeley Greek Theatre, U. Of California flac24; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 3470. 07/15/84 Flac 16 - 0, 141158 Berkeley Greek Theatre, U. Of California flac16; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 3471. 07/15/84 Flac 16 - 0, 32295 Berkeley Greek Theatre, U. Of California flac16; FOB: 2 Beyer M160s>D5>MC>CDR>EAC>FLAC Taper: Jim Quirk EAC and FLAC Conversion by David Perez Jan. 26, 2006 notes 3472. 07/15/84 Flac 24/44 - 0, 150406 Berkeley Greek Theatre, U. Of California flac24; Soundboard Cassette Masters Sony D-6 Dolby C; Speed Corrections by Jason Chastain; Mastering by Jim Blackwood and Jamie Waddell notes 3473. 07/15/84 Flac 16/44,1 - 0, 152256 Berkeley Greek Theatre, U. Of California flac16/44.1 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - 152163 24 > 16 notes 3474. 07/15/84 Flac 24/96 - 0, 152163 Berkeley Greek Theatre, U. Of California flac24/96 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 notes 3475. 07/15/84 Flac 16/48 - , 154262 Berkeley Greek Theatre, U. Of California flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 3476. 07/15/84 Flac 24/96 - , 154263 Berkeley Greek Theatre, U. Of California flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 3477. 07/21/84 Flac 16 - 0, 96394 Ventura Ventura County Fairgrounds flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 3478. 07/21/84 Flac 16 - 0, 77327 Ventura Ventura County Fairgrounds flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 3479. 07/21/84 Shn - 0, 14329 Ventura Ventura County Fairgrounds Cool Edit fix of previous shn set SBD Master Reel-> DAT->ZA2- >CD, by Matthew Cole; upgrade in circulation notes 3480. 07/21/84 Flac 16 - 0, 88940 Ventura Ventura County Fairgrounds flac16; Master: Sony ECM-939LT (dead center, halfway between sbd and the stage) > Cassette Master (Sony TC-D6C) Transfer: Cassette Master (Nakamichi RX-202) > SBM > Sony PCM R500 (pass-through only @ 48kHz) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC Mastered and transfered by Dan Gale notes 3481. 07/21/84 Shn - 0, 1616 Ventura Ventura County Fairgrounds Master Reel-> DAT-> ZA2-> CD; via Mike Lai from Bruce Fried DAT seed; upgrade in circulation notes 3482. 07/21/84 Flac 24/96 - 0, 96410 Ventura Ventura County Fairgrounds flac24; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes 3483. 07/21/84 Flac 16 - 0, 136717 Ventura Ventura County Fairgrounds flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 for minor edits by Jamie Waddell; Audition CC 2015 for patch edits by Jason Chastain; Tracked with Audition 1.5-> shntool-> flac level 8 and checksums with TLH-> tagged with Mp3tag; 16bit 44.1kHz Track, FLAC and Pack by Jason Chastain notes 3484. 07/21/84 Flac 16 - 0, 112806 Ventura Ventura County Fairgrounds flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (30 feet from stage-center) > Nak MX100 W/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 3485. 07/21/84 Shn - 0, 14329 Ventura Ventura County Fairgrounds Cool Edit fix of previous shn set SBD Master Reel-> DAT->ZA2- >CD, by Matthew Cole; upgrade in circulation notes 3486. 07/21/84 Flac 16 - 0, 139444 Ventura Ventura County Fairgrounds flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24; Recorded By Robert Bryant (patched out of the Oade brothers); This fileset is 16/44 - 24bit > 16bit using dBpoweramp notes 3487. 07/21/84 Flac 24 - 0, 139445 Ventura Ventura County Fairgrounds flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24; Recorded By Robert Bryant (patched out of the Oade brothers) notes 3488. 07/21/84 Flac 24/48 - 0, 150380 Ventura Ventura County Fairgrounds flac24/48khz Source: MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 90 feet from stage DFC Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Sean Murtha, John Hance Transferred: Kyle Holbrook notes 3489. 07/21/84 Flac 16/44,1 - 0, 150379 Ventura Ventura County Fairgrounds flac16/44.1khz Source: MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 90 feet from stage DFC Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Sean Murtha, John Hance Transferred: Kyle Holbrook notes 3490. 07/21/84 Flac 16/44,1 - 0, 152322 Ventura Ventura County Fairgrounds flac16/44.1 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - 152178 24 > 16 @ 44.1 notes 3491. 07/21/84 Flac 24/96 - 0, 152178 Ventura Ventura County Fairgrounds flac24/96 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 notes 3492. 07/21/84 Flac 16 Mtx - , 153529 Ventura Ventura County Fairgrounds flac1644 Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 152322 & 112806. notes 3493. 07/22/84 Flac 16 - 0, 30650 Ventura Ventura County Fairgrounds flac16; SBD -> PCM -> Dat Transferred and Edited By Charlie Miller notes 3494. 07/22/84 Shn - 0, 5896 Ventura Ventura County Fairgrounds sbd> mr> dats> wav> shn w/seek; dat> wav> shn by popi n. feeldz with thanks to michael grossman for the dat; upgrade in circulation notes 3495. 07/22/84 Shn - 0, 5959 Ventura Ventura County Fairgrounds SBD> PCM> Dat> CD> EAC> SHN (mkwACT); via Keith Bode; upgrade in circulation notes 3496. 07/22/84 Flac 16 - 0, 102101 Ventura Ventura County Fairgrounds flac16; Recording Info: Nakamichi CM300s w/CP4 shotgun caps > Sony WM-D6C, FOB; Transfer Info: MAC > PC > CD > EAC > FLAC8 notes 3497. 07/22/84 Flac 16 - 0, 108370 Ventura Ventura County Fairgrounds flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones > Nak MX100 W/2001 > Sony TC-D5M - analog master cassettes - TDK MA-R90's 30 feet from stage-center transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3498. 07/22/84 Flac 16 - 0, 87037 Ventura Ventura County Fairgrounds flac16; Master: Sony ECM-939LT (dead center, halfway between sbd and the stage) > Cassette Master (Sony TC-D6C) Transfer: Cassette Master (Nakamichi RX-202) > SBM > Sony PCM R500 (pass-through only @ 48kHz) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC notes 3499. 07/22/84 Flac 16/44,1 - 0, 150381 Ventura Ventura County Fairgrounds flac16/44.1khz Source: MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 75 feet from stage DFC Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Sean Murtha, John Hance Transferred: Kyle Holbrook notes 3500. 07/22/84 Flac 24/48 - 0, 150382 Ventura Ventura County Fairgrounds flac24/48khz Source: MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 75 feet from stage DFC Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Sean Murtha, John Hance Transferred: Kyle Holbroo notes 3501. 07/22/84 Flac 16 Mtx - 0, 150532 Ventura Ventura County Fairgrounds flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 30650 & 108370. notes 3502. 07/22/84 Flac 16/44,1 - 0, 152323 Ventura Ventura County Fairgrounds flac16/44.1 Recording Info: SBD > Cassette Master (Sony TC-D5M) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 152201 24 > 16 @ 44.1 notes 3503. 07/22/84 Flac 24/96 - 0, 152201 Ventura Ventura County Fairgrounds flac24/96 Recording Info: SBD > Cassette Master (Sony TC-D5M) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 3504. 07/22/84 Flac 16/44 - 0, 152001 Ventura Ventura County Fairgrounds flac16/44 Recording Info: SBD > PCM Master (Sony Betamax) > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16 notes 3505. 10/05/84 Flac 16/48 - 0, 127551 Charlotte Charlotte Coliseum flac16/48kHz; Set 1 Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply then a modified Sony TCD-D5M then > Sony PCM-F1 > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper notes 3506. 10/05/84 Shn - 0, 2591 Charlotte Charlotte Coliseum updated source: SBDMC> [no Cass?]> DATs> CDRs> SHN, with FOB Nak 300 patches by Scott Clugston; edited by Darrin Sacks from Blacula's seed; no Sunshine Daydream notes 3507. 10/05/84 Flac 16 - 0, 132574 Charlotte Charlotte Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3508. 10/05/84 Flac 24/96 - 0, 132575 Charlotte Charlotte Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 3509. 10/05/84 Flac 16 - 0, 87757 Charlotte Charlotte Coliseum flac16; Source: FOB: Nakamichi CM-300 Microphones with CP-4 Shotgun capsules>Sony WM-D6 cassette tape deck > Cdwave > TLH All transfers and Mastering done by Jamie Waddell on the GEMS Edit Station notes 3510. 10/05/84 Flac 16 Mtx - 0, 133026 Charlotte Charlotte Coliseum flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:02591) SBD> MC> Cass> DATs> CDRs> SHN and Audience (shnid:109982) 2 Beyer M160's & 1 Sennheiser 421 Microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3511. 10/05/84 Shn - 0, 15528 Charlotte Charlotte Coliseum FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT notes 3512. 10/05/84 Flac 16 - 0, 83188 Charlotte Charlotte Coliseum flac16; Source: Nakamichi CM-100 w/ CP-4 Shotgun Capsules -> Sony D6 (Maxell XLII-S 90 x 2) Location: Mics on stand 10" apart and about 10' high in front and to the left of soundboard Tansfer/re-master: Nak MR-1 -> Presonus Tube Pre-Amp -> BBE 882i -> Behringer Ultrafex Pro Behringer -> Behringer MDX4600 Pro-XL Composer -> DBX 231 EQ -> FW-410 -> wavelab @24/96 (tracking, minor edits and bit rate reduction 16bit/44.1khz) -> flacfrontend L8 Taper: Greg Holtz (garageboy) Transfer/mastering: mtownshend@adelphia.net; this file set fixes errors in shn id 83161 notes 3513. 10/05/84 Flac 24/96 - 0, 124130 Charlotte Charlotte Coliseum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3514. 10/05/84 Flac 16 - 0, 109982 Charlotte Charlotte Coliseum flac16; source: 2 Beyer M160's & 1 Sennheiser 421 Microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3515. 10/05/84 Flac 16 - 0, 103309 Charlotte Charlotte Coliseum flac16; Sony ECM 23F Stereo Mic>Sony WMD6 Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Recorded by David Cohen 25 feet FOB DFC 6.5 ft stand notes 3516. 10/05/84 Flac 16 - 0, 77703 Charlotte Charlotte Coliseum flac16; Source: *Beyer M88's>Sony D5M(XLIIS) Location: DFC/FOB Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700 notes 3517. 10/05/84 Flac 24/96 - 0, 148396 Charlotte Charlotte Coliseum flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 3518. 10/05/84 Flac 16/48 - 0, 148395 Charlotte Charlotte Coliseum flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 3519. 10/06/84 Flac 16 - 0, 92283 Richmond Richmond Coliseum flac16; Taper: Greg Holtz Source: Nakamichi CM100s CP4caps, FOB-> D-6 Transfer: (By Holtz 1997) Unknown Nakamichi Tape Deck-> RCA-1/8"-> D-3 DAT @ 48kHz Current Transfer: (By JAZ) DAT (Direct from Cassette Master)-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0-> R8brainPro 44.1kHZ-> Traders Little Helper flac8; Upgrade in circulation notes 3520. 10/06/84 Flac 16/48 - 0, 127557 Richmond Richmond Coliseum flac16/48kHz; Set 2 Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply then a modified Sony TCD-D5M then > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper notes 3521. 10/06/84 Flac 16 - 0, 132557 Richmond Richmond Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3522. 10/06/84 Flac 24/96 - 0, 132556 Richmond Richmond Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 3523. 10/06/84 Flac 16 - 0, 112860 Richmond Richmond Coliseum flac16; Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk. Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC; Transfer: MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > R8-Brain dither to 16/44 > TLH > Flac Level 8 notes 3524. 10/06/84 Flac 24/96 - 0, 112831 Richmond Richmond Coliseum flac24; Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk. Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC; Transfer: MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > TLH > Flac Level 8 > 24/96 notes 3525. 10/06/84 Flac 24/96 - 0, 124157 Richmond Richmond Coliseum flac24; lineage: (2) audio technica atm11/ (2) nakamichi 300 cp1 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3526. 10/06/84 Flac 16 - 0, 109985 Richmond Richmond Coliseum flac16; source: 2 Beyer M-88's & 1 Beyer M-160 Microphones > Nak MX100 w/2001> Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3527. 10/06/84 Flac 16 - 0, 91173 Richmond Richmond Coliseum flac16; taper : Joe D'Amico nak 300 mics > sony d5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend (This source is an EAC version of the previous D'Amico source.) notes 3528. 10/06/84 Flac 16 - 0, 87015 Richmond Richmond Coliseum flac16; taper : Joe D'Amico aka Joebeacon nak 300 mics > sony d5 Transfer: nak dragon tape deck into creative extigy sound card into pc -flac frontend notes 3529. 10/06/84 Flac 16 - 0, 77750 Richmond Richmond Coliseum flac16; Source: *Beyer M88's>Sony D5M(XLIIS) Location: FOB/DFC Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700 notes 3530. 10/06/84 Shn - 0, 33955 Richmond Richmond Coliseum This is a re-record of shnid 32898 using azimuth adjustment and Audacity. notes 3531. 10/06/84 Shn - 0, 32898 Richmond Richmond Coliseum Unknown shotgun mics > Sony D6 > MC > Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwACT > SHN; upgrade in circulation notes 3532. 10/06/84 Shn - 0, 15573 Richmond Richmond Coliseum FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT notes 3533. 10/06/84 Shn - 0, 3160 Richmond Richmond Coliseum AUD?; no other info available notes 3534. 10/08/84 Shn - 0, 14450 Worcester The Centrum SBD>MC>DAT>CDR ; AUDMC>Nakamichi DR-1>HHB 850 CDR ; SBD with Audience Patches seed text info ; Via Andy L. ; Seeded to Etree by T. Wiley notes 3535. 10/08/84 Flac 16 - 0, 132550 Worcester The Centrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Me, Bass Switch Wrong - Metered; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3536. 10/08/84 Flac 24/96 - 0, 132549 Worcester The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Me, Bass Switch Wrong - Metered; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 3537. 10/08/84 Flac 16 - 0, 97535 Worcester The Centrum flac16; Source: Recorded by: Greg Holtz and Tony Bolton Master Cassette FOB right side about 8 feet in front of the SBD(Jerry's side - about 10 feet right of center - 2 Nak 100's w/CP-4 shotgun caps > Sony D-5 Transfer: Tascam112mkII > KorgMR1000 at 1bit/5.6mHz DSD> Audio Gate Software for 24/96 by Jamie Waddell Editing and Mastering: Alex Ford in Wavelab 6.10 with UAD in 24/96,Weiss Saracon for SRC to 16/44.1 POWR-3 Dither notes 3538. 10/08/84 Flac 16 - 0, 91376 Worcester The Centrum flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller notes 3539. 10/08/84 Flac 16 - 0, 94302 Worcester The Centrum flac16; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes 3540. 10/08/84 Flac 16 - 0, 135916 Worcester The Centrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90, tdk ma90, dolby b, fob, section 2 row Q; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger notes 3541. 10/08/84 Flac 24/96 - 0, 135917 Worcester The Centrum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90, tdk ma90, dolby b, fob, section 2 row Q; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger notes 3542. 10/08/84 Flac 16 - 0, 106644 Worcester The Centrum flac16; Recorded FOB from floor Section 3, Row Q, Seat 8 by Bob Morris. (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes 3543. 10/08/84 Flac 24/96 - 0, 94303 Worcester The Centrum flac24; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes 3544. 10/08/84 Flac 16 - 0, 110008 Worcester The Centrum flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3545. 10/08/84 Flac 16 - 0, 77843 Worcester The Centrum flac16; Source: Beyer M88's>Sony D5M(XLIIS) Location: FOB/DFC Section 2, Row M Stand at 7 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96. Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700 notes 3546. 10/08/84 Shn - 0, 7773 Worcester The Centrum Mike Rice's MC; Nak CM 100 mics w/ shotgun capsules > Sony D5 cassette deck; via JD Foltz; Seeded to etree by Willy notes 3547. 10/08/84 Flac 24/96 - 0, 124185 Worcester The Centrum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3548. 10/08/84 Flac 24/96 - 0, 113963 Worcester The Centrum flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes 3549. 10/08/84 Flac 24/96 - 0, 124207 Worcester The Centrum flac24; lineage: (2) nakamichi 300 cp4> d-5 mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3550. 10/09/84 Shn - 0, 14499 Worcester The Centrum SBD>MC>DAT>CDR ; Patch Aud Source: MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release) ; Via Andy L. ; Seeded to Etree by T. Wiley notes 3551. 10/09/84 Flac 16 Mtx - 0, 123414 Worcester The Centrum flac16; 2 Source Matrix by dusborne; Soundboard (shinid:14499) Main Source: SBD>MC>DAT>CDR with Patch Aud Source: MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release) Taper: Mike Rice and Audience (shnid:120082) Akg 224's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche notes 3552. 10/09/84 Flac 16 - 0, 132544 Worcester The Centrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3553. 10/09/84 Flac 24/96 - 0, 132545 Worcester The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 3554. 10/09/84 Flac 16 - 0, 96737 Worcester The Centrum flac16; Source: Master Cassette Recording Location: FOB Jerry's side roughly 10-12 feet right of center,Recording Equipment: Nakamichi CM-100 mics with CP-4 Shotgun caps > Sony D-5 Recorded by Greg Holtz and Tony Bolton Transfer: Tascam112mkII > KorgMR1000 at 1bit/5.6mHz DSD> Audio Gate Software for 24/96 file for mastering Editing and Mastering: Weiss Saracon for SRC to 16/44.1 POWR-3 Dither Trac'ed Cdwave Flac'ed level 8 TLH notes 3555. 10/09/84 Flac 16 - 0, 91410 Worcester The Centrum flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller notes 3556. 10/09/84 Flac 16 - 0, 94344 Worcester The Centrum flac16;Recording Info:(FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes 3557. 10/09/84 Flac 24/96 - 0, 135912 Worcester The Centrum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, section 2 row Q; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger notes 3558. 10/09/84 Flac 16 - 0, 135911 Worcester The Centrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, section 2 row Q; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger notes 3559. 10/09/84 Flac 16 - 0, 106645 Worcester The Centrum flac16; Recorded FOB from floor Section 3, Row Q, Seat 8 by Bob Morris. Transferred & edited by Bob Morris 10/09. (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes 3560. 10/09/84 Flac 24 - 0, 94345 Worcester The Centrum flac24; Recording Info:(FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes 3561. 10/09/84 Flac 24/96 - 0, 124292 Worcester The Centrum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3562. 10/09/84 Flac 16 - 0, 120082 Worcester The Centrum flac16; Akg 224's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche notes 3563. 10/09/84 Flac 24/96 - 0, 113964 Worcester The Centrum flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes 3564. 10/09/84 Flac 16 - 0, 81386 Worcester The Centrum flac16; AUD Source: FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII's, no Dolby. Taped by Ted Carpenter. Transfer: MAC > CD by Jim Wise (2002), likely Nakamichi Dragon > HHB Burner. CDR > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression and checksums) > FLAC, Jan 2007 by Andrew F notes 3565. 10/09/84 Flac 16 - 0, 110019 Worcester The Centrum flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3566. 10/09/84 Shn - 0, 7774 Worcester The Centrum Mike Rice's MC; Nak CM 100 mics w/ shotgun capsules > Sony D5 cassette deck; via JD Foltz; Seeded to etree by Willy notes 3567. 10/09/84 Flac 16 - 0, 77880 Worcester The Centrum flac16; Source: *Beyer M88's>Sony D5M; Location: #FOB/DFC Sec. 5, Row G, Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony Suraci/nak700 notes 3568. 10/11/84 Shn - 0, 17411 Augusta Augusta Civic Center Retracked and sector boundary errors fixed version of previous Oade Schoeps source; Source: FOB Schoeps MK41/CMC4 > Oade M118 > Sony TC D-5 Cassette Master > PCM > DAT @44.1khz; seeded by Sacks via Clifton notes 3569. 10/11/84 Flac 24/96 - 0, 132352 Augusta Augusta Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes 3570. 10/11/84 Flac 16 - 0, 132351 Augusta Augusta Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3571. 10/11/84 Flac 16 - 0, 100420 Augusta Augusta Civic Center flac16; FOB AUD: Nakamichi CM100 mics w/CP-4 shotgun capsules > Sony TC-D5M cassette deck. Situated exact center, directly in front of the soundboard, mic stand at about 7', shotguns pointing at stacks Transfer: MAC > Nakamichi DR-1 cassette deck > HHb 850 Standalone CD Burner > CDR > EAC > Cool Edit Pro > CD Wave > FLAC Level 8; Recorded by Greg Holtz & Tony Bolton notes 3572. 10/11/84 Flac 16 - 0, 132793 Augusta Augusta Civic Center flac16; Remaster of Oade source 8794; Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut and Flac files created in Audacity 2.0.5 notes 3573. 10/11/84 Flac 16 - 0, 94404 Augusta Augusta Civic Center flac16; FOB AUD: Sennhesier MD-441's > Sony TC-D5M > Maxell UD-XLII 90's, no Dolby. Mics on seven-foot stood, angled up at stacks, approx 25 feet from the stage, in the center. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Taped & transferred by Andrew F. notes 3574. 10/11/84 Flac 16 - 0, 99190 Augusta Augusta Civic Center flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes 3575. 10/11/84 Flac 24/96 - 0, 137264 Augusta Augusta Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger notes 3576. 10/11/84 Flac 16 - 0, 137265 Augusta Augusta Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger notes 3577. 10/11/84 Flac 24/96 - 0, 139116 Augusta Augusta Civic Center flac24; billydee recording (patched out of): Neumann km84i's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT notes 3578. 10/11/84 Flac 16 - 0, 141028 Augusta Augusta Civic Center flac16; billydee recording (patched out of): Neumann km84i's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 3579. 10/11/84 Flac 16/48 - 0, 143631 Augusta Augusta Civic Center flac16; Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mics w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 3580. 10/11/84 Flac 24/96 - 0, 143623 Augusta Augusta Civic Center flac24; Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mics w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496 notes 3581. 10/11/84 Shn - 0, 8794 Augusta Augusta Civic Center ource: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor; upgrade in circulation notes 3582. 10/11/84 Shn - 0, 5304 Augusta Augusta Civic Center AUD, unknown mic (reportedly possible Schoeps or Sennheiser); via Nick Scarano? notes 3583. 10/11/84 - 0, 124355 Augusta Augusta Civic Center flac24; lineage: (2)nakamichi 300 cp1 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3584. 10/11/84 Flac 24/96 - 0, 113965 Augusta Augusta Civic Center flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes 3585. 10/11/84 Flac 16 - 0, 110034 Augusta Augusta Civic Center flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3586. 10/11/84 Flac 16 - 0, 106646 Augusta Augusta Civic Center flac16; Recorded by Bob Morris.Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes 3587. 10/11/84 Flac 16 - 0, 77916 Augusta Augusta Civic Center flac16; Source: Beyer M88's>Sony D5M Location: FOB/Right side, Stand at 8 feet. Transfer: Sony D5ProII>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16 Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700 notes 3588. 10/11/84 Shn - 0, 33825 Augusta Augusta Civic Center Source: FOB Beyer M160s > Sony TCD5M > Master Audience Cassette (Maxell MX90 Type IV Cassettes). Transfer: MAC playback on Nakamich DR-2 > Audiophile 2496 > recorded as 24bit /96 KHz WAV > Wavelab/Waves L3 (see notes) > rendered to 16/44.1 WAV > CDWAV 1.9 > FLAC (level 8). notes 3589. 10/12/84 Flac 16 Mtx - 0, 117573 Augusta Augusta Civic Center flac16; Matrix of SBD (shnid=5585) and AUD (shnid=8795) by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes 3590. 10/12/84 Shn - 0, 5585 Augusta Augusta Civic Center Master Soundboard Cassette > Reel to Reel > DAT> CDR; with patches from Mike Rice's Master Audience Cassette: Nakamichi CM100 mics + CP4's> Sony D5; CDR ReMastering, Patching, EAC'ed, SHN'ed by Scott Clugston; see info file for details notes 3591. 10/12/84 Flac 24/96 - 0, 132346 Augusta Augusta Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes 3592. 10/12/84 Flac 16 - 0, 132345 Augusta Augusta Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3593. 10/12/84 Flac 16 - 0, 132822 Augusta Augusta Civic Center flac16; Remastered version of the original Oade source 8795 by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut and Flac files created in Audacity 2.0.6 notes 3594. 10/12/84 Flac 16 - 0, 85219 Augusta Augusta Civic Center flac 16; Recording by Mtownshend:FOB -> Sony TC D5 -> PCM -> DAT (@44.1k) Transfer/mastering: Panasonic (optical out) -> E-MU 1010 (analog out) -> analog rack (ADAT out) -> E-MU 1010 -> Wavelab Tracking and Compression: CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper notes 3595. 10/12/84 Flac 16 - 0, 101952 Augusta Augusta Civic Center flac16; Lineage: Nakamichi CM-100 mics with CP-4 shotgun caps to a Sony D-5 stereo cassette recorder; Master Cassette >> Nakamichi DR-1 >> Korg MR-1000 at 1bit/5.6mHZ DSD Korg AudioGate Software for DSD to PCM WAV conversion at 24bit/44.1kHz Transfers, Editing and Mastering by Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither TradersLilHelper for FLAC8 Meta-Data with Tag&ReName notes 3596. 10/12/84 Flac 16 - 0, 99198 Augusta Augusta Civic Center flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes 3597. 10/12/84 Flac 16 - 0, 77979 Augusta Augusta Civic Center flac16; *Beyer M88's>Sony D5M, FOB/left of center, stand at 8 feet. Taped, transfered and uploaded by Tony S notes 3598. 10/12/84 Flac 24/96 - 0, 137580 Augusta Augusta Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger notes 3599. 10/12/84 Flac 16 - 0, 137579 Augusta Augusta Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger notes 3600. 10/12/84 Flac 24/96 - 0, 139117 Augusta Augusta Civic Center flac24; billydee recording (patched out of Rob Eaton*): Neumann U87 (15' apart) > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT notes 3601. 10/12/84 Flac 16 - 0, 139563 Augusta Augusta Civic Center flac16; Dan McSheffrey recording: Neumann KM84 > Nakamichi DMP-100 PCM > Dat (FOB); Charlie Miller transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered by Joe Noel in Audacity: Wave > Flac 16/44; Checksum & tags created in xACT notes 3602. 10/12/84 Flac 16 - 0, 30192 Augusta Augusta Civic Center flac16; Source Update: Note that the seeder Mtownshend indicates that this recording most likely is from an audience source. See the public comments regarding the source of this recording. (Had been marked:SBD/AUD Healy Matrix) notes 3603. 10/12/84 Flac 16 - 0, 132814 Augusta Augusta Civic Center flac16; MSC > Reel > DAT > CDR > EAC > WAV > TLH > FLAC notes 3604. 10/12/84 Flac 16/48 - 0, 143086 Augusta Augusta Civic Center flac16/48kHz; George Sterry's Master Audience Cassettes; Schoeps mics (model unknown) > Sony TC-158SD(Maxell UDXLII-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 3605. 10/12/84 Flac 24/96 - 0, 143087 Augusta Augusta Civic Center flac24; George Sterry's Master Audience Cassettes; Schoeps mics (model unknown) > Sony TC-158SD(Maxell UDXLII-C90)Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496 notes 3606. 10/12/84 Flac 16/48 - 0, 143637 Augusta Augusta Civic Center flac16; 2nd Set Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mic w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 3607. 10/12/84 Flac 24/96 - 0, 143638 Augusta Augusta Civic Center flac24; 2nd Set Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mic w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496 notes 3608. 10/12/84 Shn - 0, 17412 Augusta Augusta Civic Center Oade Schoeps retracked for 2 disks and free of sector boundary errors via Clifton; Source: FOB Schoeps MK41/CMC4 > Oade M118 > Sony TC D-5 Cassette Master > PCM > DAT @44.1khz; upgrade in circulation notes 3609. 10/12/84 Shn - 0, 8795 Augusta Augusta Civic Center Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable);Seeded by Darrin Sacks; also to abgd via Charlie Connor; upgrade in circulation notes 3610. 10/12/84 Shn - 0, 20022 Augusta Augusta Civic Center Master Tapes by Ficca Source: FOB Center Sony TCD5M with 2 Beyer Dynamic 160's > Sony CDR-W66 > EAC > CDWave > CDA encoded by Ficca notes 3611. 10/12/84 Shn - 0, 256 Augusta Augusta Civic Center MAC > CDR > CDR > CDR > SHN; Mike Rice's Master Audience Cassette; Nakamichi CM100 mics w/ shotgun capsules > Sony D5 cassette deck: Master cassette played back via a Nakamichi DR-1 cassette deck> HHb 850 CDR; EAC>?CEP editing > CDWav? > CDRWin > Matsushita 7582 4x CDR; via Gregg Nixon, Scott Clugston, John Oleynick; see info file for flaw notes notes 3612. 10/12/84 Shn - 0, 18436 Augusta Augusta Civic Center Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable) ***7.16.03*** Beginning of CR&S patched with alternate FOB Schoeps source, lineage is below. Patched with Cool Edit Pro 2.0 in multitrack view > mkwACT by Doug Nawrocki. d2t01 is the only md5 that differs from the original. Patch source lineage: MAC(FOB 2 Schoeps MK41/CMC4 > Sony TCD-5M) > WAV > SHN digital transfer: Kenwood KX1030 cassette deck > EMI 6|2m (16 bit @ 44.1khz) > Peak 3.21 > WAV > Shorten 1.1a4 > SHN notes 3613. 10/12/84 Flac 16 - 0, 106647 Augusta Augusta Civic Center flac16; Recorded by Bob Morris. Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes 3614. 10/12/84 Flac 24/96 - 0, 124399 Augusta Augusta Civic Center flac24; lineage: (3)audio technica atm11fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3615. 10/12/84 Flac 24/96 - 0, 113966 Augusta Augusta Civic Center flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes 3616. 10/12/84 Flac 16 - 0, 110040 Augusta Augusta Civic Center flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front)> Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3617. 10/12/84 Flac 24/96 - 0, 148414 Augusta Augusta Civic Center flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp(24/96k)> Adobe CC 2019(24-bit/96k) > TLH flac2496 notes 3618. 10/12/84 Flac 16/48 - 0, 148413 Augusta Augusta Civic Center flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp(24/96k)> Adobe CC 2019(24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 3619. 10/14/84 Flac 24/96 - 0, 132342 Hartford Hartford Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes: Maxell UDXLLII 90's; Tapes Labelled: Master-Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes 3620. 10/14/84 Flac 16 - 0, 132341 Hartford Hartford Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes: Maxell UDXLLII 90's; Tapes Labelled: Master-Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3621. 10/14/84 Flac 16 - 0, 98567 Hartford Hartford Civic Center flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S90). Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; NOTE: This is source ID 91385 with a new patch added in Drums to make the show complete notes 3622. 10/14/84 Flac 16 - 0, 91385 Hartford Hartford Civic Center flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller notes 3623. 10/14/84 Flac 16/48 - 0, 143829 Hartford Hartford Civic Center flac16/48kHz; Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mic w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 3624. 10/14/84 Flac 24/96 - 0, 143830 Hartford Hartford Civic Center flac24; Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mic w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496 notes 3625. 10/14/84 Flac 24/96 - 0, 113967 Hartford Hartford Civic Center flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes 3626. 10/14/84 Flac 16 - 0, 110042 Hartford Hartford Civic Center Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Beyer M160 & 1 Sennheiser 421 microphones (14th row)> Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3627. 10/14/84 Flac 16 - 0, 78934 Hartford Hartford Civic Center flac16; 1st Gen; Sennhieser ME80s > Sony D5 > TDK MA90s Taper: Lucian Zaleski Transfer: Nakamichi CD2 [azimuth adjusted]>Kind Kables rca/xlr>Lunatec V3>coax>Audiophile 2496>CEP 2.0>CD Wave Editor>Flac Frontend>FLAC16. 1st Gen cassettes provided by Mark McCue. Transfer, edits, conversion and upload to bt.etree.org Alex Ford 10/09/2006 notes 3628. 10/14/84 Flac 16 - 0, 106648 Hartford Hartford Civic Center flac16; Recorded FOB from Section 2, Row J, Seat 10 by Bob Morris. (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes 3629. 10/14/84 Flac 16 - 0, 77990 Hartford Hartford Civic Center flac16; Source: *Beyer M88's>Sony D5M Location: FOB/DFC Sec. 2 Row M Stand at 7 Feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700 notes 3630. 10/14/84 Shn - 0, 3592 Hartford Hartford Civic Center FOB> Nakamichi 300's> CP4Cassette Master> DAT> CDR> Eac> SHN; DAE(EAC) + SHN Encoding by Jeff M.; see info file for notes notes 3631. 10/14/84 Shn - 0, 77477 Hartford Hartford Civic Center fob-aud (Lineage Unknown) Seeded to abgd by Seth Jackson notes 3632. 10/14/84 Flac 24/96 - 0, 124467 Hartford Hartford Civic Center flac24; lineage: (2)nakamichi 300 cp4> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3633. 10/14/84 Flac 24/96 - 0, 148574 Hartford Hartford Civic Center flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 3634. 10/14/84 Flac 16/48 - 0, 148573 Hartford Hartford Civic Center flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 3635. 10/14/84 Flac 16/48 - 0, 151292 Hartford Hartford Civic Center flac16/48 Set 2 Only: First SBD For This Date. Recording Info: SBD > Cassette Master > Reel (Technics) > DAT (Panasonic SV-3800-48k). Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-48k) Additional Mastering: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC16 Transfers by Rob Eaton. Mastering by Charlie Miller. December 29, 2020 notes 3636. 10/15/84 Shn - 0, 4771 Hartford Hartford Civic Center Aud>? (lineage Unknown); Seeded to abgd by Seth Jackson notes 3637. 10/15/84 Flac 24/96 - 0, 132332 Hartford Hartford Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes: Maxell UDXLLII 90's; Tapes Labelled: Master-Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes 3638. 10/15/84 Flac 16 - 0, 132331 Hartford Hartford Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes: Maxell UDXLLII 90's; Tapes Labelled: Master-Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3639. 10/15/84 Flac 16 - 0, 91434 Hartford Hartford Civic Center flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller notes 3640. 10/15/84 Flac 24/96 - 0, 124518 Hartford Hartford Civic Center flac24; lineage: (2)nakamichi 300 cp4> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3641. 10/15/84 Flac 24/96 - 0, 113968 Hartford Hartford Civic Center flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes 3642. 10/15/84 Flac 16 - 0, 110044 Hartford Hartford Civic Center flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3643. 10/15/84 Flac 16 - 0, 106649 Hartford Hartford Civic Center flac16; Recorded FOB from Section 2, Row K, Seat 12 by Bob Morris. (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes 3644. 10/15/84 Shn - 0, 22022 Hartford Hartford Civic Center Recording Info: (FOB) Senn 421 -> Cassette Master -> Dat -> CD Transfer Info: EAC -> Samplitude v7.02 Professional -> SHN - Transfered and Edited By Charlie Miller notes 3645. 10/15/84 Flac 16 - 0, 79023 Hartford Hartford Civic Center flac16; Source: Source update: Master Audience Cassette; (FOB) Sennheiser 421s > Sony D5 > D5 > D6 > 2 TDK MA90s Mic Config: pointed at the stacks, upper chest level Location: FOB, 15th or 17th row, slightly LOC Tapers: long forgotten taper, Adam, & Mark McCue Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > Kind Kables rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > CD Wave Editor > TLH > FLAC16 notes 3646. 10/15/84 Flac 16 - 0, 150964 Hartford Hartford Civic Center Recording Info: SBD > PCM Master > DAT (Panasonic SV-3700) > DAT (Panasonic SV-3800) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC (3 Discs Audio) Original Transfer and Mastering by Rob Eaton. Additional Mastering by Charlie Miller. November 27, 2020 notes 3647. 10/15/84 Flac 16 Mtx - 0, 151235 Hartford Hartford Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes 3648. 10/17/84 Flac 16 - 0, 32057 East Rutherford Meadowlands Arena flac16; Recording Info: Set 1: SBD -> Master Cassette -> ? -> Cassette (Dolby C) Set 2: SBD -> Master Cassette -> Dat -> CD -> EAC -> SHN Transfer Info: Set 1: Cassette (Sony TC-WE475/Dolby C) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Set 2: SHN -> WAV -> FLAC notes 3649. 10/17/84 Flac 16/48 - 0, 127692 East Rutherford Meadowlands Arena flac16/48kHz; Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply > modified Sony TCD-D5M. Later, Sony TCD-D5M > DAW (via SEKD Prodif) > Wav16/48; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper notes 3650. 10/17/84 Flac 16 - 0, 132254 East Rutherford Meadowlands Arena flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3651. 10/17/84 Flac 24/96 - 0, 132253 East Rutherford Meadowlands Arena flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes 3652. 10/17/84 Flac 16 - 0, 27975 East Rutherford Meadowlands Arena flac16; 3 Nak CM700 (DIN; Row S, DFC) > Sony TC-D5M > Maxell MX tape; Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; Taped, transferred by Doug Mow; CDR> FLAC16 and minor editing by Alex Ford notes 3653. 10/17/84 Shn - 0, 21783 East Rutherford Meadowlands Arena Source: SBD > MC>DAT via J.Powell encoded by C.Ladner.; upgrade in circulation notes 3654. 10/17/84 Flac 16 - 0, 110051 East Rutherford Meadowlands Arena flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3655. 10/17/84 Flac 24/96 - 0, 113969 East Rutherford Meadowlands Arena flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes 3656. 10/17/84 Shn - 0, 15125 East Rutherford Meadowlands Arena AUD(Nak 300?s)>MC>DAT>CD via Paul B encoded by Willy notes 3657. 10/17/84 Flac 16 - 0, 78015 East Rutherford Meadowlands Arena flac16; Source: Beyer M88's>Sony D5M(XLIIS/Set 1, MX/Set 2) Location: FOB/DFC Sec. 8, Row G(7 rows from stage)Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony Suraci/aka Nak700 notes 3658. 10/17/84 Flac 16 - 0, 106650 East Rutherford Meadowlands Arena flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded from Floor Section 7, Row Y, Seat 4 by Bob Morris. notes 3659. 10/18/84 Flac 16 - 0, 128497 East Rutherford Meadowlands Arena flac16; Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply > modified Sony TCD-D5M. Later, Sony TCD-D5M > DAW (via SEKD Prodif) > Wav16/44 (set 1) & 16/48 (set 2); Transfer and mastering by droncit 4/29/2014 notes 3660. 10/18/84 Flac 24/96 - 0, 132239 East Rutherford Meadowlands Arena flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes 3661. 10/18/84 Flac 16 - 0, 132238 East Rutherford Meadowlands Arena flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3662. 10/18/84 Flac 16/48 - 0, 137213 East Rutherford Meadowlands Arena flac16/48kHz; Recording Info: SBD -> Cassette Master > Reel > Dat (48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/48k; All Transfers and Mastering By Charlie Miller notes 3663. 10/18/84 Flac 24 - 0, 142353 East Rutherford Meadowlands Arena flac24; Recording Info: Neumann KM86 (cardioid) > Master Reel (Uher Deck 1/2 trk Scotch Reels); Transfer Info: Master Reel (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Adobe Audition CC2015 > Samplitude Pro X3 > FLAC/24; Recorded by Frank Streeter and Rob Eaton; Transferred by Matt Smith; Mastered by Charlie Miller notes 3664. 10/18/84 Flac 16 - 0, 142514 East Rutherford Meadowlands Arena flac16; Recording Info: Neumann KM86 (cardioid) > Master Reel (Uher Deck 1/2 trk Scotch Reels); Transfer Info: Master Reel (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Adobe Audition CC2015 > Samplitude Pro X3 > FLAC/24; Recorded by Frank Streeter and Rob Eaton; Transferred by Matt Smith; Mastered by Charlie Miller notes 3665. 10/18/84 Flac 16 - 0, 28290 East Rutherford Meadowlands Arena flac16; 3 Nak CM700 (Row N, DFC, DIN)> Sony TC-D5M > Maxell MX tape; Transfer: Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; Taped, transferred by Doug Mow; EAC> flac by Alex Ford notes 3666. 10/18/84 Shn - 0, 17273 East Rutherford Meadowlands Arena (FOB) Nakamichi CM300/CP1 -> Cm (Sony D5) -> Dat (48k) > Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. All transfers and remastering done by Charlie Miller notes 3667. 10/18/84 Flac 16 - 0, 106651 East Rutherford Meadowlands Arena flac16; Recorded from Floor Section 7, Row Y, Seat 4 by Bob Morris. Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes 3668. 10/18/84 Flac 16 - 0, 87016 East Rutherford Meadowlands Arena flac16; taper : Joe D'Amico aka joebeacon nak 300 mics > sony d5 converted : nak dragon deck > behringer ultra curve pro 24 bit main frame >creative extigy soundcard > cool edit pro > flac frontend notes 3669. 10/18/84 Flac 16 - 0, 78116 East Rutherford Meadowlands Arena flac16; Source: *Beyer M88's>SonyD5M(XLIIS/set 1, MX/Set 2) Location: FOB/Right Sec. 7, Row M, stand at 8 feet Transfer: Sony D5ProII>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped and Transferred by Tony Suraci notes 3670. 10/18/84 Shn - 0, 21131 East Rutherford Meadowlands Arena 3 Nak 701s > D5 > MX-100 > D10 > SHN notes 3671. 10/18/84 Flac 16 - 0, 110052 East Rutherford Meadowlands Arena flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3672. 10/18/84 Flac 16 - 0, 120142 East Rutherford Meadowlands Arena flac16; Source: Teac ME-20 > WMD6 FOB Sec 8 Row A Seat 14; Conversion: HK TD302Bk> PMD661; Recorded by Stan Roberts notes 3673. 10/18/84 Flac 24/96 - 0, 113970 East Rutherford Meadowlands Arena flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes 3674. 10/18/84 Flac 24/48 - , 149998 East Rutherford Meadowlands Arena flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head 45 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLII 90 s2:Maxell MX 90 No Dolby -Lead deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Gary Steel notes 3675. 10/18/84 Flac 16/44,1 - , 149997 East Rutherford Meadowlands Arena flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head 45 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLII 90 s2:Maxell MX 90 No Dolby -Lead deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Gary Steel notes 3676. 10/20/84 Flac 16 - 0, 105445 Syracuse Carrier Dome, Syracuse U flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a re-master of source ID 15673 notes 3677. 10/20/84 Flac 16 Mtx - 0, 122859 Syracuse Carrier Dome, Syracuse U flac16; Matrix from: Soundboard (shnid:105445) SBD -> Cassette Master -> Dat -> CD; All Transfers and Mastering By Charlie Miller and Audience (shnid:110063)source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav files by D5scott notes 3678. 10/20/84 Flac 16 - 0, 128437 Syracuse Carrier Dome, Syracuse U flac16; Set 2 Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper notes 3679. 10/20/84 Flac 16 - 0, 131798 Syracuse Carrier Dome, Syracuse U flac16; Master Audience Recorded By Sandy For Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 24/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 3680. 10/20/84 Flac 24/96 - 0, 131799 Syracuse Carrier Dome, Syracuse U flac24; Master Audience Recorded By Sandy For Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 3681. 10/20/84 Flac 24/96 - 0, 108304 Syracuse Carrier Dome, Syracuse U flac24; FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell UD-XLII 90's w/no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496 Tagged. Transfer by Andrew F. notes 3682. 10/20/84 Shn - 0, 15673 Syracuse Carrier Dome, Syracuse U SBD> CM> DAT> computer processing> CDR> EAC> SHNTOOL> MKWACT; Editing by MattMan, from Alan Matta source discs; Upgrade in circulation notes 3683. 10/20/84 Flac 24/96 - 0, 140929 Syracuse Carrier Dome, Syracuse U flac24; Source Info: Ray Ackerman's (FOB) Master Audience Cassette (first row in front of soundboard); Sennheiser 441 mics > Sony D5 > Sony D6; Transfer Info: Cassette (Nakamichi mkii)> Grace Design Lunatec V3 > Oade modified M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3 > TLH flac24/96 notes 3684. 10/20/84 Flac 16 - 0, 140928 Syracuse Carrier Dome, Syracuse U flac16; Source Info: Ray Ackerman's (FOB) Master Audience Cassette (first row in front of soundboard); Sennheiser 441 mics > Sony D5 > Sony D6; Transfer Info: Cassette (Nakamichi mkii)> Grace Design Lunatec V3 > Oade modified M-Audio MicroTrack II (wav 24 bit/96k)> Adobe Audition 3 > TLH flac24/96; 24 bit > 16 bit via dBpoweramp notes 3685. 10/20/84 Flac 24/96 - 0, 124527 Syracuse Carrier Dome, Syracuse U flac24; lineage: sennheiser 441 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3686. 10/20/84 Shn - 0, 1871 Syracuse Carrier Dome, Syracuse U nak300> cassette master> cd wav> cool edit pro> shn> cdr; transfer by Mike Lai from Bruce Fried seed; upgrade in circulation notes 3687. 10/20/84 Flac 16 - 0, 33341 Syracuse Carrier Dome, Syracuse U flac16; FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M, onto Maxell UD-XLII tape, with no Dolby. Taped by Ted Carpenter notes 3688. 10/20/84 Flac 16 - 0, 106652 Syracuse Carrier Dome, Syracuse U flac16; Recorded from Floor Section 3, Row L, Seat 9 by Bob Morris.Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes 3689. 10/20/84 Flac 16 - 0, 110063 Syracuse Carrier Dome, Syracuse U flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3690. 10/20/84 Flac 24/96 - 0, 108407 Syracuse Carrier Dome, Syracuse U flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded from Floor Section 3, Row L, Seat 9 by Bob Morris notes 3691. 10/20/84 Flac 16 - 0, 150967 Syracuse Carrier Dome, Syracuse U Recording Info: SBD > PCM Master > DAT (Panasonic SV-3700) > DAT (Panasonic SV-3800) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC. (3 Discs Audio) Original Transfer and Mastering by Rob Eaton. Additional Mastering by Charlie Miller. November 28, 2020 notes 3692. 10/20/84 Flac 24/48 - , 152671 Syracuse Carrier Dome, Syracuse U flac24/48 Source: Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Location: Three Rows Directly In Front Of Healy (sorry Dan!); Stand 6 To 7 Feet High. notes 3693. 10/20/84 Flac 16 - , 152672 Syracuse Carrier Dome, Syracuse U flac16 This Is A 16bit File Set, Dithered Using Dbpoweramp Source: Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Location: Three Rows Directly In Front Of Healy (sorry Dan!); Stand 6 To 7 Feet High. Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby> Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq & Software Dolby B Decode Using Nuendo & Ddicodec. Recorded, Transferred & Mastered By Anon Edited With Add'l Mastering In Adobe Audition By Joe Noel February 16, 2021 notes 3694. 10/27/84 Flac 16 - 0, 106797 Berkeley Berkeley Community Theater flac16; SBD > Cassette Master > Cassette > FLAC; All Transfers and Mastering By Charlie Miller (note: This source was originally seeded as part of a collection of uncirculated SBD tracks.) notes 3695. 10/27/84 Flac 16 - 0, 123743 Berkeley Berkeley Community Theater flac16; Partial SBD > Cassette Master > Cassette > FLAC; All Transfers and Mastering By Charlie Miller notes 3696. 10/27/84 Shn - 0, 17414 Berkeley Berkeley Community Theater Senn 441?s>Sony D-5. AUD>MC>DAT>CDR via Raoul Duke encoded by Willy and Matt Vernon notes 3697. 10/27/84 Flac 24/96 - 0, 145576 Berkeley Berkeley Community Theater flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row nn, seat 15; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 3698. 10/27/84 Flac 16 - 0, 145577 Berkeley Berkeley Community Theater flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row nn, seat 15; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 3699. 10/28/84 Shn - 0, 21935 Berkeley Berkeley Community Theater Source: SBD>MC>DAT>CDR>WAV>SHN - entire first set except for aud splice during LLR. First three tracks of second set are SBD with the remainder from an unlineaged FOB audience recording. notes 3700. 10/28/84 Flac 16 - 0, 88181 Berkeley Berkeley Community Theater flac16; Taped by Jay Abrams (jra-sm) and Keith Prior Digitized and edited by Jay Abrams Location: Section CTR - Row GG - Seat 23 Source: Quad Nakimichi's - (Nakimichi 700's and Nakimichi 100's) - mixed down to two channels at show Sony WM-D6C > Maxell Metal - Dolby C > Wav > CD Wav > xAct encoding to Flac notes 3701. 10/28/84 Flac 16 - 0, 106167 Berkeley Berkeley Community Theater flac16; Recording Info: Nakamichi 300/CP1 Mics -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 3702. 10/28/84 Flac 24/96 - 0, 145578 Berkeley Berkeley Community Theater flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row OO, seat 1; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 3703. 10/28/84 Flac 16 - 0, 145579 Berkeley Berkeley Community Theater flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row OO, seat 1; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 3704. 10/28/84 Flac 16 - 0, 20ß80 Berkeley Berkeley Community Theater flac16; AudMC > DAT > CD > EAC > FLAC Recoreded by Michael Parrish from taper section with 2 Nak mini-700s (with pressure zones) and 2 Senn 441s > battery powered DBX 224X > Sony D-6 (master cassette) - CD>FLAC by Noah Weiner, April 2005. notes 3705. 10/30/84 Shn - 0, 22256 Berkeley Berkeley Community Theater Source: Set 1: SBD>MC>DAT>CDR>WAV>SHN. Set 2: SBD>MC>DAT>CDR>WAV>SHN (first 3 tracks) AUD(Senn 441?s>Sony D-5)>MC>DAT>CDR>WAV>SHN (remainder of second set + encore) notes 3706. 10/30/84 Flac 16 - 0, 106168 Berkeley Berkeley Community Theater flac16; Recording Info: Nakamichi 300/CP1 Mics -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 3707. 10/30/84 Shn - 0, 17415 Berkeley Berkeley Community Theater Senn 441?s>Sony D-5. Lineage: AUD>MC>DAT>CDR via Raoul Duke encoded by Willy Munder and Matt Vernon notes 3708. 10/30/84 Flac 24/96 - 0, 145582 Berkeley Berkeley Community Theater flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row mm, seat 11; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 3709. 10/30/84 Flac 16 - 0, 145583 Berkeley Berkeley Community Theater flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row mm, seat 11; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 3710. 10/30/84 Flac 24/48 - 0, 150782 Berkeley Berkeley Community Theater flac24/48khz Source: MAUD CA Sennheiser mke2002 Binaural mics, worn on Seans head > Sony TCD5M|TDK MA90 x2 Location: Upper balcony, ROC Row O Seat 22 Lineage: Nakmichi LX5 > Marantz PMD661|SD Recorded by: Sean Murtha, Gary Steel, Executive Crew Transferred: Kyle Holbrook notes 3711. 10/30/84 Flac 16/44,1 - 0, 150783 Berkeley Berkeley Community Theater flac16/44.1khz Source: MAUD CA Sennheiser mke2002 Binaural mics, worn on Seans head > Sony TCD5M|TDK MA90 x2 Location: Upper balcony, ROC Row O Seat 22 Lineage: Nakmichi LX5 > Marantz PMD661|SD Recorded by: Sean Murtha, Gary Steel, Executive Crew Transferred: Kyle Holbrook notes 3712. 10/31/84 Flac 16 - 0, 106798 Berkeley Berkeley Community Theater flac16; SBD > Cassette Master > Cassette > FLAC; All Transfers and Mastering By Charlie Miller (note: This source was originally seeded as part of a collection of uncirculated SBD tracks.) notes 3713. 10/31/84 Flac 16/48 - 0, Berkeley Berkeley Community Theater flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k notes 3714. 10/31/84 Flac 16/48 - 0, 142494 Berkeley Berkeley Community Theater flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k notes 3715. 10/31/84 Shn - 0, 14947 Berkeley Berkeley Community Theater Source: AUD (Sennheiser 441) > CM > CDR > WAV > SHN. Thanks to Dr. B.Fried for the cassette masters. Original SHN conversion by Mike Lai. Note- This is a re-seed of previous seed by C Ladner; See info file for details notes 3716. 10/31/84 Flac 24/96 - 0, 145613 Berkeley Berkeley Community Theater flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90's; center floor, row OO, seat 13; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 3717. 10/31/84 Flac 16 - 0, 145614 Berkeley Berkeley Community Theater flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90's; center floor, row OO, seat 13; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 3718. 11/02/84 Shn - 0, 10172 Berkeley Berkeley Community Theater Set 1: SBD>Master Cassette> Cassette> DAT> CD> SHN:Set 2: SBD>PCM>DAT@44.1>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 >CDWav beta1.6(tracking only)> SHNv3 (MKW ACT) Set 1 source via Trip Bates shntool fixed version of Braverman SBD seed; Set 2 source: DAT via Joe Samaritano. Seeded to Fungus and abgd by Charlie Connor notes 3719. 11/02/84 Flac 16 - 0, 77878 Berkeley Berkeley Community Theater flac16; Sennheiser 421s? > PCM > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 > shntool > FLAC (lvl8) notes 3720. 11/02/84 Shn - 0, 9753 Berkeley Berkeley Community Theater Tony G shntool fix of original Braverman SBD seed; ; upgrade in circulation notes 3721. 11/02/84 Shn - 0, 9382 Berkeley Berkeley Community Theater Set 1: SBD> Master Cassette> Cassette> DAT> CD; Set 2: SBD> PCM> DAT> CD; via Charlie Miller; Seeded to etree by Peter Braverman; upgrade in circulation notes 3722. 11/02/84 Flac 24/96 - 0, 137968 Berkeley Berkeley Community Theater flac24; Monitor Mix Source: Soundboard (monitor mix) > Sony TC-D5 > Master [Maxell XLII-S90 cassette] Clone was made on a Aiwa CX-NA555 to a Maxell XLII-S90 cassette; Transfer: Sharp RT100 Deck[Clone Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/27/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Master Audience Source: Power Cards direct mics > Sony TC-D5 [Nakamichi SX-C90 Cassette] Transfer: Sharp RT100 Deck[Master Cassette & Clone Cassette] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/28/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Lineage: 96.00kHz/24bit wav > Adobe Audition 3.0. > WaveLab6 > iZotope Ozone 3 > CD Wave > TLH > Flac 24 notes 3723. 11/02/84 Flac 16 - 0, 137969 Berkeley Berkeley Community Theater flac16; Monitor Mix Source: Soundboard (monitor mix) > Sony TC-D5 > Master [Maxell XLII-S90 cassette] Clone was made on a Aiwa CX-NA555 to a Maxell XLII-S90 cassette; Transfer: Sharp RT100 Deck[Clone Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/27/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Master Audience Recording Source: Power Cards direct mics > Sony TC-D5 [Nakamichi SX-C90 Cassette] Transfer: Sharp RT100 Deck[Master Cassette & Clone Cassette] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/28/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Lineage: 96.00kHz/24bit wav > Adobe Audition 3.0. > WaveLab6 > iZotope Ozone 3 > CD Wave > TLH > Flac 16; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping notes 3724. 11/02/84 Flac 24/96 - 0, 147486 Berkeley Berkeley Community Theater flac24; source: aud cassette master; sennheiser 441's > sony d5; center floor, row nn, seat 27; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger notes 3725. 11/02/84 Flac 16 - 0, 147485 Berkeley Berkeley Community Theater flac16; source: aud cassette master; sennheiser 441's > sony d5; center floor, row nn, seat 27; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger notes 3726. 11/02/84 Flac 16/44 - , 152202 Berkeley Berkeley Community Theater flac14/44 Speed-correction done with Celemony Capstan by Roger Eichorn notes 3727. 11/03/84 Flac 16 - 0, 110773 Berkeley Berkeley Community Theater flac16; Recording Info: SBD -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 3728. 11/03/84 Flac 16 - 0, 78704 Berkeley Berkeley Community Theater flac16; Sennheiser 421s > PCM > DAT > Sony DTC-2000ES > M-Audio Delta 410 > Soundforge 8.0 wav > Adobe Audition 1.5 > Shntool > FLAC lvl8 notes 3729. 11/03/84 Shn - 0, 21761 Berkeley Berkeley Community Theater MSP > D > CD patched with MAC > C > C > D EAC & SHN conversion by John Mollman from Jim Powell's seed notes 3730. 11/03/84 Shn - 0, 8212 Berkeley Berkeley Community Theater SBD> MC> DAT> CD; Seeded to etree by Peter Braverman notes 3731. 11/03/84 Shn - 0, 18111 Berkeley Berkeley Community Theater AUD>MC>DAT>CDR via Raoul Duke, encoded by Willy and Matt Vernon notes 3732. 11/03/84 Flac 24/96 - 0, 147479 Berkeley Berkeley Community Theater flac24; source: aud cassette master; sennheiser 441's > sony d5; center floor, row nn, seat 19; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger notes 3733. 11/03/84 Flac 16 - 0, 147478 Berkeley Berkeley Community Theater flac16; source: aud cassette master; sennheiser 441's > sony d5 center floor, row nn, seat 19; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger notes 3734. 11/03/84 Flac 24/48 - 0, 150802 Berkeley Berkeley Community Theater flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head front Row Balcony 145 feet from stage DFC >Nakamichi 550 Maxell UDXLIIS 90 x 3 No Dolby -Lead deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Gary Steel notes 3735. 11/03/84 Flac 16/44,1 - 0, 150801 Berkeley Berkeley Community Theater flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head front Row Balcony 145 feet from stage DFC >Nakamichi 550 Maxell UDXLIIS 90 x 3 No Dolby -Lead deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Gary Steel notes 3736. 12/28/84 Flac 16 - 0, 132495 San Francisco San Francisco Civic Auditorium flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dan McDonald notes 3737. 12/28/84 Flac 16 - 0, 105002 San Francisco San Francisco Civic Auditorium flac16; TAPER: Greg Holtz & Tony Bolton SOURCE: Front Row OTS, Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename notes 3738. 12/28/84 Flac 16 - 0, 106103 San Francisco San Francisco Civic Auditorium flac16; Sennheiser 441 > Sony TCD5-M > Maxell MX CM>Nakamichi CR7A > Edirol R4Pro (Oade Preamp Mod ) > WaveBurner > xACT > FLAC notes 3739. 12/28/84 Flac 16 - 0, 118250 San Francisco San Francisco Civic Auditorium flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 3740. 12/28/84 Flac 24/48 - 0, 118249 San Francisco San Francisco Civic Auditorium flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 3741. 12/28/84 Flac 24/96 - 0, 140169 San Francisco San Francisco Civic Auditorium flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 notes 3742. 12/28/84 Flac 16 - 0, 140168 San Francisco San Francisco Civic Auditorium flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp notes 3743. 12/28/84 Flac 16/48 - 0, 142611 San Francisco San Francisco Civic Auditorium flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k notes 3744. 12/28/84 Flac 16/48 - 0, 142611 San Francisco San Francisco Civic Auditorium flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k notes 3745. 12/28/84 Shn - 0, 16584 San Francisco San Francisco Civic Auditorium Audience cassette > ? > DAT > CDR > SHN notes 3746. 12/28/84 Flac 16 - 0, 80953 San Francisco San Francisco Civic Auditorium flac16; Source: MAC: Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Location: 1st row balcony lip, DEAD Center Taper: Adam Transfer: MAC: Nakamichi CD2(played back on type IV setting, azimuth adjusted) > rca/xlr > Luntec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, conversion and upload to bt.etree.org by Alex Ford. notes 3747. 12/28/84 Flac 24/96 - 0, 148398 San Francisco San Francisco Civic Auditorium flac24; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 3748. 12/28/84 Flac 16/48 - 0, 148397 San Francisco San Francisco Civic Auditorium flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 3749. 12/28/84 Flac 24/48 - 0, 151178 San Francisco San Francisco Civic Auditorium flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4' pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode notes 3750. 12/28/84 Flac 16/44,1 - 0, 151177 San Francisco San Francisco Civic Auditorium flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4' pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode notes 3751. 12/28/84 Flac 24/48 - 0, 151176 San Francisco San Francisco Civic Auditorium flac24/48khz Source: Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD) Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode notes 3752. 12/28/84 Flac 16/44,1 - 0, 151175 San Francisco San Francisco Civic Auditorium flac16/44.1khz Source: Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD) Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode notes 3753. 12/28/84 Flac 16/48 - 0, 152227 San Francisco San Francisco Civic Auditorium flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 3754. 12/28/84 Flac 24/96 - 0, 152228 San Francisco San Francisco Civic Auditorium flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 3755. 12/29/84 Flac 16 - 0, 106169 San Francisco San Francisco Civic Auditorium flac16; Recording Info: SBD -> ? -> Cassette (Maxell XLII-S90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 3756. 12/29/84 Flac 16 - 0, 132520 San Francisco San Francisco Civic Auditorium flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Recorded by the Oade Brothers; Mastering by Dan McDonald & Dave Usborne notes 3757. 12/29/84 Flac 16 - 0, 105032 San Francisco San Francisco Civic Auditorium flac16; TAPER: Greg Holtz & Tony Bolton. SOURCE: Front Row Balcony, Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M. TRANSFER: By (JAZ) Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename notes 3758. 12/29/84 Flac 16 - 0, 118252 San Francisco San Francisco Civic Auditorium flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 3759. 12/29/84 Flac 16 - 0, 95694 San Francisco San Francisco Civic Auditorium flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Michael Kirschner; All Transfers and Mastering By Charlie Miller notes 3760. 12/29/84 Flac 24/48 - 0, 118251 San Francisco San Francisco Civic Auditorium flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 3761. 12/29/84 Flac 16 - 0, 140187 San Francisco San Francisco Civic Auditorium flac16; Recording Info: 1st Set: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); 2nd Set: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: 1st Set: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 24/96 > dBpoweramp 16/44 > Adobe Audition 3.0 > TLH flac16; 2nd Set: Master PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes 3762. 12/29/84 Flac 16/48 - 0, 142761 San Francisco San Francisco Civic Auditorium flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k notes 3763. 12/29/84 Shn - 0, 12926 San Francisco San Francisco Civic Auditorium AUD>?>CDR>EAC>SHN>WAV(re-tracked)>SHN; via Brian Bontempo; Seeded to etree by jim@juddcreek notes 3764. 12/29/84 Flac 16 - 0, 81758 San Francisco San Francisco Civic Auditorium flac16; MAC; 2 Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Location: Front row of balcony, Dead Center Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Taper: Mark McCue Lineage: MAC > Nakamichi Cassette Deck 2(azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(A/D at 24bit/96kHz) > coax > Audiophile 2496 > WaveLab 5 > editing > Waves L3 UltraMaximizer > 16 bit 44.1 kHz > CDWave Editor > TLH > FLAC16 notes 3765. 12/29/84 Shn - 0, 87705 San Francisco San Francisco Civic Auditorium Source Update: Unknown Audience Source (Had been marked:MSC > C > DAT > WAV > SHN with patches from Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN) notes 3766. 12/29/84 Shn - 0, 24294 San Francisco San Francisco Civic Auditorium Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN notes 3767. 12/29/84 Flac 24/48 - 0, San Francisco San Francisco Civic Auditorium notes 3768. 12/29/84 Flac 24/96 - 0, 148400 San Francisco San Francisco Civic Auditorium flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 3769. 12/29/84 Flac 16/48 - 0, 148399 San Francisco San Francisco Civic Auditorium flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 3770. 12/29/84 Flac 24/48 - 0, 151202 San Francisco San Francisco Civic Auditorium flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals headworn > lead Sony TCD5M > s1:maxell UDXLIIS90 No Dolby; s2:Maxell MX90 No Dolby -lead deck run by CK. Source 2: # MAUDCA (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M) Kirshner|Miller Location: 40-50 feet from stage DFC on Kyle's head Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode notes 3771. 12/29/84 Flac 16/44,1 - 0, 151201 San Francisco San Francisco Civic Auditorium flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals headworn > lead Sony TCD5M > s1:maxell UDXLIIS90 No Dolby; s2:Maxell MX90 No Dolby -lead deck run by CK. Source 2: # MAUDCA (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M) Kirshner|Miller Location: 40-50 feet from stage DFC on Kyle's head Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode notes 3772. 12/29/84 Flac 24/96 - 0, 152536 San Francisco San Francisco Civic Auditorium flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 3773. 12/29/84 Flac 16/48 - 0, 152535 San Francisco San Francisco Civic Auditorium flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 3774. 12/31/84 Flac 16 - 0, 106351 San Francisco San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLII-S90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes 3775. 12/31/84 Flac 16 - 0, 128592 San Francisco San Francisco Civic Auditorium flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Droncit; No changes to the file except for minor edits, fade-ins/fade-outs, and level changes as needed. One short blank space in Jack Straw cut out for flow. Editing with Diamond Cut Forensics 8 and Forensics 9 (alpha). Paragraphic and Spectral Filters applied for equalization. notes 3776. 12/31/84 Flac 16 - 0, 118306 San Francisco San Francisco Civic Auditorium flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 3777. 12/31/84 Flac 16 - 0, 105154 San Francisco San Francisco Civic Auditorium flac16; TAPER: Greg Holtz & Tony Bolton SOURCE: Front Row Balcony, Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename notes 3778. 12/31/84 Flac 16 - 0, 96435 San Francisco San Francisco Civic Auditorium flac16; Nak 300 shotguns w/D6 OTS MAC>NakCR-3A>HD>Audacity>CDwave>TLH; recorded and transferred by Russ Cansler notes 3779. 12/31/84 Flac 24/48 - 0, 118305 San Francisco San Francisco Civic Auditorium flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 3780. 12/31/84 Flac 16 - 0, 32347 San Francisco San Francisco Civic Auditorium flac16; Recording Info: FM -> Master Reel (1/4 Track 7.5ips Dolby B Tandberg Deck) -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC notes 3781. 12/31/84 Shn - 0, 6395 San Francisco San Francisco Civic Auditorium SB > MR > ?? [apparently FM] > DAT > CDR > EAC> SHN; EAC, SHN, etreed by G.Gorinsky; with thanks to Bill Golden notes 3782. 12/31/84 Flac 16 - 0, 82046 San Francisco San Francisco Civic Auditorium flac16; MAC; 2 Sennheiser 421s > Sony D5 > TDK MA-R 90 (Set I & II) & Maxell MX 90 (Set III) Location: 1st row of balcony, Dead Center Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3 (24bit/96kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24bit/96kHz .wav files (1 per tape side) > Waves L3 UltraMaximizer(dither) > 16bit/44.1kHz > CD Wave Editor > TLH > FLAC16. notes 3783. 12/31/84 Flac 16 - 0, 106684 San Francisco San Francisco Civic Auditorium flac16; Recording Info: AKG Mics -> Cassette Master (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Rango Keshavan; All Transfers and Mastering By Charlie Miller notes 3784. 12/31/84 Flac 16 - 0, 140160 San Francisco San Francisco Civic Auditorium flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 notes 3785. 12/31/84 Flac 24/96 - 0, 140161 San Francisco San Francisco Civic Auditorium flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 notes 3786. 12/31/84 Flac 16 - 0, 147328 San Francisco San Francisco Civic Auditorium flac16; Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1; Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16 notes 3787. 12/31/84 Flac 16 - 0, 121725 San Francisco San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLII-S90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; This is a remaster of source ID 106251; All Transfers and Mastering By Charlie Miller notes 3788. 12/31/84 Flac 24/96 - 0, 148402 San Francisco San Francisco Civic Auditorium flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 3789. 12/31/84 Flac 16/48 - 0, 148401 San Francisco San Francisco Civic Auditorium flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 3790. 12/31/84 Flac 24/48 - 0, 151278 San Francisco San Francisco Civic Auditorium flac24/48khz Master: Sennheiser 421's, NORTF, front row balcony 150 feet from stage>Sony TCD5M; Maxell MX 90 w/dolby B Nr second deck in line; patched from Eddie Claridge mics & rig. Transfer: Nakamichi LX-5|ESI Juli@ @24/48||WIN10| Audacity| cdwav editor | TLH | FLAC Recorded by: Executive Crew- Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode Transferred by Kyle Holbrook notes 3791. 12/31/84 Flac 16/44,1 - 0, 151277 San Francisco San Francisco Civic Auditorium flac16/44.1khz Master: Sennheiser 421's, NORTF, front row balcony 150 feet from stage>Sony TCD5M; Maxell MX 90 w/dolby B Nr second deck in line; patched from Eddie Claridge mics & rig. Transfer: Nakamichi LX-5|ESI Juli@ @24/48||WIN10| Audacity| cdwav editor | TLH | FLAC Recorded by: Executive Crew- Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode Transferred by Kyle Holbrook notes 3792. 12/31/84 Flac 16/48 - , 154659 San Francisco San Francisco Civic Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 150896) Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1 Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16 + AUD (shnid = 140161) Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 - surround mixing by Kevin Tobin notes 3793. 12/31/84 Dts Audio 5.1 - , 154658 San Francisco San Francisco Civic Auditorium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 150896) Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1 Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16 + AUD (shnid = 140161) Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 - dts mixing by Kevin Tobin notes 3794. 12/31/84 Flac 16 Mtx - , 154657 San Francisco San Francisco Civic Auditorium flac16; Matrix 2 Source Mix - SBD (shnid = 150896) Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1 Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16 + AUD (shnid = 140161) Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 - matrix mixing by Kevin Tobin notes 3795. ??/??/84 Shn - 0, 16613 San Rafael? 1984 Studio Material demos and rehearsals; Master Cassette Soundboard-> DAT-> Sonic Solutions-> CD-> EAC-> SHN; CD-> EAC-> SHN Done by Joe Samaritano from Gans seed; part of the KPFA Marathon broadcast on 2/22/2003 by David Gans notes 3796. 02/18/85 Shn - 0, 7588 Oakland Henry J. Kaiser Convention Center SBD>CM>DAT>SoundForge>CD; Source DAT from Charlie Miller; see info file for more detailed lineage; via John Spaventa; Seeded to etree by Willy notes 3797. 02/18/85 Flac 16 - 0, 105539 Oakland Henry J. Kaiser Convention Center flac16; Source: Audience recording > Nakamichi CM-100's CP-4 caps > Sony WM-D5 > mac Lineage: mac > Tascam 122B > Tascam HD-P2 > 24/48 wav > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > flac 16 taped by Gregg Holtz from OTS notes 3798. 02/18/85 Flac 16 - 0, 82843 Oakland Henry J. Kaiser Convention Center flac16; MAC; Sennheiser 421s > Sony TC-MD5 > Maxell MX90s Location: behind SBD Taper: Mark McCue Transfer: MAC > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Wave L3 UltraMaximizer (dither to 16 bit 44.1kHz) > CD Wave Editor > Trader's Little Helper > FLAC16. Transfer, dither and conversion by Alex Ford 02/23/2007. notes 3799. 02/18/85 Flac 16 - 0, 112038 Oakland Henry J. Kaiser Convention Center flac16; Source: 3 Sennheiser 421 microphones (up front-center) > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 3800. 02/19/85 Shn - 0, 9879 Oakland Henry J. Kaiser Convention Center SBD>MC>C>DAT>C>C>ZA2>CDR Lineage may be incorrect based on Nice Sound Quality It just sounds too good to be 4 analogs; via raul; Seeded to etree by steve barbella notes 3801. 02/19/85 Flac 16 - 0, 106685 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: AKG C422 (M/S) -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Joani Walker; All Transfers and Mastering By Charlie Miller notes 3802. 02/19/85 Flac 16 - 0, 82946 Oakland Henry J. Kaiser Convention Center flac16; MAC; (FOB) Sennheiser 421s > Sony D5 > Maxell MX 90s Taper: Mark McCue Transfer: MAC > Nakamich Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer > 16 bit WAV > CD Wave Editor > TLH > FLAC16. Master Audience cassettes provided by Mark McCue Transfer, editing and conversion by Alex Ford notes 3803. 02/19/85 Flac 16 - 0, 112126 Oakland Henry J. Kaiser Convention Center flac16; Source: 2 Beyer M160 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 3804. 02/20/85 Shn - 0, 21917 Oakland Henry J. Kaiser Convention Center SBD ->Cassette Master -> Cassette -> Dat -> Cassette -> CD -> EAC -> SHN notes 3805. 02/20/85 Flac 16 - 0, 83096 Oakland Henry J. Kaiser Convention Center flac16; MAC; (FOB) Sennheiser 421s > Sony D5 > Maxell MX90s Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer > 16 bit WAV > CD Wave Editor > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue Transfer, editing and conversion by Alex Ford 03/06/2007. notes 3806. 02/20/85 Flac 16 - 0, 106686 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: AKG C422 (M/S) -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Joani Walker; All Transfers and Mastering By Charlie Miller notes 3807. 02/20/85 Shn - 0, 5303 Oakland Henry J. Kaiser Convention Center aud> senn 441> cassette master> cdr; via Mike Lai with thanks to Alan Powell notes 3808. 02/20/85 Flac 16 - 0, 110930 Oakland Henry J. Kaiser Convention Center flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3809. 02/??/85 Flac 16 - 0, 107163 Unknown Unknown flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16 notes 3810. 03/09/85 Flac 16 - 0, 104962 Berkeley Berkeley Community Theater flac16; Recording Info:SBD -> Cassette Master -> ? -> Cassette -> FLAC; Transfer Info:FLAC -> WAV -> Cool Edit Pro v2.0 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade to shnid 97331 notes 3811. 03/09/85 Flac 16 - 0, 91881 Berkeley Berkeley Community Theater flac16; Source: SBD Transfer: Nak MR-1(Maxell XLII-S 90min) -> DAW -> M-Audio 66 -> Wavelab v.5 Re-Master: Wavelab v5: Ozone, graphical Edits, Fades -> CDWave Compression: FlacFrontend Level 8 -> TLH: shntool, ffp, md5 notes 3812. 03/09/85 Flac 16 - 0, 84027 Berkeley Berkeley Community Theater flac16; MAC; Sennheiser 421s > Sony D5 > TDK MA90s Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > Waves L2 Ultramaximizer (dither) > WAV @ 16/44.1 > TLH > FLAC16. Transfer, all edits, conversion & seeding by Alex Ford notes 3813. 03/09/85 Flac 16 - 0, 97331 Berkeley Berkeley Community Theater flac16; Source: sbd > ? > cassette (Maxell XLII). Transfer: Sony TC-FX150 cassette player > "Santa Cruz" sound card > Nero SoundTrax > CDWav > TLH > FLAC16. Transferred, tracked & seeded by Chris Quinn; Upgrade in circulation notes 3814. 03/09/85 Shn - 0, 26334 Berkeley Berkeley Community Theater Realistic PZM mics, taper section > Sony TC-D5M cassette deck > Maxell MX-90 cassettes; Transfer: SF> CD Wave> MKW-ACT SHN; via seabass? notes 3815. 03/09/85 Shn - 0, 14448 Berkeley Berkeley Community Theater Unknown aud via Jim Decker, pitch correction Jeff Cotsman, shn encoding Matt Vernon notes 3816. 03/09/85 Flac 16 - 0, 96610 Berkeley Berkeley Community Theater flac16; Recorded by Tazuo Yamaguchi; Nak 700 cardiods on 12 inch pzm plates> poris preamp> Sony TC-D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes 3817. 03/10/85 Flac 16 - 0, 96594 Berkeley Berkeley Community Theater flac16; Taper: Greg Holtz Source: Nakamichi cm 300's CP-4 guns -> D-5 Transfer: (By JAZ) Cassette Master (Maxell Super Fine Epilaxial XLII-s 90's) -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII Compact Flash -> USB -> Mastered with UAD Technology in Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8 notes 3818. 03/10/85 Flac 16 - 0, 83219 Berkeley Berkeley Community Theater flac16; LINEAGE: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC notes 3819. 03/10/85 Flac 16 - 0, 84291 Berkeley Berkeley Community Theater flac16; Sennheiser 421s > Sony D5 > 2 TDK MA90s Location: directly behind SBD Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3(@ 24/96) > coax > Audiophile 2496 > WaveLab 5 > WAV @2496 > Waves L2 (dither) > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion & seeding by Alex Ford notes 3820. 03/10/85 Flac 16 - 0, 96630 Berkeley Berkeley Community Theater flac16; Recorded by Tazuo Yamaguchi; Nak 700 cardiods on 12 inch pzm plates (spread 4 seats apart)> dbx 224> poris preamp> Sony D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes 3821. 03/10/85 Shn - 0, 10255 Berkeley Berkeley Community Theater FOB Senn421's > Master Cassette > DAT > CD; via Raul Duke; Seeded to etree by Steve Barbella notes 3822. 03/12/85 Flac 16 - 0, 96701 Berkeley Berkeley Community Theater flac16;Taper: Greg Holtz Source: Nakamichi cm 300's CP-4 guns -> Sony D-5 Transfer: (By JAZ) Cassette Master (Maxell Super Fine Epilaxial XLII-s 90's) -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII Compactflash -> USB -> Mastered with UAD Technology in Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8 notes 3823. 03/12/85 Flac 16 - 0, 84323 Berkeley Berkeley Community Theater flac16; MAC; Sennheiser 421's > Sony TC-D5M > TDK MA90 Cassettes Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @24/96 > Waves L2 (dither) > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion and seeding by Alex Ford. notes 3824. 03/12/85 Flac 16 - 0, 83444 Berkeley Berkeley Community Theater flac16; Lineage: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX Transfer: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC notes 3825. 03/12/85 Shn - 0, 10256 Berkeley Berkeley Community Theater FOB Senn421's > Master Cassette > DAT > CD; via Raoul Duke; Seeded to etree by Steve Barbella notes 3826. 03/12/85 Shn - 0, 26433 Berkeley Berkeley Community Theater Sennheiser MD-421's > Sony TC-D5M > Maxell MX-90 cassettes, Set up in the taper's section; CD Wave tracking> Mkw-ACT shn; Transferred by AndrewF notes 3827. 03/12/85 Flac 16 - 0, 96439 Berkeley Berkeley Community Theater flac16; Recorded by Tazuo Yamaguchi; Nak 700 cardiods on 12 inch pzm plates> dbx 224> poris preamp> Sony TC-D5; mics were spread 4 seats apart Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes 3828. 03/13/85 Flac 16 - 0, 117344 Berkeley Berkeley Community Theater flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 3829. 03/13/85 Flac 16 - 0, 84490 Berkeley Berkeley Community Theater flac16; MAC; Sennheiser 421s > Sony D5 > TDK MA90 cassettes Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@24/96) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @24/96 > Waves L2 > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion and seeding by Alex Ford 4/24/2007. notes 3830. 03/13/85 Flac 16 - 0, 77347 Berkeley Berkeley Community Theater flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90/Dolby B) Transfer Info: Cassette Master (Sony TC-WE475/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 3831. 03/13/85 Flac 24/96 - 0, 117343 Berkeley Berkeley Community Theater flac24; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes 3832. 03/13/85 Shn - 0, 9961 Berkeley Berkeley Community Theater Master Soundboard Cassette > DAT > CDR; via raul; Seeded to etree by steve barbella; upgrade in circulation notes 3833. 03/13/85 Flac 16 - 0, 32017 Berkeley Berkeley Community Theater flac16; Nakamichi CM-300's w/CP-4 shotguns > Sony TC-D5M, taper's section. Taped onto Maxell MX-90, with Dolby off for recording and playback Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > Trader's Little Helper > FLAC Frontend notes 3834. 03/21/85 Flac 16 - 0, 82311 Hampton Hampton Coliseum flac16; Unknown SBD source > Cass(x) > WAV > CD > WAV > FLAC notes 3835. 03/21/85 Flac 16 - 0, 33949 Hampton Hampton Coliseum flac16; (FOB) 2 Sennheiser 421's > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum core (Set II)]. Tapers: Mark McCue, Adam, Monica & John. Transfer, cuts, fades, encoding and seeding to bt.etree.org by Alex Ford. notes 3836. 03/21/85 Flac 24 - 0, 140837 Hampton Hampton Coliseum flac24; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96;Checksum & tags created in xACT notes 3837. 03/21/85 Flac 24 - 0, 140865 Hampton Hampton Coliseum flac24; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 3838. 03/21/85 Flac 16 - 0, 141205 Hampton Hampton Coliseum ; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 3839. 03/21/85 Flac 24/96 - 0, 124555 Hampton Hampton Coliseum flac24; lineage: sennheiser 421 fob> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3840. 03/21/85 Shn - 0, 9976 Hampton Hampton Coliseum FOB-AUD>MC>CDR Mark Horvath recording, Senn. 421?s>Sony TC-D5; via Paul B; Seeded to etree by Brad Ingle notes 3841. 03/21/85 Flac 16 - 0, 87046 Hampton Hampton Coliseum flac16; taper : Joe D'Amico nak 300 mics > sony d5 nak dragon deck > creative extigy souncard>cool edit pro >flac frontend notes 3842. 03/21/85 Flac 16 - 0, 117820 Hampton Hampton Coliseum flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 3843. 03/21/85 Flac 24/96 - 0, 150707 Hampton Hampton Coliseum 24 bit Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching) > FLAC 2496 notes 3844. 03/21/85 Flac 16 - 0, 150706 Hampton Hampton Coliseum 16 bit Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching, resample, MBit+ dither) > FLAC 16 notes 3845. 03/22/85 Flac - 0, 23144 Hampton Hampton Coliseum Oade Brothers Recording: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac notes 3846. 03/22/85 Flac - 0, 34470 Hampton Hampton Coliseum MAC (FOB) 2 Sennheiser 421's > Sony TC-D5 > 2 TDK MA90's; Tapers: Mark McCue, Adam, Monica & John; Transfer, encoding and seeding to bt.etree.org by Alex Ford notes 3847. 03/22/85 Flac 24/96 - 0, 140838 Hampton Hampton Coliseum flac24; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 3848. 03/22/85 Flac 24 - 0, 140867 Hampton Hampton Coliseum flac24; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 3849. 03/22/85 Flac 16 - 0, 141206 Hampton Hampton Coliseum flac16; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 3850. 03/22/85 Flac 24/96 - 0, 124570 Hampton Hampton Coliseum flac24; lineage: sennheiser 421 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3851. 03/22/85 - 0, 87093 Hampton Hampton Coliseum flac16; Taper Joe D'Amico Nak 300 Mics > Sony D5 Nak Dragon Tape Deck > Creative Extigy Soundcard > Cooledit Pro > Flac Frontend notes 3852. 03/22/85 Shn - 0, 13782 Hampton Hampton Coliseum Taper:Mark Gibbs Nak 300's > Sony D5 > Master CASS > SoundMAX Digital Audio > CD Wav > SHN Transferred by John Hudson notes 3853. 03/22/85 Flac 16 - 0, 117821 Hampton Hampton Coliseum flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 3854. 03/22/85 Shn - 0, 8593 Hampton Hampton Coliseum 2nd set only; AUD>PCM>DAT>CDR; Seeded to etree by Brad Ingle notes 3855. 03/22/85 Shn - 0, 35257 Hampton Hampton Coliseum Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHNs Recorded, transfered and seeded by Charles Bandrofcheck notes 3856. 03/22/85 Flac 16/48 - 0, 148303 Hampton Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - AUD1 (shnid = 23144) Oade Brothers Recording: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac + AUD2 (shnid = 87093) Taper Joe D'Amico Nak 300 Mics > Sony D5 Nak Dragon Tape Deck > Creative Extigy Soundcard > Cooledit Pro > Flac Frontend - surround mixing by Kevin Tobin notes 3857. 03/22/85 Flac 16 Dts.5.1 - 0, 148302 Hampton Hampton Coliseum DTS-Audio-CD 5.1 Mix; - AUD1 (shnid = 23144) Oade Brothers Recording: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac + AUD2 (shnid = 87093) Taper Joe D'Amico Nak 300 Mics > Sony D5 Nak Dragon Tape Deck > Creative Extigy Soundcard > Cooledit Pro > Flac Frontend - dts mixing by Kevin Tobin notes 3858. 03/22/85 Flac 16 - 0, 148300 Hampton Hampton Coliseum flac16; Patched & Pitch Corrected Audience - AUD (original shnid = 87093) Taper Joe D'Amico Nak 300 Mics > Sony D5 Nak Dragon Tape Deck > Creative Extigy Soundcard > Cooledit Pro > Flac Frontend - pitch correction and patches by Kevin Tobin notes 3859. 03/22/85 Flac 16 Mtx - 0, 148301 Hampton Hampton Coliseum flac16; Matrix 2 Audience Source Mix - AUD1 (shnid = 23144) Oade Brothers Recording: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac + AUD2 (shnid = 87093) Taper Joe D'Amico Nak 300 Mics > Sony D5 Nak Dragon Tape Deck > Creative Extigy Soundcard > Cooledit Pro > Flac Frontend - matrix mixing by Kevin Tobin notes 3860. 03/22/85 Flac 24/96 - 0, 149239 Hampton Hampton Coliseum flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 3861. 03/22/85 Flac 16/48 - 0, 149238 Hampton Hampton Coliseum flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 3862. 03/22/85 Flac 24/96 - 0, 150715 Hampton Hampton Coliseum 24 bit Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching) > FLAC 2496 notes 3863. 03/22/85 Flac 16 - 0, 150714 Hampton Hampton Coliseum 16 bit Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching, resample, MBit+ dither) > FLAC 16 notes 3864. 03/24/85 Shn - 0, 11699 Springfield Springfield Civic Center 2nd set only; SBD>?>CD; via Tommy Danscuk; Seeded to etree by Willy notes 3865. 03/24/85 Flac 16 - 0, 130232 Springfield Springfield Civic Center flac16; Set 1: Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne; Set 2 Source: gd85-03-24.oade.connor.8461.sbeok.shnf: Oade's Master Audience PCM: Schoeps CMC-441 mics > Oade M118 > Sony PCM-F1 > DAT > CDR > EAC > Shn; Converted to flac using Traders Little Helper notes 3866. 03/24/85 Flac 16 - 0, 125720 Springfield Springfield Civic Center flac16; 2 M-160s and Sony TC-D5m Cassette Master; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670 notes 3867. 03/24/85 Flac 16 - 0, 99178 Springfield Springfield Civic Center flac16; Nakamichi 700's > d6 > MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit + > 16/44.1 Wave > Flac notes 3868. 03/24/85 Shn - 0, 8461 Springfield Springfield Civic Center Oade's Master Audience PCM>Schoeps CMC-441 mics>Oade M118>Sony PCM-F1>DAT>CDR>EAC>Shn EAC'ed/Shn'ed and seeded to fungus and abgd by Charlie Connor 3/26/02 with thanks To Scott Clugston and to Doug Oade. notes 3869. 03/24/85 Flac 24 - 0, 140840 Springfield Springfield Civic Center flac24; Source Info: Robert Bryant's Master Audience Cassettes; unknown mics > Sony TC-D5M; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac2496 notes 3870. 03/24/85 Flac 16 - 0, 140839 Springfield Springfield Civic Center notes 3871. 03/24/85 Flac 24/96 - 0, 124603 Springfield Springfield Civic Center flac24; lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3872. 03/24/85 Flac 24/96 - 0, 114485 Springfield Springfield Civic Center flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes 3873. 03/24/85 Flac 16 - 0, 87182 Springfield Springfield Civic Center flac16; audio tech mics > sony d-6 nak dragon tape deck > creative extigy soundcard> cool edit pro > flac frontend taper Joe D'Amico notes 3874. 03/24/85 Flac 16 - 0, 112149 Springfield Springfield Civic Center flac16; Source: 2 Sennheiser 421 microphones (up front-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 3875. 03/24/85 Flac 16 - 0, 106780 Springfield Springfield Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris. Transferred & edited by Bob Morris 10/09. notes 3876. 03/24/85 Flac 16 - 0, 106779 Springfield Springfield Civic Center flac16; Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller notes 3877. 03/24/85 Flac 16 - 0, 34619 Springfield Springfield Civic Center flac16; MAC: (FOB) 2 Sennheiser 421's > Sony TC-D5 > TDK MA90's Tapers: Mark McCue, Adam, Monica & John Transfer, minor editing, encoding and seeding to bt.etree.org by Alex Ford 05/08/2006. notes 3878. 03/24/85 Flac 16 - 0, 78645 Springfield Springfield Civic Center flac16; Source: *Beyer M88's>Sony D5M Location: *At SBD, stand at 9 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16 bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S notes 3879. 03/24/85 Flac 24/96 - 0, 145291 Springfield Springfield Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 3880. 03/24/85 Flac 16 - 0, 145292 Springfield Springfield Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 3881. 03/24/85 Flac 24/96 - 0, 149243 Springfield Springfield Civic Center flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 3882. 03/24/85 Flac 16/48 - 0, 149242 Springfield Springfield Civic Center flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 3883. 03/25/85 Flac 16 - 0, 84410 Springfield Springfield Civic Center flac16; Original SRC: MSC>Cass.>DAT>CDR>SHN Edit: SHN > WAV > repitch and patch in Cool Edit Pro > FLAC. Patched with Oade Schoeps PCM; Pitch corrected and patched version of shnid shn id 15403 by Bill Tetzeli notes 3884. 03/25/85 Flac 16 Mtx - 0, 132153 Springfield Springfield Civic Center flac16; 2 source matrix by Dusborne; Soundboard (shnid:084410) Pitch fix of shnid 15403 Original SRC: MSC>Cass.>DAT>CDR>SHN; Edit: SHN > WAV > repitch and patch in Cool Edit Pro > FLAC and Audience (shnid:23222) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Recorded by the Oade Brothers notes 3885. 03/25/85 Flac 24/48 - 0, 132989 Springfield Springfield Civic Center flac24; AUD: Beyers M88's > lead deck Sony D5 > Sony TC-D5M > TDK MA-90's, with no Dolby, set up in second row of seats at end of the floor. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Recording and transfer by Andrew F. 05/2015 notes 3886. 03/25/85 Flac 16 - 0, 132990 Springfield Springfield Civic Center flac16; AUD: Beyers M88's > lead deck Sony D5 > Sony TC-D5M > TDK MA-90's, with no Dolby, set up in second row of seats at end of the floor. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Recording and transfer by Andrew F. 05/2015 notes 3887. 03/25/85 Flac - 0, 23222 Springfield Springfield Civic Center Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Recorded by the Oade Brothers Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net) notes 3888. 03/25/85 Shn - 0, 15403 Springfield Springfield Civic Center MSC>Cass.>DAT>CDR>SHN; Audio Discs from Andy L; EAC'ed & SHN'ed by tbrame; upgrade in circulation notes 3889. 03/25/85 Flac 24 - 0, 140842 Springfield Springfield Civic Center flac24; Source Info: Robert Bryant's Master Audience Cassettes; unknown mics > Sony TC-D5M; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac2496 notes 3890. 03/25/85 Flac 16 - 0, 140841 Springfield Springfield Civic Center flac16; Source Info: Robert Bryant's Master Audience Cassettes; unknown mics > Sony TC-D5M; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp notes 3891. 03/25/85 Flac 24/96 - 0, 124626 Springfield Springfield Civic Center flac24; lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3892. 03/25/85 Flac 24/96 - 0, 114486 Springfield Springfield Civic Center flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes 3893. 03/25/85 Flac 24/96 - 0, 145310 Springfield Springfield Civic Center flac24: source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 3894. 03/25/85 Flac 16 - 0, 145311 Springfield Springfield Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 3895. 03/25/85 Shn - 0, 14497 Springfield Springfield Civic Center Pitch corrected AUD Lineage: Nak 300 mics, Phil's side, next to board, -> Sony D5, -> HHb 850 -> SHN -> Schlisseltronics -> SHN notes 3896. 03/25/85 Flac 16 - 0, 34684 Springfield Springfield Civic Center flac16; MAC: (FOB) 2 Sennheiser 421s > Sony TC-D5 > 2 TDK MA90s Master Cassettes supplied by Mark McCue. Transfer, minor edits, conversion and seeding to bt.etree.org by Alex Ford. notes 3897. 03/25/85 Flac 16 - 0, 78800 Springfield Springfield Civic Center flac16; Source: *Beyer M88's>Sony D5M Location: *At SBD, stand at 9 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16bit>Cdwav>flac16 Taped, Transfered and uploaded by Tony S notes 3898. 03/25/85 Flac 16 - 0, 107547 Springfield Springfield Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 3899. 03/25/85 Flac 16 - 0, 112152 Springfield Springfield Civic Center flac16; Source: 2 Beyer M160 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 3900. 03/25/85 Flac 24/96 - 0, 149267 Springfield Springfield Civic Center flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 3901. 03/25/85 Flac 16/48 - 0, 149266 Springfield Springfield Civic Center flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 3902. 03/25/85 Flac 24/96 - 0, 150739 Springfield Springfield Civic Center Flac24 Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching) > FLAC 2496 notes 3903. 03/25/85 Flac 16 - 0, 150738 Springfield Springfield Civic Center Flac16 Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching, resample, MBit+ dither) > FLAC 16 notes 3904. 03/25/85 Flac 16/48 - 0, 150966 Springfield Springfield Civic Center flac16/48khz Source Info: Master Vault Cassettes > Dick Latvala's 1st generation cassettes > Rob Eaton's DAT (16-48) > Tim Dalton's DAT (16-48) Transfer Info: Vault Cassettes (Tascam 122 MKIII) > Dick Latvala's Cassettes (Tascam 122 MKIII); Dick's 1st generation cassettes played back on a Nakamichi Dragon > Panasonic SV-3800 DAT (16-48) by Rob Eaton; Rob Eaton's DAT 16-48 (Panasonic SV-3800) > Tim Dalton's DAT (Panasonic SV-3800)(16-48); Tim Dalton's DAT (16-48)(Sony PCM R-500) > Tascam DA-3000 (DSF 1-bit-5.6 MHz)> .wav (16-48) > Adobe Audition CC 2020 > TLH flac1648 Mastered by Scott Clugston. February 2020 notes 3905. 03/27/85 Shn - 0, 8567 Uniondale Nassau Veterans Memorial Coliseum SBD> MC> C> DAT> CDR> WAV> SHN; DAE, FTP via neo_levo notes 3906. 03/27/85 Flac - 0, 23442 Uniondale Nassau Veterans Memorial Coliseum Recorded by the Oade Brothers;Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net) notes 3907. 03/27/85 Flac 24/96 - 0, 140844 Uniondale Nassau Veterans Memorial Coliseum flac24; Set 2 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 3908. 03/27/85 Flac 16 - 0, 141207 Uniondale Nassau Veterans Memorial Coliseum flac16; Set 2 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 3909. 03/27/85 Flac 24/96 - 0, 124675 Uniondale Nassau Veterans Memorial Coliseum flac24; lineage: sennheiser 421 (fob)> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3910. 03/27/85 Flac 24/96 - 0, 103144 Uniondale Nassau Veterans Memorial Coliseum flac24; nak300/cp4 (ots, 12') > sony tcd5m > tdk-ma (dolby on, master) playback: tcd5m (same as recorder) > minime (24/96) > sd744 > audacity > xact (flac) notes 3911. 03/27/85 Shn - 0, 7369 Uniondale Nassau Veterans Memorial Coliseum updated source: PCM AUD (unknown taper/mics)> PCM> DAT> CDR(1)> SHN, big thanks to David Minches for the seed (had been marked unknown aud); via Scott Zarnegar; Matt Vernon notes 3912. 03/27/85 Flac 16 - 0, 34778 Uniondale Nassau Veterans Memorial Coliseum flac16; MAC: (FOB) 2 Sennheiser 421's > Sony D5 > TDK MA90's Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Transfer, editing, conversion and seeding by Alex Ford. Master Cassettes provided by Mark McCue. notes 3913. 03/27/85 Shn - 0, 78403 Uniondale Nassau Veterans Memorial Coliseum Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel notes 3914. 03/27/85 Flac 16 - 0, 87209 Uniondale Nassau Veterans Memorial Coliseum flac16; taper Joe D'Amico audio tech mics > sony d5 > ? > flac notes 3915. 03/27/85 Flac 16 - 0, 106784 Uniondale Nassau Veterans Memorial Coliseum flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris. Transferred & edited by Bob Morris 10/09. notes 3916. 03/27/85 Flac 16 - 0, 107391 Uniondale Nassau Veterans Memorial Coliseum flac16; source: 2 Beyer M160 Microphones > Sony TC-D5M - 25 feet from stage (mic's on a stand @ almost 6 feet) > analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 3917. 03/27/85 Flac 24/96 - 0, 149304 Uniondale Nassau Veterans Memorial Coliseum flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 3918. 03/27/85 Flac 16/48 - 0, 149303 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 3919. 03/27/85 Flac 16 - 0, 149949 Uniondale Nassau Veterans Memorial Coliseum flac16; AKG 224’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche notes 3920. 03/27/85 Flac 24/48 - 0, 152066 Uniondale Nassau Veterans Memorial Coliseum flac24/48 Source: Master AUDCA: Beyer M201's XY > Nakamichi 550 > 2nd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by ??. Location: 40 feet from stage DFC, 8 ft up Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt notes 3921. 03/27/85 Flac 16/44 - 0, 152065 Uniondale Nassau Veterans Memorial Coliseum flac16/44 Source: Master AUDCA: Beyer M201's XY > Nakamichi 550 > 2nd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by ??. Location: 40 feet from stage DFC, 8 ft up Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt notes 3922. 03/28/85 Flac 16 - 0, 94544 Uniondale Nassau Veterans Memorial Coliseum flac16; Set 1 only, Matrix by Hunter Seamons using Soundtrack/Final Cut Pro (SHN & FLAC>AIFF>Soundtrack>Final Cut>WAV>FLAC) notes 3923. 03/28/85 Flac 16 - 0, 118304 Uniondale Nassau Veterans Memorial Coliseum flac16; Soundboard > 1st Gen Tape > Nak Dragon > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'Amico notes 3924. 03/28/85 Flac 16 Mtx - 0, 94484 Uniondale Nassau Veterans Memorial Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes 3925. 03/28/85 Shn - 0, 23443 Uniondale Nassau Veterans Memorial Coliseum Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net) notes 3926. 03/28/85 Shn - 0, 5313 Uniondale Nassau Veterans Memorial Coliseum SBD> MC> DAT> CDR; via Randy Griesman; dropouts at d1t7 0:10, d2t1 0:32 notes 3927. 03/28/85 Flac 16 Mtx - 0, 77465 Uniondale Nassau Veterans Memorial Coliseum flac16;MTX by PLS SBD > MC > DAT > CDR > FLAC EAC'd and converted on 9/17/2001 by Randy Griesman and AUD Recorded by the Oade Brothers Transferred by Doug Oade, traced by Darrin Sacks Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac ; upgrade in circulation notes 3928. 03/28/85 Flac 16 Mtx - 0, 89074 Uniondale Nassau Veterans Memorial Coliseum flac16; Matrix of SBD: SBD > MC > DAT > CDR > FLAC EAC'd and converted by Randy Griesman and Oade AUD: Recorded by the Oade Brothers Transferred by Doug Oade, traced by Darrin Sacks Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac This seed fixes d1t04 of shn id 77465, on which the sbd and aud were badly out of sync notes 3929. 03/28/85 Shn - 0, 357 Uniondale Nassau Veterans Memorial Coliseum set 1; SBD PCM > DAT > Sonic Solutions > CD; via Alan Fink, Mark Ferguson ; upgrade in circulation notes 3930. 03/28/85 Flac Dts 5.1 - 0, 89043 Uniondale Nassau Veterans Memorial Coliseum DTS Audio 5.1; by Randy Griesman Sources used: AUD: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac and SBD: SBD > MC > DAT > CDR > FLAC notes 3931. 03/28/85 Flac 16 - 0, 137507 Uniondale Nassau Veterans Memorial Coliseum flac16; Set 1 Recording Info: SBD -> PCM Master > Dat Clone (44.1k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller notes 3932. 03/28/85 Flac 24 - 0, 137534 Uniondale Nassau Veterans Memorial Coliseum flac24; Set 1 Matrix of SBD & AUD (both FLAC/24) -> Audacity 2.0.6 -> alignment -> Dynamic Range Compression -> Normalization -> Export FLAC 24 (single file) -> Audacity -> labeled, tracked & exported (multiple files) -> FLAC 24 (level 8) notes 3933. 03/28/85 Flac 16 - 0, 141047 Uniondale Nassau Veterans Memorial Coliseum flac16; Soundboard> 1st Gen Tape>Nak Dragon>Korg Mr-1000>Audio Gate>Cool Edit>Traders Little Helper>xACT>ProTools LE>xACT; this is a fix for source ID 118304; see info file for details notes 3934. 03/28/85 Flac 24/96 - 0, 124745 Uniondale Nassau Veterans Memorial Coliseum flac24; lineage: sennheiser 441 (fob)> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3935. 03/28/85 Flac 24/96 - 0, 103184 Uniondale Nassau Veterans Memorial Coliseum flac24; nakamichi 300/cp4 (ots 12') > tcd5m (tdk mar, +dolby) > master cassette > tcd5m (original recorder +dolby) > minime (24/96) > sd744t > audacity > xact (flac24) notes 3936. 03/28/85 Flac 16 - 0, 34839 Uniondale Nassau Veterans Memorial Coliseum flac16; MAC: (FOB) 2 Nakamichi 700s [modified w/ plexiglass shock mounts@] > Sony D5 > TDK MA 90s. Tapers: Mark McCue, Adam, Monica, Johnny Kelly & Davey the beeker meade. Transfer, edits, conversion & seeding to bt.etree.org by Alex Ford 5/31/2006. Master cassettes provided by Mark McCue. notes 3937. 03/28/85 Flac 16 - 0, 87226 Uniondale Nassau Veterans Memorial Coliseum flac16; taper : Joe D'Amico nak 300 mics > sony d-5 > ? > flac notes 3938. 03/28/85 Flac 16 - 0, 106785 Uniondale Nassau Veterans Memorial Coliseum flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris. Transferred & edited by Bob Morris 10/09. notes 3939. 03/28/85 Shn - 0, 78436 Uniondale Nassau Veterans Memorial Coliseum Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel notes 3940. 03/28/85 Flac 16/48 - 0, 145224 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (Set 1)(shnid = 137507) Recording Info: SBD -> PCM Master > Dat Clone (44.1k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + SBD (Set 2)(shnid = 5313) SBD> MC> DAT> CDR; via Randy Griesman + AUD (shnid = 23443) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks - surround mixing by Kevin Tobin notes 3941. 03/28/85 Flac 16 Dts.5.1 - 0, 145222 Uniondale Nassau Veterans Memorial Coliseum DTS-Audio-CD 5.1 Mix; - SBD (Set 1)(shnid = 137507) Recording Info: SBD -> PCM Master > Dat Clone (44.1k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + SBD (Set 2)(shnid = 5313) SBD> MC> DAT> CDR; via Randy Griesman + AUD (shnid = 23443) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks - dts mixing by Kevin Tobin notes 3942. 03/28/85 Flac 16 Mtx - 0, 145221 Uniondale Nassau Veterans Memorial Coliseum flac16; Matrix 3 Source Mix - SBD (Set 1)(shnid = 137507) Recording Info: SBD -> PCM Master > Dat Clone (44.1k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + SBD (Set 2)(shnid = 5313) SBD> MC> DAT> CDR; via Randy Griesman + AUD (shnid = 23443) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks - matrix mixing by Kevin Tobin notes 3943. 03/28/85 Flac 24/96 - 0, 149306 Uniondale Nassau Veterans Memorial Coliseum flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 3944. 03/28/85 Flac 16/48 - 0, 149305 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 3945. 03/28/85 Flac 16 - 0, 149979 Uniondale Nassau Veterans Memorial Coliseum flac16; AKG 224’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche; the fixed version has the d1t07 that was missing from the original seed notes 3946. 03/28/85 Flac 16/48 - 0, 151044 Uniondale Nassau Veterans Memorial Coliseum flac16/48khz Source Info: Master Vault Cassettes > Dick Latvala's 1st generation cassettes > Rob Eaton's DAT (16/48) > Tim Dalton's DAT (16/48) Transfer Info: Vault Cassettes (Tascam 122 MKIII) > Dick Latvala's Cassettes (Tascam 122 MKIII); Dick's 1st generation cassettes played back on a Nakamichi Dragon > Panasonic SV-3800 DAT (16/48) by Rob Eaton; Rob Eaton's DAT 16/48 (Panasonic SV-3800) > Tim Dalton's DAT (Panasonic SV-3800)(16/48); Tim Dalton's DAT (16/48)(Sony PCM R-500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> .wav (16/48) > Adobe Audition CC 2020 > TLH flac1648 notes 3947. 03/28/85 Flac 24/48 - 0, 162068 Uniondale Nassau Veterans Memorial Coliseum flac24/48 Source: Master AUDCA: Beyer M88's XY > Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck Location: 40 feet from stage DFC, 8 ft up Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt notes 3948. 03/28/85 Flac 16/44 - 0, 152067 Uniondale Nassau Veterans Memorial Coliseum flac16/44 Source: Master AUDCA: Beyer M88's XY > Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck Location: 40 feet from stage DFC, 8 ft up Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt notes 3949. 03/29/85 Flac - 0, 23475 Uniondale Nassau Veterans Memorial Coliseum Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 recorded by the Oade Brothers and tracked/flac'd by Darrin Sacks notes 3950. 03/29/85 Flac 24/96 - 0, 140845 Uniondale Nassau Veterans Memorial Coliseum flac24; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 3951. 03/29/85 Flac 16 - 0, 141208 Uniondale Nassau Veterans Memorial Coliseum flac16; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 3952. 03/29/85 Flac 24/96 - 0, 124750 Uniondale Nassau Veterans Memorial Coliseum flac24; lineage: sennhesier 421 (fob)> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 3953. 03/29/85 Shn - 0, 78439 Uniondale Nassau Veterans Memorial Coliseum Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel notes 3954. 03/29/85 Flac 16 - 0, 34648 Uniondale Nassau Veterans Memorial Coliseum flac16; MAC: (FOB) 2 Sennheiser 421's > Sony TC-D5 > TDK MA90's Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Transfer, minor editing, and encoding by Alex Ford on 5/10/2006. notes 3955. 03/29/85 Flac 16 - 0, 78438 Uniondale Nassau Veterans Memorial Coliseum flac16; Source: *Beyer M88's>Sony D5M(Sony UCX-S) Location: FOB, Sand at 7 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S notes 3956. 03/29/85 Flac 16 - 0, 112216 Uniondale Nassau Veterans Memorial Coliseum flac16; Source: 2 Beyer M160 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 3957. 03/29/85 Shn - 0, 10493 Uniondale Nassau Veterans Memorial Coliseum AUD>MC>DAT>CDR; via raul; Seeded to etree by steve barbella notes 3958. 03/29/85 Flac 16 - 0, 87242 Uniondale Nassau Veterans Memorial Coliseum flac16; taper : Joe D'Amico nak 300 mics > sony d5 nak dragon tape deck > creative extigy soundcard> cool edit pro > flac frontend notes 3959. 03/29/85 Flac 16 - 0, 106058 Uniondale Nassau Veterans Memorial Coliseum flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 3960. 03/29/85 Flac 24/96 - 0, 145317 Uniondale Nassau Veterans Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 3961. 03/29/85 Flac 16 - 0, 145318 Uniondale Nassau Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 3962. 03/29/85 Flac 24/96 - 0, 149308 Uniondale Nassau Veterans Memorial Coliseum flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 3963. 03/29/85 Flac 16/48 - 0, 149307 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 3964. 03/29/85 Flac 16 - 0, 150081 Uniondale Nassau Veterans Memorial Coliseum flac16; AKG 224’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche notes 3965. 03/29/85 Flac 24/48 - 0, 125070 Uniondale Nassau Veterans Memorial Coliseum flac24/48 Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 65 feet from stage, 5 feet LOC, head level Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt notes 3966. 03/29/85 Flac 16/44 - 0, 152069 Uniondale Nassau Veterans Memorial Coliseum flac16/44 Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 65 feet from stage, 5 feet LOC, head level Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt notes 3967. 03/31/85 Shn - 0, 14671 Portland Cumberland County Civic Center SBD: MC> DAT> CD> SHN via Peter Braverman set 2 only notes 3968. 03/31/85 Flac - 0, 23592 Portland Cumberland County Civic Center Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac notes 3969. 03/31/85 Flac 24 - 0, 139080 Portland Cumberland County Civic Center flac24; Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (Analog Outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; the original version had incorrect PCM emphasis notes 3970. 03/31/85 Flac 16 - 0, 139086 Portland Cumberland County Civic Center flac16; Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes 3971. 03/31/85 Flac 24/96 - 0, 140858 Portland Cumberland County Civic Center flac24; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 3972. 03/31/85 Flac 16 - 0, 141209 Portland Cumberland County Civic Center flac16; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 3973. 03/31/85 Flac 24/96 - 0, 141602 Portland Cumberland County Civic Center flac24; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 notes 3974. 03/31/85 Flac 16/48 - 0, 142415 Portland Cumberland County Civic Center flac16/48kHz; Recording Info: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); Set 2: SBD > PCM (clone off vault master); Transfer Info: Set 1: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/44.1k; Set 2: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k This is your collection notes 3975. 03/31/85 Flac 16/48 - 0, 142808 Portland Cumberland County Civic Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD Set1 (shnid = 142415) Recording Info: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); + SBD Set2 (shnid = 139086)Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller + AUD (shnid = 106791) Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller - surround mixing by Kevin Tobin notes 3976. 03/31/85 Flac Dts 5.1 - 0, 142806 Portland Cumberland County Civic Center DTS-Audio-CD 5.1 Mix; - SBD Set1 (shnid = 142415) Recording Info: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); + SBD Set2 (shnid = 139086)Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller + AUD (shnid = 106791) Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin notes 3977. 03/31/85 Flac 16 Mtx - 0, 142805 Portland Cumberland County Civic Center flac16; Matrix 3 Source Mix - SBD Set1 (shnid = 142415) Recording Info: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); + SBD Set2 (shnid = 139086)Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller + AUD (shnid = 106791) Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin notes 3978. 03/31/85 - 0, 142788 Portland Cumberland County Civic Center flac16; Matrix of AUD: Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR> EAC(Secure mode)> Shn(MKW ACT) and SBD: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); Set 2: SBD > PCM (clone off vault master); MATRIX: +2.5db added to Oade source; Mastering done by mdmilhausen notes 3979. 03/31/85 Flac 24/96 - 0, 114487 Portland Cumberland County Civic Center flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes 3980. 03/31/85 Flac 24/96 - 0, 104927 Portland Cumberland County Civic Center flac24; source: nak 300/cp4 (12' ots) > tcd5m/maxell mx 90 (+dolby) > master cassette/tcd5m (orig recorder) > minime (24/96) > sd744t > audacity > xact (flac24); recorded: david barfield and/or david lane transferred/seeded: david barfield notes 3981. 03/31/85 Flac 16 - 0, 143374 Portland Cumberland County Civic Center flac16; Matrix: AUD: Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR> EAC(Secure mode)> Shn(MKW ACT) and SBD: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); Set 2: SBD > PCM (clone off vault master) +2.5db added to Oade source rendered @ -3db via wavelab 5; Mastering done by mdmilhausen notes 3982. 03/31/85 Flac 16 - 0, 78505 Portland Cumberland County Civic Center flac16; Source: *Beyer M88's>Sony D5M Location: FOB, stand at 7 feet; Transfer: Sony D5Pro>Lunatec V3>722 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony Suraci./nak700 notes 3983. 03/31/85 Flac 16 - 0, 106786 Portland Cumberland County Civic Center flac16;Recorded by Bob Morris. Transferred & edited by Bob Morris 11/09. Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) . Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes 3984. 03/31/85 Flac 16 - 0, 145051 Portland Cumberland County Civic Center flac16; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1 notes 3985. 03/31/85 Flac 24/96 - 0, 145326 Portland Cumberland County Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; neumann U84's* > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 3986. 03/31/85 Flac 16 - 0, 145328 Portland Cumberland County Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; neumann U84's* > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 3987. 03/31/85 Flac 16 - 0, 35409 Portland Cumberland County Civic Center flac16; MAC: (FOB) Sennheiser 421s > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum shell] (Set II) Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Master cassettes provided by Mark McCue. Transfer, edits, conversion, and seeding to bt.etree.org by Alex Ford. notes 3988. 03/31/85 Shn - 0, 8244 Portland Cumberland County Civic Center Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR; Seeded to etree by Charlie Connor notes 3989. 03/31/85 Flac 16 - 0, 30884 Portland Cumberland County Civic Center flac16; Nak CM100's > D5 at the soundboard taped by Dave Minor encoded by Matt Vernon notes 3990. 03/31/85 Flac 16 - 0, 87283 Portland Cumberland County Civic Center flac16; taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes 3991. 03/31/85 Flac 16 - 0, 109791 Portland Cumberland County Civic Center b>flac16; Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller notes 3992. 03/31/85 Flac 24/96 - 0, 149310 Portland Cumberland County Civic Center flac24 Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 3993. 03/31/85 Flac 16/48 - 0, 149309 Portland Cumberland County Civic Center flac1648 Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 3994. 03/31/85 Flac 24/48 - 0, 152072 Portland Cumberland County Civic Center flac24/48 Source: Master AUDCA: Beyer M88's XY > 2nd Sony TCD5M in line no nr > Maxell MX 90s No Dolby -lead deck Location: 60 feet from stage DFC, shoulder height Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, Chris Kidwell, JJ Hance, Sean Murtha, Gary Steel, Eric Britt notes 3995. 03/31/85 Flac 16/44 - 0, 125071 Portland Cumberland County Civic Center flac16/44 Source: Master AUDCA: Beyer M88's XY > 2nd Sony TCD5M in line no nr > Maxell MX 90s No Dolby -lead deck Location: 60 feet from stage DFC, shoulder height Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, Chris Kidwell, JJ Hance, Sean Murtha, Gary Steel, Eric Britt notes 3996. 04/01/85 Shn - 0, 23659 Portland Cumberland County Civic Center Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 notes 3997. 04/01/85 Flac 16 - 0, 76321 Portland Cumberland County Civic Center flac16; Source: MAC: (FOB) Sennheiser 421s > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum shell] (Set II) Mic Config: mics on T-Bar, pointed at the stacks, chest high Location: FOB, 20-25 feet from the stage, DFC Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade Transfer: MAC > Nakamichi CD 2 (azimuth adjusted) > rca > xlr > Lunatec V3(@16 bit/44.1 Hz) > coax > Audiophile 2496 > CEP 2.0 > CD Wave Editor > Trader's Little Helper > FLAC16 notes 3998. 04/01/85 Flac 16/48 - 0, 138254 Portland Cumberland County Civic Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) AUD1 (shnid = 87290) taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend + AUD2 (shnid = 124788) lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - mixing by Kevin Tobin notes 3999. 04/01/85 Flac Dts 5.1 - 0, 138253 Portland Cumberland County Civic Center DTS-Audio-CD 5.1 Mix: AUD1 (shnid = 87290)taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend + AUD2 (shnid = 124788) lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - dts mixing by Kevin Tobin notes 4000. 04/01/85 Flac 16 - 0, 138246 Portland Cumberland County Civic Center flac16; Patched/Pitch Corrected Audience (original shnid = 87290) taper: Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin notes 4001. 04/01/85 Flac 16 Mtx - 0, 138252 Portland Cumberland County Civic Center flac16; Matrix 2 Source Mix - AUD1 (shnid = 87290)taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend + AUD2 (shnid = 124788) lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - matrix mixing by Kevin Tobin notes 4002. 04/01/85 Flac 24/96 - 0, 138250 Portland Cumberland County Civic Center flac24; (original shnid = 124788) lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - 96/24 conversion to 48/24, pitch correction, and patches by Kevin Tobin notes 4003. 04/01/85 Flac 24/96 - 0, 140859 Portland Cumberland County Civic Center flac24; Set 2 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer:Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 4004. 04/01/85 Flac 16 - 0, 140210 Portland Cumberland County Civic Center b>flac16; Set 2 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer:Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT: 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 4005. 04/01/85 Flac 24/96 - 0, 141603 Portland Cumberland County Civic Center flac24; Set 2 Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 notes 4006. 04/01/85 Flac 24/96 - 0, 124788 Portland Cumberland County Civic Center flac24; lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4007. 04/01/85 Flac 16 - 0, 87290 Portland Cumberland County Civic Center flac16; taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend notes 4008. 04/01/85 Flac 16 - 0, 30885 Portland Cumberland County Civic Center flac16; Nak CM100's > D5 at the soundboard taped by Dave Minor encoded by Matt Vernon notes 4009. 04/01/85 Flac 16 - 0, 78512 Portland Cumberland County Civic Center flac16; Source: *Beyer M88's >Sony D5M Location: FOB, stand at 7 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud>16bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700 notes 4010. 04/01/85 Flac 16 - 0, 102139 Portland Cumberland County Civic Center flac16; Source: (2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5 Conversion: Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16 Recorded by Ray Ackerman Conversion by Ray Ackerman Tracks, FLACs, Tags by Craig Taraszki Originally seeded 2009-10-22 notes 4011. 04/01/85 Flac 24/96 - 0, 114488 Portland Cumberland County Civic Center flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes 4012. 04/01/85 Flac 24/96 - 0, 103296 Portland Cumberland County Civic Center flac24; source: nak 300/cp4 (ots, 12') > tcd5m/maxell mx 90 > master cassette > tcd5m (orig recorder) > minime (24/96) > sd744t > audacity > xact (flac24) recorded: david barfield & david lane transferred/seeded: david barfield notes 4013. 04/01/85 Shn - 0, 8521 Portland Cumberland County Civic Center Sources: Primary Source:Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR>EAC>Shn Secondary Source:Steve Ziemba's Cassette Master;Aud>Nak300>D5>CM>CDR>EAC>Shn;The secondary source supplies the Baby Blue encore; Seeded to fungus and abgd by Charlie Connor with Thanks to Scott Clugston and Doug Oade notes 4014. 04/01/85 Shn - 0, 5594 Portland Cumberland County Civic Center Aud> Nak300> D5> CM> CDR> EAC(Secure Mode)> CDWave (Retracking Only)> shnv3 (MKW ACT); Cassette master recorded by Steven Ziemba; Transferred to cd by Michael Lai; EAC/Retracked/Shn'ed by Charlie Connor; to abgd notes 4015. 04/01/85 Flac 16 - 0, 106787 Portland Cumberland County Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris and Sam Morris. Transferred & edited by Bob Morris 11/09. notes 4016. 04/01/85 Flac 16 - 0, 145060 Portland Cumberland County Civic Center flac16; Set 2 Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1 notes 4017. 04/01/85 Flac 24/96 - 0, 145330 Portland Cumberland County Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 4018. 04/01/85 Flac 16 - 0, 145331 Portland Cumberland County Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 4019. 04/01/85 Flac 24/96 - 0, 149312 Portland Cumberland County Civic Center flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 4020. 04/01/85 Flac 16/48 - 0, 149311 Portland Cumberland County Civic Center flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4021. 04/01/85 Flac 16 - 0, 149791 Portland Cumberland County Civic Center flac16; AKG 224’s > Sony TCD-5M > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche notes 4022. 04/01/85 Flac 24/48 - 0, 152074 Portland Cumberland County Civic Center flac24/48 Source: 1st Gen AUDCA: Beyer M88's XY > Marantz PMD430 w dbx > Maxell MX 90s No Dolby -lead deck Location: 50 feet from stage DFC, shoulder height Original Transfer: Marantz PMD430 dbx on > Sony TCD5M no nr Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, Chris Kidwell, JJ Hance, Sean Murtha, Gary Steel, Eric Britt notes 4023. 04/01/85 Flac 16/44 - 0, 152073 Portland Cumberland County Civic Center flac16/44 Source: 1st Gen AUDCA: Beyer M88's XY > Marantz PMD430 w dbx > Maxell MX 90s No Dolby -lead deck Location: 50 feet from stage DFC, shoulder height Original Transfer: Marantz PMD430 dbx on > Sony TCD5M no nr Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, Chris Kidwell, JJ Hance, Sean Murtha, Gary Steel, Eric Britt notes 4024. 04/03/85 Flac 16 - 0, 106252 Providence Providence Civic Center flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLII-S90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 4025. 04/03/85 Shn - 0, 7550 Providence Providence Civic Center Sources: Master Soundboard Cassette > C > CDR, Master Audience Cassette: (2) Sennheiser ME-80's + (2) Sennheiser 441's source supplies patches,CD Mastering / Patching by Scott Clugston; EAC'ed / SHN'ed by Scott Clugston with thanks to Tommy McKeown & Charlie Connor; posted to abgd via Trip Bates notes 4026. 04/03/85 Flac 16 - 0, 132859 Providence Providence Civic Center flac16; AUD: 2x AT835B shotguns plus 1x AKG D12E center mic > unknown mixer > unknown lead deck > Sony WM-D6C > MAC, recording and transfer to CDR by Ray Ackerman. Transfer: MAC > CDR on unknown equipment 2005. CDR > EAC (secure) > WavMerge > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, April 2015. notes 4027. 04/03/85 Flac 16 - 0, 95409 Providence Providence Civic Center flac16; Taper: Greg Holtz Source: Nakamichi CM 100's with CP-4 shotguns -> D-5 Transfer: (By JAZ) Master Cassettes (Set I Fugi FR type IV metal 90, Set II Maxell Metaxial 90) -> Tascam 112 -> RCA -> Edirol M-10dx 24bit 96kHz -> COAX -> M-audio Delta 1010lt -> Wave Lab 5.0 -> R8brainPro 16bit 44.1kHz -> Traders Little Helper flac 8 notes 4028. 04/03/85 Flac 16 - 0, 140860 Providence Providence Civic Center flac16; Source Info: Robert Bryant's Master Audience Cassettes; unknown mics > Sony TC-D5M; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp notes 4029. 04/03/85 Flac 24 - 0, 140861 Providence Providence Civic Center flac24; Source Info: Robert Bryant's Master Audience Cassettes; unknown mics > Sony TC-D5M; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac2496 notes 4030. 04/03/85 Flac 24/96 - 0, 124794 Providence Providence Civic Center flac24; lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4031. 04/03/85 Flac 16 - 0, 87313 Providence Providence Civic Center flac16; taper Joe D'Amico nak 300 mics > sony d-6 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes 4032. 04/03/85 Flac 16 - 0, 106795 Providence Providence Civic Center flac16; Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller notes 4033. 04/03/85 Shn - 0, 8825 Providence Providence Civic Center Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR> EAC> Shn; EAC'ed/Shn'ed and seeded to Fungus and abgd by Charlie Connor with thanks To Scott Clugston and Doug Oade notes 4034. 04/03/85 Flac 24/96 - 0, 145343 Providence Providence Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 4035. 04/03/85 Flac 16 - 0, 145344 Providence Providence Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 4036. 04/03/85 Flac - 0, 23927 Providence Providence Civic Center Recorded by the Oade Brothers Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac notes 4037. 04/03/85 Flac 16 - 0, 76403 Providence Providence Civic Center flac16; Source: MAC: Sennheiser 421s > Sony D5 > 2 TDK MA90s Location: Tapers Section Mic Config: Mics on T bar pointed at the stacks, chest high. Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade Transfer: MAC>Nakamichi CD2>Lunatec V3(16/44.1)>Audiophile 2496>CEP 2.0>CD Wave Editor>Traders Little Helper>FLAC16 conversion and seeding to bt.etree.org by Alex Ford notes 4038. 04/03/85 Flac 24/96 - 0, 149314 Providence Providence Civic Center flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 4039. 04/03/85 Flac 16/48 - 0, 149313 Providence Providence Civic Center flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4040. 04/03/85 Flac 24/44 - 0, 150652 Providence Providence Civic Center flac24; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Master PCM (Oade mod Sony PCM-F1) > DAT; Transfer: DAT > Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 24-44; Edited & Mastered (Adobe Audition) by Joe Noel. September 17, 2020; Oade Brothers for recording notes 4041. 04/03/85 Flac 16 - 0, 150693 Providence Providence Civic Center flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Master PCM (Oade mod Sony PCM-F1) > DAT; Transfer: DAT > Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 24/44; Edited & Mastered (Adobe Audition) by Joe Noel; Dither info: WAV (24-bit/44k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson October 14, 2020 notes 4042. 04/03/85 Flac 16/44 - 0, 152125 Providence Providence Civic Center flac16/44 Recording Information: Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 55 feet from stage, DFC, head level (19th row) Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis notes 4043. 04/03/85 Flac 24/48 - 0, 152126 Providence Providence Civic Center flac24/48 Recording Information: Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 55 feet from stage, DFC, head level (19th row) Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis notes 4044. 04/04/85 Shn - 0, 33816 Providence Providence Civic Center Fix of shn id 11704 (space patched in from Oade source) - SBD > MVHS HiFi Video > MC > CDR notes 4045. 04/04/85 Flac 16 - 0, 77029 Providence Providence Civic Center flac16; MAC; 2 Sennheiser 421s > Sony D5 > 2 TDK MA90s. Location: TS - first row, DFC, mics @ 15 feet Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beaker meade. Transfer: Master Audience Cassettes>Nakamichi CD2(azimuth adjusted)> rca>xlr>Lunatec V3> coax>Audiophille 2496>CEP 2.0>Trader's Little Helper>FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer,edits, patches, conversion and upload to bt.etree by Alex Ford. notes 4046. 04/04/85 Flac 16 - 0, 132860 Providence Providence Civic Center flac16; AUD: 2x AT835B shotguns plus 1x AKG D12E center mic > unknown mixer > unknown lead deck > Sony WM-D6C > MAC, recording and transfer to CDR by Ray Ackerman. Transfer: MAC > CDR on unknown equipment 2005. CDR > EAC (secure) > WavMerge > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, April 2015 notes 4047. 04/04/85 Flac 16 - 0, 95626 Providence Providence Civic Center flac16; Taper: Greg Holtz Source: Nakamichi CM 100's with CP-4 shotguns -> D-5 Transfer: (By JAZ) Master Cassettes (Maxell Metaxial 90) -> Tascam 112 -> RCA to XLR -> Edirol M-10dx 24bit 96kHz -> COAX -> M-Audio Delta 1010lt -> Wave Lab 5.0 -> R8brainPro 16bit 44.1kHz -> Traders Little Helper flac 8 Note: Cross fades applied between most songs do to tape pauses. notes 4048. 04/04/85 Shn - 0, 11704 Providence Providence Civic Center SBD>HiFi Video (Lighting crew)>MC>CDR; Missing Space (tape flip); via Tommy Danscuk; Seeded to etree by Willy notes 4049. 04/04/85 Flac - 0, 23848 Providence Providence Civic Center Recorded by the Oade Brothers Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac notes 4050. 04/04/85 Flac 16 - 0, 126237 Providence Providence Civic Center flac16; soundboard of unknown lineage. Transfer: XLII tapes BX-300 w/o Dolby on playback > Philips standalone CDR > CDWav to split and encode as Flac (level 5). notes 4051. 04/04/85 Flac 24/96 - 0, 140940 Providence Providence Civic Center flac24; Source Info: Robert Bryant's Master Audience Cassettes; unknown mics > Sony TC-D5M; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac2496 notes 4052. 04/04/85 Flac 16 - 0, 140939 Providence Providence Civic Center flac16; Source Info: Robert Bryant's Master Audience Cassettes; unknown mics > Sony TC-D5M; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp notes 4053. 04/04/85 Flac 24/96 - 0, 124813 Providence Providence Civic Center flac24; lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4054. 04/04/85 Flac 16 - 0, 87352 Providence Providence Civic Center flac16; taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes 4055. 04/04/85 Flac 16 - 0, 118787 Providence Providence Civic Center flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 4056. 04/04/85 Flac 24/96 - 0, 145468 Providence Providence Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 4057. 04/04/85 Flac 16 - 0, 145469 Providence Providence Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 4058. 04/04/85 Flac 24/96 - 0, 149316 Providence Providence Civic Center flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 4059. 04/04/85 Flac 16 - 0, 149449 Providence Providence Civic Center flac16 Source Info: Unknown SBD > Dat (16/44.1); Transfer Info: Unknown notes 4060. 04/04/85 Flac 16/48 - 0, 149315 Providence Providence Civic Center flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4061. 04/04/85 Flac 24/96 - 0, 151192 Providence Providence Civic Center Flac24 Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, pitch correctio, levels) > FLAC 2496 notes 4062. 04/04/85 Flac 16 - 0, 151191 Providence Providence Civic Center Flac16 Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, pitch correctio, levels, resample, MBit+ dither) > FLAC 1644 notes 4063. 04/04/85 Flac 16/44 - 0, 152459 Providence Providence Civic Center flac16/44 Recording Info: SBD > PCM Master (Sony Betamax) > DAT Clone (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC-16 All Transfers and Mastering by Charlie Miller. March 27, 2021. notes 4064. 04/04/85 Flac 24/48 - 0, 152128 Providence Providence Civic Center flac24/48 Recording Information: Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 55 feet from stage, DFC, head level (19th row) Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis notes 4065. 04/04/85 Flac 16/44 - 0, 152127 Providence Providence Civic Center flac16/44 Recording Information: Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 55 feet from stage, DFC, head level (19th row) Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis notes 4066. 04/06/85 Flac - 0, 13467 Philadelphia The Spectrum SBD>Cm>Cass>Dat>CD>EAC>SHN; Converted to SHN by Charlie Miller notes 4067. 04/06/85 Flac 16 - 0, 96803 Philadelphia The Spectrum flac16; Taper: Greg Holtz Source: Nakamichi CM 100's with CP-4 shotguns -> Sony D-5 Transfer: (By JAZ) Master Cassettes (FUJI FR metal type IV) -> Tascam 112 -> RCA/XLR -> Edirol M-10dx 24bit 96kHz -> COAX -> M-Audio Delta 1010lt -> Mastered with UAD Technology in Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8 notes 4068. 04/06/85 Flac - 0, 24027 Philadelphia The Spectrum Recorded by the Oade Brothers; transferred by Doug Oade, tracked by Darrin Sacks Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac notes 4069. 04/06/85 Flac 16 - 0, 135801 Philadelphia The Spectrum flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 4070. 04/06/85 Shn - 0, 28633 Philadelphia The Spectrum Sennheiser 421's > Sony D-5 > TDK 90 Taper: Mark McCue Lineage: Sony D-5 > Tascam CD4U stand alone burner > CDR > EAC > Win XP Pro > FLAC Frontend > FLAC16. transfer from Sony D5 through CDR by Mark McCue. transfer from CDR through FLAC16 by Alex Ford on 03/10/05 notes 4071. 04/06/85 Flac 24/96 - 0, 140875 Philadelphia The Spectrum flac24/96 Set 2 partial. Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M). Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96. Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96. notes 4072. 04/06/85 Flac 16 - 0, 141211 Philadelphia The Spectrum flac16; Set 2 partial Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M). Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96. Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96. 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 4073. 04/06/85 Shn - 0, 8900 Philadelphia The Spectrum Unknown Audience source; Shn'ed and seeded to abgd by Chris Perkins with thanks to Michael McGinnis. notes 4074. 04/06/85 Shn - 0, 10990 Philadelphia The Spectrum Master Audience Cassette>DAT>CDR; Missing OMSN encore; via Raoul; Seeded to etree by Steve Barbella notes 4075. 04/06/85 Shn - 0, 33703 Philadelphia The Spectrum Nakamichi 300 Shotguns CP4's & Sony TCD5M; Transfer: Nakamichi BX300 Master cass-> Macintosh ->Peak Bias-> JAM-> cdr-> EAC-> MKW-> shn Sector boundaries verrified via shn tools; Taped & Transfered by Brian Mandel notes 4076. 04/06/85 Shn - 0, 73770 Philadelphia The Spectrum Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHN; recorded, transfered and seeded by Charles Bandrofcheck (other3) notes 4077. 04/06/85 Flac 16 - 0, 78851 Philadelphia The Spectrum flac16; Source: *Beyer M88's>Sony D5M Location: FOB, stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S notes 4078. 04/06/85 Flac 24/96 - 0, 124819 Philadelphia The Spectrum flac24; lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4079. 04/06/85 Flac 24/96 - 0, 145479 Philadelphia The Spectrum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 4080. 04/06/85 Flac 16 - 0, 145480 Philadelphia The Spectrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 4081. 04/06/85 Flac 24/96 - 0, 149318 Philadelphia The Spectrum flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 4082. 04/06/85 Flac 16/48 - 0, 149317 Philadelphia The Spectrum flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4083. 04/06/85 Flac 24/48 - 0, 152154 Philadelphia The Spectrum flac24/48 Recording Information: Source: Master AUDCA: Beyer M201's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 60 feet from stage, 6 ft LOC, head level Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis notes 4084. 04/06/85 Flac 16/44 - 0, 153153 Philadelphia The Spectrum flac16/44 Recording Information: Source: Master AUDCA: Beyer M201's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 60 feet from stage, 6 ft LOC, head level Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis notes 4085. 04/07/85 Shn - 0, 3346 Philadelphia The Spectrum Csbd> DAT> CDR> EAC> SHN; via Scott Z., Darrin Sacks notes 4086. 04/07/85 Flac 16 - 0, 128613 Philadelphia The Spectrum flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper notes 4087. 04/07/85 Flac 16 - 0, 118484 Philadelphia The Spectrum flac16; Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico notes 4088. 04/07/85 Flac 16 Mtx - 0, 132713 Philadelphia The Spectrum flac16; 2 Source Matrix by Dusborne; Soundboard(shinid:003346) CSBD>DAT>CDR>EAC>SHN and Audience(shinid:128613) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav notes 4089. 04/07/85 Flac 16 - 0, 91389 Philadelphia The Spectrum flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller notes 4090. 04/07/85 Shn - 0, 14614 Philadelphia The Spectrum Seeded by Todd Campbell EAC & SHN by Jim Keith Lineage SBD>?>CD (WILL UPDATE) notes 4091. 04/07/85 Flac 16 - 0, 28488 Philadelphia The Spectrum flac16; Sennheiser 421's > Sony D5 > Tascam CRD4U > EAC > CDR Taper: M. McCue Lineage: Sony D-5 > Tascam CDR4U stand alone burner > CDR > EAC > Win XP Pro > FLAC Frontend > FLAC16. Transfer from Sony D5 through CDR by Mark McCue Transfer from CDR through FLAC16 by Alex Ford on 03/07/05. notes 4092. 04/07/85 Flac 16/48 - 0, 139542 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - mixing by Kevin Tobin notes 4093. 04/07/85 Flac Dts 5.1 - 0, 139541 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin notes 4094. 04/07/85 Flac 16 Mtx - 0, 139540 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin notes 4095. 04/07/85 Flac 24/96 - 0, 140866 Philadelphia The Spectrum flac24; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 4096. 04/07/85 Flac 16 - 0, 141212 Philadelphia The Spectrum flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 4097. 04/07/85 Shn - 0, 35081 Philadelphia The Spectrum Sennheiser 421's FOB & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel notes 4098. 04/07/85 Flac 16 - 0, 81454 Philadelphia The Spectrum flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs notes 4099. 04/07/85 Flac 16 - 0, 87419 Philadelphia The Spectrum flac16; taper : Joe D'Amico nak 300 mics > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes 4100. 04/07/85 Flac 16 - 0, 103429 Philadelphia The Spectrum flac16; Recorded by Dave Cohen Just to the right of the Board Sennheisser 421s>Sony TCD5M>Sony WMD6 Maxell XLII cassette masters. Dolby B was used on the Master Cassettes.The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes 4101. 04/07/85 Flac 16 - 0, 107238 Philadelphia The Spectrum flac16; source: 2 Beyer M160 Microphones > Sony TC-D5M - 25 feet from stage (mic's on a stand @ almost 6 feet) > analog cassette master Maxell MX90's. transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 4102. 04/07/85 Flac 24/96 - 0, 124835 Philadelphia The Spectrum flac24; lineage: sennheiser 421 (fob)> optimus> d-5 > sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4103. 04/07/85 Flac 24/96 - 0, 145487 Philadelphia The Spectrum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 4104. 04/07/85 Flac 16 - 0, 145488 Philadelphia The Spectrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 4105. 04/07/85 Flac 24/96 - 0, 149320 Philadelphia The Spectrum flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 4106. 04/07/85 Flac 16/48 - 0, 149319 Philadelphia The Spectrum flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4107. 04/07/85 Flac 24/48 - 0, 152156 Philadelphia The Spectrum flac24/48 Recording Information: Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -2nd deck Location: 65 feet from stage, 2 ft LOC, shoulder level Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis notes 4108. 04/07/85 Flac 16/44 - 0, 152155 Philadelphia The Spectrum flac16/44 Recording Information: Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -2nd deck Location: 65 feet from stage, 2 ft LOC, shoulder level Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis notes 4109. 04/08/85 Flac 16 - 0, 118375 Philadelphia The Spectrum flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat (48) -> WAV; Transfer Info: WAV -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 4110. 04/08/85 Flac 16 - 0, 118481 Philadelphia The Spectrum flac16; Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper : Dan Healy; Editing : Joe D'Amic notes 4111. 04/08/85 Flac - 0, 24227 Philadelphia The Spectrum Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac notes 4112. 04/08/85 Flac 16 - 0, 96598 Philadelphia The Spectrum flac16; Taper: Greg Holtz Source: Nakamichi 100's & Sennheiser 421's Mix -> D-5 Transfer: (By JAZ) Cassette Master (Maxell Metaxial 90) -> Tascam 112, dolbyB -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8 notes 4113. 04/08/85 Flac 16 - 0, 117189 Philadelphia The Spectrum flac16; Source: MAC; (FOB) unknown mics > Sony D5 > Sony D5 > Sony D5 > Sony D5 > 2 x TDK MA90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (24/88.2)> Lynx AES16> WaveLab 6.10> .wav @24/88.2> r8brain PRO> .wav @ 16/44.1> CD Wave Editor> TLH> flac16. Location: Approx. 20 feet from the stage, Dead Center; Taper: Mark McCue; Transferred and mastered by Alex Ford notes 4114. 04/08/85 Flac 24/88.2 - 0, 117212 Philadelphia The Spectrum flac24; MAC; (FOB) unknown mics > Sony D5 > Sony D5 > Sony D5 > Sony D5 > 2 x TDK MA90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (24/88.2)> Lynx AES16> WaveLab 6.10> .wav @24/88.2> CD Wave Editor> TLH> flac24. Location: Approx. 20 feet from the stage, Dead Center; Recorded by Mark McCue; Transferred and mastered by Alex Ford notes 4115. 04/08/85 Flac 24/96 - 0, 124854 Philadelphia The Spectrum flac24; lineage: nakamichi 700 (fob)> optimus> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4116. 04/08/85 Flac 24/96 - 0, 102065 Philadelphia The Spectrum flac24; Source: Nak 300/CP4 > TCD5m - TDK MA90 (metal), OTS, 12' -- TCD5m (same as recorder) > Minime @ 24/96 > SD744 > Audacity > Flac24; Recorded: David Barfield And/Or David Lane; Transfer: David Barfield notes 4117. 04/08/85 Shn - 0, 3420 Philadelphia The Spectrum possible reDAE/reSHN of previous shn set; via redbeard to abgd notes 4118. 04/08/85 Shn - 0, 74161 Philadelphia The Spectrum Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHN taped and transferred by Charles Bandrofcheck notes 4119. 04/08/85 Flac 16 - 0, 103445 Philadelphia The Spectrum flac16; Recorded by Dave Cohen Back right corner of the Board Sennheisser 421s>Sony TCD5M>Sony WMD6 Maxell XLII cassette masters. Dolby B was NOT used on the Master Cassettes.The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes 4120. 04/08/85 Flac 16 - 0, 87465 Philadelphia The Spectrum flac16; taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon tape deck > creative extigy soundcard > cool edit pro >flac frontend notes 4121. 04/08/85 Flac 16 - 0, 107045 Philadelphia The Spectrum flac16; source: 2 Beyer M160 Microphones > Sony TC-D5M - 25 feet from stage (mic's on a stand @ 6 feet) > analog cassette master Maxell MX90's. transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files; recorded and mastered to cdr by D5scott notes 4122. 04/08/85 Flac 24/96 - 0, 145497 Philadelphia The Spectrum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 4123. 04/08/85 Flac 16 - 0, 145498 Philadelphia The Spectrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes 4124. 04/08/85 Shn - 0, 8755 Philadelphia The Spectrum (Healy Mix)SBD>MC>PCM>BETA>DAT>CDR; Seeded to etree by Tim W notes 4125. 04/08/85 Shn - 0, 20010 Philadelphia The Spectrum SB> MC> DAT> CD via Kevin Gills notes 4126. 04/08/85 Flac 24/96 - 0, 149322 Philadelphia The Spectrum flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 4127. 04/08/85 Flac 16/48 - 0, 149321 Philadelphia The Spectrum flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4128. 04/08/85 Flac 24/96 - 0, 151431 Philadelphia The Spectrum 24 bit Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wavelab 10 (tracking, patching, pitch correction, Ozone 8 Maximizer for levels) > FLAC 2496 notes 4129. 04/08/85 Flac 16 - 0, 151430 Philadelphia The Spectrum 16 bit Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wavelab 10 (tracking, patching, pitch correction, Ozone 8 Maximizer for levels, resample, mBit+ dither) > FLAC 1644 notes 4130. 04/08/85 Flac 24/48 - 0, 152174 Philadelphia The Spectrum flac24/48 Recording Information: Source: Master AUDCA: Beyer M88's XY > 4th Sony TCD5M in line no nr > Maxell MX 90s No Dolby Location:200 feet from stage 15 feet ROC (RT rear corner of SBD), 15 feet up Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, JJ Hance, Sean Murtha, Gary Steel, Eric Britt, Mike Davis, Kenny Davis, Mikey notes 4131. 04/08/85 Flac 16/44 - 0, 152173 Philadelphia The Spectrum flac16/44 Source: Master AUDCA: Beyer M88's XY > 4th Sony TCD5M in line no nr > Maxell MX 90s No Dolby Location:200 feet from stage 15 feet ROC (RT rear corner of SBD), 15 feet up Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, JJ Hance, Sean Murtha, Gary Steel, Eric Britt, Mike Davis, Kenny Davis, Mikey notes 4132. 04/13/85 Flac 16 - 0, 122198 Irvine Irvine Meadows flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 4133. 04/13/85 Shn - 0, 6146 Irvine Irvine Meadows sbd> mc> reel> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT notes 4134. 04/13/85 Flac 16 - 0, 97199 Irvine Irvine Meadows flac16; Source: Nakamichi cm 100's W/shotguns -> Sony D-5 Transfer: (By JAZ) Cassette Master (maxell super fine epilaxial XLII-s 90's) -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8 notes 4135. 04/13/85 Flac 16 - 0, 83071 Irvine Irvine Meadows flac16; SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC > patches with Cool Edit > FLAC, patched version of shn id 77348 by Bill Tetzeli; Upgrade in circulation notes 4136. 04/13/85 Flac 16 - 0, 77348 Irvine Irvine Meadows flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Upgrade in circulation notes 4137. 04/13/85 Flac 24/48 - 0, 123130 Irvine Irvine Meadows flac24; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes 4138. 04/13/85 Flac 24 - 0, 124884 Irvine Irvine Meadows flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 32595. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 4139. 04/13/85 Flac 16 - 0, 32595 Irvine Irvine Meadows flac16; MAC: (FOB) Sennheiser 421's* > Sony D5 > Maxell XLII-S 90(Set I) & Maxell MX 90(Set II); Tapers: Adam, Justin & Monica; Mark McCue Masters; Transfer, minor editing and conversion by Alex Ford notes 4140. 04/14/85 Shn - 0, 3667 Irvine Irvine Meadows SBD> Master Cassette> DAT> CDR> EAC> SHN; DAE (EAC) + SHN Encoding by Jeff M. notes 4141. 04/14/85 Flac 16 - 0, 97220 Irvine Irvine Meadows flac16; Taper: Greg Holtz Source: Nakamichi cm 100's W/shotguns -> Sony D-5 Transfer: (By JAZ) Cassette Master (maxell super fine epilaxial XLII-s 90's) -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8 notes 4142. 04/14/85 Flac 24/96 - 0, 143490 Irvine Irvine Meadows flac24; Set 2, Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k) notes 4143. 04/14/85 Flac 16/44,1 - 0, 144159 Irvine Irvine Meadows flac16; Source Info: Master Soundboard Cassettes > Dat (16-bit/44.1k); Transfer Info: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Sound Devices 744T (.wav 16-bit/44.1k) > Adobe Audition 3.01 > TLH flac16 notes 4144. 04/14/85 Shn - 0, 32621 Irvine Irvine Meadows MAC: (FOB) Sennheiser 421's > Sony D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II) Tapers: Adam, Justin & Monica Mark McCue Masters Transfer, minor editing and conversion by Alex Ford 03/08/2006. notes 4145. 04/14/85 Flac 24 - 0, 124931 Irvine Irvine Meadows flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 32621. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 4146. 04/14/85 Flac 16 - 0, 145334 Irvine Irvine Meadows flac16; Set 2, Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k); This file set is 16 bit @ 44.1 notes 4147. 04/14/85 Flac 24/96 - 0, 152159 Irvine Irvine Meadows flac24/96 Recording Info: SBD > Cassette Master (Sony WM-D6) Transfer Info: Cassette Master (Nakamichi Dragon) > Tascam DA-3000 (1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 notes 4148. 04/14/85 Flac 24/96 - 0, 152161 Irvine Irvine Meadows flac24/96 FIXED Version: Recording Info: SBD > Cassette Master (Dan Healy) > Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 notes 4149. 04/14/85 Flac 16/48 - 0, 151830 Irvine Irvine Meadows flac16/48 Source: SBD > unknown > Reel @ 7.5ips Transfer: Reel > Korg MR2000 (1 bit 5.6 mhz) (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 16/48 Reel Source unknown Transfer by Anonymous Edited & Mastered (Adobe Audition) by Joe Noel January 17, 2021 notes 4150. 04/14/85 Flac 16/44,1 - 0, 152519 Irvine Irvine Meadows flac16/44.1 FIXED Version: Recording Info: SBD > Cassette Master (Dan Healy) > Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 153161 24 -> 16 @ 44.1 notes 4151. 04/14/85 Flac 16/44,1 - 0, 152518 Irvine Irvine Meadows flac16/44.1 Recording Info: SBD > Cassette Master (Sony WM-D6) Transfer Info: Cassette Master (Nakamichi Dragon) > Tascam DA-3000 (1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 152159 24 -> 16 @ 44.1 notes 4152. 04/21/85 Flac - 0, 121733 San Rafael Marin Veterans Memorial Auditorium flac16; Source: SBD > ? > Cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. August 2012 notes 4153. 04/21/85 Flac - 0, 121757 San Rafael Marin Veterans Memorial Auditorium flac16; Source: SBD > ?>Low Gen Maxell XLII Cassette>Wav>Soundforge 10 (Tracking, Pitch Correction and *Editing)>Flac notes 4154. 04/27/85 Shn - 0, 25467 Palo Alto Frost Amphitheatre Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN via Charlie Miller notes 4155. 04/27/85 Flac 16 Mtx - 0, 78504 Palo Alto Frost Amphitheatre flac16; SBD + AUD Matrix 3 Source Mix (65%-SBD/20%-AUD1/15%-AUD2)Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584 notes 4156. 04/27/85 Flac 24/48 - 0, 78681 Palo Alto Frost Amphitheatre flac24; DVD-AUDIO 24/48 SBD+AUD Matrix Mix (65%-SBD/20%-AUD1/15%-AUD2)Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584 notes 4157. 04/27/85 Flac 16 - 0, 102035 Palo Alto Frost Amphitheatre flac16; Taper: Greg Holtz Source: Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5; Transfer: (By JAZ) Cassette Master, TDK MA-R90 Alluminum Core-> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD -> R8brain for Sample Rate Conversion to 16bit 44.1kHz -> Traders Little Helper flac8 notes 4158. 04/27/85 Flac 16 - 0, 99835 Palo Alto Frost Amphitheatre flac16; Nakamichi 700's > d6 > MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit + > 16/44.1 Wave > Flac notes 4159. 04/27/85 Shn - 0, 17265 Palo Alto Frost Amphitheatre Source: SBD > MC > DAT > CDR > EAC > mkwACT Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic. notes 4160. 04/27/85 Shn - 0, 20683 Palo Alto Frost Amphitheatre Pitch-corrected version of shnid=17265. notes 4161. 04/27/85 Flac 16 - 0, 32648 Palo Alto Frost Amphitheatre flac16; MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)] Tapers: Adam, Justin & Monica Mark McCue Masters Transfer, minor editing and conversion by Alex Ford 3/10 & 11/2006. notes 4162. 04/27/85 Flac Dts 5.1 - 0, 78437 Palo Alto Frost Amphitheatre DTS Audio 5.1; 3 source DTS-Audio-CD 5.1 Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584 notes 4163. 04/27/85 Flac 24/96 - 0, 143491 Palo Alto Frost Amphitheatre flac24; Set 2, Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k notes 4164. 04/27/85 Flac 16 - 0, 76584 Palo Alto Frost Amphitheatre flac16; Source: MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s. Recorded by B.Koucky. Transfer: MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9 notes 4165. 04/27/85 Flac 24 - 0, 124981 Palo Alto Frost Amphitheatre flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 32648. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 4166. 04/27/85 Flac 16 - 0, 145335 Palo Alto Frost Amphitheatre flac16; Set 2, Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k); This file set is 16 bit @ 44.1 notes 4167. 04/27/85 Shn - 0, 359 Palo Alto Frost Amphitheatre SBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim; no known flaws notes 4168. 04/27/85 Flac 24/96 - 0, 148416 Palo Alto Frost Amphitheatre flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 4169. 04/27/85 Flac 16/48 - 0, 148415 Palo Alto Frost Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4170. 04/27/85 Flac 24/48 - 0, 148527 Palo Alto Frost Amphitheatre flac24; 5.1 LPCM Surround Sound (48k) - Original 5.1 DVD-A (78681) DVD-AUDIO 24/48 SBD+AUD Matrix Mix (65%-SBD/20%-AUD1/15%-AUD2)Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584 - extraction/flac/tagging by Kevin Tobin notes 4171. 04/27/85 Flac 24/96 - 0, 151703 Palo Alto Frost Amphitheatre flac24/96khz Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB, OTS, MSWS till end of show. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96 Recording by Craig Rogers. Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel. January 20, 2021 notes 4172. 04/27/85 Flac 24/96 - 0, 152284 Palo Alto Frost Amphitheatre flac24/96 Source Info: Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 4173. 04/27/85 Flac 16/48 - 0, 153383 Palo Alto Frost Amphitheatre flac16/48 Source Info: Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 4174. 04/27/85 Flac 24/96 - 0, 151970 Palo Alto Frost Amphitheatre flac24/96 This is a fix of shnid 151703. Channels were reversed on the other release. Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by Craig Rogers. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel.January 20, 2021. notes 4175. 04/27/85 Flac 16 - 0, 151947 Palo Alto Frost Amphitheatre Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96 Recording by Craig Rogers notes 4176. 04/27/85 Flac 24/96 - , 148348 Palo Alto Frost Amphitheatre Source: Analog Audience maxell mx 90's 3 tapes Namakamichi CM 700 Mics and Custom ps/preamp mixer - > modified dbx 224 (mod'd to run from battery pack) - > Sony TC D5M (dbx encoded) Analog Sound Peservation: Nakamichi CR7a - > dbx nx40 (dbx decoded) - > Audio Technica mixer/line amplifier - > Korg MR 2000 at 1 bit 5.6 MHz - > Audiogate software to create 24-96 files notes 4177. 04/28/85 Flac 16 - 0, 28439 Palo Alto Frost Amphitheatre flac16 **NEW UPGRADE** Source Updated CD Burner changed Recording Info: SBD -> Cassette Master -> Cassette -> CD (Marantz CDR 500 Pro) Transfer Info: CD -> EAC -> Samplitude Professional v8.0 -> FLAC Transferred and Edited By Charlie Miller notes 4178. 04/28/85 Flac 16 - 0, 102036 Palo Alto Frost Amphitheatre flac16; Taper: Greg Holtz Source: Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5; Transfer: (By JAZ) Cassette Master, TDK MA-R90 Alluminum Core -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD-> R8brain for sample rate conversion to 16bit 44.1kHz -> Traders Little Helper flac8 notes 4179. 04/28/85 Flac 16 - 0, 124404 Palo Alto Frost Amphitheatre flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By: Bob Wagner; All Transfers and Mastering By Charlie Miller notes 4180. 04/28/85 Flac 16 - 0, 77406 Palo Alto Frost Amphitheatre flac16; source: Soundboard > DAT > DAT > CD > wav > shn > wav > flac patch source : SBD -> Cassette Master -> Cassette -> CD (Tascam CDRW5000) see text file for details notes 4181. 04/28/85 Flac 16 - 0, 105549 Palo Alto Frost Amphitheatre flac16; Source: Audience > Nakamichi 700's > Sony WM-D6 > mac Lineage: mac > Nakamichi DR-1 > Tascam HD-P2 > 24/96 wave > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 Wave > CD Wave > Flac 16 notes 4182. 04/28/85 Flac 16 - 0, 28357 Palo Alto Frost Amphitheatre flac16; SBD> Cassette Master> Dat (48k)?; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes 4183. 04/28/85 Flac 24 - 0, 140826 Palo Alto Frost Amphitheatre flac24; Recording Info: Bob Wagner's Master FOB Audience Cassettes; Nakamichi CM700 mics > Sony TC-D5M (Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000(DSF 1-bit/5.8 MHz) > dBpoweramp (flac 24-bit/96k) > Adobe Audition 3 > TLH flac2496 notes 4184. 04/28/85 Flac 16 - 0, 140825 Palo Alto Frost Amphitheatre flac16; Recording Info: Bob Wagner's Master FOB Audience Cassettes; Nakamichi CM700 mics > Sony TC-D5M (Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000(DSF 1-bit/5.8 MHz) > dBpoweramp (flac 24-bit/96k) > Adobe Audition 3 24/96 > TLH flac2496; 24 bit > 16 bit via dBpoweramp notes 4185. 04/28/85 Flac 24/96 - 0, 143492 Palo Alto Frost Amphitheatre flac24; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k) notes 4186. 04/28/85 Shn - 0, 33505 Palo Alto Frost Amphitheatre MAC: (FOB) Sennheiser 421's > Sony D5 > Maxell XLII-S 90 (Set I) & TDK MA-R [aluminum core (Set II)]; Tapers: Adam, Justin & Monica; Master Cassettes provided by Mark McCue; Transfer, editing, conversion and seeding to bt.etree.org by Alex Ford. notes 4187. 04/28/85 Flac 24 - 0, 125010 Palo Alto Frost Amphitheatre flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 33505. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 4188. 04/28/85 Flac 16 - 0, 145342 Palo Alto Frost Amphitheatre flac16; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k); This file set is 16 bit @ 44.1 notes 4189. 04/28/85 Shn - 0, 14192 Palo Alto Frost Amphitheatre Master Soundboard Reel > DAT > CD; Seeded to etree by Steve Barbella notes 4190. 04/28/85 Flac 24/96 - 0, 148418 Palo Alto Frost Amphitheatre flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 4191. 04/28/85 Flac 16/48 - 0, 148417 Palo Alto Frost Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4192. 04/28/85 Flac 24/96 - 0, 151704 Palo Alto Frost Amphitheatre flac24/96khz Source: AKG CE1s > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip (Phil's side) Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96 Recording by KM & Craig Rogers. Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel. January 21, 2021. notes 4193. 04/28/85 Flac 24/96 - 0, 152303 Palo Alto Frost Amphitheatre flac24/96 Source Info: Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 4194. 04/28/85 Flac 16/48 - 0, 152302 Palo Alto Frost Amphitheatre flac16/48 Source Info: Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 4195. 04/28/85 Flac 24/96 - 0, 151971 Palo Alto Frost Amphitheatre flac24/96 This is a fix of shnid 151704. Channels were reversed on the original release. Source: AKG CE1s > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip (Phil's side) Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by KM & Craig Rogers. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. January 21, 2021. notes 4196. 04/28/85 Flac 16 - 0, 151948 Palo Alto Frost Amphitheatre Source: AKG CE1s > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip (Phil's side) Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96 Recording by KM & Craig Rogers notes 4197. 06/14/85 Flac 16 - 0, 117028 Berkeley Greek Theatre, U. Of California flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN; Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 4198. 06/14/85 Flac 16 Mtx - 0, 85831 Berkeley Greek Theatre, U. Of California flac16; Sick Bits Vol. 22a - SBD/AUD matrix of 3 previously circulating sources: SBD (shnid=13747) + Oade AUD (shnid=24451). Another AUD (shnid=32867) was used to patch crowd and tunings. Matrixed by Chris Chappell. notes 4199. 06/14/85 Flac 16 - 0, 130924 Berkeley Greek Theatre, U. Of California flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Fuji FR-Metal 90's, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 08/2014 notes 4200. 06/14/85 Flac 16 - 0, 132923 Berkeley Greek Theatre, U. Of California flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dan McDonald; All editing and sound alteration done with Diamond Cut Forensics 8.5. The recording sounded distant. I used a 30-band equalizer and Punch & Crunch effect to give it more presence notes 4201. 06/14/85 Flac 16 - 0, 97221 Berkeley Greek Theatre, U. Of California flac16; Source: Aud Recording Lineage: 3 Nak 700's (L & R Cardioids, Center Omni - 3 DB Low Pass filter)> -15 db pads> 3 mic mixer Preamp> Patchbay> Sony D6> MAC (Dolby B ) > Nakamichhi ZX-7 > 24/96 Wave > Wavelab 5 > UAD Plugs (Cambridge EQ, Precisions Buss Compressor, Precision Limiter) > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 ) notes 4202. 06/14/85 Shn - 0, 4978 Berkeley Greek Theatre, U. Of California Schoeps cmc42S (spread around 8') > Oade M118 prototype "b" > Oade Modified PCM-F1 > DATx2 (44.1khz) Recorded by Doug Oade, Taper's Section; Transfer: Sony D7> Sonic Sense Modified Sony 7 Pin Coax > Zoltrix Nightingale > CDWAV > SHN; DAT>SHN conversion and seeding by Darrin Sacks notes 4203. 06/14/85 Flac 16 - 0, 135615 Berkeley Greek Theatre, U. Of California flac16; Recording Info: SBD -> Cassette Master (Dolby B) -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller notes 4204. 06/14/85 Flac 16/48 - 0, 135656 Berkeley Greek Theatre, U. Of California flac16/48kHz; Recording Info: SBD -> Cassette Master (Dolby B) -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller notes 4205. 06/14/85 Shn - 0, 13747 Berkeley Greek Theatre, U. Of California Updated Source: SBD > Cassette DAT > CDR/? Conversion: CDR > EAC (read offset correct) > CDWave > CoolEditPro > mkwACT > SHN (seekable) by Randy Carman rcarman@cogeco.ca notes 4206. 06/14/85 Flac 16 - 0, 105542 Berkeley Greek Theatre, U. Of California flac16; Recording Info:Sony ECM-220T -> Cassette Master (Sony TC-D5M/TDK MA90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Rango Keshavan; All Transfers and Mastering By Charlie Miller notes 4207. 06/14/85 Flac 24/96 - 0, 140888 Berkeley Greek Theatre, U. Of California flac24; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96;Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 4208. 06/14/85 Flac 16 - 0, 141238 Berkeley Greek Theatre, U. Of California flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96;Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 4209. 06/14/85 Flac 24 - 0, 126336 Berkeley Greek Theatre, U. Of California flac24; Taper: Danny Thompson; Editing: Joe D'Amico; AKG Se-5 Preis Mics W/ Ce-1 Caps > Uher Cr 240 Was 1st Deck > 2nd Deck Uher Cr 160; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper notes 4210. 06/14/85 Flac 16 - 0, 126338 Berkeley Greek Theatre, U. Of California flac16; Taper: Danny Thompson; Editing: Joe D'Amico; AKG Se-5 Preis Mics W/ Ce-1 Caps > Uher Cr 240 Was 1st Deck > 2nd Deck Uher Cr 160; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper notes 4211. 06/14/85 Flac 16 - 0, 111797 Berkeley Greek Theatre, U. Of California flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 4212. 06/14/85 Shn - 0, 32867 Berkeley Greek Theatre, U. Of California Sennheiser 441's > Sony D5 > Sony D5 > Cassettes Tapers: Adam,Justin & Monica Mark McCue Master 1st deck out Conversion, minor editing, and seeding to bt.etree.org by Alex Ford. notes 4213. 06/14/85 Flac - 0, 24451 Berkeley Greek Theatre, U. Of California Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc42S (spread around 8') > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac notes 4214. 06/14/85 Flac 24/48 - 0, 130923 Berkeley Greek Theatre, U. Of California flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Fuji FR-Metal 90's, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 08/2014 notes 4215. 06/14/85 Flac 16/48 - 0, 145329 Berkeley Greek Theatre, U. Of California flac16/48kHz; Set 2 Recording Info: SBD -> Cassette Master (Dolby B) -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; Patch info: shnid 117028 (SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN); the patch was created with Audacity by Joe Noel notes 4216. 06/14/85 Flac 16/48 - 0, 145575 Berkeley Greek Theatre, U. Of California flac16/48kHz; Recording Info: SBD -> Cassette Master (Dolby B) -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; Edited & patched with Audacity by Joe Noel notes 4217. 06/14/85 Flac 24/96 - 0, 148769 Berkeley Greek Theatre, U. Of California flac24; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(12 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4218. 06/14/85 Flac 16/48 - 0, 148768 Berkeley Greek Theatre, U. Of California flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(12 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4219. 06/14/85 Flac 24/48 - , 152641 Berkeley Greek Theatre, U. Of California flac24/48 Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high. Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDI Codec. Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel January 26, 2021 notes 4220. 06/14/85 Flac 16/48 - , 152788 Berkeley Greek Theatre, U. Of California This Is 1648 Version Of Shnid 152641 Source: Nakamichi 300 Shotguns > Sony Tc-d5m > Master Cassette (maxell Mx90s, Dolby B On) Location: Taper Section; Stand 6 To 7 Feet High. Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby> Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq & Software Dolby B Decode Using Nuendo & Ddi Codec. Recorded, Transferred & Mastered By Anon Edited & Add'l Mastering In Adobe Audition By Joe Noel January 26, 2021 notes 4221. 06/15/85 Flac 16 - 0, 96317 Berkeley Greek Theatre, U. Of California flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 ->FLAC/16; All Transfers and Mastering By Charlie Miller notes 4222. 06/15/85 Flac 16 Mtx - 0, 85832 Berkeley Greek Theatre, U. Of California flac16; Sick Bits Vol. 22b - SBD/AUD matrix of 3 previously circulating sources: set 1 SBD (shnid=5682) and set 2 SBD (shnid=28449) + Oade AUD (shnid=24586). Matrixed by Chris Chappell. notes 4223. 06/15/85 Flac e - 0, 24586 Berkeley Greek Theatre, U. Of California Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac notes 4224. 06/15/85 Flac - 0, 28449 Berkeley Greek Theatre, U. Of California flac16; *Set 2 Only* Soundboard->Vault PCM->PCM Clone->Sonic Solutions->Master CD. Master CD->EAC->FLAC. EAC, Re-track, and FLAC by Joe Samaritano notes 4225. 06/15/85 Flac 16 - 0, 97497 Berkeley Greek Theatre, U. Of California flac16; Source: Aud FOB Recording Lineage: 2 Nak 700's > Pre > Sony D6> MAC (Dolby B ) > Nakamichhi ZX-7 > 24/96 Wave > Wavelab 5 > UAD Plugs > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 ) notes 4226. 06/15/85 Shn - 0, 5682 Berkeley Greek Theatre, U. Of California SBD> ?> CD-R> EAC> CDWAV retrack> SHN; via Randy Griesman notes 4227. 06/15/85 Flac 16 - 0, 97125 Berkeley Greek Theatre, U. Of California flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > JVC ME-90P Metal tape, with no Dolby. Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. January 2009. notes 4228. 06/15/85 Shn - 0, 34302 Berkeley Greek Theatre, U. Of California Fix of shnid 5682 by Bill Tetzeli - see info file for details notes 4229. 06/15/85 Shn - 0, 20878 Berkeley Greek Theatre, U. Of California SBD of unknown lineage, patched with AUD (see notes in text file) via Peter Etter notes 4230. 06/15/85 Flac 16 - 0, 140073 Berkeley Greek Theatre, U. Of California b>flac16; Set 2 Recording Info: Master Soundboard PCM > PCM; Transfer Info: PCM (Sony SLV-M20HF)> Sony PCM 601ESD> Behringer Ultramatch Pro> Sound Devices 744T (16-bit/44.1k)> Adobe Audition 3.0> TLH flac16 notes 4231. 06/15/85 Flac 24/96 - 0, 140889 Berkeley Greek Theatre, U. Of California flac24 Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 4232. 06/15/85 Flac 16 - 0, 141239 Berkeley Greek Theatre, U. Of California flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 4233. 06/15/85 Flac 16 - 0, 33338 Berkeley Greek Theatre, U. Of California flac16; Sennheiser 441's > Sony D5 > Sony D5 > Master Cassettes; Tapers: Adam,Justin & Monica Mark McCue Master 1st deck out; Transfer by Mark McCue; Conversion, edits, retracking, seeding to bt.etree.org by Alex Ford notes 4234. 06/15/85 Shn - 0, 7086 Berkeley Greek Theatre, U. Of California Oade PCM-AUD -- Schoeps MK41 (90 deg -- Tapers' Section) -> CMC4 -> Oade M118 prototype "b" -> Oade Modified PCM-F1 -> DAT; Recorded by Doug Oade; Transfer: (Set I: 48K DAT; Set II: 44.1k DAT, from Doug Oade) Sony PCM-M1 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> Cooledit 2k (sample rate conversion) -> CDWAV -> SHN; DAT>SHN conversion and seeding by Darrin Sacks notes 4235. 06/15/85 Flac 16 - 0, 112725 Berkeley Greek Theatre, U. Of California b>flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 4236. 06/15/85 Flac 24/96 - 0, 97124 Berkeley Greek Theatre, U. Of California flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > JVC ME-90P Metal tape, with no Dolby. Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009. notes 4237. 06/15/85 Flac - 0, 24586 Berkeley Greek Theatre, U. Of California Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac notes 4238. 06/15/85 Flac 24/96 - 0, 148771 Berkeley Greek Theatre, U. Of California flac24; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(13 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4239. 06/15/85 Flac 16/48 - 0, 148770 Berkeley Greek Theatre, U. Of California flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(13 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4240. 06/15/85 Flac 24/96 - 0, 152254 Berkeley Greek Theatre, U. Of California Flac 2496 Recording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 4241. 06/15/85 Flac 16/44,1 - 0, 152520 Berkeley Greek Theatre, U. Of California flac16/44.1 Recording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152254 24 -> 16 @ 44.1 notes 4242. 06/15/85 Flac 24/48 - , 152642 Berkeley Greek Theatre, U. Of California flac24/48 Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high. Transfer: Master Cassette > Nakamichi CR7a playback with no dolby > Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec. Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021 notes 4243. 06/15/85 Flac 16/48 - , 152789 Berkeley Greek Theatre, U. Of California This Is 1648 Version Of Shnid 152642 Source: Nakamichi 300 Shotguns > Sony Tc-d5m > Master Cassette (maxell Mx90s, Dolby B On) Location: Taper Section; Stand 6 To 7 Feet High. Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby > Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq And Software Dolby B Decode Using Nuendo And Ddicodec. Recorded, Transferred & Mastered By Anon Edited & Add'l Mastering In Adobe Audition By Joe Noel February 17, 2021 notes 4244. 06/15/85 Flac 16/48 - , 154489 Berkeley Greek Theatre, U. Of California flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 152254) ecording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 24586) Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac - surround mixing by Kevin Tobin notes 4245. 06/15/85 Flac 16 Dts 5.1 - , 154488 Berkeley Greek Theatre, U. Of California DTS-Audio-CD 5.1 Mix; - SBD (shnid = 152254) ecording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 24586) Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac - dts mixing by Kevin Tobin notes 4246. 06/15/85 Flac 16 Mtx - , 154458 Berkeley Greek Theatre, U. Of California flac16; Matrix 2 Source Mix - SBD (shnid = 152254) ecording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 24586) Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac - matrix mixing by Kevin Tobin notes 4247. 06/16/85 Flac 16 Mtx - 0, 85833 Berkeley Greek Theater, U. of California flac16; Sick Bits Vol. 22c - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=79021) + Oade AUD (shnid=24611). Matrixed by Chris Chappell. notes 4248. 06/16/85 Flac 16 - 0, 105876 Berkeley Greek Theater, U. of California flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 4249. 06/16/85 Flac 16 - 0, 24511 Berkeley Greek Theater, U. of California flac16; Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1, Recorded by Oade Brothers; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac, Transferred by Doug Oade, freshly tracked by Darrin Sacks notes 4250. 06/16/85 Flac 16 - 0, 79021 Berkeley Greek Theater, U. of California flac16; Recording Info: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC notes 4251. 06/16/85 Flac 16 - 0, 97499 Berkeley Greek Theater, U. of California flac16; Source: Aud FOB Recording Lineage: 2 Nak 700's > Pre > Sony D6> MAC (Dolby B ) > Nakamichhi ZX-7 > 24/96 Wave > Wavelab 5 > UAD Plugs > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 ) notes 4252. 06/16/85 Shn - 0, 9218 Berkeley Greek Theater, U. of California Oade PCM-AUD Schoeps MK41 (90deg spaced spaced 17 cm- aka DIN variant, Tapers' Section)> CMC4> Oade M118 prototype b> Oade Modified PCM-F1> DAT (x3?) (48khz); Recorded by Doug Oade: Transfer: Sony PCM-M1> Sonic Sense Modified Sony 7 Pin Coax> Zoltrix Nightingale (coax Mod)> Cooledit 2k (sample rate conversion)> CDWAV> SHN; Note: There are two circulating transcriptions seeded by Darrin Sacks, this seed is from the 48kHz DAT source; see alternate seed; also to abgd via Charlie Connor notes 4253. 06/16/85 Shn - 0, 26080 Berkeley Greek Theater, U. of California SBD > Reel Master [?- see pub comments] > DATs; Transfer, by jbraveman: DAT 60ES > M-Audio Audiophile USB > CDWAV > Goldwave (normalization and minor edits) > CDWAV > mkwACT notes 4254. 06/16/85 Flac 16 - 0, 105543 Berkeley Greek Theater, U. of California flac16; Recording Info:AKG Mics -> Cassette Master (Sony TC-D5M/TDK MA90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Rango Keshavan; All Transfers and Mastering By Charlie Miller notes 4255. 06/16/85 Flac 16 - 0, 127488 Berkeley Greek Theater, U. of California flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Maxell MX-90s, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. 03/2014 notes 4256. 06/16/85 Flac 24/96 - 0, 140857 Berkeley Greek Theater, U. of California flac24; Source: Unknown mics > cassette master (Sony WM-D6) - Taped By Robert Bryant; Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited amd mastered SIRMick January 2018 notes 4257. 06/16/85 Flac 16 - 0, 140862 Berkeley Greek Theater, U. of California flac16; Source: Unknown mics > cassette master (Sony WM-D6) - Taped By Robert Bryant; Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited amd mastered SIRMick January 2018 notes 4258. 06/16/85 Shn - 0, 33669 Berkeley Greek Theater, U. of California (FOB) 2 Sennheiser 441's > Sony D5 > Master Cassettes Tapers: Adam, Justin and Monica Mark McCue Master Transferred by Mark McCue, conversion and seeding to bt.etree.org by Alex Ford notes 4259. 06/16/85 Shn - 0, 7087 Berkeley Greek Theater, U. of California Oade PCM-AUD Schoeps MK41 (90deg spaced spaced 17 cm- aka DIN variant, Tapers' Section)> CMC4> Oade M118 prototype b> Oade Modified PCM-F1> DAT (x1?) (44.1khz); Recorded by Doug Oade; Transfer: Sony d7> Sonic Sense Modified Sony 7 Pin Coax> Zoltrix Nightingale (coax Mod)> CDWAV (no sample Rate Conversion Performed); DAT>SHN conversion and seeding by Darrin Sacks; There are two circulating transcriptions seeded by Darrin Sacks, this seed is from the 44.1kHz DAT source; see alternate seed notes 4260. 06/16/85 Flac 24/48 - 0, 127487 Berkeley Greek Theater, U. of California b>flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Maxell MX-90s, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448. Taped and transferred by Andrew F. 03/2014 notes 4261. 06/16/85 Shn - 0, 970 Berkeley Greek Theater, U. of California SBD> MVHS> DAT> CD-R; via Dave Barrick?; note there is an alternate 3 CD version notes 4262. 06/16/85 Flac 24/96 - 0, 148773 Berkeley Greek Theater, U. of California flac24; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(11 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4263. 06/16/85 Flac 16/48 - 0, 148772 Berkeley Greek Theater, U. of California flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(11 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4264. 06/16/85 Flac 24/96 - 0, 150523 Berkeley Greek Theater, U. of California flac24; (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. July 18, 2020 notes 4265. 06/16/85 Flac 24/96 - 0, 152304 Berkeley Greek Theater, U. of California flac24/96 Recording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 4266. 06/16/85 Flac 16/44,1 - 0, 152521 Berkeley Greek Theater, U. of California flac16/44.1 Recording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152304 24 -> 16 @ 44.1 notes 4267. 06/16/85 Flac 24/48 - , 152643 Berkeley Greek Theater, U. of California flac24/48 Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high. Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec. Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021 notes 4268. 06/16/85 Flac 16/48 - , 152790 Berkeley Greek Theater, U. of California This Is 1648 Version Of Shnid 15263 Source: Nakamichi 300 Shotguns > Sony Tc-d5m > Master Cassette (maxell Mx90s, Dolby B On) Location: Taper Section; Stand 6 To 7 Feet High. Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby> Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq And Software Dolby B Decode Using Nuendo And Ddicodec. Recorded, Transferred & Mastered By Anon Edited & Add'l Mastering In Adobe Audition By Joe Noel February 17, 2021 notes 4269. 06/21/85 Flac 16 Mtx - 0, 108266 East Troy Alpine Valley Music Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT) notes 4270. 06/21/85 Shn - 0, 11492 East Troy Alpine Valley Music Theatre Master Soundboard Cassette > DAT > CDR; via Jack Straw; Seeded to etree by steve barbella notes 4271. 06/21/85 Flac 16 - 0, 86472 East Troy Alpine Valley Music Theatre flac16; MAC; 2 Nakamichi 100s > Sony D5 > 2 Maxell MX 90s Taped by Greg Holtz Transfer: MAC > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L3 UltraMaximizer > WAV @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Greg Holtz. Transfer, edits, conversion and seeding by Alex Ford July 2007. notes 4272. 06/21/85 Flac 24/96 - 0, 133591 East Troy Alpine Valley Music Theatre flac24; Field: 2x Nakamichi CM100 mics with CP-4 shotgun capsules > Sony TS-D5M analog cassette recorder > Maxell MX-90 cassette tapes; Transfer: MAC > Tascam 112 analog tape deck > Edirol UA-5 USB Audio Interface > 2496 WAVs > Audacity > Trader's Little Helper > FLAC 24/96 notes 4273. 06/21/85 Flac 16 - 0, 120969 East Troy Alpine Valley Music Theatre flac16; Set 2 Source: Very Low Gen SBD set 2 >NakCR-3A>Sony PCM M-10@24/44.1 M-10>Soundforge9.0>CDWave>TLH notes 4274. 06/21/85 Flac 24/96 - 0, 141292 East Troy Alpine Valley Music Theatre flac24; Source: Unknown mics > Sony WM-D6 > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018 notes 4275. 06/21/85 Flac 16 - 0, 145363 East Troy Alpine Valley Music Theatre flac16; Source: Unknown mics > Sony WM-D6 > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018; This file set is 16 bit @ 44.1 notes 4276. 06/21/85 Flac 16 - 0, 117822 East Troy Alpine Valley Music Theatre flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 4277. 06/21/85 Flac 24/96 - , 154486 East Troy Alpine Valley Music Theatre flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4278. 06/21/85 Flac 16/48 - , 154485 East Troy Alpine Valley Music Theatre flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4279. 06/22/85 Flac 16 Mtx - 0, 109561 East Troy Alpine Valley Music Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes 4280. 06/22/85 Flac 16 - 0, 123586 East Troy Alpine Valley Music Theatre flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat (44.1k); Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 4281. 06/22/85 Flac 16 - 0, 86805 East Troy Alpine Valley Music Theatre flac16; (MAC) 4 Nakamichi 100s (2 for each channel) > Sony D5 > 2 Maxell MX90s Taper: Greg Holtz Transfer: MAC > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3(@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L3 UltraMaximizer > WAV @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Transfer, edits, conversion & seeding by Alex Ford August 2007. notes 4282. 06/22/85 Flac 24/96 - 0, 133603 East Troy Alpine Valley Music Theatre flac24; Field: 4x Nakamichi CM100 mics with CP-4 shotgun capsules front row OTS > Niles Audio Mixer > Sony TS-D5M analog cassette recorder > Maxell MX-90 cassette tapes; Transfer: MAC > Tascam 112 analog tape deck > Edirol UA-5 USB Audio Interface > 2496 WAVs > Audacity > Trader's Little Helper > FLAC 24/96 notes 4283. 06/22/85 Shn - 0, 2665 East Troy Alpine Valley Music Theatre SBD> ?> CD; Seeded by Andy Greider; Extracted & Shortened by Jim Keith; note cut in space (see pub comment) notes 4284. 06/22/85 Shn - 0, 13478 East Troy Alpine Valley Music Theatre SBD > (poss cass gen)? > PCM > DAT @ 44.1 (pre-emphasis on); Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5 > pre-emphasis removed (see notes) > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig; via Bill Gardner, Ghost to etree notes 4285. 06/22/85 Flac 16 - 0, 117823 East Troy Alpine Valley Music Theatre flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 4286. 06/22/85 Flac 24/48 - , 152621 East Troy Alpine Valley Music Theatre flac24/48 Microphones: AKG C422|AKG S42 XY 90º Cardioid Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel? Transfer by: Kyle Holbrook First AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4287. 06/22/85 Flac 16/44,1 - , 152620 East Troy Alpine Valley Music Theatre flac16/44.1 Microphones: AKG C422|AKG S42 XY 90º Cardioid Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel? Transfer by: Kyle Holbrook First AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4288. 06/22/85 Flac 16/48 - , 154531 East Troy Alpine Valley Music Theatre flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4289. 06/22/85 Flac 24/96 - , 154532 East Troy Alpine Valley Music Theatre flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4290. 06/24/85 Flac 16 Mtx - 0, 94663 Cincinnati River Bend Music Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes 4291. 06/24/85 Shn - 0, 25315 Cincinnati River Bend Music Center SBD > Cassette Master > PCM > DAT > CD; Transfer: CD > EAC > Cool Edit Pro v2.0 > Samplitude v7.02 Professional > SHN; Transferred and Edited By Charlie Miller; note flaw fix in d3t4 reflected in fixed md5 (see pub comments) notes 4292. 06/24/85 Shn - 0, 2274 Cincinnati River Bend Music Center fixed version of previous shn set, to boost Samson>He's Gone; via Patrick Murphy; hosted at gdlive.com notes 4293. 06/24/85 Shn - 0, 8198 Cincinnati River Bend Music Center Sbd > Cm > Dat x 3 > Cdr; NR applied with Cool edit; via Bob harrell; upgrade in circulation notes 4294. 06/24/85 Flac Mtx - 0, 32310 Cincinnati River Bend Music Center SBD/AUD Matrix by Timothy Pytlik notes 4295. 06/24/85 Flac 24/96 - 0, 140890 Cincinnati River Bend Music Center flac24; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 4296. 06/24/85 Flac 16 - 0, 141240 Cincinnati River Bend Music Center flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 4297. 06/24/85 Shn - 0, 360 Cincinnati River Bend Music Center Nak 300 > D5 > CM > CDR; via Chris Vinci, Mike Lai; Some left channel dropouts at beginning of USB notes 4298. 06/24/85 Flac - 0, 24662 Cincinnati River Bend Music Center Set II Only; Recorded by Jim Oade Transferred by Doug Oade, tracked by Darrin Sacks; Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac notes 4299. 06/24/85 Flac 16 - 0, 118986 Cincinnati River Bend Music Center flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 4300. 06/24/85 Flac 24/48 - , 152623 Cincinnati River Bend Music Center flac24/48 Microphones: AKG C422|AKG S42 XY 90º Cardioid see *** Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba Transfer by: Kyle Holbrook Second AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4301. 06/24/85 Flac 16/44,1 - , 152622 Cincinnati River Bend Music Center flac16/44.1 Microphones: AKG C422|AKG S42 XY 90º Cardioid see *** Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba Transfer by: Kyle Holbrook Second AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4302. 06/24/85 Flac 24/96 - , 154534 Cincinnati River Bend Music Center flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4303. 06/24/85 Flac 16/48 - , 154533 Cincinnati River Bend Music Center flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4304. 06/25/85 Flac 16 Mtx - 0, 106640 Cuyahoga Falls Blossom Music Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes 4305. 06/25/85 Shn - 0, 18663 Cuyahoga Falls Blossom Music Center SBD -> Cm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN (2 Discs Audio / 2 Discs SHN) Converted By Charlie Miller notes 4306. 06/25/85 Flac 16 - 0, 132561 Cuyahoga Falls Blossom Music Center flac16; Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Master PCM > DAW (via SEKD Prodif) > Wav; Recorded by the Oade Brothers; Mastered by Dan McDonald notes 4307. 06/25/85 Flac 16 - 0, 106739 Cuyahoga Falls Blossom Music Center flac16; OTS: Sennheiser MD441U > Sony TCD5-M > MaxeLL MX > Nakamichi CR 7A > Edirol R4Pro ( Oade Preamp Mod ) @ 24/88.2 > WaveBurner > xACT > FLAC16; Recorded, processed, and let loose by Mike Kutik notes 4308. 06/25/85 Shn - 0, 3049 Cuyahoga Falls Blossom Music Center SBD> Master Cassette> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.; Known Flaws: d2t01 two minor clicks during first :02 of Gimme Some Lovin' notes 4309. 06/25/85 Flac 24/96 - 0, 140891 Cuyahoga Falls Blossom Music Center flac24; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 4310. 06/25/85 Flac 16 - 0, 141241 Cuyahoga Falls Blossom Music Center flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 4311. 06/25/85 Flac 16 - 0, 142391 Cuyahoga Falls Blossom Music Center flac16; Source Info: Master Soundboard Cassettes (dolby b) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 4312. 06/25/85 Flac 16 - 0, 121562 Cuyahoga Falls Blossom Music Center flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 4313. 06/25/85 Flac 24/96 - 0, 148521 Cuyahoga Falls Blossom Music Center flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4314. 06/25/85 Flac 16/48 - 0, 148520 Cuyahoga Falls Blossom Music Center flac16/48kHz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4315. 06/25/85 Flac 24/48 - , 152625 Cuyahoga Falls Blossom Music Center flac24/48 Microphones: AKG C422|AKG S42 XY 90º Cardioid Recorder: Sony TC-D5M [mic master] Location: Pavilion ~100' from stage 30' ROC (Sec 22 Row R) This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Eddie Wahba Transfer by: Kyle Holbrook Third AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4316. 06/25/85 Flac 16/44,1 - , 152624 Cuyahoga Falls Blossom Music Center flac16/44.1khz Microphones: AKG C422|AKG S42 XY 90º Cardioid Recorder: Sony TC-D5M [mic master] Location: Pavilion ~100' from stage 30' ROC (Sec 22 Row R) This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Eddie Wahba Transfer by: Kyle Holbrook Third AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4317. 06/27/85 Flac 16 Mtx - 0, 92963 Saratoga Springs Saratoga Performing Arts Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) July 6, 2008 Speed Corrected July 20. (This source fixes the speed of the previous Seamons source.) notes 4318. 06/27/85 Flac 16 - 0, 27863 Saratoga Springs Saratoga Performing Arts Center flac16; SBD> Master Cassette> PCM> Dat (unconfirmed- could be SBD> VHS> Cass> Dat> CD); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes 4319. 06/27/85 Flac 16 - 0, 112499 Saratoga Springs Saratoga Performing Arts Center flac16; Field Gear: Nakamichi CM-100's w/CP-4 Shotgun Capsules > Sony D-5 > MAC; Transfer: MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > Trader's Little Helper > FLAC Level 8; Recorded, transferred, tracked & FLAC'd by Greg Holtz notes 4320. 06/27/85 Flac 16 - 0, 79382 Saratoga Springs Saratoga Performing Arts Center flac16; Source: SBD > MC > DAT(48KHz).Transfer: DAT playback on Sony PCM-R500 > unbalanced XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracked with CDWAV 1.9 > FLAC. DAT via M.Townshend. Transfer, mastering and lossless encoding by C.Ladner notes 4321. 06/27/85 Flac 24/88 - 0, 135270 Saratoga Springs Saratoga Performing Arts Center flac24; MAC; Sennheiser 441s > Sony TCM-D5 > TDK MA 90s; Mic info: 2 rows behind board on Jerry side, mics @ 10ft; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatic V3 (@24/88.2)> WaveLab 7.2.1> .wav @24/88.2> UAD-2(editing/mastering)> .wav @24/88.2> xAct> flac24; Taper: Mark McCue; Transfer, editing and mastering: Alex Ford notes 4322. 06/27/85 Flac 16 Mtx - 0, 92645 Saratoga Springs Saratoga Performing Arts Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) See info file for details notes 4323. 06/27/85 Flac 16 - 0, 135268 Saratoga Springs Saratoga Performing Arts Center flac16; MAC Sennheiser 441s > Sony TCM-D5 > TDK MA 90s; Mic info: 2 rows behind board on Jerry side, mics @ 10ft; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatic V3 (@24/88.2)> WaveLab 7.2.1> .wav @24/88.2> UAD-2(editing/mastering)> .wav @24/88.2> UV22HR/Crystal Resampler> .wav @16/44.1> xAct> flac16; Taper: Mark McCue; Transfer, editing and mastering: Alex Ford notes 4324. 06/27/85 Shn - 0, 6104 Saratoga Springs Saratoga Performing Arts Center Amy's Soundboard VHS > Cassette > DAT> CDR; CD Re-Mastering, EAC'ed / SHN'ed by Scott Clugston notes 4325. 06/27/85 Flac 24/96 - 0, 141598 Saratoga Springs Saratoga Performing Arts Center flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; eited and mastered SIRMick April 2018 notes 4326. 06/27/85 Flac 16 - 0, 121563 Saratoga Springs Saratoga Performing Arts Center flac16; Source: 2 Beyer M160 microphones > Sony TCD5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 4327. 06/27/85 Shn - 0, 7006 Saratoga Springs Saratoga Performing Arts Center FOB AUD> CM (unknown mics)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT); Digital Mastering by Charlie Connor, from Painoman's Master Analog Cassettes notes 4328. 06/27/85 Flac 16 - 0, 79597 Saratoga Springs Saratoga Performing Arts Center flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *Lawn, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 notes 4329. 06/27/85 Shn - 0, 25000 Saratoga Springs Saratoga Performing Arts Center Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac. Recorded by Jim Oade; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) notes 4330. 06/27/85 Flac 24/96 - 0, 114489 Saratoga Springs Saratoga Performing Arts Center flac24; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes 4331. 06/27/85 Flac 16 - 0, 106788 Saratoga Springs Saratoga Performing Arts Center flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded from Orchestra Section 8, Row GG, Seat 122 by Bob Morris. Transfer, edits, patch by Bob Morris 11/09. notes 4332. 06/27/85 Flac 24/96 - 0, 126238 Saratoga Springs Saratoga Performing Arts Center flac24; source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4333. 06/27/85 Flac 16 - 0, 145345 Saratoga Springs Saratoga Performing Arts Center flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; eited and mastered SIRMick April 2018; This file set is 16 bit @ 44.1 notes 4334. 06/27/85 Flac 24/96 - 0, 97558 Saratoga Springs Saratoga Performing Arts Center flac24/96; Source: SBD > MC > DAT(48KHz). Transfer: Playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and digitization > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > tracked with CDWAV 1.9 > FLAC. 24/96 Stereo DVD-A rendering was also generated using Discwelder Chrome II. Transfer, mastering and DVD-Audio rendering by C.Ladner notes 4335. 06/27/85 Flac 24/48 - , 152627 Saratoga Springs Saratoga Performing Arts Center flac24/48 Microphones: AKG C422|AKG S42 XY s1:60º cardioid s2: 90º cardioid [-10dB pad on] Recorder: Sony TC-D5M [mic master] Location: Lawn ~175' from stage DFC This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney Transfer by: Kyle Holbrook Fourth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4336. 06/27/85 Flac 16/44,1 - , 152626 Saratoga Springs Saratoga Performing Arts Center flac16/44.1 Microphones: AKG C422|AKG S42 XY s1:60º cardioid s2: 90º cardioid [-10dB pad on] Recorder: Sony TC-D5M [mic master] Location: Lawn ~175' from stage DFC This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney Transfer by: Kyle Holbrook Fourth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4337. 06/27/85 Flac 16/48 - , 154535 Saratoga Springs Saratoga Performing Arts Center flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4338. 06/27/85 Flac 24/96 - , 154536 Saratoga Springs Saratoga Performing Arts Center flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4339. 06/28/85 Flac 16 - 0, 107066 Hershey Hershey Park Stadium flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes 4340. 06/28/85 Flac 16 Mtx - 0, 132533 Hershey Hershey Park Stadium flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:107066) SBD -> Cassette Master -> Dat -> CD; CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; and Audience (shnid:114680) Nakamichi CM-300 (CP-4) x2 > Cassette Master; Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > flac16 by Bob Morris notes 4341. 06/28/85 Flac 16 - 0, 33339 Hershey Hershey Park Stadium flac16; (FOB) 2 Sennheiser 441's > Sony D5 > Master Cassettes; Taped transferred by Mark McCue; Retracking, conversion and seeding to bt.etree.org by Alex Ford notes 4342. 06/28/85 Shn - 0, 5822 Hershey Hershey Park Stadium SBD? liberated bootleg; via lemon2 notes 4343. 06/28/85 Flac 16 - 0, 77931 Hershey Hershey Park Stadium flac16; source: Soundboard > ??? (cass or pcm) > DAT > DAT > WAV > SHN > WAV > FLAC see text file for full details notes 4344. 06/28/85 Shn - 0, 23593 Hershey Hershey Park Stadium Set 1 Source: SBD (pitch corrected shnid = 5822). Set 2 Source: SBD>Reel>PCM>DAT. Remastering by MattMan: SHN>WAV>ADOBE AUDITION>CDWAV>SHNTOOL>mkwACT. notes 4345. 06/28/85 Flac 16 - 0, 137289 Hershey Hershey Park Stadium flac16; Phase Fix of source ID 33339; (FOB) 2 Sennheiser 441's (PAS) > Sony D5 > Master Cassettes; Location: 10 yard line, DFC; Original Transfer: MAC> Sony D5> Tascam Stand Alone burner(tracked on the fly)> EAC> HD> CDR> EAC> WinXP Pro> wav files joined> CD Wave Editor(retracking)> Flac Frontend> flac16; New edits: WaveLab 7.2.1 (phase fix and minor edits) > retrack > xAct> flac16; Taped and transferred by Mark McCue; Phase fix/minor edits by Alex Ford notes 4346. 06/28/85 Flac 24/96 - 0, 141599 Hershey Hershey Park Stadium flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick April 2018 notes 4347. 06/28/85 Shn - 0, 76159 Hershey Hershey Park Stadium Sennheiser 4xx's > Marantz PMDxxx > MC Playback on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen) 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwACT > SHN Recorded by Jeff Hubbard notes 4348. 06/28/85 Flac 16 - 0, 79609 Hershey Hershey Park Stadium flac16; Source: Nakamichi CM304's>Sony D5M Location: *At SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 notes 4349. 06/28/85 Flac 24/96 - 0, 89009 Hershey Hershey Park Stadium flac24; Source: Nakamichi CM304's>Sony D5M Location: *At SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition>Cdwav/tracking>flac24 Taper: Tony Suraci Transfer and upload by Tony Suraci notes 4350. 06/28/85 Flac 16 - 0, 111343 Hershey Hershey Park Stadium flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) >Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes 4351. 06/28/85 Flac 16 - 0, 114680 Hershey Hershey Park Stadium flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > flac16; Microphones on tripod stand at 7 ft height under an umbrella in the rain; Recorded by Bob Morris notes 4352. 06/28/85 Flac 24/96 - 0, 114490 Hershey Hershey Park Stadium flac24; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes 4353. 06/28/85 Flac 24/96 - 0, 126140 Hershey Hershey Park Stadium flac24; source: (3) audio technica atm 11> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4354. 06/28/85 Flac 24 - 0, 126158 Hershey Hershey Park Stadium flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 33339. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 4355. 06/28/85 Shn - 0, 22517 Hershey Hershey Park Stadium AUD: FOB Sony D-5M Sennheiser 441's Recorded by Steve (the Lizzard); Posted to abgd by Tommy McKeown notes 4356. 06/28/85 Shn - 0, 25985 Hershey Hershey Park Stadium FOB Sony D-5M Sennheiser 441's Recorded by Steve (the Lizzard) /shninfo_detail.php?shnid=22517 sbe's were repaired with shntool notes 4357. 06/28/85 Flac 16 - 0, 145352 Hershey Hershey Park Stadium flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick April 2018; This file set is 16 bit @ 44.1 notes 4358. 06/28/85 Shn - 0, 26144 Hershey Hershey Park Stadium Source: SBD > CM > DAT > DAT > DAT Transfer: DAT 60ES > M-Audio Audiophile USB > CDWAV (48) > Goldwave (normalization 100%, patch, and resample 44.1) > CDWAV tracking > mkwACT SHN; transfer by Joshua Braveman notes 4359. 06/28/85 Flac 16/48 - 0, 151254 Hershey Hershey Park Stadium flac16/48khz Source Info: Master Soundboard Cassettes (Sony D5M)> 1st generation cassettes (Sony D5M) > Rob Eaton's DAT (Panasonic SV-3800)(16/48) > Tim Dalton's DAT (Panasonic SV-3700)(16/48) Transfer Info: 1st generation cassettes (unknown deck) > Panasonic SV-3800 DAT (16/48) by Rob Eaton; Rob Eaton's DAT 16/48 (Panasonic SV-3800) > Tim Dalton's DAT (Panasonic SV-3800)(16/48); Tim Dalton's DAT (16/48)(Sony PCM R-500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> .wav (16/48) > Adobe Audition CC 2020 > TLH flac1648 notes 4360. 06/28/85 Flac 16/44 - 0, 151829 Hershey Hershey Park Stadium flac16/44 Source Info: 1st Set and Morning Dew thru Encore: Oade brothers Master Audience Cassettes ; Schoeps CMC4 MK41 mics > Sony D5M 2nd Set thru I Need A Miracle: Oade brothers Master Audience PCM; Schoeps CMC4 MK41 mics > Modified Sony PCM-F1 Transfer Info: Unknown Playback equipment > HDD via SEK'D Prodif by Doug Oade notes 4361. 06/28/85 Flac 24/96 - , 154538 Hershey Hershey Park Stadium flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4362. 06/28/85 Flac 16/48 - , 154537 Hershey Hershey Park Stadium flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4363. 06/30/85 Flac 16 Mtx - 0, 94642 Columbia Merriweather Post Pavilion flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes 4364. 06/30/85 Flac 16 - 0, 89192 Columbia Merriweather Post Pavilion flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller notes 4365. 06/30/85 Flac - 0, 25242 Columbia Merriweather Post Pavilion Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac (via Darrin Sacks) notes 4366. 06/30/85 Flac 16 - 0, 30158 Columbia Merriweather Post Pavilion flac16; SBD -> Cassette Master -> Dat -> CD -> EAC -> FLAC Converted By Charlie Miller notes 4367. 06/30/85 Flac 16 - 0, 138280 Columbia Merriweather Post Pavilion flac16; MAC; Sennheiser 441's > Sony D5; Location: 3 rows behind Healy on left; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> UAD-2(mastering)> .wav @24/88.2> Crystal Resampler/UV22HR> .wav @16/44.1> xAct> flac16; Tapers: Mark McCue and Davey Meade; Transfer and mastering: Alex Ford notes 4368. 06/30/85 Flac 24/48 - 0, 138288 Columbia Merriweather Post Pavilion flac24/48kHz; MAC; Sennheiser 441s > Sony D5; Location: 3 rows behind Healy on left; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> UAD-2(mastering)> .wav @24/88.2> Crystal Resampler> .wav @24/48> xAct> flac24; Tapers: Mark McCue and Davey Meade; Transfer and mastering: Alex Ford notes 4369. 06/30/85 Flac 24/96 - 0, 141619 Columbia Merriweather Post Pavilion flac24; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 notes 4370. 06/30/85 Flac 24/96 - 0, 84246 Columbia Merriweather Post Pavilion flac24/96; Recordist: Kyle Holbrook Location: Lawn, ~275' from stage lip Mic Config: XY, 90 degrees Source: AKG C422 (Cardioid) > AKG S42 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 notes 4371. 06/30/85 Flac 16 - 0, 84267 Columbia Merriweather Post Pavilion flac16; Recordist: Kyle Holbrook Location: Lawn, ~275' from stage lip Mic Config: XY, 90 degrees Source: AKG C422 (Cardioid) > AKG S42 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab 5.01b (resample, dither) Dither: MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 All transfers and DSP performed by Tim Burke notes 4372. 06/30/85 Flac 24/96 - 0, 144155 Columbia Merriweather Post Pavilion flac24; 2nd Set Source Info: Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90); Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496 notes 4373. 06/30/85 Flac 16/48 - 0, 144154 Columbia Merriweather Post Pavilion flac16/48kHz; 2nd Set Source Info: Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90); Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4374. 06/30/85 Flac 16 - 0, 33702 Columbia Merriweather Post Pavilion Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC)> SBLive! > Audacity > WAV > CDWave > WAVs > mkwAC > SHNs; Recorded, transferred by Charles Bandrofcheck notes 4375. 06/30/85 Shn - 0, 7893 Columbia Merriweather Post Pavilion set 1; Recorded by Tommy McKeown; Master AUD Sony D5 Sennheiser ME 80 & 441's > Wav > SHN; 5 sec. dropout on left channel during BEW notes 4376. 06/30/85 Shn - 0, 7833 Columbia Merriweather Post Pavilion set 2; Daud -- Oade recording: Schoeps CMC441 (@ 90 degrees) > Oade M118 > Oade Modified PCM-F1 > DATs > CDRs > EAC > SHN (Seekable); via Darrin Sacks notes 4377. 06/30/85 Flac 16 - 0, 79641 Columbia Merriweather Post Pavilion flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes 4378. 06/30/85 Flac 24/96 - 0, 89039 Columbia Merriweather Post Pavilion flac24; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0>Cdwav/tracking>flac24 Taper: Tony Suraci Transfer and upload by Tony Suraci notes 4379. 06/30/85 Flac 16 - 0, 102134 Columbia Merriweather Post Pavilion flac16; Source: (2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5 Conversion: Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16 Recorded by Ray Ackerman Conversion by Ray Ackerman Tracks, FLACs, Tags by Craig Taraszki; Originally seeded 2009-10-21 notes 4380. 06/30/85 Flac 16 - 0, 145353 Columbia Merriweather Post Pavilion flac16; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1 notes 4381. 06/30/85 Shn - 0, 23223 Columbia Merriweather Post Pavilion SBDmc>DAT>CD; fixed disc 3 SHNid=366 by Darryl Hinko and Tommy Brame notes 4382. 06/30/85 Shn - 0, 366 Columbia Merriweather Post Pavilion SBDmc> DAT> CD; via Nick Georges; reported lots of hiss, and inferior "digital manipulation"; additional notes in public comments Note- This show also circ's with 'corrected' track names via ccryder@westerncom.net notes 4383. 06/30/85 Flac 24/96 - 0, 126176 Columbia Merriweather Post Pavilion flac24; source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4384. 06/30/85 Flac 24/96 - 0, 148523 Columbia Merriweather Post Pavilion flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4385. 06/30/85 Flac 16/48 - 0, 148522 Columbia Merriweather Post Pavilion flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4386. 06/30/85 Flac 16/44,1 - 0, 151255 Columbia Merriweather Post Pavilion flac16/44.1khz Recording Info: SBD > Cassette Master (Sony WM-D6C/Dolby C) > DAT > CD > WAV Transfer Info: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/16 notes 4387. 06/30/85 Flac 16/44 - , 152701 Columbia Merriweather Post Pavilion flac16/44 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~275' from stage (crest of the hill) This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, John Borg, Gary Steel Transfer by: Kyle Holbrook notes 4388. 06/30/85 Flac 24/48 - , 152702 Columbia Merriweather Post Pavilion flac24/48 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~275' from stage (crest of the hill) This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, John Borg, Gary Steel Transfer by: Kyle Holbrook notes 4389. 07/01/85 Flac 16 Mtx - 0, 94681 Columbia Merriweather Post Pavilion flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes 4390. 07/01/85 Flac - 0, 46421 Columbia Merriweather Post Pavilion Recording Info: SBD -> Cm -> ? -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> CD; Transfered and Edited By Charlie Miller notes 4391. 07/01/85 Flac 16 - 0, 101283 Columbia Merriweather Post Pavilion flac16; Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 notes 4392. 07/01/85 Shn - 0, 17350 Columbia Merriweather Post Pavilion Hybrid soundboard - Original Paino seed w/ D3 Cribbs Patch and Charlie Miller "Day Job" via Torbjorn notes 4393. 07/01/85 Flac - 0, 25243 Columbia Merriweather Post Pavilion Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 (Oade brothers, via Darrin Sacks) Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > soundforge 6 where necessary for patching > Flac (sector boundaries aligned via flac frontend notes 4394. 07/01/85 Flac 16 - 0, 83465 Columbia Merriweather Post Pavilion flac16; Source: FOB-Nakamichi 700s > Sony D5 > Maxell MX90 type IV cassettes. Taped by B.Koucky, patched out of B. Glassberg. Transfer: MAC playback, Nakamichi CR-7A, azimuth adjusted > 1 ft Lynx RCA-XLR audio cables > Lunatec V3 > AES digital out > LynxTwo in a E6400-based DuoCore 2 PC > Wavelab 5, recorded as 24/96 KHz WAV > mastering with Ozone 3 > dithered to 16/44.1 KHz using Izotope MBIT+ > CDWAV1.9 > FLAC (level 8). Analog>Digital transfer and mastering by C.Ladner notes 4395. 07/01/85 Flac 16/48 - 0, 139047 Columbia Merriweather Post Pavilion flac16/48kHz; Source: SBD > Cassette Master > DAT (48k); Provided by Rich Gastwirt; Transfer: DAT > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick 2017 notes 4396. 07/01/85 Flac 24/96 - 0, 85993 Columbia Merriweather Post Pavilion b>flac24/96; Recordist: Kyle Holbrook Location: Reserved Section, ~20' behind SBD, ~10' Left Of Center, ~120' from stage lip, ~7' high Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: AddaWav v1.3 (join the two separate "Drums" tracks) Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.4, FLAC Frontend, Level 8 This is your collection notes 4397. 07/01/85 Flac 16/44 - 0, 85820 Columbia Merriweather Post Pavilion flac16; Recordist: Kyle Holbrook Location: Location: Reserved Section, ~20' behind SBD, ~10' Left Of Center, ~120' from stage lip, ~7' high Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab v5.01b (resample, dither) AddaWav v1.3 (join the two separate "Drums" tracks) Dither: MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.4, FLAC Frontend, Level 8 All transfers and DSP performed by Tim Burke notes 4398. 07/01/85 Flac 24/96 - 0, 144157 Columbia Merriweather Post Pavilion flac24; Source Info: Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496 notes 4399. 07/01/85 Flac 16/48 - 0, 144156 Columbia Merriweather Post Pavilion flac16/48kHz; Source Info: Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4400. 07/01/85 Shn - 0, 7892 Columbia Merriweather Post Pavilion Oade recording: Schoeps cmc441 (ortf @90 degrees) > Oade M118 > Modified Sony PCM-F1 > DATs >CDs > EAC > SHN (seekable); plus patches from fob beyer m160 source (see txt); EAC, patching, upload by Darrin Sacks; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments) notes 4401. 07/01/85 Shn - 0, 32796 Columbia Merriweather Post Pavilion Unknown shotgun type mics > Sony D6 > Maxell XLII 90's 12" stand Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN by Charles Bandrofcheck. This is the 2nd re-transfer by Charles of his source. notes 4402. 07/01/85 Shn - 0, 34164 Columbia Merriweather Post Pavilion Unknown shotgun mics audience recording by Charles Bandrofcheck. This is a re-record of shnid=32596. Changes are the azimuth adustment on the SD 4050 and the use of Audacity for noise reduction and normalization notes 4403. 07/01/85 Flac 24/96 - 0, 90242 Columbia Merriweather Post Pavilion flac24/96; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0>Cdwav/tracking>flac24 Taper: Tony Suraci Transfer and upload by Tony Suraci notes 4404. 07/01/85 Flac 16 - 0, 118988 Columbia Merriweather Post Pavilion flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 4405. 07/01/85 Flac 16 - 0, 79649 Columbia Merriweather Post Pavilion flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes 4406. 07/01/85 Shn - 0, 16581 Columbia Merriweather Post Pavilion D3 only; Oade Patched version of previous SBD shn set by Sean Cribbs; upgrade in circulation notes 4407. 07/01/85 Shn - 0, 8482 Columbia Merriweather Post Pavilion Fix of previous sbd shn set; See info file for details; Disc 1 & 2: SBDmc>?>DAT>CD>EAC>SHN>CD>EAC Disc 3: SBDmc>?>DAT>CD>EAC Seeded to etree by Paino Man notes 4408. 07/01/85 Flac 24/96 - 0, 126180 Columbia Merriweather Post Pavilion flac24; source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4409. 07/01/85 Flac 16 - 0, 151269 Columbia Merriweather Post Pavilion flac16/44.1khz Source Info: Master Soundboard Cassettes > 1st generation cassettes (unknown dubbing deck/Dolby C) > DAT > CD > .wav (16-bit/44.1k) Transfer Info: .wav > Adobe Audition 2020 > TLH > flac16 notes 4410. 07/01/85 Flac 16/44 - , 152708 Columbia Merriweather Post Pavilion flac16/44 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~250' from stage (just below crest of the hill) This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, John Borg, Gary Steel Transfer by: Kyle Holbrook Sixth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4411. 07/01/85 Flac 24/48 - , 152709 Columbia Merriweather Post Pavilion flac24/48 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~250' from stage (just below crest of the hill) This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, John Borg, Gary Steel Transfer by: Kyle Holbrook Sixth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4412. 07/01/85 Flac 16/48 - , 154539 Columbia Merriweather Post Pavilion flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4413. 07/01/85 Flac 24/96 - , 154540 Columbia Merriweather Post Pavilion flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4414. 07/02/85 Flac 16 - 0, 121191 Pittsburgh Civic Arena flac16; MAC; (FOB) Sennheiser 441's > Sony D5 > Sony D5 > 2 x TDK MA 90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav (@24/88.2)> WaveLab editing/mastering with UAD-1 in 24/88.2> r8brain PRO> .wav @16/44.1> CD Wave Editor> TLH> flac16(level eight)> Tag&Rename(metadata). Taped by Davey Meade Transferred, edited and mastered by Alex Ford. notes 4415. 07/02/85 Shn - 0, 18249 Pittsburgh Civic Arena Source:SBD>MC>D> -Tape flip after RXR cuts in Promised -cut in brokedown uploaded from furthur via Sbd seeded to etree by bubba42 notes 4416. 07/02/85 Flac 16 - 0, 92906 Pittsburgh Civic Arena flac16; MAC; (FOB) 2 x Sennheiser 421 > Sony D5 > 2 x Maxell XLII 90. Recorded by Rick "Coyote" Colyard. Transfer and mastering by Alex Ford. Master Audience Cassettes provided by Rick Colyard via Muletaper. notes 4417. 07/02/85 Flac Dts 5.1 - 0, 133613 Pittsburgh Civic Arena DTS-Audio-CD 5.1 Mix; SBD (shnid=18249) BD>MC>D> seeded to etree by bubba420 + AUD (shn id 121191) MAC; (FOB) Sennheiser 441's > Sony D5 > Sony D5 > 2 x TDK MA 90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav (@24/88.2)> WaveLab editing/mastering with UAD-1 in 24/88.2> r8brain PRO> .wav @16/44.1> CD Wave Editor> TLH> flac16(level eight)> Tag&Rename(metadata). Taped by Davey Meade Transferred, edited and mastered by Alex Ford. - DTS mixing by Kevin Tobin notes 4418. 07/02/85 Flac 16 Mtx - 0, 133612 Pittsburgh Civic Arena flac16; Matrix 2 Source Mix - SBD (shnid=18249) BD>MC>D> seeded to etree by bubba420 + AUD (shn id 121191) MAC; (FOB) Sennheiser 441's > Sony D5 > Sony D5 > 2 x TDK MA 90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav (@24/88.2)> WaveLab editing/mastering with UAD-1 in 24/88.2> r8brain PRO> .wav @16/44.1> CD Wave Editor> TLH> flac16(level eight)> Tag&Rename(metadata). Taped by Davey Meade Transferred, edited and mastered by Alex Ford. - matrix mixing by Kevin Tobin notes 4419. 07/02/85 Flac 16 - 0, 133611 Pittsburgh Civic Arena flac16; Source:SBD>MC>D> - seeded to etree by bubba420 (original shnid 18249) - pitch correction and patches by Kevin Tobin notes 4420. 07/02/85 Flac - 0, 25244 Pittsburgh Civic Arena Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac notes 4421. 07/02/85 Flac 24/96 - 0, 142046 Pittsburgh Civic Arena flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick May 2018 notes 4422. 07/02/85 Shn - 0, 12082 Pittsburgh Civic Arena FOB Senn. 421's > Sony TC-D5 > DAT > CD; via Storyteller & Mark Horvath; Seeded to etree by Steve Barbella notes 4423. 07/02/85 Flac 16 - 0, 111805 Pittsburgh Civic Arena flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 4424. 07/02/85 Flac 24/96 - 0, 126240 Pittsburgh Civic Arena flac24; source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4425. 07/02/85 Flac 16 - 0, 145388 Pittsburgh Civic Arena flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick May 2018, This file set is 16 bit @ 44.1 notes 4426. 07/02/85 Flac 16/44 - , 152710 Pittsburgh Civic Arena flac16/44 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: OTS- 100' from stage This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel Transfer by: Kyle Holbrook Seventh AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4427. 07/02/85 Flac 24/48 - , 152711 Pittsburgh Civic Arena flac24/48 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: OTS- 100' from stage This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel Transfer by: Kyle Holbrook Seventh AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4428. 07/02/85 Flac 16/48 - , 154547 Pittsburgh Civic Arena flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4429. 07/02/85 Flac 24/96 - , 154548 Pittsburgh Civic Arena flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4430. 07/13/85 Flac 16 - 0, 106193 Ventura Ventura County Fairgrounds flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 4431. 07/13/85 Flac 16 - 0, 89032 Ventura Ventura County Fairgrounds flac16; 2 x Sennheiser 441 > Sony D5 > Sony D5 > 2 x Maxell MX 90. Mic Config: waist high (covered with a black shawl), PAS. Location: FOB, 15-20 feet from the stage, DFC. Taper: Adam. Master Audience Cassettes provided by Mark McCue. 24 bit transfer, editing and conversion by Alex Ford December 2007. notes 4432. 07/13/85 Flac 24/96 - 0, 133534 Ventura Ventura County Fairgrounds flac24; Field Equipment: Nakamichi CM-100 mics w/CP-4 Shotgun caps > Sony TC-D5M Analog Cassette Recorder > Maxell MX-90 tapes; Transfer: MAC > Tascam 112 Analog Cassette Recorder > Edirol UA-5 > 24/96 > PC > Audacity > Trader's Little Helper > FLAC 24/96; Recorded, transferred, edited, tracked and FLAC'd by Greg Holtz notes 4433. 07/13/85 Flac 16 - 0, 76913 Ventura Ventura County Fairgrounds flac16; Source: FOB>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped & Transferred by Charlie Connor notes 4434. 07/13/85 Flac 16 - 0, 77489 Ventura Ventura County Fairgrounds flac16; Source: Nakamichi CM301's(split)>Sony D5M Location: Directly behind SBD, one stand at each corner at 10 ft. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16 Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700 notes 4435. 07/13/85 - 0, 372 Ventura Ventura County Fairgrounds SBDmc> DAT> CD> eac> cool edit> shn; hiss cleaned up with Cooledit (non-cleaned version may be available from Nick too); crackling sound on both discs here and there apparently due to Phil's equip; via N. Georges notes 4436. 07/13/85 Flac 24/96 - 0, 150524 Ventura Ventura County Fairgrounds flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. July 26, 2020. notes 4437. 07/13/85 Flac 24/96 - 0, 152473 Ventura Ventura County Fairgrounds flac24/96 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 4438. 07/13/85 Flac 16/48 - 0, 152075 Ventura Ventura County Fairgrounds flac16/48 Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 4439. 07/13/85 Flac 24/96 - 0, 152076 Ventura Ventura County Fairgrounds flac24/96 Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 4440. 07/13/85 Flac 16/44,1 - 0, 152522 Ventura Ventura County Fairgrounds flac16/44.1 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152473 24 -> 16 @ 44.1 notes 4441. 07/13/85 Flac 24/48 - , 152826 Ventura Ventura County Fairgrounds flac24/48 Source: Master AUDCA: Beyer M88's XY > 2nd Sony TCD5M in line no nr > Maxell MX 90s No Dolby Location: 65 feet from stage DFC, shoulder height Transfer: Nakamichi 582ZX > Benchmark Sonic AD2K @24|48 > Marantz PMD 661|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, Mike Davis, Kenny Davis, Pat Gillies notes 4442. 07/13/85 Flac 16/44 - , 152825 Ventura Ventura County Fairgrounds flac16/44 Source: Master AUDCA: Beyer M88's XY > 2nd Sony TCD5M in line no nr > Maxell MX 90s No Dolby Location: 65 feet from stage DFC, shoulder height Transfer: Nakamichi 582ZX > Benchmark Sonic AD2K @24|48 > Marantz PMD 661|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, Mike Davis, Kenny Davis, Pat Gillies notes 4443. 07/14/85 Flac 16 - 0, 106194 Ventura Ventura County Fairgrounds flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 4444. 07/14/85 Flac 24/96 - 0, 133535 Ventura Ventura County Fairgrounds flac24; Field Equipment: Nakamichi CM-100 mics w/CP-4 Shotgun caps > Sony TC-D5M Analog Cassette Recorder > Maxell MX-90 tapes; Transfer: MAC > Tascam 112 Analog Cassette Recorder > Edirol UA-5 > 24/96 > PC > Audacity > Trader's Little Helper > FLAC 24/96; Recorded, transferred, edited, tracked and FLAC'd by Greg Holtz notes 4445. 07/14/85 Flac 16 - 0, 111253 Ventura Ventura County Fairgrounds flac16; MAC; Sennheiser 441 > Sony D5 > D5 > 2 x Maxell MX 90; Transfer/Lineage: MAC> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav @24/88.2> iZotope Ozone 3> .wav @16/44.1> CD Wave Editor> TLH> flac16; Taped by Adam; Transferred, Edited and Mastered by Alex Ford notes 4446. 07/14/85 Shn - 0, 7546 Ventura Ventura County Fairgrounds Master Soundboard Cassette > CDR,CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston, posted to abgd via Charlie Connor notes 4447. 07/14/85 Flac 16 - 0, 79026 Ventura Ventura County Fairgrounds flac16; Source: Nakamichi CM301's(split)>Sony D5M Location: Directly behind SBD, one stand at each corner at 10 ft. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16 Bit>Cdwav>flac Taped, transfered and uploaded by Tony S notes 4448. 07/14/85 Flac 24/96 - 0, 148420 Ventura Ventura County Fairgrounds flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 4449. 07/14/85 Flac 16/48 - 0, 148419 Ventura Ventura County Fairgrounds flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4450. 07/14/85 Flac 24/96 - 0, 150525 Ventura Ventura County Fairgrounds flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel July 27, 2020. notes 4451. 07/14/85 Flac 24/96 - 0, 152538 Ventura Ventura County Fairgrounds flac24/96 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 4452. 07/14/85 Flac 16/44,1 - 0, 152561 Ventura Ventura County Fairgrounds flac16/44.1 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 152538 24 -> 16 @ 44.1 notes 4453. 08/24/85 Flac - 0, 106195 Donner's Summit Boreal Ridge Ski Resort notes 4454. 08/24/85 Flac - 0, 99010 Donner's Summit Boreal Ridge Ski Resort flac16; Taper: Greg Holtz Source: Nakamichi cm 100's w/shotguns -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD Technology -> R8brainPro for SRC 16/44.1KHz -> Traders Little Helper flac8 notes 4455. 08/24/85 Flac - 0, 77079 Donner's Summit Boreal Ridge Ski Resort flac16; Source:AKG's > Sony TCD5M > Sony TCDM > (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta 1.57(tracking only)>flac 16: Taped and transferred by Charlie Connor notes 4456. 08/24/85 Shn - 0, 13991 Donner's Summit Boreal Ridge Ski Resort Source: MSC > cdr via Paul Scotton encoded by Matt Vernon notes 4457. 08/30/85 Flac 16 - 0, 32799 Houston Southern Star Amphitheater flac16; Recording Info: SBD > (CM?) > DAT > DAT Transfer Info: Sony PCM-R300 > SB X-Fi EP > COOL EDIT PRO2 > .WAV > .FLAC (1.7.1) notes 4458. 08/30/85 Flac 16 - 0, 96289 Houston Southern Star Amphitheater flac16; MAC; (FOB) 2 x Sennheiser 441 > Sony D5 > Sony D5 > 2 x Maxell MX 90. Taped by Adam, Justin & Monica. Transferred, edited and mastered by Alex Ford. Master Audience Cassettes provided by and from the collection of Mark McCue. notes 4459. 08/30/85 Flac - 0, 25470 Houston Southern Star Amphitheater Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac via Darrin Sacks notes 4460. 08/30/85 Shn - 0, 16903 Houston Southern Star Amphitheater SBD > ? > CD-R obtained by Slick Willie > EAC > correction of tracking > SHN by sunspot; Some diginoise was eliminated, some remains; seeded to etree by bubba420 notes 4461. 08/30/85 Flac 24 - 0, 96349 Houston Southern Star Amphitheater flac24; MAC; (FOB) 2 x Sennheiser 441 > Sony D5 > Sony D5 > 2 x Maxell MX 90. Recorded by Adam, Justin & Monica. Transfer, editing and mastering by Alex Ford. Master Audience Cassettes provided by and from the collection of Mark McCue. notes 4462. 08/30/85 Flac 24/96 - 0, 138385 Houston Southern Star Amphitheater flac24; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 4463. 08/30/85 Flac 16 - 0, 138390 Houston Southern Star Amphitheater flac16; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138385 24 bit -> 16 bit notes 4464. 08/30/85 Shn - 0, 8792 Houston Southern Star Amphitheater Source:Charlie Connor's Master Audience Cassettes Lineage:AUD>Nak 300's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav(tracking only)>SHNv3 (MKW ACT)Note: This is a new transcription of my prior seed. This one doesn't have the EAC layer and of course the A>D is done with different equipment.Digital mastering and seeded via fungus and abgd by Charlie Connor notes 4465. 08/30/85 Flac 16 - 0, 123819 Houston Southern Star Amphitheater flac16; nak300>cp4>d5 no dolby; ots mics @12ft. pas; cass(m)>hhb830 cds 16/44.1 in 2003; cd>audacity +2.5>cdwave splits>tlh flac 8 notes 4466. 08/30/85 Flac 24/48 - , 153035 Houston Southern Star Amphitheater flac24/48 Microphones: Beyer M201's XY (hypercardioid) Patch Source 2: AKG C422 (Cardioid) > AKG S42 XY 90º 10 feet high > Sony TC-D5M|4th in line Recorder: Sony TC-D5M| mic deck Location: Lawn- 250' from stage This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Phil Schuman Transfer by: Kyle Holbrook Dedicated to Kenny Davis RIP notes 4467. 08/30/85 Flac 16/44 - , 153034 Houston Southern Star Amphitheater flac16/44 Microphones: Beyer M201's XY (hypercardioid) Patch Source 2: AKG C422 (Cardioid) > AKG S42 XY 90º 10 feet high > Sony TC-D5M|4th in line Recorder: Sony TC-D5M| mic deck Location: Lawn- 250' from stage This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Phil Schuman Transfer by: Kyle Holbrook Dedicated to Kenny Davis RIP notes 4468. 08/30/85 Flac 24/48 - , 153033 Houston Southern Star Amphitheater flac24/48 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º 10 feet high Patch Source 2: Beyer M201's XY (hypercardioid) > Sony TC-D5M Recorder: Sony TC-D5M| 4th in line Location: Lawn- 150' from stage This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Phil Schuman Transfer by: Kyle Holbrook Eighth AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4469. 08/30/85 Flac 16/44 - , 153032 Houston Southern Star Amphitheater flac16/44 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º 10 feet high Patch Source 2: Beyer M201's XY (hypercardioid) > Sony TC-D5M Recorder: Sony TC-D5M| 4th in line Location: Lawn- 150' from stage This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Phil Schuman Transfer by: Kyle Holbrook Eighth AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4470. 08/30/85 Flac 16/48 - , 154549 Houston Southern Star Amphitheater flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 4471. 08/30/85 Flac 24/96 - , 154550 Houston Southern Star Amphitheater flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 4472. 08/31/85 Flac 16 - 0, 25943 Austin Manor Downs flac16; updated lineage: 90 X-Y Schoeps CMC441 & 8ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac; Oade Brothers Recording, Transferred by Doug Oade, tracked by Darrin Sacks notes 4473. 08/31/85 Shn - 0, 8237 Austin Manor Downs updated lineage: 90 X-Y Schoeps CMC441 & 8ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1> DAT> CDR> EAC> Shn; taped by Doug Oade; EAC'ed/Shn'ed, and Seeded via Fungus and abgd by Charlie Connor with thanks to Scott Clugston and Doug Oade notes 4474. 08/31/85 Flac 16 - 0, 82367 Austin Manor Downs flac16; Taper: Mark McCue Source: (FOB) 2 Sennheiser 441s > Sony TC-D5M > Maxell MX 90s Location: FOB, 10-15 rows back, DFC Lineage: Transfer: Master AUD Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@24/96)* > coax > M-Audio Audiophile 2496 > WaveLab 5.0 > WAV > Traders Little Helper > FLAC24 *V3 recording levels set equally at 25 + 3 trim, by Alex Ford Mastering: SIRMick notes 4475. 08/31/85 Flac 24/96 - 0, 82689 Austin Manor Downs flac24/96; Source: Audience FOB Recording, 10-15 rows back, DFC Media: Maxell MX 90s, Lineage: 2 Sennheiser 441s > Sony TC-D5M > MAC Transfer: MAC > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Grace Design Lunatec V3(@24/96)* > coax > M-Audio Audiophile 2496 > WaveLab 5.0 > WAV > Traders Little Helper > FLAC24 *V3 recording levels set equally at 25 + 3 trim Taped by: M. McCue Transfer by: A. Ford Mastering: SIRMick notes 4476. 08/31/85 Flac 16 - 0, 77193 Austin Manor Downs flac16; Source:FOB>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's)Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57(tracking only)>flac16: Taped & Transferred by Charlie Connor Seeded 9/04/2006 notes 4477. 08/31/85 Flac 16 - 0, 108163 Austin Manor Downs flac16; Source Info: Master audience cassette recorded with 2 Beyer M160 microphones > Sony TC-D5M - Maxell MX90. Transfer: Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 4478. 08/31/85 Flac 16 - 0, 123824 Austin Manor Downs flac16; Nak300>CP4>D5 no dolby; ots dfc mics @10ft pas; cass(m)>hhb830 16/44.1 cds in 2003; cd>audacity +2.5>cdwave splits>tlh flac8 notes 4479. 08/31/85 Flac 16/48 - 0, 151428 Austin Manor Downs flac16/48khz Source Info: Eddie Mook's Master Audience Cassettes; Nakamichi 100 mics + CP4 capsules > Sony D5 > Sony D6 Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 4480. 08/31/85 Flac 24/96 - 0, 151429 Austin Manor Downs flac24/96 Source Info: Eddie Mook's Master Audience Cassettes; Nakamichi 100 mics + CP4 capsules > Sony D5 > Sony D6 Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 4481. 08/31/85 Flac 24/48 - , 153037 Austin Manor Downs flac24/48 This Source: Master AUDCA Maxell MX90 No NR [KH] Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º 10 feet high Recorder: Sony TC-D5M| 2nd in line Location: OTS- 120' from stage ** [44:45 -45:10] Spliced 25 seconds end of space through first 10 seconds of GDTRFB from OADE Schoeps rig, KH master- info: Patch Source:Microphones: Schoeps 90º X-Y 10 feet high > Oade M118 Recorder: OADE Analog patchbay|1st Sony TC-D5M in line [KH] Location: OTS- 120' from stage (6 feet away from AKG stand) Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson, Mike Yacavone, Phil Schuman Transfer by: Kyle Holbrook Ninth AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4482. 08/31/85 Flac 16/44 - , 153036 Austin Manor Downs flac16/44 This Source: Master AUDCA Maxell MX90 No NR [KH] Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º 10 feet high Recorder: Sony TC-D5M| 2nd in line Location: OTS- 120' from stage ** [44:45 -45:10] Spliced 25 seconds end of space through first 10 seconds of GDTRFB from OADE Schoeps rig, KH master- info: Patch Source:Microphones: Schoeps 90º X-Y 10 feet high > Oade M118 Recorder: OADE Analog patchbay|1st Sony TC-D5M in line [KH] Location: OTS- 120' from stage (6 feet away from AKG stand) Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson, Mike Yacavone, Phil Schuman Transfer by: Kyle Holbrook Ninth AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4483. 08/31/85 Flac 16/48 - , 154551 Austin Manor Downs flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 4484. 08/31/85 Flac 24/96 - , 154552 Austin Manor Downs flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 4485. 09/02/85 Shn - 0, 19475 Oklahoma City Zoo Amphitheater SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes 4486. 09/02/85 Flac 16 - 0, 117763 Oklahoma City Zoo Amphitheater flac16; Master Audience Recorded By Mr. Darby Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software By Keo notes 4487. 09/02/85 Flac 16 - 0, 85981 Oklahoma City Zoo Amphitheater flac16; MAC; (FOB) Sennheiser 441s > Sony D5 > Sony D5 > 2 Maxell MX90s Tapers: Adam, Justin & Monica Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L2 > WAV @ 1644 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, patches/edits, conversion, and seeding by Alex Ford - June 2007. notes 4488. 09/02/85 Flac 24/28 - 0, 117782 Oklahoma City Zoo Amphitheater flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 4489. 09/02/85 Flac 24 - 0, 138386 Oklahoma City Zoo Amphitheater flac24; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 4490. 09/02/85 Flac 16 - 0, 138397 Oklahoma City Zoo Amphitheater flac16; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138386 24 bit -> 16 bit notes 4491. 09/02/85 Flac 24 - 0, 142179 Oklahoma City Zoo Amphitheater flac24; Patched & Pitch Corrected Audience (original shnid = 117762) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - pitch correction and patches by Kevin Tobin notes 4492. 09/02/85 Flac 16 - 0, 142180 Oklahoma City Zoo Amphitheater flac16; Patched & Pitch Corrected Audience (original shnid = 117762) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - pitch correction and patches by Kevin Tobin notes 4493. 09/02/85 Flac 16 Mtx - 0, 142182 Oklahoma City Zoo Amphitheater flac16; Matrix 2 Source Mix - SBD (shnid = 138386) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 117762) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - matrix mixing by Kevin Tobin notes 4494. 09/02/85 Flac 16/48 - 0, 142184 Oklahoma City Zoo Amphitheater flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 138386) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 117762) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - surround mixing by Kevin Tobin notes 4495. 09/02/85 Flac Dts 5.1 - 0, 142183 Oklahoma City Zoo Amphitheater DTS-Audio-CD 5.1 Mix; - SBD (shnid = 138386) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 117762) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - dts mixing by Kevin Tobin notes 4496. 09/02/85 Flac 24 Mtx - 0, 142181 Oklahoma City Zoo Amphitheater flac24; Matrix 2 Source Mix - SBD (shnid = 138386) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 117762) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - matrix mixing by Kevin Tobin notes 4497. 09/02/85 Shn - 0, 2373 Oklahoma City Zoo Amphitheater MC> CD; Taped By: Glenn Steinkamp for the seed and transfer notes 4498. 09/02/85 Shn - 0, 17431 Oklahoma City Zoo Amphitheater Schoeps CMC34> PCM> DAT> CD-R> ?> SHN> MKW> WAVE LAB> MKW> SHN (Seekable); slight cleanup of some other shn set; seeded by Steven Leeds, with thanks to Jason Eckert notes 4499. 09/02/85 Shn - 0, 26077 Oklahoma City Zoo Amphitheater flac16; updated lineage: 90 X-Y Schoeps CMC441 & 8ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac; Oade Brothers Recording, Transferred by Doug Oade, tracked by Darrin Sacks notes 4500. 09/02/85 Flac 24/48 - , 153041 Oklahoma City Zoo Amphitheater flac24/48 Microphones: Beyer M201c (Cardioid)XY 90º Recorder: Sony TC-D5M Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson, Mike Yacavone Transfer by: Kyle Holbrook notes 4501. 09/02/85 Flac 16/44 - , 153040 Oklahoma City Zoo Amphitheater flac16/44 Microphones: Beyer M201c (Cardioid)XY 90º Recorder: Sony TC-D5M Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson, Mike Yacavone Transfer by: Kyle Holbrook notes 4502. 09/02/85 Flac 24/48 - , 153039 Oklahoma City Zoo Amphitheater flac24/48 Microphones: AKG C422 (Cardioid)XY 90º|AKG S42 Recorder: Sony TC-D5M Location: Lawn ~175' from stage This Source: Master AUDCA Maxell MX90 No NR Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson, Mike Yacavone Transfer by: Kyle Holbrook Tenth AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4503. 09/02/85 Flac 16/44 - , 153038 Oklahoma City Zoo Amphitheater flac16/44 Microphones: AKG C422 (Cardioid)XY 90º|AKG S42 Recorder: Sony TC-D5M Location: Lawn ~175' from stage This Source: Master AUDCA Maxell MX90 No NR Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson, Mike Yacavone Transfer by: Kyle Holbrook Tenth AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4504. 09/02/85 Flac 16/48 - , 154367 Oklahoma City Zoo Amphitheater flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4505. 09/02/85 Flac 24/96 - , 154368 Oklahoma City Zoo Amphitheater flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4506. 09/03/85 Flac 16 Mtx - 0, 94595 Kansas City Starlight Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) notes 4507. 09/03/85 Flac 16 - 0, 34772 Kansas City Starlight Theater flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller notes 4508. 09/03/85 Flac 16 - 0, 123078 Kansas City Starlight Theater flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 4509. 09/03/85 Flac 16 - 0, 119571 Kansas City Starlight Theater flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/LOC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 4510. 09/03/85 Flac - 0, 27250 Kansas City Starlight Theater flac16 Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac; Oade Brothers Recording Transferred by Doug Oade, tracked by Darrin Sacks; possible difference re normalization compared to a similar previous fileset (see txt note) notes 4511. 09/03/85 Flac 16/48 - 0, 34668 Kansas City Starlight Theater flac16/48; FOB Schoeps CMC42Omni and CMC34Cardiod Passive Mix > F1 > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5* > shntool > flac (8) notes 4512. 09/03/85 Shn - 0, 7229 Kansas City Starlight Theater SBD; Seeded by Todd Campbell; EAC> Shn by Jim Keith; Slight DigiNoise(?) before Feels Like A Stranger; Tape flip plays the begining of Music Never Stops twice (very short) notes 4513. 09/03/85 Flac 24/48 - 0, 119570 Kansas City Starlight Theater flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/LOC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 4514. 09/03/85 Shn - 0, 1681 Kansas City Starlight Theater AUD> Beyer 160> D5 (CM)> Nak MR2 (Playback)> Panasonic 3700 (ADC only, no DAT stage)> ZA2> Sound Forge (crossfading over tape flips only)> CDRx1> EAC> SHN; A>D Conversion by Stephen Agan; seeded to abgd by Charlie Connor notes 4515. 09/03/85 Shn - 0, 7891 Kansas City Starlight Theater Oade Master -- 9-3-85 was 90 degree X-Y CMC441 + CMC42s (spaced 10') -> Oade mixer->Oade mod PCM-F1 first row behind board > ? (no digital processing performed) > Audio CDR from Doug Oade; via Darrin Sacks notes 4516. 09/03/85 Flac 16 - 0, 77197 Kansas City Starlight Theater flac16; Primary Source: FOB (Section 2A Row D Seat 8)>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M(Charlie Connor's CM - TDK MA90's) Secondary Source:Oade Master -Schoeps CMC441 The Secondary source supplies Patches as follows:d1t07 3:48 - 3:50 (two seconds of crowd noise d2t02 Last seven seconds;d2t07 First 47 secondsTransfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped & Transferred by Charlie Connor notes 4517. 09/03/85 Flac 16 - 0, 34669 Kansas City Starlight Theater flac16; FOB Schoeps CMC42Omni and CMC34Cardiod Passive Mix > F1 > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 44.1kHz* > shntool > flac (8) notes 4518. 09/03/85 Flac 24/96 - 0, 148576 Kansas City Starlight Theater flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4519. 09/03/85 Flac 16/48 - 0, 148575 Kansas City Starlight Theater flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4520. 09/03/85 Flac 16/48 - , 150552 Kansas City Starlight Theater flac16/48kHz; Source: Beyer M160 > Sony D5 (Cass/M) > DAT @ 16/48; Transfer: DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > iZotope RX > xACT (FLAC/TAG) notes 4521. 09/03/85 Flac 24/48 - , 153133 Kansas City Starlight Theater flac24/48 Microphones: AKG C422 (Cardioid)XY 90º|AKG S42 Recorder: Sony TC-D5M Location: front row OTS; ~125' from stage This Source: 1st gen AUDCA Maxell UDXLII90 x2 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, Sean Murtha Transfer by: Kyle Holbrook Eleventh AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4522. 09/03/85 Flac 16/44 - , 153132 Kansas City Starlight Theater flac16/44 Microphones: AKG C422 (Cardioid)XY 90º|AKG S42 Recorder: Sony TC-D5M Location: front row OTS; ~125' from stage This Source: 1st gen AUDCA Maxell UDXLII90 x2 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, Sean Murtha Transfer by: Kyle Holbrook Eleventh AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4523. 09/05/85 Flac 16 - 0, 102034 Morrison Red Rocks Amphitheatre flac16; SBD >> ? > CDR > EAC > SHN - pitch correction and patches by Kevin Tobin (update of source ID 12180) notes 4524. 09/05/85 Flac 16 - 0, 119573 Morrison Red Rocks Amphitheatre flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 4525. 09/05/85 Shn - 0, 12180 Morrison Red Rocks Amphitheatre SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Dan Michael notes 4526. 09/05/85 Flac 16 - 0, 79778 Morrison Red Rocks Amphitheatre flac16; MAC: Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s; Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 >Trade's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford 11/08/2006. notes 4527. 09/05/85 Flac 16 Mtx - 0, 102032 Morrison Red Rocks Amphitheatre flac16; Matrix 4 Source Mix - SBD (shn id 12180) SBD >> ? > CDR > EAC > SHN + AUD1 (shn id 79778) Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s; Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 >Trade's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. + AUD2 (shn id 27680) Oade Master, 90 X-Y Schoeps CMC441 + 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac + AUD3 (no shn id) low generation audio from vhs located somewhere in taper section - matrix mixing by Kevin Tobin notes 4528. 09/05/85 Flac Dts 5.1 - 0, 102049 Morrison Red Rocks Amphitheatre DTS-Audio-CD 5.1 Mix; SBD (shn id 12180) SBD >> ? > CDR > EAC > SHN + AUD1 (shn id 79778) Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s; Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 >Trade's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. + AUD2 (shn id 27680) Oade Master, 90 X-Y Schoeps CMC441 + 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac + AUD3 (no shn id) low generation audio from vhs located somewhere in taper section - dts mixing by Kevin Tobin notes 4529. 09/05/85 Flac 24/48 - 0, 118572 Morrison Red Rocks Amphitheatre flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 4530. 09/05/85 Flac 24/96 - 0, 140900 Morrison Red Rocks Amphitheatre flac24; Set 1 from Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96 notes 4531. 09/05/85 Flac 16 - 0, 141242 Morrison Red Rocks Amphitheatre flac16; Set 1 from Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 4532. 09/05/85 Flac 24/48 - 0, 142290 Morrison Red Rocks Amphitheatre flac24; Patched & Pitch Corrected Audience - (original shnid = 119572) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - pitch correction and patches by Kevin Tobin notes 4533. 09/05/85 Flac 16/48 - 0, 142294 Morrison Red Rocks Amphitheatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 12180) SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Dan Michael + AUD (shnid = 119572) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - surround mixing by Kevin Tobin notes 4534. 09/05/85 Flac Dts 5.1 - 0, 142293 Morrison Red Rocks Amphitheatre DTS-Audio-CD 5.1 Mix; - SBD (shnid = 12180) SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Dan Michael + AUD (shnid = 119572) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - dts mixing by Kevin Tobin notes 4535. 09/05/85 Flac 16 - 0, 142291 Morrison Red Rocks Amphitheatre flac16; Patched & Pitch Corrected Audience - (original shnid = 119572) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - pitch correction and patches by Kevin Tobin notes 4536. 09/05/85 Flac 16 Mtx - 0, 142292 Morrison Red Rocks Amphitheatre flac16; Matrix 2 Source Mix - SBD (shnid = 12180) SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Dan Michael + AUD (shnid = 119572) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - matrix mixing by Kevin Tobin notes 4537. 09/05/85 Flac 16 - 0, 106789 Morrison Red Rocks Amphitheatre flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris. Transferred and edited by Bob Morris 11/09. notes 4538. 09/05/85 Flac 16 - 0, 27680 Morrison Red Rocks Amphitheatre flac16 Oade Master, 90 X-Y Schoeps CMC441 + 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac; Transferred by Doug Oade, tracked by Darrin Sacks notes 4539. 09/05/85 Shn - 0, 11493 Morrison Red Rocks Amphitheatre Master Audience Cassette > DAT > CDR; via Jack Straw; Seeded to etree by steve barbella notes 4540. 09/05/85 Flac 24/96 - 0, 148578 Morrison Red Rocks Amphitheatre flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4541. 09/05/85 Flac 16/48 - 0, 148577 Morrison Red Rocks Amphitheatre flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4542. 09/05/85 Flac 24/48 - , 153178 Morrison Red Rocks Amphitheatre flac24/48 Microphones: s1: AKG C422 (Cardioid) > AKG S42 XY 90º s2: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M Location: last row OTS- 120' from stage; 25 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney Transfer by: Kyle Holbrook Twelth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4543. 09/05/85 Flac 16/44 - , 153177 Morrison Red Rocks Amphitheatre flac16/44 Microphones: s1: AKG C422 (Cardioid) > AKG S42 XY 90º s2: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M Location: last row OTS- 120' from stage; 25 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney Transfer by: Kyle Holbrook Twelth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4544. 09/06/85 Shn - 0, 12181 Morrison Red Rocks Amphitheatre SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Chad Magdanz notes 4545. 09/06/85 Flac 16 - 0, 28184 Morrison Red Rocks Amphitheatre flac16; Oade Master: 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM> DAW (via SEKD Prodif)> Wav> cdwav> flac; Transferred by Doug Oade, tracked by Darrin Sacks notes 4546. 09/06/85 Flac 16 - 0, 119586 Morrison Red Rocks Amphitheatre flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 4547. 09/06/85 Flac 24/48 - 0, 119685 Morrison Red Rocks Amphitheatre flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 4548. 09/06/85 Flac 16/48 - 0, 138827 Morrison Red Rocks Amphitheatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 12181SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Chad Magdanz + AUD (shnid = 28164) Oade Master: 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM> DAW (via SEKD Prodif)> Wav> cdwav> flac; Transferred by Doug Oade, tracked by Darrin Sacks - surround mixing by Kevin Tobin notes 4549. 09/06/85 Flac Dts 5.1 - 0, 138826 Morrison Red Rocks Amphitheatre DTS-Audio-CD 5.1 Mix: SBD (shnid = 12181SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Chad Magdanz + AUD (shnid = 28164) Oade Master: 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM> DAW (via SEKD Prodif)> Wav> cdwav> flac; Transferred by Doug Oade, tracked by Darrin Sacks - dts mixing by Kevin Tobin notes 4550. 09/06/85 Flac 16 Mtx - 0, 138825 Morrison Red Rocks Amphitheatre flac16; Matrix 2 Source Mix - SBD (shnid = 12181SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Chad Magdanz + AUD (shnid = 28164) Oade Master: 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM> DAW (via SEKD Prodif)> Wav> cdwav> flac; Transferred by Doug Oade, tracked by Darrin Sacks - matrix mixing by Kevin Tobin notes 4551. 09/06/85 Flac 24/96 - 0, 142608 Morrison Red Rocks Amphitheatre flac24; Set 2 Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick July 2018 notes 4552. 09/06/85 Flac 16 - 0, 80444 Morrison Red Rocks Amphitheatre flac16; Sennheiser 441s > Sony D5 > Maxell MX 90s Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16 Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford November 2006. notes 4553. 09/06/85 Flac 16 - 0, 106790 Morrison Red Rocks Amphitheatre flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris. Transferred and edited by Bob Morris 11/09. notes 4554. 09/06/85 Flac 24/96 - 0, 148580 Morrison Red Rocks Amphitheatre flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4555. 09/06/85 Flac 16/48 - 0, 148579 Morrison Red Rocks Amphitheatre flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4556. 09/06/85 Flac 24/48 - , 153180 Morrison Red Rocks Amphitheatre flac24/48 Microphones: Beyer m201 (hypercardioid) XY 90º (no windscreens) Recorder: Sony TC-D5M No Dolby Location: third row OTS- 110' from stage; 5 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney Transfer by: Kyle Holbrook Dedicated to Kenny Davis RIP notes 4557. 09/06/85 Flac 16/44 - , 153179 Morrison Red Rocks Amphitheatre flac16/44 Microphones: Beyer m201 (hypercardioid) XY 90º (no windscreens) Recorder: Sony TC-D5M No Dolby Location: third row OTS- 110' from stage; 5 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney Transfer by: Kyle Holbrook Dedicated to Kenny Davis RIP notes 4558. 09/07/85 Flac 16 Mtx - 0, 92521 Morrison Red Rocks Amphitheatre flac16; MATRIX MIX: About 60%SBD/40%AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) June 4, 2008 (This source fixes flaws in the two previous Seamons sources of this matrix, shn id 92111 and shn id 92124.) notes 4559. 09/07/85 Flac 16 Mtx - 0, 92184 Morrison Red Rocks Amphitheatre flac16; Sick Bits Vol. 26 - SBD/AUD matrix of 2 previously circulating sources: CM PCM SBD (shnid=33954) + Oade AUD (shnid=17078). Matrixed by Chris Chappell. notes 4560. 09/07/85 Flac 16 - 0, 33954 Morrison Red Rocks Amphitheatre flac16; Recording Info: SBD -> PCM Master -> Dat/0 (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> Cool Edit Pro v2.0 -> FLAC; Transfers and Mastering By Charlie Miller notes 4561. 09/07/85 Flac 16 - 0, 29305 Morrison Red Rocks Amphitheatre flac16; Oade Brothers Recording Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac notes 4562. 09/07/85 Flac 16 - 0, 119696 Morrison Red Rocks Amphitheatre flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 4563. 09/07/85 Flac 24/48 - 0, 119595 Morrison Red Rocks Amphitheatre flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 4564. 09/07/85 Shn - 0, 18102 Morrison Red Rocks Amphitheatre SBD>Cm>Dat>CD>EAC>SHN via Charlie Miller notes 4565. 09/07/85 Shn - 0, 34271 Morrison Red Rocks Amphitheatre Fix of shnid 18102 (sbd) by Bill Tetzeli - see info file for details notes 4566. 09/07/85 Shn - 0, 17031 Morrison Red Rocks Amphitheatre source: SB (Cassette > PCM > DAT) conversion: M-1 > 7-pin optical > Co2 > SB Live > CDwave Record > CE 2000 FFT NR > CDwave Index > (FLAC, SHN) Note: Has analog conversion through SBLive and Digital Noise Reduction. notes 4567. 09/07/85 Flac 16 - 0, Morrison Red Rocks Amphitheatre flac16; Unknown microphones x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 4568. 09/07/85 Flac 24/96 - 0, 140901 Morrison Red Rocks Amphitheatre flac24; Partial Show from Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96 notes 4569. 09/07/85 Flac 16 - 0, 141243 Morrison Red Rocks Amphitheatre flac16; Partial Show from Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 4570. 09/07/85 Flac 16 - 0, 80723 Morrison Red Rocks Amphitheatre flac16; MAC: Sennheiser 441s > Sony D5 > Maxell MX 90s Tapers: Justin, Adam and Monica Transfer: MAC>Nakamichi CD2(azimuth adjusted)>rca/xlr>Lunatec V3>coax>Audiophile 2496>CEP 2.0>CDWav Editor>TLH>FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, conversion and upload to bt.etree bt Alex Ford. SBE's fixed with Trader's Little Helper. Files encoded @ level 6. notes 4571. 09/07/85 Flac 16 - 0, 29305 Morrison Red Rocks Amphitheatre flac16; Oade Brothers Recording Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac notes 4572. 09/07/85 Shn - 0, 17078 Morrison Red Rocks Amphitheatre Source: Schoeps CMC42S > Oade power supply +90deg x-y Schoeps CMC441 > Oade power supply. Then both into custom Oade mixer into Oade modified PCM-F1 and digitally remastered by Doug Oade > DAT > TB Fiji digi I/O > yarec > wav2cdr > wav (CD) > EAC > SHN Note: This version hosted by Nicks Picks. It is unclear what may be different from the previous schoeps source. notes 4573. 09/07/85 Shn - 0, 373 Morrison Red Rocks Amphitheatre Schoeps CMC42S> Oade power supply +90deg x-y Schoeps CMC441> Oade power supply. Then both into custom Oade mixer into Oade modified PCM-F1 and digitally remastered by Doug Oade> DAT > TB Fiji digi I/O > yarec > wav2cdr > wav; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments) notes 4574. 09/07/85 Flac 16 Mtx - 0, 92124 Morrison Red Rocks Amphitheatre flac16; MATRIX MIX: About 60%SBD/40%AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) June 4, 2008; This source was a fix of the original Seamons matrix. A fixed upgrade is now in circulation notes 4575. 09/07/85 Flac 16 Mtx - 0, 92111 Morrison Red Rocks Amphitheatre flac16; MATRIX MIX: About 60%SBD/40%AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) June 4, 2008; fixed upgrade now in circulation notes 4576. 09/07/85 Flac 16 Mtx - 0, 150520 Morrison Red Rocks Amphitheatre flac16 Remaster of source ID 7637: SBD/AUD matrix of 2 previously circulating sources: CM PCM SBD shnid=33954 and Oade AUD shnid=17078; see info file for details notes 4577. 09/07/85 Flac 16/44 - , 153128 Morrison Red Rocks Amphitheatre flac16/44 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: tenth row (behind OTS)- 140' from stage; 15 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney Transfer by: Kyle Holbrook Dedicated to Kenny Davis RIP notes 4578. 09/07/85 Flac 16/44 - , 153181 Morrison Red Rocks Amphitheatre flac16/44 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: tenth row (behind OTS)- 140' from stage; 15 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney Transfer by: Kyle Holbrook Dedicated to Kenny Davis RIP notes 4579. 09/10/85 Flac 16 - 0, 105881 Oakland Henry J. Kaiser Convention Center notes 4580. 09/10/85 Flac 16 - 0, 118374 Oakland Henry J. Kaiser Convention Center flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 4581. 09/10/85 Flac 16 - 0, 77361 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> amplitude Professional v8.01 -> FLAC notes 4582. 09/10/85 Shn - 0, 10092 Oakland Henry J. Kaiser Convention Center SBD> Reel>DAT; Conversion: Tascam DA-20 MK II (via RCA analog out for pre-emphasis removal) > Tascam DA-20 > Delta Dio 2496 > Soundforge XP 4.5 (volume change and channel swap) > CD Wave > (CD> EAC d1t1-7)> SHN; Taped by ?, Converted by Rob (Odeo) Harrison notes 4583. 09/10/85 Flac 24/48 - 0, 118373 Oakland Henry J. Kaiser Convention Center flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 4584. 09/10/85 Flac 24/96 - 0, 142793 Oakland Henry J. Kaiser Convention Center flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick July 2018 notes 4585. 09/10/85 Flac 16 - 0, 77198 Oakland Henry J. Kaiser Convention Center flac16; SET ONE ONLY - Source:TS>AKG CE5's>Uher>Sony TCD5M (Charlie Connor's CM - TDK MA90's) Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16: Taped & Transferred by Charlie Connor notes 4586. 09/10/85 Flac 16 - 0, 145456 Oakland Henry J. Kaiser Convention Center flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick July 2018, This file set is 16 bit @ 44.1 notes 4587. 09/11/85 Flac 16 - 0, 105709 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 4588. 09/11/85 Flac 16 - 0, 118337 Oakland Henry J. Kaiser Convention Center flac16; Master Audience Recorded By Mr. Darby And First Generation Tape For Set 2; Set 1:SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Set 2:2 Nakamichi CM300/CP4 Shotguns And 1 Nakamichi CM300/CP1 (DFC Row 2 Balcony/3.5 Feet High)>Sony Mixer>Sony TC-D5M Sony TC-D5M>Sony TC-D5M,Tape Maxell XLII-S (Set 2 Master Tape Destroyed); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 4589. 09/11/85 Flac 16 - 0, 77362 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 4590. 09/11/85 Flac 24/48 - 0, 118336 Oakland Henry J. Kaiser Convention Center flac24; Master Audience Recorded By Mr. Darby And First Generation Tape For Set 2; Set 1:SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Set 2:2 Nakamichi CM300/CP4 Shotguns And 1 Nakamichi CM300/CP1 (DFC Row 2 Balcony/3.5 Feet High)>Sony Mixer>Sony TC-D5M Sony TC-D5M>Sony TC-D5M,Tape Maxell XLII-S (Set 2 Master Tape Destroyed); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 4591. 09/11/85 Shn - 0, 11494 Oakland Henry J. Kaiser Convention Center Master Soundboard Cassette > Cass > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella notes 4592. 09/11/85 Flac 24/96 - 0, 142800 Oakland Henry J. Kaiser Convention Center flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick July 2018 notes 4593. 09/11/85 Flac 16 - 0, 77200 Oakland Henry J. Kaiser Convention Center flac16; Source:TS>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57(tracking only)>flac16: Taped and Transferred by Charlie Connor notes 4594. 09/11/85 Flac 16 - 0, 145493 Oakland Henry J. Kaiser Convention Center flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick July 2018, This file set is 16 bit @ 44.1 notes 4595. 09/12/85 Shn - 0, 11803 Oakland Henry J. Kaiser Convention Center Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella notes 4596. 09/12/85 Flac 16 - 0, 118332 Oakland Henry J. Kaiser Convention Center flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 4597. 09/12/85 Flac 16 Mtx - 0, 123888 Oakland Henry J. Kaiser Convention Center flac16; Matrix 3 Source Mix - SBD (shn id 11803) Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella + AUD (shn id 118324) flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo + VID (noshnid) VIDEO Patches supplied by audio from a video sent by Russ C. and worked on by BHP - matrix mixing by Kevin Tobin notes 4598. 09/12/85 Flac 24/48 - 0, 118321 Oakland Henry J. Kaiser Convention Center flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 4599. 09/12/85 Flac 16 - 0, 123886 Oakland Henry J. Kaiser Convention Center flac16; upgrade of Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella (original shnid = 11803)- pitch correction and patches by Kevin Tobin notes 4600. 09/12/85 Flac 24/96 - 0, 142801 Oakland Henry J. Kaiser Convention Center flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick July 2018 notes 4601. 09/12/85 Flac 16/48 - 0, 144569 Oakland Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 11803) SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Chad Magdanz + AUD (shnid = 118321) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - surround mixing by Kevin Tobin notes 4602. 09/12/85 Flac 16 Dts 5.1 - 0, 123989 Oakland Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix; SBD (shn id 11803) Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella + AUD (shn id 118324) flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo + VID (noshnid) VIDEO Patches supplied by audio from a video sent by Russ C. and worked on by BHP - matrix mixing by Kevin Tobin notes 4603. 09/12/85 Flac 16 - 0, 77181 Oakland Henry J. Kaiser Convention Center flac16; Source:TS>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and Transferred by Charlie Connor notes 4604. 09/12/85 Flac 16 - 0, 123887 Oakland Henry J. Kaiser Convention Center flac16; Patched and pitch corrected Master Audience Recording (source ID 118322) Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo (original shnid = 118321) - pitch correction and patches by Kevin Tobin notes 4605. 09/12/85 Flac 16 - 0, 145494 Oakland Henry J. Kaiser Convention Center flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick July 2018, This file set is 16 bit @ 44.1 notes 4606. 09/12/85 Flac 24/96 - 0, 148637 Oakland Henry J. Kaiser Convention Center flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 4607. 09/12/85 Flac 16/48 - 0, 148636 Oakland Henry J. Kaiser Convention Center b>flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4608. 09/15/85 Flac 16 - 0, 34722 Chula Vista Devore Field, Southwestern U flac16; Recording Info: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller notes 4609. 09/15/85 Flac 16 - 0, 120922 Chula Vista Devore Field, Southwestern U flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 4610. 09/15/85 Flac 16 - 0, 88814 Chula Vista Devore Field, Southwestern U flac16; Source:Sennheiser-MD421's>Sony D5 Location: FOB-DFC-20 foot off stage@ 7 ft high on stand Taper: Rick "Coyotte" Colyard 2 TDK-SA90-Cassette MASTERS Transfer:MAC> Sony TCW-21(Analog out)>Edirol Digi-Mod UA5@44.1khz>Digital-Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16 Transfered and Edited by MULETAPER- 11/25/07 notes 4611. 09/15/85 Flac - 0, 76992 Chula Vista Devore Field, Southwestern U flac16; Source:Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57(tracking only)>flac16 Taped and transferred by Charlie Connor notes 4612. 09/15/85 Shn - 0, 376 Chula Vista Devore Field, Southwestern U set 1; SBD -> ? -> DAT -> CD -> EAC -> SHN conversion by AJ notes 4613. 09/15/85 Shn - 0, 378 Chula Vista Devore Field, Southwestern U set 2 only; cut in Drums/Space; reportedly SBD>CM>DAT>CDR; extraction> shn> upload by E. Walker; note a SBD> PCM> DAT version of set 2, plus encore and two set 1 songs is known to circulate- might this be a 1-disc (length ~74:15) condensation from same source? notes 4614. 09/15/85 Flac 24/48 - 0, 120921 Chula Vista Devore Field, Southwestern U flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed,Metadata Tagging With Tag&Rename By Keo notes 4615. 09/15/85 Shn - 0, 13600 Chula Vista Devore Field, Southwestern U Unknown Mics (parabolic reflectors, 40" apart)>Unknown deck> CM> C> Sony R500 w/ SBM (a/d)>WAV>CD-R. notes 4616. 09/15/85 Flac 24/96 - 0, 150271 Chula Vista Devore Field, Southwestern U flac24; Doug Schnetlage's Master Audience Cassettes; Sennheiser 441 mics > Sony D5 (TDK HX-S90); 33 foot microphone spacing; Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496; Transferred and Mastered by Jim Blackwood notes 4617. 09/15/85 Flac 24/96 - 0, 150272 Chula Vista Devore Field, Southwestern U flac24; Set 2 Only; Ben Lukosky's Master Audience Cassette; Sennheiser 421 mics > Sony D5 (TDK HX-S90); 33 foot microphone spacing; Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496; Transferred and Mastered by Jim Blackwood notes 4618. 09/15/85 Flac 16 Mtx - 0, 151233 Chula Vista Devore Field, Southwestern U flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 34722 & 13600. notes 4619. 09/15/85 Flac 16/48 - , 155725 Chula Vista Devore Field, Southwestern U Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M) > DAT (48k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition > Samplitude Pro X6 Suite > FLAC/48k notes 4620. 10/25/85 Flac 16 - 0, 89117 Pembroke Pines The Sportatorium flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller notes 4621. 10/25/85 Flac 16 - 0, 132295 Pembroke Pines The Sportatorium flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper notes 4622. 10/25/85 Flac 16 - 0, 34691 Pembroke Pines The Sportatorium flac16; Source: FOB Nak 100s > Sony D6 > Master Audience Cassette (TDK MA90s), recorded by Bill Koucky. Transfer/edits/mastering: MAC playback on Nakamichi DR-2 tape deck > Presonus Firebox > firewire out > P4 2.0 GHz PC, recorded as 24 bit/96 KHz WAV on PC utilizing Wavelab 5, mastering with Waves X-Noise (learn mode) and L3 Multimaximizer > rendered to 16 bit/44.1 KHz WAV using hi res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8) by C. Ladner notes 4623. 10/25/85 Shn - 0, 3873 Pembroke Pines The Sportatorium (2) Beyers 160/(2) Nakamichi 300+CPI (Front of Board)> Master Cassette> DAT> CDR; Taped by Mark Horvath; CDR> EAC> MKW> SHN by Jan Welch notes 4624. 10/25/85 Flac 24/96 - 0, 126276 Pembroke Pines The Sportatorium flac24; source: (2) beyers 160/ (2) nakamichi 300> mixer> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4625. 10/25/85 Flac 16 - 0, 140491 Pembroke Pines The Sportatorium flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes 4626. 10/25/85 Flac 16/48 - 0, 151825 Pembroke Pines The Sportatorium flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4627. 10/25/85 Flac 24/96 - 0, 151826 Pembroke Pines The Sportatorium flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4628. 10/26/85 Flac 16 - 0, 33929 Tampa Sun Dome flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 4629. 10/26/85 Flac 16 - 0, 128703 Tampa Sun Dome flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope Ozone 5 Paragraphic EQ used for De-Emphasis Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper notes 4630. 10/26/85 Flac 16 - 0, 124361 Tampa Sun Dome flac16; Set 1 Recording Info: Nakamichi 300 Mics ->Maxell XLII 90, set up in back of the floor. Transfer Info: Maxell XLII 90->Tascam BX1 (modified for flat transfer)->Tascam MKII-DR07 (24/bit, 96kHz) Editing: All editing (NAB curve applied, fade in, 2 fades out cut into tracks) with DC8Forensics. Slight correction for distance from speakers. Recorded by Bill Doherty notes 4631. 10/26/85 Shn - 0, 18986 Tampa Sun Dome Ken Mance's Audience Cassette Masters recorded on Uher CR-240/AKG CE-1 Microphones. A:D by Mark Cohen, D>SHN by David Minches notes 4632. 10/26/85 Shn - 0, 5078 Tampa Sun Dome FOB Audio Technica ATM 11s / 2 Nakamichi 300s > Sony TCM D-5 > Master Cassette; Conversion: MC > Sony TC-we 435 > Sony DTC 700 > DAT > Sony DTC 700 > digital ouput > Philips CDR 870 > CD-R (see note in info file); taped, Cass > CD-R conversion by Mark Horvath; CD-R > SHN: CD-R* > EAC 3x > .wavs compared by MD5s and EAC's .wav compare tool > Cool Edit (rejoin tracks and fades) > CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN, by Jan Welch notes 4633. 10/26/85 Flac 24/96 - 0, 126295 Tampa Sun Dome flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> mixer> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4634. 10/26/85 Shn - 0, 17275 Tampa Sun Dome Set 2 Only; S:MC>D>CDR; Uploaded To Furthur Via DigiB; Seeded To Etree 05-16-03 By Bubba420 notes 4635. 10/26/85 Flac 16/48 - 0, 151827 Tampa Sun Dome flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4636. 10/26/85 Flac 24/96 - 0, 151828 Tampa Sun Dome flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4637. 10/26/85 Flac 24/96 - , 152787 Tampa Sun Dome Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Izotope RX8 Advanced > Samplitude Pro X6 Suite > FLAC/24 notes 4638. 10/26/85 Flac 16/44 - , 154406 Tampa Sun Dome flac1644; Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Izotope RX8 Advanced > Samplitude Pro X6 Suite > FLAC/24 notes 4639. 10/26/85 Flac 24/96 - , 154871 Tampa Sun Dome FLAC 2496 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496 notes 4640. 10/26/85 Flac 16/48 - , 154872 Tampa Sun Dome FLAC 1648 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496 notes 4641. 10/28/85 Flac 16 - 0, 105882 Atlanta Fox Theater b>flac16; Recording Info:SBD -> Cassette Master (Sony D5/Maxell MX90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 4642. 10/28/85 Flac 16 - 0, 128757 Atlanta Fox Theater flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Droncit; Editing with Diamond Cut Forensics 8 and Forensics 9 (alpha). BCE de-emphasis curve (modified PCM de-emphasis) applied. May 19,2014 notes 4643. 10/28/85 Flac 16 - 0, 88862 Atlanta Fox Theater flac16; Source: Master Audience Recording Media: MAC Maxell MX 90 type IV cassettes Lineage: 2 x Sennheiser 421 > Sony TC D5M > Sony TC D5M [Tapers Section] Transfer: MAC playback, Nakamichi CR-7A, azimuth adjusted > 1 ft Lynx RCA-XLR audio cables > Lunatec V3 > AES digital out > LynxTwo in a E6400-based DuoCore 2 PC > Wavelab 5 [24/96] Mastering Software: WaveLab, iZotope Ozone 3 and Waves Q4 EQ, > converted to [44.1/16] with r8brain > CDWAV1.9 >TLH > Flac Level 8 Taped by B.Koucky Transfer by C.Ladner. Mastered By B. Koucky notes 4644. 10/28/85 Flac 16 - 0, 194706 Atlanta Fox Theater flac16; Recorded by Dave Cohen Orchestra Floor Sec. R/C Row RR Seat 54 3 Nakamichi CM300s w/CP4s> Nakamichi MX100 mixer>patchbay>Sony WMD6 Maxell XLII cassette masters No Dolby. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes 4645. 10/28/85 Flac 16 - 0, 77370 Atlanta Fox Theater flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 4646. 10/28/85 Flac 16 - 0, 88156 Atlanta Fox Theater flac16; Set 2 only. source: 2 Sony ECM-33P's > Sony TC-D5M (Dolby B)Maxell MX90 cassette. recorded by Jerry Moore, 8th row orchestra. transfer: master cassette (maxell MX90)> Nakamichi Dragon (Dolby B) > HHBCDR830plus > EAC > SoundForge 6.O (fades and tape flip)> CD Wave > flac. Transfer and flac encoding by Anne Cohen, May 2007. notes 4647. 10/28/85 Shn - 0, 18250 Atlanta Fox Theater Set 2 S:MC>D>CDR>Toast 1.1>SHN uploaded to furthur via Sbd seeded to etree by bubba420 notes 4648. 10/28/85 Flac 16 - 0, 119947 Atlanta Fox Theater flac16; Source: Sony C38B> TCD5M OTS Seat CTR EE 103; Conversion: TD302Bk>PMD660> CDWave > flacfrontend > traderslittle helper; Recorded by Stan Roberts notes 4649. 10/28/85 Flac 16 - 0, 118891 Atlanta Fox Theater flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 4650. 10/28/85 Flac 16 - 0, 83672 Atlanta Fox Theater flac16; LINEAGE: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC notes 4651. 10/28/85 Shn - 0, 13566 Atlanta Fox Theater Source: FOB Schoeps CMC3's/MK4's > PCM > DAT > CDR > EAC > CDWave > mkwACT Beginning of Sugaree and Scarlet Begonias patched with following source: Nak 300's > D5/Sony KA1ES > HHB 850 > EAC Eac'd/Patched/SHN'd by Doug Nawrocki notes 4652. 10/28/85 Shn - 0, 8566 Atlanta Fox Theater Nak 300->Sony D-5>MC>Sony KA1ES->HHb 850>CD>EAC>Cool Edit 2000>CDwav>Shnv3; via Tommy Danscuk; Seeded to etree by Ernie Dodd notes 4653. 10/28/85 Flac 24/96 - 0, 126299 Atlanta Fox Theater flac24; source: (2)audio technica atm 11/(2) beyers 160> mixer> tcd-d5>mc; conversion: sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4654. 10/28/85 Shn - 0, 17276 Atlanta Fox Theater SET 1 and Encore ONLY; S:CM>D>CDR; Uploaded To Furthur Via DigiB; Seeded To Etree 05-16-03 By Bubba420 notes 4655. 10/28/85 Flac 24/96 - 0, 148422 Atlanta Fox Theater flac24; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4656. 10/28/85 Flac 16/48 - 0, 148421 Atlanta Fox Theater flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4657. 10/28/85 Flac 24/96 - 0, 148851 Atlanta Fox Theater flac24; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4658. 10/28/85 Flac 16/48 - 0, 148850 Atlanta Fox Theater flac16/48kHz; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4659. 10/28/85 Flac 16/48 - 0, 151839 Atlanta Fox Theater flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4660. 10/28/85 Flac 24/96 - 0, 151840 Atlanta Fox Theater flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4661. 10/28/85 Flac 24/96 - , 154299 Atlanta Fox Theater flac24/96 Recording Info: SBD > Cassette Master (Sony TC-D5M/Dolby B/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24 notes 4662. 10/28/85 Flac 16/44 - , 154408 Atlanta Fox Theater flac1644; Recording Info: SBD > Cassette Master (Sony TC-D5M/Dolby B/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24 - -- This is 154299 2496 > 1644 notes 4663. 10/28/85 Flac 16 Mtx - , 158504 Atlanta Fox Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC/24 > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity w/dither > FLAC/16 via xACT w/meta-tagging), of shnid's 154299 & 151840. notes 4664. 10/29/85 Flac 16 - 0, 105818 Atlanta Fox Theater flac16; Recording Info:SBD -> Cassette Master (Sony D5/Maxell MX90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 4665. 10/29/85 Flac 16 - 0, 132358 Atlanta Fox Theater flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; BCE de-emphasis curve (modified PCM de-emphasis) applied. Tracks cut and Flac files created in Audacity 2.0.5 notes 4666. 10/29/85 Flac 16 - 0, 89970 Atlanta Fox Theater flac16; Source: Master Audience Cassette Taper: Bill Koucky Location:Taper Section – Mezzanine Media: Maxell MX 90’s Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 10, 2008 notes 4667. 10/29/85 Flac 16 - 0, 33704 Atlanta Fox Theater flac16; SBD> Cassette Master (Sony D5/Maxell MX90); Transfer: Cassette Master (Sony TC-WE475)> Sony R500 (Pass Through)> SEK'D Prodif Plus> Samplitude Professional v8.01> FLAC; Transfers and Mastering By Charlie Miller; Upgrade in circulation notes 4668. 10/29/85 Flac 24/96 - 0, 151884 Atlanta Fox Theater flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Orchestra, Center, Row BB, Seat 103); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4669. 10/29/85 Flac 16 - 0, 83024 Atlanta Fox Theater flac16; LINEAGE: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC. The microphone location was 'dead center' and approximately 50 to 60 feet from the stage, which was about 50 feet or so in front of the Official Taper's Section notes 4670. 10/29/85 Shn - 0, 8599 Atlanta Fox Theater Complete; Nak 300-> Sony D-5 > MC > Sony KA1ES -> HHb 850 > CD; via Tommy Danscuk; Seeded to etree by Ernie Dodd notes 4671. 10/29/85 Shn - 0, 16756 Atlanta Fox Theater Pitch Corrected/Fixed/Retracked version of follwing source (*Cool Edit Pro notes at bottom): Nak 300 > Sony D-5; Sony KA1ES > HHb 850 > CD > EAC > Cool Edit 2000 > CDwav > Shnv3 Master Cass. > Cdr by Tommy Danscuk; Man with the plan: Willy Eac > cool edit > CDwav > shnv3 Ernie Dodd shntool verified notes 4672. 10/29/85 Flac 16 - 0, 104708 Atlanta Fox Theater flac16; Recorded by Dave Cohen Orchestra Floor Sec. L/C Row RR Seat 73 3 Nakamichi CM300s w/CP4s> Nakamichi MX100 mixer>patchbay>Sony WMD6 Maxell XLII cassette masters No Dolby. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes 4673. 10/29/85 Shn - 0, 8501 Atlanta Fox Theater AUD > DAT > CDR > EAC > CDR > EAC > SHN; Seeded to abgd by cepx with thanks to Paul B.; Note 2nd set only: see txt file for editing notes notes 4674. 10/29/85 Flac 16 - 0, 119948 Atlanta Fox Theater flac16; Source: Sony C38B> TCD5M OTS Seat CTR EE 103; Conversion. TD302Bk>PMD660> CDWave > flacfrontend > traderslittle helper; Recorded by Stan Roberts notes 4675. 10/29/85 Flac 16 - 0, 108081 Atlanta Fox Theater flac16; Source: 2 Beyer M-160 microphones > Sony TC-D5M ~ Mics @ 7 feet 16th row-center Maxell MX90's Transfer: Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 4676. 10/29/85 Flac 24/96 - 0, 126305 Atlanta Fox Theater flac24; source: (4) nakamichi 300> mixer> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4677. 10/29/85 Shn - 0, 12182 Atlanta Fox Theater 2nd set only; Source: SBD>Cassette>Cassette>DAT Conversion: Tascam DA-20 MK II >SoundForge (48KHz>44.1KHz)>Cool Edit 2000 (10db hiss reduction and FFT filter to reduce treble from Dolby)>CD Wave>MKW (SHN) Taped by ?, Converted by Rob (Odeo) Harrison (www.odeo.net) 7/8/02. Includes filler from GDH #461 - Warfield, 2/17/82 notes 4678. 10/29/85 Shn - 0, 21533 Atlanta Fox Theater SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes 4679. 10/29/85 Flac 24/96 - 0, 148424 Atlanta Fox Theater flac24; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4680. 10/29/85 Flac 16/48 - 0, 148423 Atlanta Fox Theater flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4681. 10/29/85 Flac 24/96 - 0, 148859 Atlanta Fox Theater flac24; Source Info: Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4682. 10/29/85 Flac 16/48 - 0, 148858 Atlanta Fox Theater flac16/48kHz; Source Info: Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4683. 10/29/85 Flac 16/48 - 0, 151883 Atlanta Fox Theater flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Orchestra, Center, Row BB, Seat 103); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4684. 10/29/85 Flac 24/96 - , 154300 Atlanta Fox Theater flac24/96 Recording Info: SBD > Cassette Master (Sony TC-D5M/Dolby B/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24 notes 4685. 10/29/85 Flac 16/44 - , 154409 Atlanta Fox Theater flac1644; Recording Info: SBD > Cassette Master (Sony TC-D5M/Dolby B/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24 - This is 154300 2496 > 1644 notes 4686. 10/29/85 Flac 24 - , 157449 Atlanta Fox Theater flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC/24 > AIFF > Final Cut w/EQ > AIFF tracking via Audacity > FLAC/24 via xACT w/meta-tagging), of shnid's 154300 & 151884. notes 4687. 10/29/85 Flac 16 Mtx - , 157450 Atlanta Fox Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC/24 > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity w/dither > FLAC/16 via xACT w/meta-tagging), of shnid's 154300 & 151884. notes 4688. 10/31/85 Shn - 0, 23590 Columbia Carolina Coliseum, University Of South Carolina SBD -> Master Cassette -> Reel -> Dat (48k)Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Patch Info: d1t08 (Tennessee Jed) - Patched from 7:04-7:26 Schoeps CMC4/MK41 > Oade M118 > Oade Modified Sony PCM-F1 > CD; Transferred and Patched By Charlie Miller notes 4689. 10/31/85 Flac - 0, 31189 Columbia Carolina Coliseum, University Of South Carolina flac16; blend of CM*SBD(shnid=23590) and Oade AUD (id=20282) notes 4690. 10/31/85 Shn - 0, 19209 Columbia Carolina Coliseum, University Of South Carolina S:D>C>D>C>D>CDR [Note: See info file for further details] Lineage: Cassette > D8 > Sony R500>HHB CDR800 Toast 1.1 for Wav via Seanb@isoc.net notes 4691. 10/31/85 Flac Mtx. - 0, 30829 Columbia Carolina Coliseum, University Of South Carolina flac16; Matrix of sbd(id=19209) & Oade Master PCM(id=20282) notes 4692. 10/31/85 Shn - 0, 8793 Columbia Carolina Coliseum, University Of South Carolina Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k) DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)> Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN(Seekable) Seeded by Darrin Sacks; Also to abgd via Charlie Connor notes 4693. 10/31/85 Shn - 0, 20282 Columbia Carolina Coliseum, University Of South Carolina Field: Schoeps CMC441 (from TS, 17cm @ 90deg) > Oade M118 > Oade modSony PCM-F1 Transfer: master PCM > DAW (via SEKD card) > DSP* > CD (mkw) > HD > mkwACT0.97b (SHN) notes 4694. 10/31/85 Shn - 0, 32864 Columbia Carolina Coliseum, University Of South Carolina Unknown shotgun mikes > Sony D6 > Maxell MX 90s (MC); MC > Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN; Location: First row of taping section seats. Well above the crowd in the gym via Charles Bandrofcheck notes 4695. 10/31/85 Flac 16 - 0, 122146 Columbia Carolina Coliseum, University Of South Carolina flac16; Source: Senn ME-80 > TCD5M; Conversion: Playback HK TD302 > PMD661; Processing: Audacity Pitch correction > Cdwave > Flac Frontend > Foobar2000 > TLH; Recorded by Stan Roberts notes 4696. 10/31/85 Flac 24/96 - 0, 126314 Columbia Carolina Coliseum, University Of South Carolina flac24; source: (2) sennheiser 441> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4697. 10/31/85 Shn - 0, 2028 Columbia Carolina Coliseum, University Of South Carolina SBD> C?-> DAT-> CDR-> SHN-> CDR-> SHN; Ripped by John Zei; update: mp3 generation somewhere in lineage- please do not circulate! notes 4698. 10/31/85 Flac 16/48 - 0, 151885 Columbia Carolina Coliseum, University Of South Carolina flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Section G, Row A, Seat 8); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4699. 10/31/85 Flac 24/96 - 0, 151886 Columbia Carolina Coliseum, University Of South Carolina flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Section G, Row A, Seat 8); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4700. 11/01/85 Shn - 0, 379 Richmond Richmond Coliseum Soundboard> ?> DAT> CDr; R500> AES/EBU> ZA2> Cooleditpro> SHN; via Stewart McCloskey to shntraders list; not etreed; d2 tracked for 80 min; 3/01 update: this show is now Dick's Picks 21- go buy it notes 4701. 11/01/85 Flac 16 - 0, 91179 Richmond Richmond Coliseum flac16; MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. notes 4702. 11/01/85 Flac 24/48 - 0, 97646 Richmond Richmond Coliseum flac24; source: aud cassette master beyer m88's>sony d5, tdk ma-r90's taped by Rob Berger lineage: nak dragon>hd-p2 24/48>adobe>cd wave>flac transferred & seeded by Rob Berger notes 4703. 11/01/85 Flac 16/48 - 0, 134979 Richmond Richmond Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k): SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - mixing by Kevin Tobin Source Inform notes 4704. 11/01/85 Flac Dts 5.1 - 0, 134978 Richmond Richmond Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - DTS mixing by Kevin Tobin notes 4705. 11/01/85 Flac 16 Mtx - 0, 134977 Richmond Richmond Coliseum flac16; Matrix 2 Source Mix - SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - matrix mixing by Kevin Tobin notes 4706. 11/01/85 Flac Dts 5.1 - 0, 34558 Richmond Richmond Coliseum DTS Audio 5.1 DTS-Audio-CD 5.1 SBD/AUD Mix by dan@am-dig.com notes 4707. 11/01/85 Flac 24/96 - 0, 96195 Richmond Richmond Coliseum flac24; Source: 2x Sennheiser 421 > Sony TC-D5 > Sony TC-D5 Master Cassettes Maxell MX–90’s Location: FOB, 20' from stage. Center patched out of Steve Adleman Transfer: Nakamichi DR-1 > Korg MR-1 > DSF [1-bit 2.8 MHz Stereo] Rate Conversion: Korg AudioGate to WAV [24/96] Mastering in WaveLab with iZotope Ozone 3 (eq) and Waves L3 Multimaximizer > CD WAVE > TLH > Flac Taped, Transfer, Mastering by: Bill Koucky December 3, 2008 notes 4708. 11/01/85 Shn - 0, 20416 Richmond Richmond Coliseum Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1 [recorded by the Oade Brothers] notes 4709. 11/01/85 Shn - 0, 32709 Richmond Richmond Coliseum Source: Can't remember shotgun mics > Sony D6 > Maxel MX 90s Location: As close as they'd let you get to the left of SBD. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN notes 4710. 11/01/85 Flac 16 - 0, 96194 Richmond Richmond Coliseum flac16; Source: 2x Sennheiser 421 > Sony TC-D5 > Sony TC-D5 Master Cassettes Maxell MX–90’s Location: FOB, 20' from stage. Center patched out of Steve Adleman Transfer: Nakamichi DR-1 > Korg MR-1 > DSF [1-bit 2.8 MHz Stereo] Rate Conversion: Korg AudioGate to WAV [24/96] Mastering in WaveLab with iZotope Ozone 3 (eq) and Waves L3 Multimaximizer Rate Conversion to WAV [16/44.1] with r8brain > CD WAVE > TLH > Flac Taped, Transfer, Mastering by: Bill Koucky December 3, 2008 notes 4711. 11/01/85 Flac 24/96 - 0, 126321 Richmond Richmond Coliseum flac24; source: (3) audio technica atm 11 (fob)> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4712. 11/01/85 Shn - 0, 9217 Richmond Richmond Coliseum Sources: Primary Source:Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k) DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable: Secondary Source:Charlie Connor's Cassette Master: FOB>Beyer M88's>Sony TCM D5>Wav:The Secondary Source Supplies patch on d1t02 3:28-3:34: Seeded to etree by Darrin Sacks with thanks to JJ; also to abgd via Charlie Connor; 3/01 update: this date is now released as Dick's Picks 21- go buy that notes 4713. 11/01/85 Flac 16/48 - 0, 151915 Richmond Richmond Coliseum flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4714. 11/01/85 Flac 24/96 - 0, 151916 Richmond Richmond Coliseum flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4715. 11/02/85 Flac 16 Mtx - 0, 27582 Richmond Richmond Coliseum flac16; Matrix from 3 sources: SBD> ?> DAT> CD> EAC> WAV> SHN; AUD - Connor (FOB) Mics: Beyer Dynamic M88's; AUD - Oade (Tapers? Section) Mics: Schoeps (2 x CMC441, 1 x CMC42)> Sony PCM-F1; Matrixed by Chris Chappell notes 4716. 11/02/85 Shn - 0, 14804 Richmond Richmond Coliseum SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN notes 4717. 11/02/85 Shn - 0, 20663 Richmond Richmond Coliseum Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1 [recorded by the Oade Brothers] notes 4718. 11/02/85 Flac 16 - 0, 91238 Richmond Richmond Coliseum flac16; MAC; 2 x Sennheiser 421 > Sony D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX90 (Set II). Recorded by Lucien Zaleski. Transferred and Mastered by Alex Ford. Master audience cassettes provided by Mark McCue. notes 4719. 11/02/85 Flac 16 - 0, 77525 Richmond Richmond Coliseum flac16; SRC: MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B in)) taped by Tim Alexander; Transfer: MAC playback on Nak DR-1 (Dolby B out) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC notes 4720. 11/02/85 Flac 24/48 - 0, 77906 Richmond Richmond Coliseum flac24; SRC: MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B)) taped by Tim Alexander Transfer: MAC playback on Nak DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC notes 4721. 11/02/85 Flac 16 - 0, 137152 Richmond Richmond Coliseum flac16; (original shnid = 14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN - pitch correction and patches by Kevin Tobin notes 4722. 11/02/85 Flac LPCM 5.1 - 0, 137207 Richmond Richmond Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN + AUD (shnid=4772)(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd - mixing by Kevin Tobin notes 4723. 11/02/85 Flac Dts 5.1 - 0, 137206 Richmond Richmond Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN + AUD (shnid=4772)(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd - dts mixing by Kevin Tobin notes 4724. 11/02/85 Flac Mtx. - 0, 137205 Richmond Richmond Coliseum flac16; Matrix 2 Source Mix - SBD (shnid=14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN + AUD (shnid=4772)(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd - matrix mixing by Kevin Tobin notes 4725. 11/02/85 Shn - 0, 4772 Richmond Richmond Coliseum (FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd notes 4726. 11/02/85 Shn - 0, 32798 Richmond Richmond Coliseum Source: Can't remember shotgun mics > Sony D6 > Maxel MX 90s Location: As close as they'd let you get Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN via Charles Bandrofcheck notes 4727. 11/02/85 Flac 16 - 0, 121577 Richmond Richmond Coliseum flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 4728. 11/02/85 Flac 24/96 - 0, 126333 Richmond Richmond Coliseum flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4729. 11/02/85 Flac 24/96 - 0, 148861 Richmond Richmond Coliseum flac24; Source Info: Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4730. 11/02/85 Flac 16/48 - 0, 148860 Richmond Richmond Coliseum flac16/48kHz; Source Info: Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4731. 11/02/85 Flac 16/48 - 0, 151992 Richmond Richmond Coliseum flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4732. 11/02/85 Flac 24/96 - 0, 151993 Richmond Richmond Coliseum flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4733. 11/04/85 Shn - 0, 7801 Worcester The Centrum SBD:MC> DAT> C> DAT> CD; via Skip Jenkins; Peter Braverman notes 4734. 11/04/85 Flac 16 - 0, 132765 Worcester The Centrum flac16; Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Master PCM > DAW (via SEKD Prodif) > Wav; Recorded by the Oade Brothers; Mastering by Dave Usborne notes 4735. 11/04/85 Flac 16 - 0, 83072 Worcester The Centrum flac16; SBD:MC> DAT> C> DAT> CD> SHN> Cool Edit pitch correction and patching> FLAC (fixed version of shn id 7801) by Bill Tetzeli notes 4736. 11/04/85 Flac 16 - 0, 79656 Worcester The Centrum flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes 4737. 11/04/85 Flac 16 - 0, 77298 Worcester The Centrum flac16; SRC: MAC (Senn 421's + Nak 300s > Yamaha mixer > Sony D-5); Transfer: Playback on Nak DR-1 > HD-P2 > WAV > FLAC notes 4738. 11/04/85 Flac 24/48 - 0, 77835 Worcester The Centrum flac24; SRC: MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B)) taped by Tim Alexander Transfer: MAC playback on Nak DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLACTransferred by Bill Tetzeli notes 4739. 11/04/85 Flac 24/96 - 0, 126360 Worcester The Centrum flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4740. 11/04/85 Shn - 0, 11880 Worcester The Centrum Taper: phil Unger;Nakamici #100 Shotguns> SonyD5; CD Transfer Info: Denon D-790R > Audiophile 2496 > Cool Edit 2000 > Wav > SHN; Tracked with CD Wave: Seeded to ABGD notes 4741. 11/04/85 Flac 16 - 0, 77167 Worcester The Centrum flac16; 2nd Set Only: Beyer Dynamic M88's>Sony TCD5M (CM - Maxell Mx90)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and transferred by Charlie Connor notes 4742. 11/04/85 Flac 16 - 0, 106580 Worcester The Centrum flac16;Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded from Taper Section 101, Row CC, Seat 14 by Bob Morris. notes 4743. 11/04/85 Flac 24/96 - 0, 114674 Worcester The Centrum flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 101, Row CC, Seat 14 by Bob Morris notes 4744. 11/04/85 Flac 24/96 - 0, 148635 Worcester The Centrum flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4745. 11/04/85 Flac 16/48 - 0, 148634 Worcester The Centrum flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4746. 11/04/85 Flac 16 - 0, 150099 Worcester The Centrum flac16; SBD Cassette > DAT > FLAC notes 4747. 11/04/85 Flac 16/48 - 0, 151944 Worcester The Centrum flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section 5, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4748. 11/04/85 Flac 24/96 - 0, 151995 Worcester The Centrum flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section 5, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4749. 11/05/85 Shn - 0, 188 Worcester The Centrum sdb> reel master> cassette> dat> cdr; via Mike Lai notes 4750. 11/05/85 Flac 16/48 - 0, 143430 Worcester The Centrum flac16/48kHz; Source: sbd > cassette master > reel > dat (48k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick October 2018 notes 4751. 11/05/85 Shn - 0, 21246 Worcester The Centrum Source: Audience (Tapers? Section) ? Digital Master Mics: Schoeps (2 x CMC441) Processor: Sony PCM-F1 (Oade Modified) Tape Deck: Sony Portable BetaMax Taper: Oades Tracked: Conrad notes 4752. 11/05/85 Flac 16 - 0, 77163 Worcester The Centrum flac16; 2nd Set Only: Beyer Dynamic M88's>Sony TCD5M (CM - Maxell Mx90)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57(tracking only)>flac16 Taped and transferred by Charlie Connor notes 4753. 11/05/85 Flac 16 - 0, 79669 Worcester The Centrum flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS behind SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci notes 4754. 11/05/85 Flac 16 - 0, 87482 Worcester The Centrum flac16; taper ; Joe D'Amico nak 300 mics > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes 4755. 11/05/85 Flac 16 - 0, 106581 Worcester The Centrum flac16; Recorded from Taper Section 101, Row DD, Seat 2 by Bob Morris. Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes 4756. 11/05/85 Flac 24/96 - 0, 114675 Worcester The Centrum flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 101, Row DD, Seat 2 by Bob Morris notes 4757. 11/05/85 Flac 24/96 - 0, 126366 Worcester The Centrum flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4758. 11/05/85 Flac 16 - 0, 150100 Worcester The Centrum flac16; SBD Cassette > DAT > FLAC notes 4759. 11/05/85 Flac 16/48 - 0, 151996 Worcester The Centrum flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section 5, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4760. 11/05/85 Flac 24/96 - 0, 151997 Worcester The Centrum flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section 5, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4761. 11/07/85 Flac 16 - 0, 88815 Rochester Community War Memorial Auditorium flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.12 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller (This is a repatch of shn id 88727.) notes 4762. 11/07/85 Shn - 0, 22798 Rochester Community War Memorial Auditorium Tapers: Oade Bros Field: Schoeps CMC441 (TS, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1 Transfer: Master PCM > DAW (via SEKD card) > DSP* > CD data > HD > CDWave 1.7 > Wavelab 4 > mkwACT0.97b (SHN) Seeded via Bit Torrent February 23, 2004 by macdaddy notes 4763. 11/07/85 Flac 16 - 0, 127712 Rochester Community War Memorial Auditorium flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, with no Dolby. Set up to the right (stage left) of the SBD. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 04/2014 notes 4764. 11/07/85 Shn - 0, 5300 Rochester Community War Memorial Auditorium SBD (MSC> Reel> DAT> CDR> TAE> CDR> EAC> Shnv3) with AUD patches (FOB AUD> Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3); assembled by Charlie Connor, from Dave Shepard's SBD seed and Cahrlie's AUD; alternative d1 AUD tracks also included notes 4765. 11/07/85 Flac 24 - 0, 139716 Rochester Community War Memorial Auditorium flac24; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 4766. 11/07/85 Flac 16 - 0, 139852 Rochester Community War Memorial Auditorium flac16; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 4767. 11/07/85 Flac 16/48 - 0, 142341 Rochester Community War Memorial Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 139716) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 127711) Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, with no Dolby. Set up to the right (stage left) of the SBD. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 04/2014 - surround mixing by Kevin Tobin notes 4768. 11/07/85 Flac Dts 5.1 - 0, 142338 Rochester Community War Memorial Auditorium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 139716) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 127711) Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, with no Dolby. Set up to the right (stage left) of the SBD. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 04/2014 - dts mixing by Kevin Tobin notes 4769. 11/07/85 Flac 16 Mtx - 0, 142337 Rochester Community War Memorial Auditorium flac16; Matrix 2 Source Mix - SBD (shnid = 139716) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 127711) Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, with no Dolby. Set up to the right (stage left) of the SBD. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 04/2014 - matrix mixing by Kevin Tobin notes 4770. 11/07/85 Flac 24/96 - 0, 114676 Rochester Community War Memorial Auditorium flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded by Bob Morris notes 4771. 11/07/85 Flac 24/96 - 0, 89069 Rochester Community War Memorial Auditorium flac24; Source: Nakamichi CM300's(with CP4 shotgun caps/pointed)>Sony D5M Location: Front left corner of board, stand at 10 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud>Cdwav>flac24 Taped, transfered and uploaded by Tony S./nak700 notes 4772. 11/07/85 Flac 16 - 0, 111088 Rochester Community War Memorial Auditorium flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 4773. 11/07/85 Flac 16 - 0, 102153 Rochester Community War Memorial Auditorium flac16; Recorded by Ray Ackerman (2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5 Conversion: Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16 Conversion by Ray Ackerman. Tracks, FLACs, Tags by Craig Taraszki notes 4774. 11/07/85 Flac 16 - 0, 87494 Rochester Community War Memorial Auditorium flac16; taper : Joe D'Amico ''aka'' Joebeacon nak 300 mics > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes 4775. 11/07/85 Flac 16 - 0, 77503 Rochester Community War Memorial Auditorium flac16; Source: Nakamichi CM300's(with CP4 shotgun caps/pointed)>Sony D5M Location: Front left corner of board, stand at 10 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700 notes 4776. 11/07/85 Flac 16 - 0, 30554 Rochester Community War Memorial Auditorium flac16; Recording Info: FOB AUD>Beyer Dynamic M88's>Sony TCD5M(CM Maxell Mx 90) Transfer INfo: Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>Flac Front End; Recorded and digitally mastered by Charlie Connor notes 4777. 11/07/85 Shn - 0, 25276 Rochester Community War Memorial Auditorium Taped & Transfered by Brian Mandel Nakamichi 300 Shotguns CP4's & Sony TCD5M Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn. Sector boundaries verrified via shn tools. notes 4778. 11/07/85 Flac 24/96 - 0, 126422 Rochester Community War Memorial Auditorium flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4779. 11/07/85 Flac 24/48 - 0, 127711 Rochester Community War Memorial Auditorium flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, with no Dolby. Set up to the right (stage left) of the SBD. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 04/2014 notes 4780. 11/07/85 Flac 24/96 - 0, 148633 Rochester Community War Memorial Auditorium flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4781. 11/07/85 Flac 16/48 - 0, 148632 Rochester Community War Memorial Auditorium flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4782. 11/07/85 Flac 16/48 - 0, 151998 Rochester Community War Memorial Auditorium flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4783. 11/07/85 Flac 24/96 - 0, 151999 Rochester Community War Memorial Auditorium flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4784. 11/07/85 Flac 24/48 - , 154070 Rochester Community War Memorial Auditorium flac24/48 Master: MAUD CA Microphones: AKG C 422 crossed figure 8's (crossed at 90') handheld shoulder height >> Recorder: Sony TC-D5M| Maxell MX 90's no Dolby Location: approximately 40 feet from stage; 50 feet LOC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook Transferred: Kyle Holbrook notes 4785. 11/07/85 Flac 16/44 - , 154069 Rochester Community War Memorial Auditorium flac16/44 Master: MAUD CA Microphones: AKG C 422 crossed figure 8's (crossed at 90') handheld shoulder height >> Recorder: Sony TC-D5M| Maxell MX 90's no Dolby Location: approximately 40 feet from stage; 50 feet LOC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook Transferred: Kyle Holbrook notes 4786. 11/08/85 Shn - 0, 35361 Rochester Community War Memorial Auditorium Seamless fix of shn id 5301 - Master Soundboard Cassette > Reel to Reel > DAT > CDR > WAV > SHN notes 4787. 11/08/85 Shn - 0, 5301 Rochester Community War Memorial Auditorium Master Soundboard Cassette > Reel to Reel > DAT > CDR, with patches from Charlie Connor's Master Audience Cassette (Beyer M88 mics> Sony TC-D5M in d1t7,8; CD Mastering, EAC> SHN by Scott Clugston; d2 tracked for 80 min notes 4788. 11/08/85 Flac 16 - 0, 86547 Rochester Community War Memorial Auditorium flac16; AUD Source: AKG CK1's > Uher CR-240 > Sony TC-D5M (first deck out). Taped onto Maxell MX-90's with no Dolby. Mics on stand (aprx 7 feet) set up just to the left (stage right) of the soundboard. Transfer by Jim Wise (2002), MAC > Nakamichi Dragon (no Dolby) > HHB CDR-800 > CDR. EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC notes 4789. 11/08/85 Flac 24 - 0, 139717 Rochester Community War Memorial Auditorium flac24; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 4790. 11/08/85 Flac 16 - 0, 139899 Rochester Community War Memorial Auditorium flac16; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 4791. 11/08/85 Flac 16/48 - 0, 142752 Rochester Community War Memorial Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 139717) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 126696) source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - surround mixing by Kevin Tobin notes 4792. 11/08/85 Flac Dts 5.1 - 0, 142751 Rochester Community War Memorial Auditorium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 139717) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 126696) source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - dts mixing by Kevin Tobin notes 4793. 11/08/85 Flac 24 Mtx - 0, 142749 Rochester Community War Memorial Auditorium flac24; Matrix 2 Source Mix - SBD (shnid = 139717) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 126696) source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - matrix mixing by Kevin Tobin notes 4794. 11/08/85 Flac 16 Mtx - 0, 142750 Rochester Community War Memorial Auditorium flac16; Matrix 2 Source Mix - SBD (shnid = 139717) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 126696) source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - matrix mixing by Kevin Tobin notes 4795. 11/08/85 Flac 24/96 - 0, 142747 Rochester Community War Memorial Auditorium flac24; Patched & Pitch Corrected Audience (original shnid = 126696) source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - pitch correction and patches by Kevin Tobin notes 4796. 11/08/85 Flac 16 - 0, 124748 Rochester Community War Memorial Auditorium flac16; Patched & Pitch Corrected Audience (original shnid = 126696) source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - pitch correction and patches by Kevin Tobin notes 4797. 11/08/85 Flac 24/96 - 0, 114677 Rochester Community War Memorial Auditorium flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded by Bob Morris notes 4798. 11/08/85 Shn - 0, 4773 Rochester Community War Memorial Auditorium AUD FOB> Beyer Dynamic M88's> Sony TCD5M (CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT); d2 tracked for 80 min; taped, transferred and seeded to abgd by Charlie Connor notes 4799. 11/08/85 Shn - 0, 25275 Rochester Community War Memorial Auditorium Taped & Transfered by Brian Mandel Nakamichi 300 Shotguns CP4's & Sony TCD5M Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn. Sector boundaries verrified via shn tools. notes 4800. 11/08/85 Flac 16 - 0, 79024 Rochester Community War Memorial Auditorium flac16; Source: Nakamichi CM300's(with CP4 shotgun caps/pointed)>Sony D5M Location: Front left corner of board, stand at 10 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16bit>Cdwav>flac Taped, transfered and uploaded by Tony S. notes 4801. 11/08/85 Flac 16 - 0, 87509 Rochester Community War Memorial Auditorium flac16; taper : Joe D'Amico nak 300 mics > sony d-5 infront of the soundboard nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes 4802. 11/08/85 Flac 16 - 0, 106807 Rochester Community War Memorial Auditorium flac16;Recorded by Bob Morris. Transferred & edited by Bob Morris 11/09. Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes 4803. 11/08/85 Shn - 0, 22023 Rochester Community War Memorial Auditorium Tapers: Oade Bros Field: Schoeps CMC441 (TS, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1 Transfer: Master PCM > DAW (via SEKD card) > DSP* > CD data > HD > CDWave 1.7 > Wavelab 4 > mkwACT0.97b (SHN) Tracking, fades and verification done by dwonk. First hosted via Bit Torrent February 5, 2004 by macdadd notes 4804. 11/08/85 Flac 24/96 - 0, 126696 Rochester Community War Memorial Auditorium flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4805. 11/08/85 Flac 24/96 - 0, 149436 Rochester Community War Memorial Auditorium flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 4806. 11/08/85 Flac 16/48 - 0, 149435 Rochester Community War Memorial Auditorium flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4807. 11/08/85 Flac 16/48 - 0, 152020 Rochester Community War Memorial Auditorium flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4808. 11/08/85 Flac 24/96 - 0, 152021 Rochester Community War Memorial Auditorium flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4809. 11/08/85 Flac 24/48 - , 154072 Rochester Community War Memorial Auditorium flac24/48 Microphones: AKG C 422 crossed figure 8's (crossed at 90') on monopod shoulder height >> Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; 50 feet LOC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kyle Holbrook Transferred by kyle@rocksuitcase.com Fourteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4810. 11/08/85 Flac 16/44 - , 154071 Rochester Community War Memorial Auditorium flac16/44 Microphones: AKG C 422 crossed figure 8's (crossed at 90') on monopod shoulder height >> Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; 50 feet LOC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kyle Holbrook Transferred by kyle@rocksuitcase.com Fourteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4811. 11/10/85 Shn - 0, 12264 East Rutherford Meadowlands Arena Master Soundboard Cassette > DAT > Sonic Solutions > CD seeded by Steve Barbella notes 4812. 11/10/85 Flac 16 - 0, 128517 East Rutherford Meadowlands Arena flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Sony UCXS90 (1st set) & TDK MA90 (2nd set) with no Dolby. Set up last row of floor far right (stage left) side. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 05/2014 notes 4813. 11/10/85 Shn - 0, 12202 East Rutherford Meadowlands Arena SBD> CM> DAT> DAT CLONE> CDR> EAC >SHN; transfer via Ken Doughty; EAC/SHN'd via Barbara Doughty; Seeded to Furthur Network via JBGoode4 Known flaws: d1t06 - end of All Over Now clipped(tape flip) notes 4814. 11/10/85 Flac 16 - 0, 141082 East Rutherford Meadowlands Arena flac16; Source Info: Master Soundboard Cassette (dolby b decoded) > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac16 notes 4815. 11/10/85 Shn - 0, 32638 East Rutherford Meadowlands Arena shotgun mics > Sony D6 > Maxell MX 90's. First right hand seat of taper section 12" stand. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN via Charlie notes 4816. 11/10/85 Shn - 0, 25472 East Rutherford Meadowlands Arena Nakamichi 300 Shotguns CP4's & Sony TCD5M Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools via Brian Mandel notes 4817. 11/10/85 Flac 16 - 0, 87524 East Rutherford Meadowlands Arena flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cooledit pro > flac frontend notes 4818. 11/10/85 Flac 16 - 0, 106808 East Rutherford Meadowlands Arena flac16;Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris. Transferred, edited, patched by Bob M 11/09. Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes 4819. 11/10/85 Shn - 0, 4774 East Rutherford Meadowlands Arena AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT); d2 tracked for 80 min; Taped and Transferred by Charlie Connor notes 4820. 11/10/85 Shn - 0, 7955 East Rutherford Meadowlands Arena Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR EAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade; to abgd. notes 4821. 11/10/85 Shn - 0, 19212 East Rutherford Meadowlands Arena Schoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1; Transfer: PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN); taping, transfer by Doug Oade, fileset prep by dwonk, seeded via BT by macdaddy; note no DAE and possible remaster compared to previous shn set notes 4822. 11/10/85 Flac 16 - 0, 79689 East Rutherford Meadowlands Arena flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS Floor Section 5, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes 4823. 11/10/85 Flac 16 - 0, 127525 East Rutherford Meadowlands Arena flac16; Recording Info: SBD Grateful Dead hour shows transferred music only shows No. 393, 394, 395 > Pre FM Satellite Feed > Nak pro deck > Maxell metal cassettes; Transfer Info: Master cassettes > Nak DR2 deck > Sound Forge Pro 10 > wav Traders Little Helper > flac notes 4824. 11/10/85 Flac 24/96 - 0, 126721 East Rutherford Meadowlands Arena flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4825. 11/10/85 Flac 16 - 0, 145354 East Rutherford Meadowlands Arena flac16; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1 notes 4826. 11/10/85 Flac 24/96 - 0, 114678 East Rutherford Meadowlands Arena flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris notes 4827. 11/10/85 Flac 24/96 - 0, 141651 East Rutherford Meadowlands Arena flac24; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 notes 4828. 11/10/85 Flac 16 Mtx - 0, 142930 East Rutherford Meadowlands Arena flac16; Matrix 2 Source Mix - SBD (shnid = 141082) Source Info: Master Soundboard Cassette (dolby b decoded) > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac16 + AUD (shnid = 7955) Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR EAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade; to abgd. - matrix mixing by Kevin Tobin notes 4829. 11/10/85 Flac 16 Dts.5.1 - 0, 142931 East Rutherford Meadowlands Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141082) Source Info: Master Soundboard Cassette (dolby b decoded) > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac16 + AUD (shnid = 7955) Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR EAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade; to abgd. - dts mixing by Kevin Tobin notes 4830. 11/10/85 Flac 16/48 - 0, 141932 East Rutherford Meadowlands Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141082) Source Info: Master Soundboard Cassette (dolby b decoded) > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac16 + AUD (shnid = 7955) Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR EAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade; to abgd. - surround mixing by Kevin Tobin notes 4831. 11/10/85 Flac 24/96 - 0, 148906 East Rutherford Meadowlands Arena flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4832. 11/10/85 Flac 16/48 - 0, 148905 East Rutherford Meadowlands Arena flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4833. 11/10/85 Flac 16 - 0, 149792 East Rutherford Meadowlands Arena flac16; AKG 224’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche notes 4834. 11/10/85 Flac 24/96 - 0, 151337 East Rutherford Meadowlands Arena flac24/96khz Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 4835. 11/10/85 Flac 16/48 - 0, 151336 East Rutherford Meadowlands Arena flac16/48khz Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 4836. 11/10/85 Flac 16/48 - 0, 152045 East Rutherford Meadowlands Arena flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section B, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4837. 11/10/85 Flac 24/96 - 0, 152046 East Rutherford Meadowlands Arena flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section B, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4838. 11/10/85 Flac 24/48 - , 154261 East Rutherford Meadowlands Arena flac24/48 Master: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 60' set 1; 90' set 2) head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (second in line) Location: approximately 70 feet from stage; 10 feet ROC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook Fifteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4839. 11/10/85 Flac 16/44 - , 154260 East Rutherford Meadowlands Arena flac16/44 Master: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 60' set 1; 90' set 2) head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (second in line) Location: approximately 70 feet from stage; 10 feet ROC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook Fifteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4840. 11/11/85 Flac 16 Mtx - 0, 95966 East Rutherford Meadowlands Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) notes 4841. 11/11/85 Shn - 0, 14862 East Rutherford Meadowlands Arena Lineage:SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT(seekable)Editing: SHN>WAV>CE2K> shntool>mkwACT Transfer by Ken Doughty. Editing by Matt Cole. Seeded by JBGoode4 notes 4842. 11/11/85 Flac 16 - 0, 94621 East Rutherford Meadowlands Arena flac16; MAC; (FOB) 2 x Sennheiser 441 > Sony D5 > Maxell XLII-S 90(Set I) and TDK MA-R90(Set II). Lineage: Master Audience Cassettes> Nakamichi Dragon> Kind Kables RCA/XLR> Lunatec V3(@ 24/96)> coax> Audiophile 2496> WaveLab 5.0> .wav @ 24/96> Waves L3 UltraMaximizer> .wav @ 16/44.1> CD Wave Editor> Trader's Little Helper> FLAC16. Taped by Mark McCue. Transferred and Mastered by Alex Ford. notes 4843. 11/11/85 Flac 16 - 0, 95245 East Rutherford Meadowlands Arena flac16; Repitch of McCue source shn id 94621: FOB 2 x Sennheiser 441 > Sony D5 > Maxell XLII-S 90 Set I and TDK MA-R90 Set II along with putting channels back in phase and other small edits. notes 4844. 11/11/85 Flac 16/48 - 0, 143076 East Rutherford Meadowlands Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 14862) Lineage: SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT (seekable) Editing: SHN>WAV>CE2K> shntool>mkwACT Transfer by Ken Doughty. Editing by Matt Cole. Seeded by JBGoode4 + AUD (shnid = 19303) Schoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1; Transfer: PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN); taped and transferred by Doug Oade; Fades, track cuts, WAV > SHN conversion & verification done by dwonk; seeded by macdaddy via BT - surround mixing by Kevin Tobin notes 4845. 11/11/85 Flac Dts 5.1 - 0, 143075 East Rutherford Meadowlands Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 14862) Lineage: SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT (seekable) Editing: SHN>WAV>CE2K> shntool>mkwACT Transfer by Ken Doughty. Editing by Matt Cole Seeded by JBGoode4 + AUD (shnid = 19303) Schoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1; Transfer: PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN); taped and transferred by Doug Oade; Fades, track cuts, WAV > SHN conversion & verification done by dwonk; seeded by macdaddy via BT - dts mixing by Kevin Tobin notes 4846. 11/11/85 Flac 16 Mtx - 0, 143074 East Rutherford Meadowlands Arena flac16; Matrix 2 Source Mix - SBD (shnid = 14862) Lineage: SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT(seekable) Editing: SHN>WAV>CE2K> shntool>mkwACT Transfer by Ken Doughty. Editing by Matt Cole Seeded by JBGoode4 + AUD (shnid = 19303) Schoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1; Transfer: PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN); taped and transferred by Doug Oade; Fades, track cuts, WAV > SHN conversion & verification done by dwonk; seeded by macdaddy via BT - matrix mixing by Kevin Tobin notes 4847. 11/11/85 Flac 16 - 0, 143073 East Rutherford Meadowlands Arena flac16; Remastered & Patched & Pitch Corrected Soundboard - SBD:(original shnid = 14862) Lineage: SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT(seekable) Editing: SHN>WAV>CE2K> shntool>mkwACT Transfer by Ken Doughty. Editing by Matt Cole Seeded by JBGoode4 - remastered by Charlie Miller with pitch correction and patches by Kevin Tobin notes 4848. 11/11/85 Flac 16 - 0, 79719 East Rutherford Meadowlands Arena flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS Floor Section 5, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci notes 4849. 11/11/85 Flac 16 - 0, 87540 East Rutherford Meadowlands Arena flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes 4850. 11/11/85 Flac 24/96 - 0, 114679 East Rutherford Meadowlands Arena flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris notes 4851. 11/11/85 Shn - 0, 19303 East Rutherford Meadowlands Arena Schoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1; Transfer: PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN); taped and transferred by Doug Oade; Fades, track cuts, WAV > SHN conversion & verification done by dwonk; seeded by macdaddy via BT notes 4852. 11/11/85 Shn - 0, 32639 East Rutherford Meadowlands Arena unknown shotguns > Sony D6 > Maxell MX 90's. First right hand seat of taper section 12" stand. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN via Charlie Bandrofcheck notes 4853. 11/11/85 Shn - 0, 33584 East Rutherford Meadowlands Arena Nakamichi 300 Shotguns CP4's & Sony TCD5M Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn notes 4854. 11/11/85 Flac 16 - 0, 106809 East Rutherford Meadowlands Arena flac16;Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris. Transferred & edited by Bob Morris 11/09. Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes 4855. 11/11/85 Flac 24/96 - 0, 126730 East Rutherford Meadowlands Arena flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4856. 11/11/85 Shn - 0, 12083 East Rutherford Meadowlands Arena 2nd set only; Schoeps CMC 341's> Master Cassette > DAT > CDR; via Storyteller; Seeded to etree by Steve Barbella notes 4857. 11/11/85 Shn - 0, 17960 East Rutherford Meadowlands Arena MAC > CDR > WAV > SHN. Audience analog cassette master 2 Nakamichi cm-700's > Sony tc-d5M(dolby b) recorded by Mark Cohen. a-d transfer > SHN by Anne Cohen. notes 4858. 11/11/85 Flac 16 - 0, 149798 East Rutherford Meadowlands Arena flac16; AKG 224’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche notes 4859. 11/11/85 Flac 16/48 - 0, 152047 East Rutherford Meadowlands Arena flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section B, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4860. 11/11/85 Flac 24/96 - 0, 152048 East Rutherford Meadowlands Arena flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section B, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes 4861. 11/16/85 Shn - 0, 18374 Long Beach Long Beach Arena Lineage: SBD>CM>C>DAT>DAT>CD>EAC>SHN>WAV>CE2K>CDWAVE>SHNTOOL>mkwACT(seekable); Patched with shnid=12263 (Schoeps MK41?s>PCM>DAT>CDR). Source files prepared and provided by JBGoode1; Editing by MattMan. notes 4862. 11/16/85 Flac 16 - 0, 134553 Long Beach Long Beach Arena flac16; AUD: Unknown mics (see note) > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2015 notes 4863. 11/16/85 Flac 24/48 - 0, 134552 Long Beach Long Beach Arena flac24; AUD: Unknown mics (see note) > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2015 notes 4864. 11/16/85 Shn - 0, 12263 Long Beach Long Beach Arena Schoeps MK41?s > PCM > DAT > CDR seeded by Steve Barbella notes 4865. 11/16/85 Flac 24/96 - 0, 148775 Long Beach Long Beach Arena flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 4866. 11/16/85 Flac 16/48 - 0, 148774 Long Beach Long Beach Arena flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4867. 11/17/85 Shn - 0, 12360 Long Beach Long Beach Arena Master Soundboard Cassette > DAT > CD uploaded by Steve Barbella notes 4868. 11/17/85 Flac 16 - 0, 134589 Long Beach Long Beach Arena flac16; AUD: Unknown mics (see note) > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2015 notes 4869. 11/17/85 Flac 24/48 - 0, 134588 Long Beach Long Beach Arena flac24; AUD: Unknown mics (see note) > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2015 notes 4870. 11/17/85 Shn - 0, 12361 Long Beach Long Beach Arena Schoeps MK41?s > PCM > DAT > CDR uploaded by Steve Barbella notes 4871. 11/17/85 Flac 24/96 - 0, 148831 Long Beach Long Beach Arena flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 4872. 11/17/85 Flac 16/48 - 0, 148830 Long Beach Long Beach Arena flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4873. 11/20/85 Flac 16 - 0, 105991 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 4874. 11/20/85 Flac 16 - 0, 77371 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Nak 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 4875. 11/20/85 Flac 16 - 0, 92898 Oakland Henry J. Kaiser Convention Center flac16; Hat Mounted Realistic pzm's with Sony WMD6-C Sony UCX-S 90 Cnr Offical Taping Section,120 feet away,dead center Master>D6>HD>Audicity>CDWave>TLH>Torrent notes 4876. 11/20/85 Flac 24/48 - 0, 135131 Oakland Henry J. Kaiser Convention Center flac24; AUD: Unknown mics > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2016 notes 4877. 11/20/85 Flac 16 - 0, 135122 Oakland Henry J. Kaiser Convention Center flac16; AUD: Unknown mics > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2016 notes 4878. 11/20/85 Flac Dts 5.1 - 0, 134789 Oakland Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix; SBD (shnid=105991) Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 92898)Hat Mounted Realistic pzm's with Sony WMD6-C Sony UCX-S 90 Cnr Offical Taping Section,120 feet away,dead center Master>D6>HD>Audicity>CDWave>TLH>Torrent - dts mixing by Kevin Tobin notes 4879. 11/20/85 Flac 16 - 0, 134787 Oakland Henry J. Kaiser Convention Center flac16; (original shnid = 92898) Hat Mounted Realistic pzm's with Sony WMD6-C Sony UCX-S 90 Cnr Offical Taping Section,120 feet away,dead center Master>D6>HD>Audicity>CDWave>TLH>Torrent - pitch correction and patches by Kevin Tobin notes 4880. 11/20/85 Flac 16 Mtx - 0, 134788 Oakland Henry J. Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid=105991) Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 92898)Hat Mounted Realistic pzm's with Sony WMD6-C Sony UCX-S 90 Cnr Offical Taping Section,120 feet away,dead center Master>D6>HD>Audicity>CDWave>TLH>Torrent - matrix mixing by Kevin Tobin notes 4881. 11/20/85 Flac 16/48 - 0, 134823 Oakland Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k)- SBD (shnid=105991) Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 92898)Hat Mounted Realistic pzm's with Sony WMD6-C Sony UCX-S 90 Cnr Offical Taping Section,120 feet away,dead center Master>D6>HD>Audicity>CDWave>TLH>Torrent - mixing by Kevin Tobin notes 4882. 11/20/85 Flac 16 - 0, 98517 Oakland Henry J. Kaiser Convention Center flac16; vintage Uher's w/dbx>D5 FOB DFC spread 6ft MAC>NakCR-3A>dbx>HD>Audacity>CDwave>TLH; Recorded by Tazuo Yamaguchi and anon Transferred by Russ Cansler notes 4883. 11/20/85 Shn - 0, 15478 Oakland Henry J. Kaiser Convention Center Master Soundboard Cassette > Cassette > DAT > CDR via Andy Lemieux encoded by Matt Vernon notes 4884. 11/21/85 Flac 16 - 0, 105992 Oakland Henry J. Kaiser Convention Center flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 4885. 11/21/85 Shn - 0, 3351 Oakland Henry J. Kaiser Convention Center dsbd> pcm> dat> cdr; no filler; d1 same as previous shns, d2 md5s differ; via Mike Lai notes 4886. 11/21/85 Flac 16 - 0, 98519 Oakland Henry J. Kaiser Convention Center flac16; Vintage Uher's w/dbx>D5 FOB DFC spread 6ft MAC>NakCR-3A>dbx224>HD>Audacity>CDWave>TLH Recorded by Tazuo Yamaguchi and anon Transferred by Russ Cansler notes 4887. 11/21/85 Flac 24/48 - 0, 135123 Oakland Henry J. Kaiser Convention Center flac24; AUD: Unknown mics > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2016 notes 4888. 11/21/85 Flac 16 - 0, 135124 Oakland Henry J. Kaiser Convention Center flac16; AUD: Unknown mics > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2016 notes 4889. 11/21/85 Flac Dts 5.1 - 0, 134748 Oakland Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix; SBD (shnid=105992) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid=98519) Vintage Uher's w/dbx>D5 FOB DFC spread 6ft MAC>NakCR-3A>dbx224>HD>Audacity>CDWave>TLH Recorded by Tazuo Yamaguchi and anon Transferred by Russ Cansler - DTS mixing by Kevin Tobin notes 4890. 11/21/85 Flac 16 Mtx - 0, 134747 Oakland Henry J. Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid=105992) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid=98519) Vintage Uher's w/dbx>D5 FOB DFC spread 6ft MAC>NakCR-3A>dbx224>HD>Audacity>CDWave>TLH Recorded by Tazuo Yamaguchi and anon Transferred by Russ Cansler - matrix mixing by Kevin Tobin notes 4891. 11/21/85 Flac 16 - 0, 134746 Oakland Henry J. Kaiser Convention Center flac16; (original shnid = 98519) Vintage Uher's w/dbx>D5 FOB DFC spread 6ft MAC>NakCR-3A>dbx224>HD>Audacity>CDWave>TLH Recorded by Tazuo Yamaguchi and anon Transferred by Russ Cansler - pitch correction and patches by Kevin Tobin notes 4892. 11/21/85 Flac 16 - 0, 137508 Oakland Henry J. Kaiser Convention Center flac16; Set 1 Recording Info: SBD -> PCM Master > Dat Clone (44.1k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller notes 4893. 11/21/85 Flac 16/48 - 0, 134815 Oakland Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=105992) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid=98519) Vintage Uher's w/dbx>D5 FOB DFC spread 6ft MAC>NakCR-3A>dbx224>HD>Audacity>CDWave>TLH Recorded by Tazuo Yamaguchi and anon Transferred by Russ Cansler - mixing by Kevin Tobin notes 4894. 11/21/85 Flac 24/96 - 0, 149201 Oakland Henry J. Kaiser Convention Center flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > custom "black box" built by Chris using Jensen transformers to supply phantom power and gain to line in > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 4895. 11/21/85 Flac 16/48 - 0, 149200 Oakland Henry J. Kaiser Convention Center flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > custom "black box" built by Chris using Jensen transformers to supply phantom power and gain to line in > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4896. 11/22/85 Flac 16 - 0, 105993 Oakland Henry J. Kaiser Convention Center flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 4897. 11/22/85 Flac 2448 - 0, 135125 Oakland Henry J. Kaiser Convention Center flac24; AUD: Unknown mics > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2016 notes 4898. 11/22/85 Flac 16 - 0, 135126 Oakland Henry J. Kaiser Convention Center flac16; AUD: Unknown mics > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2016 notes 4899. 11/22/85 Flac 16/48 - 0, 135609 Oakland Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 135125) flac24; AUD: Unknown mics > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2016 - mixing by Kevin Tobin notes 4900. 11/22/85 Flac Dts 5.1 - 0, 135608 Oakland Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix; SBD (shnid=105993) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 135125) flac24; AUD: Unknown mics > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2016 - dts mixing by Kevin Tobin notes 4901. 11/22/85 Flac 16 Mtx - 0, 135607 Oakland Henry J. Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid=105993) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 135125) flac24; AUD: Unknown mics > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2016 - matrix mixing by Kevin Tobin notes 4902. 11/22/85 Shn - 0, 9709 Oakland Henry J. Kaiser Convention Center Master Soundboard Cassette > ? > Dat > CDR; Seeded to etree by Steve Barbella notes 4903. 11/22/85 Flac 16 - 0, 98520 Oakland Henry J. Kaiser Convention Center flac16; Vintage Uhers w/dbx>D5 FOB DFC spread 6ft MAC>NakCR-3A>dbx224>HD>Audacity>CDWave>TLH recorded by Tazuo Yamaguchi and anon Transferred by Russ Cansler notes 4904. 11/22/85 Flac 16 - 0, 77404 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Nak 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 4905. 12/30/85 Flac 16 - 0, 106019 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 4906. 12/30/85 Flac 16 - 0, 77405 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 4907. 12/30/85 Flac 16 - 0, 81324 Oakland Oakland-Alameda County Coliseum flac16; Source: Digital FOB Audience Tape - Taper Unknown Recording Info: Schoeps Hypercardiods > PCM > DAT; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Transfered September 2006 Editing Info: Editing and Mastering by Jamie Waddell Wavelab 6.0- Waves Tools(DC offset correction and EQ), BBE, L2(dither-type2,ultra)-16/44.1 Traders Lil Helper Flac Level 8 notes 4908. 12/30/85 Flac 1644 - 0, 135393 Oakland Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM-100 mics w/CP-4 shotgun caps > Sony TC-D5M > MAC (Maxell MX-90's); Taper location: On floor at soundboard a few feet right of center, mics 8' high; Transfer: MAC > Tascam 112 > Edirol UA-5 > Audacity 24/48 wavs > R8 Brain 16/44 wavs > TLH > flac16; Recorded, transferred, edited, tracked and flac'd by Greg Ho notes 4909. 12/30/85 Shn - 0, 1223 Oakland Oakland-Alameda County Coliseum SBDmc> DAT> CD> EAC; ripped & seeded by Nick Georges; d2 tracked for 80 min (see additional tracking notes in pub comments); final update 8/23- because a couple of online setlist dbs show incorrect setlist order for set 1, d1 was thought to be misarranged. However, Nick's first seeding of the show was correct: My Brother Esau> Stagger Lee>. -tuning- > Little Red Rooster notes 4910. 12/30/85 Flac 24/96 - 0, 140909 Oakland Oakland-Alameda County Coliseum flac24; Set 1 from Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 4911. 12/30/85 Flac 16 - 0, 140958 Oakland Oakland-Alameda County Coliseum flac16; Set 1 from Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 4912. 12/30/85 Flac 16/48 - 0, 142100 Oakland Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 106019) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 81314) Source: Digital FOB Audience Tape - Taper Unknown Recording Info: Schoeps Hypercardiods > PCM > DAT; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Transfered September 2006 Editing Info: Editing and Mastering by Jamie Waddell Wavelab 6.0- Waves Tools(DC offset correction and EQ), BBE, L2(dither-type2,ultra)-16/44.1 Traders Lil Helper Flac Level 8 - surround mixing by Kevin Tobin notes 4913. 12/30/85 Flac Dts 5.1 - 0, 142099 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 106019) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 81314) Source: Digital FOB Audience Tape - Taper Unknown Recording Info: Schoeps Hypercardiods > PCM > DAT; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Transfered September 2006 Editing Info: Editing and Mastering by Jamie Waddell Wavelab 6.0- Waves Tools(DC offset correction and EQ), BBE, L2(dither-type2,ultra)-16/44.1 Traders Lil Helper Flac Level 8 - dts mixing by Kevin Tobin notes 4914. 12/30/85 Flac16 Mtx - 0, 14098 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 106019) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 81314) Source: Digital FOB Audience Tape - Taper Unknown Recording Info: Schoeps Hypercardiods > PCM > DAT; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Transfered September 2006 Editing Info: Editing and Mastering by Jamie Waddell Wavelab 6.0- Waves Tools(DC offset correction and EQ), BBE, L2(dither-type2,ultra)-16/44.1 Traders Lil Helper Flac Level 8 - matrix mixing by Kevin Tobin notes 4915. 12/30/85 Flac 16 - 0, 118434 Oakland Oakland-Alameda County Coliseum flac16; Set 2 Only Source: 2 Sennheiser 421 microphones - up front/center > Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 4916. 12/30/85 Flac 16 - 0, 30208 Oakland Oakland-Alameda County Coliseum flac16; (FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM Maxell MX90)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>flac; Recorded and digitally mastered by Charlie Connor 7/30/2005 notes 4917. 12/30/85 Flac 24/96 - 0, 148710 Oakland Oakland-Alameda County Coliseum flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4918. 12/30/85 Flac 16/48 - 0, 148709 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 4919. 12/30/85 Flac 24/48 - , 154651 Oakland Oakland-Alameda County Coliseum flac24/48 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (fourth in line) Location: approximately 50 feet from stage; DFC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook Fifteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4920. 12/30/85 Flac 16/44 - , 154650 Oakland Oakland-Alameda County Coliseum flac16/44 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (fourth in line) Location: approximately 50 feet from stage; DFC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook Fifteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4921. 12/31/85 Flac 16 - 0, 106021 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 4922. 12/31/85 Flac 16 - 0, 113739 Oakland Oakland-Alameda County Coliseum flac16; Recording Data: FM Broadcast > Harmon Kardon FM Tuner > Teac A4300 RR Deck > Scotch Highlander 1800' , 7 1/2 IPS Master Tapes, 45 min. per side; Transfer Data: RR Master Tapes > Teac A4300 Deck > Wav > Soundforge > FLAC conversion via Trader's Little Helper notes 4923. 12/31/85 Flac 16 - 0, 120798 Oakland Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 4924. 12/31/85 Shn - 0, 20006 Oakland Oakland-Alameda County Coliseum SBD (PreFM)> CASS> DAT> CD> Emphasis correction> remastering using custom DAW (Bertha)> CD> SHN; by Jay Ashley, from Lisa Biasi source notes 4925. 12/31/85 Flac 16 - 0, 78054 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 4926. 12/31/85 Flac 16 - 0, 135434 Oakland Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM-100 mics w/CP-4 shotgun caps > Sony TC-D5M > MAC (Maxell MX-90's); Taper location: On floor at soundboard a few feet right of center, mics 8' high; Transfer: MAC > Tascam 112 > Edirol UA-5 > Audacity 24/48 wavs > R8 Brain 16/44 wavs > TLH > flac16; Recorded, transferred, edited, tracked and flac'd by Greg Holtz notes 4927. 12/31/85 Flac 24/48 - 0, 120797 Oakland Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 4928. 12/31/85 Flac 24/96 - 0, 140910 Oakland Oakland-Alameda County Coliseum flac24; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 4929. 12/31/85 Flac 16 - 0, 141244 Oakland Oakland-Alameda County Coliseum flac16; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 4930. 12/31/85 Flac 16/48 - 0, 141997 Oakland Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 106021) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin notes 4931. 12/31/85 Flac Dts 5.1 - 0, 141996 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 106021) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin notes 4932. 12/31/85 Flac 16 - 0, 141994 Oakland Oakland-Alameda County Coliseum flac16; Patched and Pitch Corrected Audience - AUD (original shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin notes 4933. 12/31/85 Flac 16 Mtx - 0, 141995 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 106021) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin notes 4934. 12/31/85 Flac16/48 LPCM - 0, 142017 Oakland Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 106021) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin notes 4935. 12/31/85 Flac 16/44 - 0, 30642 Oakland Oakland-Alameda County Coliseum Primary Source: Recording Info: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End Secondary Source: Steve Barbella's seed from shn id 12086 AUD>?>DAT>CDR; See txt file for details on Patches. Recorded, patched and digitally transferred by Charlie Connor August 28,2005 notes 4936. 12/31/85 Shn - 0, 12086 Oakland Oakland-Alameda County Coliseum AUD>?>DAT>CDR; encore supplied by Peter Braverman's seed of Nak 300 cass master source; See info file for details; via PBx2; Seeded to etree by Steve Barbella notes 4937. 12/31/85 Shn - 0, 9627 Oakland Oakland-Alameda County Coliseum Charles Wier shntool fix of original Braverman Nak sourc notes 4938. 12/31/85 Shn - 0, 8395 Oakland Oakland-Alameda County Coliseum Audience cassette (Nak 300/Sony D5)> Nakamichi BX-300> CD> SHN; via Stephen B. Porter; Seeded to etree by Peter Braverman; upgrade in circulation notes 4939. 12/31/85 Flac 16 - 0, 121395 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Sennheiser 421 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 4940. 12/31/85 Flac 24/48 - , 154653 Oakland Oakland-Alameda County Coliseum flac24/48 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 45 feet from stage; DFC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Aaron Yamaguchi, John Hance Transferred: Kyle Holbrook Sixteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4941. 12/31/85 Flac 16/44 - , 154652 Oakland Oakland-Alameda County Coliseum flac16/44 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 45 feet from stage; DFC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Aaron Yamaguchi, John Hance Transferred: Kyle Holbrook Sixteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes 4942. 02/08/86 Flac 16 - 0, 106033 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 4943. 02/08/86 Flac 16 - 0, 32541 Oakland Henry J. Kaiser Convention Center flac16; SBD -> Cassette Master (TDK MA-R90) Transferred and Edited By Charlie Miller notes 4944. 02/08/86 Shn - 0, 20724 Oakland Henry J. Kaiser Convention Center Source: SBD>MC>PCM>CDR>WAV>SHNv3 via neo_levo/candyman FTP notes 4945. 02/08/86 Flac 16 - 0, 140205 Oakland Henry J. Kaiser Convention Center flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes 4946. 02/08/86 Flac 16/48 - 0, 142388 Oakland Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 106033) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140205) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - surround mixing by Kevin Tobin notes 4947. 02/08/86 Flac Dts 5.1 - 0, 142381 Oakland Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix; - SBD (shnid = 106033) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140205) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - dts mixing by Kevin Tobin notes 4948. 02/08/86 Flac 16 Mtx - 0, 142380 Oakland Henry J. Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid = 106033) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140205) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - matrix mixing by Kevin Tobin notes 4949. 02/08/86 Flac 16 - 0, 83804 Oakland Henry J. Kaiser Convention Center flac16; Taped by "PA Deli Mike" 2x Sennheiser 441's OTS with 30 foot spread > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC by Mr. Chips notes 4950. 02/08/86 Shn - 0, 2987 Oakland Henry J. Kaiser Convention Center AUD> Beyer Dynamic M88's> Sony TCD5M (CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); Both Analog & Digital Mastering by Charlie Connor: seeded to abgd.hs notes 4951. 02/09/86 Flac - 0, 106119 Oakland Henry J. Kaiser Convention Center flac16; Recording Info:SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 4952. 02/09/86 Flac - 0, 119376 Oakland Henry J. Kaiser Convention Center flac16; Set 2 Only Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/6 Feet LOC First Row Of Balcony)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 4953. 02/09/86 Flac 24 - 0, 119375 Oakland Henry J. Kaiser Convention Center flac24; Set 2 Only Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/6 Feet LOC First Row Of Balcony)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 4954. 02/09/86 Flac 16 - 0, 74135 Oakland Henry J. Kaiser Convention Center flac16; Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > Sony DTC 2000ES > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (8) notes 4955. 02/09/86 Shn - 0, 7543 Oakland Henry J. Kaiser Convention Center Master Soundboard Cassette > CDR, disc 2 runs 74:25, CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston, posted to abgd via Charlie Connor notes 4956. 02/09/86 Flac LPCM 5.1 - 0, 138525 Oakland Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) SBD (shnid = 106119) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 74135) Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > Sony DTC 2000ES > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (8) - mixing by Kevin Tobin notes 4957. 02/09/86 Flac Dts 5.1 - 0, 138523 Oakland Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix: SBD (shnid = 106119) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 74135) Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > Sony DTC 2000ES > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (8) - dts mixing by Kevin Tobin notes 4958. 02/09/86 Flac Mtx. - 0, 138522 Oakland Henry J. Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid = 106119)Recording Info:SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 74135) Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > Sony DTC 2000ES > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (8) - matrix mixing by Kevin Tobin notes 4959. 02/09/86 Flac - 0, 140206 Oakland Henry J. Kaiser Convention Center flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes 4960. 02/11/86 Flac - 0, 117261 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 4961. 02/11/86 Flac - 0, 117797 Oakland Henry J. Kaiser Convention Center flac16; Matrix of SBD (shnid=117263) and AUD (shnid=74961) by Jubal H. Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging) notes 4962. 02/11/86 Flac - 0, 119364 Oakland Henry J. Kaiser Convention Center flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/front Row Of Balcony/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo notes 4963. 02/11/86 Shn - 0, 11716 Oakland Henry J. Kaiser Convention Center notes 4964. 02/11/86 Flac - 0, 74961 Oakland Henry J. Kaiser Convention Center flac16; Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (lvl8) notes 4965. 02/11/86 Flac 24 - 0, 119363 Oakland Henry J. Kaiser Convention Center flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/front Row Of Balcony/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 4966. 02/11/86 Flac - 0, 135519 Oakland Henry J. Kaiser Convention Center flac16; Set 2 Recording Info: SBD -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 4967. 02/11/86 Flac 24 - 0, 117263 Oakland Henry J. Kaiser Convention Center flac24; Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes 4968. 02/11/86 Flac 24 - 0, 117798 Oakland Henry J. Kaiser Convention Center flac24; 24 Bit Matrix at 96 kHz Rate of SBD (shnid=117263) and AUD (shnid=74961) by Jubal H. Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut w/EQ > AIFF tracking via Audacity > FLAC24 via xACT w/meta-tagging) notes 4969. 02/12/86 Flac 16 - 0, 81517 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 notes 4970. 02/12/86 Flac 16 - 0, 119374 Oakland Henry J. Kaiser Convention Center flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 4971. 02/12/86 Shn - 0, 21614 Oakland Henry J. Kaiser Convention Center Bertha Remaster of the soundboard source. SBD>>(?)>>Wav(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A notes 4972. 02/12/86 Flac 24/48 - 0, 119373 Oakland Henry J. Kaiser Convention Center flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 4973. 02/12/86 Shn - 0, 3302 Oakland Henry J. Kaiser Convention Center AUD> Beyer Dynamic M88's> Sony TCD5M (CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav v1.6 (tracking only)> SHNv3 (MKW ACT); taped, transferred and seeded to abgd by Charlie Connor; includes Nevilles set as d1; d3 tracked for 80 min notes 4974. 02/14/86 Shn - 0, 11625 Oakland Henry J. Kaiser Convention Center SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD; via David Gans; RE-Seeded to etree by Charlie Miller with 'simple bass lift'; See info file for details notes 4975. 02/14/86 Flac 16 - 0, 119392 Oakland Henry J. Kaiser Convention Center flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo notes 4976. 02/14/86 Flac 24/48 - 0, 119391 Oakland Henry J. Kaiser Convention Center flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 4977. 02/14/86 Shn - 0, 382 Oakland Henry J. Kaiser Convention Center SBD; via M. Lai; note d2t7 5:58? (Wharf Rat) reportedly skips back for a 1:27 repeat; fix up by 5/5/00; upgrade in circulation notes 4978. 02/14/86 Shn - 0, 10921 Oakland Henry J. Kaiser Convention Center SBD> PCM> Dat> Samplitude> Cool Edit Pro> CD; via David Gans; Seeded to etree by Charlie Miller notes 4979. 02/14/86 Flac 16 - 0, 140227 Oakland Henry J. Kaiser Convention Center flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes 4980. 02/14/86 Flac 16 - 0, 142427 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD > PCM (Vault Master) > Dat Clone (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes 4981. 02/14/86 Shn - 0, 29447 Oakland Henry J. Kaiser Convention Center Primary Source:Recording Info: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's); Secondary Source: SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD (shn id 11625); The secondary source covers patches in the last 17 seconds of dt05(drums); the first 4:13 of d2t06 (space), and the first 6 seconds of d2t10 (Brokedown Palace: Recorded, Transferred, Patched and Tracked by Charlie Connor notes 4982. 03/19/86 Flac 16 - 0, 118517 Hampton Hampton Coliseum flac16; Sennheiser 441 + Sennheiser ME80-> 4 channel mic preamp/mixer, (mixer unknown)-> analog stereo out-> Technics RS-B68R home deck; Config/Location: ORTF behind board OTS (~20' behind board); Transfer: Metal Master TDK cassette>JVC TD-V661 3 head>Technics RS-B68R>unbalanced RCA analog inputs of Egosys Waveterminal 2496 record/tracked with CDWave @ 44.1>Macbook>Sound Studio 3.6(normalize peak, +gain)>xACT 2.15(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Unknown; Patch taped and transferred by: Mike Buyers; Processing and seeded by: Lenny Stubbe notes 4983. 03/19/86 Flac 16 - 0, 109838 Hampton Hampton Coliseum flac16; Set 1 only, Source: unknown soundboard * Lineage: cass > Denon DRR-730 > Sony RCD-W10 > cdr > eac > wav > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > CD Wave > TLH > Flac 16 notes 4984. 03/19/86 Flac 16 - 0, 34223 Hampton Hampton Coliseum flac16; Taper: JOEBEACON Nak 300 Mics w/ CP4 shotguns > Sony D5; upgrade in circulation notes 4985. 03/19/86 Flac 16 - 0, 77978 Hampton Hampton Coliseum flac16; Sennheiser 421s > Sony D-5 (Dolby B in) > MAC taped by Tim Alexander Transfer: Playback on Nakamich DR-1 (Dolby B out) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC Patch source: Mike Lai archive.org seed (Sony mikes > C > CD) - shnid 3905 notes 4986. 03/19/86 Flac 16 - 0, 109882 Hampton Hampton Coliseum flac16; Set 1 ONLY; Source: unknown soundboard * Lineage: cass > Denon DRR-730 > Sony RCD-W10 > cdr > eac > wav > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > CD Wave > TLH > Flac 16 notes 4987. 03/19/86 Flac 24/48 - 0, 78163 Hampton Hampton Coliseum flac24; SRC: Sennheiser 421s > Sony D-5 (Dolby B in) > MAC taped by Tim Alexander Transfer: Playback on Nakamich DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC Patch source: Mike Lai archive.org seed (Sony mikes > C > CD) - shnid 3905 notes 4988. 03/19/86 Flac 16 - 0, 140272 Hampton Hampton Coliseum flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes 4989. 03/19/86 Shn - 0, 3905 Hampton Hampton Coliseum aud> sony mics> cassette master> cdr; via Mike Lai notes 4990. 03/19/86 Flac 16 - 0, 81797 Hampton Hampton Coliseum flac16; Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs notes 4991. 03/19/86 Flac 16 - 0, 87597 Hampton Hampton Coliseum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes 4992. 03/19/86 Flac 16 - 0, 132686 Hampton Hampton Coliseum flac16; OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M (Fuji Metal); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD notes 4993. 03/19/86 Flac 24/96 - 0, 127512 Hampton Hampton Coliseum flac24; source: (2) beyers 160> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 4994. 03/19/86 Flac 16/48 - 0, 147518 Hampton Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - AUD1 (shnid = 132686) OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M (Fuji Metal); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD + AUD2 (shnid = 140272) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - surround mixing by Kevin Tobin notes 4995. 03/19/86 Flac 16 Dts.5.1 - 0, 147517 Hampton Hampton Coliseum b>DTS-Audio-CD 5.1 Mix; - AUD1 (shnid = 132686) OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M (Fuji Metal); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD + AUD2 (shnid = 140272) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - dts mixing by Kevin Tobin notes 4996. 03/19/86 Flac 16 Mtx - 0, 147516 Hampton Hampton Coliseum flac16; Matrix 2 Audience Source Mix - AUD1 (shnid = 132686) OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M (Fuji Metal); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD + AUD2 (shnid = 140272) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - matrix mixing by Kevin Tobin notes 4997. 03/19/86 Flac 16/48 - 0, 151154 Hampton Hampton Coliseum flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4998. 03/19/86 Flac 24/96 - 0, 151155 Hampton Hampton Coliseum flac24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 4999. 03/19/86 Flac 24/96 - 0, 151705 Hampton Hampton Coliseum flac24/96khz Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96 Recording by Kenny Mance. Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel. February 02, 2021. notes 5000. 03/19/86 Flac 24/96 - 0, 151976 Hampton Hampton Coliseum flac24/96 This is a fixed version of shnid 151705. Original release had channels reversed. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by Kenny Mance. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 02, 2021. notes 5001. 03/19/86 Flac 16/44 - 0, 151949 Hampton Hampton Coliseum flac16/44 Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96 Recording by Kenny Mance Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 02, 2021. Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021 notes 5002. 03/19/86 Flac 16/44 - , 156021 Hampton Hampton Coliseum flac1644 Source: MAUD CA Microphones: set 1: AKG c422 cardioid's (X-Y at 90') head level|AKG B18 set 2: Beyer M201 XY head level Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd D5M in line) Location: approximately 40 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Sean Murtha, Gary Steel, Kyle Holbrook, Tom Pinney, John Hance Transferred: Kyle Holbrook notes 5003. 03/19/86 Flac 24/48 - , 156022 Hampton Hampton Coliseum flac2448 Source: MAUD CA Microphones: set 1: AKG c422 cardioid's (X-Y at 90') head level|AKG B18 set 2: Beyer M201 XY head level Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd D5M in line) Location: approximately 40 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Sean Murtha, Gary Steel, Kyle Holbrook, Tom Pinney, John Hance Transferred: Kyle Holbrook notes 5004. 03/20/86 Flac 16 - 0, 107321 Hampton Hampton Coliseum flac16; Updated source info: Unknown Audience Source Respeed Processing: SHN>FLAC>WAV>Cool Edit Pro Processing>FLAC (Had been marked: Matrix SBD>MC>C>CD>SHN> Respeed Processing: SHN>FLAC>WAV>Cool Edit Pro Processing>FLAC) notes 5005. 03/20/86 Shn - 0, 8098 Hampton Hampton Coliseum Updated Source info: Unknown Audience Recording (Had been marked: Matrix SBD>MC>C>CD) Some minor digi-noise noted; See txt for details; via Jim Skinner; Seeded to etree by Willy notes 5006. 03/20/86 Flac 16 - 0, 87611 Hampton Hampton Coliseum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cooledit pro > flac frontend notes 5007. 03/20/86 Flac 16 - 0, 140273 Hampton Hampton Coliseum flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes 5008. 03/20/86 Flac 16 - 0, 81845 Hampton Hampton Coliseum flac16; Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. notes 5009. 03/20/86 Shn - 0, 3906 Hampton Hampton Coliseum aud> sony mics> cassette master> cdr; via Mike Lai; reportedly may circulate with or without Comes a Time, possibly from 3/31/86, as filler (d1t10) notes 5010. 03/20/86 Flac 16 - 0, 132687 Hampton Hampton Coliseum flac16; OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M (Fuji Metal); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD notes 5011. 03/20/86 Flac 24/96 - 0, 127513 Hampton Hampton Coliseum b>flac24; source: (2) akg shotguns> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5012. 03/20/86 Flac 16/48 - 0, 151196 Hampton Hampton Coliseum notes 5013. 03/20/86 Flac 16/48 - 0, 151196 Hampton Hampton Coliseum flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 5014. 03/20/86 Flac 24/96 - 0, 151197 Hampton Hampton Coliseum flac24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 5015. 03/20/86 Flac 16/44 - , 156023 Hampton Hampton Coliseum flac1644 Source: MAUD CA Microphones: Beyer M201 XY head level Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd D5M in line) Location: approximately 40 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Sean Murtha, Gary Steel?, Mike Davis, Kenny Davis, Kyle Holbrook?, Tom Pinney, John Hance Transferred: Kyle Holbrook notes 5016. 03/20/86 Flac 24/48 - , 156024 Hampton Hampton Coliseum flac2448 Source: MAUD CA Microphones: Beyer M201 XY head level Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd D5M in line) Location: approximately 40 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Sean Murtha, Gary Steel?, Mike Davis, Kenny Davis, Kyle Holbrook?, Tom Pinney, John Hance Transferred: Kyle Holbrook notes 5017. 03/21/86 Shn - 0, 8453 Hampton Hampton Coliseum 1st set only; Updated lineage: Unknown Audience recording (Had been marked: Matrix SBD>MC>C>CD); via Jim Skinner; Seeded to etree by Willy notes 5018. 03/21/86 Flac 16 - 0, 140274 Hampton Hampton Coliseum flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes 5019. 03/21/86 Flac 16/48 - 0, 142450 Hampton Hampton Coliseum flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k notes 5020. 03/21/86 Flac 16 - 0, 142491 Hampton Hampton Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 142450) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 107555) source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files - matrix mixing by Kevin Tobin notes 5021. 03/21/86 Flac 16/48 - 0, 142493 Hampton Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 142450) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 107555) source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files - surround mixing by Kevin Tobin notes 5022. 03/21/86 Shn - 0, 5178 Hampton Hampton Coliseum Nakamichi 300 with Shotguns, Marantz PMD-430; Transfer: Nakamichi BR3 -> Cool Edit 2000 -> Shn; see info file for flaw notes; via Willy notes 5023. 03/21/86 Flac 16 - 0, 87638 Hampton Hampton Coliseum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes 5024. 03/21/86 Flac 16 - 0, 132688 Hampton Hampton Coliseum flac16; OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M>Fuji Metal; Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD notes 5025. 03/21/86 Flac 16 - 0, 107555 Hampton Hampton Coliseum flac16; source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files notes 5026. 03/21/86 Flac 24/96 - 0, 127531 Hampton Hampton Coliseum flac24; source: (2) beyers 160> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5027. 03/21/86 Flac 16 - 0, 81864 Hampton Hampton Coliseum flac16; Source: Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. notes 5028. 03/21/86 Flac 16 Dts.5.1 - 0, 142492 Hampton Hampton Coliseum notes 5029. 03/21/86 Flac 16/48 - 0, 151198 Hampton Hampton Coliseum flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 5030. 03/21/86 Flac 24/96 - 0, 151199 Hampton Hampton Coliseum flac24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 5031. 03/21/86 Flac 16/44 - , 156025 Hampton Hampton Coliseum flac1644 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel?, Kyle Holbrook?, Tom Pinney Transfer by: Kyle Holbrook notes 5032. 03/21/86 Flac 24/48 - , 156026 Hampton Hampton Coliseum flac2448 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel?, Kyle Holbrook?, Tom Pinney Transfer by: Kyle Holbrook notes 5033. 03/23/86 Flac 16 - 0, 102167 Philadelphia The Spectrum flac16; Taper: Greg Holtz Source: Nakamichi cm 100's w/shotguns -> Sony TC-D5 Transfer: By (JAZ) Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8 notes 5034. 03/23/86 Shn - 0, 15244 Philadelphia The Spectrum MAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's) > wav > shn; Note- This is an sbefix of ; this source notes 5035. 03/23/86 Flac 16 - 0, 133940 Philadelphia The Spectrum flac16; Partial Set 2 Source: SBD > ? > Cassette. Transfer: Hitachi ME-Metal > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Andrew F. 08/2015 notes 5036. 03/23/86 Flac 16 - 0, 141998 Philadelphia The Spectrum flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes 5037. 03/23/86 Flac 16/48 - 0, 142392 Philadelphia The Spectrum flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k notes 5038. 03/23/86 Flac 16 - 0, 133873 Philadelphia The Spectrum flac16; FOB Schoeps CMC3s/MK4s>PCM>DAT; Transfer: DAT>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by Unknown; de-emphasis version of source ID 132708 using xACT 2.34 by chillwig notes 5039. 03/23/86 Flac 16 - 0, 132708 Philadelphia The Spectrum flac16; FOB Schoeps CMC3s/MK4s>PCM>DAT; Transfer: DAT>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by Unknown; CDRs provided by Mark Lynn; Conversion to wav>flac by DATBRAD notes 5040. 03/23/86 Shn - 0, 15203 Philadelphia The Spectrum MAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's) > wav > shn notes 5041. 03/23/86 Shn - 0, 79565 Philadelphia The Spectrum Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools. Taped & Transfered by Brian Mandel notes 5042. 03/23/86 Flac 16 - 0, 79879 Philadelphia The Spectrum flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci notes 5043. 03/23/86 Flac 16 - 0, 111956 Philadelphia The Spectrum flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (up front-center) > Nak MX100 w/2001 > Sony TC-D5M (dolby off) - master analog cassettes; Transfer: Sony TC-D5M (original record deck-dolby off) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 5044. 03/23/86 Flac 16 - 0, 87649 Philadelphia The Spectrum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes 5045. 03/23/86 Flac 24/96 - 0, 127536 Philadelphia The Spectrum flac24; source: schoeps CMC 44> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5046. 03/23/86 Flac 16/48 - 0, 145705 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 142392) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 141998) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - surround mixing by Kevin Tobin notes 5047. 03/23/86 Flac 16 Dts.5.1 - 0, 145703 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 142392) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 141998) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - dts mixing by Kevin Tobin notes 5048. 03/23/86 Flac 16 Mtx - 0, 145702 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 142392) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 141998) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - matrix mixing by Kevin Tobin notes 5049. 03/23/86 Flac 24/96 - 0, 148873 Philadelphia The Spectrum flac24; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 5050. 03/23/86 Flac 16/48 - 0, 148872 Philadelphia The Spectrum flac16/48kHz; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5051. 03/23/86 Flac 24/48 - , 156077 Philadelphia The Spectrum flac2448 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: 1st Gen AUDCA Maxell MX90 No NR [KH; SM master] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney notes 5052. 03/23/86 Flac 16/44 - , 156076 Philadelphia The Spectrum flac1644 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: 1st Gen AUDCA Maxell MX90 No NR [KH; SM master] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney notes 5053. 03/23/86 Flac 24/96 - , 156623 Philadelphia The Spectrum flac2496 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 5054. 03/23/86 Flac 16/48 - , 156622 Philadelphia The Spectrum flac1648 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 5055. 03/24/86 Shn - 0, 22783 Philadelphia The Spectrum Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller notes 5056. 03/24/86 Flac 16 - 0, 103442 Philadelphia The Spectrum flac16; FOB recording By Tony Lochner Schoeps CMC-441 60 degrees AUD>PCM-F1/SL-2000 Betamax>F1 Copy>F1 Copy Transferred media is Sony PRO-X L-500, master and intermediate copy unknown Mic power supply unknown, probably Doug Oade 18V supply Transfer: Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 at 24/44.1 Mike Grace Fall2009 Editing-Mastering:Jamie Waddell on GEMS Edit Station. Weiss=Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither FLACLevel8 notes 5057. 03/24/86 Flac 16 - 0, 102168 Philadelphia The Spectrum flac16; Taper: Greg Holtz Source: 2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5 Transfer: By (JAZ) Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8 (note: This source originally circulated with a corrupt track 02.) notes 5058. 03/24/86 Flac 16 - 0, 92275 Philadelphia The Spectrum flac16; 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] notes 5059. 03/24/86 Flac 24/96 - 0, 92276 Philadelphia The Spectrum flac24; 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] notes 5060. 03/24/86 Flac 16 - 0, 139772 Philadelphia The Spectrum flac16; Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT notes 5061. 03/24/86 Shn - 0, 79610 Philadelphia The Spectrum Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools notes 5062. 03/24/86 Flac 16 - 0, 87655 Philadelphia The Spectrum flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes 5063. 03/24/86 Shn - 0, 16746 Philadelphia The Spectrum Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN This is a new seed, with sector boundary errors fixed but otherwise no changes, April 2003. (Peter Braverman) notes 5064. 03/24/86 Shn - 0, 5570 Philadelphia The Spectrum AUD> Sony microphones> Nakamichi BX-300 deck> Maxell metal cassette, Recorded by Tony Cirella; Playback: Nakamichi DR?10> Monster analog cables> Tascam CD-RW700 CD burner> CD, transfer by Paul B.; EAC>SHN Greg Kerbel; tape flip in Space notes 5065. 03/24/86 Shn - 0, 7480 Philadelphia The Spectrum Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN; via Peter Braverman; upgrade in circulation notes 5066. 03/24/86 Flac 16 - 0, 107413 Philadelphia The Spectrum flac16; source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files notes 5067. 03/24/86 Flac 16 - 0, 102654 Philadelphia The Spectrum flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick; recorded by Jon Pasternak notes 5068. 03/24/86 Shn - 0, 17890 Philadelphia The Spectrum Source: Schoeps CMC 4's/MK 4's > Sony D5 > DA-P1 > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT The between track crowd noise in the first set was edited out on the source discs. I used crossfades to make this as fluid as possible. Thanks to Mark McCue for the source discs. EAC'd/Seeded by Doug Nawrocki notes 5069. 03/24/86 Flac 24/96 - 0, 127535 Philadelphia The Spectrum flac24; source: schoeps CMC 44> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5070. 03/24/86 Shn - 0, 21920 Philadelphia The Spectrum Soundboard > ? > CDR > Shn; seeded by Joey Browning; Shn converted with Mkw by Robert Goetz; upgrade in circulation notes 5071. 03/24/86 Flac 16/48LPCM - 0, 148734 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 22783) Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller + AUD1 (shnid = 79610) (Set 1 Only) Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools + AUD2 (shnid = 139772) (Set 2 Only) Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT - surround mixing by Kevin Tobin notes 5072. 03/24/86 Flac 16 Dts.5.1 - 0, 148733 Philadelphia The Spectrum flac16; DTS-Audio-CD 5.1 Mix SBD (shnid = 22783) Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller + AUD1 (shnid = 79610) (Set 1 Only) Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools + AUD2 (shnid = 139772) (Set 2 Only) Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT - dts mixing by Kevin Tobin notes 5073. 03/24/86 Flac 16 Mtx - 0, 148732 Philadelphia The Spectrum flac16; Matrix 3 Source Mix - SBD (shnid = 22783) Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller + AUD1 (shnid = 79610) (Set 1 Only) Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools + AUD2 (shnid = 139772) (Set 2 Only) Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT - matrix mixing by Kevin Tobin notes 5074. 03/24/86 Flac 16 - 0, 151214 Philadelphia The Spectrum Recording Info: (FOB) Neumann KM84i > PCM Master (Sony PCM F1/SL2000) > PCM Clone Transfer Info: PCM Clone (Sony SL-HF860D) > Sony PCM-601ESD > Behringer Ultramatch Pro (16-bit/44.1k) > Tascam SS-CDR200 > Samplitude Pro X5 Suite > FLAC/16 notes 5075. 03/24/86 Flac 24/48 - , 156079 Philadelphia The Spectrum flac2448 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby, third deck in line Location: 45 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel Transfer by: Kyle Holbrook notes 5076. 03/24/86 Flac 16/44 - , 156078 Philadelphia The Spectrum flac1644 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby, third deck in line Location: 45 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel Transfer by: Kyle Holbrook notes 5077. 03/25/86 Shn - 0, 9880 Philadelphia The Spectrum Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start notes 5078. 03/25/86 Flac 16 - 0, 111954 Philadelphia The Spectrum flac16; MAC; (FOB) Sennheiser 441 > Sony D5 > Maxell XLII-S 90(Set I) Maxell MA-R 90(Set II); Taped by Mark McCue; Transferred, Edited and Mastered by Alex Ford notes 5079. 03/25/86 Flac 16 - 0, 102169 Philadelphia The Spectrum flac16; Taper: Greg Holtz Source: 2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5 Transfer: By (JAZ) Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8 notes 5080. 03/25/86 Shn - 0, 9404 Philadelphia The Spectrum SBD> Master Cassette> DAT> CD> SHN; via Rob Harrison; Seeded to etree by Peter Braverman; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start; upgrade in circulation notes 5081. 03/25/86 Flac 16 - 0, 139773 Philadelphia The Spectrum flac16; Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK4's > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT notes 5082. 03/25/86 Flac 16 - 0, 105580 Philadelphia The Spectrum flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD front row of taper's section behind soundboard by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 5083. 03/25/86 Flac 24/96 - 0, 127540 Philadelphia The Spectrum flac24; source: nakamichi 700> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5084. 03/25/86 Flac 16 - 0, 117825 Philadelphia The Spectrum flac16; Source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 5085. 03/25/86 Flac 16 - 0, 87672 Philadelphia The Spectrum flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 5086. 03/25/86 Shn - 0, 80002 Philadelphia The Spectrum Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel notes 5087. 03/25/86 Flac 16 - 0, 79901 Philadelphia The Spectrum flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes 5088. 03/25/86 Shn - 0, 3188 Philadelphia The Spectrum AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor; flip in Don't Ease, no other flaws noted; d2 tracked for 80 min notes 5089. 03/25/86 Flac 16/48 - 0, 145624 Philadelphia The Spectrum b>flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN + AUD (shnid = 3188) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - surround mixing by Kevin Tobin notes 5090. 03/25/86 Flac Dts 5.1 - 0, 145623 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN + AUD (shnid = 3188) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - dts mixing by Kevin Tobin notes 5091. 03/25/86 Flac 16 - 0, 145618 Philadelphia The Spectrum flac16; Patched & Pitch Corrected Soundboard - SBD (original shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start - pitch correction and patches by Kevin Tobin notes 5092. 03/25/86 Flac 16 - 0, 145619 Philadelphia The Spectrum flac16; Patched & Pitch Corrected Audience - AUD (original shnid = 3118) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - pitch correction and patches by Kevin Tobin notes 5093. 03/25/86 Flac 16 Mtx - 0, 145620 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN + AUD (shnid = 3188) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - matrix mixing by Kevin Tobin notes 5094. 03/25/86 Flac 24/96 - 0, 151099 Philadelphia The Spectrum flac24/96khz Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 5095. 03/25/86 Flac 16/48 - 0, 151098 Philadelphia The Spectrum flac16/48khz Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 5096. 03/25/86 Flac 24/48 - , 156081 Philadelphia The Spectrum flac2448 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney notes 5097. 03/25/86 Flac 16/44 - , 156080 Philadelphia The Spectrum flac1644 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney notes 5098. 03/27/86 Flac 16 - 0, 121600 Portland Cumberland County Civic Center flac16; SBD -> Cassette Master -> Reel -> Dat -> ? -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 5099. 03/27/86 Shn - 0, 26347 Portland Cumberland County Civic Center SBD> Cassette Master> Reel> Dat> ?> Dat> CD -> EAC> SHN; plus AUD patch from (FOB) Neumann U87> Cassette Master> CD, using Samplitude v7.02 Professional; SHN Conversion and Patch By Charlie Miller; Upgrade in circulation notes 5100. 03/27/86 Shn - 0, 5003 Portland Cumberland County Civic Center FOB (center)> AUD> MC> CDR; Neumann U87's> Uher CR240> Maxell XLII 90 Cass. Master> Marantz Pro CDR 500; Paul Hogan recording; EAC/SHN by Charles Hogan notes 5101. 03/27/86 Flac 16 - 0, 79067 Portland Cumberland County Civic Center flac16; MAC (Sennheiser 421s + Nakamichi 300 shotguns > Yamaha mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC notes 5102. 03/27/86 Shn - 0, 95808 Portland Cumberland County Civic Center S:D>C>D>CDR Set two could have a extra analog generation. Downloaded from Furthur 10/2008 - no other info in text file notes 5103. 03/27/86 Flac 24/48 - 0, 79187 Portland Cumberland County Civic Center flac24; MAC (Sennheiser 421s + Nakamichi 300 shotguns > Yamaha mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC notes 5104. 03/27/86 Flac 16 - 0, 106565 Portland Cumberland County Civic Center flac16;Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) . Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes 5105. 03/27/86 Flac 16 - 0, 139324 Portland Cumberland County Civic Center flac16; Schoeps CMC4/MK4 > Oade pcm > Bryant pcm patch > Gastwirt dat (cloned from Bryant pcm); Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT notes 5106. 03/27/86 Flac 24/96 - 0, 139468 Portland Cumberland County Civic Center flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT This is your collection notes 5107. 03/27/86 Flac 16 - 0, 141048 Portland Cumberland County Civic Center flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 5108. 03/27/86 Flac 24/96 - 0, 127543 Portland Cumberland County Civic Center flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5109. 03/27/86 Flac 16 - 0, 35289 Portland Cumberland County Civic Center flac16; Source: FOB Nakamichi 700s > Sony D6 > Maxell MX90 metal master audience cassettes. Taped by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (preamp and A/D) > firewire/P4/XP Pro > recorded as 24 bit/96 KHz WAV (Wavelab 5) > rendered to 16 bit/44.1 KHz WAV (Waves L3 Multimaximizer, hi res CD settings) > tracking (CDWAV 1.9) > FLAC, level 8 encoding notes 5110. 03/27/86 Shn - 0, 24029 Portland Cumberland County Civic Center Source: FOB(CENTER)>AUD>MC>CDR Neumann U87's>Uher CR240>Maxell XLII 90 Cass. Master>Marantz Pro CDR 500 Paul Hogan recording. Note: Original seed (shnid#5003) was TAO. Someone fixed it and uploaded it to TOL in 3/03. notes 5111. 03/27/86 Flac 16 - 0, 107068 Portland Cumberland County Civic Center flac16; Beyer M-88's XY 90w/D5 40 feet away,5 feet high,center Mac>NakCR-3A>AudigySE>Audacity>CDwave>TLH; Recorded by Tom Pinney Transferred by Russ Cansler notes 5112. 03/27/86 Flac 16 - 0, 87700 Portland Cumberland County Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 5113. 03/27/86 Flac 24/96 - , 156131 Portland Cumberland County Civic Center flac2496 Microphones: AKG 422 XY fig 8's > Nakamichi 550 > Recorder: Sony TC-D5M No Dolby Maxell MX90 x 2 Location: 40 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: s1: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel, Greg Martens Transfer by: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP notes 5114. 03/27/86 Flac 16/44 - , 156130 Portland Cumberland County Civic Center flac1644 Microphones: set 1 Beyer m201 (hypercardioid) XY 90º set 2 AKG 422 XY fig 8's > Nakamichi 550 > Recorder: Sony TC-D5M No Dolby Maxell MX90 x 2 Location: 40 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: s1: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel, Greg Martens Transfer by: Kyle Holbrook notes 5115. 03/28/86 Flac 16 Mtx - 0, 95598 Portland Cumberland County Civic Center flac16; Sick Bits Vol. 28 - AUD1/SBD/AUD2 matrix of 3 previously circulating sources: AUD1 (shnid=32520) + SBD (shnid=31603) + AUD2 (shnid=5004)-low end only. Matrixed by Chris Chappell. notes 5116. 03/28/86 Flac 16 - 0, 88950 Portland Cumberland County Civic Center flac16; MOTB Release: 0032 16/44.1Source: Audience FOB Recording Media: MAC = Denon HD8 90 Lineage: 2 x AKG C 460 B-ULS/CK 61-ULS => Uher CR-240 >> MAC Transfer: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [S/PDIF] => TASCAM HD-P2 >> WAV [24/96] Taped by: D. Thompson Transfer by: A. Egert Mastering by: D. McCabe notes 5117. 03/28/86 Flac 16 - 0, 31603 Portland Cumberland County Civic Center flac16; Updated Lineage: SBD (Tascam322 to Marantz CDR500) > Cx? > CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC Frontend notes 5118. 03/28/86 Flac 24/96 - 0, 88953 Portland Cumberland County Civic Center flac24; MOTB Release: 0032 24/96 Source: Audience FOB Recording Media: MAC = Denon HD8 90 Lineage: 2 x AKG C 460 B-ULS/CK 61-ULS => Uher CR-240 >> MAC Transfer: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [S/PDIF] => TASCAM HD-P2 >> WAV [24/96] Taped By: D. Thompson Transfer By: A. Egert Mastering By: D. McCabe notes 5119. 03/28/86 Flac 16 - 0, 32520 Portland Cumberland County Civic Center flac16; Source: FOB Sennheiser ME88 > D5 > Maxell Metal Cassette master. Transfer: Playbackon Nakamichi BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > FLAC. Original recording, transfer, and FLAC'ing by Bill K. Mastering: Wavelab 5 (crossfades to smooth flips, minimal Waves L3 (-1 dB threshold)) > CDWAV 1.9 > FLAC by Chris L. notes 5120. 03/28/86 Flac 16 - 0, 106564 Portland Cumberland County Civic Center flac16;Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes 5121. 03/28/86 Flac 16 - 0, 79289 Portland Cumberland County Civic Center flac16; Sennheiser 421s + Nakamichi 300s > Yamaha mixer > Sony D5 (Dolby B) > MAC taped by Tim Alexander Transfer: MAC playback on Nakamichi DR-1 > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC notes 5122. 03/28/86 Flac 16 - 0, 139325 Portland Cumberland County Civic Center flac16; Schoeps CMC4/MK4 > Oade pcm > Bryant pcm patch > Gastwirt dat (cloned from Bryant pcm); Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT notes 5123. 03/28/86 Flac 24/96 - 0, 139469 Portland Cumberland County Civic Center flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 5124. 03/28/86 Flac 16 - 0, 141049 Portland Cumberland County Civic Center flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 5125. 03/28/86 Flac 16 - 0, 87706 Portland Cumberland County Civic Center flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 5126. 03/28/86 Shn - 0, 5004 Portland Cumberland County Civic Center FOB (Center)> AUD> MC> CDR Neumann U87's> Uher CR240> Maxell XLII 90 Cass. Master> Marantz Pro CDR 500; Paul Hogan Recording; EAC/SHN by Charles Hogan notes 5127. 03/28/86 Flac 24/96 - 0, 127544 Portland Cumberland County Civic Center flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5128. 03/28/86 Flac 24/48 - 0, 79328 Portland Cumberland County Civic Center flac24; MAC (2 Sennheiser 421s + 2 Nakamichi 300 shotguns > Yamaha mixer > Sony D5) taped by Tim Alexander. Transfer: MAC played back on Nakamichi DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC notes 5129. 03/28/86 Flac 24/96 - , 156133 Portland Cumberland County Civic Center flac2496 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; DFC Transfer: s1: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP notes 5130. 03/28/86 Flac 16/44 - , 156132 Portland Cumberland County Civic Center flac1644 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; DFC Transfer: s1: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP notes 5131. 03/30/86 Flac 16 - 0, 106110 Providence Providence Civic Center flac16; Recording Info: SBD -> ? -> 2nd Gen Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 5132. 03/30/86 Flac 16 - 0, 106566 Providence Providence Civic Center flac16;Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes 5133. 03/30/86 Flac 24/96 - 0, 139470 Providence Providence Civic Center flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 5134. 03/30/86 Flac 16 - 0, 139523 Providence Providence Civic Center flac16; Source: FOB recording > Schoeps cmc4 mk41 > pcm > dat (44.1k) - recorded by Robert Bryant (patched out of the Oades) and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick 10/07/2017 notes 5135. 03/30/86 Flac 16 - 0, 141050 Providence Providence Civic Center flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 5136. 03/30/86 Flac 16/48 - 0, 142406 Providence Providence Civic Center flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k notes 5137. 03/30/86 Flac 16 - 0, 103229 Providence Providence Civic Center flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 5138. 03/30/86 Shn - 0, 10076 Providence Providence Civic Center Nak 300/Sony D5> Nakamichi BX-300> CD; via Stephen B. Porter; Seeded to etree by Peter Braverman notes 5139. 03/30/86 Flac 16 - 0, 87741 Providence Providence Civic Center flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 5140. 03/30/86 Flac 24/96 - 0, 127545 Providence Providence Civic Center flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5141. 03/30/86 Shn - 0, 25526 Providence Providence Civic Center Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller notes 5142. 03/30/86 Flac 24/48 - , 156187 Providence Providence Civic Center flac2448 ource: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 200 feet from stage; 30 feet LOC Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP notes 5143. 03/30/86 Flac 16/48 - , 156186 Providence Providence Civic Center flac1648 Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 200 feet from stage; 30 feet LOC Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP notes 5144. 03/31/86 Flac 16 - 0, 106111 Providence Providence Civic Center flac16; Recording Info: SBD -> ? -> 2nd Gen Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 5145. 03/31/86 Flac 16 - 0, 83186 Providence Providence Civic Center flac16; Source: Audience FOB Recording Media: TDK HX-90 Cassette Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: D. Thompson Transfer by: A. Egert Mastering by: SIRMick notes 5146. 03/31/86 Flac 16 - 0, 106556 Providence Providence Civic Center flac16; Nakamichi Cm-300 X2 > Cassette Master (sony Tcd5m/maxell Mx 90) Cassette Master (nakamichi Dr-1) > Korg Mr-1000 (1-bit/5.6mhz) > Audiogate (1-bit/5.6mhz > 16-bit/44.1khz) > Cdwav (edits); Recorded from Taper section 8, Row F, Seat 2 by Bob Morris notes 5147. 03/31/86 Flac 24/96 - 0, 83475 Providence Providence Civic Center flac24/96; Source: Audience FOB Recording Media: TDK HX-90 Cassette Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: D. Thompson Transfer by: A. Egert Mastering by: SIRMick notes 5148. 03/31/86 Flac 16 - 0, 122001 Providence Providence Civic Center flac16; Recording Info: (FOB) Schoeps -> PCM -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> SHN -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Recorded By Jon Pasternak notes 5149. 03/31/86 Flac 24/96 - 0, 139471 Providence Providence Civic Center flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 5150. 03/31/86 Flac 16 - 0, 141051 Providence Providence Civic Center flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 5151. 03/31/86 Flac 16/48 - 0, 142429 Providence Providence Civic Center flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k notes 5152. 03/31/86 Shn - 0, 13463 Providence Providence Civic Center AUD>MC>CDR; via Mr.Benson; seedeD notes 5153. 03/31/86 Flac 24/96 - 0, 127552 Providence Providence Civic Center flac24; source: (3) atm 11> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5154. 03/31/86 Flac 24/96 - 0, 127568 Providence Providence Civic Center flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc;conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5155. 03/31/86 Flac 16 - 0, 88001 Providence Providence Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shot guns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 5156. 03/31/86 Flac 16 - 0, 79912 Providence Providence Civic Center flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: *OTS Floor Sec 7 Row C, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci notes 5157. 03/31/86 Flac 16 - 0, 102337 Providence Providence Civic Center flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 5158. 03/31/86 Shn - 0, 25527 Providence Providence Civic Center Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info:Nakamichi 300/CP4 -> Master Cassette (Marantz PMD430) -> CD (Tascam CDRW5000) -> EAC -> Cool Edit Pro v1.2 -> SHN (Taped By Jon Pasternak) via Charlie Miller; the origianal seed for this source had a flaw in d2t06; Upgrade in circulation notes 5159. 03/31/86 Shn - 0, 25294 Providence Providence Civic Center Taped:Joe Damico Nakamichi 300 Shotguns CP4's & Sony TCD5M Transfered: Brian Mandel Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verified via shn tools notes 5160. 03/31/86 Flac 24/48 - , 156189 Providence Providence Civic Center flac2448 Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 > Nakamichi 550 mic deck Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 175 feet from stage; Center Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP notes 5161. 03/31/86 Flac 16/44 - , 156188 Providence Providence Civic Center flac1644 Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 > Nakamichi 550 mic deck Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 175 feet from stage; Center Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP notes 5162. 04/01/86 Flac 16 - 0, 106114 Providence Providence Civic Center flac16; Recording Info: SBD -> ? -> 2nd Gen Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 5163. 04/01/86 Flac 16 - 0, 101104 Providence Providence Civic Center flac16; AUD: Sennheiser MD-441's > Sony TC-D5M > Maxell MX-90's, no Dolby, next to the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. notes 5164. 04/01/86 Flac 16 - 0, 106555 Providence Providence Civic Center flac16:Recording by Bob Morris. Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90). Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes 5165. 04/01/86 Flac 24/96 - 0, 101103 Providence Providence Civic Center flac24; AUD: Sennheiser MD-441's > Sony TC-D5M > Maxell MX-90's, no Dolby, next to the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. notes 5166. 04/01/86 Flac 24/96 - 0, 139472 Providence Providence Civic Center flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 5167. 04/01/86 Flac 16 - 0, 141052 Providence Providence Civic Center flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 5168. 04/01/86 Flac 16/48 - 0, 142452 Providence Providence Civic Center flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k notes 5169. 04/01/86 Shn - 0, 17810 Providence Providence Civic Center Unknown Sony Mics> Sony TC-D5> Maxell Metal Cassette; Transfer: Nakamichi DR-10> Monster Analog cables> Tascam CD-RW700 Burner; Edit: EAC (IOMEGA CDRW9602EXT-B, Secure with C2, accurate stream, NO disable cache, Read offset correction = -147)> CE2K> SHNTOOL> mkwACT; via mattman notes 5170. 04/01/86 Shn - 0, 25529 Providence Providence Civic Center Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info: Nakamichi 300/CP4 -> Master Cassette (Sony D5) -> CD via Charlie Miller notes 5171. 04/01/86 Shn - 0, 7342 Providence Providence Civic Center Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN; via Stephen B. Porter; Peter Braverman. [Note: Original shn set had sbe's on all tracks - a sbe-fixed-by set- version also circulates] notes 5172. 04/01/86 Flac 24/96 - 0, 127676 Providence Providence Civic Center flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5173. 04/01/86 Flac 24/96 - 0, 127553 Providence Providence Civic Center flac24; source: (3) atm 11> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5174. 04/01/86 Flac 16 - 0, 88016 Providence Providence Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 5175. 04/01/86 Flac 16 - 0, 79925 Providence Providence Civic Center flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: *OTS Floor Sec 7 Row F, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes 5176. 04/01/86 Flac 24/48 - , 156191 Providence Providence Civic Center flac2448 Recording Information: Source: MAUD CA Microphones: AKG c422 cardiods's (X-Y at 90')|AKG B18 7' high Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 150 feet from stage; Front row OTS Transfer: Nakamichi LX-5> Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook notes 5177. 04/01/86 Flac 16/44 - , 156190 Providence Providence Civic Center flac1644 Source: MAUD CA Microphones: AKG c422 cardiods's (X-Y at 90')|AKG B18 7' high Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 150 feet from stage; Front row OTS Transfer: Nakamichi LX-5> Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook notes 5178. 04/03/86 Shn - 0, 2789 Hartford Hartford Civic Center SBD> Master Cassette> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M. notes 5179. 04/03/86 Shn - 0, 18509 Hartford Hartford Civic Center Vault PCM Master->10 inch reels at 15 ips->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Michael P. Weitzman Transfer and SHN by Joe Samaritano notes 5180. 04/03/86 Flac 16 - 0, 76097 Hartford Hartford Civic Center flac16; FOB/TS - Schoeps CMC 44 Cardioids > Sony PCM F1, FOB > Sony PCM 601 > Sony /2000ES DAT > PC > Adobe Audition 1.5 > Shntool > flac lvl 8 notes 5181. 04/03/86 Flac 16 - 0, 106553 Hartford Hartford Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 5182. 04/03/86 Flac 16 - 0, 142712 Hartford Hartford Civic Center flac16; Recording Info: PCM Master > Neve 8068 Console > Reel (Studer A80/10in 7.5ips 1/2trk); Transfer Info: Reel > Pro Tools (24-bit/96k) > WAV; Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; This is 142690 24 -> 16 notes 5183. 04/03/86 Flac 24/96 - 0, 142699 Hartford Hartford Civic Center flac24; Recording Info: PCM Master > Neve 8068 Console > Reel (Studer A80/10in 7.5ips 1/2trk); Transfer Info: Reel > Pro Tools (24-bit/96k) > WAV; Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; This is a patched version of shnid=142690 notes 5184. 04/03/86 Flac 16 - 0, 88022 Hartford Hartford Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 5185. 04/03/86 Shn - 0, 86824 Hartford Hartford Civic Center akamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Location: 10Flor Sec 8 Row N Seat 3 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Taped & Transfered by Brian Mandel notes 5186. 04/03/86 Flac 16 - 0, 77346 Hartford Hartford Civic Center flac16; Source: Nakamichi CM304's(pointed)>Sony D5M(Maxell MX) Location: OTS Stand at 10 feet. Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>cdwav>flac16 Taped, Transfered and uploaded by Tony Suraci notes 5187. 04/03/86 Flac 24/96 - 0, 103357 Hartford Hartford Civic Center flac24; source: nak 300/cp4 (@ board, 12') > tcd5m (tdk mar 90 +dolby) transfer: master cassette > tcd5m (orig recorder +dolby) > minime (24/96) > sd744t > audacity > xact (flac24) recorded: david lane/david barfield transferred/seeded: david barfield notes 5188. 04/03/86 Flac 24/96 - 0, 127695 Hartford Hartford Civic Center flac24; source: (2) beyers 160> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5189. 04/03/86 Flac 24/96 - 0, 148582 Hartford Hartford Civic Center flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 5190. 04/03/86 Flac 16/48 - 0, 148581 Hartford Hartford Civic Center flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5191. 04/03/86 Flac 16/44 - , 156235 Hartford Hartford Civic Center flac1644 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 50 feet from stage; DFC Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This AKG c422 recording dedicated to our brother Kenny Davis notes 5192. 04/03/86 Flac 24/48 - , 156236 Hartford Hartford Civic Center flac2448 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 50 feet from stage; DFC Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This AKG c422 recording dedicated to our brother Kenny Davis notes 5193. 04/04/86 Flac 16 - 0, 76152 Hartford Hartford Civic Center flac16; Schoeps CMC 44 Cardioids > Sony PCM F1, FOB/TS > Sony PCM 601 > Sony /2000ES DAT > PC > Adobe Audition 1.5 > Shntool > flac lvl8 notes 5194. 04/04/86 Flac 16 - 0, 108472 Hartford Hartford Civic Center flac16; AKG C-422>D5; AUD Master Cassettes (2-Maxell MX90)>NAK 1.5>wav>flac16 (Traders Little Helper) Type I - No Dolby - No Normalization or mastering of any kind notes 5195. 04/04/86 Shn - 0, 13464 Hartford Hartford Civic Center AUD>MC>CDR; via Mr.Benson; seedeD notes 5196. 04/04/86 Flac 16 - 0, 88106 Hartford Hartford Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 5197. 04/04/86 Flac 16/44 - 0, 29580 Hartford Hartford Civic Center Recording Info: Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA-R60 1st set; MA-R90 2nd set)Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Recorded, Transferred, Patched and Tracked by Charlie Connor notes 5198. 04/04/86 Flac 16 - 0, 79986 Hartford Hartford Civic Center flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: *OTS Floor Sec 8 Row F, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes 5199. 04/04/86 Flac 24/96 - 0, 127700 Hartford Hartford Civic Center flac24; source: (2) beyers 160> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5200. 04/04/86 Flac 24/96 - 0, 104943 Hartford Hartford Civic Center flac24; source: nak 300/cp4 (12', ots) > tcd5m/tdk ma-r90 (+dolby) -- master cassette > tcd5m (orig recorder +dolby) > minime (24/96) > sd744t > audacity > xact (flac24) notes 5201. 04/04/86 Flac 16 - 0, 103228 Hartford Hartford Civic Center flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 5202. 04/04/86 Shn - 0, 87346 Hartford Hartford Civic Center Source: Nakamichi 300 Shotguns CP4's & Sony TCD5M. Location: 10Flor Sec 8 Row M Seat 4 Transfered:Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn. Taped and transfered by Brian Mandel notes 5203. 04/04/86 Flac 24/96 - 0, 148584 Hartford Hartford Civic Center flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 5204. 04/04/86 Flac 16/48 - 0, 148583 Hartford Hartford Civic Center flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5205. 04/04/86 Flac 16/44 - , 156237 Hartford Hartford Civic Center flac1644 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (first in line) Location: approximately 75 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook notes 5206. 04/04/86 Flac 24/48 - , 156238 Hartford Hartford Civic Center flac2448 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (first in line) Location: approximately 75 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook notes 5207. 04/12/86 Flac 16 - 0, 85126 Irvine Irvine Meadows flac16; (FOB) Sennheiser 441s > Sony D5 > MAC > 1st Gen Cassettes. Tapers: Adam & Justin. 1st Gen Cassettes provided by Mark McCue. Transfer, edits, conversion & seeding by Alex Ford May 2007 notes 5208. 04/12/86 Shn - 0, 13465 Irvine Irvine Meadows AUD>MC>DAT>CDR; Schoeps CMC44?s; via Joe Brown; seedeD notes 5209. 04/12/86 Flac 24/96 - 0, 148778 Irvine Irvine Meadows flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 5210. 04/12/86 Flac 16/48 - 0, 148777 Irvine Irvine Meadows flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5211. 04/12/86 Flac 24/96 - , 151150 Irvine Irvine Meadows flac24/96khz Source : Nak mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 5212. 04/12/86 Flac 16/48 - , 151149 Irvine Irvine Meadows flac16/48khz Source : Nak mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp 1648 notes 5213. 04/13/86 Flac 16 - 0, 81647 Irvine Irvine Meadows flac16; SBD -> Cassette Master -> Cassette -> Cassette; All Transfers and Mastering By Charlie Miller notes 5214. 04/13/86 Flac 16 - 0, 119476 Irvine Irvine Meadows flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/Loge Row 6 Row FF Seat 617/6 Feet High)> Sony TC D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 5215. 04/13/86 Flac 24/48 - 0, 119475 Irvine Irvine Meadows flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/Loge Row 6 Row FF Seat 617/6 Feet High)> Sony TC D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 5216. 04/13/86 Shn - 0, 13513 Irvine Irvine Meadows AUD>MC>DAT>CDR; Schoeps CMC34?s; via Annie Beauneu; seedeD notes 5217. 04/13/86 Flac 16 - 0, 85287 Irvine Irvine Meadows flac 16; Source: (FOB) Sennheiser 441s > Sony D5 > MAC > 1st Gen Cassettes Tapers: Adam and Justin; 1st Gen Cassettes provided by Mark McCue;24 bit transfer, edits, conversion & seeding by Alex Ford notes 5218. 04/13/86 Flac 24/96 - 0, 148867 Irvine Irvine Meadows flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 5219. 04/13/86 Flac 16/48 - 0, 148866 Irvine Irvine Meadows flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5220. 04/13/86 Flac 24/96 - , 151151 Irvine Irvine Meadows flac24/96khz Source : Nak mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 5221. 04/13/86 Flac 16/48 - , 151152 Irvine Irvine Meadows flac16/48khz Source : Nak mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp 1648 notes 5222. 04/18/86 Flac 16 - 0, 34762 Berkeley Berkeley Community Theater flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes 5223. 04/18/86 Flac 16 - 0, 119488 Berkeley Berkeley Community Theater flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 5224. 04/18/86 Flac 16 - 0, 32059 Berkeley Berkeley Community Theater flac16; Don Crandel's PCM, Schoeps, FOB > ? > CDR > EAC to transfer the CDR's to WAV > Trader's Little Helper v.1.0.0.72 for SBE-OK, checksums, and lossless compression to FLAC notes 5225. 04/18/86 Flac 16 - 0, 34748 Berkeley Berkeley Community Theater flac16; Recording Info: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC All Transfers and Mastering By David Gans Converted To FLAC By Charlie Miller notes 5226. 04/18/86 Flac 24/48 - 0, 19487 Berkeley Berkeley Community Theater flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 5227. 04/18/86 Flac 16 - 0, 140188 Berkeley Berkeley Community Theater flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes 5228. 04/18/86 Flac 16 - 0, 117300 Berkeley Berkeley Community Theater flac16; nak300>cp4>Sony D5 OTS 9ft master tapes >hhb830 cd 16/44.1; taped/transferred by Doug Wright; DAE>TLH Flac 8 seeded by c. cage notes 5229. 04/18/86 Shn - 0, 24365 Berkeley Berkeley Community Theater unknown SBD; upgrade in circulation notes 5230. 04/19/86 Flac - 0, 34419 Berkeley Berkeley Community Theater flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 5231. 04/19/86 Flac - 0, 34764 Berkeley Berkeley Community Theater flac16; Recording Info: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC All Transfers and Mastering By David Gans notes 5232. 04/19/86 Flac - 0, 82049 Berkeley Berkeley Community Theater flac16; Patched tracks of the SBD -> PCM source (shn id 34764) notes 5233. 04/19/86 Flac - 0, 116409 Berkeley Berkeley Community Theater flac16; Taper Mike Darby; Master Audience Sennheiser MD421's(PAS/Sec CTR Row NN Seat 19/6ft)> Sony TC-D5M (Maxell MX); Original Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking,Fades,FLAC8); Tracks Re-Named,MetaData Tagging With AudiGate Software; Dithered With Korg Aqua To 16/44; SBE's Checked All OK notes 5234. 04/19/86 Shn - 0, 8568 Berkeley Berkeley Community Theater SBD> MC> DAT> CDR> WAV> SHN; DAE (EAC)> d/o repair (sound forge 5)> tracking (cdwav> boundary check (shntool)> SHN (mkwact)> FTP via neo_levo notes 5235. 04/19/86 Flac 24 - 0, 116408 Berkeley Berkeley Community Theater flac24; Taper Mike Darby; Master Audience Sennheiser MD421's(PAS/Sec CTR Row NN Seat 19/6ft)> Sony TC-D5M (Maxell MX); Original Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking,Fades,FLAC8); Tracks Re-Named,MetaData Tagging With AudiGate Software notes 5236. 04/19/86 Flac - 0, 140200 Berkeley Berkeley Community Theater flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes 5237. 04/21/86 Flac - 0, 34765 Berkeley Berkeley Community Theater flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes 5238. 04/21/86 Flac - 0, 116432 Berkeley Berkeley Community Theater flac16; Taper Mike Darby; Master Audience Sennheiser MD421's(PAS/Sec CTR Row LL Seat 21/6ft)> Sony TC-D5M (Maxell MX); Original Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking,Fades,FLAC8); Tracks Re-Named,MetaData Tagging With AudiGate Software; SBE's Checked/Fixed With Trader's Little Helper notes 5239. 04/21/86 Flac 24 - 0, 116431 Berkeley Berkeley Community Theater flac24; Taper Mike Darby; Master Audience Sennheiser MD421's(PAS/Sec CTR Row LL Seat 21/6ft)> Sony TC-D5M (Maxell MX); Original Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking,Fades,FLAC8); Tracks Re-Named,MetaData Tagging With AudiGate Software notes 5240. 04/21/86 Shn - 0, 1857 Berkeley Berkeley Community Theater SBD> Master Cassette> DAT> CDR> EAC> SHN; via Jeff M. notes 5241. 04/21/86 Flac - 0, 140223 Berkeley Berkeley Community Theater flac16; Source Info: (FOB) Schoeps CMC4/MK41 (110 degree ORTF)> Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes 5242. 04/21/86 Flac 16 - 0, 34766 Berkeley Berkeley Community Theater flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: SBD -> PCM -> Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By David Gans and Charlie Miller notes 5243. 04/22/86 Flac 16 - 0, 34767 Berkeley Berkeley Community Theater flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes 5244. 04/22/86 Flac 16 - 0, 34768 Berkeley Berkeley Community Theater flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: SBD -> PCM -> Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By David Gans and Charlie Miller notes 5245. 04/22/86 Flac 16 - 0, 119493 Berkeley Berkeley Community Theater flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4 Shotguns; (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 5246. 04/22/86 Flac 24/48 - 0, 119492 Berkeley Berkeley Community Theater flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4 Shotguns; (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 5247. 04/22/86 Flac 16 - 0, 140245 Berkeley Berkeley Community Theater flac16; Source Info: (FOB) Schoeps CMC4/MK41 (110 degree ORTF)> Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes 5248. 04/22/86 Shn - 0, 13583 Berkeley Berkeley Community Theater AUD>PCM>DAT>CDR; via Johanna; seedeD notes 5249. 05/03/86 Flac 16 - 0, 81516 Sacramento Cal Expo Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 notes 5250. 05/03/86 Flac 16 - 0, 119544 Sacramento Cal Expo Amphitheatre flac16; Set 1 Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4s> (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M,Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48>HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 5251. 05/03/86 Flac 24/48 - 0, 119543 Sacramento Cal Expo Amphitheatre flac24; Set 1 Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4s> (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M,Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48>HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 5252. 05/03/86 Shn - 0, 18375 Sacramento Cal Expo Amphitheatre SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko notes 5253. 05/03/86 Flac 24 - 0, 135008 Sacramento Cal Expo Amphitheatre flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 5254. 05/03/86 Shn - 0, 9626 Sacramento Cal Expo Amphitheatre Beyer M88s>PCM>metal cass>CDR; via Drew Berry; Seeded to etree by jimmy cronk notes 5255. 05/03/86 Flac 24/48 - , 156456 Sacramento Cal Expo Amphitheatre flac2448 Source: 1GEN AUDCA 2.5% speed correction each set Microphones: Nakamichi 300/CP4 shotgun capsules Recorder: Sony TC-D5M| Maxell MX 90's no Dolby Location: OTS (tape says "behind board") original transfer: Sony TC-D5M > Sony TC-D5M Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Kenny Davis, Mike Davis, Tom Pinney, John Goode Transferred: Kyle Holbrook notes 5256. 05/03/86 Flac 16/44 - , 156455 Sacramento Cal Expo Amphitheatre flac1644 Source: 1GEN AUDCA 2.5% speed correction each set Microphones: Nakamichi 300/CP4 shotgun capsules Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (1st in line) Location: OTS (tape says "behind board") original transfer: Sony TC-D5M > Sony TC-D5M Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Kenny Davis, Mike Davis, Tom Pinney, John Goode Transferred: Kyle Holbrook notes 5257. 05/04/86 Flac 16 - 0, 81603 Sacramento Cal Expo Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 5258. 05/04/86 Flac 16 - 0, 119546 Sacramento Cal Expo Amphitheatre flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4s> (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M,Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48>HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 5259. 05/04/86 Shn - 0, 12088 Sacramento Cal Expo Amphitheatre SBD -> PCM -> ? -> Cass (DBX) -> Dat; Seeded to etree by Charlie Miller notes 5260. 05/04/86 Flac 24/48 - 0, 119545 Sacramento Cal Expo Amphitheatre flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4s> (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M,Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48>HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging By Keo notes 5261. 05/04/86 Flac 24 - 0, 135009 Sacramento Cal Expo Amphitheatre flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 5262. 05/04/86 Shn - 0, 15234 Sacramento Cal Expo Amphitheatre AUD>PCM>DAT>CDR; Schoeps CMC-441's>Sony PCM-F1; Thanks to Billie Jean; seedeD notes 5263. 05/04/86 Flac 24/96 - 0, 148639 Sacramento Cal Expo Amphitheatre flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 5264. 05/04/86 Flac 16/48 - 0, 148638 Sacramento Cal Expo Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5265. 05/04/86 Flac 24/96 - 0, 148869 Sacramento Cal Expo Amphitheatre flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 5266. 05/04/86 Flac 16/48 - 0, 148868 Sacramento Cal Expo Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5267. 05/04/86 Flac 24/48 - , 156458 Sacramento Cal Expo Amphitheatre flac2448 Source: 1GEN AUDCA speed corrected 1.5% Microphones: AKG c422 cardioid (X-Y at 90') chest level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (1st in line) Location: approximately 30 feet from stage; DFC original transfer: Sony TC-D5M > Sony TC-D5M Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Tom Pinney, Kenny Davis, John Goode Transferred: Kyle Holbrook notes 5268. 05/04/86 Flac 16/44 - , 156457 Sacramento Cal Expo Amphitheatre flac1644 Source: 1GEN AUDCA speed corrected 1.5% Microphones: AKG c422 cardioid (X-Y at 90') chest level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (1st in line) Location: approximately 30 feet from stage; DFC original transfer: Sony TC-D5M > Sony TC-D5M Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Tom Pinney, Kenny Davis, John Goode Transferred: Kyle Holbrook notes 5269. 05/10/86 Flac 16 - 0, 81625 Palo Alto Frost Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 5270. 05/10/86 Flac 16 - 0, 120491 Palo Alto Frost Amphitheatre flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 5271. 05/10/86 Flac 24/48 - 0, 120490 Palo Alto Frost Amphitheatre flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo (The first seed of this source had errors on tracks six and 13; please do not circulate that version.) notes 5272. 05/10/86 Shn - 0, 13817 Palo Alto Frost Amphitheatre AUD>MC*>DAT>CDR; via Abraham & Isaac; seedeD notes 5273. 05/10/86 Shn - 0, 19962 Palo Alto Frost Amphitheatre SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes 5274. 05/10/86 Flac 16 - 0, 140256 Palo Alto Frost Amphitheatre flac16; Source Info: (FOB) Schoeps CMC4/MK41 (120 degree ORTF)> Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes 5275. 05/10/86 Flac 24/96 - 0, 135047 Palo Alto Frost Amphitheatre flac24; lineage: schoeps cmc 44 fob> tcd-d5> tcd-d5>mc sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8 notes 5276. 05/10/86 Flac 24/96 - 0, 148865 Palo Alto Frost Amphitheatre notes 5277. 05/10/86 Flac 16/48 - 0, 148864 Palo Alto Frost Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5278. 05/10/86 Flac 24/48 - , 156609 Palo Alto Frost Amphitheatre flac2448 1GEN AUDCA Microphones: Jaime Poris custom mics: Nakamichi capsules customized, attached to plexiglass plates spread 20 feet apart > dbx 224|customized > Dolby decode side of patch bay > Recorder: Sony TC-D5M no NR Maxell MX90 Location: OTS- ~150 feet from stage spread 20 feet apart Original transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, Aaron; patched out of Poris/Olness custom rig Transferred & Processed by Kyle Holbrook notes 5279. 05/10/86 Flac 16 - , 156608 Palo Alto Frost Amphitheatre flac1644 1GEN AUDCA Microphones: Jaime Poris custom mics: Nakamichi capsules customized, attached to plexiglass plates spread 20 feet apart > dbx 224|customized > Dolby decode side of patch bay > Recorder: Sony TC-D5M no NR Maxell MX90 Location: OTS- ~150 feet from stage spread 20 feet apart Original transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, Aaron; patched out of Poris/Olness custom rig Transferred & Processed by Kyle Holbrook notes 5280. 05/11/86 Flac 16 - 0, 81626 Palo Alto Frost Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 5281. 05/11/86 Flac 16 - 0, 120513 Palo Alto Frost Amphitheatre flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 5282. 05/11/86 Flac 16 - 0, 26557 Palo Alto Frost Amphitheatre flac16; SBD > MC > C > DAT > CD > EAC > FLAC; inlcuding AUD patches from previous Beyer source; EAC/FLAC by Darryl Hinko, from David Feldstein's source discs notes 5283. 05/11/86 Flac 24/48 - 0, 120512 Palo Alto Frost Amphitheatre flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes 5284. 05/11/86 Shn - 0, 8115 Palo Alto Frost Amphitheatre SBD>MC>DAT>CDR (Additional Cass generations?); via Tony Gardner notes 5285. 05/11/86 Flac 16 - 0, 140257 Palo Alto Frost Amphitheatre flac16; Source Info: (FOB) Schoeps CMC4/MK41 (120 degree ORTF)> Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes 5286. 05/11/86 Flac 24/96 - 0, 135048 Palo Alto Frost Amphitheatre flac24; lineage: schoeps cmc 44 fob> tcd-d5> tcd-d5>mc sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8 notes 5287. 05/11/86 Shn - 0, 2317 Palo Alto Frost Amphitheatre AUD> Beyer Dynamic M88's> D5 (CM)> Nak MR2 (Playback)> Panasonic 3700 (ADC only, no DAT stage)> ZA2> Sound Forge (crossfading over tape flips only)> CDRx1> EAC> SHN; taped by Charlie Connor; A>D conversion by Stephen Agan; via Charlie Connor to abgd; see alternate tracking suggestions in info file notes 5288. 05/11/86 Flac 24/48 - , 156611 Palo Alto Frost Amphitheatre flac2448 1GEN AUDCA speed corrected 2.25% usig Audacity Microphones: Jaime Poris custom mics: Nakamichi capsules customized, attached to plexiglass plates spread 20 feet apart > dbx 224|customized > Dolby decode side of patch bay > Recorder: Sony TC-D5M no NR Maxell MX90 Location: OTS- ~150 feet from stage spread 20 feet apart Original transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, John Hance, Aaron; patched out of Poris/Olness rig Transferred & Processed by Kyle Holbrook notes 5289. 05/11/86 Flac 16 - , 156610 Palo Alto Frost Amphitheatre flac1644 1GEN AUDCA speed corrected 2.25% usig Audacity Microphones: Jaime Poris custom mics: Nakamichi capsules customized, attached to plexiglass plates spread 20 feet apart > dbx 224|customized > Dolby decode side of patch bay > Recorder: Sony TC-D5M no NR Maxell MX90 Location: OTS- ~150 feet from stage spread 20 feet apart Original transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, John Hance, Aaron; patched out of Poris/Olness rig Transferred & Processed by Kyle Holbrook notes 5290. 06/20/86 Flac 16/48 - , 164845 Berkeley Greek Theatre, University Of California flac1648; Recording info: Maxell MA-R90 cassette from Bear via Jamie Waddell; Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > 24 Bit 96 kHz FLAC; Recorded by Augustus Owsley Stanley III (aka Bear); Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Track, FLAC, and pack by Steve Gravel notes 5291. 06/20/86 Flac 24/96 - , 164844 Berkeley Greek Theatre, University Of California flac2496; Recording info: Maxell MA-R90 cassette from Bear via Jamie Waddell; Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > 24 Bit 96 kHz FLAC; Recorded by Augustus Owsley Stanley III (aka Bear); Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Track, FLAC, and pack by Steve Gravel notes 5292. 06/20/86 Flac 16 - 0, 81645 Berkeley Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 5293. 06/20/86 Flac 16 - 0, 117827 Berkeley Greek Theatre, University Of California flac16; Master Audience Recorded By Mr. Darby; AKGC414B-ULS (Cardoid/DIN/DFC/Last Row OTS/6 Feet High)> Sony PCM-F1 (RCA Out)>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 5294. 06/20/86 Shn - 0, 23591 Berkeley Greek Theatre, University Of California SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes 5295. 06/20/86 Flac 16 - 0, 105540 Berkeley Greek Theatre, University Of California flac16; A combination of microphones and select console feeds. TDK MA-R 90 master metal cassette [typeIV] [no dolby] > Nak DR-1 [no dolby] >Lynx2 Studio Reference Interface > Wavelab 6.01 at 24 BIT 88.2 kH Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz Tracked in Wavelab Flac Level 8 with TLH SBE Free; A Master Cassette recording by Owsley Stanley, seeded on his 75th birthday notes 5296. 06/20/86 Flac 24/48 - 0, 117826 Berkeley Greek Theatre, University Of California flac24; Master Audience Recorded By Mr. Darby; AKGC414B-ULS (Cardoid/DIN/DFC/Last Row OTS/6 Feet High)> Sony PCM-F1 (RCA Out)>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 5297. 06/20/86 Flac 24/96 - 0, 138909 Berkeley Greek Theatre, University Of California flac24; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 notes 5298. 06/20/86 Flac 16 - 0, 138908 Berkeley Greek Theatre, University Of California flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 notes 5299. 06/20/86 Shn - 0, 22935 Berkeley Greek Theatre, University Of California Sean Webber-Small Recording -- Spaced (8') Schoeps CMC42s->m118>MOD PCM-1 Transfer: Sony PCM-601ESD > Terratec EWX2496 card > DAW > DSP by Doug Oade tracked (cdwave) and re-flac'ed by Darrin Sacks notes 5300. 06/20/86 Flac 24 - 0, 126349 Berkeley Greek Theatre, University Of California notes 5301. 06/20/86 Shn - 0, 15243 Berkeley Greek Theatre, University Of California AUD>MC>DAT>CDR; Senn 441>Sony TC-D5; Thanks to the Plowman; seedeD notes 5302. 06/20/86 Flac 16 - 0, 126350 Berkeley Greek Theatre, University Of California flac16; Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460 Preis CK61 Caps > Uher 240; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row DFC Behind Soundboard notes 5303. 06/20/86 Flac 24/96 - 0, 148447 Berkeley Greek Theatre, University Of California flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 5304. 06/20/86 Flac 16/48 - 0, 148446 Berkeley Greek Theatre, University Of California flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5305. 06/20/86 Flac 24/96 - 0, 151706 Berkeley Greek Theatre, University Of California flac24/96khz Set 2 Only. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes. Location: 3rd, 4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96. Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 04, 2021. notes 5306. 06/20/86 Flac 16/48 - 0, 152063 Berkeley Greek Theatre, University Of California flac16/48 version of i.d. 151977. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 04, 2021. notes 5307. 06/20/86 Flac 24/96 - 0, 151977 Berkeley Greek Theatre, University Of California flac24/96 Set 2 Only. This is a fixed version of shnid 151706. Original release had channels reversed. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 04, 2021. notes 5308. 06/20/86 Flac 16 - 0, 151950 Berkeley Greek Theatre, University Of California Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 3rd/4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96 Recording by JFK Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 04, 2021 Patch info: - shnid 22023 (Schoeps CMC442, Oade) supplies - s2t07; 00:20 - 00:28 - s2t11; all Notes: - Thanks to JFK for recording the show. - Thanks to Craig Rogers for supplying the source & the transfer. - Thanks to everyone involved with the patch source. - This source has been pitch corrected. - UJB had 3 minor left channel d/o's repaired with the right channel - This is an Uher Archive production. - uherarchive@live.com - Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021 notes 5309. 06/21/86 Flac 16 - 0, 81518 Berkeley Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 notes 5310. 06/21/86 Flac 16 Mtx - 0, 35025 Berkeley Greek Theatre, University Of California flac16; matrix sources: set 1: sbd > pcm > dat > sonic solutions > cd > eac > flac transferred and mastered by David Gans set 2: sbd > cassette master (sony d5/maxell mx-90) transferred and mastered by Laurie Partridge aud: Jim Oade recording -120 degree schoeps cmc44 > mod pcm-1 notes 5311. 06/21/86 Flac 16 - 0, 98673 Berkeley Greek Theatre, University Of California flac16; Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 notes 5312. 06/21/86 Flac 16 - 0, 117829 Berkeley Greek Theatre, University Of California flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's + Nakamichi CM300/CP4's (PAS/DFC/Last Row OTS/6 Feet High)> Sony MX-10>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 5313. 06/21/86 Flac 16 - 0, 81011 Berkeley Greek Theatre, University Of California flac16; Set 1 only: Recording Info: SBD -> PCM -> Dat -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> FLAC Converted By Charlie Miller notes 5314. 06/21/86 Flac 24/48 - 0, 117828 Berkeley Greek Theatre, University Of California flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's + Nakamichi CM300/CP4's (PAS/DFC/Last Row OTS/6 Feet High)> Sony MX-10>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 5315. 06/21/86 Shn - 0, 15406 Berkeley Greek Theatre, University Of California MSC>DAT>CDR>SHN; Discs from Andy L. DAE and SHN (Seekable) by tbrame notes 5316. 06/21/86 Flac 24/96 - 0, 139058 Berkeley Greek Theatre, University Of California flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 notes 5317. 06/21/86 Flac 16 - 0, 139049 Berkeley Greek Theatre, University Of California flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 notes 5318. 06/21/86 Flac 16/48 - 0, 141791 Berkeley Greek Theatre, University Of California flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - mixing by Kevin Tobin notes 5319. 06/21/86 Flac 16 Dts - 0, 141790 Berkeley Greek Theatre, University Of California DTS-Audio-CD 5.1 Mix; SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - dts mixing by Kevin Tobin notes 5320. 06/21/86 Flac 16 Mtx - 0, 141789 Berkeley Greek Theatre, University Of California flac16; Matrix 2 Source Mix - SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - matrix mixing by Kevin Tobin notes 5321. 06/21/86 Flac16/48 LPCM - 0, 142016 Berkeley Greek Theatre, University Of California flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - surround mixing by Kevin Tobin notes 5322. 06/21/86 Shn - 0, 13063 Berkeley Greek Theatre, University Of California AUD>MC>DAT>CDR; Senn 441?s>Sony TC-D5; via the Poor Boy; seedeD notes 5323. 06/21/86 Flac - 0, 21924 Berkeley Greek Theatre, University Of California Jim Oade Recording -- 120 degree Schoeps CMC44 ->MOD PCM-1 Transfer: Master PCM>DAW (via Sekd card)> DSP by Doug Oade using Audacity (Linux) -- Downloaded, tracked (cdwave) and re-flac'ed by Darrin (dsacks@pcisys.net) notes 5324. 06/21/86 Flac 24/96 - 0, 148479 Berkeley Greek Theatre, University Of California flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 5325. 06/21/86 Flac 16/48 - 0, 148478 Berkeley Greek Theatre, University Of California flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5326. 06/21/86 Flac 24/96 - 0, 151707 Berkeley Greek Theatre, University Of California flac24/96khz Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes. Location: 3rd, 4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96. Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 05, 2021. notes 5327. 06/21/86 Flac 16/48 - 0, 152062 Berkeley Greek Theatre, University Of California flac16/48 version of i.d. of 152060. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 05, 2021. notes 5328. 06/21/86 Flac 24/96 - 0, 152060 Berkeley Greek Theatre, University Of California flac24/96 Fix Of 151978. Set 1 was saved as 1648 instead of 2496. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96 Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 05, 2021. notes 5329. 06/21/86 Flac 16/44 - 0, 151951 Berkeley Greek Theatre, University Of California flac16/44 Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 3rd/4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96 Recording by JFK Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 05, 2021 Patch info: - Schoeps CMC442, Oade supplies - s1t01 - s1t04; all - s2t01; start - 03:13 (crowd) - s2t07; 01:13 - 01:26 Notes: - Thanks to JFK for recording the show. - Thanks to Craig Rogers for providing the source & the transfer. - Thanks to everyone involved with the patch source. - This source has been pitch corrected. - This is an Uher Archive production. - uherarchive@live.com * Dedicated to Len Bias - Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021 notes 5330. 06/22/86 Flac 16 - 0, 81646 Berkeley Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 5331. 06/22/86 Flac 16 - 0, 117831 Berkeley Greek Theatre, University Of California flac16; Master Audience Recorded By Mr. Darby; AKGC460B/A60/CK1's (PAS/DFC/First Row OTS/6 Feet High)> Uher340>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 5332. 06/22/86 Shn - 0, 388 Berkeley Greek Theatre, University Of California DSDB> DAT> CDr; via Mike Lai notes 5333. 06/22/86 Flac 16 - 0, 100204 Berkeley Greek Theatre, University Of California flac16; Recorded by Mike Grace and Annie Szvetecz; Lineage: Mike Grace Master PCM Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1 Recording Location: Official Tapers Section PCM to DAW Transfer by Mike Grace Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 wav notes 5334. 06/22/86 Flac 24 - 0, 117830 Berkeley Greek Theatre, University Of California flac24; Master Audience Recorded By Mr. Darby; AKGC460B/A60/CK1's (PAS/DFC/First Row OTS/6 Feet High)> Uher340>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 5335. 06/22/86 Flac 16 - 0, 139290 Berkeley Greek Theatre, University Of California flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes 5336. 06/22/86 Flac 24 - 0, 139291 Berkeley Greek Theatre, University Of California flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes 5337. 06/22/86 Flac 16 - 0, 140671 Berkeley Greek Theatre, University Of California flac16; Source Info: (FOB) Schoeps CMC4/MK2 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes 5338. 06/22/86 Flac 16/44 - 0, 30865 Berkeley Greek Theatre, University Of California Primary Source: Recording Info: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Secondary Source: Neumann kmi-84->neumann bs48i-2>pcmf1,(at sbd)PCM->DAT shn id 7281 The secondary source covers patches in the last 26 seconds of d2t05(drums); the first 12 seconds of d3to1 (space) Recorded, digitally mastered and patched by Charlie Connor notes 5339. 06/22/86 Shn - 0, 7281 Berkeley Greek Theatre, University Of California Neumann kmi-84-> Neumann bs48i-2> pcmf1, at sbd; ; Taper Randy Fleck; PCM-> DAT: Sony pcm-601esd-> panasonic 3500; DAT->CD: fostex d5->marantz cdr615-> eac-> cdwav-> mkwact notes 5340. 06/22/86 Flac 16/44,1 - 0, 138856 Berkeley Greek Theatre, University Of California flac16 44.1khz Source: AKG 460 w/CK61 Caps > Uher 240. Transfer: Master Tapes > Nak Dragon > Korg Mr 1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper . Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon notes 5341. 06/22/86 Flac 24/96 - 0, 138857 Berkeley Greek Theatre, University Of California flac24 96khz Source: AKG 460 w/CK61 Caps > Uher 240. Transfer: Master Tapes > Nak Dragon > Korg Mr 1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper . Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon notes 5342. 06/22/86 Flac 24/96 - 0, 148481 Berkeley Greek Theatre, University Of California flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 5343. 06/22/86 Flac 16/48 - 0, 148480 Berkeley Greek Theatre, University Of California flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5344. 06/26/86 Flac 16 - 0, 116647 Minneapolis Hubert H. Humphrey Metrodome flac16; Source: Nakamichi CM-100 mics w/ CP-1 Caps > Sony D-6 (Maxell MX-90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Danny Taggart - Third Row, Mics Hand-held Transfers, edits, track/FLAC by Greg Holtz notes 5345. 06/26/86 Flac 16 - 0, 92713 Minneapolis Hubert H. Humphrey Metrodome flac16; source: aud > ??? > cass (low gen) transfer: cass > Nakamichi BX-125E > Creative Extigy > Wavelab > wav > flac transferred, edited and mastered SIRMick July 2008 notes 5346. 06/26/86 Flac 24 - 0, 139268 Minneapolis Hubert H. Humphrey Metrodome flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 >Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5347. 06/26/86 Flac 16 - 0, 139278 Minneapolis Hubert H. Humphrey Metrodome flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 >Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 139268 24 bit -> 16 bit notes 5348. 06/26/86 Shn - 0, 25616 Minneapolis Hubert H. Humphrey Metrodome Recording Info: Sony ECM-939 -> Cassette Master -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller notes 5349. 06/28/86 Flac - 0, 21272 East Troy Alpine Valley Music Theatre Recording Info: SBD -> Cassette Master -> ? -> Dat -> CD Editing Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Patch Info: Looks Like Rain -> Don't Ease Me In Patched From AUD -> Cassette Master -> ? -> Dat -> CD Editing and Patch Done By Charlie Miller notes 5350. 06/28/86 Flac 16 - 0, 116664 East Troy Alpine Valley Music Theatre flac16; Recording: Nakamichi CM100/CP-4 > Sony TC-D5M - OTS - Front of Lawn; Transfer: MAC > Tascam 122 > Edirol UA-5 > PC > Audacity > TLH > FLAC; Recorded by Greg Holtz and Danny Taggart; Transfer by Greg Holtz notes 5351. 06/28/86 Flac 16 - 0, 96552 East Troy Alpine Valley Music Theatre flac16; OTS AUD: Sennheiser ME-88 shotguns > patched thru one Sony D5 > Sony TC-D5M > Sony UCX-S 90's, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC. Taped & transferred by Andrew F. notes 5352. 06/28/86 Flac 16 - 0, 135534 East Troy Alpine Valley Music Theatre flac16; Recording Info: Sennheiser ME80 -> Cassette Master (Sony TC-DD5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Michael Hessberg notes 5353. 06/28/86 Flac 24 - 0, 139269 East Troy Alpine Valley Music Theatre flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5354. 06/28/86 Flac 16 - 0, 139279 East Troy Alpine Valley Music Theatre flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 139269 24 bit -> 16 bit notes 5355. 06/28/86 Flac 16 - 0, 140312 East Troy Alpine Valley Music Theatre flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes 5356. 06/28/86 Flac 16 - 0, 104995 East Troy Alpine Valley Music Theatre flac16; Recorded by David Cohen Sec 2 Row SS Seat 102 Stand head height 2 Nakamichi CM100s/ CP4>Sony WMD6 w/Teac MDX90 cassette masters. No Dolby was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009 notes 5357. 06/28/86 Flac 16 - 0, 76516 East Troy Alpine Valley Music Theatre flac16; Source: FOB(21st Row)>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's);Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16: Taped by Jim Vita; Transferred by Charlie Connor notes 5358. 06/28/86 Shn - 0, 13059 East Troy Alpine Valley Music Theatre AUD>MC>??>DAT>CDR; via Mary Shelly; seedeD notes 5359. 06/28/86 Flac 24/96 - 0, 144609 East Troy Alpine Valley Music Theatre flac24; Recording & Transfer by Ray Ackerman; Audio-Technica AT8035 + AKG D-12E blend > Sony D5 > Master Audience Cassettes (FOB); Transfer; Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; Edited & Mastered w/ Audacity by Joe Noel notes 5360. 06/29/86 Flac 16 - 0, 76557 East Troy Alpine Valley Music Theatre flac16; Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and transferred by Charlie Connor notes 5361. 06/29/86 Flac 16 - 0, 96558 East Troy Alpine Valley Music Theatre flac16; Set 2 only; OTS AUD: (Set Two only) Sennheiser ME-88 shotguns > patched thru one Sony D5 > Sony TC-D5M > Sony UCX-S 90, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC. Taped & transferred by Andrew F. notes 5362. 06/29/86 Flac 24 - 0, 138161 East Troy Alpine Valley Music Theatre flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5363. 06/29/86 Flac 16 - 0, 138165 East Troy Alpine Valley Music Theatre flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is shnid 138161 24 bit > 16 notes 5364. 06/29/86 Flac 16 - 0, 140313 East Troy Alpine Valley Music Theatre flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes 5365. 06/29/86 Shn - 0, 12969 East Troy Alpine Valley Music Theatre AUD> MC> ??> DAT> CDR; via Tom Thumb; seeded by eD notes 5366. 06/29/86 Flac 16 - 0, 104996 East Troy Alpine Valley Music Theatre flac16; Recorded by David Cohen Sec 2 Row KK Seat 44 Stand head height 2 Nakamichi CM100s/ CP4>Sony WMD6 w/Teac MDX90 cassette masters. No Dolby was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes 5367. 06/29/86 Flac 24/96 - 0, 144610 East Troy Alpine Valley Music Theatre flac24; Recording & Transfer by Ray Ackerman; Audio-Technica AT8035 + AKG D-12E blend > Sony D5 > Master Audience Cassettes (FOB); Transfer; Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; Edited & Mastered w/ Audacity Joe Noel notes 5368. 06/30/86 Flac 16 - 0, 87348 Cincinnati Riverbend Music Center flac16; Schoeps CMC4/MK4 -> Oade M118 -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation notes 5369. 06/30/86 Flac 16 - 0, 116720 Cincinnati Riverbend Music Center flac16; Recording: Nakamichi CM100/CP-4 > Sony TC-D5M - OTS - Front of Lawn; Transfer: MAC > Tascam 122 > Edirol UA-5 > PC > Audacity > TLH > FLAC; Recorded by Greg Holtz and Danny Taggart; Transfer by Greg Holtz notes 5370. 06/30/86 Flac 24 - 0, 139270 Cincinnati Riverbend Music Center flac24; Set 2 Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5371. 06/30/86 Flac 16 - 0, 139282 Cincinnati Riverbend Music Center flac16; Set 2 Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139270 24 bit -> 16 bit notes 5372. 06/30/86 Flac 16 - 0, 76473 Cincinnati Riverbend Music Center flac16; Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and transferred by Charlie Connor notes 5373. 06/30/86 Shn - 0, 12935 Cincinnati Riverbend Music Center Schoeps CMC4/MK4 -> Oade M118 -> PCM -> Dat -> CD; via the Captain; seedeD (updated source info) notes 5374. 06/30/86 Flac 16 - 0, 105003 Cincinnati Riverbend Music Center flac16; Recorded by David Cohen Front Row Lawn DFC 2 Nakamichi CM100s/ CP4>Sony WMD6 w/Teac MDX90 (Set 1) & TDK MAR90 (Set 2) cassette masters. No Dolby was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes 5375. 06/30/86 Flac 16 - 0, 132662 Cincinnati Riverbend Music Center flac16; OTS - In pavilion/section 800; 2 Nakamichi CM300s/cP4 shotguns(PAS)>Sony TCD5M>Fuji Metal; Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD notes 5376. 06/30/86 Flac 16 - 0, 87521 Cincinnati Riverbend Music Center flac16; Recording Info: Schoeps CMC4/MK4 -> Oade M118 -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (This fileset fixes an error in d1t02 of shn id 87348.) notes 5377. 07/02/86 Flac 16 - 0, 124587 Akron Rubber Bowl, University of Akron flac16; Recording Info: Sennheiser ME80 -> Cassette Master (Sony TC-DD5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by: Michael Hessberg; All Transfers and Mastering By Charlie Miller notes 5378. 07/02/86 Flac 16 - 0, 82519 Akron Rubber Bowl, University of Akron flac16; Source: Audience FOB Recording, Media: Denon HD8 90 min High Bias Tape Lineage: AKG C460b preís with Ck61uls capsules > Uher CR260AV > MAC Transfer: Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak > WAV Taped by: D. Thompson Transfer by: A. Egert Mastering by: M. Hughey notes 5379. 07/02/86 Flac 24/96 - 0, 82520 Akron Rubber Bowl, University of Akron flac24/96; Source: Audience FOB Recording, Media: Denon HD8 90 min High Bias Tape Lineage: AKG C460b preís with Ck61uls capsules > Uher CR260AV > MAC Transfer: Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak > WAV Taped by: D. Thompson Transfer by: A. Egert Mastering by: M. Hughey notes 5380. 07/02/86 Flac - 0, Joint Ventures L.P Akron Rubber Bowl, University of Akron Grateful Dead 07/02/86 notes 5381. 07/02/86 Flac 24 - 0, 139271 Akron Rubber Bowl, University of Akron flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5382. 07/02/86 Flac 16 - 0, 139284 Akron Rubber Bowl, University of Akron flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139271 24 bit -> 16 bit notes 5383. 07/02/86 Flac 24/96 - 0, 139414 Akron Rubber Bowl, University of Akron flac24; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 5384. 07/02/86 Flac 16/48 - 0, 139580 Akron Rubber Bowl, University of Akron flac16/48kHz; Oade Brothers Recording: Schoeps > spaced omnis > PCM > DAT (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel > flac 16/44; Checksum & tags created in xACT notes 5385. 07/02/86 Flac 16 - 0, 141053 Akron Rubber Bowl, University of Akron flac16; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 5386. 07/02/86 Shn - 0, 12934 Akron Rubber Bowl, University of Akron AUD>DAT>CDR; via the Doodah Man; seedeD notes 5387. 07/02/86 Flac 24/96 - 0, 135055 Akron Rubber Bowl, University of Akron flac24; lineage: sennheiser 421 fob> tcd-d5> mc > c sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8 notes 5388. 07/02/86 Flac 16 - 0, 105444 Akron Rubber Bowl, University of Akron flac16; Recorded by David Cohen FOB Phil's side about 35 yards from stage chest high mic stand 2 Nakamichi CM100s/ CP1>Sony WMD6 Maxell XLII cassette masters. No Dolby was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes 5389. 07/02/86 Shn - 0, 22381 Akron Rubber Bowl, University of Akron 2 Beyer M160 FOB> Sony TCD5M Master Cassette>shn notes 5390. 07/04/86 Flac 16 - 0, 118659 Buffalo Rich Stadium flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 5391. 07/04/86 Flac 2448 - 0, 117033 Buffalo Rich Stadium flac24; Source: SBD 2nd Gen cassette (MSC > C > C) kindly provided by Seaweed1010. (*Last three songs in Set One from AUD.); Transfer: Maxell MXS-90 > Nakamichi CR-5A > Edirol FA-66 > WaveLab > TLH > FLAC 2448. Transfer by Andrew F. 11/2011 notes 5392. 07/04/86 Flac 16 - 0, 89997 Buffalo Rich Stadium flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes 5393. 07/04/86 Flac 16 - 0, 111542 Buffalo Rich Stadium flac16; Master Audience Nakamichi CM300/CP4 Shotguns>DBX Reduction>Sony D5 Tapes:Maxell XLII-S 90,90 Taper:Floater,Transfer by Keo Transfer with Nakamichi MR-1>Korg MR-1000 @ 1 BIT/5.6MHz Tracking/Editing/sample Rate Conversion/Metadata tagging with AudioGate Software to 32 Bit Float/96kHz Flacked/Dithered With Korg Aqua to 16/44 SBE's checked/fixed with trader's little helper notes 5394. 07/04/86 Flac 24/96 - 0, 111541 Buffalo Rich Stadium flac24; Master Audience Nakamichi CM300/CP4 Shotguns>DBX Reduction>Sony D5 Tapes:Maxell XLII-S 90,90 Taper:Floater,Transfer by Keo Transfer with Nakamichi MR-1>Korg MR-1000 @ 1 BIT/5.6MHz Tracking/Editing/sample Rate Conversion/Metadata tagging/Flacked with AudioGate Software to 24 Bit/96kHz notes 5395. 07/04/86 Flac 24/96 - 0, 139415 Buffalo Rich Stadium flac24; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 5396. 07/04/86 Flac 16 - 0, 141054 Buffalo Rich Stadium flac16; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 5397. 07/04/86 Flac 24/96 - 0, 143038 Buffalo Rich Stadium flac24; Recording & Transfer by Ray Ackerman; Sennheiser 441 > Sony D5 > Master Audience Cassettes (FOB); Transfer; Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 notes 5398. 07/04/86 Flac 24/96 - 0, 135203 Buffalo Rich Stadium flac24; lineage: (2) audio technica atm 11/ (2) nakamichi 300 cp4 shotguns> tcd-d5> mc > c sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8 notes 5399. 07/04/86 Shn - 0, 13565 Buffalo Rich Stadium CDR source: AUD > Sennheiser 441 > D5 > ? > HHB stand-alone burner > CDR Video source: AUD > Farm-Aid satellite feed > Hi-Fi VHS x ? ; includes uncut drums>space notes 5400. 07/04/86 Shn - 0, 12930 Buffalo Rich Stadium FOB-AUD>MC>DAT>CDR; Senn 421?s>Sony TC-D5; via Uncle Sam; seeded by eD notes 5401. 07/04/86 Flac 16 - 0, 145496 Buffalo Rich Stadium flac16; Recording & Transfer by Ray Ackerman; Sennheiser 441 > Sony D5 > Master Audience Cassettes (FOB); Transfer; Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96, This file set is 16 bit @ 44.1 notes 5402. 07/06/86 Shn - 0, 12928 Washington Robert F. Kennedy Stadium FOB-AUD>MC>DAT>CDR; Senn 421?s>Sony TC-D5; via Frankenstein; seeded by eD notes 5403. 07/06/86 Flac 24/96 - 0, 139416 Washington Robert F. Kennedy Stadium flac24; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 5404. 07/06/86 Flac 16 - 0, 141037 Washington Robert F. Kennedy Stadium flac16; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 5405. 07/06/86 Flac 24/96 - 0, 135065 Washington Robert F. Kennedy Stadium flac24; lineage: sennheiser 421 fob> tcd-d5> mc > c> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8 notes 5406. 07/06/86 Flac 16 - 0, 86521 Washington Robert F. Kennedy Stadium flac16; Source: FOB Sennheiser 441s > Sony D5 > MAC (TDK MA90s). Taped by B.Koucky, patched from S.Adelman. Transfer: MAC playback on Nakamich CR-7A, azimuth adjusted > Lunatec V3 > LynxTwo > PC (Wavelab 5) > HD @ 24 bit/96 KHz) > Ozone 3 > 16/44.1 FLAC by Chris L notes 5407. 07/07/86 Flac 16 - 0, 88176 Washington Robert F. Kennedy Stadium flac16; In-House FM -> FM Receiver -> Cassette Master (Sony TC-D6C/Denon HD-M90) All Transfers and Mastering By Charlie Miller notes 5408. 07/07/86 Flac 16 - 0, 34750 Washington Robert F. Kennedy Stadium flac16; Master: In-house FM > Portable FM Receiver > Cassette Master (Sony TC-D6C) Transfer: Cassette Master (NAD 6050C) > SBM > DAT @48kHz (Sony PCM R500) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC Mastered (on my 22nd birthday) and transfered by Dan Gale (dgale@loslobos.org) notes 5409. 07/07/86 Flac 24/96 - 0, 139417 Washington Robert F. Kennedy Stadium flac24; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes 5410. 07/07/86 Flac 24 - 0, 139718 Washington Robert F. Kennedy Stadium flac24; Recording Info: AKG C42 (m/s) > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5411. 07/07/86 Flac 16 - 0, 138930 Washington Robert F. Kennedy Stadium flac16; Recording Info: AKG C42 (m/s) > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5412. 07/07/86 Flac 16 - 0, 141055 Washington Robert F. Kennedy Stadium flac16; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 5413. 07/07/86 Flac 24/96 - 0, 135066 Washington Robert F. Kennedy Stadium flac24; lineage: sennheiser 421 fob> tcd-d5> mc > c> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8 notes 5414. 07/07/86 Shn - 0, 7001 Washington Robert F. Kennedy Stadium FOB Aud> Schoeps cmc3mk4> PCM> DAT> CD> EAC (Secure mode)> CDWave (Retracking only)> shnv3 (MKW ACT); with patches from second AUD (see info file); EAC/ Patched/ Retracked/ Shn'd by Charlie Connor; with thanks to Mike Lai and Jon Rianhard; Seeded to abgd by Trip Bates notes 5415. 07/07/86 Flac 16 - 0, 108262 Washington Robert F. Kennedy Stadium recorded and mastered to cdr by D5scott source: 2 Beyer M160 Microphones > Sony TC-D5M - analog master cassette - Maxell MX90's - 50 feet from stage-center - mic's on a stand @ 6 feet transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 5416. 07/07/86 Flac 16 - 0, 30992 Washington Robert F. Kennedy Stadium flac16; "Partial" SBD >multi gen cass> Sony TC-WE305 > Rotel 1090 > Rane ME60 analog processor > Tascam CD-RW 750 > CD > Eac (secure) > cdwav > CE pro 2.1 > flac16 (level 8) notes 5417. 12/15/86 Flac 16 - 0, 99035 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 5418. 12/15/86 Flac 16 Mtx - 0, 128689 Oakland Oakland-Alameda County Coliseum flac16; 2 source matrix mix of AUD: shnid 80809 and SBD: shnid 99035 notes 5419. 12/15/86 Flac 16 - 0, 132368 Oakland Oakland-Alameda County Coliseum flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's, with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2015 notes 5420. 12/15/86 Flac 24 - 0, 132367 Oakland Oakland-Alameda County Coliseum flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's, with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2015 notes 5421. 12/15/86 Shn - 0, 13270 Oakland Oakland-Alameda County Coliseum Source: SBD Lineage: Master Cassette> DAT> CD> SHN via Peter Braverman notes 5422. 12/15/86 Flac 16 - 0, 114699 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz notes 5423. 12/15/86 Shn - 0, 19600 Oakland Oakland-Alameda County Coliseum Master Dolby B Cass>Sonic Solutions via TC2000 @ 24 bits>SBM2 CD>CD > EAC[secure] > SHN. [Note - this is apparently another version of the KPFA sbd source.] notes 5424. 12/15/86 Shn - 0, 16330 Oakland Oakland-Alameda County Coliseum Master Dolby B Cass>Sonic Solutions via TC2000 @ 24 bits>SBM2 CD>CD > EAC[secure] > SHN notes 5425. 12/15/86 Shn - 0, 8230 Oakland Oakland-Alameda County Coliseum SBD > ?? > Cassette > analog signal to ESS Maestro sound card >wav > CDR >wav >shn; seeded to abgd by Bill Tetzeli with Thanks to Thom Moore; Good lovin cut missing JBG encore.; upgrade in circulation notes 5426. 12/15/86 Flac 16 Mtx - 0, 137555 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 99035) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 88884) taper: Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes 5427. 12/15/86 Flac 16 - 0, 137554 Oakland Oakland-Alameda County Coliseum flac16; (original shnid = 88884) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin notes 5428. 12/15/86 Flac Dts 5.1 - 0, 137558 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid = 99035) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 88884) taper: Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes 5429. 12/15/86 Flac 16/48 - 0, 137576 Oakland Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 99035) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 88884) taper: Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - mixing by Kevin Tobin notes 5430. 12/15/86 Flac 24/96 - 0, 139362 Oakland Oakland-Alameda County Coliseum flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT notes 5431. 12/15/86 Flac 16 - 0, 140293 Oakland Oakland-Alameda County Coliseum flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes 5432. 12/15/86 Flac 16 - 0, 80809 Oakland Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci/nak700 notes 5433. 12/15/86 Flac - 0, 25263 Oakland Oakland-Alameda County Coliseum Field: Nakamichi CM-101 > Nakamichi 550 > Sony WM-D6C (Master) Tapers: Adam Smith & Andy Liu (dwonk) Location: DFC of Taper Section (actually FOB by about 30 feet), 10' spread between mics (AB Stereo, two channel) Transfer: Nakamichi DR-3 (Master) > Oade adc24mod SONY SBM-1 > M-Audio AP2496 > Sound Forge XP4.5 > CDwave1.6 > FLAC notes 5434. 12/15/86 Flac 16 - 0, 88884 Oakland Oakland-Alameda County Coliseum flac16; taper : Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 5435. 12/15/86 Flac 16 Mtx - 0, 128698 Oakland Oakland-Alameda County Coliseum flac16; 2 source matrix mix of AUD: shnid 80809 and SBD: shnid 99035 notes 5436. 12/16/86 Flac 16 - 0, 99044 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 5437. 12/16/86 Flac 16 - 0, 131397 Oakland Oakland-Alameda County Coliseum flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2014 notes 5438. 12/16/86 Flac 16 - 0, 114700 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps/Sennheiser 421's > Niles Audio Mixer > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz notes 5439. 12/16/86 Flac 16 - 0, 77409 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 5440. 12/16/86 Flac 2448 - 0, 131396 Oakland Oakland-Alameda County Coliseum flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2014 notes 5441. 12/16/86 Shn - 0, 8399 Oakland Oakland-Alameda County Coliseum Src: SBD > ?? > cassette > .wav > CDR > EACed to .wav > .shn; Seeded to abgd by Bill Tetzeli notes 5442. 12/16/86 Shn - 0, 4094 Oakland Oakland-Alameda County Coliseum set 2; SBD> 2nd gen Analog Cassette> CD-R> EAC> WAV> SHN; Digitally remastered by Joel Barr; Seeded by Ben Janik; upgrade in circulation notes 5443. 12/16/86 Flac 16/48 - 0, 137316 Oakland Oakland-Alameda County Coliseum b>flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=99044) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 131396) flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2014 - mixing by Kevin Tobin notes 5444. 12/16/86 Flac Dts 5.1 - 0, 137315 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=99044) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 131396) flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2014 - matrix mixing by Kevin Tobin notes 5445. 12/16/86 Flac 16 Mtx - 0, 137314 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid=99044) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 131396) flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2014 - matrix mixing by Kevin Tobin notes 5446. 12/16/86 Flac 24/96 - 0, 139363 Oakland Oakland-Alameda County Coliseum flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT notes 5447. 12/16/86 Flac 24 U Mtx - 0, 139726 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 notes 5448. 12/16/86 Flac 16 U Mtx - 0, 139900 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 notes 5449. 12/16/86 Flac 16 - 0, 140294 Oakland Oakland-Alameda County Coliseum flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes 5450. 12/16/86 Flac 16 - 0, 141035 Oakland Oakland-Alameda County Coliseum flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 5451. 12/16/86 Flac 16 - 0, 88891 Oakland Oakland-Alameda County Coliseum flac16; taper : Joe D'Amico nak 300 mics > sony d-5 infront of the soundboard notes 5452. 12/16/86 Flac 16 - 0, 80849 Oakland Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci/nak700 notes 5453. 12/16/86 Shn - 0, 9115 Oakland Oakland-Alameda County Coliseum 2nd Set; FOB Nak 300s>AUD>MC>CDR; via Michael Sewall; Seeded to etree notes 5454. 12/16/86 Flac 16 - 0, 118298 Oakland Oakland-Alameda County Coliseum flac16; Matrix soundboard/audience; Taper: Dan Healy; Editing: Joe D'Amico; First gen of Healy's masters > ? > FLAC notes 5455. 12/17/86 Flac 16 - 0, 131309 Oakland Oakland-Alameda County Coliseum flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Sony ES-Metal 90's, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 09/2014 notes 5456. 12/17/86 Flac 16 - 0, 99048 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 5457. 12/17/86 Flac 16 - 0, 114701 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps/Sennheiser 421's > Niles Audio Mixer > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz notes 5458. 12/17/86 Flac 2448 - 0, 131309 Oakland Oakland-Alameda County Coliseum flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Sony ES-Metal 90's, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 09/2014 notes 5459. 12/17/86 Flac Dts 5.1 - 0, 134892 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=99048) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 88926)taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin notes 5460. 12/17/86 Flac Mtx. - 0, 134891 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid=99048) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 88926)taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes 5461. 12/17/86 Flac 16 - 0, 134890 Oakland Oakland-Alameda County Coliseum flac16; (original shnid = 88926) AUD: taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin notes 5462. 12/17/86 Flac 16/48 - 0, 134893 Oakland Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound Mix from SBD (shnid=99048) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 88926) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - mixing by Kevin Tobin notes 5463. 12/17/86 Flac 24/96 - 0, 139364 Oakland Oakland-Alameda County Coliseum flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT notes 5464. 12/17/86 Flac 24 - 0, 139727 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 notes 5465. 12/17/86 Flac 24 - 0, 139728 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 notes 5466. 12/17/86 Ultra Mtx Sbd - 0, 139919 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 notes 5467. 12/17/86 Flac 16 - 0, 139917 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 notes 5468. 12/17/86 Flac 16 - 0, 140295 Oakland Oakland-Alameda County Coliseum flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes 5469. 12/17/86 Flac 16 - 0, 141036 Oakland Oakland-Alameda County Coliseum flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes 5470. 12/17/86 Flac 24/96 - 0, 141745 Oakland Oakland-Alameda County Coliseum flac24; Matrix 2 Source Mix - SBD (shnid = 139727) Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 139364) Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT - matrix mixing by Kevin Tobin notes 5471. 12/17/86 Shn - 0, 14452 Oakland Oakland-Alameda County Coliseum AUD>DAT>CDR; Nak 300's; via Melinda; seedeD notes 5472. 12/17/86 Flac 16 - 0, 80996 Oakland Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham notes 5473. 12/17/86 Flac 16 - 0, 88926 Oakland Oakland-Alameda County Coliseum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 5474. 12/17/86 Flac 16 Mtx - 0, 145501 Oakland Oakland-Alameda County Coliseum b>flac16; Matrix 2 Source Mix - SBD (shnid = 139727) Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 139364) Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT - matrix mixing by Kevin Tobin, This file set is 16 bit @ 44.1 notes 5475. 12/17/86 Flac 16 - 0, 77410 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 5476. 12/17/86 Flac 24/96 - 0, 148871 Oakland Oakland-Alameda County Coliseum flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 5477. 12/17/86 Flac 16/48 - 0, 148870 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5478. 12/27/86 Flac 16 - 0, 99050 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 5479. 12/27/86 Flac 16 Mtx - 0, 128690 Oakland Henry J. Kaiser Convention Center flac16; 2 Source matrix mix of shnid 81267(aud) and shnid 99050(sbd) with patches used from shnid 88965(aud) notes 5480. 12/27/86 Flac 16 - 0, 96566 Oakland Henry J. Kaiser Convention Center flac16; OTS AUD: AKG 451's (likely w/CK1's) > Sony TC-D5M > TDK MA-90's, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. 12/27/2008. notes 5481. 12/27/86 Flac 24/48 - 0, 137441 Oakland Henry J. Kaiser Convention Center flac24; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Master Audience cassette: in OTS near the back of the venue balcony; Toa K1’s spaced 24” PATS (Pointed At The Stacks) > Sony WM-D6c; media: Maxell XLII c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking +Ozone 5: Dynamics + Maximizer normalize to -.5db remove DC offset > flac24; xACT Flac Fingerprints notes 5482. 12/27/86 Flac 24 - 0, 139729 Oakland Henry J. Kaiser Convention Center flac24; Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 notes 5483. 12/27/86 Flac 24 - 0, 139730 Oakland Henry J. Kaiser Convention Center flac24; Recording Info: Ultra Matrix SBD > Cassette Master (Tascam Deck/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5484. 12/27/86 Flac 16 U Mtx - 0, 139998 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: Ultra Matrix SBD > Cassette Master (Tascam Deck/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5485. 12/27/86 Flac 16 - 0, 139994 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 notes 5486. 12/27/86 Flac 16 - 0, 88965 Oakland Henry J. Kaiser Convention Center flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 5487. 12/27/86 Flac 24/96 - 0, 135200 Oakland Henry J. Kaiser Convention Center flac24; lineage: beyers 160 fob> tcd-d5> tcd-d5> mc sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8 notes 5488. 12/27/86 Flac 16 - 0, 81267 Oakland Henry J. Kaiser Convention Center flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci notes 5489. 12/27/86 Flac 16 Mtx - 0, 143870 Oakland Henry J. Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid = 139729) Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 88965) Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes 5490. 12/27/86 Flac Dts 5.1 - 0, 143871 Oakland Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix; - SBD (shnid = 139729) Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 88965) Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin notes 5491. 12/27/86 Flac 16/48 - 0, 143872 Oakland Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 139729) Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 88965) Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - surround mixing by Kevin Tobin notes 5492. 12/27/86 Shn - 0, 9152 Oakland Henry J. Kaiser Convention Center Set 1: SBD > MC > ? > DAT > CDR> WAV > SHN Set 2: SBD > MC > DAT > CDR > WAV > SHN; Seeded to etree by Chris L notes 5493. 12/27/86 Flac 16 - 0, 77443 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 5494. 12/27/86 Flac 16 - 0, 14300 Oakland Henry J. Kaiser Convention Center flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes 5495. 12/28/86 Flac 16 - 0, 99637 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 5496. 12/28/86 Shn Mtx - 0, 11495 Oakland Henry J. Kaiser Convention Center Ultramatrix (SBD/AUD mix)> Master cassette> DAT> CD> SHN; via Charlie Miller; Seeded to etree by Peter Braverman notes 5497. 12/28/86 Flac 16 - 0, 77445 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 5498. 12/28/86 Flac 24/48 - 0, 137444 Oakland Henry J. Kaiser Convention Center flac24; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Master Audience cassette: in OTS near the back of the venue balcony; Toa K1’s spaced 24” PATS (Pointed At The Stacks) > Sony WM-D6c; media: Maxell XLII c90’s Dolby C on Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking +Ozone 5: Dynamics + Maximizer normalize to -.5db remove DC offset > flac24; xACT Flac Fingerprints notes 5499. 12/28/86 Flac 16 - 0, 142301 Oakland Henry J. Kaiser Convention Center flac16; Source Info: Master (FOB) PCM; Unknown Schoeps mics > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 5500. 12/28/86 Flac 24/96 - 0, 135511 Oakland Henry J. Kaiser Convention Center flac24; source: schoeps cmc 4 fob > tcd-d5> tcd-d5> mc; conversion:sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate:96000/24 bit notes 5501. 12/28/86 Flac 16 - 0, 81281 Oakland Henry J. Kaiser Convention Center flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci notes 5502. 12/28/86 Flac 16 - 0, 117834 Oakland Henry J. Kaiser Convention Center flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 5503. 12/28/86 Flac 16 - 0, 106450 Oakland Henry J. Kaiser Convention Center flac16; Source: Superscope EC-7 Cardioids > Sony TC-153SD (Maxell XLIIS) Lineage: M-Cass > Sony TC-D5M > HHb CDR 800 Location: OTS, Balcony; Recorded/Transferred: Jeff Bowen; Extraction (CDR>EAC>WAV>FLAC): Brad Foster notes 5504. 12/28/86 Flac 16/44,1 - 0, 138869 Oakland Henry J. Kaiser Convention Center flac16 44.1khz Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper notes 5505. 12/28/86 - 0, 88967 Oakland Henry J. Kaiser Convention Center flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 5506. 12/28/86 Shn - 0, 152495 Oakland Henry J. Kaiser Convention Center Senn 421 > master cassette > cdr > trade cdrs > eac > wav > shn notes 5507. 12/28/86 Flac 16 - , 155895 Oakland Henry J. Kaiser Convention Center flac16; Patched & Pitch Corrected Audience - (original shnid = 138869) Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper - pitch correction and patches by Kevin Tobin notes 5508. 12/28/86 Flac 16 Mtx - , 155896 Oakland Henry J. Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid = 99637) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155895) (original shnid = 138869) Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper - pitch correction and patches by Kevin Tobin - matrix mixing by Kevin Tobin notes 5509. 12/28/86 Flac 16 Dts 5.1 - , 155897 Oakland Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix; - SBD (shnid = 99637) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155895) (original shnid = 138869) Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper - pitch correction and patches by Kevin Tobin - dts mixing by Kevin Tobin notes 5510. 12/28/86 Flac 16/48 - , 155898 Oakland Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 99637) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155895) (original shnid = 138869) Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper - pitch correction and patches by Kevin Tobin - surround mixing by Kevin Tobin notes 5511. 12/28/86 Flac 24/96 - , 155977 Oakland Henry J. Kaiser Convention Center flac24: Recording Info: Ultramatrix SBD > Cassette Master (Tascam Deck/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24 notes 5512. 12/28/86 Flac 16/48 - , 156031 Oakland Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 155977) Recording Info: Ultramatrix SBD > Cassette Master (Tascam Deck/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24 + AUD (shnid = 155895) (original shnid = 138869) Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper - pitch correction and patches by Kevin Tobin - surround mixing by Kevin Tobin notes 5513. 12/28/86 Flac 16/44 - , 156498 Oakland Henry J. Kaiser Convention Center flac1644: Recording Info: Ultramatrix SBD > Cassette Master (Tascam Deck/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24 - This is 155977 2496 > 1644.1 notes 5514. 12/30/86 Flac 16 - 0, 99638 Oakland Henry J. Kaiser Convention Center flac16; Recording Info:SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 5515. 12/30/86 Flac 16 Mtx - 0, 128691 Oakland Henry J. Kaiser Convention Center flac16; 2 source Matrix mix of Shnid 81308(aud) and shnid 99638(sdb) with patches used from shnid 88983(aud) notes 5516. 12/30/86 Flac 16 - 0, 105203 Oakland Henry J. Kaiser Convention Center flac16; Source: Audience > Nakamichi CM-100 mics with CP-4 shogtun caps > Sony TC-D5 > mac Lineage: mac > Tascam 122b > Tascam HD-P2 > wav 24/48 > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > CD Wave > Flac 16 Taped by Gregg Holtz, from OTS notes 5517. 12/30/86 Shn - 0, 6025 Oakland Henry J. Kaiser Convention Center SBD> Cm> DAT> CD> EAC> CDWAV editing > SHN (seekable); via Steve Barbella notes 5518. 12/30/86 Flac 16 - 0, 80818 Oakland Henry J. Kaiser Convention Center flac16; shn id 77446: MSC -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC patched with shn id 6025: Barbella source - SBD> Cm> DAT> CD> EAC> CDWAV editing > SHN (seekable) and multigen cassette purporting to be from an FM post-dated broadcast (no shnid). notes 5519. 12/30/86 Flac 16 - 0, 77446 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 5520. 12/30/86 Flac 24/48 - 0, 137456 Oakland Henry J. Kaiser Convention Center flac24; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Master Audience cassette: in OTS near the back of the venue balcony; Toa K1’s spaced 24” PATS (Pointed At The Stacks) > Sony WM-D6c; media: Maxell XLII c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking +Ozone 5: Dynamics + Maximizer normalize to -.5db remove DC offset > flac24; xACT Flac Fingerprints notes 5521. 12/30/86 Flac 24 - 0, 137978 Oakland Henry J. Kaiser Convention Center flac24; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5522. 12/30/86 Flac 16 - 0, 138007 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD > Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, this is the 137978 24bit->16bit notes 5523. 12/30/86 Flac 16 - 0, 142302 Oakland Henry J. Kaiser Convention Center flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes 5524. 12/30/86 Flac 24/96 - 0, 135512 Oakland Henry J. Kaiser Convention Center flac24; source: set 1 beyers 160 fob> tcd-d5> tcd-d5> mc; set 2 sennheiser 441 (3) fob> tcd-d5> mc > c; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5525. 12/30/86 Flac 16 - 0, 81308 Oakland Henry J. Kaiser Convention Center flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci notes 5526. 12/30/86 Flac 16/44,1 - 0, 138870 Oakland Henry J. Kaiser Convention Center flac16 44.1khz Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper notes 5527. 12/30/86 Flac 16 - 0, 88983 Oakland Henry J. Kaiser Convention Center flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend notes 5528. 12/30/86 Flac 16 - 0, 138362 Oakland Henry J. Kaiser Convention Center flac16; Set 2 Unknown: FOB Schoeps CMC44 > Sony PCM-F1 > PCM master > DAT at 44.1 kHz; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 44 > Wave; Joe Noel Edits: T,F,P & P: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT notes 5529. 12/31/86 Flac 16 - 0, 99051 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 5530. 12/31/86 Shn - 0, 4637 Oakland Henry J. Kaiser Convention Center Pre-FM SBD > PCM > CDR > WAV > SHNv3; DAE (EAC> shntools> ftp) by neo_levo notes 5531. 12/31/86 Flac 16 - 0, 77445 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 5532. 12/31/86 Flac 16 - 0, 137263 Oakland Henry J. Kaiser Convention Center flac16; Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; Track, FLAC and Pack by Norm notes 5533. 12/31/86 Flac 24 - 0, 137457 Oakland Henry J. Kaiser Convention Center flac24; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Master Audience cassette: in OTS near the back of the venue balcony; Toa K1’s spaced 24” PATS (Pointed At The Stacks) > Sony WM-D6c; media: Maxell XLII c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking +Ozone 5: Dynamics + Maximizer normalize to -.5db remove DC offset > flac24; xACT Flac Fingerprints notes 5534. 12/31/86 Flac 16 - 0, 142303 Oakland Henry J. Kaiser Convention Center flac16; Source Info: 1st Set: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; 2nd Set: Oade's Master (FOB) Audience PCM; (2) Schoeps CMC4/MK41mics + (1) CMC4/MK4 center fill > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes 5535. 12/31/86 Flac 16 - 0, 140822 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: Master UltraMatrix PCM; Transfer Info: PCM (Sony SLV-M20HF)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000(wav 16-bit/44.1k)> Adobe Audition > TLH flac16 notes 5536. 12/31/86 Flac 24/96 - 0, 135513 Oakland Henry J. Kaiser Convention Center flac24; source: beyers 160 fob> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5537. 12/31/86 Flac 16 - 0, 81330 Oakland Henry J. Kaiser Convention Center flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci notes 5538. 12/31/86 Flac 24/96 - , 155987 Oakland Henry J. Kaiser Convention Center flac2496 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 5539. 12/31/86 Flac 16/44 - , 156532 Oakland Henry J. Kaiser Convention Center flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 155987 2496 > 1644.1 notes 5540. 01/28/87 Flac 16 - 0, 83286 San Francisco San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 5541. 01/28/87 Shn - 0, 17073 San Francisco San Francisco Civic Auditorium Source: SBDcm(Healy Mix)>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN; Seeded to etree by Steven Leeds notes 5542. 01/28/87 Flac 16 - 0, 119289 San Francisco San Francisco Civic Auditorium flac16; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell XLII-S. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Taped & transferred by Andrew F. 02/2012 notes 5543. 01/28/87 Flac 16/48 - 0, 135159 San Francisco San Francisco Civic Auditorium SHNID: 135159 notes 5544. 01/28/87 Flac 16 Mtx - 0, 135157 San Francisco San Francisco Civic Auditorium flac16; Matrix 2 Source Mix - SBD (shnid=83286) SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 119326) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell XLII-S. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Taped & transferred by Andrew F. 02/2012 - matrix mixing by Kevin Tobin notes 5545. 01/28/87 Flac Dts 5.1 - 0, 135158 San Francisco San Francisco Civic Auditorium DTS-Audio-CD 5.1 Mix; SBD (shnid=83286) SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 119326) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell XLII-S. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Taped & transferred by Andrew F. 02/2012 - DTS mixing by Kevin Tobin notes 5546. 01/28/87 Flac 24 Mtx - 0, 140689 San Francisco San Francisco Civic Auditorium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5547. 01/28/87 Flac 16 U Mtx - 0, 140787 San Francisco San Francisco Civic Auditorium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5548. 01/28/87 Flac 24/96 - 0, 135543 San Francisco San Francisco Civic Auditorium flac24; lineage: sennheiser 421 fob> tcd-d5> tcd-d5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5549. 01/28/87 Flac 24/48 - 0, 119326 San Francisco San Francisco Civic Auditorium flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell XLII-S. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Taped & transferred by Andrew F. 02/2012 notes 5550. 01/28/87 Flac 16 - 0, 79466 San Francisco San Francisco Civic Auditorium flac16; Source: Nakamichi 100s, taper's section > Sony D5 > Maxell MX90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3, rendered to 16/44.1 using Waves IDR hi res CD dither settings > CDWAV 1.9 > FLAC (level 8 encoding). Digital transfer, rendering and FLAC encoding by C.Ladner. notes 5551. 01/29/87 Flac 16 - 0, 83284 San Francisco San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 5552. 01/29/87 Shn - 0, 10535 San Francisco San Francisco Civic Auditorium Healey ultramix: PCM -> Cassette Master > wav > mkw > shn; Seeded to etree by drgseeds via Bob H notes 5553. 01/29/87 Flac 16 - 0, 116280 San Francisco San Francisco Civic Auditorium flac16; Source: (OTS/Balcony) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster notes 5554. 01/29/87 Flac 24 Mtx - 0, 140690 San Francisco San Francisco Civic Auditorium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5555. 01/29/87 Flac 16 - 0, 140788 San Francisco San Francisco Civic Auditorium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5556. 01/29/87 Flac 16 - 0, 141938 San Francisco San Francisco Civic Auditorium flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Modified Sony F-1 PCM; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes 5557. 01/29/87 Flac Dts 5.1 - 0, 142029 San Francisco San Francisco Civic Auditorium DTS-Audio-CD 5.1 Mix; SBD (shnid = 83284)Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shnid = 79467) Source: Nakamichi 100s, taper's section > Sony D5 > Maxell MX90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3, rendered to 16/44.1 using Waves IDR hi res CD dither settings > CDWAV 1.9 > FLAC (level 8 encoding). Digital transfer, rendering and FLAC encoding by C.Ladner. - dts mixing by Kevin Tobin notes 5558. 01/29/87 Flac 16 Mtx - 0, 142028 San Francisco San Francisco Civic Auditorium flac16; Matrix 2 Source Mix - SBD (shnid = 83284)Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shnid = 79467) Source: Nakamichi 100s, taper's section > Sony D5 > Maxell MX90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3, rendered to 16/44.1 using Waves IDR hi res CD dither settings > CDWAV 1.9 > FLAC (level 8 encoding). Digital transfer, rendering and FLAC encoding by C.Ladner. - matrix mixing by Kevin Tobin notes 5559. 01/29/87 Flac 16 - 0, 79467 San Francisco San Francisco Civic Auditorium flac16; Source: Nakamichi 100s, taper's section > Sony D5 > Maxell MX90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3, rendered to 16/44.1 using Waves IDR hi res CD dither settings > CDWAV 1.9 > FLAC (level 8 encoding). Digital transfer, rendering and FLAC encoding by C.Ladner. notes 5560. 01/29/87 Flac 16/48 - 0, 142030 San Francisco San Francisco Civic Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 83284)Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shnid = 79467) Source: Nakamichi 100s, taper's section > Sony D5 > Maxell MX90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3, rendered to 16/44.1 using Waves IDR hi res CD dither settings > CDWAV 1.9 > FLAC (level 8 encoding). Digital transfer, rendering and FLAC encoding by C.Ladner. - surround mixing by Kevin Tobin notes 5561. 01/30/87 Flac 16 - 0, 83285 San Francisco San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 5562. 01/30/87 Shn - 0, 19299 San Francisco San Francisco Civic Auditorium SBD > MC > C > DAT > CD > EAC > SHN; EAC?SHN by Darryl Hinko notes 5563. 01/30/87 Flac 16 - 0, 116296 San Francisco San Francisco Civic Auditorium flac16; Source: (OTS/Balcony) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster notes 5564. 01/30/87 Flac 24 Mtx - 0, 140697 San Francisco San Francisco Civic Auditorium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5565. 01/30/87 Flac 24 - 0, 140810 San Francisco San Francisco Civic Auditorium flac24; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5566. 01/30/87 UltraMtx Flac16 - 0, 140791 San Francisco San Francisco Civic Auditorium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5567. 01/30/87 Flac 16 - 0, 140919 San Francisco San Francisco Civic Auditorium flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5568. 01/30/87 Flac 16 - 0, 141947 San Francisco San Francisco Civic Auditorium flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes 5569. 01/30/87 Shn - 0, 12089 San Francisco San Francisco Civic Auditorium AUD>DAT>CDR; via Easy Jim; Seeded to etree by eD notes 5570. 01/30/87 Flac 16 - 0, 79562 San Francisco San Francisco Civic Auditorium flac16; Source: Nakamichi 100s, taper's section > Sony D5 > Maxell MX90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3, rendered to 16/44.1 using Waves IDR hi res CD dither settings > CDWAV 1.9 > FLAC (level 8 encoding). Digital transfer, rendering and FLAC encoding by C.Ladner. notes 5571. 01/30/87 Flac 24/96 - 0, 148707 San Francisco San Francisco Civic Auditorium flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 5572. 01/30/87 Flac 16/48 - 0, 148706 San Francisco San Francisco Civic Auditorium flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5573. 03/01/87 Flac 16 - 0, 82567 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 5574. 03/01/87 Shn - 0, 23060 Oakland Henry J. Kaiser Convention Center Soundboard->Master Cassettes->Sonic 20-bit->Sony SBM2->CD. CD->EAC->SHN. Transfer, edits, and SHN by Joe Samaritano notes 5575. 03/01/87 Flac 2448 - 0, 135409 Oakland Henry J. Kaiser Convention Center flac24; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2016 notes 5576. 03/01/87 Flac 16 - 0, 135410 Oakland Henry J. Kaiser Convention Center flac16; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016 notes 5577. 03/01/87 Shn - 0, 12090 Oakland Henry J. Kaiser Convention Center SBD>MC>DAT>SF>CDR; via Tom Banjo; Seeded to etree by eD notes 5578. 03/01/87 Shn - 0, 18118 Oakland Henry J. Kaiser Convention Center SBD > DAT > CDR > EAC > SHN via Fishman notes 5579. 03/01/87 Flac 24 - 0, 149855 Oakland Henry J. Kaiser Convention Center flac24; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5580. 03/01/87 Flac 24 UMtx. - 0, 149856 Oakland Henry J. Kaiser Convention Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5581. 03/01/87 Flac 16 - 0, 150137 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 5582. 03/01/87 Flac 16 - 0, 150138 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 5583. 03/01/87 Flac 24/96 - 0, 149037 Oakland Henry J. Kaiser Convention Center flac24; 2nd Set: Recording Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 5584. 03/01/87 Flac 16/48 - 0, 149036 Oakland Henry J. Kaiser Convention Center flac16/48kHz; 2nd Set: Recording Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5585. 03/02/87 Flac 16 - 0, 82728 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 This is a Matrix SBD, the straight SBD also circulates notes 5586. 03/02/87 Shn - 0, 1965 Oakland Henry J Kaiser Convention Center SBD; conversion by Mike Lai, from Bruce Fried's seed notes 5587. 03/02/87 Flac 16 - 0, 82728 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 notes 5588. 03/02/87 Flac 16 - 0, 135360 Oakland Henry J Kaiser Convention Center flac16; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016 notes 5589. 03/02/87 Flac 2448 - 0, 135359 Oakland Henry J Kaiser Convention Center flac24; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2016 notes 5590. 03/02/87 Flac 24 - 0, 149861 Oakland Henry J Kaiser Convention Center flac24; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5591. 03/02/87 Flac 24 UMtx. - 0, 149862 Oakland Henry J Kaiser Convention Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 notes 5592. 03/02/87 Flac 16 - 0, 150139 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 5593. 03/02/87 Flac 16 - 0, 150140 Oakland Henry J Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 5594. 03/02/87 Flac 24/96 - 0, 149039 Oakland Henry J Kaiser Convention Center flac24; Recording Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 5595. 03/02/87 Flac 16/48 - 0, 149038 Oakland Henry J Kaiser Convention Center flac16/48kHz; Recording Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5596. 03/03/87 Flac 16 - 0, 82726 Oakland Henry J Kaiser Convention Center flac16; Recording info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 This is a Matrix SBD, the straight SBD also circulates notes 5597. 03/03/87 Flac 16 - 0, 82726 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 notes 5598. 03/03/87 Flac 2448 - 0, 135313 Oakland Henry J Kaiser Convention Center flac24; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2016 notes 5599. 03/03/87 Flac 16 - 0, 135214 Oakland Henry J Kaiser Convention Center flac16; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016 notes 5600. 03/03/87 Shn - 0, 9175 Oakland Henry J Kaiser Convention Center SBD > MC > DAT > CDR; via neo_levo/candyman FTP notes 5601. 03/03/87 Flac 16/48 - 0, 142402 Oakland Henry J Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 82726) Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 + AUD (shnid = 135314) Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016 - surround mixing by Kevin Tobin notes 5602. 03/03/87 Flac Dts 5.1 - 0, 142401 Oakland Henry J Kaiser Convention Center DTS-Audio-CD 5.1 Mix; - SBD (shnid = 82726) Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 + AUD (shnid = 135314) Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016 - dts mixing by Kevin Tobin notes 5603. 03/03/87 Flac16 Mtx - 0, 142400 Oakland Henry J Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid = 82726) Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 + AUD (shnid = 135314) Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016 - matrix mixing by Kevin Tobin notes 5604. 03/03/87 Flac 24 UMtx. - 0, 149960 Oakland Henry J Kaiser Convention Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5605. 03/03/87 Flac 16 - 0, 150141 Oakland Henry J Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 5606. 03/03/87 Flac 24/96 - 0, 149054 Oakland Henry J Kaiser Convention Center flac24; Recording Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 5607. 03/03/87 Flac 16/48 - 0, 149053 Oakland Henry J Kaiser Convention Center flac16/48kHz; Recording Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5608. 03/22/87 Shn - 0, 25580 Hampton Hampton Coliseum Recording Info:Set 1: SBD -> Master Cassette -> Reel -> PCM -> CD Set 2: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller notes 5609. 03/22/87 Flac 16 - 0, 123019 Hampton Hampton Coliseum flac16; SBD/AUD Matrix master tapes recorded by Don Pearson; transferred by Jim Blackwood; mastered by Jamie Waddell at 24/96 src with Weiss Saracon to 16/44.1; Tracked in CD Wave Editor; Tag&Rename for Meta Data; TradersLittleHelper for FLAC (Level 8 by Patrick White(wharfratpat@shnflac.net) notes 5610. 03/22/87 Flac 24/96 - 0, 132231 Hampton Hampton Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; AKG D224Es "8" > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 5611. 03/22/87 Flac 16 - 0, 132232 Hampton Hampton Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; AKG D224Es "8" > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 5612. 03/22/87 Flac 16 - 0, 88595 Hampton Hampton Coliseum flac16; Nakamichi CM-100 mics with CP-4 shotgun capsules. Floor, right side (Jerry's side) of SBD. All transfers and Mastering done by Jamie Waddell on the GEMS Edit Station Trac'ed Cdwave Flac'ed level 8 TLH notes 5613. 03/22/87 Flac 16 - 0, 126109 Hampton Hampton Coliseum flac16; 2 AKG 451s with CK-8 Capsules and Sony TC-D5m Cassette Master Taping Section; Transfer: Playback Maxell XLII-S cassette masters on Sony TC-D5m to Marantz PMD-670 (note: on the original source tracks 15 & 16 will not decode to .wav; a fixed version mow circulates) notes 5614. 03/22/87 Flac 16/48 - 0, 138644 Hampton Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) SBD (shnid = 25580)Recording Info:Set 1: SBD -> Master Cassette -> Reel -> PCM -> CD Set 2: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller + AUD (shnid = 77199) Source: Sennheiser shotguns (ME-88) > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res dither settings) > CDWAV 1.9 > FLAC (level 8 encoding). Transfer and FLAC encoding by C.Ladner - mixing by Kevin Tobin notes 5615. 03/22/87 Flac Dts 5.1 - 0, 138633 Hampton Hampton Coliseum b>DTS-Audio-CD 5.1 Mix; SBD (shnid = 25580)Recording Info:Set 1: SBD -> Master Cassette -> Reel -> PCM -> CD Set 2: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller + AUD (shnid = 77199) Source: Sennheiser shotguns (ME-88) > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res dither settings) > CDWAV 1.9 > FLAC (level 8 encoding). Transfer and FLAC encoding by C.Ladner - dts mixing by Kevin Tobin notes 5616. 03/22/87 Flac 16 Mtx - 0, 138632 Hampton Hampton Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 25580)Recording Info:Set 1: SBD -> Master Cassette -> Reel -> PCM -> CD Set 2: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller + AUD (shnid = 77199) Source: Sennheiser shotguns (ME-88) > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res dither settings) > CDWAV 1.9 > FLAC (level 8 encoding). Transfer and FLAC encoding by C.Ladner. - matrix mixing by Kevin Tobin notes 5617. 03/22/87 Flac 16 - 0, 89045 Hampton Hampton Coliseum flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 5618. 03/22/87 Shn - 0, 3854 Hampton Hampton Coliseum FOB Schoeps CMC441 > Oade P.S. > Sony PCMF1; Sony PCMF1> DAT by Sean Weber-Small; Tranfer: DAT (master, direct copy from PCM @ 44.1) Sony DTC-A6 > DIO 2448 > CDWAV > SHN by Bill Gardner; QC by dankseeds notes 5619. 03/22/87 Flac 24/96 - 0, 135544 Hampton Hampton Coliseum flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 5620. 03/22/87 Shn - 0, 9734 Hampton Hampton Coliseum Master Soundboard Cassette (Ultra-Matrix) > Reel to Reel > PCM > CDR; CD Mastering, SHN'ed by Scott Clugston; To abgd via Charlie Connor notes 5621. 03/22/87 Flac 16 - 0, 77199 Hampton Hampton Coliseum flac16; Source: Sennheiser shotguns (ME-88) > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res dither settings) > CDWAV 1.9 > FLAC (level 8 encoding). Transfer and FLAC encoding by C.Ladner. notes 5622. 03/22/87 Flac 24 UMtx. - 0, 147624 Hampton Hampton Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 5623. 03/22/87 Flac 16 U Mtx. - 0, 147634 Hampton Hampton Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This file set is 16 bit @ 44.1 notes 5624. 03/23/87 Flac 16 - 0, 95716 Hampton Hampton Coliseum flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 5625. 03/23/87 Flac 24/96 - 0, 132155 Hampton Hampton Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 5626. 03/23/87 Flac 16 - 0, 132154 Hampton Hampton Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 5627. 03/23/87 Flac 16 - 0, 90868 Hampton Hampton Coliseum flac16; Nakamichi CM-100's with CP-4 shotgun capsules>>Sony D-5 cassette recorder located just at the right front lip of the soundboard. Recorded by Greg Holtz & Mike Rice master cass> tascam112mkII>presonus firestudio>firewire>wavelab6.0 a GEMS transfer at 32bf/96kHz, crystal resampler to 16/44.1 in wavelab 6.0 by Jamie Waddell notes 5628. 03/23/87 Flac 16 - 0, 126162 Hampton Hampton Coliseum flac16; 2 AKG 451s with CK-8 Capsules and Sony TC-D5m Cassette Master; Taping Section; Transfer: Playback Maxell XL-IIS cassette masters on Sony TC-D5m to Marantz PMD-670 notes 5629. 03/23/87 Flac 24 - 0, 140679 Hampton Hampton Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5630. 03/23/87 Flac 16 - 0, 140683 Hampton Hampton Coliseum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5631. 03/23/87 Flac 24/96 - 0, 141278 Hampton Hampton Coliseum b>flac24; Patched & Pitch Corrected Audience (original shnid = 132155) Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - pitch correction and patches by Kevin Tobin notes 5632. 03/23/87 Flac 16 - 0, 141279 Hampton Hampton Coliseum flac16; Patched and Pitch Corrected Audience (original shnid = 132155) Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - pitch correction and patches by Kevin Tobin notes 5633. 03/23/87 Flac 16/48 - 0, 141287 Hampton Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140679) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 132155) Source Info: Master Audience Recorded By Steve Hill, Transfer By Keo! Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's. Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz. Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - mixing by Kevin Tobin notes 5634. 03/23/87 Flac 24 Mtx - 0, 141284 Hampton Hampton Coliseum flac24; Matrix 2 Source Mix - SBD (shnid = 140679) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 132155) Source Info: Master Audience Recorded By Steve Hill, Transfer By Keo! Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's. Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz. Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - matrix mixing by Kevin Tobin notes 5635. 03/23/87 Flac 16 Dts - 0, 141286 Hampton Hampton Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid = 140679) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 132155) Source Info: Master Audience Recorded By Steve Hill, Transfer By Keo! Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's. Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz. Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - dts mixing by Kevin Tobin notes 5636. 03/23/87 Flac 16 Mtx - 0, 141285 Hampton Hampton Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 140679) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 132155) Source Info: Master Audience Recorded By Steve Hill, Transfer By Keo! Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's. Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz. Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - matrix mixing by Kevin Tobin notes 5637. 03/23/87 Flac 24/96 - 0, 135582 Hampton Hampton Coliseum flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 5638. 03/23/87 Flac 16 - 0, 77786 Hampton Hampton Coliseum flac16; Source: Sennheiser ME88 shotguns > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res dither settings) > CDWAV 1.9 > FLAC (level 8 encoding). Transfer and FLAC encoding by C.Ladner notes 5639. 03/23/87 Shn - 0, 3870 Hampton Hampton Coliseum FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1; Sony PCMF1> DAT by Sean Weber-Small; CD Transfer: DAT (master, direct copy from PCM @ 44.1) Sony DTC-A6 > DIO 2448 > CDWAV > SHN by Bill Gardner; QC by dankseeds notes 5640. 03/23/87 Flac 16 - 0, 89057 Hampton Hampton Coliseum flac16; taper : Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 5641. 03/24/87 Flac 16 - 0, 94349 Hampton Hampton Coliseum flac16; Recording Info: Set 1: SBD -> Master Cassette -> Cassette; Set 2: SBD -> Master Cassette -> Dat (44.1k); Transfer Info: Set 1: Cassette -> Apogee MiniMe -> Samplitude Professional v9.1 -> FLAC; Set 2: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC; All Transfers and Mastering By Charlie Miller notes 5642. 03/24/87 Flac 24 - 0, 131807 Hampton Hampton Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 5643. 03/24/87 Flac 16 - 0, 131806 Hampton Hampton Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 5644. 03/24/87 Flac 16 - 0, 91254 Hampton Hampton Coliseum flac16; Nakamichi CM-100's with CP-4 shotgun capsules>>Sony D-5 cassette recorder located just at the right front lip of the soundboard. Recorded by Greg Holtz & Mike Rice master cassette> tascam112mkII>presonus firestudio>firewire>Wavelab 6.0 transfer at 32bf/96kHz mastering and crystal resampler to 16/44.1 in Wavelab 6.0 by Jamie Waddell on the GEMS Edit Station. Trac'ed cdwave,Flac'ed Flac Frontend level 8 notes 5645. 03/24/87 Shn - 0, 24481 Hampton Hampton Coliseum Set 2 Only - Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller notes 5646. 03/24/87 Flac 16 - 0, 126241 Hampton Hampton Coliseum flac16; 2 Sennhesier 441s and Sony TC-D5m Cassette Master; FOB; Transfer: Playback Maxell XL-IIS cassette masters on Sony TC-D5m to Marantz PMD-670 notes 5647. 03/24/87 Shn - 0, 10077 Hampton Hampton Coliseum Nakamichi 300/Sony D-5> Nakamichi BX-300 > CD; via Stephen B. Porter; Seeded to etree by Peter Braverman notes 5648. 03/24/87 Flac 16 - 0, 77915 Hampton Hampton Coliseum flac16; Source: Sennheiser ME88 shotguns > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res CD dither settings) > CDWAV 1.9 (tracking and encoding) > FLAC (level 8 encoding). Transfer, mastering and encoding by C.Ladner notes 5649. 03/24/87 Ultra MtxFlac24 - 0, 140805 Hampton Hampton Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5650. 03/24/87 Flac 16 U Mtx - 0, 140920 Hampton Hampton Coliseum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5651. 03/24/87 Flac 16 Mtx - 0, 142042 Hampton Hampton Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin notes 5652. 03/24/87 Flac 24/96 - 0, 142039 Hampton Hampton Coliseum flac24; Patched & Pitch Corrected Audience (original shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin notes 5653. 03/24/87 Flac 16 - 0, 142040 Hampton Hampton Coliseum flac16; Patched & Pitch Corrected Audience (original shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin notes 5654. 03/24/87 Flac 16/48 - 0, 142044 Hampton Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k)- SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin notes 5655. 03/24/87 Flac 24/96 Mtx - 0, 142041 Hampton Hampton Coliseum flac24; Matrix 2 Source Mix - SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin notes 5656. 03/24/87 Flac Dts 5.1 - 0, 142043 Hampton Hampton Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin notes 5657. 03/24/87 Flac 16 - 0, 89110 Hampton Hampton Coliseum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1> creative extigy soundcard> cool edit pro> flac frontend notes 5658. 03/24/87 Flac 24/96 - 0, 135546 Hampton Hampton Coliseum flac24; Set 2 source: neuman kmr 184 fob> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5659. 03/24/87 Shn - 0, 10354 Hampton Hampton Coliseum FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1 Sony PCMF1> DAT; via Sean Weber-Small, Bill Gardner; Shntool fix by Darrin Sacks notes 5660. 03/24/87 Flac 16 - 0, 135992 Hampton Hampton Coliseum flac16; OTS 2 Nakamichi CM100s w/cP4 shotguns(PAS)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6) notes 5661. 03/26/87 Shn - 0, 109923 Hartford Hartford Civic Center Set I info Source: SBD Lineage: Master Cassette > DAT > CD > SHN; Set II info Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette > DAT > CD > SHN; via Douglas Tunstall, Nick Scarano and Jeff Hawkins; seeded to etree by Peter Braverman notes 5662. 03/26/87 Flac 24 Mtx - 0, 124744 Hartford Hartford Civic Center flac24; Set 2 Source: SBD (Healy Matrix) > Metal cassette 1st Gen > Maxell MXS-90 2nd Gen cassette. With kind thanks to Seaweed1010. Transfer: MXS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit) > TLH > FLAC 2448 tagged. June 2013, Andrew F. notes 5663. 03/26/87 Flac 24 - 0, 138162 Hartford Hartford Civic Center b>flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5664. 03/26/87 Flac 16 - 0, 138166 Hartford Hartford Civic Center flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is shnid 138162 24 > 16 notes 5665. 03/26/87 Flac 16 - 0, 138700 Hartford Hartford Civic Center flac16; Robert Bryant recording: (patched out of the Oade Brothers) FOB Schoeps CMC4 MK41 > Sony PCM > DAT/44; Charlie Miller transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel edits: Track, Flac & Pack: Wave > Audacity > flac 16/44; Checksum & tags created in xACT notes 5666. 03/26/87 Flac 24/96 - 0, 143349 Hartford Hartford Civic Center flac24; Ray Ackerman’s Master Audience Cassettes: Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony TCD5 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 notes 5667. 03/26/87 Flac 16 - 0, 89168 Hartford Hartford Civic Center flac16; taper : Joe D'Amico nak300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 5668. 03/26/87 Flac 16 - 0, 81450 Hartford Hartford Civic Center flac16; Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci notes 5669. 03/26/87 Flac 16 - 0, 106901 Hartford Hartford Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Taper Section 8, Row H, Seat 14 by Bob Morris. Transferred & edited by Bob Morris 11/09 notes 5670. 03/26/87 Flac 16 - 0, 102131 Hartford Hartford Civic Center flac16; Source: (2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5 Conversion: Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16 Recorded by Ray Ackerman Conversion by Ray Ackerman Tracks, FLACs, Tags by Craig Taraszki Originally seeded 2009-10-21 notes 5671. 03/26/87 Flac 24/96 - 0, 135547 Hartford Hartford Civic Center flac24; 2 nakamichi 300 + cp4 / (2) audio technica shotguns> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5672. 03/26/87 Flac 16 - 0, 145505 Hartford Hartford Civic Center flac16; Ray Ackerman's Master Audience Cassettes: Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony TCD5 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96, This file set is 16 bit @ 44.1 notes 5673. 03/26/87 Flac 24/96 - 0, 150850 Hartford Hartford Civic Center flac24; Recording Info: Sennheiser 441 > Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Doug Lamarre notes 5674. 03/26/87 Flac 16/44,1 - 0, 151599 Hartford Hartford Civic Center flac16/44.1khz ; Recording Info: Sennheiser 441 > Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Doug Lamarre - 150850 24 -> 16 @ 44.1 notes 5675. 03/26/87 Flac 16 - , 150711 Hartford Hartford Civic Center flac16; Nak 300 Mics W/Cp4 Shotguns > Sony D5; Nak Dragon > Sony Sbm1 > Cool Edit > Master Raw Files > Adobe Audition CS6 > Trader's Little Helper; Taper: Joe D'Amico; Editing: Joe D'Amico notes 5676. 03/27/87 Flac 16 - 0, 95717 Hartford Hartford Civic Center flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 5677. 03/27/87 Flac 2448 Mtx - 0, 111241 Hartford Hartford Civic Center flac24; Source: SBD (Matrix) > Metal cassettes 1st Gen > XLII-S 1st Set and MX-S 2nd Set, 2nd Gen cassettes. With thanks to Seaweed1010. Transfer: Cassettes > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Dec 2010 Transfer by Andrew F. notes 5678. 03/27/87 Flac 24 - 0, 140855 Hartford Hartford Civic Center flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5679. 03/27/87 Flac 24 U Mtx - 0, 140871 Hartford Hartford Civic Center notes 5680. 03/27/87 Flac 16 - 0, 142501 Hartford Hartford Civic Center flac16; Set 2, OTS Schoeps CMC441 (@90ยบ x-y) > PCM (Sony PCM F1) > DAT(1); John Ammons Transfer: from his clone of the DAT. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 44K > Wave notes 5681. 03/27/87 Flac 24/96 - 0, 143350 Hartford Hartford Civic Center flac24; Ray Ackerman’s Master Audience Cassettes: Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony TCD5 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 notes 5682. 03/27/87 Shn - 0, 7343 Hartford Hartford Civic Center Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN; via Stephen B. Porter; Peter Braverman notes 5683. 03/27/87 Flac 16 - 0, 89300 Hartford Hartford Civic Center flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend notes 5684. 03/27/87 Flac 16 - 0, 106796 Hartford Hartford Civic Center flac16; Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller notes 5685. 03/27/87 Flac 16 - 0, 102128 Hartford Hartford Civic Center flac16; Source: (2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5 Conversion: Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16 Recorded by Ray Ackerman Conversion by Ray Ackerman Tracks, FLACs, Tags by Craig Taraszki Originally seeded 2009-10-21 notes 5686. 03/27/87 Flac 24/96 - 0, 135548 Hartford Hartford Civic Center flac24; source: (2) nakamichi 300 + cp4 / (2) audio technica shotguns> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5687. 03/27/87 Flac 16 - 0, 145672 Hartford Hartford Civic Center flac16; Ray Ackerman’s Master Audience Cassettes: Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony TCD5 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96. This file set is 16 bit @ 44.1 notes 5688. 03/27/87 Flac 24/96 - 0, 151256 Hartford Hartford Civic Center flac24/96khz Recording Info: Sennheiser 441 > Cassette Master (Sony TC-D5M/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 5689. 03/27/87 Flac 16/44 - 0, 151600 Hartford Hartford Civic Center flac16/44khz Recording Info: Sennheiser 441 > Cassette Master (Sony TC-D5M/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151256 24 -> 16 @ 44.1 notes 5690. 03/27/87 Flac 16 - , 150712 Hartford Hartford Civic Center flac16; Nak 300 Mics W/Cp4 Shotguns > Sony D5; Nak Dragon > Sony Sbm1 > Cool Edit > Master Raw Files > Adobe Audition CS6 > Trader's Little Helper; Taper: Joe D'Amico; Editing: Joe D'Amico notes 5691. 03/29/87 Flac 16 - 0, 89320 Philadelphia The Spectrum flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm-1 > creative extigy soundcard > cool edit pro > flac frontend notes 5692. 03/29/87 Flac 16 - 0, 138638 Philadelphia The Spectrum flac16; Robert Bryant recording: (patched out of the Oade Brothers) FOB Schoeps CMC4 MK41 > Sony PCM > DAT/44; Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > flac 16/44; Checksum & tags created in xACT notes 5693. 03/29/87 Flac 24 - 0, 139719 Philadelphia The Spectrum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5694. 03/29/87 Flac 16 U Mtx - 0, 139803 Philadelphia The Spectrum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5695. 03/29/87 Shn - 0, 7344 Philadelphia The Spectrum Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN; via Stephen B. Porter; Peter Braverman notes 5696. 03/29/87 Flac 16 - 0, 77977 Philadelphia The Spectrum flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up next to the soundboard, on the left side (stage right). Mics on stand aprx 7-1/2 feet high, pointed at the stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC Taped and transfered by Andrew F notes 5697. 03/29/87 Flac 16 - 0, 81513 Philadelphia The Spectrum flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci notes 5698. 03/29/87 Flac 16 - 0, 109186 Philadelphia The Spectrum flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 5699. 03/29/87 Flac 16 - 0, 119403 Philadelphia The Spectrum flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 5700. 03/29/87 Flac 24/96 - 0, 135569 Philadelphia The Spectrum flac24; source: nakamichi 3 + cp4> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5701. 03/30/87 Shn - 0, 18255 Philadelphia The Spectrum Master Soundboard Cassette (Ultr-Matrix Mix) > Reel to Reel > PCM > CDR notes 5702. 03/30/87 Shn - 0, 34394 Philadelphia The Spectrum Seamless fix of shn id 18255 - MSC (Ultr-Matrix Mix) > Reel to Reel > PCM > CDR notes 5703. 03/30/87 UltraMtx Flac24 - 0, 139720 Philadelphia The Spectrum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5704. 03/30/87 Ultra MtxFlac16 - 0, 139805 Philadelphia The Spectrum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5705. 03/30/87 Flac 24/96 - 0, 134853 Philadelphia The Spectrum flac24; Source: Nakamichi CM-300s/Shotguns -> Sony Walkman Pro/Maxell MX 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes 5706. 03/30/87 Shn - 0, 5572 Philadelphia The Spectrum AUD> Sony microphones> Nakamichi BX-300 deck> Maxell metal cassette, Recorded by Tony Cirella; Playback: Nakamichi DR-10> Monster analog cables> Tascam CD-RW700 CD burner> CD, transfer by Paul B.; EAC>SHN by Greg Kerbel notes 5707. 03/30/87 Shn - 0, 10922 Philadelphia The Spectrum Source: Audience Master Cassette (Nak 300/Sony D5) Lineage: Nakamichi BX-300> CD> SHN; via Stephen B. Porter; Seeded to etree by Peter Braverman notes 5708. 03/30/87 Flac 16 - 0, 89341 Philadelphia The Spectrum flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 5709. 03/30/87 Flac 24/96 - 0, 135570 Philadelphia The Spectrum flac24; source: nakamichi 3 + cp4> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5710. 03/31/87 Flac - 0, 21267 Philadelphia The Spectrum Recording Info: FM -> Cassette Master -> Dat Transfer Info: Dat -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> EAC -> SHN All Transfers Done By Charlie Miller charliemiller87@earthlink.net SHN'd On 12/8/03 notes 5711. 03/31/87 Shn - 0, 7357 Philadelphia The Spectrum FM(AUD):MC> DAT> CD> AIFF> WAV> SHN; via Peter Braverman notes 5712. 03/31/87 Shn - 0, 14524 Philadelphia The Spectrum FM Broadcast (93.3 WMMR, Philadelphia) > Hi-Fi VHS Master> CDR; Seeded to etree by Scott Clugston notes 5713. 03/31/87 Flac 16 - 0, 81534 Philadelphia The Spectrum flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci aka nak700 notes 5714. 03/31/87 Flac 24 - 0, 139721 Philadelphia The Spectrum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5715. 03/31/87 Flac 16 U Mtx - 0, 139806 Philadelphia The Spectrum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5716. 03/31/87 Flac 24/96 - 0, 135571 Philadelphia The Spectrum flac24; source: nakamichi 3 + cp4> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5717. 03/31/87 Flac 16 - 0, 89349 Philadelphia The Spectrum flac16; taper: Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 5718. 04/02/87 Flac 16 - 0, 82310 Worcester The Centrum flac16; Recording Info: SBD -> Cassette Master -> Cassette Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes 5719. 04/02/87 Flac 24/96 - 0, 131411 Worcester The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's ? * > Sony Tc-D5M, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 5720. 04/02/87 Flac 16 - 0, 131412 Worcester The Centrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's ? * > Sony Tc-D5M, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 5721. 04/02/87 Flac 16 - 0, 99141 Worcester The Centrum flac16; Recording Info: (FOB/25th Row) Nakamichi 700 -> Sansui Tricode PCM Audio Processor -> Magnovox VCR; Transfer Info: PCM Master -> Samplitude Professional v10.2.1 -> FLAC; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes 5722. 04/02/87 Flac 24 Mtx - 0, 140289 Worcester The Centrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5723. 04/02/87 Flac 16 Mtx - 0, 140333 Worcester The Centrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5724. 04/02/87 Flac 24 - 0, 140525 Worcester The Centrum flac24; source: nak 300 (12' ots) > tcd5m (mx90s +dolby) > master > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (normalize, fades, tracks) >flac2496 > xact (tags, md5, ffp); recorded: david lane + david barfield; transferred / seeded: barfield notes 5725. 04/02/87 Flac 16 - 0, 140668 Worcester The Centrum flac16; source: nak 300 (12' ots) > tcd5m (mx90s +dolby) > master > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (normalize, fades, tracks) >flac2496 > xact (tags, md5, ffp); recorded: david lane + david barfield; transferred / seeded: barfield notes 5726. 04/02/87 Flac 24/48 - 0, 141281 Worcester The Centrum flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; 2 x AudioTechnica AT835 mics + 1 x AKG D12E center fill > Yamaha mixer > Sony TC-D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/48k) > WaveLab 5 (24/48) > Adobe Audition 3.0 (24/48) > TLH flac2448 notes 5727. 04/02/87 Flac 16 - 0, 141280 Worcester The Centrum flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; 2 x AudioTechnica AT835 mics + 1 x AKG D12E center fill > Yamaha mixer > Sony TC-D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/48k) > WaveLab 5 (24/48) > Adobe Audition 3.0 (24/48) > TLH flac2448; 24-bit > 16-bit via dBpoweramp notes 5728. 04/02/87 Flac 16 - 0, 141969 Worcester The Centrum flac16; Set 2 Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes 5729. 04/02/87 Flac 16 - 0, 106902 Worcester The Centrum flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Taper Section 5, Row U, Seat 2 by Bob Morris. Transferred & edited by Bob Morris 11/09. notes 5730. 04/02/87 Flac 16 - 0, 89395 Worcester The Centrum flac16; nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 5731. 04/02/87 Shn - 0, 11804 Worcester The Centrum AUD>PCM>DAT>CDR; via Charlie Phogg; Seeded to etree by eD notes 5732. 04/03/87 Flac 16 - 0, 95720 Worcester The Centrum flac16; Recording Info: SBD -> Cassette Master -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 5733. 04/03/87 Flac 24/96 - 0, 131430 Worcester The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony Tc-D5M, Tapes: Maxell XLII 90's; Tapes Are Labeled: 2 Sennheiser 441's Casey; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 5734. 04/03/87 Flac 16 - 0, 131429 Worcester The Centrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony Tc-D5M, Tapes: Maxell XLII 90's; Tapes Are Labeled: 2 Sennheiser 441's Casey; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 5735. 04/03/87 Flac 16 - 0, 99165 Worcester The Centrum flac16; Recording Info: (FOB) Nakamichi 700 -> Sansui Tricode PCM Audio Processor -> Magnovox VCR Transfer Info: PCM Master -> Samplitude Professional v10.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 5736. 04/03/87 Ultra Mtx Sbd - 0, 140292 Worcester The Centrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5737. 04/03/87 Flac 24/96 - 0, 141283 Worcester The Centrum flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; 2 x AudioTechnica AT835 mics + 1 x AKG D12E center fill > Yamaha mixer > Sony TC-D5 Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) > WaveLab 5 (24/96) > Adobe Audition 3.0 (24/96) > TLH flac2496 notes 5738. 04/03/87 Flac 16 - 0, 141282 Worcester The Centrum flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; 2 x AudioTechnica AT835 mics + 1 x AKG D12E center fill > Yamaha mixer > Sony TC-D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) > WaveLab 5 (24/96) > Adobe Audition 3.0 (24/96) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5739. 04/03/87 Flac 16 - 0, 141970 Worcester The Centrum flac16; Set 2 Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes 5740. 04/03/87 Shn - 0, 11631 Worcester The Centrum 2nd set only; FOB-AUD>MC>CDR; Senn 421?s>Sony TC-D5; via August West; Seeded to etree by eD(efojr) notes 5741. 04/03/87 Shn - 0, 24898 Worcester The Centrum Recording Info: Sennheiser ME80 -> Master Cassette -> Dat(44.1k) -> ZA2 -> SHN notes 5742. 04/03/87 Flac 24/96 - 0, 135572 Worcester The Centrum flac24; Set 2 source: nakamichi 3 + cp4> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5743. 04/03/87 Flac 16 - 0, 89432 Worcester The Centrum flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 5744. 04/03/87 Flac 16 - 0, 140335 Worcester The Centrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5745. 04/04/87 Flac 16 - 0, 95721 Worcester The Centrum flac16; Recording Info: SBD -> Cassette Master -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller notes 5746. 04/04/87 Flac 16 - 0, 131520 Worcester The Centrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony Tc-D5M, Tapes: Maxell XLII 90's; Set 2 Tape Is Labelled 2 Sennheiser 441's Casey; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software V.3.02 To 32 Bit Float/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 5747. 04/04/87 Flac 24/96 - 0, 131521 Worcester The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony Tc-D5M, Tapes: Maxell XLII 90's; Set 2 Tape Is Labelled 2 Sennheiser 441's Casey; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 5748. 04/04/87 Flac 24/96 - 0, 131521 Worcester The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony Tc-D5M, Tapes: Maxell XLII 90's; Set 2 Tape Is Labelled 2 Sennheiser 441's Casey; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 5749. 04/04/87 Flac 16 - 0, 99167 Worcester The Centrum flac16; Recording Info: (FOB) Nakamichi 700 -> Sansui Tricode PCM Audio Processor -> Magnovox VCR Transfer Info: PCM Master -> Samplitude Professional v10.2.1 -> Adobe Audition v1.5 -> FLAC; Recorded by Steve Rolfe; All Transfers and Mastering By Charlie Miller notes 5750. 04/04/87 Flac 24 U Mtx - 0, 140306 Worcester The Centrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5751. 04/04/87 Flac 16 - 0, 140373 Worcester The Centrum flac16; Recording Info: FM (WCUW) > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5752. 04/04/87 Flac 16 U Mtx - 0, 140372 Worcester The Centrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5753. 04/04/87 Shn - 0, 9362 Worcester The Centrum FOB Schoeps > PCM > DAT > CDR; via Rick M; neo_levo/candman FTP, 4/2002 notes 5754. 04/04/87 Flac 16 - 0, 89471 Worcester The Centrum flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 5755. 04/04/87 Flac 24/96 - 0, 135583 Worcester The Centrum flac24; source: nakamichi 3 + cp4> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes 5756. 04/04/87 Flac 16 - 0, 109785 Worcester The Centrum flac16; FOB>AKG 414's>D5>MC>CDr>EAC>WAV>FLAC; Recorded By: Jeff Stevenson notes 5757. 04/04/87 Flac 16 - 0, 78055 Worcester The Centrum flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC notes 5758. 04/06/87 Flac - 0, 25809 East Rutherford Meadowlands Arena Patch for previous Matrix shn set, wherein d1t01 audience patch is from previous AUD shn set and SBEs fixed for d1t09, d2t01, and d2t11 [note: on 01/24/2007/ Charlie Miller distributed a flac version of this fileset.] notes 5759. 04/06/87 Shn Mtx - 0, 19848 East Rutherford Meadowlands Arena Healy Matrix TDK MA-90 cassette > Dick's Reel (Technics 1506) > PCM > CD (HHB CDR 800) > EAC > SHN; EAC/SHN by Darryl Hinko; a set of patches circulates notes 5760. 04/06/87 Ultra Mtx Sbd - 0, 140339 East Rutherford Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5761. 04/06/87 UltraMtx Flac16 - 0, 140376 East Rutherford Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5762. 04/06/87 Flac 16 - 0, 106903 East Rutherford Meadowlands Arena flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Taper Section 2, Row L, Seat 14 by Bob Morris. Transferred & edited by Bob M 11/09. notes 5763. 04/06/87 Flac 16 - 0, 89507 East Rutherford Meadowlands Arena flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 5764. 04/06/87 Flac 16 - 0, 102655 East Rutherford Meadowlands Arena flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick; recorded by Jon Pasternak notes 5765. 04/06/87 Flac 16 - 0, 81380 East Rutherford Meadowlands Arena flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci aka nak700 notes 5766. 04/06/87 Shn - 0, 10924 East Rutherford Meadowlands Arena AUD>MC>DAT>CDR Schoeps CMC-441?s>Sony D-5; via Paul; Seeded to etree by eD(efojr) notes 5767. 04/06/87 Flac 24/96 - 0, 135913 East Rutherford Meadowlands Arena flac24; lineage: sennheiser 21 (fob)> tcd-d5> mc> c> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 5768. 04/07/87 Flac 16 - 0, 89971 East Rutherford Meadowlands Arena flac16; Source: WNEW-FM > unknown receiver > Onkyo TA-2048 > TDK SA-90's, with Dolby C on. Taped by Jon Pasternak. Transfer: MFC > Nakamichi DR-8 (Dolby C) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes 5769. 04/07/87 Shn - 0, 19284 East Rutherford Meadowlands Arena Source: FM-SBD(WNEW)>C>CDR>WAV>SHN. Transfer to CDR via jabuzz420. SHN encoding via neo_levo. notes 5770. 04/07/87 UltraMtx Flac16 - 0, 140337 East Rutherford Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5771. 04/07/87 Flac 24/96 - 0, 134681 East Rutherford Meadowlands Arena flac24; Source: Nakamichi CM-300s/2-Mic CP-4 super-directional shotgun capsule -> Sony Walkman Pro/Triad Metal Position MG-X 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes 5772. 04/07/87 Flac 16 - 0, 89541 East Rutherford Meadowlands Arena flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 5773. 04/07/87 Flac 16 - 0, 81407 East Rutherford Meadowlands Arena flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci aka nak700 notes 5774. 04/07/87 Shn - 0, 11649 East Rutherford Meadowlands Arena AUD>MC>DAT>CDR; Schoeps CMC-441?s>Sony D-5; via Mojo Hand; Seeded to etree by eD(efojr) notes 5775. 04/07/87 Flac 24/96 - 0, 135915 East Rutherford Meadowlands Arena flac24; Set 2 lineage:sennheiser 421 (fob)> tcd-d5> mc> c> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 5776. 04/07/87 Flac 16 - 0, 106060 East Rutherford Meadowlands Arena flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Taper Section 2, Row M, Seat 8 by Bob Morris notes 5777. 04/07/87 Flac 24 UMtx. - 0, 140340 East Rutherford Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5778. 04/09/87 Flac 16 - 0, 90477 Chicago UIC Pavilion flac16; Recording Info: SBD -> Cassette Master -> Cassette (Sony D6/Maxell XLII-S90/Dolby C) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 5779. 04/09/87 Shn - 0, 10160 Chicago UIC Pavilion Source: Audience cassette (Nakamichi 300/Sony D5) Lineage: Nakamichi BX-300 > CD > SHN; via Stephen B. Porter; Seeded to etree by Peter Braverman notes 5780. 04/09/87 Flac 16 - 0, 30135 Chicago UIC Pavilion flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2469 > Soundforge > CD-Wave > TLH > FLAC, July 2008 by Andrew F. notes 5781. 04/09/87 Flac 24 U Mtx - 0, 140872 Chicago UIC Pavilion flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5782. 04/09/87 Flac 16 - 0, 140893 Chicago UIC Pavilion flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5783. 04/09/87 Flac 16 - 0, 119019 Chicago UIC Pavilion flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 5784. 04/09/87 Shn - 0, 10262 Chicago UIC Pavilion Shntool fix of original Braverman; Source: Audience cassette (Nakamichi 300/Sony D5) Lineage: Nakamichi BX-300 > CD > SHN notes 5785. 04/09/87 Shn - 0, 11657 Chicago UIC Pavilion FOB-AUD>MC>DAT>CDR; Schoeps CMC 441?s w/hyper Cartoid; via Billy Sunday; Seeded to etree by eD(efojr) notes 5786. 04/09/87 Flac 24/96 - 0, 148683 Chicago UIC Pavilion flac24; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser 421 and Sennheiser ME-80 blend > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 5787. 04/09/87 Flac 16/48 - 0, 148682 Chicago UIC Pavilion flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser 421 and Sennheiser ME-80 blend > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5788. 04/09/87 Flac 24/96 - 0, 150526 Chicago UIC Pavilion flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. August 01, 2020 notes 5789. 04/10/87 Flac 16 - 0, 102188 Chicago UIC Pavilion flac16; Source: SBD Unknown Taper Lineage: ? -> CD-R (uncut waves) -> CD Player (XLR out) -> M-Audio Delta 66 -> Flac16 notes 5790. 04/10/87 Shn - 0, 10537 Chicago UIC Pavilion Source: Audience Cassette (Nakamichi 300/Sony D5) Lineage: Nakamichi BX-300> CD> SHN; via Stephen B. Porter; Seeded to etree by Peter Braverman notes 5791. 04/10/87 Flac 16 - 0, 134675 Chicago UIC Pavilion flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 5792. 04/10/87 Flac 16 - 0, 93385 Chicago UIC Pavilion flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2469 > Soundforge > CD-Wave > TLH > FLAC, July 2008 by Andrew F. notes 5793. 04/10/87 Flac 24 U Mtx - 0, 140874 Chicago UIC Pavilion flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5794. 04/10/87 Flac 16 - 0, 140894 Chicago UIC Pavilion flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5795. 04/10/87 Flac 16 - 0, 119029 Chicago UIC Pavilion flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 5796. 04/10/87 Shn - 0, 10156 Chicago UIC Pavilion Schoeps CMC-441 Hyper Cartoid> PCM-F1> Panasonic 3700 DAT, CDR> EAC> MKWAct; via Jim Bennett notes 5797. 04/10/87 Flac 16 - 0, 105529 Chicago UIC Pavilion flac16; Recorded by Dave Cohen & Justin Lee Sec. 109 Row U Seat 17 8 ft. stand 2 Nakamichi CM100/CP4s>Nakamichi 550 w/Maxell XLIIS 90 cassettes. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes 5798. 04/10/87 Flac 16/48 - 0, 146113 Chicago UIC Pavilion flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140874) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 10156) Schoeps CMC-441 Hyper Cartoid> PCM-F1> Panasonic 3700 DAT, CDR> EAC> MKWAct; via Jim Bennett - surround mixing by Kevin Tobin notes 5799. 04/10/87 Flac 16 Dts.5.1 - 0, 146112 Chicago UIC Pavilion DTS-Audio-CD 5.1 Mix; - SBD (shnid = 140874) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 10156) Schoeps CMC-441 Hyper Cartoid> PCM-F1> Panasonic 3700 DAT, CDR> EAC> MKWAct; via Jim Bennett - dts mixing by Kevin Tobin notes 5800. 04/10/87 Flac 16 - 0, 146111 Chicago UIC Pavilion flac16; Matrix 2 Source Mix - SBD (shnid = 140874) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 10156) Schoeps CMC-441 Hyper Cartoid> PCM-F1> Panasonic 3700 DAT, CDR> EAC> MKWAct; via Jim Bennett - matrix mixing by Kevin Tobin notes 5801. 04/10/87 Flac 24/96 - 0, 150527 Chicago UIC Pavilion flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition 2020) by Joe Noel. August 18, 2020 notes 5802. 04/11/87 Flac 16 - 0, 123652 Chicago UIC Pavilion flac16; Lineage: WXRT FM Broadcast Analog Master To Wav To Audio Cleaning Lab For Track Marks And Tape Flip Edits To CDR To EAC To TLH FLAC Level 8 No EQ notes 5803. 04/11/87 Shn - 0, 32365 Chicago UIC Pavilion (Re)fix of GDLive source. Please disregard my previous documentation. notes 5804. 04/11/87 Shn - 0, 34417 Chicago UIC Pavilion Seamless fix of shn id 22934 - Pre-FM > Master Reel > Dat > Sonic Solutions > CD source by Bill Tetzeli notes 5805. 04/11/87 Shn - 0, 22934 Chicago UIC Pavilion SOURCE: Pre-FM > Master Reel > Dat > Sonic Solutions > CD notes 5806. 04/11/87 Shn - 0, 392 Chicago UIC Pavilion SBD > ? > .shn; via David Finney; see listening notes in pub comments notes 5807. 04/11/87 Flac 16 - 0, 92950 Chicago UIC Pavilion flac16; OTS AUD Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2469 > Soundforge > CD-Wave > TLH > FLAC, July 2008 by Andrew F. notes 5808. 04/11/87 Flac 24 UMtx - 0, 140921 Chicago UIC Pavilion flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5809. 04/11/87 Flac 16 - 0, 140941 Chicago UIC Pavilion flac16; Recording Info: FM (WXRT) > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5810. 04/11/87 Flac 24 - 0, 140936 Chicago UIC Pavilion flac24; Recording Info: FM (WXRT) > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5811. 04/11/87 Flac 16 U Mtx - 0, 140927 Chicago UIC Pavilion flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5812. 04/11/87 Flac 16 - 0, 119031 Chicago UIC Pavilion flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 5813. 04/11/87 Flac 24/96 - 0, 148863 Chicago UIC Pavilion flac24; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser 421 and Sennheiser ME-80 blend > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 5814. 04/11/87 Flac 16/48 - 0, 148862 Chicago UIC Pavilion flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser 421 and Sennheiser ME-80 blend > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5815. 04/11/87 Flac 24/96 - 0, 150528 Chicago UIC Pavilion flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. August 21, 2020 notes 5816. 04/17/87 Flac 16 - 0, 83731 Irvine Irvine Meadows flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 5817. 04/17/87 Flac 16 - 0, 86837 Irvine Irvine Meadows flac16; MAC; Sennheiser 441s > D5 > D5 > gold plated Monster Cables > D5 > Maxell XLII-S 90 (set I) TDK MA-R90 (set II). Taper: Johnny Corso. Transfer: Master Audience Cassettes > Nakamichi Dragon > RCA/XLR > Lunatec V3 @ 2496 > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496. Transferred by Alex Ford - August 2007. notes 5818. 04/17/87 Flac 16 - 0, 141131 Irvine Irvine Meadows flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5819. 04/17/87 Flac 24 U Mtx - 0, 141128 Irvine Irvine Meadows flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5820. 04/17/87 Shn - 0, 11658 Irvine Irvine Meadows AUD>PCM>DAT>CDR; Schoeps CMC 34?s w/Cartoid & Full Wind Screens; Missing CR&S, Rooster; via Shotgun Ragtime Band; Seeded to etree by eD(efojr) notes 5821. 04/17/87 Flac 24/96 - , 151126 Irvine Irvine Meadows flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 5822. 04/17/87 Flac 16/48 - , 151125 Irvine Irvine Meadows flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 5823. 04/18/87 Flac 16 - 0, 83732 Irvine Irvine Meadows flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 5824. 04/18/87 Flac 16 - 0, 87639 Irvine Irvine Meadows flac16; MAC; Sennheiser 441s > D5 > D5 > gold plated Monster Cables > D5 > Maxell XLII-S 90 (set I) TDK MA-R90 (set II) Taper: John Corso Transfer: Master Audience Cassettes > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > iZotope Ozone 3 > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC( 8 ) Master Audience Cassettes provided by Mark McCue. Transfer, editing, conversion and seeding by Alex Ford October 2007. notes 5825. 04/18/87 Shn - 0, 11882 Irvine Irvine Meadows Master Soundboard Casette > PCM> DAT> CDR EAC'ed/SHN'ed & Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor notes 5826. 04/18/87 Flac 24 U Mtx - 0, 141225 Irvine Irvine Meadows flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5827. 04/18/87 Flac 16 U Mtx - 0, 141231 Irvine Irvine Meadows flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5828. 04/18/87 Shn - 0, 11659 Irvine Irvine Meadows AUD>DAT>CDR; Schoeps CMC 44?s; via Bad Man Brown; Seeded to etree by eD(efojr) notes 5829. 04/18/87 Flac 24/96 - , 151128 Irvine Irvine Meadows flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) This is your collection notes 5830. 04/18/87 Flac 16/48 - , 151127 Irvine Irvine Meadows flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification notes 5831. 04/19/87 Flac 16 - 0, 83734 Irvine Irvine Meadows flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 5832. 04/19/87 Shn - 0, 3883 Irvine Irvine Meadows Healy Ultramix SBD/AUD> CM> DAT; via lemon2 notes 5833. 04/19/87 Shn - 0, 3822 Irvine Irvine Meadows SBD > Cass Master > PCM > Dat > Behringer UltraMatch 2000 > CD > EAC > SHNv3; via c.m. (updated lineage; had been marked SBD (Matrix) > PCM > DAT...) notes 5834. 04/19/87 Shn - 0, 11883 Irvine Irvine Meadows Master Soundboard Casette > PCM> DAT> CDR EAC'ed,SHN'ed and Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor notes 5835. 04/19/87 Flac 16 - 0, 98052 Irvine Irvine Meadows flac16; Audience Recording Master Audience Cassette; 2 x Sennheiser 441>Sony D5>D5>D5>Maxell MA-R 90 Taped by John Corso. Set I transfer and EAC by Johnny Kelly. Set II cassette transfer by Alex Ford. Edited and Mastered by Alex Ford. All audio from the collection of Mark McCue notes 5836. 04/19/87 Flac 16 - 0, 135967 Irvine Irvine Meadows flac16; Digital Soundboard/MTX > PCM copy; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm; Wavelab 7.1 for Minor Edits by Jamie Waddell notes 5837. 04/19/87 Flac 24 UMtx - 0, 142119 Irvine Irvine Meadows flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5838. 04/19/87 Flac 16 - 0, 142134 Irvine Irvine Meadows flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5839. 04/19/87 Flac 16 - 0, 34964 Irvine Irvine Meadows flac16; source: Beyer Dynamic M88's>Sony TCD5M(CM) Transfer: Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.57 (tracking only)>flac16; Taped and transferred by Charlie Connor notes 5840. 04/19/87 Flac 24/96 - , 151130 Irvine Irvine Meadows flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 5841. 04/19/87 Flac 16/48 - , 151129 Irvine Irvine Meadows flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 5842. 05/02/87 Flac 16 - 0, 83737 Palo Alto Frost Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 5843. 05/02/87 Flac 16 - 0, 105509 Palo Alto Frost Amphitheatre flac16; Master Digital Audience Recording by Michael Grace Lineage: Schoeps CMC-32s (Omni) spaced 10 foot, 0 degrees > Grace 18V mic power supply, polypropylene coupling capacitors > PCM-F1/SL-2000 Betamax Sony SL-HF900 Transfer Info: Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 to 24 BIT - 44.1 kHz by Michael Grace Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDWAV Tag&Rename for Meta_Data TLH for FLAC Level 8 by Patrick White notes 5844. 05/02/87 Shn - 0, 18847 Palo Alto Frost Amphitheatre SBD > MC > DAT > EAC > SHN; EAC/SHN by Darryl Hinko notes 5845. 05/02/87 Flac 16 - 0, 141909 Palo Alto Frost Amphitheatre flac16; Recording Info: Master UltraMatrix PCM > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 5846. 05/02/87 Shn - 0, 24492 Palo Alto Frost Amphitheatre Source: FOB 10th Row Sony D5 w/NAK 700's>MAC>C>DAT>WAV>SHN C>SHN Conversion by Cousinit Notes: Disc 1 requires an 80 minute disc notes 5847. 05/02/87 Flac 16 - 0, 98158 Palo Alto Frost Amphitheatre flac16; Source: FOB 10th Row Sony D5 w/NAK 700's>MAC>C>DAT>WAV>SHN; C>SHN>remaster>FLAC, Conversion by Cousinit; this is a remaster of source ID 24492 notes 5848. 05/02/87 Flac 24/96 - 0, 148780 Palo Alto Frost Amphitheatre flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 5849. 05/02/87 Flac 16/48 - 0, 148779 Palo Alto Frost Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5850. 05/03/87 Flac 16 - 0, 83738 Palo Alto Frost Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 5851. 05/03/87 Flac 16 - 0, 34396 Palo Alto Frost Amphitheatre flac16; Seamless fix of shn id 1193 - 65% DSBD PRE-FM SBD/35% FOB Schoeps CMC32S. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 5852. 05/03/87 Shn - 0, 16175 Palo Alto Frost Amphitheatre Unknown SBD patched with circulating Matrix; via Darryl Hinko notes 5853. 05/03/87 Shn - 0, 18848 Palo Alto Frost Amphitheatre SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes 5854. 05/03/87 Flac 16 - 0, 135937 Palo Alto Frost Amphitheatre flac16; Digital Soundboard > PCM copy > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH; the fixed version has the channels corrected; please don't circulate the original version notes 5855. 05/03/87 Flac 16 - 0, 98294 Palo Alto Frost Amphitheatre flac16; FOB 10th Row Sony D5 w/NAK 700's>MAC>C>DAT>WAV>FLAC, C>FLAC Conversion by Cousinit notes 5856. 05/03/87 Shn Mtx. - 0, 1193 Palo Alto Frost Amphitheatre DSBD/DAUD MIX: 65% DSBD PRE-FM SBD --> PCM --> DAT --> CDR, 35% FOB Schoeps CMC32S --> Grace P.S. --> Sony PCM601 ES --> DAT --> CDR; mixed by Sean Weber, converted to shn by Bill Gardner; note drums and space spread across multiple tracks; see pub comments for additional/updated source notes notes 5857. 05/03/87 Flac 24/96 - 0, 148782 Palo Alto Frost Amphitheatre flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes 5858. 05/03/87 Flac 16/48 - 0, 148781 Palo Alto Frost Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5859. 05/03/87 Flac 16/48 - , 152831 Palo Alto Frost Amphitheatre flac16/48 Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496 notes 5860. 05/03/87 Flac 24/96 - , 152832 Palo Alto Frost Amphitheatre flac24/96 Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496 notes 5861. 05/09/87 Flac - 0, 83749 Monterey Laguna Seca Recreation Area flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 5862. 05/09/87 Shn Mtx - 0, 5059 Monterey Laguna Seca Recreation Area SBD (matrix)> PCM> Dat; Conversion: Sony M1> Oade Cable> Zoltrx Pro6> Soundforge(wav)> CDWav(split)> Shn V3 (no DAE); Conversion & Seed: Brian Cole notes 5863. 05/09/87 Flac - 0, 130885 Monterey Laguna Seca Recreation Area flac16; (FOB) Sennheiser 2002s(stealth) > Sony D5 > Master Cassettes > 1st Gen Cassettes; Transfer/Lineage: 1st Gen Cassettes> Nakamichi Dragon> Lunatec V3 (@ 24/88.2)> Lynx AES16> WaveLab 7.2.1> UAD-2 (editing/mastering)> Crystal Resampler/Apogee UV22HR> .wav @ 16/44.1> xAct> flac16(tags). Tapers: John Corso and Tom (last name long forgotten); Transferred, edited and mastered by Alex Ford; 1st Gen cassettes from the collection of Mark McCue notes 5864. 05/09/87 Flac - 0, 92165 Monterey Laguna Seca Recreation Area flac16; Hat Mounted Realistic PZM's with Sony WMD6-C Maxell MX 90 No nr 20 feet away 10 feet left of center Master>D6>HD>Audacity(pan 20% right)>CDWave>TLH notes 5865. 05/10/87 Flac 16 - 0, 83750 Monterey Laguna Seca Recreation Area flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 5866. 05/10/87 Shn - 0, 2256 Monterey Laguna Seca Recreation Area DSBD> PCM> DAT> zefiro2> soundforge> CDR> EAC> SHN; via Karl Schneiderman, John Zei notes 5867. 05/10/87 Flac 16 - 0, 92344 Monterey Laguna Seca Recreation Area flac16; Hat-Mounted Realistic PZM's with Sony WMD6-C No nr 1st set 20 feet away, dead center 2nd set 100 feet away, dead center TDK MA-X 90 Master>D6>HD>Audacity>CDWave>TLH>torrent Recorded and Transfered by Russjcan notes 5868. 05/10/87 Flac 16 - 0, 137069 Monterey Laguna Seca Recreation Area flac16; PCM Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by John Wenzel; 16 bit 44.1kHz a project **GEMS** Betamania Release 2016-10-17 notes 5869. 05/10/87 Flac 24 U Mtx - 0, 142115 Monterey Laguna Seca Recreation Area flac24; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK E-HG L-750); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5870. 05/10/87 Flac 16 U Mtx - 0, 142116 Monterey Laguna Seca Recreation Area flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony Betamax/TDK E-HG L-750); Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes 5871. 05/10/87 Flac 16 - 0, 142133 Monterey Laguna Seca Recreation Area flac16; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK E-HG L-750); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5872. 05/10/87 Flac 16 - 0, 148844 Monterey Laguna Seca Recreation Area flac16; Bertha Remaster of source ID 137069: PCM Soundboard Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 notes 5873. 06/12/87 Flac 16 - 0, 83751 Ventura Ventura County Fairgrounds flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Mille notes 5874. 06/12/87 Flac 16 - 0, 81458 Ventura Ventura County Fairgrounds flac16; Source: Audience FOB Recording Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette Lineage: AKG C460b pre’s with Ck61uls capsules > Uher CR240 (about 10th row DFC) > Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak > WAV24/96 > Wavelab 6.0 (WavesTools(C4,RBass,Q10)), BBE, L3(type1 dither dither, no noise shaping )> Flac Taped by: Danny Thomson Transfer by: Derek McCabe Mastered by: Jamie Waddell notes 5875. 06/12/87 Shn - 0, 11884 Ventura Ventura County Fairgrounds Master Soundboard Cassette > PCM > DAT> CDR; EAC'ed, SHN'ed and Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor notes 5876. 06/12/87 Shn - 0, 14854 Ventura Ventura County Fairgrounds Bertha Remaster of the original MSC source . SBD>>MC>>PCM>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A notes 5877. 06/12/87 Flac 16 44,1 - 0, 142923 Ventura Ventura County Fairgrounds flac16/44.1 Source Info: 1st Set: Master UltraMatrix PCM > Cassette > Dat (16-bit/44.1k) 2nd Set: Master UltraMatrix PCM > Dat (16-bit/44.1k) Transfer Info: Dat (Sony R-500)> Apogee aes/ebu cable > Tascam DA-3000(.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16. Rob Eaton source Dat, Charlie Miller transfer, mastering by Scott Clugston. notes 5878. 06/12/87 Flac 24/96 - 0, 142921 Ventura Ventura County Fairgrounds flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 All Transfers and Mastering by Charlie Miller. notes 5879. 06/12/87 Flac 16 - 0, 143510 Ventura Ventura County Fairgrounds flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 All Transfers and Mastering by Charlie Miller; This file set is 16/44.1 notes 5880. 06/12/87 Shn - 0, 11496 Ventura Ventura County Fairgrounds FOB-AUD>MC>CDR; Beyer 160?s>Sony TC-D5; via Paul; Seeded to etree by eD(efojr) notes 5881. 06/12/87 Flac 24/96 - 0, 135927 Ventura Ventura County Fairgrounds flac24; lineage:beyers 160 fob> tcd-d5> tcd-d5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 5882. 06/12/87 Flac 24/96 - 0, 81970 Ventura Ventura County Fairgrounds flac24/96; Taper: Danny Thomson Source: FOB AKG C460b pre's with Ck61uls capsules > Uher CR240 (about 10th row DFC) > AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette Transfer: Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak by Derek McCabe Mastering: WAV24/96 > Wavelab 6.0 (WavesTools(C4, RBass, Q10)), BBE, L3 (type1 dither, no noise shaping) > FLAC by Jamie Waddell notes 5883. 06/12/87 Flac 16/48 - , 151117 Ventura Ventura County Fairgrounds flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 5884. 06/12/87 Flac 24/96 - , 151118 Ventura Ventura County Fairgrounds flac24/96 Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 5885. 06/13/87 Flac 16 - 0, 83752 Ventura Ventura County Fairgrounds flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 5886. 06/13/87 Flac 16 - 0, 83747 Ventura Ventura County Fairgrounds flac16; Source: Audience FOB Recording, Center Media: AKY Recording Supply Custom Wound BASF 100% CrO2 90 min. Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: Wavelab 6.0 Ozone EQ, BBE and L2 for Dither; Resampled using Crystal Sample Rate Converter. Taped by: D. Thompson Transfer by: A. Egert Mastering by: J. Waddell notes 5887. 06/13/87 Shn - 0, 10309 Ventura Ventura County Fairgrounds Matrix SBD>CASS>DAT>CD; via Israel Regardie; Seeded to etree by PainoMan notes 5888. 06/13/87 Flac 16 - 0, 80715 Ventura Ventura County Fairgrounds flac16; Main Source: Master Soundboard Cassette > PCM > DAT> CDR Patch source: MAC (2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)) taped by Tim Alexander; MAC (Nakamichi DR-1 (Dolby B decode)) > Edirol R-09 (24bit/48khz) > Nomad Jukebox 3 > WAV > FLAC notes 5889. 06/13/87 Flac 16 - 0, 77185 Ventura Ventura County Fairgrounds flac16; MAC (2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: MAC (Nakamichi DR-1 (Dolby B decode)) > Edirol R-09 (24bit/48khz) > Nomad Jukebox 3 > WAV > FLAC notes 5890. 06/13/87 Flac 24/48 - 0, 77268 Ventura Ventura County Fairgrounds flac24; SRC: MAC (2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: MAC (Nakamichi DR-1 (Dolby decode)) > Edirol R-09 (24 bit/48 khz) > WAV > FLAC Normalized to 98% Transferred on 8/6/06 by Bill Tetzeli notes 5891. 06/13/87 Shn - 0, 11895 Ventura Ventura County Fairgrounds Master Soundboard Cassette > PCM > DAT> CDR EAC'ed, SHN'ed and Seeded to Etree by Scott Clugston; Also to abgd via Charlie Connor notes 5892. 06/13/87 Flac 24/96 - 0, 135928 Ventura Ventura County Fairgrounds flac24; lineage:beyers 160 fob> tcd-d5> tcd-d5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 5893. 06/13/87 Flac 24/96 - 0, 83748 Ventura Ventura County Fairgrounds flac24/96; Source: Audience FOB Recording, Center Media: AKY Recording Supply Custom Wound BASF 100% CrO2 90 min. Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: Wavelab 6.0 - Ozone EQ, BBE Bass Contour and L2 for Dither. Taped by: D. Thompson Transfer by: A. Egert Mastering by: J. Waddell notes 5894. 06/13/87 Flac 16/48 - , 151119 Ventura Ventura County Fairgrounds flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 5895. 06/13/87 Flac 24/96 - , 151120 Ventura Ventura County Fairgrounds flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 5896. 06/14/87 Flac 16 - 0, 83755 Ventura Ventura County Fairgrounds flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Mille notes 5897. 06/14/87 Flac 16 - 0, 83990 Ventura Ventura County Fairgrounds flac16; Source: Audience FOB Recording, DFC Media: TDK SA-X Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > AES > Sound Devices 722 > WAV Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: D. Thompson Transfer by: A. Egert Mastering by: B. Koucky notes 5898. 06/14/87 Flac 16 - 0, 75505 Ventura Ventura County Fairgrounds flac16; Seamless fix of shn id 11896 - Master Soundboard Cassette > PCM > DAT > CD > WAV > SHN > WAV > FLAC notes 5899. 06/14/87 Shn - 0, 11896 Ventura Ventura County Fairgrounds Master Soundboard Cassette > PCM > DAT> CDR; CD Re-Mastering by Scott Clugston; EAC'ed, SHN'ed and Seeded to Etree by Scott Clugston; Also to abgd via Charlie Connor notes 5900. 06/14/87 Flac 24/48 - 0, 77365 Ventura Ventura County Fairgrounds flac24; SRC: MAC (2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby B decode) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC notes 5901. 06/14/87 Flac 24/96 - 0, 135940 Ventura Ventura County Fairgrounds flac24; lineage:beyers 160 fob> tcd-d5> tcd-d5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 5902. 06/14/87 Flac 24 - 0, 84953 Ventura Ventura County Fairgrounds flac24; Source: Audience FOB Recording, DFC Media: TDK SA-X Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > AES > Sound Devices 722 > WAV Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: D. Thompson Transfer by: A. Egert Mastering by: B. Koucky notes 5903. 06/14/87 Flac 16 - 0, 77364 Ventura Ventura County Fairgrounds flac16; SRC: MAC (2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby B decode)> Tascam HD-P2 (pass through) > Waveterminal U2A > Inspiron 8000 > WAV > FLAC notes 5904. 06/14/87 Shn Mtx. - 0, 17347 Ventura Ventura County Fairgrounds Matrix SBD>CASS>DAT>CD; via Israel Regardie notes 5905. 06/14/87 Flac 24/96 - , 151122 Ventura Ventura County Fairgrounds flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 5906. 06/14/87 Flac 16/48 - , 151121 Ventura Ventura County Fairgrounds flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 5907. 06/19/87 Flac 16 - 0, 83765 Berkeley Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 5908. 06/19/87 Shn - 0, 11942 Berkeley Greek Theatre, University Of California Master Soundboard Cassette> DAT> CDR; EAC'ed/SHN'ed & Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor notes 5909. 06/19/87 Shn - 0, 11560 Berkeley Greek Theatre, University Of California SBD>Cm>PCM>Dat>CD; Missing Drums/Space; via C. Miller; Seeded to etree by C. Ladner notes 5910. 06/19/87 Flac 16 - 0, 138259 Berkeley Greek Theatre, University Of California flac16; Source: Audience recording > Schoeps omnis > pcm > dat (44.1k); Recorded by Robert Bryant (patched out of the Oades) and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; dited and mastered SIRMick May 2017 notes 5911. 06/19/87 Flac 16 - 0, 104894 Berkeley Greek Theatre, University Of California flac16; Source: (OTS) Nakamichi cm300/cp4->Sony D-5M(Dolby B Encoded)->Maxell MX90; Lineage: MAC->Sony D-5M(Dolby B Decoded)->Korg MR-1000 (1 Bit/5.6 MHz)->Korg AudioGate->(16/44.1) wav.->SF8->flac Taped by Dave Barfield and/or Dave Lane; Transferred and Seeded by M. Watson notes 5912. 06/19/87 Flac 16/44,1 - 0, 138871 Berkeley Greek Theatre, University Of California flac16 44.1khz AKG 460 Preis W/CK61 Caps > Uher Cr240. Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Trader's Little Helper. Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon notes 5913. 06/19/87 Flac 24/96 - 0, 138872 Berkeley Greek Theatre, University Of California flac24 96 khz AKG 460 Preis W/CK61 Caps > Uher Cr240. Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Trader's Little Helper. Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon notes 5914. 06/19/87 Flac 24/96 - 0, 135307 Berkeley Greek Theatre, University Of California flac24; Source: Previously unreleased Cassette original master. Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/Triad Metal-Position MG-X 90 -> JVC TD-W354 -> (analog) Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24; Recorded, tracked and seeded by bltz notes 5915. 06/19/87 Flac 16 - 0, 81604 Berkeley Greek Theatre, University Of California flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes 5916. 06/20/87 Flac 16 - 0, 93080 Berkeley Greek Theatre, University Of California flac16; Recording Info:SBD -> PCM -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 5917. 06/20/87 Flac - 0, 93886 Berkeley Greek Theatre, University Of California DTS Audio 5.1; DTS-Audio-CD 5.1 Mix of SBD (ShnID = 93080) and AUD (ShnID = 77988). See info file for details. notes 5918. 06/20/87 Flac 16 - 0, 83766 Berkeley Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 5919. 06/20/87 Shn - 0, 11943 Berkeley Greek Theatre, University Of California Master Soundboard Cassette> DAT> CDR; EAC'ed/SHN'ed & Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor notes 5920. 06/20/87 Flac 16 - 0, 77988 Berkeley Greek Theatre, University Of California flac16; Taped by Robert Bryant w/ AKG 414 B/TL mics, cardioid pattern with windscreens, ORTF-> Oade PS-> Sony PCM F1. Transfer: PCM 601-> Sony DTC2000ES DAT-> M-Audio Delta 410-> Soundforge -> Samplitude Professional V8.01 -> waves X Crackle -> ffe l6 Transfered by Rich Gastwirt. edited by Bob Loy. notes 5921. 06/20/87 Shn - 0, 11561 Berkeley Greek Theatre, University Of California SBD/Matrix>Cm>PCM>DAT>CD; via cm; Seeded to etree by neo_levo notes 5922. 06/20/87 Flac 16 - 0, 138260 Berkeley Greek Theatre, University Of California flac16; Source: AKG 414 B/TL cardioids > ORTF > Oade PS > Sony PCM FI > dat (44.1); Recorded by Robert Bryant and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick May 2017 notes 5923. 06/20/87 Flac 24 - 0, 124397 Berkeley Greek Theatre, University Of California flac24; Taper: Danny Thompson; Editing: Joe D'Amico; AKG C 460 Mics W/ CK61 Capsules > Uher Cr 240 Tape Deck; Master Tapes > Nak Dragon > Korg MR-1000 > Adobe Audition CS6 > Traders Little Helper; FOB About 9th Row Jerry's Side notes 5924. 06/20/87 Flac 24/96 - 0, 135308 Berkeley Greek Theatre, University Of California flac24; Source: Previously unreleased Cassette original master. Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/ (Triad Metal-Position MG-X 90 for Set 1 and Maxell MX 90 for Set 2) -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24; Recorded, tracked and seeded by bltz notes 5925. 06/20/87 Flac 16 - 0, 124398 Berkeley Greek Theatre, University Of California flac16; Taper: Danny Thompson; Editing: Joe D'Amico; AKG C 460 Mics W/ CK61 Capsules > Uher Cr 240 Tape Deck; Master Tapes > Nak Dragon > Korg MR-1000 > Adobe Audition CS6 > Traders Little Helper; FOB About 9th Row Jerry's Side notes 5926. 06/20/87 Flac 16 - 0, 81744 Berkeley Greek Theatre, University Of California flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes 5927. 06/20/87 Flac 16 - 0, 146928 Berkeley Greek Theatre, University Of California flac16; MAC; Sennheiser 441s(left of board) > Sony D5 > Maxell XLII90 + Maxell MX90; Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3> Lynx AES16> .wav @24/88.2> WaveLab 7.2.1> UAD-2> Crystal Resampler/UV22HR> .wav @16/44.1> xAct> flac16 notes 5928. 06/21/87 Flac 16 - 0, 83767 Berkeley Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 5929. 06/21/87 Shn - 0, 11497 Berkeley Greek Theatre, University Of California Missing China Doll & Drums; SBD>Cm>PCM>Dat>CD; via C Miller; Seeded to etree by Chris L notes 5930. 06/21/87 Shn - 0, 17348 Berkeley Greek Theatre, University Of California SBD Source: SBD>PCM>CASS>DAT>CD; AUD Source: AUD>PCM>DAT>CD; via Sir Peter Pendragon notes 5931. 06/21/87 Flac 16 - 0, 76379 Berkeley Greek Theatre, University Of California flac16; AKG 414 B/TL mics, cardioid pattern, with windscreens, ORTF -> Oade PS -> Sony PCM F1. Transfer: PCM 601 -> Sony DTC2000ES DAT -> M-Audio Delta 410 -> Soundforge. Transfered by Rich Gastwirt.(set1 Wavelabs 3 - Isotope Ozone raised level 3db to -.1) -> Tracking w/ Audacity -> FFE L6 sbe's verified w/ shntool. Editing track and flac by Bob Loy notes 5932. 06/21/87 Flac 16 - 0, 138261 Berkeley Greek Theatre, University Of California flac16; Source: AKG 414 B/TL cardioids > ORTF > Oade PS > Sony PCM FI > dat (44.1); Taped by Robert Bryant and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick May 2017 notes 5933. 06/21/87 Flac 24/96 - 0, 135385 Berkeley Greek Theatre, University Of California flac24; Source: Previously unreleased Cassette original master. Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/Maxell MX 90 -> JVC TD-W354 (analog) -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24 notes 5934. 06/21/87 Flac 16 - 0, 81798 Berkeley Greek Theatre, University Of California flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes 5935. 06/21/87 Shn - 0, 13567 Berkeley Greek Theatre, University Of California 1st Set and Encore: Nak CM300 Audience source 2nd Set: Master Soundboard Cassette> ?? > DAT> CDR notes 5936. 06/21/87 Flac 16/48 - 0, 152598 Berkeley Greek Theatre, University Of California flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496 notes 5937. 06/21/87 Flac 24/96 - 0, 152599 Berkeley Greek Theatre, University Of California flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496 notes 5938. 06/26/87 Flac 16 - 0, 131214 East Troy Alpine Valley Music Theatre flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD notes 5939. 06/26/87 Shn - 0, 8138 East Troy Alpine Valley Music Theatre AUD> Nakamichi 300 microphones> Sony D5 deck> master cassette; Playback/CD Transfer: Master cassette played on Denon DRM740 and fed to Tascam CDRW700; Recorded, transferred by Scott Bille; Eac(secure)> Shn by Greg Kerbel; Seeded through the 80's Audience Perma-Tree, BUDD, Philzone; see flaw notes in info file notes 5940. 06/27/87 Flac 16 - 0, 117502 East Troy Alpine Valley Music Theatre flac16; Sennheiser MD421's (X/Y/35 Ft. Away From Left Lawn Stack/6' High)> Sony TC-D5M Tapes:TDK MA Set 1,Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 5941. 06/27/87 Flac 24/48 - 0, 117501 East Troy Alpine Valley Music Theatre flac24; Sennheiser MD421's (X/Y/35 Ft. Away From Left Lawn Stack/6' High)> Sony TC-D5M Tapes:TDK MA Set 1,Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software notes 5942. 06/27/87 Flac 16 - 0, 89731 East Troy Alpine Valley Music Theatre flac16; taper : Joe D'Amico nak 300 mics > sony d-5 front of board nak dragon tape deck > sony sbm1 > creative extigy sooundcard > cool edit pro > flac frontend notes 5943. 06/27/87 Shn - 0, 8139 East Troy Alpine Valley Music Theatre AUD> Nakamichi 300 microphones> Sony D5 deck> master cassette; Playback/CD Transfer: Master cassette played on Denon DRM740 and fed to Tascam CDRW700; Recorded, transferred by Scott Bille; Eac(secure)> Shn by Greg Kerbel; Seeded through the 80's Audience Perma-Tree, BUDD, Philzone; see flaw notes in info file notes 5944. 06/27/87 Flac 16 - 0, 131215 East Troy Alpine Valley Music Theatre flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD notes 5945. 06/27/87 Flac 24/96 - 0, 148849 East Troy Alpine Valley Music Theatre flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 5946. 06/27/87 Flac 16/48 - 0, 148848 East Troy Alpine Valley Music Theatre flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5947. 06/28/87 Flac 16 - 0, 117535 East Troy Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Darby Sennheiser MD421's (X/Y/35 Feet Away From Left Lawn Stack/6 Feet High)> Sony TC-D5M>Tapes:Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked Metadata Tagging With Korg Aqua To 16/44 By Keo notes 5948. 06/28/87 Flac 24/48 - 0, 117534 East Troy Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Darby Sennheiser MD421's (X/Y/35 Feet Away From Left Lawn Stack/6 Feet High)> Sony TC-D5M>Tapes:Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 5949. 06/28/87 Shn - 0, 8140 East Troy Alpine Valley Music Theatre AUD> Nakamichi 300 microphones> Sony D5 deck> master cassette; Playback/CD Transfer: Master cassette played on Denon DRM740 and fed to Tascam CDRW700; Recorded, transferred by Scott Bille; Eac(secure)> Shn by Greg Kerbel; Seeded through the 80s Audience Perma-Tree, BUDD, Philzone; see flaw notes in info file notes 5950. 06/28/87 Flac 16 - 0, 89976 East Troy Alpine Valley Music Theatre flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend notes 5951. 06/28/87 Flac 16 - 0, 131216 East Troy Alpine Valley Music Theatre flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD notes 5952. 06/28/87 Flac 16 - 0, 105601 East Troy Alpine Valley Music Theatre flac16; Front Row Lawn DFC 2 Nakamichi CM100s/CP4>Nakamichi550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B on Maxell MX90 cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes 5953. 06/30/87 Shn - 0, 13442 Maple Kingswood Music Theater Primary Source: Ultra Matrix MSC>DAT>CDR>EAC>SHN (Seekable) Patch Source: AUD (mic. unk) > DAT > CDR > SHN notes 5954. 06/30/87 Shn - 0, 34404 Maple Kingswood Music Theater Seamless fix of shn id 13443 - Ultra Matrix MSC>DAT>CDR>EAC>SHN (Seekable)w/AUD patches notes 5955. 06/30/87 Shn - 0, 8577 Maple Kingswood Music Theater AUD (mic. unk) > DAT > CDR > SHN; DAE (EAC)> SHN (MKWACT)> FTP via C. Ladner; with thanks to Paul B. for the seeds notes 5956. 06/30/87 Flac 16 - 0, 136800 Maple Kingswood Music Theater flac16; Sbd > ? > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 notes 5957. 06/30/87 Flac 16 - 0, 136770 Maple Kingswood Music Theater flac16; Set 2 only - Audience > unknown > cassette (John) > Sony TC-R303 > Zoom h4n > Audition CC 2015 > shntool > TLH notes 5958. 06/30/87 Flac 24 U Mtx - 0, 141750 Maple Kingswood Music Theater flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5959. 06/30/87 Flac 16 - 0, 141896 Maple Kingswood Music Theater flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 5960. 06/30/87 Flac 24/96 - 0, 148702 Maple Kingswood Music Theater flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 5961. 06/30/87 Flac 16/48 - 0, 148701 Maple Kingswood Music Theater flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5962. 06/??/87 Shn - 0, 97489 San Rafael Club Front Rehearsal material from soundboard cassette masters > DAT > CD-R > ? > SHN notes 5963. 06/??/87 Flac 16/48 - 0, 147314 San Rafael Club Front flac16/48khz source: cassette (soundboard) > DAT > Maxell DM 120 Digital Audio Tape Back Coated (DAT clone 26-11-1996 from Jed) > ***Transfer 15-May-2019 by LTA*** TASCAM DA-30 Digital Audio Tape Recorder (Digital Output Coaxial S/PDIF IEC 958 Type II) > Cable Mountain 24k Gold Plated Single RG59 Shielded Coaxial Phono Cable for SPDIF/Digital Audio > M-Audio MicroTrack II Professional 2-Channel Mobile Digital Recorder (S/PDIF) (WAV 16/48) > Hi-Speed USB Revision 2.0 Shielded 28AWG/2C+28AWG/2C E101344 AVM Style 2725 80° C 30 V Space Shuttle-C > AppleUSBXHCIAR USB 3.1 Bus > iMac18,3 4,2 GHz Intel Core i7 / macOS Mojave 10.14.4 (18E226) > WAV 16/48 > HairerSoft Amadeus Pro 2.4.7 (2023) (balance, tracking) > iZotope RX 7 Audio Editor (64 bit) 7.00.218 > xACT 2.47 (7974) > FLAC16/48 notes 5964. 07/02/87 Shn - 0, 6473 Rochester Silver Stadium update: Healy Ultramix > cass> DAT > CDR > EAC > addawav> CDWave > mkwACT; EAC> Seeded by Doug Nawrocki notes 5965. 07/02/87 Flac 16 - 0, 115813 Rochester Silver Stadium flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes 5966. 07/02/87 Flac 24/96 - 0, 115812 Rochester Silver Stadium flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz notes 5967. 07/02/87 Flac 16 - 0, 35441 Rochester Silver Stadium flac16; Seamless fix of shn id 22057 - First Set:Healy Ultramix > C > DAT > CDR > *EAC > CDWave > SHN > (WAV > FLAC) Second Set: Beyer M88's>Sony TCD5M>CM (Note: The original .flac file set had replay gain applied; it should not be circulated.) Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 5968. 07/02/87 Flac 24/96 - 0, 134827 Rochester Silver Stadium flac24; Source: Nakamichi CM-300s With Shotguns -> Sony Walkman Pro/Maxell XL2-S 90 (Original Master -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes 5969. 07/02/87 Shn - 0, 22057 Rochester Silver Stadium Primary Source: Charlie Connor's Cassette Master Secondary Source: Healy Ultramix Previously seeded by Doug Nawrocki; The Secondary Source supplies all of the first set and Patches at 0:04-0:24 and 01:35-01:45 of D3t01 (Space). In my most definitely biased opinion the Aud is a slightly better mix. posted to abgd and tol via Charlie Connor notes 5970. 07/02/87 Flac 24/96 - 0, 138305 Rochester Silver Stadium flac24; source: beyers 160 fob>sony d-5>mc> c; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 5971. 07/02/87 Flac 24/96 - 0, 150917 Rochester Silver Stadium flac24 Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 All Transfers and Mastering By Charlie Miller notes 5972. 07/02/87 Flac 16/44 - 0, 151601 Rochester Silver Stadium flac16/44khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 All Transfers and Mastering By Charlie Miller - 150917 24 -> 16 @ 44.1 notes 5973. 07/04/87 Flac 16 - 0, 101650 Foxboro Sullivan Stadium flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes 5974. 07/04/87 Shn - 0, 97513 Foxboro Sullivan Stadium Soundboard > ? > SHN notes 5975. 07/04/87 Flac 16 - 0, 106724 Foxboro Sullivan Stadium flac16; Master: Nakamichi CM300's/CP1's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 5976. 07/04/87 Flac 16 - 0, 87743 Foxboro Sullivan Stadium flac16; AUD Source: First gen cassettes (MAC > C) from unknown equipment Transfer: TDK SA-90's > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes 5977. 07/04/87 Flac 16 - 0, 139594 Foxboro Sullivan Stadium flac16; Dan McSheffrey recording: (FOB) AKG 460/CK2 > PCM (Sony PCM-F1) > Dat (44.1k); Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel: wav 16/44 > flac 16/44; Checksum & tags created in xACT notes 5978. 07/04/87 Flac 16/48 - 0, 143052 Foxboro Sullivan Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 101650) Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139594) Dan McSheffrey recording: (FOB) AKG 460/CK2 > PCM (Sony PCM-F1) > Dat (44.1k); Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel: wav 16/44 > flac 16/44; Checksum & tags created in xACT - surround mixing by Kevin Tobin notes 5979. 07/04/87 Flac Dts 5.1 - 0, 143049 Foxboro Sullivan Stadium DTS-Audio-CD 5.1 Mix;; SBD (shnid = 101650) Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139594) Dan McSheffrey recording: (FOB) AKG 460/CK2 > PCM (Sony PCM-F1) > Dat (44.1k); Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel: wav 16/44 > flac 16/44; Checksum & tags created in xACT - dts mixing by Kevin Tobin notes 5980. 07/04/87 Flac 16 Mtx - 0, 143048 Foxboro Sullivan Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 101650) Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139594) Dan McSheffrey recording: (FOB) AKG 460/CK2 > PCM (Sony PCM-F1) > Dat (44.1k); Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel: wav 16/44 > flac 16/44; Checksum & tags created in xACT - matrix mixing by Kevin Tobin notes 5981. 07/04/87 Shn - 0, 3858 Foxboro Sullivan Stadium FOB> aud> senn me80> cassette master> cdr; conversion by Mike Lai from Bruce Fried DAT notes 5982. 07/04/87 Shn - 0, 30370 Foxboro Sullivan Stadium FOB> aud> senn me80> cassette master> cdr; This apprears to be shn id 3858 with undocumented changes to d3t01 and d3t03 via archive.org notes 5983. 07/04/87 Flac 24/96 - 0, 136316 Foxboro Sullivan Stadium flac24; source: neuman kmr 81>sony d-5>mc> c; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes 5984. 07/04/87 Flac 24/96 - 0, 145605 Foxboro Sullivan Stadium flac24; Michael Hessberg's Master Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes 5985. 07/04/87 Flac 16/48 - 0, 145604 Foxboro Sullivan Stadium flac16/48kHz; Michael Hessberg's Master Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5986. 07/06/87 Flac 16 - 0, 84623 Pittsburgh Civic Arena flac16; Source: 2 Sennheiser 421s > Sony D5 > Sony D5 > TDK; Transfer: Master Cassettes > Nakamichi Dragon > Kind Kables > Lunatec V3 > coax > Audiophile 2496 > WaveLab 5 > WAV @24/96 > TLH > FLAC24; Editing : FLAC24 > Wavelab 5.0 using Ozone and L3 for dither > FLAC16 notes 5987. 07/06/87 Flac 16 U Mtx - 0, 138790 Pittsburgh Civic Arena flac16; Recording Info: UltraMatrix SBD > PCM Master; Transfer Info: PCM Master (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes 5988. 07/06/87 Flac 24 U Mtx - 0, 142086 Pittsburgh Civic Arena flac24; Recording Info: UltraMatrix SBD > Beta HiFi Master (TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 5989. 07/06/87 Flac 16 - 0, 142087 Pittsburgh Civic Arena flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes 5990. 07/06/87 Flac 16 U Mtx - 0, 142126 Pittsburgh Civic Arena flac16; Recording Info: UltraMatrix SBD > Beta HiFi Master (TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 5991. 07/06/87 Shn - 0, 2583 Pittsburgh Civic Arena AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, and posted to abgd by Charlie Connor notes 5992. 07/06/87 Shn - 0, 3829 Pittsburgh Civic Arena unknown AUD> ?> CDR> EAC> cdwav> shn; via Tony Gardner with thanks to Willy Keats notes 5993. 07/06/87 Flac 24/96 - 0, 134826 Pittsburgh Civic Arena flac24; Source: Nakamichi CM-300s With Shotguns -> Sony Walkman Pro/Maxell XL2-S 90 (Original Master -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes 5994. 07/06/87 Flac 24/96 - 0, 148855 Pittsburgh Civic Arena flac24; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 5995. 07/06/87 Flac 16/48 - 0, 148854 Pittsburgh Civic Arena flac16/48kHz; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 5996. 07/07/87 Flac 16 - 0, 124756 Roanoke Roanoke Civic Center flac16; Recording: Schoeps CMC44 (OTS) > Oade Power Supply > Sony PCM-F1 (with Apogee modified A/D filters) by Sean Weber-Small; Transfer: DAT Clone @ 44.1 kHz with pre-emphasis on. Sony PCM-2600 > Turtle Beach Fiji > Soundforge 4.5 > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig notes 5997. 07/07/87 Flac 16 - 0, 35152 Roanoke Roanoke Civic Center flac16; Source: Nakamichi 300s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8). Transfer/mastering/encoding/initial torrenting at bt.etree.org via C.Ladner, June 2006. notes 5998. 07/07/87 Shn - 0, 2584 Roanoke Roanoke Civic Center AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred and posted to abgd by Charlie Connor notes 5999. 07/07/87 Flac 16 - 0, 82271 Roanoke Roanoke Civic Center flac16; Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. notes 6000. 07/07/87 Shn - 0, 2309 Roanoke Roanoke Civic Center Schoeps > PCM > DAT > CD > EAC > SHN; [no info file?]; via Steve Wigley, Randy to offers notes 6001. 07/07/87 Flac 16 - 0, 102909 Roanoke Roanoke Civic Center flac16; Recorded by Dave Cohen 4th row behind Board, DFC (Sec.LT4, Row D, Seat 2) 2 Nakamichi CM100s/CP4>Sony TCD5M w/ Dolby Maxell MX90 cassettes Master Cassettes were played back with Azimuth adjustment and Dolby decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager notes 6002. 07/08/87 Flac 16 - 0, 90146 Roanoke Roanoke Civic Center flac16; Recording Info: SBD -> Cassette Master -> Dat -> FLAC Transfer Info: FLAC -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes 6003. 07/08/87 Shn - 0, 1600 Roanoke Roanoke Civic Center FOB aud.->DAT->WAV->SHN; can fit on 2x80; via DonBean?; note no md5s with shn set- ones shown here were generated by Joe Sary after download notes 6004. 07/08/87 Flac 16 - 0, 142149 Roanoke Roanoke Civic Center flac16; Set 2 Source: (FOB) Schoeps cmc mk4 (ortf) > pcm > dat - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited an mastered SIRMick June 2018 notes 6005. 07/08/87 Shn - 0, 2318 Roanoke Roanoke Civic Center AUD (taper's section)> Beyer Dynamic M88's> D5 (CM)> Nak MR2 (Playback)> Panasonic 3700 (ADC only, no DAT stage)> ZA2> Sound Forge (crossfading over tape flips only)> CDRx1> EAC> SHN; taped by Charlie Connor; A>D conversion by Stephen Agan; via Charlie Connor to abgd notes 6006. 07/08/87 Flac 16 - 0, 124757 Roanoke Roanoke Civic Center flac16; Recording: Schoeps CMC44 (OTS) > Oade Power Supply > Sony PCM-F1 (with Apogee modified A/D filters) by Sean Weber-Small; Transfer: DAT Clone @ 44.1 kHz with pre-emphasis on. Sony PCM-2600 > Turtle Beach Fiji > Soundforge 4.5 > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig notes 6007. 07/08/87 Flac 24/96 - 0, 134871 Roanoke Roanoke Civic Center flac24; Source: Nakamichi CM-300s/2-Mic CP-4 super-directional shotgun capsule -> Sony Walkman Pro/Maxell XLII-S 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes 6008. 07/08/87 Flac 16 - 0, 105726 Roanoke Roanoke Civic Center flac16; Recorded by Dave Cohen 5th row behind Board, DFC (Sec LT5 Row E Seat 5) 2 Nakamichi CM100s/CP4>Sony TCD5M w/Dolby Maxell MX90s cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby Decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Transferred by Dave Cohen November 2009. notes 6009. 07/08/87 Flac 16 - 0, 35339 Roanoke Roanoke Civic Center flac16; Source: Taper's section at the SBD, Nakamichi 300s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8) Transfer/mastering/encoding/initial torrenting at bt.etree.org via C.Ladner notes 6010. 07/08/87 Shn - 0, 3343 Roanoke Roanoke Civic Center FOB Schoeps > PCM > DAT @ 44.1 khz; DAT > CD Conversion: Don Becker; Equipment: PCM-M1 > Oade Active Cable > Sek'd Prodif Plus > Samplitude v5.5 > CDWAV notes 6011. 07/10/87 Flac 16 - 0, 101651 Philadelphia John F Kennedy Stadium flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes 6012. 07/10/87 Shn - 0, 97490 Philadelphia John F Kennedy Stadium Soundboard > ? > SHN (One track patched from an unknown audience source.) (An alternate file set from this show also circulates possibly representing an EAC version.) notes 6013. 07/10/87 Flac 16/48LPCM - 0, 135282 Philadelphia John F Kennedy Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid 87266) AUD: Nakamichi CM-700's > patched from one Sony D5 > Sony TC-D5M > Maxell MX-90's (no Dolby), set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. - mixing by Kevin Tobin notes 6014. 07/10/87 Flac Dts 5.1 - 0, 134281 Philadelphia John F Kennedy Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=101651) Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid 87266) AUD: Nakamichi CM-700's > patched from one Sony D5 > Sony TC-D5M > Maxell MX-90's (no Dolby), set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. - dts mixing by Kevin Tobin notes 6015. 07/10/87 Flac 16 Mtx - 0, 135276 Philadelphia John F Kennedy Stadium flac16; Matrix 2 Source Mix - SBD (shnid=101651) Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid 87266) AUD: Nakamichi CM-700's > patched from one Sony D5 > Sony TC-D5M > Maxell MX-90's (no Dolby), set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. - matrix mixing by Kevin Tobin notes 6016. 07/10/87 Shn - 0, 93077 Philadelphia John F Kennedy Stadium Soundboard (except Queen Jane Approximately) notes 6017. 07/10/87 Shn - 0, 3859 Philadelphia John F Kennedy Stadium FOB> aud> senn me80> cassette master> cdr; conversion by Mike Lai from Bruce Fried DAT notes 6018. 07/10/87 Flac 16 - 0, 116336 Philadelphia John F Kennedy Stadium flac16; Set 1 Only Source: Nakamichi cm300/cp4's > Sony D5; Lineage: Cass/2 > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded: Rob ?; Transferred: Jeff Bowen; Extraction: Brad Foster notes 6019. 07/10/87 Flac 16 - 0, 102170 Philadelphia John F Kennedy Stadium flac16; Nak 300 Mics > Sony D-5 Taper: Rob Editing: Joe D'Amico "AKA" Joebeacon This Is From My 1st Gen Tape . My Buddy Rob Taped This Up Front Way In Front Of The Board notes 6020. 07/10/87 Flac 16 - 0, 87266 Philadelphia John F Kennedy Stadium flac16; AUD: Nakamichi CM-700's > patched from one Sony D5 > Sony TC-D5M > Maxell MX-90's (no Dolby), set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes 6021. 07/10/87 Flac 24 UMtx. - 0, 149828 Philadelphia John F Kennedy Stadium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6022. 07/10/87 Flac 24 - 0, 149827 Philadelphia John F Kennedy Stadium flac24; Recording Info: SBD (Mono) > Beta HiFi Master (TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6023. 07/10/87 Flac 16 - 0, 149959 Philadelphia John F Kennedy Stadium flac16; Recording Info: SBD (Mono) > Beta HiFi Master (TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 6024. 07/10/87 Flac 16 U Mtx. - 0, 149955 Philadelphia John F Kennedy Stadium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 6025. 07/12/87 Flac 16 - 0, 84266 East Rutherford Giants Stadium flac16; Recording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes 6026. 07/12/87 Flac 16 - 0, 84935 East Rutherford Giants Stadium flac16; Pitch adjusted version of Source A (Entire GD set, last 3 tracks): likely AUD FOB CM> C> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz; A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); Source B (first 3 songs of Dylan set): Unknown AUD Source C (d2t13-d3t08): Unknown SBD Edit: SHNs > WAV > time/pitch stretching in CE Pro (see below) > FLAC by Bill Tetzeli notes 6027. 07/12/87 Shn - 0, 97491 East Rutherford Giants Stadium Soundboard > ? > SHN (except AUD PCM>DAT 1st 3 tracks) notes 6028. 07/12/87 Shn - 0, 3860 East Rutherford Giants Stadium SBD; via Stephen Agan, Mike Lai; Note- This is an aud recording except (apparently) for a few of the 'w/Dylan' tracks; See the 'user comments' for details notes 6029. 07/12/87 Flac 16 - 0, 106804 East Rutherford Giants Stadium flac16; 48k trade dat described as AUD PCM>DAT; Transfer 3/31/10: 48k dat > midiman delta dio 2496 > cooledit > wav > flac; cooledit used to convert to 44k at highest quality, for splitting tracks, patching, and editing notes 6030. 07/12/87 Flac Dts 5.1 - 0, 137180 East Rutherford Giants Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=84266) SRecording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid=406819) Master: Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick - DTS mixing by Kevin Tobin notes 6031. 07/12/87 Flac16 Mtx - 0, 137179 East Rutherford Giants Stadium flac16; Matrix 2 Source Mix - SBD (shnid=84266) Recording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid=406819) Master: Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick - matrix mixing by Kevin Tobin notes 6032. 07/12/87 Flac 16 - 0, 137298 East Rutherford Giants Stadium flac16; Set 3 Audience Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400->Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; Track, FLAC and Pack by Drew Frazer 16 bit 44.1kHz notes 6033. 07/12/87 Flac 16 - 0, 142137 East Rutherford Giants Stadium flac16; Source Info: 1st & 2nd Set: (FOB) Schoeps > PCM > PCM; 3rd Set: (FOB) Schoeps > PCM > Dat > CD (shnid 84266); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 6034. 07/12/87 Flac 16 - 0, 144301 East Rutherford Giants Stadium flac16; Set 3 Source info: SBD > Sony CCD-V90 (Patched out of screen feed) > 8mm Master (Maxell P6 120) Transfer: Master 8mm > Sony DCR-TRV230 > Datvideo TBC100 > ATI Wonder HD 600 > USB > HD > VirtualDub (.avi) > TMPGEnc Video Mastering 6 > WaveLab 6.0 > RBrain Pro > Flac 16/44 Taped by Don Pearson, Tapes Provided by Charlie Miller, Transfer and Mastered by Kevin Tobin notes 6035. 07/12/87 Flac 16 Mtx - 0, 144319 East Rutherford Giants Stadium flac16; Matrix 2 Source Mix - Set 3 Source Info: SBD (shnid=144301) SBD > Sony CCD-V90 (Patched out of screen feed) > 8mm Master (Maxell P6 120) Transfer: Master 8mm > Sony DCR-TRV230 > Datvideo TBC100 > ATI Wonder HD 600 > USB > HD > VirtualDub (.avi) > TMPGEnc Video Mastering 6 > WaveLab 6.0 > RBrain Pro > Flac 16/44 Taped by Don Pearson, Tapes Provided by Charlie Miller, Transfer and Mastered by Kevin Tobin + AUD (shnid=84266) (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin notes 6036. 07/12/87 Flac 16 Dts - 0, 144320 East Rutherford Giants Stadium DTS-Audio-CD 5.1 Mix; Set 3 Source Info: SBD (shnid=144301) SBD > Sony CCD-V90 (Patched out of screen feed) > 8mm Master (Maxell P6 120) Transfer: Master 8mm > Sony DCR-TRV230 > Datvideo TBC100 > ATI Wonder HD 600 > USB > HD > VirtualDub (.avi) > TMPGEnc Video Mastering 6 > WaveLab 6.0 > RBrain Pro > Flac 16/44 Taped by Don Pearson, Tapes Provided by Charlie Miller, Transfer and Mastered by Kevin Tobin + AUD (shnid=84266) (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin notes 6037. 07/12/87 Flac 16/48 - 0, 144321 East Rutherford Giants Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k)Set 3 Source Info: SBD (shnid=144301) SBD > Sony CCD-V90 (Patched out of screen feed) > 8mm Master (Maxell P6 120) Transfer: Master 8mm > Sony DCR-TRV230 > Datvideo TBC100 > ATI Wonder HD 600 > USB > HD > VirtualDub (.avi) > TMPGEnc Video Mastering 6 > WaveLab 6.0 > RBrain Pro > Flac 16/44 Taped by Don Pearson, Tapes Provided by Charlie Miller, Transfer and Mastered by Kevin Tobin + AUD (shnid=84266) (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller - surround mixing by Kevin Tobin notes 6038. 07/12/87 Shn - 0, 3422 East Rutherford Giants Stadium AUD FOB CM> C> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz; A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); via Charlie Connor, Paino Man to abgd; d2 tracked for 80 min notes 6039. 07/12/87 Flac 16 - 0, 137381 East Rutherford Giants Stadium flac16; Set 1 & 2: FOB AKG460 Omni (no other info given); Set 3: Unknown (likely the same source as #106804); DAT(c) @ 44.1 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (align on sector boundaries, flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell notes 6040. 07/12/87 Flac 16 - 0, 106819 East Rutherford Giants Stadium Master: Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 6041. 07/12/87 Flac 24/96 - 0, 149438 East Rutherford Giants Stadium flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 6042. 07/12/87 Flac 16/48 - 0, 149437 East Rutherford Giants Stadium flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 6043. 07/19/87 Shn - 0, 97492 Eugene Autzen Stadium, University Of Oregon Soundboard > ? > SHN notes 6044. 07/19/87 Shn Mtx - 0, 13023 Eugene Autzen Stadium, University Of Oregon Source: Matrix DSBD>D>CD-R>EAC (0.93) >SHN (MKWACT 97) via JR Fishman notes 6045. 07/19/87 Flac - 0, 97651 Eugene Autzen Stadium, University Of Oregon Primary source: Soundboard Sony multi-track PCM master > mixdown cassette [recorded on Sony TCD5M] > Sony F1 PCM Beta tape > PCM Beta clone > CD [digital transfer with HHB standalone]. with splices from: Secondary source: Unknown lineage (low gen.) audience recording from PCM Beta tape copy Combination REMASTER info: Audience PCM Beta tape > Sony SL-HF900 Beta deck > Sony PCM601ESD interface and Soundboard CD received in trade > Macintosh with DigiDesign AudioMedia III soundcard > Pro Tools [speed match, seamless edits, normalization and tracking] > AIFF > xACT (FLAC level 8 files with sector boundaries verified). md5 file created with checkSUM+. No equalization or noise reduction was used in the remastering process. [Torrented at Dime-A-Dozen] notes 6046. 07/19/87 Shn - 0, 17352 Eugene Autzen Stadium, University Of Oregon AUD Source (Discs 1 & 2): AUD>CASS>DAT>CD; SBD Source (Disc 3): SBD>?>CD; via Sir Peter Pendragon notes 6047. 07/19/87 Flac 16 - 0, 136765 Eugene Autzen Stadium, University Of Oregon flac16; Healy matrix -> PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; tracking with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm notes 6048. 07/19/87 Flac 16 - 0, 137294 Eugene Autzen Stadium, University Of Oregon flac16; Set 3 Unknown Audience recording; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400->Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; Track, FLAC and Pack by Drew Frazer notes 6049. 07/19/87 Flac 16/48 - 0, 141646 Eugene Autzen Stadium, University Of Oregon flac16/48kHz; Set 3 Dsdb>cassette>Dat>clone to me>File cloned in Microtrack>Goldwave tracking and removal of gaps between songs>TLH8 notes 6050. 07/19/87 Flac 24 UMtx. - 0, 149748 Eugene Autzen Stadium, University Of Oregon flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24 notes 6051. 07/19/87 Flac 16 - 0, 149779 Eugene Autzen Stadium, University Of Oregon flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 6052. 07/19/87 Flac 24/96 - 0, 152143 Eugene Autzen Stadium, University Of Oregon Flac 24/96 Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496 notes 6053. 07/19/87 Flac 16/48 - 0, 152142 Eugene Autzen Stadium, University Of Oregon Flac 16.48 Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496 notes 6054. 07/24/87 Shn - 0, 97484 Oakland Oakland-Alameda County Stadium Soundboard > ? > SHN notes 6055. 07/24/87 Flac 16 - 0, 97493 Oakland Oakland-Alameda County Stadium flac16; Lineage: Primary Source: Soundboard Sony Multi-track PCM Master > Mixdown Cassette [recorded On Sony TCD5M] > Sony F1 PCM Beta Tape > Beta PCM Clone > CD [digital Transfer To Hhb Standalone] With Splices From: Secondary Source: Dan Healy's Audience Master - Microphones Hung In Front Of The House Sound Booth Above The Crowd > Sony F1 PCM Beta Tape Master > Beta PCM Clone > CD [digital Transfer To HHB Standalone] Combination Remaster Info: CD's > Macintosh with DigiDesign AudioMedia III soundcard > Pro Tools [speed match, seamless edits, normalization and tracking] > AIFF > xACT (FLAC level 8 files with sector boundaries verified). md5 file created with checkSUM+. No equalization or noise reduction was used in the remastering process notes 6056. 07/24/87 Flac 16 - 0, 92568 Oakland Oakland-Alameda County Stadium flac16; Hat-Mounted Realistic PZM's with Sony WMD6-C, taped from 60 feet away,dead center, using Maxell MX 90 No nr, by Russ Cansler notes 6057. 07/24/87 Shn - 0, 17353 Oakland Oakland-Alameda County Stadium AUD (schoeps CMC 32s)>DAT>CDM; via Sir Peter Pendragon; Includes Dylan/Dead set notes 6058. 07/24/87 Flac 16 - 0, 138228 Oakland Oakland-Alameda County Stadium flac16; Source: AKG 460 omni > Sony PCM-F1 > Dat; Recorded Fob; From the collection of Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transferred by Charle Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced Audio Editor > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick May 2017 notes 6059. 07/24/87 Flac 16 - 0, 141768 Oakland Oakland-Alameda County Stadium flac16; Set 3 Recorded by Daspyknows and friends; Dead Center FOB; Schoeps CCM4 Sony PCM-F1/SL2000; Transferred by NickyC; Processed using Soundforge 11; TLH to convert to Flac notes 6060. 07/26/87 Shn - 0, 97495 Anaheim Anaheim Stadium Soundboard > ? > SHN (except unknown audience source for the last 3 tracks) notes 6061. 07/26/87 Flac 16 - 0, 98214 Anaheim Anaheim Stadium flac16; Modified Nak 700's omni w/D5 dbx nr FOB spread 6ft MAC>nakCR-3A>dbx>hd>Audacity>CDWave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler notes 6062. 07/26/87 Flac 16 - 0, 124098 Anaheim Anaheim Stadium flac16; Source: 1x Sennheiser MD-421 (mono) > unknown deck > MAC, recorded "off second stack behind Healy". 1st Gen cassettes kindly provided by Seaweed1010. Transfer: XLII-S > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. March 2013 notes 6063. 07/26/87 Flac 16 - 0, 139993 Anaheim Anaheim Stadium flac16; Source: (FOB) AKG C460 (omni) > PCM F1 > DAT (44k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017 notes 6064. 07/26/87 Flac 24 UMtx - 0, 141759 Anaheim Anaheim Stadium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6065. 07/26/87 Flac 16 - 0, 141897 Anaheim Anaheim Stadium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6066. 07/26/87 Flac 16 - 0, 138248 Anaheim Anaheim Stadium flac16; Set 3 Source: soundboard segment from a trade, no lineage is available; audience portion Source: 2 Sennheiser MKH404tu > Sony D6 w/ Dolby C; Transfer: Nakamichi CR3A w/ Dolby B > Audigy 4 pro @ 16-44 > NERO > EAC > WAVE > Adobe Audition (combine tracks and remove small gaps from SBE errors) iZotope RX4 advanced (fix dropouts, remove loud clapping, increase volume, reduced bass in places) > CD Wave > TLH (flac level 8) notes 6067. 07/26/87 Flac 16/48 - 0, 148618 Anaheim Anaheim Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141759) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 98214) (Set 1 Only) Modified Nak 700's omni w/D5 dbx nr FOB spread 6ft MAC>nakCR-3A>dbx>hd>Audacity>CDWave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler + AUD2 (shnid = 139993) (Set 2&3 Only) Source: (FOB) AKG C460 (omni) > PCM F1 > DAT (44k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017 - surround mixing by Kevin Tobin notes 6068. 07/26/87 Flac 16 Dts.5.1 - 0, 148617 Anaheim Anaheim Stadium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141759) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 98214) (Set 1 Only) Modified Nak 700's omni w/D5 dbx nr FOB spread 6ft MAC>nakCR-3A>dbx>hd>Audacity>CDWave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler + AUD2 (shnid = 139993) (Set 2&3 Only) Source: (FOB) AKG C460 (omni) > PCM F1 > DAT (44k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017 - dts mixing by Kevin Tobin notes 6069. 07/26/87 Flac 16 Mtx - 0, 148616 Anaheim Anaheim Stadium flac16; Matrix 3 Source Mix - SBD (shnid = 141759) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 98214) (Set 1 Only) Modified Nak 700's omni w/D5 dbx nr FOB spread 6ft MAC>nakCR-3A>dbx>hd>Audacity>CDWave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler + AUD2 (shnid = 139993) (Set 2&3 Only) Source: (FOB) AKG C460 (omni) > PCM F1 > DAT (44k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017 - matrix mixing by Kevin Tobin notes 6070. 08/11/87 Shn - 0, 14944 Morrison Red Rocks Amphitheatre SBD -> PCM -> CD -> EAC -> SHN (Grateful Dead Hour Pre-FM Discs) via Charlie Miller notes 6071. 08/11/87 Flac 16 - 0, 92056 Morrison Red Rocks Amphitheatre flac16; Recording Info:SBD -> PCM -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC Original Transfer and Mastering by David Gans; Additional Transfer and Mastering By Charlie Miller notes 6072. 08/11/87 Shn - 0, 4951 Morrison Red Rocks Amphitheatre set 2; SBD> PCM> Dat> Cass> Dat; Conversion: Sony M1> Oade Cable> Zoltrx Pro6> Soundforge(wav)> CDWav(split)> Shn V3 (no EAC); Conversion & Seed: Brian Cole; show stemming from John Craft and Jay Serafin; see info file for notes notes 6073. 08/11/87 Shn Mtx - 0, 5247 Morrison Red Rocks Amphitheatre set 1; SBD> PCM> ??> Dat> CD (Healy Matrix); Conversion: Kenwood TrueX> EAC> shn V3 (seekable); via Brian Cole, from Paul B.'s seed' see info file for notes notes 6074. 08/11/87 Flac 16 - 0, 138972 Morrison Red Rocks Amphitheatre flac16; Patched/Pitch Corrected Audience (original shnid = 138303) FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT - pitch correction and patches by Kevin Tobin notes 6075. 08/11/87 Flac16 Mtx - 0, 138973 Morrison Red Rocks Amphitheatre flac16; Matrix 2 Source Mix - SBD (shnid = 92056) Recording Info:SBD -> PCM -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC Original Transfer and Mastering by David Gans; Additional Transfer and Mastering By Charlie Miller + AUD (shnid = 138303) FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT - matrix mixing by Kevin Tobin notes 6076. 08/11/87 Flac Dts 5.1 - 0, 138974 Morrison Red Rocks Amphitheatre >DTS-Audio-CD 5.1 Mix; SBD (shnid = 92056) Recording Info:SBD -> PCM -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC Original Transfer and Mastering by David Gans; Additional Transfer and Mastering By Charlie Miller + AUD (shnid = 138303) FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT - dts mixing by Kevin Tobin notes 6077. 08/11/87 Flac 16/48 - 0, 138975 Morrison Red Rocks Amphitheatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 92056) Recording Info:SBD -> PCM -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC Original Transfer and Mastering by David Gans; Additional Transfer and Mastering By Charlie Miller + AUD (shnid = 138303) FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT - surround mixing by Kevin Tobin notes 6078. 08/11/87 Flac 16 - 0, 142088 Morrison Red Rocks Amphitheatre flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes 6079. 08/11/87 Flac 16 - 0, 81953 Morrison Red Rocks Amphitheatre flac16; AUD Source: Nakamichi CM-100's with CP-4 shotgun capsules > Marantz 420 cassette deck, with Dolby On. Set up in 15th row, stage left side of the soundboard. Taped by Jon Pasternak. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums and FLAC compression) > FLAC notes 6080. 08/11/87 Flac 16 - 0, 82033 Morrison Red Rocks Amphitheatre flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci Transfer and upload by Tony Suraci aka nak700 notes 6081. 08/11/87 Flac 16 - 0, 138303 Morrison Red Rocks Amphitheatre flac16; FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT notes 6082. 08/12/87 Flac 16 - 0, 95684 Morrison Red Rocks Amphitheatre flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF (24bit/48k) Transfer Info: AIFF -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 6083. 08/12/87 Flac 16 - 0, 81677 Morrison Red Rocks Amphitheatre flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS) Transfer Info: Cassette (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 6084. 08/12/87 Flac 16 - 0, 77164 Morrison Red Rocks Amphitheatre flac16; Schoeps CMC 44 cardiods, ORTF > Sony PCM F1, FOB > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 > shntool > FLAC (lvl8) notes 6085. 08/12/87 Shn - 0, 17354 Morrison Red Rocks Amphitheatre AUD (Nak CM-100s)>CASS>DAT>CDM; via Sir Peter Pendragon notes 6086. 08/12/87 Flac 16 - 0, 142089 Morrison Red Rocks Amphitheatre flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes 6087. 08/12/87 Flac 16 - 0, 81967 Morrison Red Rocks Amphitheatre AUD Source: Nakamichi CM-100's with CP-4 shotgun capsules > Marantz 420 cassette deck, with Dolby On. Set up in front row of taper's section. Taped by Jon Pasternak. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums and FLAC compression) > FLAC, January 2007. notes 6088. 08/12/87 Flac 16 - 0, 82054 Morrison Red Rocks Amphitheatre flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci notes 6089. 08/12/87 Shn - 0, 14911 Morrison Red Rocks Amphitheatre Nak CM 100>MC>DAT>CD; via Paul B; Seeded to etree by Willy notes 6090. 08/13/87 Shn - 0, 7992 Morrison Red Rocks Amphitheatre sbd > mc > dat X3 > wav > shn NR applied using CEP; via Bob Harrell notes 6091. 08/13/87 Flac 16 - 0, 142090 Morrison Red Rocks Amphitheatre flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes 6092. 08/13/87 Flac 16 - 0, 81988 Morrison Red Rocks Amphitheatre flac16; AUD Source: Nakamichi CM-100's with CP-4 shotgun capsules > Marantz 420 cassette deck, with Dolby On. Set up in front row of taper's section. Taped by Jon Pasternak. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums and FLAC compression) > FLAC notes 6093. 08/13/87 Flac 16 - 0, 82098 Morrison Red Rocks Amphitheatre flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci Transfer and upload by Tony Suraci notes 6094. 08/13/87 Shn - 0, 21348 Morrison Red Rocks Amphitheatre S:?>D>CD via Chris Larson notes 6095. 08/15/87 Flac 16 - 0, 83904 Telluride Town Park flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 6096. 08/15/87 Shn - 0, 17010 Telluride Town Park PreFM SBD(Healy Mix)>MC>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN (Seekable) notes 6097. 08/15/87 Flac 16 - 0, 74165 Telluride Town Park flac16; Patch fix of shn id 17010 - Source: PreFM SBD(Healy Mix)>MC>DAT>CDR notes 6098. 08/15/87 Flac 2448 - 0, 112718 Telluride Town Park flac24; Source: Nakamichi CM-300/CP-4 shotguns > Marantz PMD-420 > Maxell XLII-S 90's, taped from the OTS by Jon Pasternak. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448. Transfer by Andrew F. 04/2011 notes 6099. 08/15/87 Flac 16 - 0, 142153 Telluride Town Park flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes 6100. 08/15/87 Flac 16 - 0, 82167 Telluride Town Park flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci Transfer and upload by Tony Surac notes 6101. 08/15/87 Shn - 0, 8324 Telluride Town Park FOB > PCM > DAT > CD; seeded to etree 5/2001 - neo_levo notes 6102. 08/16/87 Flac 16 - 0, 81679 Telluride Town Park flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 6103. 08/16/87 Shn - 0, 4170 Telluride Town Park PreFM > Rm > DAT > CDR > EAC > SHN; via C. Ladner; known flaws: d2t6:digipop@7:19, d2t7: song cuts @ 6:56 notes 6104. 08/16/87 Flac 16 - 0, 142154 Telluride Town Park flac16; Source Info: 1st Set - Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; 2nd Set - Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK2 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes 6105. 08/16/87 Flac 16 - 0, 82200 Telluride Town Park flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci Transfer and upload by Tony Suraci notes 6106. 08/18/87 Flac 16 - 0, 138289 Tempe Compton Terrace Amphitheatre flac16; FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel Label, Pack & Seed; Checksum & tags created in xACT notes 6107. 08/18/87 Flac 16 - 0, 138304 Tempe Compton Terrace Amphitheatre flac16; Rich Gastwirt Recording: FOB Schoeps CMC 44 cardioids, ORTF > Sony PCM F1 > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT notes 6108. 08/18/87 Flac 24 - 0, 140125 Tempe Compton Terrace Amphitheatre flac24; Set 1 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6109. 08/18/87 Flac 16 - 0, 140235 Tempe Compton Terrace Amphitheatre flac16; Set 1 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6110. 08/18/87 Flac 16 - 0, 142155 Tempe Compton Terrace Amphitheatre flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK2 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes 6111. 08/18/87 Shn - 0, 13102 Tempe Compton Terrace Amphitheatre Schoeps CMC 32s > DAT > CD; via Sephira Yesod; Seeded to etree by PainoMan notes 6112. 08/18/87 Flac 24/96 - 0, 145600 Tempe Compton Terrace Amphitheatre flac24; 1st Set: Michael Hessberg's Master Audience Cassette; Nakamichi 300 mics > Sony D5M; 2nd Set: Michael Hessberg's Master In-House FM Cassette > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496 notes 6113. 08/18/87 Flac 16/48 - 0, 145599 Tempe Compton Terrace Amphitheatre flac16/48kHz; 1st Set: Michael Hessberg's Master Audience Cassette; Nakamichi 300 mics > Sony D5M; 2nd Set: Michael Hessberg's Master In-House FM Cassette > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 6114. 08/20/87 Flac 16 - 0, 106078 Park City Park West Ski Resort flac16: Set 2 only - Soundboard - Audience Matrix Mix. Taper: Unknown. Recording Gear: Unknown. Extra Processing BY mjallen FLAC -> TLH -> wAVE -> TLH (CHECK,REPAIR SBE) -> FlAC (level 8) Torrented at Dime-A-Dozen ~ 2/12/2010 notes 6115. 08/20/87 Shn - 0, 8373 Park City Park West Ski Resort unk. mic's > DAT > CDR; Seeded to etree by Chris Ladner notes 6116. 08/20/87 Flac 16 - 0, 138285 Park City Park West Ski Resort >b>flac16; FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Pack & Seed; Checksum & tags created in xACT notes 6117. 08/20/87 Flac 24 - 0, 140126 Park City Park West Ski Resort flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6118. 08/20/87 Ultra MtxFlac16 - 0, 140236 Park City Park West Ski Resort flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6119. 08/20/87 Flac 16 - 0, 142156 Park City Park West Ski Resort flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes 6120. 08/20/87 Flac 24/96 - 0, 151082 Park City Park West Ski Resort flac24/96khz Source Info: Michael Hessberg's In-House FM master cassettes; unknown receiver > Sony D5M Transfer Info: Master cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6121. 08/20/87 Flac 16/48 - 0, 151080 Park City Park West Ski Resort flac16/48khz Source Info: Michael Hessberg's In-House FM master cassettes; unknown receiver > Sony D5M Transfer Info: Master cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6122. 08/22/87 Flac 16 - 0, 103628 Angels Camp Calaveras County Fairgrounds flac16; Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 6123. 08/22/87 Shn - 0, 4232 Angels Camp Calaveras County Fairgrounds updated source: SBD> Master PCM> DAT> CDR> EAC> shn; via Tony Gardner notes 6124. 08/22/87 Shn - 0, 4795 Angels Camp Calaveras County Fairgrounds updated source: SBD> Master PCM> DAT> CDR> EAC> first shn by Tony Gardner> misc flaw fixes by Steve Barbella (see info file)> reshn (nonseeking) notes 6125. 08/22/87 Flac 16 - 0, 142139 Angels Camp Calaveras County Fairgrounds flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony Betamax/TDK HS); Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes 6126. 08/22/87 Flac 24 UMtx. - 0, 142138 Angels Camp Calaveras County Fairgrounds flac24; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 6127. 08/22/87 Flac 16 - 0, 142146 Angels Camp Calaveras County Fairgrounds flac16; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 6128. 08/22/87 Flac 16/44,1 - 0, 149781 Angels Camp Calaveras County Fairgrounds flac16/44.1khz Taper: anon Location: right of center FOB; Gear: unknown stero mic (in hat) > Sony WMD6C (Maxell XLII); Transfer: Nakamichi BX-300 > xx cables > Waveterminal 2496 > Adobe Audition 3.0 in @ 16/48, downsample to 44.1; Tracking: CD Wave; FLAC encoding: TLH. notes 6129. 08/22/87 Flac 24/96 - 0, 151076 Angels Camp Calaveras County Fairgrounds flac24/96khz Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6130. 08/22/87 Flac 16/48 - 0, 151075 Angels Camp Calaveras County Fairgrounds flac16/48khz Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6131. 08/23/87 Shn - 0, 34422 Angels Camp Calaveras County Fairgrounds SBD>MC>DAT>CDR>EAC>shn - Seamless fix of shn id 4233 notes 6132. 08/23/87 Flac 16 - 0, 103629 Angels Camp Calaveras County Fairgrounds flac16; Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 6133. 08/23/87 Flac 16 - 0, 02277 Angels Camp Calaveras County Fairgrounds flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXLIIs Analog Lineage: 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Danny Thompson Transfer By: Adam Egert Mastering By: Derek McCabe notes 6134. 08/23/87 Shn - 0, 4233 Angels Camp Calaveras County Fairgrounds SBD> MC> DAT> CDR> EAC> shn; via Tony Gardner; includes filler from 9/9/87 (see pub comments) notes 6135. 08/23/87 Flac 24/96 - 0, 92498 Angels Camp Calaveras County Fairgrounds flac24; 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Danny Thompson Transfer By: Adam Egert Mastering By: Derek McCabe notes 6136. 08/23/87 Flac 16/48 - 0, 138758 Angels Camp Calaveras County Fairgrounds flac16/48kHz; unknown taper: Schoeps > spaced cardioids > pcm > dat (FOB); Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > flac 16/44; Checksum & tags created in xACT; (Admin note: the info file indocates that these files are 44.1kHz; they are actually 48kHz) notes 6137. 08/23/87 Flac 24 - 0, 142150 Angels Camp Calaveras County Fairgrounds flac24; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6138. 08/23/87 Flac 16 - 0, 142151 Angels Camp Calaveras County Fairgrounds flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony Betamax/TDK HS); Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes 6139. 08/23/87 Flac 16 U Mtx - 0, 142157 Angels Camp Calaveras County Fairgrounds flac16; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6140. 08/23/87 Flac 16 - 0, 142332 Angels Camp Calaveras County Fairgrounds flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes 6141. 08/23/87 Flac 16 - 0, 142151 Angels Camp Calaveras County Fairgrounds flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony Betamax/TDK HS); Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes 6142. 08/23/87 Flac 16/48 - 0, 151156 Angels Camp Calaveras County Fairgrounds flac16/4khz Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6143. 08/23/87 Flac 24/96 - 0, 151157 Angels Camp Calaveras County Fairgrounds flac24/96khz Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6144. 08/23/87 Flac 24/96 - 0, 152484 Angels Camp Calaveras County Fairgrounds flac24/96 Dead Aire 100.1 FM master by Mike French "Moke" Lineage: Mostly Dead Aire 100.1 FM, but with a couple of patches from the sbd in set two to fix fm signal loss issues. Master: Portable FM radio (walkman type) headphone out-> Sony WM-D6C "b" n.r. Recorded live, from inside the concert venue. Lineage to 24/96 high resolution digital: master playback,... Sony TC-D5M "B" n.r. on, with Maxell MX90 master cassette -> *Grace Lunatec V3 +23dB gain analog out-> Sound Devices SD722 @ 24/96 *I needed additional +6dB of clean gain to run unity gain with the 722. then: SD722 digital files via firewire->Mac G4 (tiger 10.4) Processed via Sonic Studios 2.2.4 16/44.1 sbd patch-in samples, up-sampled to 24/96 via SS 2.2.4 Flac by xACT @ 7/8 notes 6145. 09/07/87 Flac 16 - 0, 106061 Providence Providence Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 6146. 09/07/87 Shn - 0, 8596 Providence Providence Civic Center Sony ECM220T mics from taper's section; via DNC vine notes 6147. 09/07/87 Flac 16 - 0, 73861 Providence Providence Civic Center flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up in taper's section, mics on stand aprx 7-1/2 feet high. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC notes 6148. 09/07/87 Flac 16 - 0, 89984 Providence Providence Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 6149. 09/07/87 Flac 16 - 0, 82277 Providence Providence Civic Center flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci notes 6150. 09/07/87 Flac 16 - 0, 106821 Providence Providence Civic Center flac16; Recording Info:Sony ECM-220T -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> Adobe Audition v3.0 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller notes 6151. 09/07/87 Flac 16/48 - 0, 151411 Providence Providence Civic Center flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6152. 09/07/87 Flac 24/96 - 0, 151412 Providence Providence Civic Center flac24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6153. 09/07/87 Flac 16/44 - , 156739 Providence Providence Civic Center flac1644 Lineage: Nak 300 w/ cp4 Shotguns -> Sony TDC5M ( no dolby )-> TDK-MA 90s -> Nakamichi CR3a -> M-Audio 192-6-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> R8brain (resampled to 16bit 44.1khz ) -> TLH -> analysis,SBE,flac,checksums. taped and transferred by Ted Carpenter notes 6154. 09/08/87 Flac 16 - 0, 20994 Providence Providence Civic Center flac16; Recording Info: SBD -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering by Charlie Miller notes 6155. 09/08/87 Shn - 0, 20994 Providence Providence Civic Center SBD -> PCM -> Dat -> CD -> EAC -> SHN Converted To SHN by Charlie Miller notes 6156. 09/08/87 Shn - 0, 7468 Providence Providence Civic Center Unknown Soundboard Slight hiss, otherwise good sound; via Andrew Pitner notes 6157. 09/08/87 Flac 16 - 0, 106592 Providence Providence Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 6158. 09/08/87 Flac 16 - 0, 141882 Providence Providence Civic Center flac16; Recording Info: Ultramatrix PCM > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 6159. 09/08/87 Flac 16 - 0, 89995 Providence Providence Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 6160. 09/08/87 Shn - 0, 8597 Providence Providence Civic Center Sony ECM220T mics from taper's section; via DNC vine notes 6161. 09/08/87 Flac 16 - 0, 82309 Providence Providence Civic Center flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci notes 6162. 09/08/87 Flac 16 - 0, 106822 Providence Providence Civic Center flac16; Recording Info:Sony ECM-220T -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> Adobe Audition v3.0 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller notes 6163. 09/08/87 Flac 16 - 0, 102183 Providence Providence Civic Center flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 6164. 09/08/87 Flac 16 - 0, 74162 Providence Providence Civic Center flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up in taper's section, mics on stand aprx 7-1/2 feet high Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC notes 6165. 09/08/87 Flac 24/96 - 0, 151414 Providence Providence Civic Center flac24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6166. 09/08/87 Flac 16/48 - 0, 151413 Providence Providence Civic Center flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6167. 09/09/87 Flac 16 - 0, 106832 Providence Providence Civic Center flac16; Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 6168. 09/09/87 Flac 16 - 0, 106591 Providence Providence Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded by Bob Morris notes 6169. 09/09/87 Flac 16 - 0, 139781 Providence Providence Civic Center flac16; Recording Info: UltraMatrix SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Matering by Charlie Miller notes 6170. 09/09/87 Shn - 0, 8598 Providence Providence Civic Center Sony ECM220T mics from taper's section; via DNC vine notes 6171. 09/09/87 Flac 16 - 0, 106827 Providence Providence Civic Center flac16; Recording Info:Sony ECM-220T -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 6172. 09/09/87 Flac 16 - 0, 90033 Providence Providence Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 6173. 09/09/87 Flac 16 - 0, 75532 Providence Providence Civic Center flac16; AUD, Nakamichi CM-300's with CP-4 shotgun capsules >Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up in taper's section, mics on stand aprx 7-1/2 feet higH: Taped and Transferred by Andrew F. notes 6174. 09/09/87 Shn - 0, 10161 Providence Providence Civic Center Source: Audience (but see note below) Lineage: Master Cassette> DAT> CD> SHN (unconfirmed but likely); via Stephen Porter, Steve Aserkoff; Seeded to etree by Peter Braverman notes 6175. 09/09/87 Shn - 0, 6686 Providence Providence Civic Center Nak 300's > Sony D5 Casette Master > Sound Forge (wav) > Shorten; via valis_under notes 6176. 09/09/87 Shn - 0, 21014 Providence Providence Civic Center Recording Info: SBD -> Cassette Master -> Dat Transfer Info #1: Dat (Tascam DA-20mkII) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) Transfer Info #2: CD (Plextor 48/24/48A) -> EAC (v0.9 beta 4)-> Samplitude v7.02 Professional -> SHN All transfers and edits by Charlie Miller notes 6177. 09/09/87 Flac 16/48 - 0, 151426 Providence Providence Civic Center flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6178. 09/09/87 Flac 24/96 - 0, 151427 Providence Providence Civic Center flc24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6179. 09/09/87 Flac 16/44 - , 156740 Providence Providence Civic Center flac1644 Lineage: Nak 300 w/ cp4 Shotguns -> Sony TDC5M ( no dolby )-> TDK-MA 90s -> Nakamichi CR3a -> M-Audio 192-6-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> R8brain (resampled to 16bit 44.1khz ) -> TLH -> analysis,SBE,flac,checksums. taped and trasferred by Ted Carpenter notes 6180. 09/11/87 Flac 16 U Mtx - 0, 14ß925 Landover Capital Centre flac16; Set 2 Source Info: UltraMatrix Soundboard > unknown cassette generations > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 6181. 09/11/87 Flac 16 - 0, 117662 Landover Capital Centre flac16; Master: Nakamichi CM100's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.13 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 6182. 09/11/87 Flac 16 - 0, 90065 Landover Capital Centre flac16; taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 6183. 09/11/87 Shn - 0, 8906 Landover Capital Centre FOB Schoeps> PCM> D> CDR> shn; via Chris Dipietro notes 6184. 09/11/87 Flac 16 - 0, 82369 Landover Capital Centre flac16; Source: Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. notes 6185. 09/12/87 Shn - 0, 31019 Landover Capital Centre Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. notes 6186. 09/12/87 Shn - 0, 24293 Landover Capital Centre Source: SBD > ? (C1 or C2?) > DAT (44.1 w/pre-emphasis) Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5 > pre-emphasis removed and converted to 44.1kHz* > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig notes 6187. 09/12/87 Flac 16 - 0, 108280 Landover Capital Centre flac16; Schoeps > Sony D5 master cassettes Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz. Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz MetaData with Tag and Rename TLH for FLAC Level 8 SBE FREE; Supplied by Vern B, Taped by Scott F. notes 6188. 09/12/87 Shn - 0, 4702 Landover Capital Centre CSBD?> DAT?; via chill and unIDed seeder; skipping in Black Muddy notes 6189. 09/12/87 Flac 16/48 - 0, 138221 Landover Capital Centre flac16/48kHz; 5.1 LPCM Surround Sound (48k) SBD (shnid = 31018)Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. + AUD (shnid = 8907) FOB Schoeps> pcm> dat> cdr> shn; via Chris Dipietro - mixing by Kevin Tobin notes 6190. 09/12/87 Flac 16 - 0, 138218 Landover Capital Centre flac16; (original shnid = 31018) Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. - pitch correction and patches by Kevin Tobin notes 6191. 09/12/87 Flac Dts 5.1 - 0, 138220 Landover Capital Centre DTS-Audio-CD 5.1 Mix:SBD (shnid = 31018)Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. + AUD (shnid = 8907) FOB Schoeps> pcm> dat> cdr> shn; via Chris Dipietro - dts mixing by Kevin Tobin notes 6192. 09/12/87 Flac16 Mtx - 0, 138219 Landover Capital Centre flac16; Matrix 2 Source Mix - SBD (shnid = 31018)Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. + AUD (shnid = 8907) FOB Schoeps> pcm> dat> cdr> shn; via Chris Dipietro - matrix mixing by Kevin Tobin notes 6193. 09/12/87 Shn - 0, 8907 Landover Capital Centre FOB Schoeps> pcm> dat> cdr> shn; via Chris Dipietro notes 6194. 09/12/87 Flac 16 - 0, 117967 Landover Capital Centre flac16; Master: Nakamichi CM100's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.13 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 6195. 09/12/87 Flac 16 - 0, 150673 Landover Capital Centre flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 6196. 09/13/87 Flac 16 - 0, 138247 Landover Capital Centre flac16; Source: AKG 414 > PCM > DAT (44.1 khz); Location: Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)> Firewire>Macbook>SoX v14.4.2(remove emphasis)>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 6197. 09/13/87 - 0, 82399 Landover Capital Centre flac16; Source: Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs notes 6198. 09/13/87 Flac 16 - 0, 117982 Landover Capital Centre flac16; Master: Nakamichi CM100's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.13 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 6199. 09/13/87 Shn - 0, 8908 Landover Capital Centre FOB Schoeps> PCM> D> CDR> mkw> shn; missing encore; via Chris Dipietro notes 6200. 09/13/87 Flac 16 - 0, 90082 Landover Capital Centre flac16; taper : Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative soundcard extigy > cool edit pro > flac frontend notes 6201. 09/15/87 Flac 16 - 0, 76347 New York Madison Square Garden flac16; Recording Info: SBD -> Cassette Master (Sony D6/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe -> Samplitude v7.02 Professional -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller notes 6202. 09/15/87 Shn - 0, 21981 New York Madison Square Garden SBD -> Cassette Master -> Dat (48k) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN - Transfered and Edited By Charlie Miller notes 6203. 09/15/87 Shn - 0, 20176 New York Madison Square Garden SBD:CM>DATs>CDRs notes 6204. 09/15/87 Flac 24/48 - 0, 115933 New York Madison Square Garden flac24; 24bit/48kHz file set: OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011 notes 6205. 09/15/87 Flac 16 - 0, 90103 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro> flac frontend notes 6206. 09/15/87 Flac 16 - 0, 125699 New York Madison Square Garden Taper: M.Laurentus Taper Tection: Section H, Row 28, Seat 14 AT835B's -SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac notes 6207. 09/15/87 Shn - 0, 15388 New York Madison Square Garden AUD (Schoeps CMC 44's)>MC*>DAT>CD via Raoul Duke encoded by Willy notes 6208. 09/15/87 Flac 16/48 - , 154305 New York Madison Square Garden flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6209. 09/15/87 Flac 24/96 - , 154306 New York Madison Square Garden flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6210. 09/16/87 Flac 16 - 0, 89065 New York Madison Square Garden flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 6211. 09/16/87 Shn - 0, 22797 New York Madison Square Garden SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes 6212. 09/16/87 Shn - 0, 15409 New York Madison Square Garden Partial 2nd Set; SBD>MC>DAT>SS>CDR; See info file for details; via Paul B; Seeded to etree by Willy notes 6213. 09/16/87 Flac 24/48 - 0, 115934 New York Madison Square Garden flac24; 24bit/48kHz file set: OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011 notes 6214. 09/16/87 Flac 16 - 0, 141891 New York Madison Square Garden flac16; Source Info: Master (FOB) PCM; AKG 414 mics > Sony PCM-F1 > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 6215. 09/16/87 Flac 16 - 0, 105471 New York Madison Square Garden flac16; Master: Nakamichi CM100's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD taper's section by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 6216. 09/16/87 Flac 16 - 0, 90164 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend notes 6217. 09/16/87 Flac 16 - 0, 82365 New York Madison Square Garden flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci notes 6218. 09/16/87 Shn - 0, 15206 New York Madison Square Garden AUD (Schoeps CMC 34's)>MC*>DAT>CD EAC/SHN by Willy notes 6219. 09/16/87 Flac 16 - 0, 125758 New York Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: Section H, Row 28, Seat 14; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes 6220. 09/16/87 Flac 16 - 0, 149869 New York Madison Square Garden flac16; Nak 700’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche notes 6221. 09/16/87 Flac 16/48 - , 154307 New York Madison Square Garden flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6222. 09/16/87 Flac 24/96 - , 154308 New York Madison Square Garden flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6223. 09/18/87 Flac - 0, 96139 New York Madison Square Garden flac16; matrix of DSBD: shnid=19002 and AUD: shnid=82359 by hansokolow using ProTools notes 6224. 09/18/87 Shn - 0, 19002 New York Madison Square Garden MattMan remaster of shnid=10536; SBD PCM> DATx3> WAV> SHN, with alterrnate-source SBD patches (see notes) notes 6225. 09/18/87 Flac - 0, 126038 New York Madison Square Garden flac16; 3 Source Matrix from Source 1: SBD (shnid=20025; patched with shnid=21241); Lineage: Vault PCM Master->DAT; Transfer: DAT->ZA2->Soundforge->.wav->mkw->SHN Source 2: AUD (shnid=105797); Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD; Taper's section by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors and Source 3: AUD (shnid=112782); OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Matrix by Roger Eichorn; Upgrade in circulation; the seeder has requested that this version be removed from circulation notes 6226. 09/18/87 Shn - 0, 21241 New York Madison Square Garden Soundboard (Healy Ultra Box)->Cassette Master. Cassette Master->HHb CDR-850 (pass-through only)->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano notes 6227. 09/18/87 Flac - 0, 124840 New York Madison Square Garden flac16; shnid=20025 (Vault PCM Master->DAT->ZA2->Soundforge->.wav->mkw->SHN) patched with shnid=21241 (Soundboard (Healy Ultra Box)->Cassette Master. Cassette Master->HHb CDR-850 (pass-through only)->ZA2->.wav->mkw->SHN). The following patches were made: (1) The beginning of the second set ('Tuning' and first seconds of 'Shakedown') (2) Most of 'Space. notes 6228. 09/18/87 Flac e - 0, 126165 New York Madison Square Garden flac16; Matrix from Source 1: SBD (shnid=20025; patched with shnid=21241) Lineage: Vault PCM Master->DAT Transfer: AT->ZA2->Soundforge->.wav->mkw->SHN, Source 2: AUD (shnid=105797) Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Taper's section by Jon Pasternak CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors and Source 3: AUD (shnid=112782) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged notes 6229. 09/18/87 Shn - 0, 394 New York Madison Square Garden SBD; via David Finney; see public comments for filler notes notes 6230. 09/18/87 Shn - 0, 76470 New York Madison Square Garden Most likely lineage: SBD>PCM>DAT>CD; Original SHN files provided by dfinney & Joe Internet; Patch material (D2T01 & D2T05) provided by Kiss The Stone notes 6231. 09/18/87 Shn - 0, 20025 New York Madison Square Garden Vault PCM Master->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano. notes 6232. 09/18/87 Flac 24 - 0, 116004 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011 notes 6233. 09/18/87 Flac - 0, 134393 New York Madison Square Garden flac16; Set 1 SBD: ?? > CD > EAC > .wav > Flac; From Lisa Biasi collection. EAC > flac - Kevin Tobin notes 6234. 09/18/87 Flac Dts - 0, 134456 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD1 (shnid=134393) Set 1 SBD: ?? > CD > EAC > .wav > Flac; From Lisa Biasi collection. EAC > flac - Kevin Tobin + SBD2 (shnid=76470) Set 2 Most likely lineage: SBD>PCM>DAT>CD; Original SHN files provided by dfinney & Joe Internet; Patch material (D2T01 & D2T05) provided by Kiss The Stone + AUD (shnid=90241) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - dts mixing by Kevin Tobin notes 6235. 09/18/87 Flac Mtx - 0, 134455 New York Madison Square Garden flac16; Matrix 3 Source Mix - SBD1 (shnid=134393) Set 1 SBD: ?? > CD > EAC > .wav > Flac; From Lisa Biasi collection. EAC > flac - Kevin Tobin + SBD2 (shnid=76470) Set 2 Most likely lineage: SBD>PCM>DAT>CD; Original SHN files provided by dfinney & Joe Internet; Patch material (D2T01 & D2T05) provided by Kiss The Stone + AUD (shnid=90241) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes 6236. 09/18/87 Flac - 0, 134825 New York Madison Square Garden flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD1 (shnid=134393) Set 1 SBD: ?? > CD > EAC > .wav > Flac; From Lisa Biasi collection. EAC > flac - Kevin Tobin + SBD2 (shnid=76470) Set 2 Most likely lineage: SBD>PCM>DAT>CD; Original SHN files provided by dfinney & Joe Internet; Patch material (D2T01 & D2T05) provided by Kiss The Stone + AUD (shnid=90241) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - mixing by Kevin Tobin notes 6237. 09/18/87 Flac - 0, 34707 New York Madison Square Garden flac16/48; Master Soundboard PCM->Cassette->DAT @ 48kHz x 4. Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC. Conversion by Mark Lynn notes 6238. 09/18/87 Flac - 0, 137535 New York Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 24bit > 16bit with r8brain notes 6239. 09/18/87 Flac 24 - 0, 137533 New York Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6240. 09/18/87 Flac 16 - 0, 125735 New York Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: Section H, Row 30, Seat 13; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes 6241. 09/18/87 Flac 16 - 0, 105497 New York Madison Square Garden flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD taper's section by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 6242. 09/18/87 Flac 16 - 0, 90241 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend notes 6243. 09/18/87 Flac 16 - 0, 82359 New York Madison Square Garden flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci notes 6244. 09/18/87 Shn - 0, 10536 New York Madison Square Garden sbd PCM > Dat x3 > wav > shn; With alternate SBD patches; See info file for details; Seeded to etree by drgseeds via Bob H notes 6245. 09/18/87 Flac 16/48 - , 154309 New York Madison Square Garden flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6246. 09/18/87 Flac 24/96 - , 154310 New York Madison Square Garden flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6247. 09/19/87 Flac 16 - 0, 76469 New York Madison Square Garden flac16; Most likely SBD>PCM>DAT>CD>EAC>FLAC; Original CDs provided by Jay Serafin in 2000 notes 6248. 09/19/87 Flac 16 Mtx - 0, 126294 New York Madison Square Garden flac16; Matrix from Source 1: SBD (shnid=76469) SBD>CD>EAC>FLAC; Source 2 (Set 1): AUD (shnid=91977) Taper(s): David Barfield and/or David Lane Source: (OTS) Nakamichi cm 300/cp4->Sony D-5M(Dolby B)->Maxell mx90 x 2; Transfer: MAC->Nakamichi MR-1->Korg MR-1000 (1 bit/ 5.6 Mhz)->Audio Gate->16/44 wav->flac; and Source 2 (Set 2): AUD (shnid=116065) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged; Transfer by Andrew F.; Upgrade in circulation; the seeder has requested that this version be removed from circulation notes 6249. 09/19/87 Flac 16 Mtx - 0, 126346 New York Madison Square Garden flac16; Another Matrix from Source 1: SBD (shnid=76469) SBD>CD>EAC>FLAC; Source 2 (Set 1): AUD (shnid=91977) Taper(s): David Barfield and or David Lane; Source: (OTS) Nakamichi cm 300/cp4->Sony D-5M(Dolby B)->Maxell mx90 x 2; ransfer: MAC->Nakamichi MR-1->Korg MR-1000 (1 bit/ 5.6 Mhz)->Audio Gate->16/44 wav->flac; and Source 2 (Set 2): AUD (shnid=116065) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged notes 6250. 09/19/87 Flac 24/96 - 0, 131809 New York Madison Square Garden flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Beyer's Unknown Make > Sony TC-D5M; Tapes: Set 1 Maxell XLII 90, Set 2 Maxell XLII-S 90; Tapes Labelled:Master - 2 Beyer, T.D.; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 6251. 09/19/87 Shn - 0, 396 New York Madison Square Garden SBD; via Bill Frank, Alan McCarthy notes 6252. 09/19/87 Flac Dts 5.1 - 0, 134126 New York Madison Square Garden DTS-Audio-CD 5.1; MixSBD (shnid=76469) Most likely SBD>PCM>DAT>CD>EAC>FLAC; Original CDs provided by Jay Serafin in 2000 + AUD (shn id 90485) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin notes 6253. 09/19/87 Flac 16 Mtx - 0, 134125 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=76469) Most likely SBD>PCM>DAT>CD>EAC>FLAC; Original CDs provided by Jay Serafin in 2000 + AUD (shn id 90485) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes 6254. 09/19/87 Flac 16 - 0, 134124 New York Madison Square Garden flac16; (original shnid = 90485) Master Audience taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin notes 6255. 09/19/87 Flac 2448 - 0, 116065 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011 notes 6256. 09/19/87 Flac 24 - 0, 137405 New York Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6257. 09/19/87 Flac 16 - 0, 137413 New York Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 137405 24bit > 16bit with r8brain notes 6258. 09/19/87 Flac 16 - 0, 142211 New York Madison Square Garden flac16; Set 2 Source Info: Oade's Master Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes 6259. 09/19/87 Flac 24/96 - 0, 134925 New York Madison Square Garden flac24; Source: Nakamichi CM-300s/2-Mic CP-4 super-directional shotgun capsule -> Sony Walkman Pro/TDK MA-90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes 6260. 09/19/87 Flac 16 - 0, 82419 New York Madison Square Garden flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci notes 6261. 09/19/87 Flac 16 - 0, 105569 New York Madison Square Garden flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD taper's section by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 6262. 09/19/87 Flac 16 - 0, 90485 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 6263. 09/19/87 Flac 16 - 0, 125736 New York Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: Section H, Row 30, Seat 1; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes 6264. 09/19/87 Flac 16 - 0, 91977 New York Madison Square Garden flac16; Taper(s): David Barfield and or David Lane Source: (OTS) Nakamichi cm 300/cp4->Sony D-5M(Dolby B)->Maxell mx90 x 2 Transfer: MAC->Nakamichi MR-1->Korg MR-1000 (1 bit/ 5.6 Mhz)->Audio Gate->16/44 wav->flac Transferred and seeded on 5/23/2008 by: M. Watson notes 6265. 09/19/87 Flac 16/48 - , 154311 New York Madison Square Garden flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6266. 09/19/87 Flac 24/96 - , 154312 New York Madison Square Garden flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6267. 09/20/87 Shn - 0, 33820 New York Madison Square Garden Seamless fix of shn id 16128 - Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN notes 6268. 09/20/87 Flac 24/96 - , 154316 New York Madison Square Garden flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6269. 09/20/87 Flac 16/48 - , 154315 New York Madison Square Garden flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6270. 09/20/87 Shn - 0, 16128 New York Madison Square Garden Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN; resliceD notes 6271. 09/20/87 Flac 24/96 - 0, 121638 New York Madison Square Garden flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP1's Or CP4's ? > Sony TC-D5M; Tapes:Set 1 Maxell XLII 90, Set 2 Maxell XLII-S 90; Tapes Labelled:Master - 2 Nak 300, Alex; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 6272. 09/20/87 Flac 16 - 0, 131627 New York Madison Square Garden flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP1's Or CP4's ? > Sony TC-D5M; Tapes:Set 1 Maxell XLII 90, Set 2 Maxell XLII-S 90; Tapes Labelled:Master - 2 Nak 300, Alex; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 6273. 09/20/87 Flac 16 - 0, 134352 New York Madison Square Garden flac16; (original shnid = 16128) Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN; resliceD - pitch correction and patches by Kevin Tobin notes 6274. 09/20/87 Flac 16 Mtx - 0, 134350 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=16128) Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN; resliceD + AUD (shn id 90492) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro> flac frontend - matrix mixing by Kevin Tobin notes 6275. 09/20/87 Flac Dts 5.1 - 0, 134351 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=16128) Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN; resliceD + AUD (shn id 90492) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro> flac frontend - DTS mixing by Kevin Tobin notes 6276. 09/20/87 Shn - 0, 16091 New York Madison Square Garden Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN; Note 'actual' tracking in info file notes 6277. 09/20/87 Flac 2448 - 0, 116089 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011 notes 6278. 09/20/87 Flac 16 - 0, 136704 New York Madison Square Garden flac16; Master Audience Recorded By Seremetcc And Bean, Transfer By Keo; Unknown Mics And Lead Deck > Marantz PMD-430, Tapes:Maxell XLII-S 90's; Recorded From The OTS; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 6279. 09/20/87 Flac 24/96 - 0, 136703 New York Madison Square Garden flac24; Master Audience Recorded By Seremetcc And Bean, Transfer By Keo; Unknown Mics And Lead Deck > Marantz PMD-430, Tapes:Maxell XLII-S 90's; Recorded From The OTS; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 6280. 09/20/87 Flac 24 - 0, 137407 New York Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6281. 09/20/87 Flac 16 - 0, 137419 New York Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 137407 > 24bits > 16bits with r8brain notes 6282. 09/20/87 Flac 16 - 0, 142212 New York Madison Square Garden flac16; Source Info: Oade's Master Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes 6283. 09/20/87 Flac 16 - 0, 90492 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro> flac frontend notes 6284. 09/20/87 Flac 16 - 0, 104491 New York Madison Square Garden flac16; Source: Nakamichi cm300/cp4->Sony D-5M(Dolby B Encoded)->TDK MA-X90; Lineage: MAC->Sony D-5M(Dolby B decoded)->Korg MR-1000 (1 Bit/5.6MHz)->Korg AudioGate->Wav. (16/44.1)->SF8->FLAC; Taper: Dave Barfield and/or David Lane; Transferred and Seeded by M. Watson on 12/17/2009 notes 6285. 09/20/87 Flac 16 - 0, 82460 New York Madison Square Garden flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci notes 6286. 09/20/87 Shn - 0, 15410 New York Madison Square Garden AUD (Schoeps CMC 34's)>MC*>DAT>CD; via Paul B; Seeded to etree by Willy notes 6287. 09/20/87 Flac 16 - 0, 125746 New York Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: Section 57A, Row E, Seat 7; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes 6288. 09/22/87 Shn - 0, 8218 Philadelphia The Spectrum SBD>C>DAT>CDR>EAC>MKW>SHN (1)- w/ Spencer Davis known flaws: d1t01 - digi noise at 1:48 uploaded 3/09/02 by spoogles notes 6289. 09/22/87 Flac 24/96 - , 154370 Philadelphia The Spectrum flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6290. 09/22/87 Flac 16/48 - , 154369 Philadelphia The Spectrum flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6291. 09/22/87 Shn - 0, 16139 Philadelphia The Spectrum Cleanup by Chris Frisco of previous seed; SBD>C>DAT>CDR; See info file for details notes 6292. 09/22/87 Flac 16 - 0, 134676 Philadelphia The Spectrum flac16; Recording Info: SBD -> Cassette Master -> Cassette (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 6293. 09/22/87 Flac 16 - 0, 136999 Philadelphia The Spectrum flac16; (original shnid = 90540) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend - pitch correction and patches by Kevin Tobin notes 6294. 09/22/87 Flac Dts 5.1 - 0, 137001 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix; SBD (shnid=134676) Recording Info: SBD -> Cassette Master -> Cassette (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; + AUD (shn id 90540) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend - dts mixing by Kevin Tobin notes 6295. 09/22/87 Flac 16 Mtx - 0, 137000 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid=134676) Recording Info: SBD -> Cassette Master -> Cassette (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; + AUD (shn id 90540) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend - matrix mixing by Kevin Tobin notes 6296. 09/22/87 Flac LPCM 5.1 - 0, 137002 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=134676) Recording Info: SBD -> Cassette Master -> Cassette (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; + AUD (shn id 90540) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend - mixing by Kevin Tobin notes 6297. 09/22/87 Flac 16 - 0, 140363 Philadelphia The Spectrum flac16; Recording info: SBD > MC > PCM > DAT; Transfer info: DAT > Sony PCM-R500 > TASCAM DA-3000 > wav 16/44; Transfer by Charlie Miller. Edited & Mastered in Audacity wav 16/44 > flac 16/44 by Joe Noel; Checksum & tags created in xACT; this is a fixed version of Source ID 140349 notes 6298. 09/22/87 Flac 24/44,1 - 0, 140349 Philadelphia The Spectrum flac24/44.1kHz; Recording info: SBD > MAC > PCM > DAT; Transfer info: DAT > Sony PCM-R500 > TASCAM DA-3000 > wav 16/44; Transfer by Charlie Miller. Edited & Mastered in Audacity wav 16/44 > flac 16/44 by Joe Noel; Checksum & tags created in xACT; fixed version in circulation notes 6299. 09/22/87 Flac 24/96 - 0, 134854 Philadelphia The Spectrum flac24; Source: Nakamichi CM-300s/Shotguns -> Sony Walkman Pro/Maxell MX 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes 6300. 09/22/87 Flac 16 - 0, 90540 Philadelphia The Spectrum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend notes 6301. 09/22/87 Flac 16 - 0, 116949 Philadelphia The Spectrum flac16; Set 2 Only source: 2 Beyer M160 microphones-11th row/center> Sony TC-D5M - analog master cassette; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 6302. 09/23/87 Flac 16 - 0, 30887 Philadelphia The Spectrum flac16; Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. notes 6303. 09/23/87 Flac 16 - 0, 30887 Philadelphia The Spectrum flac16; Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. notes 6304. 09/23/87 Flac 16/48 - , 154371 Philadelphia The Spectrum flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6305. 09/23/87 Flac 24/96 - , 154372 Philadelphia The Spectrum flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes 6306. 09/23/87 Shn - 0, 15207 Philadelphia The Spectrum SBD>MC>DAT>CD; Terrible static first 1:12 Stranger; See info file for details; EAC/SHN by Willy notes 6307. 09/23/87 Flac 16/48 - 0, 137231 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 30887) Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. + AUD (shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - mixing by Kevin Tobin notes 6308. 09/23/87 Flac Dts 5.1 - 0, 137230 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix; SBD (shnid = 30887) Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. + AUD (shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin notes 6309. 09/23/87 Flac 16 - 0, 137225 Philadelphia The Spectrum flac16; (original shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin notes 6310. 09/23/87 Flac 16 - 0, 137226 Philadelphia The Spectrum flac16; (original shnid = 30887) Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. - pitch correction and patches by Kevin Tobin notes 6311. 09/23/87 Flac 16 Mtx - 0, 137228 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 30887)Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. + AUD (shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes 6312. 09/23/87 Flac 24 - 0, 137412 Philadelphia The Spectrum flac24; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6313. 09/23/87 Flac 16 - 0, 137420 Philadelphia The Spectrum flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 137412 fixed 24bit > 16bit with r8brain notes 6314. 09/23/87 Flac 16 - 0, 133606 Philadelphia The Spectrum Source / Lineage : Taper section nakamichi CM 100 / CP-4s > Marantz PMD 420, Master Cassette > CD, Transfered on a Nakamichi DR-2 > Tascom CDRW 2000 > me >EAC > TLH level 8 > flac 16 > you > enjoy Tape and Transfer By Jon Pasternak notes 6315. 09/23/87 Flac 16 - 0, 90559 Philadelphia The Spectrum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 6316. 09/24/87 Flac 16 - 0, 92282 Philadelphia The Spectrum flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> CD Set 2: SBD -> PCM -> Dat (44.1k) Transfer Info: Set 1: CD -> Samplitude Professional v10.02 -> FLAC Set 2: Dat -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d1t03 of shn id 92282) notes 6317. 09/24/87 Shn - 0, 21782 Philadelphia The Spectrum SBD>DAT>Standalone CD Burner (hhB800)> EAC>WAV>ADDAWAV>CDWAV(retracking)>MKWACT>SHN Transcribed on 12/25/03 by JR Fishman fishmanj_98ATyahooDOTcom notes 6318. 09/24/87 Shn - 0, 398 Philadelphia The Spectrum Pre FM> HiFi VHS> CDr; via Mike Lai notes 6319. 09/24/87 Flac 24/44,1 - 0, 140350 Philadelphia The Spectrum flac24/44.1kHz; Set 2 Robert Bryant (patched out of Oade Bros.) Recording: Schoeps > CMC4 > MK41 > PCM > DAT (FOB); Charlie Miller Transfer: DAT > Sony PCM-R500 > TASCAM DA-3000 > wav 16/44; Edited & Mastered by Joe Noel in Audacity > flac 16/44; Checksum & tags created in xACT; fixed version in circulation notes 6320. 09/24/87 Flac 16 - 0, 140364 Philadelphia The Spectrum flac16; Set 2 Robert Bryant (patched out of Oade Bros.) Recording: Schoeps > CMC4 > MK41 > PCM > DAT (FOB); Charlie Miller Transfer: DAT > Sony PCM-R500 > TASCAM DA-3000 > wav 16/44; Edited & Mastered by Joe Noel in Audacity > flac 16/44; Checksum & tags created in xACT; this is a fixed version of Source ID 140350 notes 6321. 09/24/87 Flac 16 - 0, 81857 Philadelphia The Spectrum flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Marantz 420 cassette deck, with Dolby On. Set up in the taper's section. Taped and transferred thru CDR by Jon Pasternak. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums and FLAC compression) > FLAC notes 6322. 09/24/87 Flac 16 - 0, 90683 Philadelphia The Spectrum flac16; taper ; Joe D'Amico nak 300 mics > sony d-5 infront of the soundboard notes 6323. 09/24/87 Flac 16 - 0, 107876 Philadelphia The Spectrum flac16; source: 2 Beyer M160 Microphones > Sony TC-D5M - 16th row-center > analog cassette masters - Maxell MX90's. transfer: Sony TC-D5M (original record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files notes 6324. 09/24/87 Flac 16 - 0, 92282 Philadelphia The Spectrum flac16; Recording Info:Set 1: SBD -> PCM -> Dat -> CD; Set 2: SBD -> PCM -> Dat (44.1k); Transfer Info:Set 1: CD -> Samplitude Professional v10.02 -> FLAC; Set 2: Dat -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller. (Fixed version now in circulation.) notes 6325. 10/02/87 Flac 16 - 0, 83905 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes 6326. 10/02/87 Flac 16 - 0, 121960 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 6327. 10/02/87 Shn - 0, 7367 Mountain View Shoreline Amphitheatre Jay Ashley (Bertha) remaster of master cassette source (that had been transferred by Keith Bode); SBD> MC> DAT> WAV> CDR> SHN> DAW(Bertha)> CDA/SHN notes 6328. 10/02/87 Shn - 0, 8827 Mountain View Shoreline Amphitheatre SBD> CM> DAT> WAV> CD> EAC> SHN (mkwACT); DAT>CD Transfer By David Hollister; see notes in info file; this version circulated by Keith Bode, but is distinct from previous Hollister/Bode seeds of this date notes 6329. 10/02/87 Flac 16 - 0, 94115 Mountain View Shoreline Amphitheatre flac16; Hat Mounted realistic pzm's w/D6,100 feet away ,Right of center MAC>D6>HD>Audacity>CDWave>TLH Recorded and transfered by Russ Cansler notes 6330. 10/02/87 Shn - 0, 6938 Mountain View Shoreline Amphitheatre SBD> CM> DAT> WAV (Ego Sys U2A, Cool Edit Pro)> SHN (mkwACT), via Keith Bode notes 6331. 10/02/87 Flac 16 - 0, 142333 Mountain View Shoreline Amphitheatre flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes 6332. 10/02/87 Flac 24 - 0, 142470 Mountain View Shoreline Amphitheatre flac24; Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6333. 10/02/87 Flac 16 - 0, 142580 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6334. 10/02/87 Flac 16/48 - 0, 143555 Mountain View Shoreline Amphitheatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 121960) Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142333) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - surround mixing by Kevin Tobin notes 6335. 10/02/87 Flac Dts 5.1 - 0, 143554 Mountain View Shoreline Amphitheatre DTS-Audio-CD 5.1 Mix; - SBD (shnid = 121960) Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142333) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - dts mixing by Kevin Tobin notes 6336. 10/02/87 Flac 16 Mtx - 0, 143553 Mountain View Shoreline Amphitheatre flac16; Matrix 2 Source Mix - SBD (shnid = 121960) Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142333) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - matrix mixing by Kevin Tobin notes 6337. 10/03/87 Flac 16 - 0, 83906 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes 6338. 10/03/87 Flac 16 - 0, 121961 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; the original seed for this source had a flaw in d1t08 which has been fixed notes 6339. 10/03/87 Shn - 0, 8829 Mountain View Shoreline Amphitheatre SBD> CM> DAT> CD> EAC> SHN (mkwACT); DAT>CD Transfer By David Hollister; see notes in info file; this version circulated by Keith Bode, but is distinct from previous Hollister/Bode seeds of this date; d2 tracked for 80 min notes 6340. 10/03/87 Flac 16 Mtx - 0, 79380 Mountain View Shoreline Amphitheatre flac16; Source: Healy Matrix SBD > PCM > DAT (48KHz)> DAT. Transfer: DAT playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracking (CDWAV 1.9) > FLAC (level 8) notes 6341. 10/03/87 Shn - 0, 399 Mountain View Shoreline Amphitheatre SBD> MCass> DAT> DAL CardDeluxe> WAV> shn;? transfer by Michael Owen; stemming from Pavman tree; some between-song tunings cut (cass flips?); via Steve B. to etree offer notes 6342. 10/03/87 Shn - 0, 7368 Mountain View Shoreline Amphitheatre Jay Ashley remaster of master cassette source; SBD> MC> DAT> WAV> CDR> SHN> DAW(Bertha)> CDA/SHN notes 6343. 10/03/87 Flac 16 U Mtx - 0, 139804 Mountain View Shoreline Amphitheatre flac16; Recording Info: UltraMatrix SBD -> PCM; Transfer: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes 6344. 10/03/87 Flac 16 - 0, 142709 Mountain View Shoreline Amphitheatre flac16; Recording Info: UltraMatrix SBD -> Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 6345. 10/03/87 Flac 24 UMtx - 0, 142689 Mountain View Shoreline Amphitheatre flac24; Recording Info: UltraMatrix SBD -> Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 6346. 10/03/87 Flac 16/48 - 0, 143836 Mountain View Shoreline Amphitheatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 121961) Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 116344) Source: (OTS/Lawn/Center) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster - surround mixing by Kevin Tobin notes 6347. 10/03/87 Flac Dts 5.1 - 0, 143835 Mountain View Shoreline Amphitheatre DTS-Audio-CD 5.1 Mix; SBD (shnid = 121961) Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 116344) Source: (OTS/Lawn/Center) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster - dts mixing by Kevin Tobin notes 6348. 10/03/87 Flac 16 Mtx - 0, 143833 Mountain View Shoreline Amphitheatre flac16; Matrix 2 Source Mix - SBD (shnid = 121961) Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 116344) Source: (OTS/Lawn/Center) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster - matrix mixing by Kevin Tobin notes 6349. 10/03/87 Flac 16 - 0, 116344 Mountain View Shoreline Amphitheatre flac16; Source: (OTS/Lawn/Center) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster notes 6350. 10/04/87 Flac 16 - 0, 83907 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes 6351. 10/04/87 Flac 16 - 0, 121962 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 6352. 10/04/87 Flac 16 Mtx - 0, 79381 Mountain View Shoreline Amphitheatre flac16; Source: Healy Matrix SBD > PCM > DAT (48KHz)> DAT. Transfer: DAT playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracking (CDWAV 1.9) > FLAC (level 8 notes 6353. 10/04/87 Shn - 0, 7996 Mountain View Shoreline Amphitheatre Jay Ashley (Bertha) Remaster of Master Cassette Source; SBD> MC> DAT> CDA> WAV> SHN> DAW (Bertha)> CDA notes 6354. 10/04/87 Shn - 0, 401 Mountain View Shoreline Amphitheatre Master> DAT> CDr; via Mike Lai notes 6355. 10/04/87 Flac 16 - 0, 94185 Mountain View Shoreline Amphitheatre flac16; 1st gen Sennheiser 441's w/D5 OTS MAC>1st gen>D6>HD>Audacity>CDWave>TLH notes 6356. 10/04/87 Flac 16 - 0, 142334 Mountain View Shoreline Amphitheatre flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes 6357. 10/04/87 Flac 16 - 0, 116359 Mountain View Shoreline Amphitheatre flac16; Source: (OTS/Lawn/Center) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster notes 6358. 10/04/87 Shn - 0, 8830 Mountain View Shoreline Amphitheatre SBD> CM> DAT> CD> EAC> SHN (mkwACT); DAT>CD Transfer By David Hollister; see notes in info file; this version circulated by Keith Bode, but is distinct from previous Hollister/Bode seeds of this date notes 6359. 11/06/87 Flac 16 - 0, 83941 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes 6360. 11/06/87 Flac 16 - 0, 122166 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 6361. 11/06/87 Shn - 0, 11656 Oakland Henry J Kaiser Convention Center SBD>Cm>Dat>Samplitude>Cool Edit Pro>CD; Seeded to etree by Charlie Miller notes 6362. 11/06/87 Flac 16 - 0, 116460 Oakland Henry J Kaiser Convention Center flac16; First Generation Cassettes From Unknown Mics/Deck>Unknown Original Copy Decks/Info; Tapes From White,Transfer By Keo; Tapes Maxell XLII Gold 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With AudioGate Software To 16/44; SBE's Checked/Fixed With Trader's Little helper notes 6363. 11/06/87 Flac 24/96 - 0, 116459 Oakland Henry J Kaiser Convention Center flac24; First Generation Cassettes From Unknown Mics/Deck>Unknown Original Copy Decks/Info; Tapes From White,Transfer By Keo; Tapes Maxell XLII Gold 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes 6364. 11/07/87 Flac 16 - 0, 83998 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes 6365. 11/07/87 Flac 16 - 0, 122203 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 6366. 11/07/87 Shn - 0, 9242 Oakland Henry J Kaiser Convention Center SBD > PCM > CDR; Transfer: PCM SBD -> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5 (editing- see notes)/CD Architect > CDR by Sean Weber-small; CDR > EAC > SHN by Bill Gardner notes 6367. 11/07/87 Flac 16 - 0, 27581 Oakland Henry J Kaiser Convention Center flac16 Remaster of shn id 9242 by uh_clem. See info file for details notes 6368. 11/07/87 Flac 16 - 0, 116669 Oakland Henry J Kaiser Convention Center flac16; First Generation Cassettes From Unknown Mics/Deck>Unknown Original Copy Decks/Info; Tapes From White,Transfer By Keo Tapes Maxell XLII Gold 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes 6369. 11/07/87 Flac 16 - 0, 138156 Oakland Henry J Kaiser Convention Center flac16; Sbd > ? > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering by Jamie Waddell in Wavelab 7.2.1; Track, FLAC and Pack by Chris James notes 6370. 11/07/87 Flac 24/96 - 0, 116665 Oakland Henry J Kaiser Convention Center flac24; First Generation Cassettes From Unknown Mics/Deck>Unknown Original Copy Decks/Info; Tapes From White,Transfer By Keo; Tapes Maxell XLII Gold 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes 6371. 11/08/87 Flac 16 - 0, 85587 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes 6372. 11/08/87 Flac 16 - 0, 122167 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info:FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 6373. 11/08/87 Shn - 0, 12039 Oakland Henry J. Kaiser Convention Center FOB, Schoeps CMC44 (110' ORTF) on stand --> Oade Power Supply --> Sony PCM-F1; Transfer: PCM Master, Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC and minor edits by Bill Gardner; ; QC by dankseeds notes 6374. 11/13/87 Flac 16 - 0, 95410 Long Beach Long Beach Arena flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette (Maxell XLIIS) Set 2: SBD -> Cassette Master (TDK MA-R90) Transfer Info: Set 1: Cassette -> Samplitude Professional v10.1 -> FLAC Set 2: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes 6375. 11/13/87 Flac 16 - 0, 122189 Long Beach Long Beach Arena flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette (Maxell XLIIS); Set 2: SBD -> Cassette Master (TDK MA-R90); Transfer Info: Set 1: Cassette -> Samplitude Professional v10.1 -> FLAC; Set 2: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 6376. 11/13/87 Shn - 0, 13568 Long Beach Long Beach Arena SBD -> Cm -> Cass -> Sony SBM1(Modified) -> VX Pocket -> Samplitude -> Cool Edit Pro -> SHN; Upgrade in circulation notes 6377. 11/13/87 Flac 24/96 - , 151112 Long Beach Long Beach Arena flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 6378. 11/13/87 Flac 16/48 - , 151111 Long Beach Long Beach Arena flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 6379. 11/14/87 Flac 16 - 0, 85588 Long Beach Long Beach Arena flac16; Recording Info: SBD -> Cassette Master -> Cassette Transfer Info: Cassette (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes 6380. 11/14/87 Flac 16 - 0, 122199 Long Beach Long Beach Arena flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 6381. 11/14/87 Shn - 0, 14675 Long Beach Long Beach Arena Source 1 = SBD -> Cm -> Cass -> Sony SBM1(Modified) -> VX Pocket -> Samplitude -> Cool Edit Pro -> SHN Charlie Miller Seed. Source 2 = FOB Nak?s>cassette master > DAT > CDR > EAC > SHN via Todd Norman Source 3 = SBD>Cm>?>SHN via Todd Norman notes 6382. 11/14/87 Shn - 0, 15823 Long Beach Long Beach Arena AUD>MC>DAT>CD; via Paul B; Seeded to etree by Willy notes 6383. 11/14/87 Flac 16 - 0, 143686 Long Beach Long Beach Arena flac16; Sennheiser 441>tcd5m>cas (1st Gen Copy Made On Matching Calibrated Dragons mx-90 master,mx-90 copy); Transfer: Transfer: Mx-90 > Nakamichi Dragon > Olympus LS-10 > SoundForge9 > 16bit/44100hz > Goldwave > Cdwav > Flac; Recorded And Edited By Jason Flair notes 6384. 11/14/87 Shn - 0, 14068 Long Beach Long Beach Arena Partial, 4 songs; SBD -> Cm -> Cass -> Sony SBM1(Modified) -> VX Pocket -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller (this may circulate as filler on 11/13/87) notes 6385. 11/14/87 Flac 24/96 - , 151114 Long Beach Long Beach Arena flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 6386. 11/14/87 Flac 16/48 - , 151113 Long Beach Long Beach Arena flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 6387. 11/15/87 Flac 16 - 0, 95402 Long Beach Long Beach Arena flac16; Recording Info: SBD -> Sony D6 Cassette Master (TDK MA-R90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 6388. 11/15/87 Flac 16 - 0, 27307 Long Beach Long Beach Arena flac16; edited version of previous fileset, to remove fade in and fade out between Drumz & Space, correct SBEs and DC Offset; fixup by uh_clem notes 6389. 11/15/87 Shn - 0, 4750 Long Beach Long Beach Arena SBD > MC > Sonic Solutions > Pre-FM Dat @44.1; Transfer: DA-P1 > Delta Audiophile 2496 > Sound Forge 5 > CDWave > mkwACT, by Doug Nawrocki notes 6390. 11/15/87 Shn - 0, 17185 Long Beach Long Beach Arena Digital Ambient recording by M. French 20th row near center (Phil's side) Sennheiser MKE 2002 (HRTF, worn in/on hat) > WM-D6C (dolby C)analog>CD via hardware transfer, CD master (EAC) notes 6391. 11/15/87 Flac 16 - 0, 24535 Long Beach Long Beach Arena Sennheiser441>tcd5m>cas(1st Gen Copy Made On Matching Calibrated Dragons metal master,metal copy Transfer: JVC tdw-154>Nomad Creative Jukebox 3@44.1>goldwave>cdwav>flac notes 6392. 11/15/87 Flac 24/96 - , 151116 Long Beach Long Beach Arena flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 6393. 11/15/87 Flac 16/48 - , 151115 Long Beach Long Beach Arena flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) This is your collection notes 6394. 12/27/87 Flac 16 - 0, 85592 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 6395. 12/27/87 Shn - 0, 17420 Oakland Oakland-Alameda County Coliseum Soundboard-> Cassette Master (Gans) played back on NAK CR-7A->Panasonic 3700 DAT. Fostex D5 DAT->ZA2->Soundforge->.wav->mKw->SHN (Joe Samaritano). notes 6396. 12/27/87 Flac 16 - 0, 97960 Oakland Oakland-Alameda County Coliseum flac16; Source: Audience Recording Lineage: Nakamichi CM-300's with CP-4 shotgun capsules > Sony D-5 cassette recorder > MAC > nakamichi DR-1 > 24/96 Wave > wavelab 5 > uad plugs > r8brain Pro > ozone mbit + > 16/44.1 wave > cd wave > TLH ( lvl 8 ) > Tag And Rename notes 6397. 12/27/87 Shn - 0, 15082 Oakland Oakland-Alameda County Coliseum SBD -> Cm -> Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN via Charlie Miller notes 6398. 12/27/87 Flac 24/48 - 0, 120466 Oakland Oakland-Alameda County Coliseum flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 06/2012 notes 6399. 12/27/87 Flac 16 - 0, 141883 Oakland Oakland-Alameda County Coliseum flac16; Source Info: (FOB) Audience > unknown Schoeps mics > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 6400. 12/27/87 Flac 24/96 - 0, 135198 Oakland Oakland-Alameda County Coliseum b>flac24; Source: Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MA 90 -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24 notes 6401. 12/28/87 Flac 16 - 0, 85593 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 6402. 12/28/87 Shn - 0, 16910 Oakland Oakland-Alameda County Coliseum Ultramatrix (soundboard/audience mix) Master Cassette> DAT> CD> SHN patched with FOB Schoeps; via Raoul Duke, encoded & patched by Peter Braverman notes 6403. 12/28/87 Shn - 0, 17280 Oakland Oakland-Alameda County Coliseum Master Cassette Soundboard (Gans)->DAT->ZA2->SoundForge->SHN. *No* audience patch. Low generation lineage guaranteed. See info file for details. SHN'd and seeded to etree by Joe Samaritano notes 6404. 12/28/87 Flac 24/48 - 0, 120467 Oakland Oakland-Alameda County Coliseum flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 06/2012 notes 6405. 12/28/87 Flac 24/96 - 0, 135155 Oakland Oakland-Alameda County Coliseum flac24; Source: Nakamichi CM-300s/Shotguns -> Sony Walkman Pro/TDK MA90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Recorded, tracked and seeded by bltz notes 6406. 12/28/87 Shn - 0, 16585 Oakland Oakland-Alameda County Coliseum Schoeps FOB->PCM->DAT->CD->CD->WAV->SHN via "M.D." encoded by Curtis Ewing notes 6407. 12/30/87 Flac 16 - 0, 85682 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 6408. 12/30/87 Shn - 0, 9363 Oakland Oakland-Alameda County Coliseum SBD>MC>DAT>CDR; via PB; neo_levo/candyman FTP 4/2002 notes 6409. 12/30/87 Shn - 0, 17422 Oakland Oakland-Alameda County Coliseum Soundboard->Cassette Master (Gans) played back on NAK CR-7A->Panasonic 3700 DAT (sgrmag). Fostex D5 DAT->ZA2->Soundforge->.wav->mKw->SHN (Joe Samaritano). notes 6410. 12/30/87 Flac 24/48 - 0, 120547 Oakland Oakland-Alameda County Coliseum flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 06/2012 notes 6411. 12/30/87 Flac 24/96 - 0, 135192 Oakland Oakland-Alameda County Coliseum flac24; Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MA 90 -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24 notes 6412. 12/30/87 Flac 16 - 0, 84986 Oakland Oakland-Alameda County Coliseum flac16; Schoeps FOB > PCM > DAT > CD > CD> EAC > WAV > FLAC notes 6413. 12/31/87 Flac 16 - 0, 85684 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 6414. 12/31/87 Shn - 0, 402 Oakland Oakland-Alameda County Coliseum SBD> FM> REEL (TandbergTD20ASE)> WAV> SHN; recording: MacIntosh 2500 System (JBL 18" Sub-Woffers) with a Yamaha Reference Analog Tuner; Digitized to WAV with modified SBLive; recodring and seed by J. Ashley; No NR or digital alteration;? Mix was heavy on Bass notes 6415. 12/31/87 Shn - 0, 23040 Oakland Oakland-Alameda County Coliseum Primary source: bootleg disc of unknown source (pre-FM?) -- Sound: A+ Secondary source: Jay Ashley's FM reel -- SBD>>FM>>REEL(TandbergTD20ASE)>>WAV>>SHN -- Sound A- see http://db.etree.org/shninfo_detail.php?shnid=402 (see txt file for details)Compiled and edited by peet, 1/2004. notes 6416. 12/31/87 Flac16 Pcm - 0, 140070 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: Broadcast Mix > PCM (clone off Sony F1 Master); Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer UltraMatch Pro > Tascam SS-CDR200 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes 6417. 12/31/87 Shn - 0, 16436 Oakland Oakland-Alameda County Coliseum Schoeps FOB> PCM> DAT> CD> CD> WAV> SHN; via Curtis Ewing, with thanks to Michelle Duffy notes 6418. 12/31/87 Flac 24/48 - 0, 120782 Oakland Oakland-Alameda County Coliseum flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 06/2012 notes 6419. 02/13/88 Flac 16 - 0, 85908 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes 6420. 02/13/88 Flac 16 - 0, 102929 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Adobe Audition v1.5 -> FLAC/16; This is a re-master of shnid=85908; All Transfers and Mastering By Charlie Miller notes 6421. 02/13/88 Shn - 0, 24292 Oakland Henry J. Kaiser Convention Center SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes 6422. 02/13/88 Shn - 0, 14952 Oakland Henry J. Kaiser Convention Center Schoeps CMC3/MK41>Dat>CD; Seeded to etree by Charlie Miller notes 6423. 02/13/88 Flac 16 - 0, 96634 Oakland Henry J. Kaiser Convention Center flac16; OTS AUD: Sennheiser MD-441's > patched thru one Sony D5 > Sony WM-D6C > Maxell MX-90's with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Taped and transferred by Andrew F. notes 6424. 02/13/88 Shn - 0, 15126 Oakland Henry J. Kaiser Convention Center Schoeps CMC3/MK41>Dat>CDR ; Via Charlie Miller, Re Seeded by T. Wiley ; NOTE: This is a fix copy of Charlie Miller's seed. notes 6425. 02/14/88 Flac 16 - 0, 103110 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Adobe Audition v1.5 -> FLAC/16; This is a re-master of shnid=85909; All Transfers and Mastering By Charlie Miller notes 6426. 02/14/88 Shn - 0, 23533 Oakland Henry J. Kaiser Convention Center Source 1: SBD>Master Cassette>CD>EAC>Samplitude>SHN Source 2: SBD>Dat>ZA2>Sound Forge>SHN (Terrapin, Miracle to End Of Show) Patches: Schoeps CMC3/MK41>Dat>Sound Forge>CD>EAC>SHN (Start Of China Cat) notes 6427. 02/14/88 Flac 16 - 0, 85909 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 6428. 02/14/88 Shn - 0, 24995 Oakland Henry J. Kaiser Convention Center SBD > MC > DAT > CD > EAC > SHN; except for Mighty Quinn, this is from the DSBD source; No cut at beginning of China Cat; EAC/SHN by Darryl Hinko notes 6429. 02/14/88 Shn - 0, 22312 Oakland Henry J. Kaiser Convention Center Source 1 (Seeded by Charlie Miller): Schoeps CMC3/MK41>Dat>CD>Cool Edit Pro>SHN. Source 2 (Seeded by Joe Samaritano): Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN. notes 6430. 02/14/88 Shn - 0, 14953 Oakland Henry J. Kaiser Convention Center Schoeps CMC3/MK41>Dat>CD; Seeded to etree by Charlie Miller notes 6431. 02/14/88 Flac 16 - 0, 96635 Oakland Henry J. Kaiser Convention Center flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony WM-D6C > Maxell MX-90's with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Taped and transferred by Andrew F. notes 6432. 02/14/88 Shn - 0, 15202 Oakland Henry J. Kaiser Convention Center Schoeps CMC3/MK41>DAT>CDR ; Via Charlie Miller ; Re Seeded by T. Wiley ; Please Note this is a fixed copy of Charlie Miller's seed. notes 6433. 02/14/88 Flac 16/44 - , 155850 Oakland Henry J. Kaiser Convention Center flac1644 Source Info: FOB Schoeps CMC 3 MK4-> PCM-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/44.1) notes 6434. 02/14/88 Flac 24/96 - , 156169 Oakland Henry J. Kaiser Convention Center Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK SA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 6435. 02/14/88 - , 156445 Oakland Henry J. Kaiser Convention Center flac1644 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK SA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156169 2496 > 1644.1 notes 6436. 02/16/88 Flac 16 - 0, 103111 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Adobe Audition v1.5 -. FLAC/16; This is a re-master of shnid=88400; All Transfers and Mastering By Charlie Miller notes 6437. 02/16/88 Flac - 0, 88400 Oakland Henry J. Kaiser Convention Center flac16; SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 6438. 02/16/88 Flac 16 - 0, 96936 Oakland Henry J. Kaiser Convention Center flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony WM-D6C > Maxell MX-90's with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Taped and transferred by Andrew F. notes 6439. 02/16/88 Shn - 0, 14954 Oakland Henry J. Kaiser Convention Center Schoeps CMC3/MK41>Dat>CD; Seeded to etree by Charlie Miller notes 6440. 02/16/88 Shn - 0, 15477 Oakland Henry J. Kaiser Convention Center Schoeps CMC3/MK41>DAT>CDR ; Via Charlie Miller ; Re Seeded by T. Wiley ; Please Note this is a fixed copy of Charlie Miller's seed. notes 6441. 02/16/88 Shn - 0, Oakland Henry J. Kaiser Convention Center SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes 6442. 02/17/88 Flac 16 - 0, 88399 Oakland Henry J. Kaiser Convention Center flac16; SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 6443. 02/17/88 Shn - 0, 18297 Oakland Henry J. Kaiser Convention Center SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko notes 6444. 02/17/88 Shn - 0, 24764 Oakland Henry J. Kaiser Convention Center SBD > MC > DAT > CD >EAC > SHN; EAC/SHN by Darryl Hinko notes 6445. 02/17/88 Shn - 0, 14955 Oakland Henry J. Kaiser Convention Center Schoeps CMC3/MK41>Dat>CD; Seeded to etree by Charlie Miller notes 6446. 02/17/88 Flac 16 - 0, 96637 Oakland Henry J. Kaiser Convention Center flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony WM-D6C > Maxell MX-90's with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. notes 6447. 02/17/88 Shn - 0, 16113 Oakland Henry J. Kaiser Convention Center Schoeps CMC3/MK41>DAT>CDR ; Via Charlie Miller ; Re Seeded by T. Wiley ; Please Note this is a fixed copy of Charlie Miller's seed. notes 6448. 03/12/88 Flac 16 - 0, 138189 San Francisco Civic Auditorium flac16; Source: KFOG-FM > Cassette (compilation tape of GD-related highlights, marked 3rd Gen) kindly provided from the collection of DL; Transfer: TDK SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 04/2017 notes 6449. 03/12/88 Flac 16/44 - , 156441 San Francisco Civic Auditorium flac1644 Recording Info: SBD > DAT > PCM Transfer Info: PCM (Sony SL-HF860D) > Sony PCM-601ESD > Behringer Ultramatch Pro (16-bit/44.1k) > Tascam SS-CDR200 > Samplitude Pro X6 Suite > FLAC/16 notes 6450. 03/16/88 Flac 16 Mtx - 0, 113434 Oakland Henry J. Kaiser Convention Center flac16: Matrix by Jubal H. Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes 6451. 03/16/88 Shn - 0, 8864 Oakland Henry J. Kaiser Convention Center SB>DAT>CDR>EAC>CDR; via Peter Gallagher; Seeded to etree by Willy notes 6452. 03/16/88 Flac 16 - 0, 92985 Oakland Henry J. Kaiser Convention Center flac16; Hat-Mounted Realistic pzm's with Sony WMD6-C TDK MA-X90 No nr 5 feet away, dead center Master>D6>HD>Audacity>CDWave>TLH>torrent notes 6453. 03/16/88 Flac 16 - 0, 136272 Oakland Henry J. Kaiser Convention Center flac16; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016 notes 6454. 03/16/88 Flac 16 - 0, 141645 Oakland Henry J. Kaiser Convention Center flac16; Source Info: Master (FOB) Audience PCM; Schoeps CMC4/MK4 (ORTF) > Oade P/S > Sony PCM-F1 > PCM Clone (Sony SL-2000); Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 6455. 03/16/88 Flac 24/96 Mtx - 0, 141899 Oakland Henry J. Kaiser Convention Center flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller notes 6456. 03/16/88 Flac 16 - 0, 141950 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller notes 6457. 03/16/88 Flac 16 - 0, 102670 Oakland Henry J. Kaiser Convention Center flac 16 Source: Nak 700>dbx II>D5 40 ft dfc MAC>NakCR-3A>HD>Audacity>CDwave>TLH notes 6458. 03/17/88 Flac 16 - 0, 91156 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes 6459. 03/17/88 Shn - 0, 13602 Oakland Henry J. Kaiser Convention Center Master (SBD) DAT>DATS>CDR>EAC>SHN; Seeded to etree by robertwstephens notes 6460. 03/17/88 Flac 16 - 0, 136123 Oakland Henry J. Kaiser Convention Center flac16; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016 notes 6461. 03/17/88 Flac 16 - 0, 137354 Oakland Henry J. Kaiser Convention Center flac16; Soundboard Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11, Editing and Mastering by Jamie Waddell in Wavelab 7.1, Track, FLAC and Pack by Norm notes 6462. 03/17/88 Flac 16 U Mtx - 0, 141884 Oakland Henry J. Kaiser Convention Center flac16; Source Info: Master UltraMatrix PCM > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 6463. 03/17/88 Flac 24 UMtx - 0, 141919 Oakland Henry J. Kaiser Convention Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6464. 03/17/88 Flac 16 U Mtx - 0, 141952 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6465. 03/17/88 Shn - 0, 21297 Oakland Henry J. Kaiser Convention Center Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano notes 6466. 03/18/88 Flac 16 - 0, 91157 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes 6467. 03/18/88 Shn - 0, 7989 Oakland Henry J. Kaiser Convention Center SBD>DAT>CD; via Kevin Gills; Seeded to etree by Willy notes 6468. 03/18/88 Shn - 0, 21298 Oakland Henry J. Kaiser Convention Center Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano notes 6469. 03/18/88 Flac 16 - 0, 136106 Oakland Henry J. Kaiser Convention Center flac16; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016 notes 6470. 03/18/88 Flac 24 UMtx - 0, 141920 Oakland Henry J. Kaiser Convention Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6471. 03/18/88 Flac 16 U Mtx - 0, 141953 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6472. 03/24/88 Flac 16 - 0, 91232 Atlanta The Omni flac16; Set 1 Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD -> Samplitude -> FLAC; Set 2 Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 6473. 03/24/88 Shn - 0, 15127 Atlanta The Omni SBD>MC>DAT>CDR (Healy Matrix) Eac(secure with proper offsets) >cool edit pro > shntool >cdwav> shn by Ernie Dodd & Willy notes 6474. 03/24/88 Flac 24 UMtx. - 0, 140261 Atlanta The Omni flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6475. 03/24/88 Flac 16 - 0, 140259 Atlanta The Omni flac16; AUD: Sennheiser ME-80's > Keith L's lead deck > Sony TC-D5M > Maxell XLII-S 90's, OTS recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017 notes 6476. 03/24/88 Flac 16 - 0, 140327 Atlanta The Omni flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6477. 03/24/88 Shn - 0, 9540 Atlanta The Omni AUD> ?? > Cass x2 > WAV > SHN; via Grant Wood notes 6478. 03/24/88 Flac 24/96 - 0, 148853 Atlanta The Omni flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 6479. 03/24/88 Flac 16/48 - 0, 148852 Atlanta The Omni b>flac16/48; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 6480. 03/26/88 Shn - 0, 7164 Hampton Hampton Coliseum Matrix Analog Cass Master-> DAT-> CDR, via Peter Braverman notes 6481. 03/26/88 Flac 16 - 0, 91158 Hampton Hampton Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 6482. 03/26/88 Flac 16 Mtx - 0, 95488 Hampton Hampton Coliseum flac16; Matrix 4 Source Mix - SBD1:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller (shnid 91158) SBD2:Matrix Analog Cass Master-> DAT-> CDR, via Peter Braverman (shnid=7164) AUD1: Sennheiser ME-80's (taper section) > Sony TCD5M > Sony D-6 TDK MAX Master Cassette Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Recorded and transferred by Dean Grabski (shnid 33950) AUD2: 1st or 2nd generation VHS supplied by Dan Sisler (no shnid) - matrix mixing by Kevin Tobin notes 6483. 03/26/88 Flac Dts 5.1 - 0, 95931 Hampton Hampton Coliseum DTS-Audio-CD 5.1 Mix; SBD1: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 (shnid 91158) SBD2: Matrix Analog Cass Master-> DAT-> CDR, (shnid=7164) AUD1: Sennheiser ME-80's (taper section) > Sony TCD5M > Sony D-6 TDK MAX Master Cassette Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Recorded and transferred by Dean Grabski (shnid 33950) AUD2: 1st or 2nd generation VHS supplied by Dan Sisler (no shnid) - dts mixing by Kevin Tobin notes 6484. 03/26/88 Flac 16 - 0, 113740 Hampton Hampton Coliseum flac16; SBD Analog Cass Master-> DAT-> CDR -> ? -> FLAC notes 6485. 03/26/88 Flac 24 U Mtx - 0, 141142 Hampton Hampton Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6486. 03/26/88 Flac 16 U Mtx - 0, 141311 Hampton Hampton Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6487. 03/26/88 Flac 16 - 0, 142502 Hampton Hampton Coliseum flac16; Sean Weber-Small and Baird Garret FOB Recording: Schoeps CMC3 omni #3 > spaced/aimed > PCM(2); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Flac 16/44 notes 6488. 03/26/88 Flac 16 - 0, 119007 Hampton Hampton Coliseum flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 6489. 03/26/88 Flac 16 - 0, 33950 Hampton Hampton Coliseum flac16; Source: Sennheiser ME-80's (taper section) > Sony TCD5M > Sony D-6 TDK MAX Master Cassette Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Recorded and transferred by Dean Grabski notes 6490. 03/26/88 Flac 16 - 0, 107820 Hampton Hampton Coliseum flac16; Master: OTS Nakamichi CM100/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors notes 6491. 03/26/88 Flac 16 - 0, 134379 Hampton Hampton Coliseum flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY-PAS)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn notes 6492. 03/26/88 Flac 16 - 0, 106049 Hampton Hampton Coliseum flac16; Recorded by Dave Cohen 2 Nakamichi CM100/CP4s 1 Nakamichi CM300/CP1 Nakamichi 550 w/Dolby B in OTS.Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes 6493. 03/26/88 Flac 16 - 0, 106000 Hampton Hampton Coliseum flac16; Set 2 only Recorded by Dave Cohen 2 Nakamichi CM100/CP4s 1 Nakamichi CM300/CP1 Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B in OTS.Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009 notes 6494. 03/26/88 Flac 24/96 - 0, 144486 Hampton Hampton Coliseum flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 notes 6495. 03/26/88 Flac 16 - 0, 144485 Hampton Hampton Coliseum flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick January 2019 notes 6496. 03/26/88 Flac 24/96 - 0, 147993 Hampton Hampton Coliseum flac24; Source Info: Michael Hessberg's Master In-House FM Cassettes; Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 6497. 03/26/88 - 0, 147992 Hampton Hampton Coliseum flac16/48kHz; Source Info: Michael Hessberg's Master In-House FM Cassettes; Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 6498. 03/26/88 Shn - 0, 152469 Hampton Hampton Coliseum Set 2 only: Audience cassette master > burned to standalone Pioneer burner > ripped with DAC > shinned with MKW. notes 6499. 03/27/88 Shn - 0, 17262 Hampton Hampton Coliseum Updated Source info: In-House FM > Ultramatrix (SBD/AUD mix). Lineage: DAT (Panasonic 3800)> CD (HHBCDR800)> EAC> SHN via Peter Braverman notes 6500. 03/27/88 Flac 16 - 0, 34202 Hampton Hampton Coliseum flac16; Source: in house FM > unknown 'boom box' > Sony TCD5M > Sony WM-D6C TDK MA-X master cassettes Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 recorded and transferred by Dean Grabski notes 6501. 03/27/88 Shn - 0, 406 Hampton Hampton Coliseum SBD (Matrix)> DAT> CD> EAC> [retracking of d1 w/ SF, no other alteration]> SHN; known flaws: end of Let it Grow is missing - the last minute, but the jam does not get cut; via Adam Jerugim; listener reports additional skip or splice in Scarlet Begonias d2t3; note patched version now in circulation notes 6502. 03/27/88 Flac 16 - 0, 88250 Hampton Hampton Coliseum flac16; Source: FOB > Schoeps Cmc3 + omni #3 > Dat @ 44.1k Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 5.0 > Cd Wave > FLAC notes 6503. 03/27/88 Shn - 0, 3383 Hampton Hampton Coliseum patched version of previous SBD seed, with AUD patches applied by Peter Braverman (see info file) notes 6504. 03/27/88 Flac 16 - 0, 140806 Hampton Hampton Coliseum flac16; Set 2 Source; unknown taper: Schoeps Cmc3 + omni #3 > Dat @ 44.1k (FOB); Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered by Joe Noel in Audacity > flac 16/44; Checksum & tags created in xACT notes 6505. 03/27/88 Flac 24 U Mtx - 0, 141213 Hampton Hampton Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6506. 03/27/88 Flac 16 U Mtx - 0, 141312 Hampton Hampton Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6507. 03/27/88 Flac 16 - 0, 107907 Hampton Hampton Coliseum flac16; Master: OTS Nakamichi CM100/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 6508. 03/27/88 Flac 16 - 0, 106174 Hampton Hampton Coliseum flac16; Recorded by Dave Cohen 2 Nakamichi CM100/CP1 X-Y@90degrees 1 Nakamichi CM300/CP2 Nakamichi 550 w/Dolby B in OTS. Sony UX Pro 90 cassettes. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes 6509. 03/27/88 Flac 24/96 - 0, 144488 Hampton Hampton Coliseum flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 notes 6510. 03/27/88 Flac 16 - 0, 144487 Hampton Hampton Coliseum flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - Taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick January 2019 notes 6511. 03/27/88 Flac 24/96 - 0, 147999 Hampton Hampton Coliseum flac24; Source Info: Michael Hessberg's Master In-House FM Cassettes; Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 6512. 03/27/88 Flac 16/48 - 0, 147998 Hampton Hampton Coliseum flac16/48kHz; Source Info: Michael Hessberg's Master In-House FM Cassettes; Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 6513. 03/27/88 Flac 16/48 - , 152858 Hampton Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) -SBD (shnid = 141213) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 144488) Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 - surround mixing by Kevin Tobin notes 6514. 03/27/88 Flac 16 Dts 5.1 - , 152857 Hampton Hampton Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141213) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 144488) Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 - dts mixing by Kevin Tobin notes 6515. 03/27/88 Flac 16 Mtx - , 152856 Hampton Hampton Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 141213) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 144488) Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 - matrix mixing by Kevin Tobin notes 6516. 03/28/88 Flac 16 - 0, 91233 Hampton Hampton Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 6517. 03/28/88 Shn - 0, 9977 Hampton Hampton Coliseum IN House FM>Sony D-5>MC>DAT>CDR; via Paul B; Seeded to etree by Brad Ingle notes 6518. 03/28/88 Flac 16 - 0, 34203 Hampton Hampton Coliseum flac16; Source: in house FM > unknown receiver > Sony TCD5M > Sony WM-D6C TDK MA-X master cassettes Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 recorded and transferred by Dean Grabski notes 6519. 03/28/88 Flac 24 - 0, 141215 Hampton Hampton Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6520. 03/28/88 Flac 16 - 0, 141232 Hampton Hampton Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6521. 03/28/88 Flac 16 - 0, 119008 Hampton Hampton Coliseum flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 6522. 03/28/88 Flac 16 - 0, 132732 Hampton Hampton Coliseum flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY-PAS)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD notes 6523. 03/28/88 Flac 16 - 0, 106181 Hampton Hampton Coliseum flac16; Recorded by Dave Cohen 2 Nakamichi CM100/CP1s: one on each stack 1 Nakamichi CM300/CP1 straight at stage Nakamichi 550 w/Dolby B in OTS.Maxell XLIIS cassettes. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes 6524. 03/28/88 Flac 16 - 0, 132751 Hampton Hampton Coliseum flac16; Source: Sony C38B > TCD5M; Conversion: TCD5M > PMD660 > Cdwave > TLH > Foobar2000; Recorded by Stan Roberts notes 6525. 03/28/88 Flac 24/96 - 0, 144490 Hampton Hampton Coliseum flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 notes 6526. 03/28/88 Flac 16 - 0, 144489 Hampton Hampton Coliseum flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick January 2019 notes 6527. 03/28/88 Flac 24/96 - 0, 151272 Hampton Hampton Coliseum flac24/96khz Source Info: Michael Hessberg's Master In-House FM Cassettes; unknown receiver > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 6528. 03/28/88 Flac 16/48 - 0, 151271 Hampton Hampton Coliseum flac16/48khz Source Info: Michael Hessberg's Master In-House FM Cassettes; unknown receiver > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 6529. 03/28/88 Flac 16/48 - , 152937 Hampton Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141215) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 119008) Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - surround mixing by Kevin Tobin notes 6530. 03/28/88 Flac 16 Dts 5.1 - , 152936 Hampton Hampton Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141215) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 119008) Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - dts mixing by Kevin Tobin notes 6531. 03/28/88 Flac 16 Mtx - , 152935 Hampton Hampton Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 141215) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 119008) Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - matrix mixing by Kevin Tobin notes 6532. 03/28/88 Flac 16 - , 152934 Hampton Hampton Coliseum flac16; Patched & Pitch Corrected Audience - (original shnid = 119008) Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - pitch correction and patches by Kevin Tobin notes 6533. 03/28/88 Flac 16 - , 156408 Hampton Hampton Coliseum Recording Info: (fob) Schoeps Mk3 Omni's Spread > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) > Pcm Transfer Info: Pcm > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Don Crandall, Chris Huron & Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 07, 2021 notes 6534. 03/30/88 Flac 16 - 0, 91159 East Rutherford Meadowlands Arena flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 6535. 03/30/88 Flac 16 - 0, 124809 East Rutherford Meadowlands Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 6536. 03/30/88 Flac 16 - 0, 83821 East Rutherford Meadowlands Arena flac16; Source: Internal FM broadcast > Unknown portable receiver > Sony TC-D5M > Sony WM-D6C Transfer: Master cassette > Nakamichi CR-2A > Apogee Mini-Me (24/48)> EGO-SYS WT2496 > Sound Forge 8.0 > CDWAVE 1.95.1 > FLAC frontend 1.7.1 Transferred by Dean Grabski 3-31-07 notes 6537. 03/30/88 Shn - 0, 408 East Rutherford Meadowlands Arena SBD; via Mike Lai; note had circulated without set 1 (aka d1) at first notes 6538. 03/30/88 Flac 24/96 - 0, 124808 East Rutherford Meadowlands Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 6539. 03/30/88 Flac 16 - 0, 89813 East Rutherford Meadowlands Arena flac16; AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. February 2008. notes 6540. 03/30/88 Ultra Mtx Sbd - 0, 140341 East Rutherford Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6541. 03/30/88 UltraMtx Flac16 - 0, 140378 East Rutherford Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6542. 03/30/88 Flac 16 - 0, 30515 East Rutherford Meadowlands Arena Beyer Dynamic M88's>Sony TCD5M (CM - 1st Maxell MX90; 2nd Sony Metal ES 90) Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Recorded and digitally mastered by Charlie Conno notes 6543. 03/30/88 Flac 16 - 0, 124842 East Rutherford Meadowlands Arena flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Taper Section: 2,Row-J,Seat-16 notes 6544. 03/30/88 Flac 24/96 - 0, 145753 East Rutherford Meadowlands Arena flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick March 2019 notes 6545. 03/30/88 Flac 16 - 0, 145752 East Rutherford Meadowlands Arena flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; editerd and mastered SIRMick March 2019 notes 6546. 03/30/88 Flac 16 - 0, 124809 East Rutherford Meadowlands Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 6547. 03/31/88 Shn - 0, 25528 East Rutherford Meadowlands Arena Recording Info: In House FM -> Cassette Master -> Dat -> CD -> Samplitude v7.02 Professional -> SHN via Charlie Miller notes 6548. 03/31/88 Shn - 0, 8137 East Rutherford Meadowlands Arena SBD; see flaw notes in info file; via unknown seeder to furthurnet notes 6549. 03/31/88 Flac 16 - 0, 90802 East Rutherford Meadowlands Arena flac16; AUD: Nakamichi CM300/CP4's > patched thru one deck > Marantz PMD-420 > Maxell MX-90's w/Dolby B, set up front row of OTS. Taped by Jon Pasternak. Transfer: MAC > Nakamichi DR-8 (Dolby B) > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. March 2008. notes 6550. 03/31/88 Flac 16 - 0, 138890 East Rutherford Meadowlands Arena flac16; Robert Bryant (patched out of Oade Bros.) Schoeps > CMC4 > MK41 > PCM > DAT (FOB); Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered by Joe Noel in Audacity > flac 16/44; Checksum & tags created in xACT notes 6551. 03/31/88 UltraMtx Flac24 - 0, 140279 East Rutherford Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6552. 03/31/88 Ultra MtxFlac16 - 0, 140328 East Rutherford Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6553. 03/31/88 Flac 16 - 0, 140737 East Rutherford Meadowlands Arena flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (1st row center, OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes 6554. 03/31/88 Flac - 0, 30748 East Rutherford Meadowlands Arena Recording Info: Taper's Section 110 row 9, seat 9> Beyer Dynamic M88's> Sony TCD5M (CM - 1 st set Maxell MX90;2nd set Sony Metal ES90) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Recorded and digitally transferred by Charlie Connor notes 6555. 03/31/88 Flac 16 - 0, 124843 East Rutherford Meadowlands Arena flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Taper Section: 2,Row-K,Seat-13 notes 6556. 03/31/88 Flac 24/96 - 0, 146219 East Rutherford Meadowlands Arena flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick May 2019 notes 6557. 03/31/88 Flac 16 - 0, 146218 East Rutherford Meadowlands Arena flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick May 2019 notes 6558. 04/01/88 Flac 16 - 0, 91160 East Rutherford Meadowlands Arena flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 6559. 04/01/88 Flac 24 - 0, 124797 East Rutherford Meadowlands Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 6560. 04/01/88 Shn - 0, 22309 East Rutherford Meadowlands Arena Set 1 Only* Soundboard (Healy Ultra Box)->DAT Master->DAT. DAT->ZA2->Soundforge(recording)->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano. De-popping by Charlie Miller notes 6561. 04/01/88 Flac 16 - 0, 124798 East Rutherford Meadowlands Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 6562. 04/01/88 Shn - 0, 9795 East Rutherford Meadowlands Arena SBD>DAT>?>CD (Possible Healy-FM); via Master Therion; Seeded to etree by PainoMan notes 6563. 04/01/88 Flac 16 - 0, 90921 East Rutherford Meadowlands Arena flac16; AUD Set One: Nakamichi CM300/CP4's > patched thru two decks > Marantz PMD-420, front row of OTS. AUD Set Two: Nakamichi CM100/CP4's > patched thru two decks > Marantz PMD-420, set up inside the fenced soundboard area. Taped onto Maxell MX-90's, with Dolby B. Taped by Jon Pasternak. Transfer: MAC > Nakamichi DR-8 (Dolby B) > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. March 2008 notes 6564. 04/01/88 UltraMtx Flac24 - 0, 140343 East Rutherford Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6565. 04/01/88 Flac 16 - 0, 140934 East Rutherford Meadowlands Arena flac16; Recording Info: 1st Set: Master Audience PCM; B&K 4011 mics (1st row center, OTS)> Sony Dat > PCM (Sony PCM-F1); 2nd Set: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (1st row center, OTS); Transfer Info: 1st Set: 1st gen PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16; 2nd Set: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude > Adobe Audition 3.0 > TLH flac16 notes 6566. 04/01/88 Flac 16 - 0, 124839 East Rutherford Meadowlands Arena flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Taper Section 2,Row-J,Seat-16 notes 6567. 04/01/88 Flac 16 - 0, 91296 East Rutherford Meadowlands Arena flac16; Source: (OTS) Senn. ME-80 (pointed at stacks)-> Marantz PMD 430 (Dolby B)-> Sony UX-Pro90 x 2 Transfer: MAC-> Nakamichi MR-1-> Korg MR-1000 (DFF 1Bit/5.6MHz)-> Korg AudioGate-> Wav 24/96-> Soundforge 9.0->16/44->flac Taper: WKLITZ Transferred and seeded on 4/10/08 by: M.Watson notes 6568. 04/01/88 Flac 24/96 - 0, 147043 East Rutherford Meadowlands Arena flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24 notes 6569. 04/01/88 Flac 16/44,1 - 0, 147042 East Rutherford Meadowlands Arena flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16 notes 6570. 04/01/88 Shn Mtx. - 0, 11264 East Rutherford Meadowlands Arena Source: Ultramatrix (SBD/AUD mix) Lineage: DAT> ?> CD> SHN; via Raul; Seeded to etree by Peter Braverman notes 6571. 04/01/88 Flac 16 - 0, 140394 East Rutherford Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6572. 04/03/88 Flac 16 - 0, 91161 Hartford Hartford Civic Center flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 6573. 04/03/88 Shn - 0, 9628 Hartford Hartford Civic Center SBD>?>CD (Possible Matrix); via Ankh-af-na-khonsu; Seeded to etree by PainoMan notes 6574. 04/03/88 Flac 16 - 0, 89986 Hartford Hartford Civic Center flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008 notes 6575. 04/03/88 Flac 16 - 0, 109056 Hartford Hartford Civic Center flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Front row OTS by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 6576. 04/03/88 Flac 24/96 - , 153796 Hartford Hartford Civic Center flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 notes 6577. 04/03/88 Flac 16/44 - , 153797 Hartford Hartford Civic Center flac16/44 Recording Info: (FOB) Schoeps CMC4/MK41 (Oade Brothers) > PCM Master (Robert Bryant) > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC/16 notes 6578. 04/03/88 Flac 24/96 - , 153796 Hartford Hartford Civic Center flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 notes 6579. 04/03/88 Flac 16/44 - , 153797 Hartford Hartford Civic Center flac16/44 Recording Info: (FOB) Schoeps CMC4/MK41 (Oade Brothers) > PCM Master (Robert Bryant) > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC/16 notes 6580. 04/03/88 Flac 16/44 - , 154410 Hartford Hartford Civic Center flac1644; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 153796 2496 > 1644 notes 6581. 04/04/88 Flac 16 - 0, 91162 Hartford Hartford Civic Center flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 6582. 04/04/88 Shn - 0, 19972 Hartford Hartford Civic Center SBD>Cassette Master>DAT>CD (Possible Matrix); with two d/o's patched from a SBD>MC source; See info file for details; via Ankh-af-na-khonsu; Seeded to etree by PainoMan (updated lineage; had been labeled SBD>DAT>CD) notes 6583. 04/04/88 Flac 16 - 0, 89996 Hartford Hartford Civic Center flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008 notes 6584. 04/04/88 Flac 16 - 0, 138456 Hartford Hartford Civic Center flac16; Recorded by Robert Bryant FOB (patched out of Oade Brothers) Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > flac 16/44; Checksum & tags created in xACT notes 6585. 04/04/88 Flac 16 - 0, 86913 Hartford Hartford Civic Center flac16; Source: Tapers section, Sennheiser ME88s > Sony D5. Master Analog Cassettes Maxell MX90 Type IV cassettes. Taped by B.Koucky. Transfer: MAC playback on azimuth adjusted Nakamich CR-7A > Lynx RCA-XLR cables > Lunatec V3 (96KHz) > AES/EBU digital out > LynxTwo Soundcard, Pro-mode Sync > recorded to harddrive with Wavelab 5 as 24 bit/96 KHz PCM WAV > Waves Z-Noise and Ozone 3 > MBIT+ > 16/44.1 > CDWAV 1.9 > FLAC (level 8). Transfer and mastering by Chris L. notes 6586. 04/04/88 Flac 24/96 - 0, 152203 Hartford Hartford Civic Center flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DFF 1-bit/5.6MHz > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 6587. 04/04/88 Flac 16/44 - 0, 152576 Hartford Hartford Civic Center flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DFF 1-bit/5.6MHz > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152203 24 -> 16 @ 44.1 notes 6588. 04/05/88 Flac 16 - 0, 91234 Hartford Hartford Civic Center flac16; Set 1: AUD -> Unknown Mics -> PCM -> Dat -> CD (shnid=10073) and Set 2: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 6589. 04/05/88 Flac 16 - 0, 90054 Hartford Hartford Civic Center flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. notes 6590. 04/05/88 Flac 16/48 - 0, 138196 Hartford Hartford Civic Center flac16/48kHz; Set 2 Unknown taper: Schoeps CMC54 at 110 degrees ORTF > Neumann PS > Sony D10 Pro; mics on 8 foot stand 1st row behind soundboard; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac, & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 6591. 04/05/88 Flac 24 U Mtx - 0, 140284 Hartford Hartford Civic Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6592. 04/05/88 Flac 16 U Mtx. - 0, 140331 Hartford Hartford Civic Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6593. 04/05/88 Shn - 0, 10073 Hartford Hartford Civic Center AUD>PCM>CD (Possible Matrix, Healy-FM or one damn good audience recording!); via Ankh-af-na-khonsu; Seeded to etree by PainoMan notes 6594. 04/05/88 Flac 16 - 0, 109167 Hartford Hartford Civic Center flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 6595. 04/05/88 Flac 16 - 0, 140331 Hartford Hartford Civic Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6596. 04/07/88 Flac 16 - 0, 91163 Worcester The Centrum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 6597. 04/07/88 Shn - 0, 17684 Worcester The Centrum Pre-FM > MR > VHS > DAT > CD > EAC > SHN (seekable) Via Darryl Hinko notes 6598. 04/07/88 Flac 16 - 0, 106062 Worcester The Centrum flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/TDK MA 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Taper Section 101, Row CC, Seat 9 by Bob Morris notes 6599. 04/07/88 Flac 16 - 0, 90340 Worcester The Centrum flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008 notes 6600. 04/07/88 Flac 16 - 0, 125776 Worcester The Centrum flac16; Taper: M. Laurentus; In House FM- FM Reciever -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes 6601. 04/07/88 Flac 16 - 0, 127683 Worcester The Centrum flac16; WCUW Worcester 91.3 FM stereo broadcast > reciever > Teac 3340 reel recorder (3.3/4 ips) > Maxell UD 7" master reel > (1st set copied to 1g reel) > played on Akai GX-77 into soundforge (wav) > flac (sb's aligned) notes 6602. 04/07/88 Flac 16/48 - 0, 141713 Worcester The Centrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 91163)Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 90340) AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. - surround mixing by Kevin Tobin notes 6603. 04/07/88 Flac 16 Dts - 0, 141712 Worcester The Centrum notes 6604. 04/07/88 Flac 16 Mtx - 0, 141711 Worcester The Centrum notes 6605. 04/07/88 Flac16/48 LPCM - 0, 142015 Worcester The Centrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 91163)Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 90340) AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. - surround mixing by Kevin Tobin notes 6606. 04/07/88 Flac 16 - 0, 111676 Worcester The Centrum flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (14th row-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 6607. 04/07/88 Flac 16 - 0, 125775 Worcester The Centrum flac16; Taper: M. Laurentus; Taper Section 101, Row B, Seat 8; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes 6608. 04/07/88 Flac 16 - 0, 137382 Worcester The Centrum flac16; Schoeps CMC5 w/ MK4V; DAT(c) @ 44.1 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (align on sector boundaries, flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell notes 6609. 04/07/88 Flac 24/96 - , 156054 Worcester The Centrum flac2495 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 notes 6610. 04/07/88 Flac 16/44 - , 156450 Worcester The Centrum flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 156054 2496 > 1644.1 notes 6611. 04/08/88 Flac 16 - 0, 91240 Worcester The Centrum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 6612. 04/08/88 Shn - 0, 15128 Worcester The Centrum In-House FM>PCM>Dat>CD via Mike Murray; encoded by Willy notes 6613. 04/08/88 Flac 16 - 0, 106590 Worcester The Centrum flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/TDK MA 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded from Taper Section 101, Row CC, Seat 15 by Bob Morris notes 6614. 04/08/88 Flac - 0, 90465 Worcester The Centrum flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. notes 6615. 04/08/88 Flac 16 - 0, 127693 Worcester The Centrum flac16; WCUW Worcester 91.3 FM stereo broadcast > reciever > Teac 3340 reel recorder (3.3/4 ips) > Maxell UD 7" master reel > played on Akai GX-77 into soundforge (wav) > flac (sb's aligned) notes 6616. 04/08/88 Flac 24/96 - 0, 140313 Worcester The Centrum flac24; source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy; lineage: pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger notes 6617. 04/08/88 Flac 16 - 0, 142253 Worcester The Centrum flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK41 mics, ortf (1st row center, OTS, directly behind soundboard); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes 6618. 04/08/88 Flac 16 - 0, 111677 Worcester The Centrum flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 - microphones (12th row-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 6619. 04/08/88 Flac 16 - 0, 82599 Worcester The Centrum flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and Mike E Transfer and upload by Tony Suraci notes 6620. 04/08/88 Flac 16 - 0, 140489 Worcester The Centrum flac16; source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy; lineage: pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger notes 6621. 04/08/88 Flac 24/96 - , 156055 Worcester The Centrum flac2495 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 6622. 04/08/88 Flac 16/44 - , 156451 Worcester The Centrum flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156055 2496 > 1644.1 notes 6623. 04/09/88 Flac 16 - 0, 91241 Worcester The Centrum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 6624. 04/09/88 Flac 16 - 0, 91019 Worcester The Centrum flac16; SBD + AUD Matrix 3 Source Mix: Audio Source Information SBD1 (shnid=91241) Recording Info: SBD -> Cassette Master (TDK SA-X90), SBD2 (shnid=15098) - only used for patches Source: Pre-FM broadcast Lineage: Master Reel> VHS (PCM)> DAT> CD> SHN, and AUD (shnid=90487) (Set 1 Right channel and all of set 2 both channels) Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter notes 6625. 04/09/88 Shn - 0, 15098 Worcester The Centrum pre-FM Master Reel> VHS (PCM)> DAT> CD> SHN via Skip Jenkins, encoded by Peter Braverman notes 6626. 04/09/88 Flac Dts 5.1 - 0, 91632 Worcester The Centrum DTS-Audio-CD 5.1 Mix; Audio Source Information SBD1 (shnid=91241) Recording Info: SBD -> Cassette Master (TDK SA-X90), SBD2 (shnid=15098) - only used for patches Source: Pre-FM broadcast Lineage: Master Reel> VHS (PCM)> DAT> CD> SHN, and AUD (shnid=90487) (Set 1 Right channel and all of set 2 both channels) Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter - dts mixed by Kevin Tobin notes 6627. 04/09/88 Flac 16 - 0, 106589 Worcester The Centrum flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/TDK MA 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Taper Section 101, Row CC, Seat 14 by Bob Morris notes 6628. 04/09/88 Flac 16 - 0, 90487 Worcester The Centrum flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008 notes 6629. 04/09/88 Flac 16 - 0, 127694 Worcester The Centrum flac16; Set 2 lineage: WCUW Worcester 91.3 FM stereo broadcast > reciever > Teac 3340 reel recorder (3.3/4 ips) > Maxell UD 7" master reel > played on Akai GX-77 into soundforge (wav) > flac (sb's aligned notes 6630. 04/09/88 Flac 24 - 0, 140395 Worcester The Centrum flac24; source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy; lineage: pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger notes 6631. 04/09/88 Flac 16 - 0, 140490 Worcester The Centrum flac16; source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy; lineage: pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger notes 6632. 04/09/88 Flac 16 - 0, 111691 Worcester The Centrum Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones - 13th row-center > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 6633. 04/09/88 Flac 16 - 0, 82671 Worcester The Centrum flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and Mike E. Transfer and upload by Tony Suraci notes 6634. 04/09/88 Flac 24/96 - , 156056 Worcester The Centrum flac2495 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 6635. 04/09/88 Flac 24/96 - , 156419 Worcester The Centrum flac2496 Recording Info: Pre-FM (WCUW-FM) > Reel Master > VHS HiFi (Scott SVR330S); Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 notes 6636. 04/09/88 Flac 16/44 - , 156454 Worcester The Centrum flac1644 Recording Info: Pre-FM (WCUW-FM) > Reel Master > VHS HiFi (Scott SVR330S); Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 156419 2496 > 1644.1 notes 6637. 04/09/88 Flac 16/44 - , 156453 Worcester The Centrum flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156056 2496 > 1644.1 notes 6638. 04/11/88 Flac 16 - 0, 91243 Detroit Joe Louis Arena flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 6639. 04/11/88 Flac 16 - 0, 116466 Detroit Joe Louis Arena flac16; Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-5 (Maxell XL-IIS 90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Greg Holtz; Transfers, edits, track/FLAC by Greg Holtz notes 6640. 04/11/88 Shn - 0, 10157 Detroit Joe Louis Arena reEAC, reshn of previous shn set (see info), via Jim Bennett; SBD > In house FM broadcast > MC > CDR > EAC > CDWave > MKWAct > CDR (> EAC > CDWave > MKWAct) notes 6641. 04/11/88 Flac 24 - 0, 141859 Detroit Joe Louis Arena flac24; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6642. 04/11/88 Flac 16 - 0, 141881 Detroit Joe Louis Arena flac16; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6643. 04/13/88 Flac 16 - 0, 91164 Rosemont Rosemont Horizon flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 6644. 04/13/88 Flac 16 - 0, 120447 Rosemont Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/Section 2, Row 44, Seat 3/6 Feet High)> Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 6645. 04/13/88 Flac 16 - 0, 95753 Rosemont Rosemont Horizon flac16; Source: Aud > Nak CM-100's CP-4 shotgun caps > Sony D-5 > MAC Transfer: MAC > Nak CR-5A > Tascam HD-p2 > 24/96 wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > CD Wave > TLH > Flac notes 6646. 04/13/88 Flac 24/48 - 0, 120446 Rosemont Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/Section 2, Row 44, Seat 3/6 Feet High)> Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes 6647. 04/13/88 Shn - 0, 16748 Rosemont Rosemont Horizon Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette> ?> DAT> CD> SHN (?) Listener reports multiple analog generations. notes 6648. 04/13/88 Flac 16/44 - , 156479 Rosemont Rosemont Horizon flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156074 2496 > 1644.1 notes 6649. 04/13/88 Flac 24/96 - , 156074 Rosemont Rosemont Horizon flac2496 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 6650. 04/14/88 Flac 16 - 0, 91248 Rosemont Rosemont Horizon flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 6651. 04/14/88 Flac 16 - 0, 120456 Rosemont Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s + AKG D112 (PAS/Section 2, Row 44, Seat 3/6 Feet High)> Nakamichi 550>Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 6652. 04/14/88 Shn - 0, 26283 Rosemont Rosemont Horizon SBD (Matrix) > MC > C > DAT > CD > EAC > SHN; includes patch from AUD source; EAC/SHN (nonseeking) by Darryl Hinko notes 6653. 04/14/88 Flac 24/48 - 0, 120455 Rosemont Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s + AKG D112 (PAS/Section 2, Row 44, Seat 3/6 Feet High)> Nakamichi 550>Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes 6654. 04/14/88 Shn - 0, 15824 Rosemont Rosemont Horizon AUD>MC*>DAT>CD; *The MC is 'probable' but unconfirmed; Entire show pitch corrected; The mix is a bit 'hot' at times, most noticeably in Jerry's vocals and in the first set; via Paul B; Seeded to etree by Willy notes 6655. 04/14/88 Flac 16/44 - , 156481 Rosemont Rosemont Horizon flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156075 2496 > 1644.1 notes 6656. 04/14/88 Flac 24/96 - , 156075 Rosemont Rosemont Horizon flac2496 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 6657. 04/15/88 Flac 16 - 0, 92263 Rosemont Rosemont Horizon flac16 Recording Info:SBD -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes 6658. 04/15/88 Flac 16 - 0, 120482 Rosemont Rosemont Horizon flac16; Master Audience Recorded By Mr. Allen And Mr. Darby; Neumann KMI 84s (X/Y/Section 2, Row 40, Seat 3/6 Feet High)> Unknown Phantom Power Supply> Marantz PMD-430>Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 6659. 04/15/88 Shn - 0, 2020 Rosemont Rosemont Horizon SBD> Cass master?-> pre-FM cdr-> EAC-> Gans voiceover removed> shn; via John Zei; see John's comments in info file; Drums cuts into Space notes 6660. 04/15/88 Flac 16 - 0, 95824 Rosemont Rosemont Horizon flac16; Source: Aud > Nak CM-100's CP-4 shotgun caps > Sony D-5 > MAC (except #) Transfer: MAC > Nak CR-5A > Tascam HD-p2 > 24/96 wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > CD Wave > TLH > Flac notes 6661. 04/15/88 Flac 24/48 - 0, 120481 Rosemont Rosemont Horizon flac24; Master Audience Recorded By Mr. Allen And Mr. Darby; Neumann KMI 84s (X/Y/Section 2, Row 40, Seat 3/6 Feet High)> Unknown Phantom Power Supply> Marantz PMD-430>Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes 6662. 04/15/88 Flac 24/96 - , 156057 Rosemont Rosemont Horizon flac2495 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 notes 6663. 04/15/88 Flac 16/44 - , 156486 Rosemont Rosemont Horizon flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 156057 2496 > 1644.1 notes 6664. 04/22/88 Flac - 0, 26818 Irvine Irvine Meadows flac16; SBD (Matrix) > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes 6665. 04/22/88 Flac 16 - 0, 137944 Irvine Irvine Meadows flac16; Source: (2)Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH notes 6666. 04/22/88 Flac 24 - 0, 140422 Irvine Irvine Meadows flac24; AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2017 notes 6667. 04/22/88 Flac 16 - 0, 140443 Irvine Irvine Meadows flac16; AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017 notes 6668. 04/22/88 Shn - 0, 16070 Irvine Irvine Meadows AUD(unknown mics/deck)> PCM> DAT> CDR; Via Paul G.; Seeded to Etree by T. Wiley notes 6669. 04/22/88 Flac 24/96 - 0, 152289 Irvine Irvine Meadows flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 notes 6670. 04/22/88 Flac 16/44 - 0, 152577 Irvine Irvine Meadows flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 152289 24 -> 16 @ 44.1 notes 6671. 04/22/88 Flac 24/96 - , 151102 Irvine Irvine Meadows flac24/96khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 6672. 04/23/88 Flac 16 Mtx - 0, 28710 Irvine Irvine Meadows flac16; SBD (Matrix) > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes 6673. 04/23/88 Shn - 0, 18117 Irvine Irvine Meadows Set 2 Ultramatrix (SBD/AUD mix) Lineage: Master cassette> DAT> CD> EAC> SHN> CD> SHN via Peter Braverman notes 6674. 04/23/88 Flac 2448 - 0, 140379 Irvine Irvine Meadows flac24; AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, FOB recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2017 notes 6675. 04/23/88 Flac 16 - 0, 140380 Irvine Irvine Meadows flac16; AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, FOB recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017 notes 6676. 04/23/88 Flac 16 - 0, 142254 Irvine Irvine Meadows flac16; Recording Info: Ted Mattes' Master (FOB) Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK41 mics, ORTF; Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes 6677. 04/23/88 Shn - 0, 16924 Irvine Irvine Meadows FOB-AUD> PCM> DAT> CDR> EAC> WAVE LAB> CD WAVE> MKW> SHN (Seekable); Converted and seeded to etree by Steven Leeds, with thanks to Paul B notes 6678. 04/23/88 Flac 24/96 - 0, 152337 Irvine Irvine Meadows FLAC 24 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 notes 6679. 04/23/88 Flac 16/44 - 0, 152578 Irvine Irvine Meadows flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 152337 24 -> 16 @ 44.1 notes 6680. 04/23/88 Flac 24/96 - , 151104 Irvine Irvine Meadows flac24/96khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 6681. 04/23/88 Flac 16/48 - , 151103 Irvine Irvine Meadows flac16/48khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 6682. 04/24/88 Flac 16 Mtx - 0, 31976 Irvine Irvine Meadows flac16; SBD (Matrix) > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes 6683. 04/24/88 Shn - 0, 16887 Irvine Irvine Meadows FOB-AUD> PCM> DAT> CDR; EAC> WAVE LAB> CD WAVE> MKW> SHN (Seekable); Converted and seeded to etree by Steven Leeds, with thanks to Paul B notes 6684. 04/24/88 Flac 24/96 - 0, 152480 Irvine Irvine Meadows flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 notes 6685. 04/24/88 Flac 16/44 - 0, 152579 Irvine Irvine Meadows flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 152480 24 -> 16 @ 44.1 notes 6686. 04/24/88 Flac 24/96 - , 151106 Irvine Irvine Meadows flac24/96khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 6687. 04/24/88 Flac 16/48 - , 151105 Irvine Irvine Meadows flac16/48khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 6688. 04/30/88 Shn - 0, 4664 Palo Alto Frost Amphitheatre Healy Ultramatrix; via lemon2 with thanks to childo notes 6689. 04/30/88 Shn - 0, 3394 Palo Alto Frost Amphitheatre Pre-FM> Reel> Cassette> cdr; via Biff Blond, Mike Lai notes 6690. 04/30/88 Flac 24/48 - 0, 141810 Palo Alto Frost Amphitheatre flac24; Lineage: Nakamichi 700 cardioids front of board -> tcd5m (master) -> Korg mr1000 (1 bit, 5.6 Mhz) -> render in AudioGate to 24 bits 48 khz sampling notes 6691. 04/30/88 Flac 24 UMtx - 0, 141865 Palo Alto Frost Amphitheatre flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6692. 04/30/88 Flac 16 - 0, 141889 Palo Alto Frost Amphitheatre flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6693. 04/30/88 Shn - 0, 7727 Palo Alto Frost Amphitheatre AUD : Recorded 20th row center w/Uher 240 casette deck by Danny T.(the mouth); SHN by Tommy McKeown; to abgd notes 6694. 04/30/88 Flac 16 - 0, 118630 Palo Alto Frost Amphitheatre flac16; Source: (OTS/LOC) Superscope EC-7's [near coicident/cardioids] > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/transferred: Jeff Bowen; Extraction/seed: Brad Foster notes 6695. 04/30/88 Flac 16 - 0, 145595 Palo Alto Frost Amphitheatre flac16; Lineage: Nakamichi 700 cardioids front of board -> tcd5m (master) -> Korg mr1000 (1 bit, 5.6 Mhz) -> render in AudioGate to 24 bits 48 khz sampling; Mastered by Joe Noel, Flac > Audacity > Flac. April 26, 2018; This file set is 16 bit @ 44.1 notes 6696. 04/30/88 Flac 16/48 - , 151107 Palo Alto Frost Amphitheatre flac16/48khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 6697. 04/30/88 Flac 24/96 - , 151108 Palo Alto Frost Amphitheatre flac24/96khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 6698. 05/01/88 Flac 24/48 - 0, 141811 Palo Alto Frost Amphitheatre flac24; Lineage: Nakamichi 700 cardioids front of board -> tcd5m (master) -> Korg mr1000 (1 bit, 5.6 Mhz) -> render in AudioGate to 24 bits 48 khz sampling notes 6699. 05/01/88 Shn - 0, 2206 Palo Alto Frost Amphitheatre DSBD->DAT Master->DAT Clone; DAT-> CD-> EAC-> CDWave-> SHN conversion and seeded by Adam Jerugim notes 6700. 05/01/88 Flac 16 - 0, 118671 Palo Alto Frost Amphitheatre flac16; Source: (OTS/LOC) Superscope EC-7's [near coicident/cardioids] > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/transferred: Jeff Bowen; Extraction/seed: Brad Foster notes 6701. 05/01/88 Flac 16 - 0, 145596 Palo Alto Frost Amphitheatre flac16; Lineage: Nakamichi 700 cardioids front of board -> tcd5m (master) -> Korg mr1000 (1 bit, 5.6 Mhz) -> render in AudioGate to 24 bits 48 khz sampling; Mastered by Joe Noel, Flac > Audacity > Flac, April 27, 2018; This file set is 16 bit @ 44.1 notes 6702. 06/17/88 Flac 16 - 0, 112317 Bloomington Metropolitan Sports Center flac16; Recorded, transferred, tracked and FLACd by Greg Holtz; Field Equipment: Nakamichi CM100 CP-4 shotgun caps > D-5; Transfer: MAC > Cassette 1st gen > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > TLH > FLAC notes 6703. 06/17/88 Shn - 0, 19544 Bloomington Metropolitan Sports Center UNKNOWN AUD>?>CDR>WAV>SHN; Shn converted with Mkw by Robert Goetz (winterland121072@yahoo.com) notes 6704. 06/17/88 Shn - 0, 19286 Bloomington Metropolitan Sports Center AUD(likely sennheiser)>?>CDR>WAV>SHN. SHN encoding via C.Ladner. notes 6705. 06/19/88 Flac 16 - 0, 95920 East Troy Alpine Valley Music Theatre flac16; Recording Info:SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Transfer Info:Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 6706. 06/19/88 Flac 16 - 0, 119124 East Troy Alpine Valley Music Theatre flac16; Set 2 Only Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAc8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo notes 6707. 06/19/88 Flac 24/48 - 0, 119123 East Troy Alpine Valley Music Theatre flac24; Set 2 Only Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAc8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 6708. 06/19/88 Flac 16 - 0, 107564 East Troy Alpine Valley Music Theatre flac16; Sennheiser 421s> Sony D5> Sony D5> MAC> 1st gen cassettes Maxell XLII (Set I) and Maxell XLII-S (Set II). Taped by Lucien Zaleski. Transferred, Edited and Mastered by Alex Ford notes 6709. 06/19/88 Flac 16 - 0, 127250 East Troy Alpine Valley Music Theatre flac16; Source (AUD): Shure SM57 (PAS, front row OTS, center, 7' up) > Sony WM-D6C (Maxell MX 90 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase (pre and post set fades, edit for tape flips, balance channels, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller notes 6710. 06/19/88 Shn - 0, 17267 East Troy Alpine Valley Music Theatre Source: AUD(Senn 441's)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN. Taper: Craig Camus. CDR source via Todd Norman. SHN encoding/FTP transmission via Chris Ladner/candyman FTP. notes 6711. 06/19/88 Flac 16 - 0, 111252 East Troy Alpine Valley Music Theatre flac16; Source: 2 Neumann KMF4 microphones-20th row > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes 6712. 06/19/88 Flac 24 UMtx. - 0, 151049 East Troy Alpine Valley Music Theatre flac24/96khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 6713. 06/19/88 Flac 24/96 - 0, 151200 East Troy Alpine Valley Music Theatre flac24/96 Patched version of: Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 (1 DVD FLAC) notes 6714. 06/19/88 Flac 16/44,1 - 0, 151602 East Troy Alpine Valley Music Theatre flac16/44.1khz Patched version of: Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 (1 DVD FLAC) - 151200 24 -> 16 @ 44.1 notes 6715. 06/20/88 Flac 16 - 0, 119380 East Troy Alpine Valley Music Theatre flac16; Recording Info: SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 6716. 06/20/88 Flac 16 - 0, 123452 East Troy Alpine Valley Music Theatre flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Set 2: SBD -> Cassette Master -> ? -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 6717. 06/20/88 Flac 16 - 0, 119068 East Troy Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tapes, Maxell MX Set 1,TDK MA-X Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAc8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo notes 6718. 06/20/88 Flac 16 - 0, 127251 East Troy Alpine Valley Music Theatre flac16; Source (AUD): Shure SM57 (DIN, center, OTS, 7' up) > Sony WM-D6C (Maxell MX 90 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase (pre and post set fades, edit for tape flips, balance channels, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller notes 6719. 06/20/88 Flac 24/48 - 0, 119067 East Troy Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tapes, Maxell MX Set 1,TDK MA-X Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAc8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 6720. 06/20/88 Shn - 0, 17269 East Troy Alpine Valley Music Theatre Source: AUD(Senn 441's)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN. Taper: Craig Camus. CDR source via Todd Norman. SHN encoding/FTP transmission via Chris Ladner/candyman FTP. notes 6721. 06/20/88 Flac 16 - 0, 111266 East Troy Alpine Valley Music Theatre flac16; Source: 2 Neumann KMF4 microphones (11th row)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes 6722. 06/20/88 Flac 16 - 0, 147212 East Troy Alpine Valley Music Theatre flac16; Source: AKG 460(FOB 20th Row); Transfer: DAT > Sony PCM R300 > Tascam DR680 notes 6723. 06/20/88 Flac 24/48 - 0, 151410 East Troy Alpine Valley Music Theatre flac24/48khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 6724. 06/20/88 Flac 16/44 - 0, 151614 East Troy Alpine Valley Music Theatre flac16/44khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151410 24 -> 16 @ 44.1 notes 6725. 06/22/88 Flac 16 - 0, 119780 East Troy Alpine Valley Music Theatre flac16; Set 2 Recording Info: SBD -> ? -> Cassette/4; Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 6726. 06/22/88 Flac 16 - 0, 119341 East Troy Alpine Valley Music Theatre flac16; Set 2 Only Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tape TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 6727. 06/22/88 Flac 24/48 - 0, 119340 East Troy Alpine Valley Music Theatre flac24; Set 2 Only Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tape TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 6728. 06/22/88 Flac 16 - 0, 127252 East Troy Alpine Valley Music Theatre flac16; Source (AUD): Shure SM57 (A/B, 10" spacing, center, OTS, 7' up) > Sony WM-D6C (Maxell MX 90 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase (pre and post set fades, edit for tape flips, balance channels, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller notes 6729. 06/22/88 Flac 16 - 0, 111276 East Troy Alpine Valley Music Theatre flac16; Source: 2 Neumann KMF4 microphones - 7th row > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes 6730. 06/22/88 Shn - 0, 17349 East Troy Alpine Valley Music Theatre AUD(Senn 441's, Row 16, DFC)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN taped by Craig Camus via Todd Norman encoded by Chris Ladner notes 6731. 06/22/88 Flac 16 - 0, 31633 East Troy Alpine Valley Music Theatre flac16; Source: AKG414 > Sony PCM > Tascam Porta 5 w/ Dolby DBX Transfer: Cassette Master > CD > LibParanoia > AIFF > FLAC Taped by: Jim O'Malley notes 6732. 06/23/88 Shn - 0, 13051 East Troy Alpine Valley Music Theatre yet another DAE/re-SHN of the exisitng DSBD?; posted to abgd by terrapin flyer notes 6733. 06/23/88 Flac 16 - 0, 119343 East Troy Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tapes Set 1 Maxell-MX, Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 6734. 06/23/88 Shn - 0, 9446 East Troy Alpine Valley Music Theatre Likely eac of original DSBD source notes 6735. 06/23/88 Flac 24/48 - 0, 119342 East Troy Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tapes Set 1 Maxell-MX, Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 6736. 06/23/88 Flac 16 - 0, 127253 East Troy Alpine Valley Music Theatre flac16; Source (AUD): Shure SM57 (A/B, 10" spacing, center, OTS, 7' up) > Sony WM-D6C (Maxell MX 90 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase (pre and post set fades, edit for tape flips, balance channels, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller notes 6737. 06/23/88 Flac 16/48 UMtx - 0, 142398 East Troy Alpine Valley Music Theatre flac16/48kHz; Recording Info: UltraMatrix SBD > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Master by Charlie Miller notes 6738. 06/23/88 Shn - 0, 17407 East Troy Alpine Valley Music Theatre AUD(Senn 441's, Row 16, DFC)>CM (Marantz PMD430)>DAT>CDR>WAV>SHN. Recorded and transferred (CM > DAT > CDR) by Craig Camus. Encoding/edits by Chris Ladner. notes 6739. 06/23/88 Flac 16 - 0, 30114 East Troy Alpine Valley Music Theatre flac16; Source: AKG414 > PCM > Stereo Line Out > Tascam Port 5 Analog Tape Deck w/ DBX Dolby Transfer: Cassette Master > DAT > CD > LibParanoia > Flac16 Taped by O'Malley notes 6740. 06/23/88 Flac 16 - 0, 111227 East Troy Alpine Valley Music Theatre flac16; Source: 2 Neumann KMF4 microphones - 11th row > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes 6741. 06/25/88 Flac 16 - 0, 107387 Hebron Buckeye Lake Music Center flac16; Sennheiser 421s> Sony D5> Sony D5> MAC> 1st Gen cassettes Taped by Lucien Zaleski and Andrew Kolodjeski. Transferred, Edited and Mastered by Alex Ford. notes 6742. 06/25/88 Flac 16 - 0, 143077 Hebron Buckeye Lake Music Center flac16; Master (FOB) Audience PCM; Schoeps MK2S split omnis > Tim Dalton's PCM clone (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16 notes 6743. 06/25/88 Flac 24/96 - 0, 134860 Hebron Buckeye Lake Music Center flac24; Source: Nakamichi CM-300s/Shotguns -> Sony Walkman Pro/TDK MA90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes 6744. 06/25/88 Shn - 0, 6478 Hebron Buckeye Lake Music Center Schoeps MK2s fob; Unknown seeder notes 6745. 06/25/88 Flac 16 - 0, 149261 Hebron Buckeye Lake Music Center flac16; Source Info: FOB Microphones Unknown-> PCM-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes 6746. 06/26/88 Flac - 0, 123834 Pittsburgh Civic Arena flac16; Recording Info: (FOB) Schoeps CMC4/MK2 -> PCM -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 6747. 06/26/88 Flac 24 a - 0, 115734 Pittsburgh Civic Arena flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell XL-II 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz notes 6748. 06/26/88 Flac - 0, 115733 Pittsburgh Civic Arena flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell XL-II 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes 6749. 06/26/88 Flac - 0, 139226 Pittsburgh Civic Arena flac16/48kHz; Source: Audience recording > Schoeps MK2 > PCM > DAT (48k); provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; transferred by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick September 2017 notes 6750. 06/26/88 Flac 16/48 - 0, 139246 Pittsburgh Civic Arena flac16/48kHz; Source: Audience recording > Schoeps MK2 > PCM > DAT (48k); provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; transferred by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick September 2017 notes 6751. 06/26/88 Shn Mtx. - 0, 5608 Pittsburgh Civic Arena SBD/Matrix > Dat > CDR > Sonic Solutions > CDR > EAC > CDWave > mkwACT; extracted/seeded by Doug Nawrocki notes 6752. 06/28/88 Shn - 0, 7831 Saratoga Springs Saratoga Performing Arts Center (Pre FM) SBD> MC> DAT> CDR> Shn, Digital editing, retracking and posted to abgd by Charlie Connor with thanks to Skankweed notes 6753. 06/28/88 Shn - 0, 12187 Saratoga Springs Saratoga Performing Arts Center FM (matrix): DAT > CD > TrackThief > AIFF > Peak > WAV > SHN > shntool (corrected S.B.problems); Seeded to etree by Peter Braverman with thanks to Doug Nawrocki notes 6754. 06/28/88 Flac 16 - 0, 130781 Saratoga Springs Saratoga Performing Arts Center flac16; Recording Info: SBD > MC > DAT > CDR > SHN; Transfer Info: SHN > TLH > WAV > Sound Forge 10 > TLH > FLAC; Retracked, remastered version of shnid 7831; Retracked and mastered by Bill Guarneri, July 30, 2014 notes 6755. 06/28/88 Shn - 0, 17956 Saratoga Springs Saratoga Performing Arts Center FM (matrix): DAT> CD> TrackThief> AIFF> Peak> WAV> SHN via Braverman (upgrade of prior seeds from this source) notes 6756. 06/28/88 Flac 24/96 - 0, 13ß427 Saratoga Springs Saratoga Performing Arts Center flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Nakamichi CM100/CP4 Shotguns > Unknown Mixer > Sony TC-D5m, Tapes Maxell MX-90's; Recorded From The Official Taper's Section; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 6757. 06/28/88 Flac 16 - 0, 130426 Saratoga Springs Saratoga Performing Arts Center flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Nakamichi CM100/CP4 Shotguns > Unknown Mixer > Sony TC-D5m, Tapes Maxell MX-90's; Recorded From The Official Taper's Section; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 6758. 06/28/88 Flac 24/96 - 0, 132523 Saratoga Springs Saratoga Performing Arts Center flac24; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD-8-100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 6759. 06/28/88 Flac 16 - 0, 132524 Saratoga Springs Saratoga Performing Arts Center flac16; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD-8-100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 6760. 06/28/88 Shn - 0, 7802 Saratoga Springs Saratoga Performing Arts Center (pre- FM) SBD> MC> DAT> CDR, EAC'ed/Shn'ed and Posted to abgd by Stephen Agan notes 6761. 06/28/88 Flac 24 - 0, 134529 Saratoga Springs Saratoga Performing Arts Center flac24; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Tascam 122mkII) -> Focusrite Scarlett -> AIFF (24bit/44.1k); Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; Mastered By Charlie Miller notes 6762. 06/28/88 Flac 16 - 0, 134530 Saratoga Springs Saratoga Performing Arts Center flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Tascam 122mkII) -> Focusrite Scarlett -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; Mastered By Charlie Miller notes 6763. 06/28/88 Flac 24/96 - 0, 141703 Saratoga Springs Saratoga Performing Arts Center flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) notes 6764. 06/28/88 Flac 16 - 0, 110953 Saratoga Springs Saratoga Performing Arts Center flac16; Source: AKG 460b/ck63uls > AKG B18> Sony TCD5; Conversion: Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16; Recorded by Ray Ackerman; Conversion by Ray Ackerman; Tracks, FLACs, Tags by Craig Taraszki notes 6765. 06/28/88 Flac 16 - 0, 145612 Saratoga Springs Saratoga Performing Arts Center flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k), Edited & Mastered by Joe Noel, WAV > Audacity > FLAC 24/96, April 10, 2018; This file set is 16 bit @ 44.1 notes 6766. 06/30/88 Flac 16 - 0, 96071 Rochester Silver Stadium flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Set 2: SBD -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Set 2: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 6767. 06/30/88 Flac 16 - 0, 80269 Rochester Silver Stadium flac16; Set 2 only: MAC > C1 (Maxell XLII 90) > Nakamichi 480, azimuth aligned > Tascam DA-40 (A/D only) > M-Audio Audiophile 192 > Adobe Audition > CDWave > FLAC Frontend notes 6768. 06/30/88 Shn - 0, 19530 Rochester Silver Stadium Set 2 SBD > DAT [vault] > DAT [vault clone] > CDR. Discs kindly provided by Zeb Weber via David Gans. cd > eac > shnv3 by Ernie Dodd. [Note: This is a more complete and uncensored version of this source (http://db.etree.org/shninfo_detail.php?shnid=6670).] notes 6769. 06/30/88 Shn - 0, 6670 Rochester Silver Stadium set 2; SBD> DAT> Sonic Solutions> CDR from David Gans; via Skankweed, David Finney notes 6770. 06/30/88 Flac 16 - 0, 138070 Rochester Silver Stadium flac16; Set 2 Source: FOB recording by Ted Mattes; Schoeps CMC42s (omnis spaced 8 feet) > Apogee Mod Sony PCM F1 FOB; Transfer: John Ammons; Beta master > DAT > CD > Audacity; Patch, tags & checksums: Joe Noel in Audacity & xACT; fixed version cirulated 2017/03/29: cut between BION removed duplicate patch removed from end of space (crossfades re-applied) re-tracked; please don't circuulate the original source notes 6771. 06/30/88 Flac 24/96 - 0, 141704 Rochester Silver Stadium flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) notes 6772. 06/30/88 Flac 16 - 0, 142404 Rochester Silver Stadium flac16; Ted Mattes FOB Recording: Schoeps CMC42s (omnis spaced 8 feet) > Apogee Mod Sony PCM F1 > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Flac 16/44 notes 6773. 06/30/88 Flac 16 - 0, 81533 Rochester Silver Stadium flac16; AUD Source: AKG 460's with CK3 hypercardioid capsules > Sony TC-D5M. Set up FOB, even with the front of the board. Taped by Ray Ackerman. Transfer: MAC > CD by Ray Ackerman (equipment unknown). CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, January 2007 by Andrew F notes 6774. 06/30/88 Shn - 0, 414 Rochester Silver Stadium FOB split Schoeps CMC5/mk21's > PCM > DAT; Conversion: DAT->Montego II->HD via Soundforge->CDWav->MKW .shn; via A. Gustin notes 6775. 06/30/88 Flac 24/96 - 0, 135156 Rochester Silver Stadium flac24; Set 2 Source: Nakamichi CM-300s/Shotguns -> Sony Walkman Pro/TDK MX-S 100 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Recorded, tracked and seeded by bltz notes 6776. 06/30/88 Flac 24/96 - 0, 144572 Rochester Silver Stadium flac24; Ray Ackerman's Master Audience Cassette Recording & Transfer; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette; Located, front left side of sound board; Transfer: Master Cassettes > Kyocera D811 > Grace V3 > M-Audio MicroTrack II > WAV 96Hz/24bit; Edited & Mastered w/ Audacity by Joe Noel notes 6777. 06/30/88 Flac 16 - 0, 145661 Rochester Silver Stadium flac16; Ray Ackerman's Master Audience Cassette Recording & Transfer; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette; Located, front left side of sound board; Transfer: Master Cassettes > Kyocera D811 > Grace V3 > M-Audio MicroTrack II > WAV 96Hz/24bit; Edited & Mastered w/ Audacity by Joe Noel. This file set is 16 bit @ 44.1 notes 6778. 06/30/88 Flac 16 - 0, 146890 Rochester Silver Stadium flac16; John Kemble & Don Crandall (FOB) Recording: Schoeps CMC4 + 41 Cardiod capsules @ 110ยบ > MIT Proline XLR cables > OADE 48V "wonder cap" power supply > PCM (Sony PCM-F1/SL-2000) > PCM(2); Bill Reutelhuber transfer: PCM(2) > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Flac 16/44; Edited & Mastered by Joe Noel Flac > Audacity > Flac 16/44 notes 6779. 07/01/88 Shn - 0, 20606 Cape Elizabeth The Inn By The Sea Tape "The Inn By The Sea" tape; This tape was left in a room occupied by The Grateful Dead at "The Inn By The Sea," Cape Elizabeth, Maine when they were doing the July 2 and 3, 1988 at Oxford Plains, Maine; Recorded at Club Front?; SBD>DAT>CT>CD>EAC>SHN; shn(1)>cda(1) notes 6780. 07/02/88 Flac 16 Mtx - 0, 92583 Oxford Oxford Plains Speedway flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD) notes 6781. 07/02/88 Flac 16 - 0, 86817 Oxford Oxford Plains Speedway flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes 6782. 07/02/88 Shn - 0, 21211 Oxford Oxford Plains Speedway Source: SBD + AUD 'Matrix Mix' Source 1) FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR Source 2) SBD > Dat > Sonic Solutions > CDR Both sources were extracted using EAC and time aligned/mixed/shn'ed by dan@am-dig.com using Cool Edit 2k (see additional notes in text file) notes 6783. 07/02/88 Flac 24/96 - 0, 124844 Oxford Oxford Plains Speedway flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 6784. 07/02/88 Flac 16 - 0, 132393 Oxford Oxford Plains Speedway flac16; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD8 100's; Recorded By The Soundboard; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 6785. 07/02/88 Flac 24/96 - 0, 132394 Oxford Oxford Plains Speedway flac24; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD8 100's; Recorded By The Soundboard; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 6786. 07/02/88 Flac 16 - 0, 124845 Oxford Oxford Plains Speedway flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 6787. 07/02/88 Shn - 0, 2328 Oxford Oxford Plains Speedway SBD> Master Cassette> DAT> CDR> EAC> SHN; via Jeff M. notes 6788. 07/02/88 Flac 16 - 0, 74652 Oxford Oxford Plains Speedway flac16 Fix of shn id 2328 - SBD>Master Cassette>DAT>CDR>EAC>SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 6789. 07/02/88 Flac Dts 5.1 - 0, 21434 Oxford Oxford Plains Speedway Source: SBD + AUD '5.1 DTS'; FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR; SBD > Dat > Sonic Solutions > CDR notes 6790. 07/02/88 Flac 16 - 0, 106588 Oxford Oxford Plains Speedway flac16; (FOB) Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/TDK MA 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded FOB by Bob Morris notes 6791. 07/02/88 Flac 16/48 - 0, 138736 Oxford Oxford Plains Speedway flac16/48kHz; 5.1 LPCM Surround Sound (48k) Set 2 Only - SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin notes 6792. 07/02/88 Flac Dts 5.1 - 0, 138738 Oxford Oxford Plains Speedway DTS-Audio-CD 5.1 Mix; Set 2 Only SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin notes 6793. 07/02/88 Flac 16 Mtx - 0, 138737 Oxford Oxford Plains Speedway flac16; Matrix 2 Source Mix Set 2 Only - SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin notes 6794. 07/02/88 Flac 16 - 0, 140673 Oxford Oxford Plains Speedway flac16; Set 1 from Robert Bryant (from an Oade Bros. patch) FOB; Recording: Schoeps MK2 spaced omni's > Sony F1 > PCM > DAT; Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT notes 6795. 07/02/88 Flac 16 - 0, 140674 Oxford Oxford Plains Speedway flac16; Jeff Silberman Master FOB Recording: Neumann U89 spaced omnis -> Technics SV-100 -> PCM; John Ammons Transfer: Tascam DA20 Mark II -> Roland SRC-2 -> Mac Mini > Audacity 3.0 @ 44K -> WAV; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT notes 6796. 07/02/88 Flac 16 Dts - 0, 92582 Oxford Oxford Plains Speedway DTS Audio 5.1; DTS-Audio-CD 5.1 Mix, see info file for details notes 6797. 07/02/88 Flac 24/96 - 0, 141757 Oxford Oxford Plains Speedway flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) notes 6798. 07/02/88 Flac 16/48 - 0, 142977 Oxford Oxford Plains Speedway flac16/48kHz; Recording by Stephen Porter: Sennheiser Me80 > Sony D5 > Master Cassette (Maxell XLII-S 90); Transfer by Kris Wescott: Master Cassette > Nakamichi CR7a (dolby on) > Korg mr1000 1 bit @ 5.6 mhz > WAV 1648 notes 6799. 07/02/88 Flac 16 - 0, 124766 Oxford Oxford Plains Speedway flac16; Taper: M. Laurentus; FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes 6800. 07/02/88 Flac 16 - 0, 82762 Oxford Oxford Plains Speedway flac16; Source: Nakamichi CM304's>BeyerM101>Sony Mixer>Sony D5M Location: At SBD*, Stand at 8 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes 6801. 07/02/88 Flac 16 - 0, 32636 Oxford Oxford Plains Speedway Nakamichi 100's > Marantz 430-PDM [Maxell metals w/ dbx] Sony 59 ES > wavelab > cd wave > flac notes 6802. 07/02/88 Flac 16 - 0, 145666 Oxford Oxford Plains Speedway flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1 notes 6803. 07/02/88 Flac 24/96 - 0, 147158 Oxford Oxford Plains Speedway flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited asnd mastered SIRMick July 2019 notes 6804. 07/02/88 Flac 24 UMtx. - 0, 150683 Oxford Oxford Plains Speedway flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 6805. 07/02/88 Flac 16 - 0, 150701 Oxford Oxford Plains Speedway flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes 6806. 07/03/88 Shn - 0, 3908 Oxford Oxford Plains Speedway SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko notes 6807. 07/03/88 Flac 16 Mtx - 0, 92585 Oxford Oxford Plains Speedway flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD) notes 6808. 07/03/88 Flac 16 - 0, 107117 Oxford Oxford Plains Speedway flac16; (FOB) Schoeps CMC42s (Spaced Omni) > Sony PCM F1/SL2000 > PCM 601ES > Dan Houck's DAT; Lineage: Sony TCD-790 > Hucht Copyprocessor MKII > Tascam HD-P2 > WAV > FLAC notes 6809. 07/03/88 Flac 24 - 0, 132399 Oxford Oxford Plains Speedway flac24; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD 430 > Tapes:Denon HD 8-100's; Recorded From The Repeater Stack; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes 6810. 07/03/88 Flac 16 - 0, 132398 Oxford Oxford Plains Speedway flac16; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD 430 > Tapes Denon HD 8-100's; Recorded From The Repeater Stack; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 6811. 07/03/88 Flac 16 - 0, 124856 Oxford Oxford Plains Speedway flac16; Master Audience Recorded By Fitzy, Transfer By Keo! Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 6812. 07/03/88 Flac 16 - 0, 92586 Oxford Oxford Plains Speedway flac16; FOB AUD: Nakamichi CM-300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, July 2008. Transfer by Andrew F. notes 6813. 07/03/88 Flac Dts 5.1 - 0, 92584 Oxford Oxford Plains Speedway DTS Audio 5.1; DTS-Audio-CD 5.1 Mix, see info file for details notes 6814. 07/03/88 Flac 16 - 0, 106587 Oxford Oxford Plains Speedway flac16; (FOB) Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/TDK MA 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded FOB by Bob Morris notes 6815. 07/03/88 Flac 16/48 - 0, 139083 Oxford Oxford Plains Speedway flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 3908) SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko + AUD (shnid = 124810) FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus - surround mixing by Kevin Tobin notes 6816. 07/03/88 Flac Dts 5.1 - 0, 139082 Oxford Oxford Plains Speedway DTS-Audio-CD 5.1 Mix; SBD (shnid = 3908) SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko + AUD (shnid = 124810) FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus - dts mixing by Kevin Tobin notes 6817. 07/03/88 Flac 16 Mtx - 0, 139081 Oxford Oxford Plains Speedway flac16; Matrix 2 Source Mix - SBD (shnid = 3908) SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko + AUD (shnid = 124810) FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus - matrix mixing by Kevin Tobin notes 6818. 07/03/88 Flac 16 - 0, 140675 Oxford Oxford Plains Speedway flac16; Jeff Silberman Master FOB Recording: Neumann U89 spaced omnis -> Technics SV-100 -> PCM; John Ammons Transfer: Tascam DA20 Mark II -> Roland SRC-2 -> Mac Mini > Audacity 3.0 @ 44K -> WAV; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT notes 6819. 07/03/88 Flac 24/96 - 0, 141758 Oxford Oxford Plains Speedway flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) notes 6820. 07/03/88 Flac 16/48 - 0, 142978 Oxford Oxford Plains Speedway flac16/48kHz; Recording by Stephen Porter: Sennheiser Me80 > Sony D5 > Master Cassette (Maxell XLII-S 90); Transfer by Kris Wescott: Master Cassette > Nakamichi CR7a (dolby on) > Korg mr1000 1 bit @ 5.6 mhz > WAV 1648 notes 6821. 07/03/88 Flac 16 - 0, 124810 Oxford Oxford Plains Speedway flac16; FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus notes 6822. 07/03/88 Shn - 0, 3325 Oxford Oxford Plains Speedway (FOB) AUD> Beyer Dynamic 201's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav v1.6 (tracking only)> SHNv3 (MKW ACT); taped, mastered and seeded to abgd by Charlie Connor notes 6823. 07/03/88 Flac 16 - 0, 82801 Oxford Oxford Plains Speedway flac16; Source: Nakamichi CM304's>BeyerM101>Sony Mixer>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes 6824. 07/03/88 Flac 16 - 0, 145667 Oxford Oxford Plains Speedway flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44. notes 6825. 07/03/88 Flac 24/96 - 0, 124855 Oxford Oxford Plains Speedway flac24; Master Audience Recorded By Fitzy, Transfer By Keo! Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 6826. 07/03/88 Flac 24/96 - 0, 147523 Oxford Oxford Plains Speedway flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick September 2019 notes 6827. 07/03/88 - 0, Oxford Oxford Plains Speedway (FOB) AUD> Beyer Dynamic 201's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav v1.6 (tracking only)> SHNv3 (MKW ACT); taped, mastered and seeded to abgd by Charlie Connor notes 6828. 07/15/88 Flac 16 - 0, 34751 Berkeley Greek Theatre, U. Of California flac16; Seamless fix of shn id 10343 - Ultramatrix>DAT>?>CD>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 6829. 07/15/88 Shn - 0, 10343 Berkeley Greek Theatre, U. Of California Sources: Primary Source: Prev Braverman Matrix Seed Seconday Source: Prev Gardner Seed of Sean Weber-Small's Aud PCM Master The secondary source supplies a patch in Estimated Prophet(d2t05) from 3:03 thru 3:07; Patched by Scott Clugston. Vined and posted to abgd via Charlie Connor notes 6830. 07/15/88 Shn - 0, 10079 Berkeley Greek Theatre, U. Of California Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.); via Steve Aserkoff; Seeded to etree by Peter Braverman notes 6831. 07/15/88 Flac 16 - 0, 140749 Berkeley Greek Theatre, U. Of California flac16; Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 6832. 07/15/88 Flac 24 UMtx - 0, 141922 Berkeley Greek Theatre, U. Of California flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6833. 07/15/88 Flac 16 - 0, 141964 Berkeley Greek Theatre, U. Of California flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6834. 07/15/88 Flac 16/48 - 0, 141962 Berkeley Greek Theatre, U. Of California flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - mixing by Kevin Tobin notes 6835. 07/15/88 Flac Dts 5.1 - 0, 141961 Berkeley Greek Theatre, U. Of California DTS-Audio-CD 5.1 Mix; SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - dts mixing by Kevin Tobin notes 6836. 07/15/88 Flac 16 - 0, 141959 Berkeley Greek Theatre, U. Of California flac16; Patched and Pitch Corrected Audience - AUD (original shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - pitch correction and patches by Kevin Tobin notes 6837. 07/15/88 Flac 16 Mtx - 0, 141960 Berkeley Greek Theatre, U. Of California flac16; Matrix 2 Source Mix - SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - matrix mixing by Kevin Tobin notes 6838. 07/15/88 Flac16/48 LPCM - 0, 142014 Berkeley Greek Theatre, U. Of California flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - surround mixing by Kevin Tobin notes 6839. 07/15/88 Flac 16 Pre Fm - 0, 143155 Berkeley Greek Theatre, U. Of California flac16; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller This file set is 16 bit @ 44.1 notes 6840. 07/15/88 Flac 16 - 0, 143187 Berkeley Greek Theatre, U. Of California flac16; Sean Weber-Small recording: Schoeps CMC42S (Spaced Omni 14' Split)> Oade Power Supply> PCM (Sony PCM-F1 w/ Apogee modified A/D filters); Location (OTS, 2nd Row behind Healy); A Philly Crew transfer: PCM(1)> Sony PCM601esd (spdif out)> VX Pocket (spdif in)> Nuendo> FLAC 16/44 notes 6841. 07/15/88 Flac 16 - 0, 137888 Berkeley Greek Theatre, U. Of California flac16; NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH notes 6842. 07/15/88 Shn - 0, 9244 Berkeley Greek Theatre, U. Of California 2nd Row Behind Healy (see notes): Schoeps CMC42S (Spaced Omni 14' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters; Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner notes 6843. 07/15/88 Flac 16 - 0, 138063 Berkeley Greek Theatre, U. Of California flac16; Fixed version Source Info: Healy-FM > FM Receiver(RCA output) > D-6 (Dolby C on) > Maxell MX-90; Transfer Info: Maxell MX-90 > Onkyo TA-2027(Dolby C on/azimuth adjusted) > Carver HR-722 > Sony M-10 (Wave 24bit/96k/tracked) > Soundforge 9 (fades / patch) > Converted to 16bit/44k w/ Audacity > Encoded to FLAC (level 8) w/ TLH; Original source marked pre-FM and had some files that were 44.1kHz and others 96kHz notes 6844. 07/15/88 Flac 24/96 - 0, 138064 Berkeley Greek Theatre, U. Of California flac24; Some file are 24 bit and others are 16bit; Source Info: pre-FM > FM Receiver(RCA output) > D-6 (Dolby C on) > Maxell MX-90; Transfer Info: Maxell MX-90 > Onkyo TA-2027(Dolby C on) > Carver HR-722 > Sony M-10 (Wave 24bit/96k/tracked) > Soundforge 9 (fades / patch) > Encoded to FLAC (level 8) w/ TLH; this entry is for documentation purposes notes 6845. 07/16/88 Flac 16 - 0, 87751 Berkeley Greek Theatre, U. Of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 6846. 07/16/88 Flac 16 Mtx - 0, 139808 Berkeley Greek Theatre, U. Of California flac16; Recording Info: UltraMatrix SBD (Broadcast Mix) > PCM Master; Transfer Info: PCM Master (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes 6847. 07/16/88 Flac 16 Mtx - 0, 140549 Berkeley Greek Theatre, U. Of California notes 6848. 07/16/88 Flac 24 - 0, 140495 Berkeley Greek Theatre, U. Of California flac24; Recording Info: UltraMatrix SBD (Broadcast Mix) > Ultra Hi-FI VHS Master; Transfer Info: Ultra Hi-Fi VHS Master (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1 bit/5.8 MHz) > Adobe Audition 3.0 24/96 > TLH flac2496 notes 6849. 07/16/88 Flac 16 - 0, 140750 Berkeley Greek Theatre, U. Of California flac16; Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 6850. 07/16/88 Flac 24 Pre Fm - 0, 143156 Berkeley Greek Theatre, U. Of California flac24; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6851. 07/16/88 Flac 16 - 0, 143160 Berkeley Greek Theatre, U. Of California flac16; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6852. 07/16/88 Flac 16 - 0, 107042 Berkeley Greek Theatre, U. Of California flac16; Nak700/cp701>Bill Box>dbx224>D5: Nak>dbx224>mytek8x96AD6(24bit)ftp>r8brain>audacity>cdwave>tlh; Recorded and Transferred by Bill Reutelhuber notes 6853. 07/16/88 U.Mtx Shn - 0, 10080 Berkeley Greek Theatre, U. Of California Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.); via Steve Aserkoff; Seeded to etree by Peter Braverman notes 6854. 07/17/88 Flac 16 - 0, 87752 Berkeley Greek Theatre, U. Of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 6855. 07/17/88 Shn Mtx - 0, 10081 Berkeley Greek Theatre, U. Of California Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.); via Steve Aserkoff; Seeded to etree by Peter Braverman.; Note- This may be an FM source; See user comments notes 6856. 07/17/88 Shn - 0, 1808 Berkeley Greek Theatre, U. Of California SBD> DAT Master> CDR> EAC> WAV> SHN; known flaws: d2t05 - d/o's 4:34, 5:06; via Jeff M.; Note- This may be an FM source; See user comments notes 6857. 07/17/88 Flac 16 Mtx - 0, 140579 Berkeley Greek Theatre, U. Of California flac16; Set 2 Recording Info: UltraMatrix SBD (Broadcast Mix) > Ultra Hi-Fi VHS Master; Transfer Info: Ultra Hi-Fi VHS Master (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1 bit/5.8 MHz) > Adobe Audition 3.0 24/96 > TLH flac2496; channels are correct on this 16 bit notes 6858. 07/17/88 Flac 24 - 0, 140512 Berkeley Greek Theatre, U. Of California flac24; Set 2 Recording Info: UltraMatrix SBD (Broadcast Mix) > Ultra Hi-Fi VHS Master; Transfer Info: Ultra Hi-Fi VHS Master (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1 bit/5.8 MHz) > Adobe Audition 3.0 24/96 > TLH flac2496; the original source had errors, please don't circulate that version notes 6859. 07/17/88 Flac 16 - 0, 140511 Berkeley Greek Theatre, U. Of California flac16; Set 1 Recording Info: (FOB) Master Audience PCM; AKG 414btl mics, Master PCM > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 notes 6860. 07/17/88 Flac 24 - 0, 143157 Berkeley Greek Theatre, U. Of California flac24; Recording Info: In-House FM (SBD) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6861. 07/17/88 Flac 24 Pre Fm - 0, 143158 Berkeley Greek Theatre, U. Of California flac24; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6862. 07/17/88 Flac 16 - 0, 143173 Berkeley Greek Theatre, U. Of California flac16; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6863. 07/17/88 Flac 16 - 0, 143211 Berkeley Greek Theatre, U. Of California flac16; Recording Info: In-House FM (SBD) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 notes 6864. 07/17/88 Shn - 0, 9245 Berkeley Greek Theatre, U. Of California 2nd Row Behind Healy (see notes). Schoeps CMC42S (Spaced Omni 10' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters. Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner notes 6865. 07/17/88 Flac 16 - 0, 138013 Berkeley Greek Theatre, U. Of California flac16; NAK-CM100-CP4 Shotguns(2) TOA-K1 Cardoids (2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up right of center on hill behind seating and walkway on 2 mic stands 8'&12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flips/start/end and patch) > encoded to FLAC (level 8) w/ TLH notes 6866. 07/29/88 Flac 16 - 0, 106034 Monterey Laguna Seca Recreation Area flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes 6867. 07/29/88 Flac 16 - 0, 93970 Monterey Laguna Seca Recreation Area flac16; Hat Mounted Realistic pzm's w/sony WMD6-C 45 feet away,dead center MAC>D6>HD>Audacity>CDWave>TLH notes 6868. 07/29/88 Flac 16 - 0, 102903 Monterey Laguna Seca Recreation Area flac16; TAPER: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps (Hand Held FOB) Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 notes 6869. 07/29/88 Flac 16 - 0, 105341 Monterey Laguna Seca Recreation Area flac16; Second Set Only 3rd gen sbd>NakCR-3A>AudigySE>Audacity>CDwave>TLH notes 6870. 07/29/88 Shn - 0, 5395 Monterey Laguna Seca Recreation Area Soundboard (was originally labeled as Aud CM-> DAT-> CDR-> EAC w/correct offsets using Secure Mode w/C2 (Plextor UW)-> SHN (MKW)); encore is different AUD source; see notes in info file; via Andy Hayum with thanks to Ken Doughty, Karen Lutz Benbrook notes 6871. 07/29/88 Flac 16 - 0, 86255 Monterey Laguna Seca Recreation Area flac16; Source: Schoeps cmc 4/mk2-> Sony pcm-f1->Beta->Dat->Sony pcm R-500(playback)->vx pocket v2->SF6 Taper: unknown notes 6872. 07/29/88 Flac 16 Mtx - , 158384 Monterey Laguna Seca Recreation Area A Photoleon Matrix Source 1 (a Remastered Version Of Shnid 86255): Schoeps Cmc4 Mk2 > Sony Pcm-f1 > Beta > Dat Transfer: Dat > Sony Pcm R-500 > Vx Pocket V2 > Sf6 Taper: Unknown Transferred And Encoded To Flac By: M.watson Source Dat By: Wklitz Remastered In Adobe Audition By Joe Noel July 23, 2022 Source 2 (shnid 106034): Sbd > Cassette Master > Dat > Cd Transfer: Cd -> Adobe Audition V-> Samplitude Professional V-> Flac Transfer & Mastering By Charlie Miller February 14, 2010 Matrix Created In Adobe Audition By Joe Noel July 20, 2022 notes 6873. 07/30/88 Shn - 0, 19585 Monterey Laguna Seca Recreation Area mixed sources: set1: sbd matrix> unknown cassette generations> ?dat?> cdr> wav> shn; set 2: aud (unknown taper)> unknown cassette generations> ?dat?> cdr> wav> shn; EAC> SHN by Robert Goetz from Mike Rider's source disc notes 6874. 07/30/88 Flac 16 - 0, 131102 Monterey Laguna Seca Recreation Area flac16; 2nd Set SBD 2nd generation recording Sony D6-c dolby b on > Sony PCM M10@24/44.1; SDcard>SoundForge9>CDWave>TLH notes 6875. 07/30/88 Flac 16 - 0, 102904 Monterey Laguna Seca Recreation Area flac16; Taper: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps (In Hat FOB) Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 notes 6876. 07/30/88 Flac 16 - 0, 94495 Monterey Laguna Seca Recreation Area flac16; Hat Mounted Realistic pzm's w/D6 45 feet,dfc MAC>D6>HD>Audacity>CDwave>TLH notes 6877. 07/30/88 Shn - 0, 21092 Monterey Laguna Seca Recreation Area Recording Info:(FOB/Split 10 to 20 Feet)Nakamichi CM700/CP701 -> dbx type II encoder -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi Cassette Deck 1) -> dbx 224x -> Mytek 8X96ADC -> Nuendo (24bit) -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN); Process Info: Very slight eq with waves Q10 and rendered to a 16 bit file with waves L2; Editing Info: Normalized and Tracked with Samplitude v7.02 Professional; Recorded and Transfered BY Bill Reutelhuber; Edited By Charlie Miller 12/15/03 notes 6878. 07/30/88 Flac 16 - 0, 82207 Monterey Laguna Seca Recreation Area flac 16:Primary Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's) Secondary Source: Bill Reutelhuber's Nakamichi CM700/CP701>dbx type II encoder>Cassette Master (Sony TC-D5M) (shn id 21092)Transfer:Nakamichi DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16 Level 8: Taped and transferred by Charlie Connor notes 6879. 07/31/88 Shn - 0, 1669 Monterey Laguna Seca Recreation Area SBD > MR > DAT @48Khz; Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHN3 (seekable); via John D'Auria; d2 tracked for 80 min; small glitch in Bucket, no other flaws notes 6880. 07/31/88 Flac 16 - 0, 85999 Monterey Laguna Seca Recreation Area flac16; Source: Audience FOB Recording, DFC Media: TDK-SA-X Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > AES > Sound Devices 722 > WAV notes 6881. 07/31/88 Flac 16 - 0, 102905 Monterey Laguna Seca Recreation Area flac16; Taper: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps (In Hat FOB) Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 notes 6882. 07/31/88 Flac 16 - 0, 142255 Monterey Laguna Seca Recreation Area flac16; Source Info: Master Soundboard Cassette > PCM; Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes 6883. 07/31/88 Flac 16/48 - 0, 142396 Monterey Laguna Seca Recreation Area flac16/48kHz; Set 1 Recording Info: UltraMatrix SBD > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes 6884. 08/26/88 Flac 16/48 - 0, 143125 Tacoma Tacoma Dome flac16/48kHz; Master UltraMatrix Soundboard Dat > Steve Block's cassettes > Jim Blackwood's Dat (16-bit/48k)Transfer Info: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Sound Devices 744T (.wav 16-bit/48k) > Adobe Audition 3.01 > TLH flac1648 notes 6885. 08/26/88 Flac 16 U Mtx - 0, 143143 Tacoma Tacoma Dome flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24. this file set is 16 bit at 44.1 notes 6886. 08/26/88 Flac 24 - 0, 143062 Tacoma Tacoma Dome flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 notes 6887. 08/26/88 Shn - 0, 8215 Tacoma Tacoma Dome FOB Schoeps CMC34 --> Sony PCM-601ES --> DAT; Seeded to etree by Bill Gardner notes 6888. 08/26/88 Flac 24/96 - 0, 152393 Tacoma Tacoma Dome flac24/96 repaired the flutter from shnid=143062 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > Izotope RX8 Advanced > FLAC/24 notes 6889. 08/26/88 Flac 16/48 - 0, 152077 Tacoma Tacoma Dome flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes 6890. 08/26/88 Flac 24/96 - 0, 152078 Tacoma Tacoma Dome flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes 6891. 08/26/88 Flac 16/44 - 0, 152580 Tacoma Tacoma Dome flac16/44 repaired the flutter from shnid=143062 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > Izotope RX8 Advanced > FLAC/24 - This is 152393 24 -> 16 @ 44.1 notes 6892. 08/28/88 Flac 16 - 0, 31107 Eugene Autzen Stadium, University Of Oregon flac16; Source: Healy SBD Ultramix Patch > Sony D5 > MSC(TDK MA-XG90 Type IV Cassettes). Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. Transfer and encoding by C. Ladner. notes 6893. 08/28/88 Shn - 0, 16085 Eugene Autzen Stadium, University Of Oregon SBD>MC>DAT>CDR; via Paul G; Seeded by T. Wiley notes 6894. 08/28/88 Flac 16 44,1khz - 0, 139356 Eugene Autzen Stadium, University Of Oregon flac16 44.1khz Set 1 Only. Source: Schoeps CMC 34-> PCM-> DAT Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel notes 6895. 08/28/88 Flac 16 - 0, 140488 Eugene Autzen Stadium, University Of Oregon flac16; Sony WM-D3 with stock mic > Maxell XL-II 90 minute cassette > Nakamichi CR-7A azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 2.0 (16/44.1 capture to .wav) > iZotope RX and Ozone > FLAC notes 6896. 08/28/88 Flac 16/48 - 0, 152079 Eugene Autzen Stadium, University Of Oregon flac16/48 Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes 6897. 08/28/88 Flac 24/96 - 0, 152080 Eugene Autzen Stadium, University Of Oregon flac24/96 Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes 6898. 09/02/88 Flac 16 - 0, 28799 Landover Capital Centre flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat (SV3800/48k) Set 2: SBD -> Dat -> Sonic Solutions -> CD Transfer Info: Set 1: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC Set 2: CD -> EAC -> Samplitude Professional v8.0 -> FLAC notes 6899. 09/02/88 Flac 16 - 0, 27748 Landover Capital Centre flac16; SBD> Cassette Master> Dat (SV3800/48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller notes 6900. 09/02/88 Shn - 0, 18156 Landover Capital Centre NAK 300's + CP4(XY)-> Sony D5-> Lucid AD9624-> DAT@48KHZ-> Tascam CDRW 700; Cassette Playback on Nakamichi CR 7.AES/EBU out of AD into Fostex D5; Conversion: EAC>CD WAV> COOL EDIT PRO >MKW >SHN (Seekable); Converted and seeded to etree by Steven Leeds; Thanks to Mark Lynn and Mike B for the source discs, to Willy for the patch source notes 6901. 09/02/88 Flac 16 - 0, 82922 Landover Capital Centre flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac notes 6902. 09/02/88 Flac 16 - 0, 140732 Landover Capital Centre flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (5th row center, OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 6903. 09/02/88 Flac 16 - 0, 82542 Landover Capital Centre flac16; Sennheiser 4xx's > Marantz PMDxxx > MC Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck notes 6904. 09/02/88 Flac 16 - 0, 131128 Landover Capital Centre flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD notes 6905. 09/03/88 Flac 16 - 0, 27749 Landover Capital Centre flac16; verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller. (Note: The encore tracks circulate from the vault digital DAT separately here notes 6906. 09/03/88 Flac 16 - 0, 31224 Landover Capital Centre flac16; Vault dat SBD via Charlie Miller notes 6907. 09/03/88 Flac 16 - 0, 82511 Landover Capital Centre flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck notes 6908. 09/03/88 Flac 16 - 0, 82967 Landover Capital Centre flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac notes 6909. 09/03/88 Flac 16 - 0, 136751 Landover Capital Centre flac16; (original shnid = 82980) Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Rig owner name unknown, Sony D5 - Tony Suraci Transfer and upload by Tony Suraci - pitch correction and patches by Kevin Tobin notes 6910. 09/03/88 Flac 16/48 - 0, 136755 Landover Capital Centre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (original shnid = 27749)verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller & (original shnid = 31224) Vault dat SBD (of encore) via Charlie Miller + AUD (original shnid = 82980) Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Rig owner name unknown, Sony D5 - Tony Suraci Transfer and upload by Tony Suraci - mixing by Kevin Tobin notes 6911. 09/03/88 Flac Dts 5.1 - 0, 136753 Landover Capital Centre DTS-Audio-CD 5.1 Mix; SBD (original shnid = 27749)verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller & (original shnid = 31224) Vault dat SBD (of encore) via Charlie Miller + AUD (original shnid = 82980) Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Rig owner name unknown, Sony D5 - Tony Suraci Transfer and upload by Tony Suraci - DTS mixing by Kevin Tobin notes 6912. 09/03/88 Flac 16 - 0, 136750 Landover Capital Centre flac16; (original shnid = 27749) verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; & (original shnid = 31224) Vault dat SBD (of encore) - pitch correction and patches by Kevin Tobin notes 6913. 09/03/88 Flac 16 Mtx - 0, 1356752 Landover Capital Centre flac16; Matrix 2 Source Mix - SBD (original shnid = 27749)verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller & (original shnid = 31224) Vault dat SBD (of encore) via Charlie Miller + AUD (original shnid = 82980) Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Rig owner name unknown, Sony D5 - Tony Suraci Transfer and upload by Tony Suraci - matrix mixing by Kevin Tobin notes 6914. 09/03/88 Flac 16 - 0, 142142 Landover Capital Centre flac16; Don Crandall & Chris Huron OTS Recording: Schoeps CMC3 MK41 > PCM (Nakamichi DMP-100); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16 notes 6915. 09/03/88 Flac 16 - 0, 92980 Landover Capital Centre flac16; Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Rig owner name unknown, Sony D5 - Tony Suraci Transfer and upload by Tony Suraci notes 6916. 09/03/88 Shn - 0, 5913 Landover Capital Centre Updated source: Unknown Mics> Cm> Sound Forge> Dat> CD> Cool Edit Pro> CD (Patched w/(FOB) Senn ME80>Cm), by Charlie Miller; EAC > MKW > SHNv3 by DES; level adjustments during d1t1,2; d2 tracked for 80 min notes 6917. 09/03/88 Flac 16 - 0, 131130 Landover Capital Centre flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD notes 6918. 09/05/88 Flac 16 - 0, 80630 Landover Capital Centre flac16; Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 6919. 09/05/88 Flac 16 - 0, 83250 Landover Capital Centre flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac notes 6920. 09/05/88 Flac 16/48 - 0, 139475 Landover Capital Centre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - mixing by Kevin Tobin notes 6921. 09/05/88 Flac Dts 5.1 - 0, 139474 Landover Capital Centre DTS-Audio-CD 5.1 Mix; - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - dts mixing by Kevin Tobin notes 6922. 09/05/88 Flac 16 Mtx - 0, 139473 Landover Capital Centre flac16; Matrix 3 Source Mix - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - matrix mixing by Kevin Tobin notes 6923. 09/05/88 Flac 16 - 0, 140015 Landover Capital Centre flac16; Source: Sennheiser ME-80 Mics>Unknown Lead Deck> Sony WM-D6C Cassette Deck>TDK MA 90 Metal Cassette Master Tapes>Sony TC-D5M; Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>Edirol R-09 HR(Playback)>CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Section 128,Row EE Seats 4 Official Taper Section notes 6924. 09/05/88 Flac 16 - 0, 142143 Landover Capital Centre flac16; Don Crandall & Chris Huron FOB Recording: Schoeps sub cards @ 130ยบ > PCM (Nakamichi DMP-100); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16 notes 6925. 09/05/88 Shn - 0, 1644ß Landover Capital Centre NAK 300's+CP4(XY)-> Sony D5-> Lucid AD9624-> DAT@48KHZ-> Tascam CDRW 700; Cassette Playback on Nakamichi CR 7; AES/EBU out of AD into Fostex D5; Conversion: EAC> CD WAV> COOL EDIT PRO >MKW >SHN (Seekable); via Steven Leeds, with thanks to Mark Lynn and Mike B for discs notes 6926. 09/05/88 Flac 16 - 0, 131131 Landover Capital Centre flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD notes 6927. 09/06/88 Flac 16 - 0, 27750 Landover Capital Centre flac16; SBD> Cassette Master> Dat (SV3800/48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes 6928. 09/06/88 Flac 16 - 0, 83295 Landover Capital Centre flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Transfer by Dave Hanscom Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files, mkw to encode to shn. This is done by Bzl > flac notes 6929. 09/06/88 Flac 16 - 0, 140020 Landover Capital Centre flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Nakamichi 550 Cassette Deck (Lead Deck) >Sony WM-D6C Cassette Deck>TDK MA-90 Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section, Section 128 Row Bb,Seat 8 notes 6930. 09/06/88 Flac 16 - 0, 142144 Landover Capital Centre flac16; Don Crandall & Chris Huron OTS Recording: Schoeps CMC3 MK41 > PCM (Nakamichi DMP-100); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16 notes 6931. 09/06/88 Shn - 0, 9984 Landover Capital Centre AUD>PCM>DAT>CDR (Schoeps CMC-34?s); via Paul Raoul; Seeded to etree by Brad Ingl notes 6932. 09/06/88 Flac 16 - 0, 131132 Landover Capital Centre flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD notes 6933. 09/08/88 Flac - 0, 1561 Philadelphia The Spectrum SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree (A re-tracked version circulates as of April, 2009. The audio data is identical. The "fixed info file is below.) notes 6934. 09/08/88 Flac 16 - 0, 116062 Philadelphia The Spectrum b>flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper Flaoter,Transfer By Keo; Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes 6935. 09/08/88 Flac 16/48 - 0, 136889 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=1561) SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree + AUD (shn id 120487) Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - mixing by Kevin Tobin notes 6936. 09/08/88 Flac Dts 5.1 - 0, 136888 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix; SBD (shnid=1561) SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree + AUD (shn id 120487) Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - DTS mixing by Kevin Tobin notes 6937. 09/08/88 Flac 16 Mtx - 0, 136887 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid=1561) SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files + AUD (shn id 120487) Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - matrix mixing by Kevin Tobin notes 6938. 09/08/88 Flac 16 - 0, 136886 Philadelphia The Spectrum flac16; (original shnid = 1561) SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree - pitch correction and patches by Kevin Tobin notes 6939. 09/08/88 Flac 24/96 - 0, 141741 Philadelphia The Spectrum flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) notes 6940. 09/08/88 Flac 16 - 0, 142147 Philadelphia The Spectrum flac16; Don Crandall & Chris Huron Recording (OTS): Schoeps CMC4/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16 notes 6941. 09/08/88 Flac 16 - 0, 120487 Philadelphia The Spectrum flac16; Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe notes 6942. 09/08/88 Flac 16 - 0, 110021 Philadelphia The Spectrum flac16; Source:Sony D6 Cassette Master>Beyer M160 Mics>Sony Tc-WE 325 Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac notes 6943. 09/08/88 Flac 16 - 0, 109176 Philadelphia The Spectrum flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 6944. 09/08/88 Flac 16 - 0, 145670 Philadelphia The Spectrum flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1 notes 6945. 09/08/88 Flac 24/96 - 0, 116063 Philadelphia The Spectrum flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Flaoter,Transfer By Keo; Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes 6946. 09/08/88 Flac 24 - 0, 147775 Philadelphia The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6947. 09/08/88 Flac 16 - 0, 147850 Philadelphia The Spectrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, this file set is 16 bit @ 44.1 notes 6948. 09/08/88 Flac 24 UMtx. - 0, 147973 Philadelphia The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is a pitch corrected version of shnid=147775 (tracks 04 through 06 were fixed) notes 6949. 09/08/88 Flac 16/48 - 0, 148085 Philadelphia The Spectrum flac16/48kHz; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is a pitch corrected version of shnid=147775 (tracks 04 through 06 were fixed); This file set is 16 bit @ 44.1 notes 6950. 09/09/88 Shn - 0, 14840 Philadelphia The Spectrum SBD > Cass Master > DAT > CDR > CDR > EAC > SHN notes 6951. 09/09/88 Flac 16/48 - 0, 138816 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 14840) SBD > Cass Master > DAT > CDR > CDR > EAC > SHN ; EAC/SHN by Darryl Hinko + AUD (shnid = 120488) Source: Schoeps CMC3/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 16th row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - surround mixing by Kevin Tobin notes 6952. 09/09/88 Flac Dts 5.1 - 0, 138815 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix; SBD (shnid = 14840) SBD > Cass Master > DAT > CDR > CDR > EAC > SHN ; EAC/SHN by Darryl Hinko + AUD (shnid = 120488) Source: Schoeps CMC3/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 16th row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - dts mixing by Kevin Tobin notes 6953. 09/09/88 Flac 16 Mtx - 0, 138813 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 14840) SBD > Cass Master > DAT > CDR > CDR > EAC > SHN ; EAC/SHN by Darryl Hinko + AUD (shnid = 120488) Source: Schoeps CMC3/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 16th row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - matrix mixing by Kevin Tobin notes 6954. 09/09/88 Flac 24/96 - 0, 141742 Philadelphia The Spectrum flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) notes 6955. 09/09/88 Flac 16 - 0, 142148 Philadelphia The Spectrum flac16; Don Crandall & Chris Huron Recording (FOB): Schoeps CMC3/MK4 ORTF > PCM (Nakamichi DMP-100); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16 notes 6956. 09/09/88 Flac 16 - 0, 26465 Philadelphia The Spectrum flac16; AKG 414's> SonyD5> MC> CDR> EAC> WAV> FLAC notes 6957. 09/09/88 Flac 16 - 0, 109517 Philadelphia The Spectrum flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 6958. 09/09/88 Flac 16 - 0, 120488 Philadelphia The Spectrum flac16; Source: Schoeps CMC3/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 16th row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe notes 6959. 09/09/88 Flac 16 - 0, 110654 Philadelphia The Spectrum flac16;Sony D6 Cassette Master>Sennheiser 441 Mics>Sony TC- We 325 Home Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac. Taped By Boeditaper. notes 6960. 09/09/88 Flac 16 - 0, 145671 Philadelphia The Spectrum flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1 notes 6961. 09/09/88 Flac 16 - 0, 148147 Philadelphia The Spectrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 6962. 09/09/88 Flac 24 UMtx. - 0, 147844 Philadelphia The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6963. 09/11/88 Flac 16 - 0, 81175 Philadelphia The Spectrum flac16; 1st set only: SBD (Healy Mix) > MC > CD (via Lisa Biasi) speed correction and patching by Kevin Tobin notes 6964. 09/11/88 Shn - 0, 17408 Philadelphia The Spectrum Matrix DSBD>D>CD>EAC>WAV>Cool Edit Processing (drop out cross-fades)>SHN (seekable, via MKWACT) via Fishman notes 6965. 09/11/88 Shn - 0, 8701 Philadelphia The Spectrum (Healy Mix) SBD> DAT> Cassette> DAT> CDR> EAC (secure)> Cool Edit Pro> CD WAV>SHN(seekable); Seeded to etree by Tim Wiley notes 6966. 09/11/88 Shn - 0, 14841 Philadelphia The Spectrum Bertha Remaster of the Soundboard/Cassette source. SBD(Healy Mix)>>DAT>>(*)CASS>>DAT>>>CDR>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A- Note- Changes were made to d2t02 and d2t03 immediately before distribution. It is believed that the pre-change shns do not circulate. notes 6967. 09/11/88 Flac 16 - 0, 110569 Philadelphia The Spectrum flac16; Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-WE325 Home Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac. Taped By Boeditaper notes 6968. 09/11/88 Flac 16 - 0, 120489 Philadelphia The Spectrum flac16; Source: Schoeps CMC3/MK4 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 17th row; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe notes 6969. 09/11/88 Flac 16 - 0, 83070 Philadelphia The Spectrum flac16; Source: Nak CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes 6970. 09/11/88 Flac 16 - 0, 92003 Philadelphia The Spectrum flac16; Tapers: David Barfield and David Lane Source: (OTS) Nakamichi cm300/cp4->D-5M->Maxell MX90 x 2 Transfer: MAC->Nakamichi MR-1->Korg MR-1000I(DFF 1 Bit/5.6 Mhz)->Audio Gate->16/44.1 wav->FLAC Transferred and seeded on 5/25/2008 by: M. Watson notes 6971. 09/11/88 Flac 16 - 0, 109518 Philadelphia The Spectrum flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 6972. 09/11/88 Flac 24 - 0, 149209 Philadelphia The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6973. 09/11/88 Flac 16 U Mtx. - 0, 149212 Philadelphia The Spectrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 6974. 09/11/88 Flac 16/48 - 0, 149235 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 149209) Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120489) Source: Schoeps CMC3/MK4 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 17th row; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - surround mixing by Kevin Tobin notes 6975. 09/11/88 Flac 16 Dts.5.1 - 0, 149234 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix; SBD (shnid = 149209) Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120489) Source: Schoeps CMC3/MK4 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 17th row; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - dts mixing by Kevin Tobin notes 6976. 09/11/88 Flac 16 Mtx - 0, 149233 Philadelphia The Spectrum flac16; Matrix 2 Audience Source Mix - SBD (shnid = 149209) Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120489) Source: Schoeps CMC3/MK4 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 17th row; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - matrix mixing by Kevin Tobin notes 6977. 09/11/88 Flac 16 - , 156409 Philadelphia The Spectrum Recording Info: (fob) Schoeps Cmc441 (ortf) > Nakamichi Dmp-100 Deck > Sony Sl-2000 > Pcm (master) Location: 16th Row, Center Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 Master Audience Pcm Recorded By Ted Mattes & Paul Thompson Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 06, 2021 notes 6978. 09/12/88 Shn - 0, 8477 Philadelphia The Spectrum (Healy Mix) SBD>DAT>CDR; Seeded to etree by Tim Wiley notes 6979. 09/12/88 Shn - 0, 11285 Philadelphia The Spectrum SBD/Matrix > MC > DAT > CDR; via Dan Szymanski; Seeded to etree by Doug Nawrocki notes 6980. 09/12/88 Flac 16 - 0, 109514 Philadelphia The Spectrum flac16; Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak. Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 6981. 09/12/88 Flac 16 - 0, 109019 Philadelphia The Spectrum flac16; source: 2 Neumann KMF4's > Sony TC-D5M (10th row-center) - analog master cassettes - Maxell MX-90's transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 6982. 09/12/88 Flac 16 - 0, 110575 Philadelphia The Spectrum flac16; Source:Sony D6 Cassette Master>Sennheiser ME-80 Mics>Sony TC-WE 325 Home Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac. Taped By boeditaper notes 6983. 09/12/88 Flac 16 - 0, 123923 Philadelphia The Spectrum flac16; Source: Schoeps CMC4/MK41 > Oade P/S? > PCM (Master) > PCM (Clone1); Location: FOB 16th row center; PCM Transfer: Sony PCM 601ES > DAT (0) (44.1khz); Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT (0) provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe notes 6984. 09/12/88 Flac 24 UMtx. - 0, 149279 Philadelphia The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6985. 09/12/88 Flac 16 - 0, 149414 Philadelphia The Spectrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller This file set is 16 bit @ 44.1 notes 6986. 09/14/88 Shn - 0, 5573 New York Madison Square Garden SBD> MC> DAT> CDR> EAC> WAV> SHN; via Nick Scarano; Nick's initial shn set was missing encore- encore track added from previous shn set thanks to DES and Willy- both versions (+/- encore) may circulate notes 6987. 09/14/88 Flac Dts - 0, 134429 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=5573) SBD> MC> DAT> CDR> EAC> WAV> SHN; via Nick Scarano; Nick's initial shn set was missing encore- encore track added from previous shn set thanks to DES and Willy- both versions (+/- encore) may circulate + AUD (shn id 90707) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin notes 6988. 09/14/88 Flac 16 - 0, 134427 New York Madison Square Garden flac16; (original shnid = 90707) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin notes 6989. 09/14/88 Flac 16 Mtx - 0, 134428 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=5573) SBD> MC> DAT> CDR> EAC> WAV> SHN; via Nick Scarano; Nick's initial shn set was missing encore- encore track added from previous shn set thanks to DES and Willy- both versions (+/- encore) may circulate + AUD (shn id 90707) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes 6990. 09/14/88 Flac 16 - 0, 134426 New York Madison Square Garden flac16; (original shnid = 5573) SBD> MC> DAT> CDR> EAC> WAV> SHN; via Nick Scarano; Nick's initial shn set was missing encore- encore track added from previous shn set thanks to DES and Willy- both versions (+/- encore) may circulate - pitch correction and patches by Kevin Tobin notes 6991. 09/14/88 Shn - 0, 7488 New York Madison Square Garden Jay Ashley (Bertha) remaster of original shn set; SBD> CM> DAT> CDA> DAW (Bertha)> CDA notes 6992. 09/14/88 Flac 16 - 0, 89084 New York Madison Square Garden flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes 6993. 09/14/88 Flac 16/48 - 0, 139048 New York Madison Square Garden flac16/48kHz; Robert Bryant (patched out of Oade Brothers) recording: Schoeps CMC4 MK41 > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edited & Mastered in Audacity: Wave > Flac 16/48; Checksum & tags created in xACT notes 6994. 09/14/88 Flac 24 U Mtx - 0, 142091 New York Madison Square Garden flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6995. 09/14/88 Flac 16 U Mtx - 0, 142128 New York Madison Square Garden flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 6996. 09/14/88 Flac 16 - 0, 142130 New York Madison Square Garden flac16; Ted Mattes & Paul Thompson Master (FOB) Recording: Schoeps CMC3/MK4 (ORTF) > PCM (Nakamichi DMP-100, 14-bit); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16 notes 6997. 09/14/88 Flac 16 - 0, 90707 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 6998. 09/14/88 Flac 16 - 0, 125771 New York Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: 57D, Row A, Seat 2; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes 6999. 09/14/88 Flac 16 - 0, 144150 New York Madison Square Garden flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 16/44.1 - Transferred by Nick Carbonetta; Lineage: wav 16/44.1 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 16; edited and mastered SIRMick December 2018 notes 7000. 09/15/88 Shn - 0, 5068 New York Madison Square Garden SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min notes 7001. 09/15/88 Flac Dts5.1 Mix - 0, 132910 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=5068) SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min + AUD (shn id 88535) AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - dts mixing by Kevin Tobin notes 7002. 09/15/88 Flac 16 Mtx - 0, 132909 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=5068) SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min + AUD (shn id 88535) AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - matrix mixing by Kevin Tobin notes 7003. 09/15/88 Flac 16 - 0, 103230 New York Madison Square Garden flac16; MAC; (FOB) Sennheiser 421s> Sony D5> Maxell XLII 60 (Set I) and Maxell XLII-s 90 (Set II). Transfer/Lineage: Nakamichi Dragon> Kind Kables RCA/XLR> Lunatec V3 (@24/88.2)> coax> Audiophile 2496> WaveLab 6.10> .wav @ 24/88.2> R8brain> 16/44.1> CD Wave Editor> Traders Little Helper> FLAC16. Editing and Mastering in Wavelab 6.10 with UAD in 24/88.2. Taped by Mark McCue and Lucien Zaleski. Transferred, Edited and Mastered by Alex Ford. notes 7004. 09/15/88 Flac 16 - 0, 88535 New York Madison Square Garden flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes 7005. 09/15/88 Flac 16 - 0, 139644 New York Madison Square Garden flac16; Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity by Joe Noel: Flac 16/44; Checksum & tags created in xACT notes 7006. 09/15/88 Flac 16 - 0, 143842 New York Madison Square Garden flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Steve Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 16/44.1 - Transferred by Nick Carbonetta; Lineage: Wav 16/44.1 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 16; edited and mastered SIRMick November 2018 notes 7007. 09/15/88 Flac 16 - 0, 90744 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 7008. 09/15/88 Flac 16 - 0, 125772 New York Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: 57F, Row C, Seat 5; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes 7009. 09/16/88 Shn - 0, 5289 New York Madison Square Garden Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia notes 7010. 09/16/88 Flac 16 - 0, 105567 New York Madison Square Garden flac16; MAC; (FOB) MAC; (FOB) Sennheiser 421s > Sony D5 > 2 x Maxell XLII-S 90 Transfer: MAC> Nakamichi Dragon> Kind Kables RCA/XLR> Lunatec V3(@24/88.2)> coax> Audiophile 2496> WaveLab 6.10> .wav @ 24/88.2> Waves L3 UltraMaximizer> CD Wave Editor> Trader's Little Helper> flac16. Editing and Mastering in WaveLab 6.10 with UAD in 24/88.2. Flac files tagged. Taped by Mark McCue and Lucien Zaleski. Transferred, Edited and Mastered by Alex Ford. notes 7011. 09/16/88 Shn - 0, 13603 New York Madison Square Garden Jay Ashley (Bertha) Remaster of the Jim Wise release. SBD>>MC>>DAT>>(*)>>CDA>>DAW(Bertha)>>CDA - Sound A notes 7012. 09/16/88 Flac Dts. - 0, 132967 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=5289) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 90776) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin notes 7013. 09/16/88 Flac 16 Mtx - 0, 132966 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=5289) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 90776) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes 7014. 09/16/88 Flac 16 - 0, 31965 New York Madison Square Garden flac16; AKG D224E (XY) > Sony TC D5M > Maxell MX Taper: Doug Mow Transfer: Cassette Master > Sony D5 > Edirol UA5 custom Oade mod > USB > IBM R40 > Soundforge > WAV > CDR > EAC > WinXP Pro > Flac Frontend > FLAC16 notes 7015. 09/16/88 Flac 16 44,1khz - 0, 139634 New York Madison Square Garden flac 16 44.1khz Set 1 Only. From the Gastwirt Collection. Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT. Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44 Edited & Mastered by Joe Noel in Audacity: Wave > Flac 16/44 notes 7016. 09/16/88 Flac 16 - 0, 140945 New York Madison Square Garden flac16; Recording info: Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Paul Thompson & Ted Mattes (OTS) notes 7017. 09/16/88 Flac 16 - 0, 90776 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 7018. 09/16/88 Flac 24/96 - 0, 149117 New York Madison Square Garden flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick February 2020 notes 7019. 09/16/88 Flac 16 - 0, 149116 New York Madison Square Garden flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16 notes 7020. 09/18/88 Shn - 0, 12746 New York Madison Square Garden SBD>MC>C?>DAT>CDR; via Jools; Seeded to etree by eD notes 7021. 09/18/88 Flac 16 Dts.5.1 - 0, 133006 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=12746) SBD>MC>C?>DAT>CDR; via Jools; Seeded to etree by eD + AUD (shn id 90920) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - dts mixing by Kevin Tobin notes 7022. 09/18/88 Flac 16 Mtx - 0, 133005 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=12746) SBD>MC>C?>DAT>CDR; via Jools; Seeded to etree by eD + AUD (shn id 90920) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes 7023. 09/18/88 Flac 16 - 0, 133004 New York Madison Square Garden flac16; (original shnid = 90920) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin notes 7024. 09/18/88 Flac 16 - 0, 133003 New York Madison Square Garden flac16; SBD>MC>C?>DAT>CDR; via Jools; Seeded to etree by eD (original shnid 12746) - pitch correction and patches by Kevin Tobin notes 7025. 09/18/88 Flac 16 - 0, 139645 New York Madison Square Garden flac16; Set 2 Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Flac 16/44; Checksum & tags created in xACT notes 7026. 09/18/88 Flac 1644 - 0, 139685 New York Madison Square Garden flac16 44.1khz Source Info: TS Schoeps CMC4 MK41 (Hyper Cards)-> PCM-> DAT (Jim Oade)-> DAT (Ryan Varnum). Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers By Pete Ebel notes 7027. 09/18/88 Flac 16 - 0, 140946 New York Madison Square Garden flac16; Recording info: Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Don Crandall & Chris Huron (OTS) notes 7028. 09/18/88 Flac 16 - 0, 125777 New York Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: 58A, Row B, Seat 2; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes 7029. 09/18/88 Flac 16 - 0, 114059 New York Madison Square Garden flac16; Source: 2 Neumann KMF4 microphones (15th row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 7030. 09/18/88 Flac 16 - 0, 90920 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend notes 7031. 09/18/88 Flac 24/96 - 0, 148685 New York Madison Square Garden flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2020 notes 7032. 09/18/88 Flac 16/44,1 - 0, 148684 New York Madison Square Garden flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick January 2020 notes 7033. 09/19/88 Shn - 0, 15076 New York Madison Square Garden SBD>MC>DAT>CDR ; Via Paul G ; Seeded by T. Wiley notes 7034. 09/19/88 Flac 16 - 0, 106202 New York Madison Square Garden flac16; MAC; (FOB) Sennheiser 421s > Sony D5 > 2 x Maxell XLII-S 90. Transfer: MAC> Nakamichi Dragon> Kind Kables RCA/XLR> Lunatec V3(@24/88.2)> coax> Audiophile 2496>WaveLab 6.10> .wav @ 24/88.2> R8Brain> .wav @ 16/44.1> CD Wave Editor> TLH> flac16(level eight). Taped by Mark McCue and Lucien Zaleski. Transferred, Edited and Mastered by Alex Ford. notes 7035. 09/19/88 Flac Dts 5.1 - 0, 133320 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=15076) SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley + AUD (shn id 90976) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin notes 7036. 09/19/88 Flac 16 Mtx - 0, 133319 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=15076) SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley + AUD (shn id 90976) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes 7037. 09/19/88 Flac 16 - 0, 133318 New York Madison Square Garden flac16; SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley (original shnid 15076) - pitch correction and patches by Kevin Tobin notes 7038. 09/19/88 Flac 16 - 0, 88613 New York Madison Square Garden flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes 7039. 09/19/88 Flac 16 - 0, 139646 New York Madison Square Garden flac16; Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity by Joe Noel: Flac 16/44; Checksum & tags created in xACT notes 7040. 09/19/88 Flac 16 - 0, 125780 New York Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: 57A, Row D, Seat 3; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes 7041. 09/19/88 Flac 16 - 0, 90976 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 7042. 09/19/88 Flac 24/96 - 0, 149278 New York Madison Square Garden flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick March 2020 notes 7043. 09/19/88 Flac 16 - 0, 149277 New York Madison Square Garden flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick March 2020 notes 7044. 09/19/88 Flac 16 - 0, 148730 New York Madison Square Garden flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>2 TDK SA-X 90 Minute Cassette Master Tapes> Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flav Level 8; Sector Boundaries Aligned Uisng Traders Little Helper; Taped By Dave Boedicker, Official Taper Section notes 7045. 09/19/88 Flac 16/48 - , 156567 New York Madison Square Garden flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=15076) SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley + AUD (shn id 90976) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes 7046. 09/20/88 Shn - 0, 2422 New York Madison Square Garden SBD> DAT> Casette Master> DAT> Montego II> CDR> EAC> SHN; via Jeff M.; includes encore, has small cut d1t7; upgrade relative to previous shn set notes 7047. 09/20/88 Flac 16 - 0, 28450 New York Madison Square Garden flac16; *Set 1 Only* Soundboard->DAT Master(48k)->DAT Clone->Sonic Solutions->CD->CD. CD->EAC->FLAC. EAC, Track, and FLAC by Joe Samaritano notes 7048. 09/20/88 Flac 16 - 0, 130698 New York Madison Square Garden flac16; Recording Info: SBD > DAT > C > DAT; Transfer Info:; DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC notes 7049. 09/20/88 Flac 16 - 0, 124883 New York Madison Square Garden flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7050. 09/20/88 Flac Dts 5.1 - 0, 133540 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=130698) Recording Info: SBD > DAT > C > DAT; Transfer Info:; DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC + AUD (shn id 90977) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - dts mixing by Kevin Tobin notes 7051. 09/20/88 Flac16 Mtx - 0, 130539 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=130698) Recording Info: SBD > DAT > C > DAT; Transfer Info:; DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC + AUD (shn id 90977) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes 7052. 09/20/88 Flac 16 - 0, 130538 New York Madison Square Garden flac16; Recording Info: SBD > DAT > C > DAT; Transfer Info:; DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC (original shnid 130698) - pitch correction and patches by Kevin Tobin notes 7053. 09/20/88 Flac 16 - 0, 89256 New York Madison Square Garden flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand, set up next to the lighting board, just in front of the OTS area. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes 7054. 09/20/88 Flac 16 - 0, 138359 New York Madison Square Garden flac16; Source: Unknown audience recording > dat (44.1k); Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transfered by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick May 2017 notes 7055. 09/20/88 Flac 16 - 0, 139647 New York Madison Square Garden flac16; Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity by Joe Noel: Flac 16/44; Checksum & tags created in xACT notes 7056. 09/20/88 Flac 16 - 0, 142131 New York Madison Square Garden flac16; Don Crandall & Chris Huron Recording (OTS): Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16 notes 7057. 09/20/88 Flac 16 - 0, 31991 New York Madison Square Garden flac16; AKG 224E > Sony D5 > Maxell MX Master Taper: Doug Mow Transfer: Cassette Master > Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/Windows XP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Flac Frontend > FLAC16. notes 7058. 09/20/88 Flac 16 - 0, 90977 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes 7059. 09/20/88 Flac 16 - 0, 116442 New York Madison Square Garden flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 7060. 09/20/88 Flac 24/96 - 0, 124882 New York Madison Square Garden flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename This is your collection notes 7061. 09/20/88 Flac 24/96 - 0, 152253 New York Madison Square Garden flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Samplitude Pro X5 Suite > FLAC/24 notes 7062. 09/20/88 Flac 24/96 - 0, 152253 New York Madison Square Garden flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Samplitude Pro X5 Suite > FLAC/24 notes 7063. 09/22/88 Shn - 0, 5290 New York Madison Square Garden Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia; see info file for flaw notes notes 7064. 09/22/88 Flac 16 - 0, 124922 New York Madison Square Garden flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7065. 09/22/88 Flac Dts 5.1 - 0, 133700 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=5290) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 124922) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 - dts mixing by Kevin Tobin notes 7066. 09/22/88 Flac 16 - 0, 133698 New York Madison Square Garden flac16; (original shnid = 124922) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 - pitch correction and patches by Kevin Tobin notes 7067. 09/22/88 Flac 16 - 0, 133697 New York Madison Square Garden flac16; (original shnid = 5290) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia - pitch correction and patches by Kevin Tobin notes 7068. 09/22/88 Flac 16 - 0, 89048 New York Madison Square Garden flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes 7069. 09/22/88 Flac 24/96 - 0, 124921 New York Madison Square Garden flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 7070. 09/22/88 Flac 16 - 0, 140947 New York Madison Square Garden flac16; Recording info: Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Don Crandall & Chris Huron (OTS) notes 7071. 09/22/88 Flac 16 Mtx - 0, 133699 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=5290) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 124922) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 - matrix mixing by Kevin Tobin notes 7072. 09/22/88 Flac 16 - 0, 149942 New York Madison Square Garden flac16; AKG 224’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche notes 7073. 09/22/88 Flac 24/96 - 0, 150695 New York Madison Square Garden flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - Taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > DSF 1-bit/5.6MHz - Transferred by Nick Carbonetta; Lineage: DSF 1-bit/5.6MHz > DBPoweramp > wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > CD Wave > flac 24; edited and mastered SIRMick October 2020 notes 7074. 09/22/88 Flac 16 - 0, 150694 New York Madison Square Garden flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - Taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > DSF 1-bit/5.6MHz - Transferred by Nick Carbonetta; Lineage: DSF 1-bit/5.6MHz > DBPoweramp > wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick October 2020 notes 7075. 09/23/88 Shn - 0, 5291 New York Madison Square Garden Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia notes 7076. 09/23/88 Flac 16 - 0, 79923 New York Madison Square Garden flac16; Soundcheck - Recording Info: SBD -> Cassette Master (Sony D6/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller notes 7077. 09/23/88 Flac Dts 5.1 - 0, 133796 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=5291) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 90983) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm 1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin notes 7078. 09/23/88 Flac 16 - 0, 133794 New York Madison Square Garden flac16; (original shnid = 5291) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia - pitch correction and patches by Kevin Tobin notes 7079. 09/23/88 Flac 16 Mtx - 0, 133795 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=5291) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 90983) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm 1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes 7080. 09/23/88 Flac 16 - 0, 88997 New York Madison Square Garden flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > TDK MA-XG 90's, no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F notes 7081. 09/23/88 Flac 16 - 0, 139648 New York Madison Square Garden flac16; Set 2 Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Joe Noel Edited & Mastered in Audacity: Flac 16/44; Checksum & tags created in xACT notes 7082. 09/23/88 Flac 16 - 0, 140944 New York Madison Square Garden flac16; Recording info: Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Don Crandall & Chris Huron (OTS) notes 7083. 09/23/88 Flac 16 - 0, 115860 New York Madison Square Garden flac16; Source: 2 Neumann KMF4 microphones (6th row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 7084. 09/23/88 Flac 16 - 0, 90983 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm 1 > creative extigy soundcard > cool edit pro > flac frontend notes 7085. 09/24/88 Flac 16 - 0, 82486 New York Madison Square Garden flac16; Recorded by David Minches FM>Sony PCM-601>NEC DX-5000 (Maxell XL-Pro)>Digital Domain VSP-P>Tascam DA-30>Egosys Waveterminal 2496>Cool Edit 2000>CDR Transfer and FLAC encoding by David Minches notes 7086. 09/24/88 Flac Dts 5.1 - 0, 133969 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=82486) Recorded by David Minches FM>Sony PCM-601>NEC DX-5000 (Maxell XL-Pro)>Digital Domain VSP-P>Tascam DA-30>Egosys Waveterminal 2496>Cool Edit 2000>CDR Transfer and FLAC encoding by David Minches + AUD (shn id 121064) Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - dts mixing by Kevin Tobin notes 7087. 09/24/88 Flac 16 - 0, 133987 New York Madison Square Garden flac16; (original shnid = 82486) Recorded by David Minches FM>Sony PCM-601>NEC DX-5000 (Maxell XL-Pro)>Digital Domain VSP-P>Tascam DA-30>Egosys Waveterminal 2496>Cool Edit 2000>CDR Transfer and FLAC encoding by David Minches - pitch correction and patches by Kevin Tobin notes 7088. 09/24/88 Flac 16 Mtx - 0, 133968 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=82486) Recorded by David Minches FM>Sony PCM-601>NEC DX-5000 (Maxell XL-Pro)>Digital Domain VSP-P>Tascam DA-30>Egosys Waveterminal 2496>Cool Edit 2000>CDR Transfer and FLAC encoding by David Minches + AUD (shn id 121064) Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - matrix mixing by Kevin Tobin notes 7089. 09/24/88 Shn - 0, 425 New York Madison Square Garden encores missing; no source info; benefit with misc guests; via Rich (yubah); Keith Bode reports he traded around a bootleg CD of this show that matches setlist here- maybe this is his "very high quality bootleg notes 7090. 09/24/88 Flac 16 - 0, 89303 New York Madison Square Garden flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > TDK MA 90's, no Dolby. Mics on stand on floor near sbd. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes 7091. 09/24/88 Shn - 0, 83073 New York Madison Square Garden Main source: Unknown FM or pre-FM source (shnid 425) Patch source: FM > C > poss. extra C gen > Tascam HD-P2 > .wav > SHN provided by Joey Browning (provides encores notes 7092. 09/24/88 Flac 24 - 0, 142104 New York Madison Square Garden flac24; Soundboard Recording Info: SBD > PCM Master (Sony ES-HG); Soundboard Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.6 MHz); Audience Recording Info: AKG C42 (m/s) > Beta HiFi Master (Sony ES-HG); Audience Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz); Mastering Info: DSF > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller notes 7093. 09/24/88 Flac 16 - 0, 142105 New York Madison Square Garden flac16; Recording Info: SBD > PCM Master (Sony ES-HG); Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes 7094. 09/24/88 Flac 16 - 0, 142132 New York Madison Square Garden flac16; Recording Info: AKG C42 (m/s) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 7095. 09/24/88 Flac 16 - 0, 121064 New York Madison Square Garden flac16; Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 7096. 09/24/88 Flac 24 - 0, 142112 New York Madison Square Garden flac24; Recording Info: AKG C42 (m/s) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 7097. 09/24/88 Flac 16 - 0, 142129 New York Madison Square Garden flac16; Soundboard Recording Info: SBD > PCM Master (Sony ES-HG); Soundboard Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.6 MHz); Audience Recording Info: AKG C42 (m/s) > Beta HiFi Master (Sony ES-HG); Audience Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz); Mastering Info: DSF > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller notes 7098. 09/30/88 Shn - 0, 7585 Mountain View Shoreline Amphitheatre 2nd set only; Soundboard Cassette >DAT> CDR> EAC> seekable SHN; via Darrin Sacks notes 7099. 09/30/88 Flac - 0, 21093 Mountain View Shoreline Amphitheatre et One Recording Info:(FOB/Section 102 Nakamichi CM700/CP701 -> dbx II -> Cassette Master (Sony TC-D5M); Set One Transfer Info: Cassette Master (Nakamichi Cassette Deck 1) -> dbx 224x -> Mytek 8X96ADC -> Nuendo (24bit) -> Samplitude v7.02 -> SHN (2 Discs Audio / 2 Discs SHN); Set Two Recording Info: SBD -> Cassette Master -> Dat -> CD > EAC -> SHN; Process Info: --slight eq with waves Q10 and slight dynamic expansion with waves C4 and rendered down to a 16 bit file with waves L2; Editing Info: --Tracked and Normalized with Samplitude v7.02 Professional; Recorded and Transfered BY Bill Reutelhuber; Edited and SHN'd By Charlie Miller 12/15/03 notes 7100. 09/30/88 Flac 24 UMtx - 0, 142145 Mountain View Shoreline Amphitheatre flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7101. 09/30/88 Flac 16 U Mtx - 0, 142152 Mountain View Shoreline Amphitheatre flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7102. 09/30/88 Flac 16 - 0, 94477 Mountain View Shoreline Amphitheatre flac16; Beyer M-88's w/D6 OTS MAC>D6>HD>Audacity>CDWave>TLH notes 7103. 10/01/88 Shn - 0, 7728 Mountain View Shoreline Amphitheatre SBD> Cass> DAT> CDR> EAC> SHN (seekable); via Darrin Sacks to abgd, etree notes 7104. 10/01/88 Flac 16 - 0, 94478 Mountain View Shoreline Amphitheatre flac16; Beyer M-88's w/D6 OTS MAC>D6>HD>Audacity>CDWave>TLH notes 7105. 10/01/88 Flac 24 - 0, 142331 Mountain View Shoreline Amphitheatre flac24; Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7106. 10/01/88 Flac 16 - 0, 142489 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7107. 10/01/88 Flac 16 - 0, 116400 Mountain View Shoreline Amphitheatre flac16; Set 2 Only Source: (OTS) Superscope EC-7's > Marantz PMD-430; Lineage: Cass/M > Sony D5 > HHb 800 > EAC > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster notes 7108. 10/02/88 Flac 16 - 0, 34467 Mountain View Shoreline Amphitheatre flac16; Seamless fix of shn id 7637 - Cassette Soundboard>DAT>CDR>EAC>SHN(seekable)>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 7109. 10/02/88 Shn - 0, 7637 Mountain View Shoreline Amphitheatre SBD> Cass> DAT> CDR> EAC>SHN (seekable); via Darrin Sacks to abgd, etree notes 7110. 10/02/88 Flac 24 - 0, 142403 Mountain View Shoreline Amphitheatre flac24; Set 2 Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7111. 10/02/88 Flac 16 - 0, 142490 Mountain View Shoreline Amphitheatre flac16; Set 2 Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7112. 10/02/88 Flac 16 - 0, 94479 Mountain View Shoreline Amphitheatre flac16; Beyer M-88's w/D6 OTS MAC>D6>HD>Audacity>CDWave>TLH notes 7113. 10/14/88 Shn - 0, 22791 Miami Miami Arena REPITCHED VERSION (2/22/04) using Charlie Miller's original SHN's; done by JR Fishman. See info file for additional edits notes 7114. 10/14/88 Shn - 0, 22289 Miami Miami Arena Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller notes 7115. 10/14/88 Flac 16 - 0, 83676 Miami Miami Arena flac16; Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz notes 7116. 10/14/88 Flac Dts 5.1 - 0, 134023 Miami Miami Arena DTS-Audio-CD 5.1 Mix; SBD (shnid=22289) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller + AUD (shn id 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - dts mixing by Kevin Tobin notes 7117. 10/14/88 Flac 16 - 0, 134024 Miami Miami Arena flac16; (original shnid = 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - pitch correction and patches by Kevin Tobin notes 7118. 10/14/88 Flac 16 Mtx - 0, 134022 Miami Miami Arena flac16; Matrix 2 Source Mix - SBD (shnid=22289) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller + AUD (shn id 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - matrix mixing by Kevin Tobin notes 7119. 10/14/88 Flac 24/96 - 0, 138830 Miami Miami Arena flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; taper section, section 101, row t, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes 7120. 10/14/88 Flac 16 - 0, 138829 Miami Miami Arena flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; taper section, section 101, row t, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes 7121. 10/14/88 Flac 24 U Mtx - 0, 141626 Miami Miami Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7122. 10/14/88 Flac 16 - 0, 141625 Miami Miami Arena flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 7123. 10/14/88 Flac 16 U Mtx - 0, 141685 Miami Miami Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7124. 10/14/88 Flac 24/96 - 0, 146317 Miami Miami Arena flac24; Recording Info: Nakamichi 300 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg notes 7125. 10/14/88 Flac 24/96 - 0, 148493 Miami Miami Arena flac24; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 7126. 10/14/88 Flac 16/48 - 0, 148492 Miami Miami Arena flac16/48kHz; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 7127. 10/15/88 Flac 16 - 0, 83504 St. Petersburg Bayfront Center Arena flac16; Source: Nak100's -> Sony D-6 (Marantz PMD43x was lead deck) Location: Tapers Section - Jerry's side behind board up 12": mics 10' up and 10" apart Transferred by mtownshend@adelphia.net notes 7128. 10/15/88 Flac - 0, 28438 St. Petersburg Bayfront Center Arena flac16; Recording Info: SBD -> Dat Master (48k) -> Dat (Cloned From Vault Master) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller (Set 2 partial) notes 7129. 10/15/88 Flac 16 - 0, 138836 St. Petersburg Bayfront Center Arena flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 4, seat 3; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes 7130. 10/15/88 Flac 24/96 - 0, 138837 St. Petersburg Bayfront Center Arena flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 4, seat 3; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes 7131. 10/15/88 Flac 16 - 0, 141447 St. Petersburg Bayfront Center Arena flac16; Source Info: Ted Mattes' Master (FOB) Audience PCM; Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 7132. 10/15/88 Flac 16/48 - 0, 142462 St. Petersburg Bayfront Center Arena b>flac16/48kHz; Source Info: 1st Set - Master UltraMatrix Soundboard Dat > Technics Reel to Reel > Panasonic SV-3800 Dat (16/48k); 2nd Set - Audience recording of unknown provenance; Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000(wav 16-bit/48k)> Adobe Audition 3.0 > TLH flac1648 notes 7133. 10/15/88 Shn - 0, 17181 St. Petersburg Bayfront Center Arena UNKNOWN AUD>?>?>SHN Conversion: MKW>WAVE LAB>CD WAVE>MKW>SHN (Seekable) by Steven Leeds notes 7134. 10/15/88 Flac 24/96 - 0, 146318 St. Petersburg Bayfront Center Arena flac24; Recording Info: Nakamichi 300 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg notes 7135. 10/15/88 Flac 24/96 - 0, 148495 St. Petersburg Bayfront Center Arena flac24; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 7136. 10/15/88 Flac 16/48 - 0, 148494 St. Petersburg Bayfront Center Arena flac16/48kHz; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 7137. 10/15/88 Flac 16/44 - 0, 152008 St. Petersburg Bayfront Center Arena flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Izotope RX8 Advanced (WOW & Flutter Repair) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC/24 - 152002 24 > 16 @ 44.1 notes 7138. 10/15/88 Flac 24/96 - 0, 152002 St. Petersburg Bayfront Center Arena flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Izotope RX8 Advanced (WOW & Flutter Repair) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC/24 notes 7139. 10/16/88 Flac 16 - 0, 92389 St. Petersburg Bayfront Center flac16; Recording Info: SBD -> Cassette Master (TDK SA-x90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7140. 10/16/88 Flac 16 - 0, 138840 St. Petersburg Bayfront Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 3, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes 7141. 10/16/88 Flac 16 - 0, 141448 St. Petersburg Bayfront Center flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 7142. 10/16/88 Flac 24 U Mtx - 0, 141650 St. Petersburg Bayfront Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7143. 10/16/88 Flac 16 U Mtx - 0, 141686 St. Petersburg Bayfront Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7144. 10/16/88 Flac 16 - 0, 86914 St. Petersburg Bayfront Center flac16; Source: Master Analog Cassettes Nakamichi 300’s > Sony D5. Tapers section Maxell MX90 Type IV cassettes. Taped by B.Koucky. Transfer: MAC playback on azimuth adjusted Nakamich CR-7A > Lynx RCA-XLR cables > Lunatec V3 (96KHz) > AES/EBU digital out > LynxTwo Soundcard, Pro-mode Sync > recorded to harddrive with Wavelab 5 as 24 bit/96 KHz PCM WAV > Waves Z-Noise and Ozone 3 > MBIT+ > 16/44.1 > CDWAV 1.9 > FLAC (level 8). Transfer and mastering by Chris L. notes 7145. 10/16/88 Flac 16 - 0, 28478 St. Petersburg Bayfront Center flac16; UPDATED source info: 2 Sennheiser ME80 shotguns > Sony D-5 > Maxell MX 90 (first set), TDK MA-XG90 (2nd set). Taper: Mark McCue Lineage: Sony D5 > Tascam CDR4U stand alone burner > CDR > EAC (no errors) > Win XP Pro > FLAC Frontend > FLAC 16. transfer from Sony D5 through CDR by Mark McCue. transfer from CDR through FLAC16 by Alex Ford on 03/08/05. notes 7146. 10/16/88 Flac 16 - 0, 26381 St. Petersburg Bayfront Center flac16; Remaster of shnid=10058, including secondary AUD patches from AUD> 2nd gen VHS, EQ and pitch correction; AUD> MC> DAT> CDR> SHN> WAV> ADOBE AUDITION> CDWAV> SHNTOOL> FLAC, by MattMan notes 7147. 10/16/88 Flac 24/96 - 0, 146319 St. Petersburg Bayfront Center flac24; Recording Info: Nakamichi 300 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg notes 7148. 10/16/88 Flac 24/96 - 0, 138841 St. Petersburg Bayfront Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 3, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes 7149. 10/16/88 Flac 24/96 - 0, 148497 St. Petersburg Bayfront Center flac24; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 7150. 10/16/88 Flac 16/48 - 0, 148496 St. Petersburg Bayfront Center flac16/48kHz; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 7151. 10/18/88 Shn - 0, 17079 New Orleans Keifer Lakefront Arena SBD(Healy Mix)>MC>HiFi VHS>DAT>CDR>CD WAVE>WAVE LAB>MKW>SHN (Seekable); See info file for notes; Seeded to etree 05/07/03 by Steven Leeds notes 7152. 10/18/88 Flac 16 Mtx - 0, 122771 New Orleans Keifer Lakefront Arena flac16; Matrix 3 Source Mix - SBD (shn id 17079) SBD(Healy Mix)>MC>HiFi VHS>DAT>CDR>CD WAVE>WAVE LAB>MKW>SHN Seeded to etree 05/07/03 by Steven Leeds + AUD1 (shn id 116240) Master Audience AKG414>Technics Dat>Sony D6 Dolby C; Taper White,Transfer By Keo; Tapes Maxell MX 90's; Transfer With Nakamichi MR-1,No Dolby C>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz + AUD2 (shn id 122747) Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project - matrix mixing by Kevin Tobin notes 7153. 10/18/88 Flac 16 - 0, 115801 New Orleans Keifer Lakefront Arena flac16; Encores Only, AUD > ? > FLAC notes 7154. 10/18/88 Flac 16 - 0, 122733 New Orleans Keifer Lakefront Arena flac16; SBD(Healy Mix)>MC>HiFi VHS>DAT>CDR>CD WAVE>WAVE LAB>MKW>SHN - patched and speed corrected version of shnid 17079 by Kevin Tobin notes 7155. 10/18/88 Flac 16 - 0, 116241 New Orleans Keifer Lakefront Arena flac16; Master Audience AKG414>Technics Dat>Sony D6 Dolby C; Taper White,Transfer By Keo; Tapes Maxell MX 90's; Transfer With Nakamichi MR-1,No Dolby C>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes 7156. 10/18/88 Flac 24/96 - 0, 116240 New Orleans Keifer Lakefront Arena flac24; Master Audience AKG414>Technics Dat>Sony D6 Dolby C; Taper White,Transfer By Keo; Tapes Maxell MX 90's; Transfer With Nakamichi MR-1,No Dolby C>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes 7157. 10/18/88 Flac 16 - 0, 122747 New Orleans Keifer Lakefront Arena flac16; Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project notes 7158. 10/18/88 Flac 16 - 0, 141504 New Orleans Keifer Lakefront Arena flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 7159. 10/18/88 Flac 24/96 - 0, 151208 New Orleans Keifer Lakefront Arena flac24/96khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 7160. 10/18/88 Flac 16/44 - 0, 151615 New Orleans Keifer Lakefront Arena flac16/44khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151208 24 -> 16 @ 44.1 notes 7161. 10/20/88 Flac 16 - 0, 105858 Houston The Summit flac16; Taper: Alan "Dogman" Miller. Lineage AKG Microphones > Nakamichi550 1st Generation Maxell XLII-S Tapes ( the masters are gone ). Nakamichi DR-1 [no dolby] > Lynx2 Studio Reference Interface > Wavelab 6.01 at 24 BIT 48 kHz Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz. Tracked in CDWAV Tag&Rename for Meta_Data. Trader's Little Helper for FLAC Level8 by Patrick White (wharfratpat@shnflac.net) notes 7162. 10/20/88 Flac 16 - 0, 82488 Houston The Summit flac16; Set 2 Only, Taper: Unknown AKGC422 > Sony D5 8ft high 30 ft center (or D5 tuned up and Nak300) JVC TD-V1050 cassette deck -> Lynx Two A/D (24-bit, 48kHz) -> Wavelab 6.0 Edited and Remastered: Wavelab 6.0 with Waves Plugins and Ozone by Jamie Waddell notes 7163. 10/20/88 Flac 24/96 - 0, 116358 Houston The Summit flac24; Master Audience Sennheiser 441's>Sony D5>Sony D6 (Patched) Dolby C On; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz notes 7164. 10/20/88 Flac 16 - 0, 141656 Houston The Summit flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Schoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 7165. 10/20/88 Flac 16 - 0, 116357 Houston The Summit flac16; Master Audience Sennheiser 441's>Sony D5>Sony D6 (Patched) Dolby C On; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes 7166. 10/20/88 Flac 16/44 - 0, 152172 Houston The Summit flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MX-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Izotope RX8 Advanced > Samplitude Pro X5 Suite > FLAC/24 - 152119 24 > 16 @ 44.1 notes 7167. 10/20/88 Flac 24/96 - 0, 152119 Houston The Summit flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MX-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Izotope RX8 Advanced > Samplitude Pro X5 Suite > FLAC/24 notes 7168. 10/21/88 Flac - 0, 30814 Dallas Reunion Arena Recording Info: SBD -> Dat; Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC); Transferred and Edited By Charlie Miller charliemiller87@earthlink.net notes 7169. 10/21/88 Shn - 0, 18188 Dallas Reunion Arena MSC>?>DAT>CDR Eac > cool edit > shntool > cdwav > shnv3 Dat> Cdr by Andy Lemieux Eac > shnv3(secure with proper offsets) by Ernie Dodd notes 7170. 10/21/88 Flac 16 - 0, 116361 Dallas Reunion Arena flac16; Master Audience Unknown Realistic Mics>Sony D6,Dolby C On; Recorded Third Row In Front Of The Left Speaker Stack; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua Top 16/44; SBE's Checked/Fixed with Trader's Little Helper notes 7171. 10/21/88 Flac 16/44,1 - 0, 141026 Dallas Reunion Arena flac16/44.1 Source Info: FOB Schoeps CMC 4 Mk4-> Sony F1 PCM-> DAT (Lance Deal?) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes 7172. 10/21/88 Flac 16 - 0, 141657 Dallas Reunion Arena flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Schoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 7173. 10/21/88 Shn - 0, 31108 Dallas Reunion Arena Unknown Nakamichi mics > ? > Sony D-5 > Master Cassette > 1st Generation Cassette (2 Maxell XLII's) Taper: Unknown Lineage: 2 Maxell XLII's > Nakamichi Cassette Deck 2 > UA-5 @ 16 bit/44.1 kHz (analog in) > USB > WinXP Pro > Cool Edit Pro 2.0 > CDWave Editor > TLH (sbe fix) > Flac Frontend > FLAC16. Transfer and seeding to bt.etree.org by Alex Ford 10/06/2005 A very special thanks goes out to Barry B. for supplying (and trusting) me with his 1st Gen Cassettes. notes 7174. 10/21/88 Flac 24/96 - 0, 116361 Dallas Reunion Arena flac24; Master Audience Unknown Realistic Mics>Sony D6,Dolby C On; Recorded Third Row In Front Of The Left Speaker Stack; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes 7175. 12/09/88 Shn - 0, 16465 Long Beach Long Beach Arena Set 2; Master Soundboard Cassette >DAT >CD; via Mark Lynn and Mike B, encoded by Steven Leeds notes 7176. 12/09/88 Shn - 0, 16093 Long Beach Long Beach Arena AUD>DAT>CD; via Paul B; Seeded to etree by Willy notes 7177. 12/09/88 Flac 24/96 - 0, 152483 Long Beach Long Beach Arena flac24/96 Ambient Master by Mike French "Moke". A solo effort Tapers From Hell: A Journey to the Impact Zone Sennheiser MKE2002 omni's (x2) HRTF @ 6'4" -> Sony TC-D5M no dolby n.r.. From 16th row, center section, FOB,.. Not true center, but a few feet left of center. Solo effort, no blockers or quiet zone. To the digital realm @ 24/96: Sony TC-D5M master deck, and master cassette no n.r. -> Tascam DVRA1000 DSD recorder in PCM Mode 24/96, mastered directly to DVD+RW. By MF Master DVD+RW disc imported to Mac G4 Tiger 10.4 Track divisions, and fades by Sound Studios 2.2.4. Flac by xACT by Scott Brown @ 6/8 By MF notes 7178. 12/09/88 Flac 16 - 0, 152145 Long Beach Long Beach Arena Recording Info: UltraMatrix SBD > Cassette Master (Don Pearson) > Cassette (Dolby C) > WAV (16-bit/44.1k) Mastering Info: WAV > Samplitude Pro X5 Suite > FLAC/16 notes 7179. 12/09/88 Flac 16/48 - , 151088 Long Beach Long Beach Arena flac16/48khz Source : Unknown mics > DAT > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes 7180. 12/09/88 Flac 24/96 - , 151089 Long Beach Long Beach Arena flac24/96khz Source : Unknown mics > DAT > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 7181. 12/10/88 Shn - 0, 16094 Long Beach Long Beach Arena AUD>DAT>CD; via Paul B; Seeded to etree by Willy notes 7182. 12/10/88 Flac 16 - 0, 152146 Long Beach Long Beach Arena Recording Info: UltraMatrix SBD > Cassette Master (Don Pearson) > Cassette (Dolby C) > WAV (16-bit/44.1k) Mastering Info: WAV > Samplitude Pro X5 Suite > FLAC/16 notes 7183. 12/10/88 Flac 16/48 - , 151090 Long Beach Long Beach Arena flac16/48khz Source : Unknown mics > DAT > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp >1648 notes 7184. 12/10/88 Flac 24/96 - , 151091 Long Beach Long Beach Arena flac24/96khz Source : Unknown mics > DAT > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 7185. 12/11/88 Shn - 0, 16095 Long Beach Long Beach Arena AUD>DAT>CD; via Paul B; Seeded to etree by Willy notes 7186. 12/11/88 Flac 16 - 0, 152147 Long Beach Long Beach Arena Recording Info: UltraMatrix SBD > Cassette Master (Don Pearson) > Cassette (Dolby C) > WAV (16-bit/44.1k) Mastering Info: WAV > Samplitude Pro X5 Suite > FLAC/16 notes 7187. 12/11/88 Flac 16/48 - , 151092 Long Beach Long Beach Arena flac16/48khz Source : Unknown mics > DAT > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes 7188. 12/11/88 Flac 24/96 - , 151093 Long Beach Long Beach Arena flac24/96khz Source : Unknown mics > DAT > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes 7189. 12/28/88 Flac 16 - 0, 97099 Oakland Oakland-Alameda County Coliseum flac16; Source: aud > Nak CM-100's with CP-4 shotgun mics > D-5 > mac taped from the official tapers section Transfer: mac > Nakamichi CR-5A > Tascam HDP2 > wav 24/96 > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16 notes 7190. 12/28/88 Flac 16 - 0, 75302 Oakland Oakland-Alameda County Coliseum flac16; Seamless fix of shn id 3914 - SBD: Healy Mix>PCM>DAT>EventGina>WAV>CD>EAC>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 7191. 12/28/88 Shn - 0, 3914 Oakland Oakland-Alameda County Coliseum Healy Mix (SBD+AKG C 424b mic)> PCM> DAT> EventGina> WAV> CD> EAC> SHN; to abgd as well as etree? notes 7192. 12/28/88 Flac 16 Mtx - 0, 137866 Oakland Oakland-Alameda County Coliseum flac16; Healy Matrix -> Beta; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF->Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF->RME FIREFACE 800-> FireWire 400->Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab7; Audition CC 2015 Mastering and Patching by Jason Chastain; Track, FLAC, Pack by mdftunes notes 7193. 12/28/88 Flac 16 - 0, 141658 Oakland Oakland-Alameda County Coliseum notes 7194. 12/28/88 Flac 16 - 0, 117670 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 7195. 12/28/88 Flac 24 UMtx. - 0, 149731 Oakland Oakland-Alameda County Coliseum b>flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7196. 12/28/88 Flac 16 - 0, 149778 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 7197. 12/29/88 Shn - 0, 6313 Oakland Oakland-Alameda County Coliseum sbd> dats> wav> shn; dat> wav> shn by popi n. feeldz, from Michael Grossman DAT seed notes 7198. 12/29/88 Shn Mtx - 0, 7347 Oakland Oakland-Alameda County Coliseum Ultra-Matrix DSBD>DAT>CDR>EAC>HD>SHN; via Glenn Gillis; Tony Gardner notes 7199. 12/29/88 Flac 16 Mtx - 0, 137692 Oakland Oakland-Alameda County Coliseum flac16; Healy Matrix -> Beta; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab7; Audition CC 2015 Mastering and Patching by Jason Chastain; Critical Listening Assistance and Track, FLAC, Pack by Norm notes 7200. 12/29/88 Flac 16 - 0, 140701 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony F1/Sony PRO-XL500); Transfer Info: PCM Master (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes 7201. 12/29/88 Flac 16 - 0, 141659 Oakland Oakland-Alameda County Coliseum flac16; Source Info: Ted Mattes' (with an assist to Jeff Travitz) Master (FOB) Audience PCM; Schoeps CMC4/MK4 > Sony PCM-F1 with Apogee filters; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam SS-CDR2000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 7202. 12/29/88 Flac 16 - 0, 98925 Oakland Oakland-Alameda County Coliseum flac16; 2 Nak 100's w/ CP-4 Guns > Sony D5 > MAC > Nak dr-1 > 24/96 Wave > Wavelab 5 > UAD Plugs > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 ) notes 7203. 12/29/88 Flac 24/96 - 0, 152285 Oakland Oakland-Alameda County Coliseum flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 7204. 12/29/88 Flac 16/44 - 0, 152582 Oakland Oakland-Alameda County Coliseum flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 -This is 152285 24 -> 16 @ 44.1 notes 7205. 12/31/88 Flac 16 - 0, 85966 Oakland Oakland-Alameda County Coliseum flac16; SBD -> Cassette Master (Sony D5/TDK MAX-G90) All Transfers and Mastering By Charlie Miller notes 7206. 12/31/88 Shn - 0, 3189 Oakland Oakland-Alameda County Coliseum Healy Mix (SBD+AKG C 424b mic)> PCM> DAT> DALCardDeluxe> WAV> CD> EAC> SHN; via Stagger? to abgd, thence to etree; some balloon pops edited down or out notes 7207. 12/31/88 Shn - 0, 9396 Oakland Oakland-Alameda County Coliseum Jay Ashley (Bertha) Remaster of Healy SBD Mix; SBD(Healy Mix>>PCM>>DAT>>DALCardDeluxe>>WAV>>CDA>SHN>>DAW(Bertha)>>CDA notes 7208. 12/31/88 Flac 16 - 0, 97786 Oakland Oakland-Alameda County Coliseum flac16; Source: fm > Sony Walkman Fm stereo receiver > Marantz PMD-431 (probably) > mac Transfer: mac > Nakamichi ZX-7 > Tascam HD-P2 > wav 24/96 > Adobe Audition > Wavelab with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16 notes 7209. 12/31/88 Flac 16 - 0, 138904 Oakland Oakland-Alameda County Coliseum flac16; Set 1 Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (44.1k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017 notes 7210. 12/31/88 Flac 16 Mtx - 0, 136731 Oakland Oakland-Alameda County Coliseum flac16; Healy Matrix pre-fm -> Beta; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; tracking with Audacity-> flac level 8->tagged with Tag&Rename and checksums with TLH by Norm; 16 bit 44.1kHz a project **GEMS** notes 7211. 12/31/88 Flac 16 - 0, 140702 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony F1/Sony PRO-XL500); Transfer Info: PCM Master (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes 7212. 12/31/88 Flac 16 - 0, 149469 Oakland Oakland-Alameda County Coliseum flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>3 TDK SA-X 90 Minute Master Cassette Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section notes 7213. 12/31/88 Flac 24/96 - 0, 152286 Oakland Oakland-Alameda County Coliseum flac24/96 Recording Info: UltraMatrix SBD (Broadcast Mix) > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 7214. 12/31/88 Flac 16/44 - 0, 152538 Oakland Oakland-Alameda County Coliseum flac16/44 Recording Info: UltraMatrix SBD (Broadcast Mix) > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152286 24 -> 16 @ 44.1 notes 7215. 02/05/89 Flac 16 - 0, 108689 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B) Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 7216. 02/05/89 Shn - 0, 15402 Oakland Henry J Kaiser Convention Center Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette> ?> DAT> CD> SHN. Thanks to Johnny Venus for the disks. Normalized and seeded by Peter Braverman notes 7217. 02/05/89 Flac 24 - 0, 108848 Oakland Henry J Kaiser Convention Center flac24; Recording Info: SBD -> Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes 7218. 02/05/89 Flac 16 - 0, 32542 Oakland Henry J Kaiser Convention Center notes 7219. 02/05/89 Flac 16 - 0, 139666 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD > PCM Master (Vault) > PCM Clone; Transfer Info: PCM (Sony SL-10) > Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston notes 7220. 02/05/89 Flac 24 - 0, 139649 Oakland Henry J Kaiser Convention Center flac24; Set 2 Soundboard Recording Info: SBD > PCM Master (JVC HR-D570U) > PCM Clone (S-VHS Deck/Maxell HGX GOLD); Audience Recording Info: AKG C42 (m/s) > VHS HiFi Master (JVC HR-D570U) > VHS HiFi (S-VHS Deck/Maxell HGX GOLD); Soundboard Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Audience Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Mastering Info: KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller notes 7221. 02/05/89 Flac 16 - 0, 139794 Oakland Henry J Kaiser Convention Center flac16; Set 2 Soundboard Recording Info: SBD > PCM Master (JVC HR-D570U) > PCM Clone (S-VHS Deck/Maxell HGX GOLD); Audience Recording Info: AKG C42 (m/s) > VHS HiFi Master (JVC HR-D570U) > VHS HiFi (S-VHS Deck/Maxell HGX GOLD); Soundboard Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Audience Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Mastering Info: KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller notes 7222. 02/05/89 Flac 24 - 0, 140729 Oakland Henry J Kaiser Convention Center flac24; Set 2 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 notes 7223. 02/05/89 Flac 16 - 0, 140728 Oakland Henry J Kaiser Convention Center flac16; Set 2 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp notes 7224. 02/05/89 Flac 16 - 0, 140996 Oakland Henry J Kaiser Convention Center flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small notes 7225. 02/05/89 Flac 16 - 0, 116407 Oakland Henry J Kaiser Convention Center flac16; Source: (OTS) Superscope EC-7's (ortf/cardioids) > Sony WM-D6C; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster notes 7226. 02/05/89 Shn - 0, 9484 Oakland Henry J Kaiser Convention Center Mark Horvath FOB Senn. 421?s> Sony TC-D5> MC> CDR; Seeded to etree by Tim W notes 7227. 02/05/89 Flac 16 - 0, 138905 Oakland Henry J Kaiser Convention Center flac16; Ted Mattes Recording; Schoeps CMC 44 > Sony PCM F1 (110 degrees ORTF - FOB); Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz. Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; ReTracted & Packed in Audacity & seeded by Joe Noel > flac 16/44; Checksum & tags created in xACT notes 7228. 02/05/89 Flac 16 - 0, 124836 Oakland Henry J Kaiser Convention Center flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus notes 7229. 02/05/89 Flac 16 - 0, 105612 Oakland Henry J Kaiser Convention Center flac16; Recording Info:SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 7230. 02/06/89 Flac 16 - 0, 107030 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes 7231. 02/06/89 Flac 16 - 0, 26330 Oakland Henry J Kaiser Convention Center flac16; SBD> Master Cassette> CD (Marantz CDR 500 Pro); Transfer Info: CD (Sony CDP-XE500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> Cool Edit Pro v2.0> FLAC; Transferred and Edited By Charlie Miller, with thanks to Paul Scotton and Joani Walker notes 7232. 02/06/89 Flac 16 - 0, 138906 Oakland Henry J Kaiser Convention Center flac16; Set 1 Ted Mattes Recording; Schoeps CMC 44 > Sony PCM F1 (110 degrees ORTF - FOB); Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz. Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; ReTracted & Packed in Audacity & seeded by Joe Noel > flac 16/44; Checksum & tags created in xACT notes 7233. 02/06/89 Flac 16 - 0, 116433 Oakland Henry J Kaiser Convention Center flac16; Source: (OTS) Superscope EC-7's (ortf/cardioids) > Sony WM-D6C; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster notes 7234. 02/06/89 Shn - 0, 9485 Oakland Henry J Kaiser Convention Center Mark Horvath FOB Senn. 421?s> Sony TC-D5> MC> CDR; Seeded to Etree by Tim W notes 7235. 02/06/89 Flac 24 - 0, 146587 Oakland Henry J Kaiser Convention Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 notes 7236. 02/06/89 Flac 16 - 0, 147384 Oakland Henry J Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; This file set is 16 bit @ 44.1 notes 7237. 02/06/89 Flac 16 - 0, 124837 Oakland Henry J Kaiser Convention Center flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus notes 7238. 02/07/89 Flac 16 - 0, 106929 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller notes 7239. 02/07/89 Shn - 0, 9202 Oakland Henry J Kaiser Convention Center SBD>MC>DAT>CDR; Seeded to etree by Tim W notes 7240. 02/07/89 Flac - 0, 32543 Oakland Henry J Kaiser Convention Center flac16; SBD -> Cassette Master (TDK MA-X90) Transferred and Edited By Charlie Miller notes 7241. 02/07/89 Flac 16 - 0, 138907 Oakland Henry J Kaiser Convention Center flac16; Ted Mattes Recording; Schoeps CMC 44 > Sony PCM F1 (110 degrees ORTF - FOB); Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz. Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Mastered, ReTracted & Packed in Audacity & seeded by Joe Noel > flac 16/44; Checksum & tags created in xACT notes 7242. 02/07/89 Flac 16 - 0, 124838 Oakland Henry J Kaiser Convention Center flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus notes 7243. 02/07/89 Flac 24 UMtx. - 0, 149648 Oakland Henry J Kaiser Convention Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7244. 02/07/89 Flac 16 U Mtx. - 0, 149698 Oakland Henry J Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 7245. 02/10/89 Flac 16 - 0, 13060 Inglewood Great Western LA Forum flac16; Seamless fix of shn id 13060 - Master Cassette SBD>DAT(Fostex D-10 playback)>CD-R (hhb800 standalone)>EAC 0.9>SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 7246. 02/10/89 Shn - 0, 13060 Inglewood Great Western LA Forum Source: Master Cassette SBD>DAT(Fostex D-10 playback)>CD-R (hhb800 standalone)>EAC 0.9>SHN (via MKWACT) notes 7247. 02/10/89 Flac 24/96 - 0, 137004 Inglewood Great Western LA Forum flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); All Transfers and Mastering By Charlie Miller notes 7248. 02/10/89 Flac 16 - 0, 137076 Inglewood Great Western LA Forum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller notes 7249. 02/10/89 Flac 24/96 - 0, 74843 Inglewood Great Western LA Forum flac24/96; Senn MKE2002 omni\'s HRTF -> Sony TC-D5M @ 6\' 5\" FOB/DFC to 24/96 digital: Sony TC-D5M master deck and master, no n.r. -> Tascam DVRA1000 DSD recorder in high res PCM mode of 24bit/96khz to flac: DVRA1000 Project Disc 23/96 files imported via Mac Tiger 10.4. Flac compression by xACT to 7/8 compression notes 7250. 02/10/89 Flac 16 - 0, 77647 Inglewood Great Western LA Forum flac16; Senn MKE2002 omni's HRTF -> Sony TC-D5M @ 6' 5" FOB/DFC to 24/96 digital: Sony TC-D5M master deck and master, no n.r. -> Tascam DVRA1000 DSD recorder in high res PCM mode of 24bit/96khz to flac: DVRA1000 Project Disc 24/96 files imported via Mac Tiger 10.4.Flac compression by xACT to 7/8 compression conversion: by Bob Loy Samplitude Professional V8.01 > Declipping > -13db > Isotope Ozone loudness maximizer > new max peak -.1db > 16bit 44100hz >ffe l6 sbes aligned by set>1d3 tag notes 7251. 02/10/89 Flac 16 - 0, 139760 Inglewood Great Western LA Forum flac16; Source Info: (FOB) Audience PCM; Schoeps CMC4/MK4 > Sony PCM-F1 > Dat (16/44); Transfer Info: Sony PCM-R500 > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 notes 7252. 02/10/89 Flac 16 - 0, 140997 Inglewood Great Western LA Forum flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small notes 7253. 02/10/89 Flac 16 - 0, 124829 Inglewood Great Western LA Forum flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Section 1, Row DDD, Seat 8 notes 7254. 02/10/89 Flac 24/48 - 0, 77708 Inglewood Great Western LA Forum flac24/48; Senn MKE2002 omni's HRTF -> Sony TC-D5M @ 6' 5" FOB/DFC to 24/96 digital: Sony TC-D5M master deck and master, no n.r. -> Tascam DVRA1000 DSD recorder in high res PCM mode of 24bit/96khz to flac: DVRA1000 Project Disc 24/96 files imported via Mac Tiger 10.4.Flac compression by xACT to 7/8 compression conversion 24/48: by Bob Loy Samplitude Professional V8.01 > Declipping > -13db > Isotope Ozone loudness maximizer > new max peak -.1db > 24bit 48hz >ffe l6; this is a clean-up of the original 24 bit source notes 7255. 02/11/89 Shn - 0, 9203 Inglewood Great Western LA Forum SBD>MC>DAT>CDR; Seeded to etree by Tim W notes 7256. 02/11/89 Flac 16 - 0, 134776 Inglewood Great Western LA Forum flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat; Set 2: SBD -> PCM Master -> Dat; Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> WAV -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 7257. 02/11/89 Shn - 0, 20759 Inglewood Great Western LA Forum DAUD[master] > CDR > EAC > AddaWav > CDWAV > SHN; EAC > SHN by harlan; CDR from D. Loebig notes 7258. 02/11/89 Flac 24 - 0, 35158 Inglewood Great Western LA Forum b>flac24/96; Set one: Sennheiser MKE2002 HRTF headband -> Sony TC-D5M @ 6'5" by Mike French Set two: ~ Schoeps cmc?? cards (caps on bodies, cardioids) ORTF @ 6'4" covered by the Mike Stand (MF) at eye level ~ Oade pre (m118 ?) -> Sony PCM processor->beta, line out (Sean Weber Small rig) -> Sony TC-D5M master by Mike French Transfer to 24/96: Sony TC-D5M master deck w/ master, no n.r. -> Tascam DVRA1000 DSD recorder in high-res pcm mode, 24/96 by Mike French then to flac: DVRA1000 Project Disc 24/96 imported to Mac OS-X Tiger, conversion by xACT notes 7259. 02/11/89 Flac 24 - 0, 140731 Inglewood Great Western LA Forum flac24; Set 1 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 notes 7260. 02/11/89 Flac 16 - 0, 140730 Inglewood Great Western LA Forum flac16; Set 1 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp notes 7261. 02/11/89 Flac 16 - 0, 140719 Inglewood Great Western LA Forum flac16; Recording Info: Set 1: SBD > PCM; Set 2: UltraMatrix SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes 7262. 02/11/89 Flac 16 - 0, 140999 Inglewood Great Western LA Forum flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small notes 7263. 02/11/89 Flac 16 - 0, 124830 Inglewood Great Western LA Forum flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Section 1, Row DDD, Seat 8 notes 7264. 02/11/89 Flac 16 - 0, 76125 Inglewood Great Western LA Forum flac16; From the Impact Zone, fob/dfc Set one: Sennheiser MKE2002 HRTF headband -> Sony TC-D5M @ 6'5" by Mike French Set two; ~ Schoeps cmc?? cards (caps on bodies, cardioids) ORTF @ 6'4" covered by the Mike Stand (MF) at eye level. ~ Oade pre (m118 ?) -> Sony PCM processor->beta, line out (Sean Weber Small rig) -> Sony TC-D5M master by Mike French Transfer to 24/96; Sony TC-D5M master deck w/ master, no n.r. -> Tascam DVRA1000 DSD recorder in high-res pcm mode, 24/96 by Mike French then to flac; DVRA1000 Project Disc 24/96 imported to Mac OS-X Tiger, conversion by xACT, by MF - downsampled to 16/44.1 using Adobe Audition 1.5, dithered with iZotope Ozone. New flacs, etc created notes 7265. 02/12/89 Flac 16 - 0, 89200 Inglewood Great Western LA Forum flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.0.1 -> FLAC All Transfers and Mastering By Charlie Miller notes 7266. 02/12/89 Shn - 0, 4680 Inglewood Great Western LA Forum SBD> MC> DAT> CD> SHN notes 7267. 02/12/89 Shn - 0, 429 Inglewood Great Western LA Forum SBD; via Mike Lai notes 7268. 02/12/89 Flac 24/96 - 0, 137005 Inglewood Great Western LA Forum flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); All Transfers and Mastering By Charlie Miller notes 7269. 02/12/89 Flac 16 - 0, 137086 Inglewood Great Western LA Forum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller notes 7270. 02/12/89 Flac 16 - 0, 139800 Inglewood Great Western LA Forum flac16; Set 1 Source Info: (FOB) Audience PCM; Schoeps CMC4/MK4 > Sony PCM-F1 > Dat (16/44); Transfer Info: Sony PCM-R500 > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 notes 7271. 02/12/89 Flac 16/48 - 0, 140915 Inglewood Great Western LA Forum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 137086) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; + AUD (shnid = 31265) Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion. - surrround mixing by Kevin Tobin notes 7272. 02/12/89 Flac 16 Dts - 0, 140914 Inglewood Great Western LA Forum DTS-Audio-CD 5.1 Mix; SBD (shnid = 137086) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; + AUD (shnid = 31265) Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion. - dts mixing by Kevin Tobin notes 7273. 02/12/89 Flac 16 Mtx - 0, 140913 Inglewood Great Western LA Forum flac16; Matrix 2 Source Mix - SBD (shnid = 137086) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; + AUD (shnid = 31265) Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion. - matrix mixing by Kevin Tobin notes 7274. 02/12/89 Flac 16 - 0, 140998 Inglewood Great Western LA Forum flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small notes 7275. 02/12/89 Flac 16 - 0, 76126 Inglewood Great Western LA Forum flac16; Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion - downsampled to 16/44.1 using Adobe Audition 1.5, dithered with iZotope Ozone. - retracked, new flacs, etc created, files have been renamed to Etree conventions notes 7276. 02/12/89 Flac 16 - 0, 124818 Inglewood Great Western LA Forum flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Section 1, Row DDD, seat 6 notes 7277. 02/12/89 Flac 24/96 - 0, 31265 Inglewood Great Western LA Forum flac24; Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion. notes 7278. 03/27/89 Flac 16 - 0, 81528 Atlanta The Omni flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 notes 7279. 03/27/89 Flac 24/96 - 0, 108015 Atlanta The Omni flac24; Lineage: Master Audience Cassette Nak300.Sony D3.Maxell XLII-S 90's Transfer:Nak MR-1>Korg MR-1000 1Bit/5.6MHz Sample rate conversion with AudioGate software to 24/96 FLAC notes 7280. 03/27/89 Flac 16 - 0, 124947 Atlanta The Omni flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7281. 03/27/89 Shn - 0, 9204 Atlanta The Omni AUD(Schoeps CMC-441's)>DAT>CDR; Seeded to etree by Tim W notes 7282. 03/27/89 Flac 24/96 - 0, 124946 Atlanta The Omni flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 7283. 03/27/89 Flac 24 UMtx. - 0, 147800 Atlanta The Omni flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7284. 03/27/89 Flac 16 U Mtx. - 0, 147894 Atlanta The Omni flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 7285. 03/27/89 Flac 16 Mtx - , 158251 Atlanta The Omni flac1644 A Photoleon Matrix Source 1 Shnid 9204 Source: Aud(schoeps Cmc-441's)> Dat> Cdr Conversion: Eac(secure)> Cd Wav> Cool Edit Pro> Shn(seekable) Conversion Edit Seeded To Etree By Tim Wiley 4 1 02 Another Installment Of The Music Never Stopped Project! Source 2 Shnid 147894 Recording: Ultramatrix Sbd > Cassette Master (tdk Ma-xg90) Recorded By Don Pearson & Dan Healy Transfer: Cassette Master (nakamichi Cr-7a) > Tascam Da-3000 (dsf 1-bit Mhz) > Adobe Audition Cc2015 > Samplitude Pro X4 Suite > Flac 24 Transfer & Mastering By Charlie Miller October 24, 2019 Source 3 Shnid 108015 Lineage: Master Audience Cassette Nak300.sony D3.maxell Xlii-s 90's Transfer:nak Mr-1>korg Mr-1000 1bit Mhz. Sample Rate Conversion With Audiogate Software To 24 Flac. Taper: Baker Matrix Created In Adobe Audition By Joe Noel August 04, 2022 notes 7286. 03/27/89 Flac 16/44 - , 158251 Atlanta The Omni flac1644 A Photoleon Matrix Source 1 Shnid 9204 Source: Aud(schoeps Cmc-441's)> Dat> Cdr Conversion: Eac(secure)> Cd Wav> Cool Edit Pro> Shn(seekable) Conversion Edit Seeded To Etree By Tim Wiley 4 1 02 Another Installment Of The Music Never Stopped Project! Source 2 Shnid 147894 Recording: Ultramatrix Sbd > Cassette Master (tdk Ma-xg90) Recorded By Don Pearson & Dan Healy Transfer: Cassette Master (nakamichi Cr-7a) > Tascam Da-3000 (dsf 1-bit Mhz) > Adobe Audition Cc2015 > Samplitude Pro X4 Suite > Flac 24 Transfer & Mastering By Charlie Miller October 24, 2019 Source 3 Shnid 108015 Lineage: Master Audience Cassette Nak300.sony D3.maxell Xlii-s 90's Transfer:nak Mr-1>korg Mr-1000 1bit Mhz. Sample Rate Conversion With Audiogate Software To 24 Flac. Taper: Baker Matrix Created In Adobe Audition By Joe Noel August 04, 2022 notes 7287. 03/28/89 Flac 16 - 0, 81529 Atlanta The Omni flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 notes 7288. 03/28/89 Flac 16 - 0, 124994 Atlanta The Omni flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7289. 03/28/89 Flac 16 - 0, 111791 Atlanta The Omni flac 16; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers; transfer: cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> Wavelab 6.1 [Crystal/UV22HR] -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [2/2/11] notes 7290. 03/28/89 Flac 24/48 - 0, 111792 Atlanta The Omni flac 24; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers; transfer: cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [2/2/11] notes 7291. 03/28/89 Shn - 0, 9205 Atlanta The Omni AUD>DAT>CDR; Seeded to etree by Tim W notes 7292. 03/28/89 Flac 24/96 - 0, 124993 Atlanta The Omni flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 7293. 03/28/89 Flac 24 UMtx. - 0, 147818 Atlanta The Omni flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7294. 03/28/89 Flac 16 - 0, 148154 Atlanta The Omni flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 7295. 03/28/89 Flac 16 - , 156410 Atlanta The Omni Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 08, 2021 notes 7296. 03/30/89 Flac 16 - 0, 81531 Greensboro Greensboro Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7297. 03/30/89 Flac 16 - 0, 125412 Greensboro Greensboro Coliseum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; AKG100 > Sony D3, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7298. 03/30/89 Flac 16 - 0, 133932 Greensboro Greensboro Coliseum flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes 7299. 03/30/89 Flac 16 - 0, 79836 Greensboro Greensboro Coliseum flac16; Set 1 only: Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller notes 7300. 03/30/89 Flac 16 - 0, 141801 Greensboro Greensboro Coliseum flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes 7301. 03/30/89 Shn - 0, 10059 Greensboro Greensboro Coliseum Mark Horvath FOB Senn. 421?s>Sony TC-D5>MC>CDR; via Paul "Raoul" B; Seeded to etree by Brad Ingle notes 7302. 03/30/89 Flac 16/48 - 0, 137921 Greensboro Greensboro Coliseum flac16/48kHz; Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48khz)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 7303. 03/30/89 Flac 24/96 - 0, 125411 Greensboro Greensboro Coliseum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; AKG100 > Sony D3, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes 7304. 03/30/89 Flac 24 UMtx. - 0, 147819 Greensboro Greensboro Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7305. 03/30/89 Flac 16 - 0, 148153 Greensboro Greensboro Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 7306. 03/31/89 Flac 16 - 0, 32349 Greensboro Greensboro Coliseum flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Set 1: Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 7307. 03/31/89 Flac 16 - 0, 125426 Greensboro Greensboro Coliseum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; AKG100 > Sony D3, Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7308. 03/31/89 Flac 16 - 0, 95221 Greensboro Greensboro Coliseum flac16; Source: aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S taped by John Bleich Transfer : mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav 24/96) > flac notes 7309. 03/31/89 Flac 16 - 0, 133938 Greensboro Greensboro Coliseum flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes 7310. 03/31/89 Shn - 0, 16666 Greensboro Greensboro Coliseum sbd>cass>dat>cd>eac>wav>shn>wav>shn; via Ray Hansen; seedeD notes 7311. 03/31/89 Flac 16 - 0, 140966 Greensboro Greensboro Coliseum flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes 7312. 03/31/89 Flac 16/48 - 0, 138065 Greensboro Greensboro Coliseum flac16/48kHz; Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 7313. 03/31/89 Shn - 0, 3826 Greensboro Greensboro Coliseum schoeps cmc?/mk21> DAT fob; via Childo and unIDed seeder; note offbeat track breaks; includes unIDed filler notes 7314. 03/31/89 Flac 24/96 - 0, 125425 Greensboro Greensboro Coliseum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; AKG100 > Sony D3, Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes 7315. 03/31/89 Flac 24 UMtx. - 0, 147823 Greensboro Greensboro Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7316. 03/31/89 Flac 16 - 0, 148151 Greensboro Greensboro Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, this file set is 16 bit @ 44.1 notes 7317. 03/31/89 Flac 16/48LPCM - 0, 149814 Greensboro Greensboro Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147823) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138065) Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe - surround mixing by Kevin notes 7318. 03/31/89 Flac 16 Mtx - 0, 149811 Greensboro Greensboro Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 147823) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138065) Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe - matrix mixing by Kevin Tobin notes 7319. 03/31/89 Flac 16 Dts.5.1 - 0, 149813 Greensboro Greensboro Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147823) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138065) Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe - dts mixing by Kevin Tobin notes 7320. 03/31/89 Flac 24/96 - 0, 148612 Greensboro Greensboro Coliseum flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes 7321. 03/31/89 Flac 16/48 - 0, 148611 Greensboro Greensboro Coliseum flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes 7322. 03/??/89 Flac 16 - 0, 113358 San Rafael Club Front - Grateful Dead Studio flac16: Source reported to be: (Video ~ 1st gen video8 > stand alone DVR) Audio ~ AC3 48000Hz 256 kb/s tot , stereo (2/0) Extracted, Tracked, Downsampled and Converted to FLAC May 2011 by Teddy "GoodBear" - Number of Audio channels: 2 Audio Coding mode: Linear PCM audio Sampling Rate: 44.1kHz notes 7323. 04/02/89 Shn - 0, 17177 Pittsburgh Civic Arena Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan notes 7324. 04/02/89 Flac 16 - 0, 89780 Pittsburgh Civic Arena flac16; AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008 notes 7325. 04/02/89 Flac 16 - 0, 134822 Pittsburgh Civic Arena flac16; Source: B&K4011 FOB AUD > ? > PCM unknown taper; Transfer: PCM (x) > DAT (0) > Microtrack 24/96 > WAV 44.1 > Flac 16/44.1 notes 7326. 04/02/89 Flac Dts 5.1 - 0, 135454 Pittsburgh Civic Arena DTS-Audio-CD 5.1 Mix; SBD (shnid=17177) Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan + AUD (shn id 89780) AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. - dts mixing by Kevin Tobin notes 7327. 04/02/89 Flac 16 - 0, 135452 Pittsburgh Civic Arena flac16; (original shnid = 89780) AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. - pitch correction and patches by Kevin Tobin notes 7328. 04/02/89 Flac 16 Mtx - 0, 135453 Pittsburgh Civic Arena flac16; Matrix 2 Source Mix - SBD (shnid=17177) Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan + AUD (shn id 89780) AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. - matrix mixing by Kevin Tobin notes 7329. 04/02/89 Flac 24/96 - 0, 141669 Pittsburgh Civic Arena flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) notes 7330. 04/02/89 Flac 16 - 0, 96554 Pittsburgh Civic Arena flac16; source: aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell SII-S taped by John Bleich from Section 9F, Row TT, Seat 8 transfer: mac > Nakamichi BX-125E > EMU 020 > Wavelab > wav (24/96) > flac *except for It's All Over Now, Baby Blue: mac > Nakamichi ZX-9 > Tascam HD-P2 > wav (24/96) > flac notes 7331. 04/02/89 Shn - 0, 29734 Pittsburgh Civic Arena AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Note this is the original shn seed for shn id9206 This source was made from my master cassettes and doesn't have the digital flaws noted on d2t01 (bad EAC) of shn id 9206. Digital Mastering by Charlie Connor Seeded to abgd 3/29/01; seeded to etree bt 6/21/05 notes 7332. 04/02/89 Shn - 0, 9206 Pittsburgh Civic Arena AUD(Beyer M-88?s>Sony TC-D5)>MC>DAT>CDR; Seeded to etree by Tim W notes 7333. 04/02/89 Flac 16 - 0, 145673 Pittsburgh Civic Arena flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1 notes 7334. 04/02/89 Flac 16/48 - 0, 135455 Pittsburgh Civic Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=17177) Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan + AUD (shn id 89780) AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. - mixing by Kevin Tobi notes 7335. 04/02/89 Flac 24 UMtx. - 0, 147793 Pittsburgh Civic Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7336. 04/02/89 Flac 16 U Mtx. - 0, 147892 Pittsburgh Civic Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 7337. 04/02/89 Flac 24/96 - 0, 149268 Pittsburgh Civic Arena flac24; Source Info: TS Sennheiser-> Sony D5-> Sony D6-> Cassette; Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel notes 7338. 04/02/89 Flac 24/96 - 0, 151401 Pittsburgh Civic Arena Fresh Transfer and Remaster Of Source 141669. Source: (OTS) AKG 460 with ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette. Transfer: Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz-24bit Recording & Transfer by Ray Ackerman. Edited & Mastered (Adobe Audition) by Joe Noel. January 2, 2021 notes 7339. 04/02/89 Flac 16/44,1 - 0, 151419 Pittsburgh Civic Arena flac16/44.1khz Ackerman Archives Source: (OTS) AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette Transfer: Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz/24bit Recording & Transfer by Ray Ackerman Edited & Mastered (Adobe Audition) by Joe Noel notes 7340. 04/03/89 Flac 16 Mtx - 0, 7507 Pittsburgh Civic Arena flac16; Matrix 4 Source Mix - SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor + AUD2 (shn id 125023)Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; + Video (no shnid) - matrix mixing by Kevin Tobin notes 7341. 04/03/89 Flac 24/96 - 0, 125022 Pittsburgh Civic Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 7342. 04/03/89 Flac 16 - 0, 125023 Pittsburgh Civic Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7343. 04/03/89 Shn - 0, 7507 Pittsburgh Civic Arena SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell notes 7344. 04/03/89 Flac 16 - 0, 133939 Pittsburgh Civic Arena flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes 7345. 04/03/89 Flac Dts 5.1 - 0, 125403 Pittsburgh Civic Arena DTS-Audio-CD 5.1 Mix; SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor + AUD2 (shn id 125023)Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; + Video (no shnid) - dts mixing by Kevin Tobin notes 7346. 04/03/89 Flac 16 - 0, 89791 Pittsburgh Civic Arena flac16; AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. notes 7347. 04/03/89 Flac 16 - 0, 96796 Pittsburgh Civic Arena flac16; Source: aud > Nakamichi 300 shotguns > Sony WM-D6 > mac taped by John Bleich Transfer: mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav (16/44.1) > Cd Wave > TLH > flac16 notes 7348. 04/03/89 Flac 16 - 0, 125413 Pittsburgh Civic Arena flac16; SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell (shnid 7507) - Patched, Pitch Correction and Tagged by Kevin Tobin notes 7349. 04/03/89 Flac 16/48 - 0, 135433 Pittsburgh Civic Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor - mixing by Kevin Tobin notes 7350. 04/03/89 Flac 24/96 - 0, 141670 Pittsburgh Civic Arena flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) notes 7351. 04/03/89 Flac 16 - 0, 100161 Pittsburgh Civic Arena flac16; Source: (FOB) Schoeps CMC5/MK4->DAT (16/48) Lineage: Dat Clone->Sony PCM R-500->VX Pocket V2->Soundforge 6.0 (fades, normalize (127.20%/2.09dB), resample)->FLAC; Taper: Unknown notes 7352. 04/03/89 Shn - 0, 29758 Pittsburgh Civic Arena FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor notes 7353. 04/03/89 Flac 16 - 0, 145689 Pittsburgh Civic Arena flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1 notes 7354. 04/03/89 Flac 24 UMtx. - 0, 147794 Pittsburgh Civic Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7355. 04/03/89 Flac 16 - 0, 147893 Pittsburgh Civic Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 7356. 04/03/89 Flac 24/96 - 0, 151402 Pittsburgh Civic Arena Fresh Transfer And Remaster Of Source 141670. Source: (OTS) AKG 460 with ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette. Transfer: Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz-24bit Recording & Transfer by Ray Ackerman. Edited & Mastered (Adobe Audition) by Joe Noel. January 4, 2021. notes 7357. 04/03/89 Flac 16/44,1 - 0, 151420 Pittsburgh Civic Arena flac16/44.1khz Ackerman Archives Source: (OTS) AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette Transfer: Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz/24bit Recording & Transfer by Ray Ackerman Edited & Mastered (Adobe Audition) by Joe Noel notes 7358. 04/05/89 Flac 16 - 0, 83501 Ann Arbor Crisler Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7359. 04/05/89 Shn - 0, 1091 Ann Arbor Crisler Arena Healy Ultra Mix - sbd+aud> cm> dat> cd; via Aaron Kowalski to loop notes 7360. 04/05/89 Shn - 0, 5491 Ann Arbor Crisler Arena Healy Ultra Mix Cassette Master-> DAT-> CDR notes 7361. 04/05/89 Flac 16 - 0, 100671 Ann Arbor Crisler Arena flac16; Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 notes 7362. 04/05/89 Flac 16 - 0, 141802 Ann Arbor Crisler Arena flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes 7363. 04/05/89 Flac 24 - 0, 144913 Ann Arbor Crisler Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7364. 04/05/89 Flac 16 - 0, 111957 Ann Arbor Crisler Arena flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; Transfer Date: 2011-02-16; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master cassette(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard notes 7365. 04/05/89 Flac 16 - 0, 83800 Ann Arbor Crisler Arena flac16; source: aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer: mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone notes 7366. 04/05/89 Flac 16 - 0, 145037 Ann Arbor Crisler Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 notes 7367. 04/06/89 Shn - 0, 1092 Ann Arbor Crisler Arena Healy Ultra Mix - sbd+aud> cm> dat> cd; via Aaron Kowalski to loop; missing encore; note most md5s and/or tracks of d3 were accidentally labelled as d2tn; renamed version (md5s shown here) may circulate >8/15/01 thanks to Aaron notes 7368. 04/06/89 Flac 16 - 0, 100672 Ann Arbor Crisler Arena flac16; Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 notes 7369. 04/06/89 Flac Dts 5.1 - 0, 126153 Ann Arbor Crisler Arena DTS-Audio-CD 5.1 Mix; SBD (shnid=83508) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - DTS mixing by Kevin Tobin notes 7370. 04/06/89 Flac 16 Mtx - 0, 85256 Ann Arbor Crisler Arena flac16; matrix sources: 1) SBD -> Cassette Master (TDK MA-XG90) transfer : Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 and 2) aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer : mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone except for Brokedown which is is from B&K 4011 source notes 7371. 04/06/89 Shn - 0, 5492 Ann Arbor Crisler Arena complete; Soundboard Cassette Master-> DAT-> CDR except encore which is from B&K 4011 source notes 7372. 04/06/89 Flac 16 Mtx - 0, 126150 Ann Arbor Crisler Arena flac16; Matrix 2 Source Mix - SBD (shnid=83508) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - matrix mixing by Kevin Tobin notes 7373. 04/06/89 Flac 16 - 0, 126149 Ann Arbor Crisler Arena flac16; (original shnid = 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - pitch correction and patches by Kevin Tobin notes 7374. 04/06/89 Flac 16 - 0, 141803 Ann Arbor Crisler Arena flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes 7375. 04/06/89 Flac 16 - 0, 111974 Ann Arbor Crisler Arena flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; Transfer Date: 2011-02-17; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard notes 7376. 04/06/89 Flac 16 - 0, 83801 Ann Arbor Crisler Arena flac16; source: aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer: mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone notes 7377. 04/06/89 Flac 16 - 0, 83508 Ann Arbor Crisler Arena notes 7378. 04/06/89 Flac 24 UMtx. - 0, 147831 Ann Arbor Crisler Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7379. 04/06/89 Flac 16 - 0, 148148 Ann Arbor Crisler Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 7380. 04/06/89 Flac 16 Mtx - , 158252 Ann Arbor Crisler Arena A Photoleon Matrix Source 1 Shnid 156411 Recording Info: (ots) Schoeps Cmc441 Hypercardiod Capsules (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 08, 2021 Source 2 Shnid 148148 Recording: Ultramatrix Sbd > Cassette Master (tdk Ma-xg90) Recorded By Don Pearson & Dan Healy Transfer: Cassette Master (nakamichi Cr-7a) > Tascam Da-3000 (dsf 1-bit Mhz) > Adobe Audition Cc2015 > Samplitude Pro X4 Suite > Flac 24 Transfer & Mastering By Charlie Miller October 26, 2019 Matrix Created In Adobe Audition By Joe Noel July 29, 2022 notes 7381. 04/06/89 Flac 16 Mtx - , 158252 Ann Arbor Crisler Arena A Photoleon Matrix Source 1 Shnid 156411 Recording Info: (ots) Schoeps Cmc441 Hypercardiod Capsules (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 08, 2021 Source 2 Shnid 148148 Recording: Ultramatrix Sbd > Cassette Master (tdk Ma-xg90) Recorded By Don Pearson & Dan Healy Transfer: Cassette Master (nakamichi Cr-7a) > Tascam Da-3000 (dsf 1-bit Mhz) > Adobe Audition Cc2015 > Samplitude Pro X4 Suite > Flac 24 Transfer & Mastering By Charlie Miller October 26, 2019 Matrix Created In Adobe Audition By Joe Noel July 29, 2022 notes 7382. 04/06/89 Flac 16 - , 156411 Ann Arbor Crisler Arena Recording Info: (ots) Schoeps Cmc441 Hypercardiod Capsules (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 08, 2021 notes 7383. 04/08/89 Flac 16 Mtx - 0, 94166 Cincinnati Riverfront Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes 7384. 04/08/89 Flac 16 - 0, 83510 Cincinnati Riverfront Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7385. 04/08/89 Shn - 0, 26348 Cincinnati Riverfront Arena SBD> Cassette Master> Dat> CD> EAC> SHN; Converted to SHN By Charlie Miller notes 7386. 04/08/89 Flac 16 Mtx - 0, 135470 Cincinnati Riverfront Arena flac16; Matrix 2 Source Mix - SBD (shnid=83510) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - matrix mixing by Kevin Tobin notes 7387. 04/08/89 Flac 16 - 0, 135469 Cincinnati Riverfront Arena flac16; (original shnid = 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - pitch correction and patches by Kevin Tobin notes 7388. 04/08/89 Flac 16/48 - 0, 135472 Cincinnati Riverfront Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=83510) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - mixing by Kevin Tobin notes 7389. 04/08/89 Flac 16 Dts.5.1 - 0, 135471 Cincinnati Riverfront Arena DTS-Audio-CD 5.1 Mix; SBD (shnid=83510) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - matrix mixing by Kevin Tobin notes 7390. 04/08/89 Flac - 0, 140807 Cincinnati Riverfront Arena flac16; Set 1 Source; Unknown taper: FOB Schoeps > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT notes 7391. 04/08/89 Flac 16 - 0, 141804 Cincinnati Riverfront Arena flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes 7392. 04/08/89 Flac 16 - 0, 83802 Cincinnati Riverfront Arena flac16; source: aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer: mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone notes 7393. 04/08/89 Shn - 0, 7857 Cincinnati Riverfront Arena Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor notes 7394. 04/08/89 Flac 16 - 0, 84175 Cincinnati Riverfront Arena flac16; Source: FOB Schoeps > PCM > DAT > CDR > EAC > *Adobe Audition 2.0 (Waves Q10 [pre-emphasis removal] and L3) > CDWave > FLAC EAC'd by Doug Nawrocki notes 7395. 04/08/89 Flac 16 - 0, 111975 Cincinnati Riverfront Arena flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; Transfer Date: 2011-02-17; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard notes 7396. 04/08/89 Flac 16 - 0, 131015 Cincinnati Riverfront Arena flac16; Master Digital Audience recording: Neumann KMR-81's> ?> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Panasonic SV-3700 (spdif)> M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracks)> TLH (SBE/Flac16/ffp); Tranfer completed and uploaded to etree.org on August 22, 2014 by jwpetty notes 7397. 04/08/89 Flac 24 UMtx. - 0, 147838 Cincinnati Riverfront Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7398. 04/08/89 Flac 16 U Mtx. - 0, 147895 Cincinnati Riverfront Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 7399. 04/08/89 Flac 24/96 - 0, 149284 Cincinnati Riverfront Arena flac16; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96)-> Down Sample 16-44.1; Taped & Transfers by Pete Ebel notes 7400. 04/09/89 Flac 16 - 0, 34962 Louisville Freedom Hall flac16; SBD> CM> DAT> CD> EAC> SHN; speed corrected version of shn id 13207 (via Charlie Miller, Patrick White); fix by Kevin Tobin notes 7401. 04/09/89 Flac 16 - 0, 83523 Louisville Freedom Hall flac16; Source: Audience FOB Recording, 12th row DFC Media: BASF Chrome Maxima II 90 min. Lineage: AKG C460b preís with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: Wavelab5: Isotope Ozone 3 to brighten a little -> crosfaded at tape flips as noted -> Minor Z-Noise reduction -> Tracked w/ CDwave -> L3 Bit depth reduction/down sampled -> FlacFrontend Taped by: D. Thompson Transfer by: A. Egert Mastering by: M. Townshend notes 7402. 04/09/89 Shn - 0, 13207 Louisville Freedom Hall SBD> CM> DAT> CD> EAC> SHN; via Charlie Miller, Patrick White notes 7403. 04/09/89 Flac 16 - 0, 75504 Louisville Freedom Hall flac16; Seamless fix of shn id 34962 - SBD>CM>DAT>CD>EAC>SHN(>WAV>FLAC). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 7404. 04/09/89 Flac 16/48 - 0, 138255 Louisville Freedom Hall flac16/48kHz; Source: Neumann KMR-82i > DAT (48 khz); Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 7405. 04/09/89 Shn - 0, 7858 Louisville Freedom Hall Digital Audience - Jill & Rob R 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. notes 7406. 04/09/89 Flac 16 - 0, 84036 Louisville Freedom Hall flac16; source: aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer: mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone notes 7407. 04/09/89 Flac 24 UMtx. - 0, 147845 Louisville Freedom Hall flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7408. 04/09/89 Flac 16 - 0, 148146 Louisville Freedom Hall flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 7409. 04/09/89 Flac 16 - , 156412 Louisville Freedom Hall Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recorded By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 10, 2021 notes 7410. 04/11/89 Shn - 0, 15109 Rosemont Rosemont Horizon SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller notes 7411. 04/11/89 Flac 16 - 0, 120303 Rosemont Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7412. 04/11/89 Flac 24/48 - 0, 120302 Rosemont Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 7413. 04/11/89 Flac 16 - 0, 141850 Rosemont Rosemont Horizon flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes 7414. 04/11/89 Flac 16 - 0, 106238 Rosemont Rosemont Horizon flac16; Recorded by Justin L. Lee 2 Nakamichi CM300s CP4 1 Nakamichi CM100 CP1 Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B in OTS. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes 7415. 04/11/89 Flac 16 - 0, 94240 Rosemont Rosemont Horizon flac16; Source: Audience recording Lineage: OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5> MAC > Nakamichi CR-5A > Emu 1212M > 24/96 wave > wavelab 5 > Plugins > r8brainpro > 16/44.1 wave > cd wave > flac lvl 8 (TLH) notes 7416. 04/11/89 Flac 24 UMtx. - 0, 147985 Rosemont Rosemont Horizon flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7417. 04/11/89 Flac 16 - 0, 148145 Rosemont Rosemont Horizon flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 16 bit @ 44.1 notes 7418. 04/11/89 Flac 16 - , 156413 Rosemont Rosemont Horizon Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 01, 2021 notes 7419. 04/12/89 Flac 16 - 0, 83768 Rosemont Rosemont Horizon flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7420. 04/12/89 Shn Mtx. - 0, 9962 Rosemont Rosemont Horizon Shntool fix by-disc by Willy of previous Braverman seed; Ultramatrix (SBD/AUD mix)> Master Cassette> DAT> CD notes 7421. 04/12/89 Flac 16 - 0, 120337 Rosemont Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 43, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7422. 04/12/89 Flac 16 - 0, 95291 Rosemont Rosemont Horizon flac16; Source: Audience Recording Lineage: Source: Audience recording Lineage: OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5> MAC > Nakamichi CR-5A > Emu 1212M > 24/96 wave > Adobe Audition 3.0 > CDWave > Flac16 notes 7423. 04/12/89 Shn Mtx - 0, 29631 Rosemont Rosemont Horizon likely by-set shntool fix of Braverman seed; Ultramatrix (SBD/AUD mix)> Master Cassette> DAT> CD> SHN; notes 7424. 04/12/89 Shn - 0, 9383 Rosemont Rosemont Horizon Ultramatrix (SBD/AUD mix)> Master Cassette> DAT> CD> SHN; via PB (l'autre); Seeded to etree by Peter Braverman notes 7425. 04/12/89 Flac 16 - 0, 140990 Rosemont Rosemont Horizon flac16; Set 2 Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes 7426. 04/12/89 Flac 24/48 - 0, 120338 Rosemont Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 43, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 7427. 04/12/89 Flac 16 - 0, 149418 Rosemont Rosemont Horizon flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 This file set is 16 bit @ 44.1 notes 7428. 04/12/89 Flac 24 UMtx. - 0, 149393 Rosemont Rosemont Horizon flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 notes 7429. 04/12/89 Flac 16 - , 156414 Rosemont Rosemont Horizon Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 02, 2021 notes 7430. 04/13/89 Flac 16 - 0, 83769 Rosemont Rosemont Horizon flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7431. 04/13/89 Flac 16 - 0, 120340 Rosemont Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7432. 04/13/89 Flac 16 - 0, 134548 Rosemont Rosemont Horizon flac16; Source: Audience recording; Lineage: OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-6; Transfer: MAC > tascam 112 > Edirol UA-5 > Audacity > 2448wav > R8 Brain > 1644 wav > Trader's Little Helper > flac16; Taped by Dan Taggart and Greg Holtz notes 7433. 04/13/89 Flac 24/48 - 0, 120339 Rosemont Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes 7434. 04/13/89 Flac 16 - 0, 140991 Rosemont Rosemont Horizon flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes 7435. 04/13/89 Shn - 0, 5607 Rosemont Rosemont Horizon SBD > MC > Dat > CDR > EAC > CDWave > mkwACT; Extraction/Seeding by Doug Nawrocki, from Kevin Gills source discs notes 7436. 04/13/89 Flac 24/96 - 0, 152345 Rosemont Rosemont Horizon flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 notes 7437. 04/13/89 Flac 16/44 - , 154422 Rosemont Rosemont Horizon flac16/44; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 152345 2496 > 1644 notes 7438. 04/13/89 Flac 16 - , 156415 Rosemont Rosemont Horizon Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 03, 2021 notes 7439. 04/15/89 Flac 16 - 0, 82405 Milwaukee The Mecca flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7440. 04/15/89 Flac 16 - 0, 102457 Milwaukee The Mecca flac16; TAPER: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps -> Sony WM-D6 TRANSFER: By JAZ, Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 notes 7441. 04/15/89 Shn - 0, 430 Milwaukee The Mecca Matrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN; Known Flaws - 1 sec. d/o @1:52 & 5 sec. d/o @2:46-2:51 during Space (d2t6) - some clipping on the left channel due to drums and bass being too high in the SBD mix. The master has this flaw as well; via A. Jerugim notes 7442. 04/15/89 Flac 16 Mtx - 0, 80277 Milwaukee The Mecca flac16; Source: Dan Healy's Matrix Mix -> MSC -> PCM -> DAT(x2) Transfer: Panasonic SV-3800 -> Optical out -> M-Audio CO2 -> Apogee S/PDIF -> M-Audio 1010LT. Recorded in Samplitude v.8.01 (24/48) Re-Mastered: Wavelab v.5. -> CD Wave -> FlacFrontend Level 8 notes 7443. 04/15/89 Flac 16 - 0, 118401 Milwaukee The Mecca flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 7444. 04/15/89 Flac 16 Mtx - 0, 128700 Milwaukee The Mecca flac16; Set One 2 source Matrix 80% sbd/20% soundtrack; Audio edited with iZotope Ozone 5 advanced; Matrix created with Adobe Audition 1.5; Audio editing and matrix by SIRMick notes 7445. 04/15/89 Flac 16 - 0, 141013 Milwaukee The Mecca flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes 7446. 04/15/89 Flac 16 - 0, 140992 Milwaukee The Mecca flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes 7447. 04/15/89 Flac 16 - 0, 106308 Milwaukee The Mecca flac16: Recorded by Justin Lee & Dave Cohen OTS Sec. PP Row 5 Seat 3. 2 Nakamichi CM300 CP4 & 1 Nakamichi CM300 CP1. Nakamichi 550>Sony TCD5M Oade Erase head removal Modification w/Dolby B. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen November 2009. notes 7448. 04/15/89 Flac 24 UMtx. - 0, 147300 Milwaukee The Mecca flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 notes 7449. 04/15/89 Flac 16 - 0, 147385 Milwaukee The Mecca flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; This file set is 16 bit @ 44.1 notes 7450. 04/15/89 Flac 24/48 - 0, 118400 Milwaukee The Mecca flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 7451. 04/15/89 Flac 16 - , 156416 Milwaukee The Mecca Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 11, 2021 notes 7452. 04/16/89 Flac 16 - 0, 81703 Milwaukee The Mecca flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7453. 04/16/89 Flac 16 - 0, 118403 Milwaukee The Mecca flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Litttle Helper; Metadata Tagging With AudioGate Software notes 7454. 04/16/89 Flac 16 - 0, 112742 Milwaukee The Mecca flac 16; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers; transfer: cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> Wavelab 6.1 [Crystal/UV22HR] -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [4/2/11] notes 7455. 04/16/89 Flac 24/48 - 0, 118402 Milwaukee The Mecca flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 7456. 04/16/89 Shn - 0, 9371 Milwaukee The Mecca SBD> DAT> C> DAT> CD; via Paul B; Seeded to etree by Peter Braverman notes 7457. 04/16/89 Shn - 0, 9963 Milwaukee The Mecca Shntool fix by Willy of previous Braverman seed; SBD> DAT> C> DAT> CD notes 7458. 04/16/89 Flac 16 - 0, 140995 Milwaukee The Mecca flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 7459. 04/16/89 Flac 16 - 0, 106339 Milwaukee The Mecca flac16;Recorded by Justin Lee & Dave Cohen OTS Sec. PP Row 5 Seat 2, 2 Nakamichi CM300 CP4 & 1 Nakamichi CM300 CP1 w/ Nakamichi 550>Sony TCD5M Oade erase head removal Modification w/Dolby B. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes 7460. 04/16/89 Flac 16 - 0, 96081 Milwaukee The Mecca flac16; Source: AKG 460B omni capsules, 7' high, 6' spread > Crown phantom power > Sony TC-D5M (pass-thru) > Yamaha MT1X (dbx type II encode, Maxell XL-IIS) Transfer: Yamaha MT120S (dbx type II decode) > Tascam DA-20 (D/A conversion) > coax/optical converter > Creative Nomad Jukebox 3 > Amarok > Cool Edit (edits and fades) > CDWAV > FLAC Taped and transferred by Pat Volkerding , 2008-11. notes 7461. 04/16/89 Flac 24/48 - 0, 112743 Milwaukee The Mecca flac24; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers; transfer: cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [4/2/11] notes 7462. 04/16/89 Flac 16 Mtx - 0, 122041 Milwaukee The Mecca flac16; Matrix 3 Source Mix - SBD (shn id 81703) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shn id 118402) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo + AUD2 (no shn id) Audience recording from Video soundtrack - matrix mixing by Kevin Tobin notes 7463. 04/16/89 Flac 24 UMtx. - 0, 149618 Milwaukee The Mecca flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 notes 7464. 04/16/89 Flac 16 - 0, 149699 Milwaukee The Mecca flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes 7465. 04/16/89 Flac 16 - 0, 149793 Milwaukee The Mecca flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes> Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24.44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section, Section PP,Row5,Seat 7 notes 7466. 04/16/89 Flac 16 - , 156417 Milwaukee The Mecca Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 13, 2021 notes 7467. 04/17/89 Flac 24/48 - 0, 117564 Minneapolis Metropolitan Sports Center flac24; Master Audience Recorded By Mr. Darby; AKGC451E/ck1's (PAS/Sec 2 Row 42 Seat 13/6 Feet High)> Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes 7468. 04/17/89 Flac 16 - 0, 117565 Minneapolis Metropolitan Sports Center flac16; Master Audience Recorded By Mr. Darby; AKGC451E/ck1's (PAS/Sec 2 Row 42 Seat 13/6 Feet High)> Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes 7469. 04/17/89 Flac 24 U Mtx - 0, 138286 Minneapolis Metropolitan Sports Center flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7470. 04/17/89 Flac 16 U Mtx - 0, 138305 Minneapolis Metropolitan Sports Center flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138286 24 bit -> 16 bit notes 7471. 04/17/89 Flac 16 - 0, 141003 Minneapolis Metropolitan Sports Center flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 7472. 04/17/89 Shn - 0, 9207 Minneapolis Metropolitan Sports Center AUD>DAT>CDR; Seeded to etree by Tim W notes 7473. 04/17/89 Shn - 0, 24003 Minneapolis Metropolitan Sports Center Source - 1st set MAC>C>C>D>cdwav>SHN; 2nd set MAC>C>D>cdwav>SHN; No deck or mic info; Seeded to tol.etree.org by John Stairs 4/04/04 notes 7474. 04/17/89 Flac 16 - 0, 149521 Minneapolis Metropolitan Sports Center flac16; Set 2 Source: Sennheiser 441 Mics>Sony WM-D6C Cassette Deck>Maxell MX-90 Minute Metal Cassette Master Tape>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker notes 7475. 04/17/89 Flac 16 - , 156066 Minneapolis Metropolitan Sports Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 138305 & 141003. notes 7476. 04/28/89 Flac 16 - 0, 88099 Irvine Irvine Meadows flac16; SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7477. 04/28/89 Shn - 0, 13755 Irvine Irvine Meadows Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd via Charlie Connor notes 7478. 04/28/89 Shn - 0, 82050 Irvine Irvine Meadows Master Soundboard Cassette > CDR > EAC > SHN > patching/editing > SHN notes 7479. 04/28/89 Flac 16 - 0, 141008 Irvine Irvine Meadows flac16; Set 1 Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 7480. 04/28/89 Flac 16/48 - 0, 142343 Irvine Irvine Meadows flac16/48kHz; Source Info: Ted Mattes' Master (FOB) Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 7481. 04/28/89 Flac 16 - 0, 77841 Irvine Irvine Meadows his is a 16/44.1 conversion by SirMick of this source: Ambient Master by Tapers From Hell: A Journey to the Impact ZoneAnalog master by Mike French and John C. (DelCor Pizza! yummy!)Mike as the Mic Stand, and John tweaking the knobs using Sennheiser MKE2002 omni's(x2) HRTF @ 6'4" notes 7482. 04/28/89 Shn - 0, 9208 Irvine Irvine Meadows AUD>PCM>DAT>CDR; Seeded to etree by Tim W notes 7483. 04/28/89 Flac 24 - 0, 32087 Irvine Irvine Meadows flac24; Ambient Master by Tapers From Hell: A Journey to the Impact Zone Analog master by Mike French and John C. Sennheiser MKE2002 omni's(x2) HRTF @ 6'4" -> Sony TC-D5M "B"n.r. on the master. From Row WW, section 2, at the right front corner of the sbd, a few feet RoC notes 7484. 04/29/89 Flac 16 - 0, 88124 Irvine Irvine Meadows flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7485. 04/29/89 Shn - 0, 13756 Irvine Irvine Meadows Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd via Charlie Conn notes 7486. 04/29/89 Flac 16 - 0, 141009 Irvine Irvine Meadows flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 7487. 04/29/89 Flac 16/48 - 0, 142344 Irvine Irvine Meadows flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 7488. 04/29/89 Flac 16 - 0, 76511 Irvine Irvine Meadows flac16; 16/44.1 conversion of shn id 76495 Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master to the digital realm @ 24-96: Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits xACT by Scott Brown. Patched and edited by Bob Loy -> 16/44 conversion Samplitude Professional V8.01: remove dc offset, remove clipping, convert sample rate ultra high 1 -> 44100hz, dither POW-r#3 Noise shaping -> 16 bit output -> ffe L6 sector boundaries aligned -> id3 tag notes 7489. 04/29/89 Shn - 0, 9052 Irvine Irvine Meadows AUD>PCM>DAT>CDR; Seeded to etree by Tim W notes 7490. 04/29/89 Flac 24/96 - 0, 35360 Irvine Irvine Meadows flac24; Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master. From the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd., and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail at the front of this audience section, directly above the lighting board. The OTS for this concert was likely 75 rows further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far back as possible in the seated area. to the digital realm @ 24-96: Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits xACT by Scott Brown as FLAC front end. notes 7491. 04/29/89 Flac 24/96 - 0, 76495 Irvine Irvine Meadows flac24; patched/edited version of shn id 35360 Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master to the digital realm @ 24-96: Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits notes 7492. 04/30/89 Flac 16 - 0, 88173 Irvine Irvine Meadows flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7493. 04/30/89 Shn - 0, 13757 Irvine Irvine Meadows Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; To abgd via Charlie Connor notes 7494. 04/30/89 Flac 16 - 0, 95853 Irvine Irvine Meadows flac16; FOB AUD: Nakamichi CM-300's with CP-1 cardioid capsules > Sony TC-D5M > Maxell MX-90's, 17th row. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew notes 7495. 04/30/89 Flac 16 - 0, 141010 Irvine Irvine Meadows flac16; Set 1 Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes 7496. 05/06/89 Shn - 0, 5423 Palo Alto Frost Amphitheatre DSBD, with some editing (see notes in info file); via Jay Serafin to gdlive notes 7497. 05/06/89 Shn - 0, 34769 Palo Alto Frost Amphitheatre Seamless fix of shn id 14262 - DSBD notes 7498. 05/06/89 Shn - 0, 14262 Palo Alto Frost Amphitheatre shntool fixed shns of Jay Serafin dsbd seed notes 7499. 05/06/89 Flac 24 - 0, 135820 Palo Alto Frost Amphitheatre flac24; AUD: ? > cassette (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > TLH notes 7500. 05/06/89 Flac 16 - 0, 135821 Palo Alto Frost Amphitheatre flac16; AUD: ? > cassette (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > shntool > TLH notes 7501. 05/06/89 Flac 24 - 0, 140948 Palo Alto Frost Amphitheatre flac24; Recorded and Mastered by ArchivalAudio, Ian Stoy; Master Audience cassette: Toa K1’s spaced about 30” (Pointed At The Stacks) + Sennheiser 416’s (or Sennheiser MKH-415T?) > Sony MX-12 (mixer) > Sony WM-D6c; media: Denon HD8 (metal partial-high bias) 90 for first set and 100 for second set. Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -1.0db remove DC offset > flac24; xACT Flac Fingerprints notes 7502. 05/06/89 Flac 24/96 - 0, 141608 Palo Alto Frost Amphitheatre flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller. notes 7503. 05/06/89 Flac 16 U Mtx - 0, 141687 Palo Alto Frost Amphitheatre flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller. notes 7504. 05/06/89 Flac 16/48 - 0, 142355 Palo Alto Frost Amphitheatre flac16/48kHz; Source Info: Ted Mattes' Master (FOB) Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 7505. 05/06/89 Flac 16/48 - 0, 137275 Palo Alto Frost Amphitheatre flac16/48kHz; Healy DSBD > DAT 16/48 > DAT clone (16/48) > Tascam US144mkII > PC > Wav > CD Wave > TLH Flac1648; Set I peaked at -8db, set II peaked at -16db. Both sets have been normalized to -1db notes 7506. 05/07/89 Shn - 0, 10978 Palo Alto Frost Amphitheatre DSBD > DAT; DAT > WAV > SHN: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > CDWAV v1.71 > MKW, by Dan Stephens; tracked for 2x80 notes 7507. 05/07/89 Flac 16 - 0, 34771 Palo Alto Frost Amphitheatre flac16; Seamless fix of shn id 3329 - SBD>DAT>DALCardDeluxe>WAV>CD>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 7508. 05/07/89 Shn - 0, 3329 Palo Alto Frost Amphitheatre SBD > DAT> DALCard Deluxe> WAV> CD> SHN; CD Mastering by Michael Owen: DAT at 48kHz-Wave file resampled to 44.1 with Audio Magic Ring Software, File normalized (low levels) with DC-Art Millennium (Peak Normalization), Seven assorted pops and gliches corrected; From DooDah Tree #43, later to cdead; to etree via Tony Gardner notes 7509. 05/07/89 Shn - 0, 3864 Palo Alto Frost Amphitheatre updated source: bootleg CD> WAV> SHN; note Other One missing from the bootleg notes 7510. 05/07/89 Flac 24/48 - 0, 140949 Palo Alto Frost Amphitheatre flac24; Recorded and Mastered by ArchivalAudio, Ian Stoy; Master Audience cassette: Toa K1’s spaced about 30” (Pointed At The Stacks) + Sennheiser 416’s (or Sennheiser MKH-415T?) > Sony MX-12 (mixer) > Sony WM-D6c media: Denon HD8 (metal partial-high bias) 90 for first set and 100 for second set. Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -1.0db remove DC offset > flac24; xACT Flac Fingerprints notes 7511. 05/07/89 Flac 24/96 - 0, 141609 Palo Alto Frost Amphitheatre flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller notes 7512. 05/07/89 Flac 16 - 0, 141689 Palo Alto Frost Amphitheatre flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller notes 7513. 05/07/89 Flac 16/48 - 0, 142356 Palo Alto Frost Amphitheatre flac16/48kHz; Source Info: Ted Mattes' Master (FOB) Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 7514. 05/07/89 Flac 16 - 0, 118277 Palo Alto Frost Amphitheatre flac16; Source: 2 Sonic Studio DSM-1Sx microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 7515. 05/07/89 Flac 16 - 0, 99567 Palo Alto Frost Amphitheatre flac16; Source:(ots) Sennheiser ME-80-> Marantz PMD-430 (Dolby B)-> Sony UX-S 90 x2-> Nakamichi MR-1->Korg MR-1000 (1bit/5.6Mhz)->AudioGate->16/44.1 wav.->flac Taped with Keith Litzenberger's gear, his master, he's not sure he attended this show. Transfer and upload: M. Watson notes 7516. 05/27/89 Flac 16 - 0, 87604 Oakland Oakland-Alameda County Stadium flac16; SBD -> Cassette Master (Sony D5/Maxell MX90) All Transfers and Mastering By Charlie Miller notes 7517. 05/27/89 Shn - 0, 6667 Oakland Oakland-Alameda County Stadium Dan Healy's Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd notes 7518. 05/27/89 Flac 16 - 0, 93686 Oakland Oakland-Alameda County Stadium flac16; Hat-Mounted Realistic pzm's with Sony WMD6-C 50 feet away,dead center Maxell XLII S 90 No nr Recorded and transferred by Russ Cansler Master>D6>HD>Audacity>CDWave>Goldwave>TLH notes 7519. 05/27/89 Flac 24/96 - , 155314 Oakland Oakland-Alameda County Stadium Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 (pitch correction) > Samplitude Pro X6 Suite > FLAC/24 notes 7520. 05/27/89 Flac 16/44 - , 155440 Oakland Oakland-Alameda County Stadium flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 (pitch correction) > Samplitude Pro X6 Suite > FLAC/24 - This is 155314 2496 > 1644 notes 7521. 06/18/89 Flac 16 - 0, 83709 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> FLAC Transfers and Mastering By Charlie Miller notes 7522. 06/18/89 Flac 16 - 0, 83635 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7523. 06/18/89 Shn - 0, 9053 Mountain View Shoreline Amphitheatre SBD>??>DAT>CDR; Seeded to etree by Tim W notes 7524. 06/18/89 Flac 16/48 - 0, 142377 Mountain View Shoreline Amphitheatre flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 7525. 06/18/89 Flac 16 - 0, 121369 Mountain View Shoreline Amphitheatre flac16; Set 1 Source: 2 Sonic Studio DSM-1Sx microphones - 22nd row > Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 7526. 06/18/89 Flac 16 - 0, 127416 Mountain View Shoreline Amphitheatre flac16; Source (AUD): Audio Technica ATM11 (~ORTF, left of center, 7' up) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby NR off); Transfer: master cassettes > Sony TC-WE635 (Dolby NR off) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t05 & s1t06, during s2t06 and between s2t12 & s2t13); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC; fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller notes 7527. 06/18/89 Flac 16 - 0, 111015 Mountain View Shoreline Amphitheatre flac16; Source: 1 Neumann KMF4 microphones (22nd row)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes 7528. 06/19/89 Flac 16 - 0, 83673 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7529. 06/19/89 Shn - 0, 8111 Mountain View Shoreline Amphitheatre SBD>Cassette Master>DAT>CDR; via Tony Gardner (updated lineage; had been labeled SBD>DAT>CD) notes 7530. 06/19/89 Flac 16/48 - 0, 142378 Mountain View Shoreline Amphitheatre flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 7531. 06/19/89 Flac 16 - 0, 111098 Mountain View Shoreline Amphitheatre flac16; Source: 1 Neumann KMF4 microphone (25th row)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes 7532. 06/19/89 Flac 16 - 0, 127417 Mountain View Shoreline Amphitheatre flac16; Source (AUD): Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t06 & s1t07 during s2t08 and between s2t13 & s2t14); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller notes 7533. 06/19/89 Flac 16 Mtx - , 160236 Mountain View Shoreline Amphitheatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 83673 & 142378. notes 7534. 06/21/89 Flac 16 - 0, 83718 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7535. 06/21/89 Shn - 0, 4603 Mountain View Shoreline Amphitheatre Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN; EAC> SHN> etree by Gerald Gorinsky; includes E: Brokedown // from listed source + complete E: Brokedown from Jack Schlottman?s 1st-gen FM simulcast> CDR source) notes 7536. 06/21/89 Shn - 0, 16888 Mountain View Shoreline Amphitheatre Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended); via Vern White; with patch/crossfade Brokedown Palace from Jack Schlottman's FM > MC > CDR source by Doug Nawrocki notes 7537. 06/21/89 Flac 16/48 - 0, 142379 Mountain View Shoreline Amphitheatre flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 7538. 06/21/89 Flac 16 - 0, 127418 Mountain View Shoreline Amphitheatre flac16; Source (AUD): Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t08 & s1t09, during s2t06 and between s2t11 & s2t12); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller notes 7539. 06/21/89 Flac 16 - 0, 123383 Mountain View Shoreline Amphitheatre flac16; Source: VHS master (live PPV rec on TDK E-HG) > Analog (Nakamichi BX-300 on Denon HD8 type II/NR: on); Transfer: Nakamichi BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables w attenuators > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi; Transfer by B Crupi notes 7540. 06/21/89 Flac 16 Mtx - 0, 144779 Mountain View Shoreline Amphitheatre flac16; Matrix 2 Source Mix - SBD (shnid = 83718) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shnid = 142379) Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - matrix mixing by Kevin Tobin notes 7541. 06/21/89 Flac Dts 5.1 - 0, 144782 Mountain View Shoreline Amphitheatre DTS-Audio-CD 5.1 Mix; - SBD (shnid = 83718) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shnid = 142379) Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dts mixing by Kevin Tobin notes 7542. 06/21/89 Flac 16/48 - 0, 144792 Mountain View Shoreline Amphitheatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 83718) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shnid = 142379) Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - surround mixing by Kevin Tobin notes 7543. 06/21/89 Flac 16/48 - 0, 138342 Mountain View Shoreline Amphitheatre flac16/48kHz; Ted Mattes FOB Recording (hand held): Schoeps CMC521 at 100 ORTF with Schoeps t-bar > SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 7544. 06/21/89 Flac 24/96 - 0, 150851 Mountain View Shoreline Amphitheatre flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7545. 06/21/89 Flac 16/44 - 0, 151620 Mountain View Shoreline Amphitheatre flac1644; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller 150851 24 -> 16 @ 44.1 notes 7546. 07/02/89 Flac 16 - 0, 81459 Foxboro Sullivan Stadium flac16; Source: Audience FOB Recording Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette Lineage: FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC(level 8) Taper: Danny Thomson Transfer: Derek McCabe Mastering: Chris Ladner notes 7547. 07/02/89 Flac 16 - 0, 77444 Foxboro Sullivan Stadium flac16; SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC notes 7548. 07/02/89 Flac 16 - 0, 133781 Foxboro Sullivan Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes 7549. 07/02/89 Flac 16 - 0, 109498 Foxboro Sullivan Stadium flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac (Maxell XLIIS x 3) Transfer: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich notes 7550. 07/02/89 Flac 16 - 0, 99912 Foxboro Sullivan Stadium flac16; FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side). Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. 06/2009 notes 7551. 07/02/89 Flac 24/96 - 0, 99911 Foxboro Sullivan Stadium flac24; FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side). Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. 06/2009 notes 7552. 07/02/89 Flac 24 - 0, 138287 Foxboro Sullivan Stadium flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7553. 07/02/89 Flac 16 - 0, 138258 Foxboro Sullivan Stadium b>flac16; Ted Mattes FOB recording: Schoeps CMC42s (omnis spaced 8 feet) > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; DAT Master > Sony PCM601/Beta > DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Audacity 3.0 at 44K > Wave; Joe Noel Track, Flac, Patch, Pack & Seed: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT notes 7554. 07/02/89 Flac 16 U Mtx - 0, 138306 Foxboro Sullivan Stadium flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138287 24 bit -> 16 bit notes 7555. 07/02/89 Flac 16 - 0, 134395 Foxboro Sullivan Stadium flac16; Source: Audience FOB Recording; Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette; Lineage: FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC (level 8); Taper: Danny Thomson; Transfer: Derek McCabe notes 7556. 07/02/89 Flac 24/48 - 0, 77458 Foxboro Sullivan Stadium flac24; SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC notes 7557. 07/02/89 Flac 16 - 0, 30363 Foxboro Sullivan Stadium flac16; AKG c414>?>DAT>CD(1gen)>EAC>FLAC notes 7558. 07/02/89 Shn - 0, 1110 Foxboro Sullivan Stadium FOB Schoeps CMC42s spaced omnis > Sony SL-2000PCM; Taped by: Rich Gastwirt; via NateDawg to offer, 2/01 to abgd notes 7559. 07/02/89 Flac 16 - 0, 30364 Foxboro Sullivan Stadium flac16; FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC notes 7560. 07/02/89 Shn - 0, 8243 Foxboro Sullivan Stadium Digital Audience - Jill & Rob R 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern notes 7561. 07/02/89 Flac 16 - 0, 106586 Foxboro Sullivan Stadium flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes 7562. 07/02/89 Flac 24/96 - 0, 81855 Foxboro Sullivan Stadium flac24/96; Taper: Danny Thomson Source: FOB Nak700's > Uher 240 > Master Cassette Maxell XLII 90min. Transfer: Playback on Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak (24 bit/96 KHz WAV) by D.McCabe. Mastering: Wavelab 5 > Waves L3 Multimaximizer (threshold -2.3 dB/ceiling -0.1 dB) > CDWAV 1.9 > FLAC (level 8), by C.Ladner. notes 7563. 07/02/89 Flac 16/44 - 0, 149202 Foxboro Sullivan Stadium flac16; Source: Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section notes 7564. 07/02/89 Flac 16 Mtx - 0, 150431 Foxboro Sullivan Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 138287) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 77458) SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC - matrix mixing by Kevin Tobin notes 7565. 07/02/89 Flac 16 Dts 5.1 - 0, 150432 Foxboro Sullivan Stadium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 138287) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 77458) SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC - dts mixing by Kevin Tobin notes 7566. 07/02/89 Flac 16/48LPCM - 0, 150433 Foxboro Sullivan Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 138287) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 77458) SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC - surround mixing by Kevin Tobin notes 7567. 07/02/89 Flac 16 Mtx - , 153412 Foxboro Sullivan Stadium flac16 A Photoleon Matrix: (fob) Schoeps Cmc42s (omnis Spaced 8') > Panasonic Sv250 > Dat + Ultra Matrix Sbd > Cassette Master. Fob Schoeps Recording By Ted Mattes. Sbd Provided By Charlie Miller. Matrix Created By Joe Noel. July 2, 2021 notes 7568. 07/04/89 Shn - 0, 18542 Orchard Park Rich Stadium SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko notes 7569. 07/04/89 Flac 16 - 0, 78771 Orchard Park Rich Stadium flac16; SRC: FOB (AKG 414s) > Sony D-5 (Dolby B) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby decode) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC Transferred and seeded by Bill Tetzeli notes 7570. 07/04/89 Flac 16 - 0, 133778 Orchard Park Rich Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes 7571. 07/04/89 Flac 16 - 0, 101996 Orchard Park Rich Stadium flac16; Source: audience > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac Transfer: mac > Nakamichi BX-125E > Emu 0202 > Wavelab 5 > wav 24/96 Wavelab 5 (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16 Taped by John Bleich from OTS notes 7572. 07/04/89 Flac 24/96 - 0, 135541 Orchard Park Rich Stadium flac24; Master Audience Recorded By Seremetcc And Bean, Transfer By Keo; Mics Unk (Nak 300's ?) > Marantz PMD-430, Tapes:Maxell MX 90's; Mics Spread Behind SBD 30', 12-15' High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes 7573. 07/04/89 Flac 16 - 0, 135542 Orchard Park Rich Stadium b>flac16; Master Audience Recorded By Seremetcc And Bean, Transfer By Keo; Mics Unk (Nak 300's ?) > Marantz PMD-430, Tapes:Maxell MX 90's; Mics Spread Behind SBD 30', 12-15' High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7574. 07/04/89 Flac 24/48 - 0, 78959 Orchard Park Rich Stadium flac24; FOB (AKG 414s) > Sony D-5 (Dolby B) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby decode) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC notes 7575. 07/04/89 Flac 24 U Mtx - 0, 140127 Orchard Park Rich Stadium flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7576. 07/04/89 Ultra MtxFlac16 - 0, 140237 Orchard Park Rich Stadium flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7577. 07/04/89 Flac 16 - 0, 141011 Orchard Park Rich Stadium flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 > PCM; Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); PCM Recorded & Provided by Ted Mattes notes 7578. 07/04/89 Flac 24/96 - 0, 141726 Orchard Park Rich Stadium flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 (FOB); Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) notes 7579. 07/04/89 Shn - 0, 9045 Orchard Park Rich Stadium UD>MC>DAT>CDR; Seeded to etree by Tim W notes 7580. 07/04/89 Flac 16 - 0, 118538 Orchard Park Rich Stadium flac16; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Recorded & Transfered By: Robert Mullen notes 7581. 07/04/89 Flac 16 - 0, 123367 Orchard Park Rich Stadium flac16; Source: Realistic omnis > Sony WM-D6 (Denon HD8 type II/NR: on); Transfer: Nakamichi BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables w attenuators > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi and David Crupi; Transfer by B Crupi notes 7582. 07/04/89 Flac 16 - 0, 145743 Orchard Park Rich Stadium flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 (FOB); Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1 notes 7583. 07/04/89 Flac 24/96 - 0, 149269 Orchard Park Rich Stadium flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel notes 7584. 07/07/89 Flac 16 - 0, 35410 Philadelphia John F. Kennedy Stadium flac16; Seamless fix of shn id 7855 - Audience [was labeled as (Healy Mix) SBD>MC>DAT>CDR>EAC>SHN(WAV>FLAC)]. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 7585. 07/07/89 Flac Mtx - 0, 7855 Philadelphia John F. Kennedy Stadium Audience (was labeled as (Healy Mix) SBD>MC>DAT>CDR_; via Paul B.; Tim wiley notes 7586. 07/07/89 Flac 16 - 0, 125120 Philadelphia John F. Kennedy Stadium flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 > Sony WM-D5; Tapes: Set 1: Maxell XLII-S 90, Set 2: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7587. 07/07/89 Flac 16 - 0, 133776 Philadelphia John F. Kennedy Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes 7588. 07/07/89 Flac 16 - 0, 89616 Philadelphia John F. Kennedy Stadium flac16; Source: 1st Gen; (FOB) 2 x Sennheiser 421's > Sony D5 > Sony D5 > 2 x Maxell UDXL I C90 Location: FOB, 30 feet from the stage, slightly ROC, mics were run above head level (7 - 8 feet high). Taper: Lucien Zaleski Transfer: Nakamichi Dragon > Kind Cables RCA/XLR > Lunatec V3 (@ 26/96) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Transferred and mastered by Alex Ford January 20 notes 7589. 07/07/89 Flac 16 - 0, 96994 Philadelphia John F. Kennedy Stadium flac16; FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. January 2009. notes 7590. 07/07/89 Flac 24/96 - 0, 96993 Philadelphia John F. Kennedy Stadium flac24; 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009. notes 7591. 07/07/89 Flac 24 - 0, 140152 Philadelphia John F. Kennedy Stadium flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7592. 07/07/89 Flac 16 U Mtx - 0, 140262 Philadelphia John F. Kennedy Stadium flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7593. 07/07/89 Flac 24/96 - 0, 141727 Philadelphia John F. Kennedy Stadium flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 (FOB); Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) notes 7594. 07/07/89 Flac 16/48 - 0, 142464 Philadelphia John F. Kennedy Stadium flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK41 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 7595. 07/07/89 Flac 16/48 - 0, 142785 Philadelphia John F. Kennedy Stadium b>flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - surround mixing by Kevin Tobin notes 7596. 07/07/89 Flac 24 Mtx - 0, 142782 Philadelphia John F. Kennedy Stadium flac24; Matrix 2 Source Mix - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - matrix mixing by Kevin Tobin notes 7597. 07/07/89 Flac Dts 5.1 - 0, 142784 Philadelphia John F. Kennedy Stadium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - dts mixing by Kevin Tobin notes 7598. 07/07/89 Flac 16 Mtx - 0, 142783 Philadelphia John F. Kennedy Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - matrix mixing by Kevin Tobin notes 7599. 07/07/89 Flac 16/48 - 0, 139283 Philadelphia John F. Kennedy Stadium flac16/48kHz; Source: Schoeps CMC4/MK2 > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.40(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 7600. 07/07/89 Flac 16 - 0, 89653 Philadelphia John F. Kennedy Stadium flac16; Source: AKG414 FOB (probably from Dan Tepper's rig - AKG414TL > AKG B18 power supplies > Technics SV-MD1) Transfer: CDs received from Dan Lynch; extracted with Max 0.7.1 using CD paranoia setting; compressed using XACT 1.6.2 FLAC level 5; shntool, ffp and md5 by XACT 1.6.2) notes 7601. 07/07/89 Shn - 0, 4665 Philadelphia John F. Kennedy Stadium AKG 414TL's FOB; via Dave of ratdog.org notes 7602. 07/07/89 Shn - 0, 10925 Philadelphia John F. Kennedy Stadium Audience DAT mastered with unknown mics/deck; via Chaz Connor; Seeded to etree by Scott Clugston notes 7603. 07/07/89 Flac 16 - 0, 146745 Philadelphia John F. Kennedy Stadium flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 (FOB); Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1 notes 7604. 07/07/89 Flac 24/96 - 0, 125119 Philadelphia John F. Kennedy Stadium flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 > Sony WM-D5; Tapes: Set 1: Maxell XLII-S 90, Set 2: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 7605. 07/07/89 Flac 16 Mtx - , 153413 Philadelphia John F. Kennedy Stadium flac16 A Photoleon Matrix: Source: Akg 414-btl (cardioid X-y)> Neuman Bs945i> Technics Svmd1> Master Dat + Schoeps Cmc4 Mk41 Mics > Panasonic Sv-250 > Master Dat + Ultra Matrix Sbd> Cassette Master. Fob Recorded By Dan Tepper. Aud Recorded By Ted Mattes. Sbd Provided By Charlie Miller. Matrix Created By Joe Noel. July 4, 2021 notes 7606. 07/09/89 Flac 16 - 0, 81177 East Rutherford Giants Stadium flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Mille notes 7607. 07/09/89 Flac 16 Mtx - 0, 124498 East Rutherford Giants Stadium flac16; 2 Source Matrix using Soundboard (shinid:81177) SBD -> Cassette Master (TDK SA-X90), Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 and Audience (shnid:78977) AKG 414s > Sony D5 > MAC (Dolby B) taped by Tim Alexander Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC notes 7608. 07/09/89 Flac 24/96 - 0, 125228 East Rutherford Giants Stadium flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 7609. 07/09/89 Flac 24/48 - 0, 78977 East Rutherford Giants Stadium flac24; SRC: AKG 414s > Sony D5 > MAC (Dolby B) taped by Tim Alexander; Transfer: Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC notes 7610. 07/09/89 Flac 16 - 0, 133773 East Rutherford Giants Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes 7611. 07/09/89 Flac 16 - 0, 78968 East Rutherford Giants Stadium flac16; AKG 414s > Sony D5 > MAC (Dolby B) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC notes 7612. 07/09/89 Flac 24 - 0, 141761 East Rutherford Giants Stadium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7613. 07/09/89 Flac 16 - 0, 141880 East Rutherford Giants Stadium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7614. 07/09/89 Flac 16/48 - 0, 142466 East Rutherford Giants Stadium flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 7615. 07/09/89 Flac 16/48 - 0, 142584 East Rutherford Giants Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=142581) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 133773) MSource: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper - surround mixing by Kevin Tobin notes 7616. 07/09/89 Flac Dts 5.1 - 0, 142583 East Rutherford Giants Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=142581) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 133773) MSource: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper - dts mixing by Kevin Tobin notes 7617. 07/09/89 Flac 24 U Mtx - 0, 142581 East Rutherford Giants Stadium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7618. 07/09/89 Flac 16 Mtx - 0, 142582 East Rutherford Giants Stadium flac16; Matrix 2 Source Mix - SBD (shnid=142581) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 133773) MSource: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper - matrix mixing by Kevin Tobin notes 7619. 07/09/89 Flac 16 - 0, 109562 East Rutherford Giants Stadium flac16; Master: FOB AKG 451's>Sony TC-D5>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 7620. 07/09/89 Flac 16 - 0, 142610 East Rutherford Giants Stadium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7621. 07/09/89 Shn - 0, 89725 East Rutherford Giants Stadium Source: AKG 414TL (FOB) > AKG B18 p/s (?) > Technics SV-MD1 @48kHz by Dan Tepper Transfer: DAT Clone(x) > Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5; downsampled to Cool Edit Pro 1.2 > Using pre/post filtering at best setting > CD Wave 1.62 > MKWAct 0.97 notes 7622. 07/09/89 Shn - 0, 6943 East Rutherford Giants Stadium AUD (FOB/ AKG414TL)>> ???>> SHN>> Dual DAW (Bertha)>> CDA; remastering by Jay Ashley (apparently of a previously shned source); to CDead notes 7623. 07/09/89 Shn - 0, 4650 East Rutherford Giants Stadium AKG 414TL's fob; via lemon2, with thanks to wellaw; note appears similar to other shn set, but md5s differ; also note files are all mislabeled as "9/7/89", except inside info file (md5 tracks have been renamed at this site) notes 7624. 07/09/89 Flac 16 - 0, 125229 East Rutherford Giants Stadium flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7625. 07/09/89 Flac 16/48 - 0, 142466 East Rutherford Giants Stadium flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 7626. 07/10/89 Shn - 0, 16071 East Rutherford Giants Stadium Unknown SBD (Matrix); EAC/SHN by Darryl Hinko notes 7627. 07/10/89 Flac16 Mtx - 0, 124499 East Rutherford Giants Stadium flac16; 2 Source Matrix using Soundboard (shinid:016071) Source: Unknown SBD > EAC > SHN and Audience (shnid:79608) FOB (AKG 414s > Sony D5 (Dolby B) > MAC) taped by Tim Alexander Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC notes 7628. 07/10/89 Flac 16 - 0, 125292 East Rutherford Giants Stadium flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7629. 07/10/89 Flac 24/96 - 0, 125291 East Rutherford Giants Stadium flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 7630. 07/10/89 Flac 16 - 0, 133774 East Rutherford Giants Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes 7631. 07/10/89 Flac 16 - 0, 109588 East Rutherford Giants Stadium flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac Transfer: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich notes 7632. 07/10/89 Flac 24/48 - 0, 79608 East Rutherford Giants Stadium flac24/48; FOB (AKG 414s > Sony D5 (Dolby B) > MAC) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC notes 7633. 07/10/89 Flac 16 - 0, 79589 East Rutherford Giants Stadium flac16; FOB (AKG 414s > Sony D5 (Dolby B) > MAC) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC notes 7634. 07/10/89 Flac 16/48 - 0, 138781 East Rutherford Giants Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 16071) Unknown SBD (Matrix); EAC/SHN by Darryl Hinko + AUD (shnid = 76249) AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. - surround mixing by Kevin Tobin notes 7635. 07/10/89 Flac Dts 5.1 - 0, 138770 East Rutherford Giants Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid = 16071) Unknown SBD (Matrix); EAC/SHN by Darryl Hinko + AUD (shnid = 76249) AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. - dts mixing by Kevin Tobin notes 7636. 07/10/89 Flac 24 - 0, 138789 East Rutherford Giants Stadium flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7637. 07/10/89 Flac16 Mtx - 0, 138762 East Rutherford Giants Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 16071) Unknown SBD (Matrix); EAC/SHN by Darryl Hinko + AUD (shnid = 76249) AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. - matrix mixing by Kevin Tobin notes 7638. 07/10/89 Flac 16 - 0, 138761 East Rutherford Giants Stadium flac16; Patched/Pitch Corrected Soundboard (original shnid = 16071) Unknown SBD (Matrix); EAC/SHN by Darryl Hinko - pitch correction and patches by Kevin Tobin notes 7639. 07/10/89 Flac 16 U Mtx - 0, 138792 East Rutherford Giants Stadium flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138789 24 bit -> 16 bit notes 7640. 07/10/89 Flac 16/48 - 0, 142467 East Rutherford Giants Stadium flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 7641. 07/10/89 Flac 16 - 0, 132698 East Rutherford Giants Stadium flac16; Recording info: FOB/Schoeps cmc 42 S (spaced omni's)> Oade p/s> SV-250 by Ted Mattes; DAT clones provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> M-Audio USB transit> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty notes 7642. 07/10/89 Flac 16 - 0, 76249 East Rutherford Giants Stadium flac16; AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. notes 7643. 07/10/89 Shn - 0, 13053 East Rutherford Giants Stadium 2nd set only; unknown audience source (possibly Schoeps FOB)> DAT> Cassette> HD> CDWAVE> CDR; via Patrick White, with thanks to Tom Goshaw notes 7644. 07/10/89 Flac 16 - 0, 138791 East Rutherford Giants Stadium flac16; Set 1 Recording Info: SBD -> Cassette Master -> Sony R500 (A>D) -> Sound Forge -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes 7645. 07/10/89 Flac 16 Mtx - , 153414 East Rutherford Giants Stadium flac16 A Photoleon Matrix. Source; (fob) Akg 414-btl (cardioid X-y) > Neuman Bs945i > Technics Svmd1 Master Dat + (ots) Schoeps Cmc4 Mk2s Mics Spaced On Stands, Ots > Panasonic Sv-250 Master Dat + Umtx Sbd> Cassette Master. Fob Recorded By Dan Tepper. Ots Recorded By Ted Mattes. Sbd Shared By Charlie Miller. Matrix Created By Joe Noel. July 13, 2021 notes 7646. 07/12/89 Flac 16 - 0, 125359 Washington Robert F. Kennedy Stadium flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7647. 07/12/89 Flac 24 - 0, 125358 Washington Robert F. Kennedy Stadium flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 7648. 07/12/89 UltraMtx Flac24 - 0, 140351 Washington Robert F. Kennedy Stadium flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7649. 07/12/89 UltraMtx Flac16 - 0, 140396 Washington Robert F. Kennedy Stadium flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7650. 07/12/89 Flac 24 - 0, 140444 Washington Robert F. Kennedy Stadium flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel. notes 7651. 07/12/89 Flac 24/96 - 0, 141906 Washington Robert F. Kennedy Stadium flac24; Patched & Pitch Corrected Audience (original shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin notes 7652. 07/12/89 Flac 16/48 - 0, 141912 Washington Robert F. Kennedy Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140351) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin notes 7653. 07/12/89 Flac Dts 5.1 - 0, 141911 Washington Robert F. Kennedy Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid = 140351) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin notes 7654. 07/12/89 Flac 24/96 Mtx - 0, 141908 Washington Robert F. Kennedy Stadium flac24; Matrix 2 Source Mix - SBD (shnid = 140351) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin notes 7655. 07/12/89 Flac 16 - 0, 141907 Washington Robert F. Kennedy Stadium flac16; Patched & Pitch Corrected Audience (original shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin notes 7656. 07/12/89 Flac16 Mtx - 0, 141910 Washington Robert F. Kennedy Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 140351) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin notes 7657. 07/12/89 Flac16/48 LPCM - 0, 142013 Washington Robert F. Kennedy Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140351) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin notes 7658. 07/12/89 Shn - 0, 2354 Washington Robert F. Kennedy Stadium FOB Schoeps CMC34 > DAT @ 44.1 KHZ; Transfer: DAT Clone > DIO 2448 > CD WAV > SHN, by Bill Gardner notes 7659. 07/12/89 Shn - 0, 32130 Washington Robert F. Kennedy Stadium MC>CDR>EAC>CD Wave>shn; NAK-100s > Sony D-5, using Dolby B. Two Maxell MX- 90s recorded by Boyd McHugh from tapers' section(bfmch@aol.com) Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Transfer by Dave Hanscom (dehanscom@hotmail.com) Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files, mkw to encode to shn. This is done by Bzl (bzlrbi@aol.com) notes 7660. 07/12/89 Flac 16/48 - 0, 86332 Washington Robert F. Kennedy Stadium flac16/48;Source: (F.O.B.) AKG 414-> dat-> Sony pcm R-500 (playback)->vx pocket v2->SF6->flac Taper: Unknown ; Transferred, encoded and uploaded by: M. Watson ; Source dat provided by: wklitz notes 7661. 07/13/89 Flac 16 - 0, 95839 Washington Robert F. Kennedy Stadium flac16; Set 1 & Encore, Recording Info: SBD -> Master Cassette -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes 7662. 07/13/89 Flac 16 - 0, 125364 Washington Robert F. Kennedy Stadium flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7663. 07/13/89 Flac 16 - 0, 133784 Washington Robert F. Kennedy Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes 7664. 07/13/89 Flac 16 - 0, 32897 Washington Robert F. Kennedy Stadium flac16; NAK-100s > Sony D-5, using Dolby B.> cass, recorded by Boyd McHugh; MC > standalone TDK DA-5800 by Dave Hanscom; CDR> EAC> SHN (not seekable) Bzl; SHN> FLAC by Gary notes 7665. 07/13/89 Flac Dts 5.1 - 0, 136570 Washington Robert F. Kennedy Stadium DTS-Audio-CD 5.1 Mix; Source 1: SBD (shnid=95939) Set 1 & Encore, Recording Info: SBD -> Master Cassette -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC + Source 2: AUD1 (shn id 133784) Set 2, Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper + Source 3: AUD2 (shnid 125363) Complete show, Master Audience Recorded By Fitzy; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin notes 7666. 07/13/89 Flac Mtx. - 0, 136568 Washington Robert F. Kennedy Stadium flac16; Matrix 3 Source Mix - Source 1: SBD (shnid=95939) Set 1 & Encore, Recording Info: SBD -> Master Cassette -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC + Source 2: AUD1 (shn id 133784) Set 2, Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper + Source 3: AUD2 (shnid 125363) Complete show, Master Audience Recorded By Fitzy; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin notes 7667. 07/13/89 Flac LPCM 5.1 - 0, 136662 Washington Robert F. Kennedy Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - Source 1: SBD (shnid=95939) Set 1 & Encore, Recording Info: SBD -> Master Cassette -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC + Source 2: AUD1 (shn id 133784) Set 2, Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper + Source 3: AUD2 (shnid 125363) Complete show, Master Audience Recorded By Fitzy; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - mixing by Kevin Tobin notes 7668. 07/13/89 Flac 24 - 0, 125363 Washington Robert F. Kennedy Stadium flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 7669. 07/13/89 UltraMtx Flac24 - 0, 140352 Washington Robert F. Kennedy Stadium flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7670. 07/13/89 UltraMtx Flac16 - 0, 140397 Washington Robert F. Kennedy Stadium flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7671. 07/13/89 Flac 24 - 0, 140446 Washington Robert F. Kennedy Stadium flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel. notes 7672. 07/13/89 Shn - 0, 9046 Washington Robert F. Kennedy Stadium (Schoeps)AUD>PCM>DAT>CDR; Seeded to etree by Tim W notes 7673. 07/15/89 Flac 16 - 0, 97307 Noblesville Deer Creek Music Center flac16; Recording Info:Set 1 + Encore: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Cassette -> Dat -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes 7674. 07/15/89 Flac 16 - 0, 100391 Noblesville Deer Creek Music Center flac16; Taper: Greg Holtz Source: Nak CM-100s with CP-1 cardiod caps -> Sony WMD-6C Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal Dolby B) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Prepared in Wave Lab 5.0 using UAD Technology -> Traders Little Helper flac8 notes 7675. 07/15/89 Flac 16 - 0, 125722 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7676. 07/15/89 Shn - 0, 11266 Noblesville Deer Creek Music Center SBD > MR > DAT > C > DAT > CDR; Seeded to etree by Doug Nawrocki notes 7677. 07/15/89 Flac 16 - 0, 139107 Noblesville Deer Creek Music Center flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24, This is 139106 24 bit -> 16 bit notes 7678. 07/15/89 Flac 24 - 0, 139106 Noblesville Deer Creek Music Center flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 notes 7679. 07/15/89 Flac 16 - 0, 139292 Noblesville Deer Creek Music Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes 7680. 07/15/89 Flac 24/96 - 0, 139293 Noblesville Deer Creek Music Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes 7681. 07/15/89 Flac 24/96 - 0, 141072 Noblesville Deer Creek Music Center flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's) Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96) Taped & Transfers by Pete Ebel notes 7682. 07/15/89 Flac 16 - 0, 97691 Noblesville Deer Creek Music Center flac16; Source: Source: NAK550>2 CM300's w/CP4 Shotguns, 1 CM300 (Center Mic) Recorded and Encoded by Cousinit notes 7683. 07/15/89 Flac 16 - 0, 118804 Noblesville Deer Creek Music Center flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. Located in the designated "taper" section. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8) notes 7684. 07/15/89 Flac 16 - 0, 106500 Noblesville Deer Creek Music Center b>flac16; Recorded by David Cohen & Justin Lee. Front Row of Lawn 8 foot stand 2 Nakamichi CM300s/ CP1s X-Y @ 90degrees w/1 Nakamichi CM300/CP2 bisecting the X-Y Pair> Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes 7685. 07/15/89 Flac 16 - 0, 96609 Noblesville Deer Creek Music Center flac16; Source: Nak300 (4 mic mix; 2 shotgun, 2 cardioid) > Tandy 4 channel mixer > Sony TC-D5M (pass thru) > Yamaha MT1X (dbx type II encode, Maxell XL-IIS) Recorded by Eddie Wahba and Pat Volkerding Transfer: Yamaha MT120S (dbx type II decode) > Tascam DA-20 (A>D conversion) > coax/optical converter > Creative Nomad Jukebox 3 > Firewire > Amarok > CDWAV > FLAC notes 7686. 07/15/89 Flac 24/96 - 0, 125721 Noblesville Deer Creek Music Center flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 7687. 07/17/89 Flac 16 Mtx - 0, 96230 East Troy Alpine Valley Music Theatre flac16; matrix of DSBD: shnid=17702 and AUD: shnid=92457 by hansokolow using ProTools notes 7688. 07/17/89 Flac 16 - 0, 106490 East Troy Alpine Valley Music Theatre flac16; TAPER: GREG HOLTZ "1st two nights we were up on the lawn shooting at the repeater stacks from very close range" SOURCE: Nakamichi CM-300's with CP4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac 8 -> Tagged w/Tag & Rename notes 7689. 07/17/89 Flac 16 - 0, 92457 East Troy Alpine Valley Music Theatre flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 27, 2008 notes 7690. 07/17/89 Shn - 0, 177702 East Troy Alpine Valley Music Theatre Source: SBD > DAT > CDR > EAC > *Cool Edit Pro > mkwACT *Beginning of LTGTR, We Bid You Goodnight and Johnny B. Goode patched with Matrix > MC > CDR source. notes 7691. 07/17/89 Flac 16 - 0, 125724 East Troy Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Set 1 Maxell XLII-S 90, Set 2 Maxell XLII-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7692. 07/17/89 Flac 24/96 - 0, 15723 East Troy Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Set 1 Maxell XLII-S 90, Set 2 Maxell XLII-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 7693. 07/17/89 Shn - 0, 433 East Troy Alpine Valley Music Theatre DSBD > DAT > WAV (via S/PDIF) >CD > WAV (via EAC) > SHN; via stink_kind; d1t1 slight digi-noise at 10s and 30s; d1t1,d3t6,7 clipped on MSBD notes 7694. 07/17/89 Flac 24 U Mtx - 0, 138345 East Troy Alpine Valley Music Theatre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7695. 07/17/89 Flac 16 U Mtx - 0, 138355 East Troy Alpine Valley Music Theatre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138345 24 bit -> 16 bit notes 7696. 07/17/89 Flac 16/48 - 0, 142297 East Troy Alpine Valley Music Theatre flac16/48kHz; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller Transfer: DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 7697. 07/17/89 Flac 16 - 0, 106654 East Troy Alpine Valley Music Theatre flac16; Front Row of Lawn 8 foot stand 2 Nakamichi CM300s/ CP1's X-Y @ 90degrees w/1 Nakamichi CM300/CP1 bisecting the X-Y Pair> Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Maxell MX90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen Nov 2009. notes 7698. 07/17/89 Flac 24/96 - 0, 149270 East Troy Alpine Valley Music Theatre flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel notes 7699. 07/17/89 Flac 16 Dts.5.1 - 0, 150010 East Troy Alpine Valley Music Theatre DTS-Audio-CD 5.1 Mix; - SBD (shnid = 138345) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 149270) Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel - dts mixing by Kevin Tobin notes 7700. 07/17/89 Flac 16/48LPCM - 0, 150011 East Troy Alpine Valley Music Theatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 138345) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 149270) Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel - surround mixing by Kevin Tobin notes 7701. 07/17/89 Flac 24 Mtx. - 0, 150008 East Troy Alpine Valley Music Theatre flac24; Matrix 2 Source Mix - SBD (shnid = 138345) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 149270) Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel - matrix mixing by Kevin Tobin notes 7702. 07/17/89 Flac 16 Mtx - 0, 150009 East Troy Alpine Valley Music Theatre flac16; Matrix 2 Source Mix - SBD (shnid = 138345) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 149270) Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel - matrix mixing by Kevin Tobin This file set is 16 bit @ 44.1 notes 7703. 07/18/89 Shn - 0, 9854 East Troy Alpine Valley Music Theatre DSBD; Transfer: D8 > Waveterminal 2496 (@44.1) > Samplitude 2496 > CDWav > mkwACT (seeking); Transfer and Seed by Jason Brantley; see inof file for flaw notes notes 7704. 07/18/89 Flac 16 Mtx - 0, 96231 East Troy Alpine Valley Music Theatre flac16; matrix of DSBD: shnid=9854 and AUD: shnid=92430 by hansokolow using ProTools notes 7705. 07/18/89 Flac 16 - 0, 106491 East Troy Alpine Valley Music Theatre flac16; TAPER: GREG HOLTZ "1st two nights we were up on the lawn shooting at the repeater stacks from very close range" SOURCE: Nakamichi CM-300's with CP4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename notes 7706. 07/18/89 Flac 16 - 0, 92430 East Troy Alpine Valley Music Theatre flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 24, 2008 notes 7707. 07/18/89 Shn - 0, 435 East Troy Alpine Valley Music Theatre DSBD> DAT> CD; via Nick Georges; reported diginoise at the beginning of Touch and in a few other places, like just before Jack-A-Roe starts, and in Sugar Mag :22-:28; weirdness note: info file gives 7-5-7 tracking, md5s shown here have 9-5-7 tracking; further, listener B. de Vos reports d1t5 FOTD is not on info file, and neither is d1t9 TMNS- the latter was not even played at the show (must be filler) notes 7708. 07/18/89 Flac 16 - 0, 125511 East Troy Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7709. 07/18/89 Shn - 0, 28474 East Troy Alpine Valley Music Theatre Source: DSBD Transfer: D8 > Waveterminal 2496 (@44.1) > Samplitude 2496 > CDWav > mkwACT Transfer and Seed by Jason Brantley (jason@spreadwidepanic.com) 3/27/2003 -sector boundary error in d1t02 of shn id 9854; disc fixed with shntool -SBE in d1t02 fixed by William at TuneTree ; via TuneTraa and LMA notes 7710. 07/18/89 Flac 24/96 - 0, 125510 East Troy Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 7711. 07/18/89 Flac 24 - 0, 138479 East Troy Alpine Valley Music Theatre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7712. 07/18/89 Flac 16 - 0, 138496 East Troy Alpine Valley Music Theatre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138479 24 bit -> 16 bit notes 7713. 07/18/89 Flac 16/48 - 0, 142298 East Troy Alpine Valley Music Theatre flac16/48kHz; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller Transfer: DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 7714. 07/18/89 Flac 16 - 0, 119722 East Troy Alpine Valley Music Theatre flac16; Source:Sony WM-D6C Cassette Master(Maxell MX Metal Tapes,Dolby "B" On)>Dak Shotgun Mics>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,On The Hill About 20 Yards In Front Of The Relay Tower notes 7715. 07/18/89 Flac 16 - 0, 106720 East Troy Alpine Valley Music Theatre flac16; Recorded by David Cohen & Justin Lee Front Row of Lawn 8 foot stand 2 Nakamichi CM300s/ CP4's w/1 Nakamichi CM300/CP2> Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Maxell MX90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes 7716. 07/18/89 Flac 24/96 - 0, 147567 East Troy Alpine Valley Music Theatre flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel notes 7717. 07/19/89 Shn - 0, 437 East Troy Alpine Valley Music Theatre DSBD> DAT> CD> eac> SHN; via N. Georges notes 7718. 07/19/89 Flac 16 Mtx - 0, 96232 East Troy Alpine Valley Music Theatre flac16; matrix of DSBD: shnid=437 and AUD: shnid=92447 by hansokolow using ProTools notes 7719. 07/19/89 Flac 16 - 0, 125854 East Troy Alpine Valley Music Theatre flac16; DSBD -> DAT -> CD -> eac -> SHN (original shn 437) - pitch correction and patches by Kevin Tobin notes 7720. 07/19/89 Flac 16 - 0, 106492 East Troy Alpine Valley Music Theatre flac16; TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename notes 7721. 07/19/89 Flac 16 - 0, 125506 East Troy Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7722. 07/19/89 Flac 16 Mtx - 0, 125861 East Troy Alpine Valley Music Theatre flac16; Matrix 4 Source Mix - SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project - matrix mixing by Kevin Tobin notes 7723. 07/19/89 Flac 16 - 0, 130697 East Troy Alpine Valley Music Theatre flac16; Set 2 FOB MC>A>A(XL-II)>CD>flac notes 7724. 07/19/89 Flac 16 - 0, 92447 East Troy Alpine Valley Music Theatre flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 notes 7725. 07/19/89 Flac 16 - 0, 138818 East Troy Alpine Valley Music Theatre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had PA static during t03, Sugaree, This is fixed 138808 24 bit -> 16 bit notes 7726. 07/19/89 Flac 24 Mtx - 0, 138808 East Troy Alpine Valley Music Theatre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had PA static during t03, Sugaree notes 7727. 07/19/89 Flac 24/96 - 0, 141076 East Troy Alpine Valley Music Theatre flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's) Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96) Transfers by Pete Ebel notes 7728. 07/19/89 Flac 16/48 - 0, 142229 East Troy Alpine Valley Music Theatre flac16/48kHz; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller Transfer: DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes 7729. 07/19/89 Flac 16 Dts.5.1 - 0, 125862 East Troy Alpine Valley Music Theatre DTS-Audio-CD 5.1 Mix; SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project - dts mixing by Kevin Tobin notes 7730. 07/19/89 Flac 16 - 0, 125855 East Troy Alpine Valley Music Theatre flac16; (original shnid = 92447) Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 - pitch correction and patches by Kevin Tobin notes 7731. 07/19/89 Flac 24/96 - 0, 125505 East Troy Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 7732. 08/04/89 Flac 16 - 0, 89884 Sacramento Cal Expo flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7733. 08/04/89 Flac 16 - 0, 82598 Sacramento Cal Expo flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 Mhz] Mastering: AudioGate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. July 4, 2008 notes 7734. 08/04/89 Shn - 0, 11267 Sacramento Cal Expo SBD > MC > DAT > CDR; Seeded to etree by Doug Nawrocki notes 7735. 08/04/89 Flac 16 - 0, 78877 Sacramento Cal Expo flac16; AUD Source: Nakamichi CM-300's with CP-1 (cardioid) capsules > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 6-feet high. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC notes 7736. 08/04/89 Flac 16 - 0, 131470 Sacramento Cal Expo flac16; Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clone provided by Lance Deal. Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable>(s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE's/Flac/md5) notes 7737. 08/05/89 Flac 16 - 0, 89885 Sacramento Cal Expo flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7738. 08/05/89 Shn - 0, 13206 Sacramento Cal Expo set 2; SBD> CM> DAT> CD> EAC> SHN; via Charlie Miller, Patrick White notes 7739. 08/05/89 Flac 16 Mtx - 0, 96341 Sacramento Cal Expo flac16; matrix of SBD: shnid=89885 and DAUD: shnid=3871 by hansokolow using ProTools notes 7740. 08/05/89 Shn - 0, 18256 Sacramento Cal Expo SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko notes 7741. 08/05/89 Flac 16 - 0, 35362 Sacramento Cal Expo flac16; Seamless fix of shn id 13206 - Set 2 only; SBD>CM>DAT>CD>EAC>SHN w/AUD patch. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 7742. 08/05/89 Flac 16 - 0, 92636 Sacramento Cal Expo flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 Mhz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. July 6, 2008 notes 7743. 08/05/89 Shn - 0, 3871 Sacramento Cal Expo FOB Schoeps MK2 (spread) > dat > cdr; Transfer: EAC (range extraction at 100%) > CDWAV > mkwACT; d2 tracked for 80 min; encore missing notes 7744. 08/05/89 Flac 16 - 0, 78865 Sacramento Cal Expo flac16; AUD Source: Neumann KM-150's > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 5-feet high. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC notes 7745. 08/05/89 Flac 16 - 0, 131471 Sacramento Cal Expo flac16; FOB/Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clone provided by Lance Deal. Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable>(s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5) notes 7746. 08/06/89 Flac 16 - 0, 89966 Sacramento Cal Expo flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7747. 08/06/89 Flac 16 Mtx - 0, 96358 Sacramento Cal Expo flac16; matrix of SBD: shnid=89966 and AUD: shnid=14197 by hansokolow using ProTools notes 7748. 08/06/89 Shn - 0, 12831 Sacramento Cal Expo Ultramatrix (SBD/AUD mix); Lineage: Master Cassette> DAT> CD> SHN> Peak> WAV> SHN via Scott Kolber and Diesel. Retracked, normalized, seeded by Peter Braverman; fixup of previous shn set notes 7749. 08/06/89 Flac 16 - 0, 78852 Sacramento Cal Expo flac16; AUD Source: Neumann KM-150's > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 5-feet high. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC notes 7750. 08/06/89 Flac 16 - 0, 127421 Sacramento Cal Expo flac16; Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony WM-D6C (XLIIS); Cassette Master Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS; Recorded/Transferred By: Jeff Bowen notes 7751. 08/06/89 Shn - 0, 14179 Sacramento Cal Expo Set 1 Source: FOB Spaced 50 ft. Neumann km150's > MC > CDR > EAC > Sound Forge 4.5 > mkwACT Set 2 Source: FOB Spaced Nak 700's > MC > DAT Transfer: DA-P1 > Montego II (hardware resample 48 > 44.1) > Sound Forge 4.5 > mkwACT EAC/Transfer/Seed by Doug Nawrocki notes 7752. 08/06/89 Flac 16 - 0, 131472 Sacramento Cal Expo flac16; FOB/Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clone provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable>(s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); the original version of this source had a flaw in set2t02; please do not circulate that version notes 7753. 08/06/89 Shn - 0, 12385 Sacramento Cal Expo SBD> Cassette> DAT> CDR via Tommy Brame; fixed version also circulates notes 7754. 08/17/89 Flac 16 - 0, 119330 Berkeley The Greek Theatre - University of California flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 7755. 08/17/89 Flac 16 - 0, 83733 Berkeley The Greek Theatre - University of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7756. 08/17/89 Flac 16 - 0, 111996 Berkeley The Greek Theatre - University of California flac16; RECORDED BY: Greg Holtz; SOURCE: Healy's MTX -> Sony Stereo receiver (10 feet from In House FM Broadcast Source) -> Sony WM-D6C; TRANSFER: (By: JAZ) Master Cassettes (Maxell MX 90 IEC TYPE IV METAL) Tascam 112, Metal & Dolby B engaged -> Korg MR-1 @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename notes 7757. 08/17/89 Shn - 0, 25432 Berkeley The Greek Theatre - University of California Soundboard->Dat->Cassette->Dat(44.1) x ? Dat->Audiophile 2496->Samplitude v7.02 Professional->.wav->mkw->SHN. Transfer, editing, and SHN by Joe Samaritano notes 7758. 08/17/89 Shn - 0, 8965 Berkeley The Greek Theatre - University of California SBD>??>DAT>CDR; Seeded to etree by Tim W notes 7759. 08/17/89 Flac 24 - 0, 124751 Berkeley The Greek Theatre - University of California flac24; Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460B > Preamp Ck61 Uls > Uher Cr240 Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row Dead Center Right Behind Soundboard notes 7760. 08/17/89 Flac 16 - 0, 131524 Berkeley The Greek Theatre - University of California flac16; Source info: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 12, 2014 by Will Petty notes 7761. 08/17/89 Flac 16 - 0, 82800 Berkeley The Greek Theatre - University of California flac16; Lineage: 2x Senheiser 441's + 1x Nakamichi 700 (Cardioid Capsule) > MX-100 > Sony TCD5-M Transfer: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC notes 7762. 08/17/89 Flac 16 - 0, 124752 Berkeley The Greek Theatre - University of California flac16; Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460B > Preamp Ck61 Uls > Uher Cr240; Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row Dead Center Right Behind Soundboard (note: this source was originally seeded with a corrupt track 305 represented by the alt-md5 checksum; a fixed version now circulates) notes 7763. 08/18/89 Flac 16 - 0, 111997 Berkeley The Greek Theatre - University of California flac16; RECORDED BY: Greg Holtz; SOURCE: Healy's MTX -> Sony Stereo receiver (10 feet from In House FM Broadcast) -> Sony WM-D6C; TRANSFER: (By: JAZ) Master Cassettes (Maxell MX 90 IEC TYPE IV METAL) Tascam 112, Metal & Dolby B engaged -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename notes 7764. 08/18/89 Flac 16 - 0, 83774 Berkeley The Greek Theatre - University of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7765. 08/18/89 Shn - 0, 4796 Berkeley The Greek Theatre - University of California Healy Matrix Digital SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer via D-10 > HHb800 by fishman; DAE by neo_levo: EAC (high, secure, offset corrected, with repeated extractions yielding matching wav md5's), tracked using CDWAVE (boundaries confirmed w/ shntool) > mkwact > SHNv3 notes 7766. 08/18/89 Shn - 0, 34570 Berkeley The Greek Theatre - University of California Seamless fix of shn id 4796 - Healy Matrix Digital SBD > DAT > CDR > WAV > SHNv3 notes 7767. 08/18/89 Shn - 0, 9964 Berkeley The Greek Theatre - University of California Jay Ashley (Bertha) remaster of Healy SBD mix; SBD>>DAT>>CDR>>WAV>>SHNv3>>WAV>>DAW(Bertha)>>CDA notes 7768. 08/18/89 Flac 16 - 0, 89375 Berkeley The Greek Theatre - University of California flac16; AUD: Sennheiser MD-421's > patched thru one Sony D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on six-foot stand in OTS. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Soundforge (for fades) > CD-Wave > TLH (SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transferred by Andrew F. notes 7769. 08/18/89 Flac 24 - 0, 140718 Berkeley The Greek Theatre - University of California flac24; Set 2 Recording Info: Master Soundboard Ultramatrix DAT > Hi-Fi VHS; Transfer Info: Hi-Fi VHS (Sony SLV-M20HF)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 notes 7770. 08/18/89 Flac 16 - 0, 140721 Berkeley The Greek Theatre - University of California flac16; Recording Info: Master Soundboard Ultramatrix DAT > PCM; Transfer Info: PCM (Sony SLV-M20HF)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 notes 7771. 08/18/89 - 0, 141056 Berkeley The Greek Theatre - University of California flac16; Set 2 Recording Info: Master Soundboard Ultramatrix DAT > Hi-Fi VHS; Transfer Info: Hi-Fi VHS (Sony SLV-M20HF)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 notes 7772. 08/18/89 Flac 24/96 - 0, 138867 Berkeley The Greek Theatre - University of California flac24 96khz Akg C460B > Preamp Ck61 Uls > Uher Cr240. Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper . Recorded Front Row Dead Center Right Behind Soundboard .Taper : Danny Thompson Editing : Joe D'Amico ''AKA'' Joebeacon. notes 7773. 08/18/89 Flac 16 - 0, 119338 Berkeley The Greek Theatre - University of California flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 7774. 08/18/89 Flac 16 - 0, 131525 Berkeley The Greek Theatre - University of California flac16; Source info: Schoeps CMC 52 S (spaced 8' in TS)> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 12, 2014 by Will Petty notes 7775. 08/18/89 Flac 16/44,1 - 0, 138868 Berkeley The Greek Theatre - University of California flac16 44.1khz Akg C460B > Preamp Ck61 Uls > Uher Cr240. Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper. Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon notes 7776. 08/18/89 Flac 16 - 0, 94487 Berkeley The Greek Theatre - University of California flac16; LINEAGE: 2x Sennheiser 441 + 1x Nakamichi 700 (Cardioid Capsule) > Nakamichi MX-100 > Sony TCD5-M>Maxell MX. TRANSFER: CM>Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD >xACT extraction > WAV > FLAC NOTE: Canare microphone cables used, otherwise Monster cables throughout. Recorded and transferred by Mike Kutik notes 7777. 08/19/89 Flac 16 - 0, 111998 Berkeley The Greek Theatre - University Of California flac16; RECORDED BY: Greg Holtz; SOURCE: Healy's MTX -> Sony Stereo receiver (10 feet from In House FM Broadcast) -> Sony WM-D6C; TRANSFER: (By: JAZ) Master Cassettes (Maxell MX 90 IEC TYPE IV METAL) Tascam 112, Metal & Dolby B engaged -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename notes 7778. 08/19/89 Flac 16 Mtx - 0, 96303 Berkeley The Greek Theatre - University Of California flac16; matrix of SBD: shnid=83775 and AUD: shnid=13254 by hansokolow using ProTools notes 7779. 08/19/89 Flac 16 - 0, 83775 Berkeley The Greek Theatre - University Of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7780. 08/19/89 Shn - 0, 5213 Berkeley The Greek Theatre - University Of California SBD Cassette Master > DAT > .WAV > .SHN; d2 tracked for 80 min; via Jon Miller to tree; see info file for flaw notes notes 7781. 08/19/89 Flac 16 - 0, 91088 Berkeley The Greek Theatre - University Of California flac16; AUD: Sennheiser MD-421's > patched thru one Sony D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on six-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog input > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes 7782. 08/19/89 Shn - 0, 23066 Berkeley The Greek Theatre - University Of California SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes 7783. 08/19/89 Flac 16 Mtx - 0, 139669 Berkeley The Greek Theatre - University Of California flac16; Three Source Matrix created in Audacity notes 7784. 08/19/89 Flac 16 - 0, 139782 Berkeley The Greek Theatre - University Of California flac16;Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/16; Recorded by Don Pearson; Transferred by Charlie Miller notes 7785. 08/19/89 Flac 24 - 0, 124774 Berkeley The Greek Theatre - University Of California flac24; Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460B > Preamp Ck61 Uls > Uher Cr240; Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row Dead Center Right Behind Soundboard notes 7786. 08/19/89 Flac 16 - 0, 119339 Berkeley The Greek Theatre - University Of California flac16; Source: 2 Sonic Studio DSM-1S/x microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 7787. 08/19/89 Flac 16 - 0, 124775 Berkeley The Greek Theatre - University Of California flac16; Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460B > Preamp Ck61 Uls > Uher Cr240; Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row Dead Center Right Behind Soundboard notes 7788. 08/19/89 Flac 16 - 0, 131526 Berkeley The Greek Theatre - University Of California b>flac16; Source info: Schoeps CMC 52 S (spread 8')> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal and others. Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 12, 2014 by Will Petty notes 7789. 08/19/89 Shn - 0, 13254 Berkeley The Greek Theatre - University Of California Schoeps cmc42s ->M118 -> Oade Mod PCM-F1, Taper Jim Oade; Transfer: Tascam DA-20 (DAT)-> Tascam CDRW4U -> EAC (secure) -> CDWave (tracking) -> CDR -> SHN (MKWact), from Oade DATs, by Matt Shapiro; EAC'd and SHN'd by jim notes 7790. 08/19/89 Flac 16 - 0, 83803 Berkeley The Greek Theatre - University Of California flac16; Recorded Front of OTS by 'PA Deli Mike' 2x Senheiser 441's + 1x Nakamichi 700 (Cardioid Capsule) > MX-100 > Sony TCD5-M. TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC by Mr. Chips notes 7791. 08/19/89 Flac 16 - 0, 131536 Berkeley The Greek Theatre - University Of California flac16; Source info: FOB/Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clones provided by Lance Deal. Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 14, 2014 by Will Petty notes 7792. 08/19/89 Flac 16 - 0, 138155 Berkeley The Greek Theatre - University Of California flac16; Original Source info (shnid 131536): FOB/Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clones provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Patched, Tracked, Flac'd & rePacked in Audacity by Joe Noel; Checksum & tags created in xACT notes 7793. 09/29/89 Flac 16 - 0, 81704 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7794. 09/29/89 Shn - 0, 7282 Mountain View Shoreline Amphitheatre Ultramatrix: Master Cassette> DAT> CD> SHN> Peak> WAV> SHN; poss cass gen (see notes); Retracking and normalizing by Peter Braverman; with thanks to Skot G notes 7795. 09/29/89 Flac 16 - 0, 81705 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Dat Transfer Info: Dat -> M-Audio DIO2448 -> Samplitude -> Cool Edit Pro -> FLAC All Transfers and Mastering By Charlie Miller notes 7796. 09/29/89 Flac 16 - 0, 141772 Mountain View Shoreline Amphitheatre flac16; Recording info: Spaced Schoeps MK2 omni's > Sony F1 > PCM (OTS); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (FLAC 16-bit/44.1k) notes 7797. 09/29/89 Flac 16 - 0, 117927 Mountain View Shoreline Amphitheatre flac16; Source: 2 Sonic Studio DSM-1S/x microphones-up front/center> Sony DAT > 1st generation analog cassettes; Transfer: Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 7798. 09/29/89 Flac 16 - 0, 127422 Mountain View Shoreline Amphitheatre flac16; Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony WM-D6C (XLIIS); XLIIS Master Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS, Section 202, Row H, Seat #5; Recorded/Transferred By: Jeff Bowen notes 7799. 09/29/89 Shn - 0, 17703 Mountain View Shoreline Amphitheatre This is an updated text and md5 file for the previousshn set via Charlie Miller; Flaws in d2t08 and d2t09 fixed on 10/10/02 notes 7800. 09/29/89 Flac 24/96 - 0, 151409 Mountain View Shoreline Amphitheatre flac24/96khz Recording Info: SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes 7801. 09/29/89 Flac 16/44 - 0, 151621 Mountain View Shoreline Amphitheatre flac16/44khz Recording Info: SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 151409 24 -> 16 @ 44.1 notes 7802. 09/30/89 Flac 16 - 0, 81719 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7803. 09/30/89 Shn - 0, 8964 Mountain View Shoreline Amphitheatre SBD>MC>DAT>CDR; Seeded to etree by Tim W notes 7804. 09/30/89 Flac 16/48 - 0, 142503 Mountain View Shoreline Amphitheatre flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 7805. 09/30/89 Flac 16 - 0, 97332 Mountain View Shoreline Amphitheatre flac16; Source: (OTS) Nakamichi cm300/cp4->Sony D-5(Dolby B)->Maxell XL II(x2) Taper: Dave Barfield Transfer: MAC->Nakamichi MR-1->Korg MR-1000(1bit/5.6 mhz)->Korg Audiogate->16/44.1 wav.->soundforge 9.0->waves Q-10->FLAC Transferred and seeded by: M. Watson notes 7806. 09/30/89 Flac 24/96 - 0, 151398 Mountain View Shoreline Amphitheatre flac 24/96kHz; Recording Info: SBD > Cassette Master (TDK MA-XG). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24. notes 7807. 09/30/89 Flac 16/44 - 0, 151622 Mountain View Shoreline Amphitheatre flac 16/44kHz; Recording Info: SBD > Cassette Master (TDK MA-XG). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24. 151398 24 -> 16 @ 44.1 notes 7808. 10/01/89 Flac 16 - 0, 81721 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7809. 10/01/89 Flac - 0, 26989 Mountain View Shoreline Amphitheatre flac16; Unknown SBD source > ? > CDR; Transfer: CDR > EAC > hard drive > CD Wave Editor (tracking) > FLAC (v. 1.7.1) compression level 8; Extraction and minor edit and FLACtion by Gary Field, with thanks to Joey Browning for the CDR notes 7810. 10/01/89 Flac 24 - 0, 142347 Mountain View Shoreline Amphitheatre flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 7811. 10/01/89 Flac 16/48 - 0, 142504 Mountain View Shoreline Amphitheatre flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Aerco preamp > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 7812. 10/01/89 Flac 16 U Mtx - 0, 142513 Mountain View Shoreline Amphitheatre flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes 7813. 10/01/89 Flac 16 - 0, 121222 Mountain View Shoreline Amphitheatre flac16; Set 2 Source: 2 Sonic Studio DSM-1Sx microphones - 14th row/center > Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 7814. 10/01/89 Shn - 0, 8963 Mountain View Shoreline Amphitheatre AUD>MC>C>CDR; Seeded to etree by Tim W notes 7815. 10/01/89 Flac 16 - 0, 132699 Mountain View Shoreline Amphitheatre flac16; Recording info on DAT: Schoeps CMC 42 S; DAT's provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> M-Audio USB transit>Audacity @ 16/48>16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty notes 7816. 10/08/89 Flac 16 - 0, 81532 Hampton Hampton Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7817. 10/08/89 Flac 16 Mtx - 0, 96442 Hampton Hampton Coliseum flac16; matrix of SBD: shnid=81532 and DAUD: shnid=439 by hansokolow using ProTools notes 7818. 10/08/89 Flac 16 - 0, 32427 Hampton Hampton Coliseum flac16; SBD > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes 7819. 10/08/89 Flac 24/96 - 0, 120376 Hampton Hampton Coliseum flac24; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 421> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-100's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 Khz; Metadata Tagging With Tag&Rename notes 7820. 10/08/89 Flac 16 - 0, 120377 Hampton Hampton Coliseum flac16; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 421> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430>Dolby B, Ran By Mr. Currier; Tapes Maxell MX-100's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7821. 10/08/89 Shn - 0, 25261 Hampton Hampton Coliseum SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN notes 7822. 10/08/89 Shn - 0, 17732 Hampton Hampton Coliseum SBD; CDR> EAC> WAV> SHNv3 via Dan Carr notes 7823. 10/08/89 Flac 16 - 0, 89508 Hampton Hampton Coliseum flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand on the floor, near the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes 7824. 10/08/89 Shn - 0, 8365 Hampton Hampton Coliseum SBD> Master Cass>DAT>CD; via CDead vine; Unknown seeder notes 7825. 10/08/89 Flac 16/48 - 0, 142509 Hampton Hampton Coliseum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar stand, shoulder height > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 7826. 10/08/89 Shn - 0, 439 Hampton Hampton Coliseum FOB Schoeps CMC34's -> Panasonic SV-250; Transfer: D8 -> Montego II digi I/O -> CDWAV by D. Nawrocki; seed via P. Delgado notes 7827. 10/08/89 Flac 24 UMtx. - 0, 147605 Hampton Hampton Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7828. 10/08/89 Flac 16 - 0, 147651 Hampton Hampton Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 notes 7829. 10/09/89 Flac 16 - 0, 80840 Hampton Hampton Coliseum flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC . This has an upgraded patch source. notes 7830. 10/09/89 Flac 16 Mtx - 0, 92495 Hampton Hampton Coliseum flac16; SBD + AUD Matrix - 4 Source Mix (60%-SBD, 10%-AUD1, 20%-AUD2, 10%-AUD3) notes 7831. 10/09/89 Shn - 0, 26236 Hampton Hampton Coliseum SBD + AUD Matrix Mix (60%-SBD/40%-AUD); SBD: PCM (analog out) > DAT x 4 > CDR; AUD FOB: Schoeps CMC641 > DAT; Mixed by dan@am-dig.com; related 5.1 mix also circulates notes 7832. 10/09/89 Shn - 0, 7721 Hampton Hampton Coliseum Lineage: SBD > PCM (analog output) > D > D > D > D; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes notes 7833. 10/09/89 Flac 24/96 - 0, 120403 Hampton Hampton Coliseum flac24; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 441> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-90's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 Khz; Metadata Tagging With Tag&Rename notes 7834. 10/09/89 Flac 16 - 0, 120404 Hampton Hampton Coliseum flac16; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 441> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-90's; Transfer Information:Nakamichi MR-1>No Dolby B>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7835. 10/09/89 Shn - 0, 2276 Hampton Hampton Coliseum SBD> CASS(x)> DAT> CDR> EAC> SHN; via PainoMan to gdlive.com notes 7836. 10/09/89 Shn - 0, 31211 Hampton Hampton Coliseum Recording by: Rob R 3 Nak CM300 - 2 CP4's and 1 CP3 arrianged X/Y direct to dat > ? > .shn SBEs on Set 2 repaired using shntool v.2.0.3 (10/11/2005) notes 7837. 10/09/89 Flac 16 - 0, 89563 Hampton Hampton Coliseum flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand on the floor, near the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes 7838. 10/09/89 Shn - 0, 17704 Hampton Hampton Coliseum FOB Schoeps CMC421> DAT> HHB standalone CD> EAC> ADDAWAV> CDWav retracking> WAV> SHN; conversions done by JR Fishman notes 7839. 10/09/89 Flac 16 - 0, 32902 Hampton Hampton Coliseum flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes 7840. 10/09/89 Flac Dts 5.1 - 0, 92005 Hampton Hampton Coliseum DTS Audio 5.1 Mix; 4 Source Mix - SBD (ShnID = 80840), SBD (ShnID = 80840), AUD2 (ShnID = 17704) and AUD3 (ShnID = 443) notes 7841. 10/09/89 Shn Dts - 0, 26235 Hampton Hampton Coliseum DTS-Audio-CD 5.1 Mix; SBD: PCM (analog out) > DAT x 4 > CDR AUD; FOB: Schoeps CMC641 > DAT; mixed by dan@am-dig.com; related matrix also circulates notes 7842. 10/09/89 Flac 16/48 - 0, 142510 Hampton Hampton Coliseum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar stand, shoulder height > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 7843. 10/09/89 Shn - 0, 443 Hampton Hampton Coliseum Schoeps CMC421 (note change from previous mic info)> DAT > SEK'D Prodif 32 > SoundForge 4.5 (Level Increase & Resample - <48to44.1>) > CDWav> WAV > SHN; via T. Howland; note set 1 will fit all on d1 if you overburn 26 sec; listener M. Burgess reports, "first set sounds ok, maybe a little muddy, but the second sounds thin and trebley, totally different from the first set"; note Mark Ferguson renamed md5s and shns with his 8/3/00 rehosting- see his public comments, and md5s marked "ren" (for "rename") notes 7844. 10/09/89 Flac 16 - 0, 116646 Hampton Hampton Coliseum flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster notes 7845. 10/09/89 Flac 16/48 - 0, 125737 Hampton Hampton Coliseum flac16/48kHz; Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 7846. 10/09/89 Flac 16 - 0, 99647 Hampton Hampton Coliseum flac16; Source: Nakamichi cm300/cp4->Sony D-5M (Dolby B encoded)->Maxell MX90 x 2->Sony D-5M (Dolby B decoded)->Korg MR-1000 (1bit/5.5MHz)->AudioGate->(16/44.1) wav-> Soundforge 8.0->flac; Taper: Dave Barfield; Transfer and seeded by: M. Watson notes 7847. 10/09/89 Flac 16 - 0, 125738 Hampton Hampton Coliseum flac16; Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 7848. 10/09/89 Flac 16 - 0, 131003 Hampton Hampton Coliseum flac16; Master Digital FOB Recording by Lance Deal using Schoeps CMC521's> Schoeps VMS 52 UB> Technics SVMD1; Transfer: Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5) notes 7849. 10/09/89 Flac 16 U Mtx. - 0, 147621 Hampton Hampton Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 notes 7850. 10/09/89 Flac 24 UMtx. - 0, 147611 Hampton Hampton Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; notes 7851. 10/09/89 Flac 16 Mtx - , 154041 Hampton Hampton Coliseum flac16; Matrix 2 Source Mix>/i> - SBD (shnid = 147611) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; + AUD (shnid = 116646) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - matrix mixing by Kevin Tobin notes 7852. 10/09/89 Flac 16 Dts 5.1 - , 154042 Hampton Hampton Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147611) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; + AUD (shnid = 116646) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - dts mixing by Kevin Tobin notes 7853. 10/09/89 Flac 16/48 - , 154043 Hampton Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147611) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; + AUD (shnid = 116646) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - surround mixing by Kevin Tobin notes 7854. 10/09/89 Flac 16 Mtx - , 158308 Hampton Hampton Coliseum flac16; Matrix by Hunter Seamons using Soundtrack Pro and Final Cut Pro (FLAC > AIFF > Soundtrack and Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 80840 & 125738. notes 7855. 10/11/89 Flac 16 - 0, 83282 East Rutherford Meadowlands Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7856. 10/11/89 Flac 16 Mtx - 0, 96599 East Rutherford Meadowlands Arena flac16; matrix of SBD: shnid=83292 and AUD: shnid=89613 by hansokolow using ProTools notes 7857. 10/11/89 Shn - 0, 6668 East Rutherford Meadowlands Arena Master Soundboard DAT > Cassette > DAT> CDR, with numerous ticks fixed (see notes); CD Re-mastering, SHN'ed by Scott Clugston; tracked for 2x80; to abgd notes 7858. 10/11/89 Flac 16 - 0, 89613 East Rutherford Meadowlands Arena flac16; AUD: Sennheiser MD-421's > patched thru one D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on 8-foot stand, front row of OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by An notes 7859. 10/11/89 Shn - 0, 13572 East Rutherford Meadowlands Arena Sbd> Cas(m)> Dat> ZA2/PC> SF> CD Architect> CDR?s; Note- This may be the same source that was cleaned up by Scott Clugston; See Here; Submitted with a reference to "some blips and goofy electronic noises"; via Dave Koehler notes 7860. 10/11/89 Flac 16/48 - 0, 138157 East Rutherford Meadowlands Arena flac16/48kHz; Schoeps CMC521 > Panasonic SV250; FOB Taper unknown; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 7861. 10/11/89 Flac 24/96 - 0, 135411 East Rutherford Meadowlands Arena flac24; Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes 7862. 10/11/89 Flac 16 - 0, 125661 East Rutherford Meadowlands Arena flac16; Taper: M. Laurentus; Taper Section 2, Row T, Seat 8; AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes 7863. 10/11/89 Flac 24 - 0, 147618 East Rutherford Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7864. 10/11/89 Flac 16 - 0, 147652 East Rutherford Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 notes 7865. 10/11/89 Flac 16/48 - 0, 147681 East Rutherford Meadowlands Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147618) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 135411) Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 - surround mixing by Kevin Tobin notes 7866. 10/11/89 Flac 24/96 Mtx - 0, East Rutherford Meadowlands Arena flac24; Matrix 2 Source Mix - SBD (shnid = 147618) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 135411) Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 - matrix mixing by Kevin Tobin notes 7867. 10/11/89 Flac 16 Dts.5.1 - 0, 147680 East Rutherford Meadowlands Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147618) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 135411) Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 - dts mixing by Kevin Tobin notes 7868. 10/11/89 Flac 16 Mtx - 0, 147679 East Rutherford Meadowlands Arena flac16; Matrix 2 Source Mix - SBD (shnid = 147618) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 135411) Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 - matrix mixing by Kevin Tobin notes 7869. 10/11/89 Flac 24/96 - 0, 147677 East Rutherford Meadowlands Arena flac24; Patched & Pitch Corrected Audience - (original shnid = 135411) Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 - pitch correction and patches by Kevin Tobin notes 7870. 10/12/89 Flac 16 - 0, 83293 East Rutherford Meadowlands Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7871. 10/12/89 Flac 16 Mtx - 0, 96790 East Rutherford Meadowlands Arena flac16; matrix of SBD: shnid=83293 and AUD: shnid=89620 by hansokolow using ProTool notes 7872. 10/12/89 Flac 24/96 - 0, 115445 East Rutherford Meadowlands Arena flac24; Master Audience Cassette Nakamichi CM300/CP4 Shotguns>Sony D5; Tapes:Maxell XLII-90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz notes 7873. 10/12/89 Shn - 0, 5925 East Rutherford Meadowlands Arena Sbd> Cas(m)> Dat> ZA2/PC> SF> CD Architect> CDR?s; via Dave Koehler notes 7874. 10/12/89 Flac 24/96 - 0, 125769 East Rutherford Meadowlands Arena flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP1s > Sony D6, Tapes:Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 7875. 10/12/89 Flac 16 - 0, 125770 East Rutherford Meadowlands Arena flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP1s > Sony D6, Tapes:Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7876. 10/12/89 Flac 16 - 0, 115444 East Rutherford Meadowlands Arena flac16; Master Audience Cassette Nakamichi CM300/CP4 Shotguns>Sony D5; Tapes:Maxell XLII-90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes 7877. 10/12/89 Shn - 0, 30867 East Rutherford Meadowlands Arena Lineage: SBD -> Cm -> Dat -> Samplitude -> CD -> EAC -> SHN Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude 2496 v6.0 Dat -> CD -> EAC -> SHN all performed by Charlie Miller notes 7878. 10/12/89 Flac 16 - 0, 89620 East Rutherford Meadowlands Arena flac16; AUD: Sennheiser MD-421's > patched thru one D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on 8-foot stand, front row of OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes 7879. 10/12/89 Flac 16/48 - 0, 138158 East Rutherford Meadowlands Arena flac16/48kHz; Schoeps CMC521 > Panasonic SV250; FOB Taper unknown; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Patch'd, Track'd, Flac'd & Pack'd: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 7880. 10/12/89 Flac 16/48 - 0, 142511 East Rutherford Meadowlands Arena notes 7881. 10/12/89 Flac 16 - 0, 125669 East Rutherford Meadowlands Arena flac16; Taper: M. Laurentus; Taper Section 2, Row T, Seat 1; AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes 7882. 10/12/89 Flac 24 - 0, 147625 East Rutherford Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7883. 10/12/89 Flac 16 - 0, 147659 East Rutherford Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44. notes 7884. 10/14/89 Flac 16 Mtx - 0, 96794 East Rutherford Meadowlands Arena flac16; matrix of SBD: shnid=83296 and DAUD: shnid=88087 by hansokolow using ProTools notes 7885. 10/14/89 Flac 16 - 0, 83296 East Rutherford Meadowlands Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7886. 10/14/89 Flac 16 - 0, 120686 East Rutherford Meadowlands Arena flac16; Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes supplied By Mr. Currier; AKG568s With Shotguns+(1)Sennheiser441>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96kHz; Ditherd/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7887. 10/14/89 Shn - 0, 25319 East Rutherford Meadowlands Arena Recording Info: SBD -> Master Cassette -> Dat -> ZA2 -> Sound Forge -> CD -> EAC -> SHN Patch Info: AUD -> Dat (48k) -> Sound Forge -> SHN Editing Info: SHN -> Samplitude v7.02 Professional -> SHN All Editing Done By Charlie Miller notes 7888. 10/14/89 Shn - 0, 5926 East Rutherford Meadowlands Arena Sbd> Cas(m)> Dat> ZA2/PC> SF> CD Architect> CDR?s; via Dave Koehler notes 7889. 10/14/89 Flac 16 - 0, 89655 East Rutherford Meadowlands Arena flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru 1 or 2 decks > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in front row of OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F notes 7890. 10/14/89 Flac 24/96 - 0, 141763 East Rutherford Meadowlands Arena flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) notes 7891. 10/14/89 Flac 16/48 - 0, 142512 East Rutherford Meadowlands Arena flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 7892. 10/14/89 Flac 16 - 0, 101824 East Rutherford Meadowlands Arena flac16; Sennheiser ME-80's>Technics SVM-D1 (Front of Taper's Section) DAT Master; Transferred on Oct 07, 2009:Sony TCD-D10PROII> Sound Devices 744t>Soundforge 9(Sample Rate Conversion/Fades)>CDWAV>FLAC; Recorded & Processed by Keith Litzenberger notes 7893. 10/14/89 Flac 16 - 0, 107823 East Rutherford Meadowlands Arena flac16; Master: AKG 458's>Sony TC-D5m>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, front row of the taper section Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 7894. 10/14/89 Flac 16 - 0, 121841 East Rutherford Meadowlands Arena flac16; Set 2 Source: 2 Neumann KMF4 microphones - up front/center > Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 7895. 10/14/89 Flac 16/48 - 0, 138137 East Rutherford Meadowlands Arena flac16/48kHz; Ted Mattes FOB recording: Schoeps CMC34 w/stand at 110 degrees on Schoeps t-bar > Oade Power Supply > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT; Note: the original seed of this source had Set 1 at 16 bit 48kHz; Set 2 at 16 bit 44.1kHz; the fixed version is all 48kHz notes 7896. 10/14/89 Flac 16 - 0, 125657 East Rutherford Meadowlands Arena flac16; Taper: M. Laurentus; Taper: Section 2, Row W, Seat 10; AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes 7897. 10/14/89 Flac 16 - 0, 88087 East Rutherford Meadowlands Arena flac16; Sennheiser ME-80's>Technics SVM-D1 (Front of Taper's Section) DAT Master>Sony TCD-D10PROII>Edirol R-4>Wavelab 5(Sample Rate Conversion to 44.1khz & Fades)>CDWAV>FLAC Recorded by Keith Litzenberger & Sam Tzirlin Transfer by Keith Litzenberger notes 7898. 10/14/89 Flac 16 - 0, 145746 East Rutherford Meadowlands Arena flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1 notes 7899. 10/14/89 Flac 24/96 - 0, 120685 East Rutherford Meadowlands Arena flac24; Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes supplied By Mr. Currier; AKG568s With Shotguns+(1)Sennheiser441>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96kHz; Metadata Tagging With Tag&Rename notes 7900. 10/14/89 Flac 24 UMtx. - 0, 147627 East Rutherford Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7901. 10/14/89 Flac 16 - 0, 147664 East Rutherford Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 notes 7902. 10/15/89 Flac 16 Mtx - 0, 96884 East Rutherford Meadowlands Arena flac16; matrix of SBD: shnid=3159 and DAUD: shnid=89674 by hansokolow using ProTools notes 7903. 10/15/89 Flac 16 - 0, 83298 East Rutherford Meadowlands Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7904. 10/15/89 Shn - 0, 3159 East Rutherford Meadowlands Arena SBD> C> DAT> CDR; seeded by Chaser notes 7905. 10/15/89 Flac 16 - 0, 120535 East Rutherford Meadowlands Arena flac16; Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes Transferred From Mr. Currier's Tapes; (2)Sennheiser441s+(1)Nakamichi CM300/CP1>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7906. 10/15/89 Flac 16 - 0, 89647 East Rutherford Meadowlands Arena flac16; AUD: Sennheiser MD-421's > patched thru one D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on 8-foot stand, front row of OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes 7907. 10/15/89 Flac 16/48 - 0, 138138 East Rutherford Meadowlands Arena flac16/48kHz; Set 2 Ted Mattes FOB recording: Schoeps CMC521 > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes 7908. 10/15/89 Flac 16/48 - 0, 142542 East Rutherford Meadowlands Arena flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 7909. 10/15/89 Flac 16 - 0, 107841 East Rutherford Meadowlands Arena flac16; Master: AKG 458's>Sony TC-D5m>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, front row of the taper section Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes 7910. 10/15/89 Flac 16 - 0, 125556 East Rutherford Meadowlands Arena flac16; Set 1 Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 7911. 10/15/89 Flac 16/48 - 0, 125555 East Rutherford Meadowlands Arena flac16/48kHz; Set 1 Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 7912. 10/15/89 Flac 16 - 0, 125662 East Rutherford Meadowlands Arena flac16; Taper: M. Laurentus; Taper Section 2, Row W, Seat 2; AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes 7913. 10/15/89 Flac 24/96 - 0, 120533 East Rutherford Meadowlands Arena flac24; Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes Transferred From Mr. Currier's Tapes; (2)Sennheiser441s+(1)Nakamichi CM300/CP1>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96kHz; Metadata Tagging With Tag&Rename notes 7914. 10/15/89 Flac 24 UMtx. - 0, 147631 East Rutherford Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7915. 10/15/89 Flac 16/44,1 - 0, 147666 East Rutherford Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 notes 7916. 10/15/89 Flac 16 - 0, 149522 East Rutherford Meadowlands Arena flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Master Cassette Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boeicker, Official Taper Section notes 7917. 10/16/89 Flac 16 Mtx - 0, 96899 East Rutherford Meadowlands Arena flac16; matrix of DSBD: shnid=446 and AUD: shnid=32131 (Set 1) and DAUD: shnid=34658 (Set 2) by hansokolow using ProTools notes 7918. 10/16/89 Shn - 0, 446 East Rutherford Meadowlands Arena source update: DSBD> DAT> WAV> CD-R; via Dave Barrick; 5/00- there may be another version around, possibly reextraction of this- at least 1 track matches the md5 shown here, another track doesn't; listener Jeff Davis reports errors: "some dropouts during the beginning of D1T1, and a dropout around 3:40 of "Space" on Disc 3"; see pub comments for tracking; Update: whole show now released as Nightfall of Diamonds- go buy it notes 7919. 10/16/89 Flac 16 - 0, 126359 East Rutherford Meadowlands Arena flac16; Master Audience Recorded By Mr. Baker And Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Set 1 Sony D6, Tape Maxell MX-90, Mr. Baker's; Set 2 Sony TC-D5M, Tape Denon HD-M 100, Fitzy's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 7920. 10/16/89 Flac 24/96 - 0, 126358 East Rutherford Meadowlands Arena flac24; Master Audience Recorded By Mr. Baker And Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Set 1 Sony D6, Tape Maxell MX-90, Mr. Baker's, Set 2 Sony TC-D5M, Tape Denon HD-M 100, Fitzy's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 7921. 10/16/89 Flac 16 - 0, 34658 East Rutherford Meadowlands Arena flac16; Set 2 Only - FOB Schoeps CMC34 Cardiod>Panasonic SV250(?)>DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav @48K/16b (WinXP) > 44.1K/16b Audacity 1.2.3 (FC3)> Tracks cut with shntool 2.0.3 > Flac 1.1.2 compression level 8 on FC3 Linux notes 7922. 10/16/89 Flac 16 U Mtx - 0, 140163 East Rutherford Meadowlands Arena flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7923. 10/16/89 Flac 16 U Mtx - 0, 140263 East Rutherford Meadowlands Arena flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7924. 10/16/89 Flac 16/48 - 0, 142543 East Rutherford Meadowlands Arena flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 7925. 10/16/89 Flac 16 - 0, 124087 East Rutherford Meadowlands Arena flac16; Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; Transferred and seeded by: Lenny Stubbe notes 7926. 10/16/89 Flac 16/48 - 0, 124086 East Rutherford Meadowlands Arena b>flac16/48kHz; Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; Transferred and seeded by: Lenny Stubbe notes 7927. 10/16/89 Flac 16 - 0, 32131 East Rutherford Meadowlands Arena unknown audience recording CD > EAC > FLAC notes 7928. 10/16/89 Flac 16 - 0, 125658 East Rutherford Meadowlands Arena flac16; Taper: M. Laurentus; Taper Section 2, Row U, Seat 12; AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes 7929. 10/16/89 Flac 16 - , 150534 East Rutherford Meadowlands Arena flac16; Source: Dak Shotgun Mics>Sony Wm-D6C Cassette Deck>2 Maxell MX-90 Metal Master Cassette Tapes>Sony TC-D5M Cassette Deck (Playback)> Edirol R-09 GR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section notes 7930. 10/18/89 Flac 16 - 0, 83776 Philadelphia The Spectrum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7931. 10/18/89 Shn - 0, 12091 Philadelphia The Spectrum Healy Ultramix > MC > DAT > CDR; Beginning of Shakedown, Drumz and Space patched with following source-Digital Audience - Jill & Rob R 3 Nak CM 300's; See info file for details; Seeded to etree by Doug Nawrocki notes 7932. 10/18/89 Flac 16 Mtx - 0, 89967 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shn id 83776) SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 89963) MAV (Taped by LazyCow camera crew) JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Adobe Audition 3.0 - matrix mixing by Kevin Tobin notes 7933. 10/18/89 Flac 16 - 0, 89963 Philadelphia The Spectrum flac16; MAV (Taped by LazyCow camera crew) JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Adobe Audition 3.0 notes 7934. 10/18/89 Flac 16/48 - 0, 142562 Philadelphia The Spectrum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 7935. 10/18/89 Shn - 0, 7551 Philadelphia The Spectrum Digital Audience - Jill & Rob R,3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section. Posted to abgd via ArtCube notes 7936. 10/18/89 Flac 16 - 0, 101845 Philadelphia The Spectrum flac16; Sennheiser ME-80's>Technics SV-MD1 from front left corner of SBD DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC; Recorded By Keith Litzenberger notes 7937. 10/18/89 Flac 16 - 0, 120496 Philadelphia The Spectrum flac16; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.18(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 7938. 10/18/89 Flac 16 - 0, 100218 Philadelphia The Spectrum flac16; Source: Nakamichi cm300/cp4->Sony D-5M (Dolby B encoded)->Maxell MX90 x 2 Lineage: MAC->Sony D-5M (Dolby B decoded)->Korg MR-1000 (1bit/5.5MHz)->AudioGate->(16/44.1) wav-> Soundforge 8.0->flac; Taper: Dave Barfield; Transferred and seeded by M.Watson on July 19, 2009 notes 7939. 10/18/89 Flac 16 - 0, 116662 Philadelphia The Spectrum flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster notes 7940. 10/18/89 Flac 16/48 - 0, 120495 Philadelphia The Spectrum flac16/48kHz; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps; CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.18(encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 7941. 10/18/89 Flac 16 Dts.5.1 - 0, 89968 Philadelphia The Spectrum DTS Audio 5.1; SBD (shn id 83776) SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 89963) MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Adobe Audition 3.0 - mixing by Kevin Tobin notes 7942. 10/18/89 Flac 24 UMtx. - 0, 147697 Philadelphia The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7943. 10/18/89 Flac 16/48 - 0, 147725 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147697) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142562) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - surround mixing by Kevin Tobin notes 7944. 10/18/89 Flac 16 Dts.5.1 - 0, 147724 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147697) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142562) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dts mixing by Kevin Tobin notes 7945. 10/18/89 Flac 16 Mtx - 0, 147723 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 147697) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142562) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - matrix mixing by Kevin Tobin notes 7946. 10/18/89 Flac 16 - 0, 17728 Philadelphia The Spectrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44. notes 7947. 10/18/89 Flac 16 - 0, 149607 Philadelphia The Spectrum flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassete Deck>2 Maxell MX-90 Monute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section, Section 107 Row 5.Seat 16 notes 7948. 10/19/89 Flac 16 Mtx - 0, 96967 Philadelphia The Spectrum flac16; matrix of SBD: shnid=83305 and DAUD: shnid=7595 by hansokolow using ProTools notes 7949. 10/19/89 Flac 16 - 0, 83305 Philadelphia The Spectrum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7950. 10/19/89 Shn - 0, 7640 Philadelphia The Spectrum DSBD>C?>DAT>CDR; via eD O'Connor notes 7951. 10/19/89 Shn - 0, 34571 Philadelphia The Spectrum Seamless fix of shn id 7640 - DSBD>C?>DAT>CDR>EAC>WAV>CDR notes 7952. 10/19/89 Flac 16/48 - 0, 94273 Philadelphia The Spectrum flac16/48; Sennheiser ME-80's>Technics SV-MD1 from 2 rows in front of Soundboard DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades)>CDWAV>FLAC Recorded, transferred & Uploaded By Keith Litzenberger *48KHZ Version* notes 7953. 10/19/89 Flac 16/48 - 0, 120497 Philadelphia The Spectrum flac16/48kHz; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.18(encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 7954. 10/19/89 Flac 16 - 0, 116663 Philadelphia The Spectrum flac16; Set 1 Only Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster notes 7955. 10/19/89 Flac 16 - 0, 99977 Philadelphia The Spectrum flac16; Source: Nakamichi CM300/CP4->Sony D-5M (Dolby B encoded)->TDK MA-X90 x2->Sony D-5M (Dolby B decoded)->Korg MR-1000 (1bit/5.5MHz)->AudioGate->(16/44.1) wav-> Soundforge 8.0->flac; Taper: Dave Barfield notes 7956. 10/19/89 Shn - 0, 7595 Philadelphia The Spectrum Digital Audience - Jill & Rob R, 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section. Seeded to abgd via ArtCube notes 7957. 10/19/89 Flac 16 - 0, 101809 Philadelphia The Spectrum flac16; Sennheiser ME-80's>Technics SV-MD1 from 2 rows in front of Soundboard DAT MASTER>Sony TCD-D10PROII>Sound Devices 744t>Soundforge 9(Fades/Sample Rate Conversion)>CDWAV>FLAC; Recorded & transferred By Keith Litzenberger on October 7, 2009 notes 7958. 10/19/89 Flac 16 - 0, 120498 Philadelphia The Spectrum flac16; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.18(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 7959. 10/19/89 Flac 16 - 0, 94274 Philadelphia The Spectrum flac16; Sennheiser ME-80's>Technics SV-MD1 from 2 rows in front of Soundboard DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded, transferred & Uploaded By Keith Litzenberger notes 7960. 10/19/89 Flac 24 UMtx. - 0, 157722 Philadelphia The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7961. 10/19/89 Flac 16 - 0, 147729 Philadelphia The Spectrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 7962. 10/19/89 Flac 16 - 0, 149634 Philadelphia The Spectrum flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section; Section 107, Row 5,Seat 15 notes 7963. 10/20/89 Flac 16 Mtx - 0, 102200 Philadelphia The Spectrum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes 7964. 10/20/89 Flac 16 - 0, 11527 Philadelphia The Spectrum flac16; SBD Master Cassettes recorded by BEAR; Transferred and Mastered by Jim Blackwood; Tracked in CDWAV Tag&Rename for Meta_Data TradersLittleHelper for FLAC Level 8 by Patrick White notes 7965. 10/20/89 Flac 16 - 0, 83317 Philadelphia The Spectrum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7966. 10/20/89 Shn - 0, 13032 Philadelphia The Spectrum Ultra-Matrix Soundboard DAT > Cassette > DAT > CDR; Audience source supplies first 0:48 of "Hey Pocky Way" (d2t01); Alternate Sbd source supplies balance of "Hey Pocky Way" (d2t01) as well as the first 4:46 of "Scarlet Begonias" (d2t02);Patching / CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston; to abgd via terrapin flyer notes 7967. 10/20/89 Shn - 0, 7641 Philadelphia The Spectrum DSBD>C?>DAT>CDR; via eD O'Connor notes 7968. 10/20/89 Flac 16 Mtx - 0, 123590 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shn id 83317) SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 123584) MAV (Taped by Peanut Production camera crew);Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen. Transfer: S-VHS 1st Gen. -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac Core 2 Duo -> Final Cut Pro 6 -> Compressor 3 -> BHP -> Adobe Audition 3.0 -> R8Brain Pro -> CDWave - matrix mixing by Kevin Tobin notes 7969. 10/20/89 Flac 16 - 0, 123584 Philadelphia The Spectrum flac16; MAV (Taped by Peanut Production camera crew);Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen. Transfer: S-VHS 1st Gen. -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac Core 2 Duo -> Final Cut Pro 6 -> Compressor 3 -> BHP -> Adobe Audition 3.0 -> R8Brain Pro -> CDWave notes 7970. 10/20/89 Shn - 0, 99071 Philadelphia The Spectrum Possibly Shure M57s audience cassette master > burned to standalone Pioneer burner > ripped with DAC > shinned with MKW notes 7971. 10/20/89 Flac Dts 5.1 - 0, 123591 Philadelphia The Spectrum DTS Audio 5.1; SBD (shn id 83317) SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 123584) MAV (Taped by Peanut Production camera crew);Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen. Transfer: S-VHS 1st Gen. -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac Core 2 Duo -> Final Cut Pro 6 -> Compressor 3 -> BHP -> Adobe Audition 3.0 -> R8Brain Pro -> CDWave - mixing by Kevin Tobin notes 7972. 10/20/89 Flac 16/48 - 0, 142563 Philadelphia The Spectrum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 7973. 10/20/89 Flac 16/48 - 0, 120499 Philadelphia The Spectrum flac16/48kHz; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.18(encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 7974. 10/20/89 Flac 16 - 0, 99867 Philadelphia The Spectrum flac16; Source: (OTS)Nak.300/cp4->Sony D-5M (Dolby B encoded)->TDK MA-X90 x2->Sony D-5M (Dolby B decoded)->Korg MR-1000 (1Bit/5.6MHz)-> AudioGate->wav(16/44.1)->SF8->FLAC; Taper: Dave Barfield notes 7975. 10/20/89 Flac 16 - 0, 116721 Philadelphia The Spectrum flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster notes 7976. 10/20/89 Flac 16 - 0, 120500 Philadelphia The Spectrum flac16; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.18(encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 7977. 10/20/89 Flac 24 UMtx. - 0, 147749 Philadelphia The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7978. 10/20/89 Flac 16/48 - 0, 147739 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shn id 83317) SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 123584) MAV (Taped by Peanut Production camera crew);Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen. Transfer: S-VHS 1st Gen. -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac Core 2 Duo -> Final Cut Pro 6 -> Compressor 3 -> BHP -> Adobe Audition 3.0 -> R8Brain Pro -> CDWave - surround mixing by Kevin Tobin notes 7979. 10/20/89 Flac 16 U Mtx. - 0, 147902 Philadelphia The Spectrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 7980. 10/20/89 Shn - 0, 34579 Philadelphia The Spectrum Seamless fix of shn id 13032 - Ultramatrix SBD DAT>C>DAT>CD>EAC>SHN notes 7981. 10/20/89 Flac 16 - 0, 149682 Philadelphia The Spectrum flac16; Source:DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper Taped By Dave Boedicker, Official Taper Section, Section 107, Row 5, Seat 20 notes 7982. 10/22/89 Flac 16 Mtx - 0, 102399 Charlotte Charlotte Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes 7983. 10/22/89 Flac 16 - 0, 83319 Charlotte Charlotte Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7984. 10/22/89 Shn - 0, 12188 Charlotte Charlotte Coliseum SBD> ?> CD> EAC> SHN (EAC); DAE & SHN Encoding by Tommy Brame notes 7985. 10/22/89 Flac 16/48 - 0, 142576 Charlotte Charlotte Coliseum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 7986. 10/22/89 Flac 16 - 0, 97414 Charlotte Charlotte Coliseum flac16; Source: aud > Nakamichi CM-300s > Sony WD-5 > mac Transfer: mac > Nakamichi CR-5A > Tascam HD-P2 > 24/96 wav > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > flac16 notes 7987. 10/22/89 Flac 16 - 0, 132700 Charlotte Charlotte Coliseum flac16; Recording info: FOB/ Schoeps cmc 521's> Colette (active) cables> Schoeps VMS 52 UB p/s> Technics SV-MD1 by Lance Deal; Master DAT's provided by Lance Deal by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty notes 7988. 10/22/89 Flac 24/96 - 0, 147644 Charlotte Charlotte Coliseum flac24; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel notes 7989. 10/22/89 Flac 24 - 0, 147755 Charlotte Charlotte Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 7990. 10/22/89 Flac 16 U Mtx. - 0, 148202 Charlotte Charlotte Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 7991. 10/22/89 Flac 16 - 0, 149693 Charlotte Charlotte Coliseum flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8 Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section notes 7992. 10/23/89 Flac 16 Mtx - 0, 102771 Charlotte Charlotte Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes 7993. 10/23/89 Flac 16 - 0, 83327 Charlotte Charlotte Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 7994. 10/23/89 Shn - 0, 2223 Charlotte Charlotte Coliseum SBD>Cassette Master> Sonic Solutions> CD> FM> DAT> CDR> EAC> SHN; via Jeff M. notes 7995. 10/23/89 Flac 16 - 0, 116205 Charlotte Charlotte Coliseum flac16: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper JB,Transfer By Keo Tapes Maxell MX 90,100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes 7996. 10/23/89 Flac 24/96 - 0, 116206 Charlotte Charlotte Coliseum flac24: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper JB,Transfer By Keo Tapes Maxell MX 90,100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz No Dithering With These Files notes 7997. 10/23/89 Flac 16/48 - 0, 142577 Charlotte Charlotte Coliseum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 7998. 10/23/89 Flac 16 - 0, 131026 Charlotte Charlotte Coliseum flac16; Source: Set One is digital FOB/12th Row/Schoeps CMC 54's> DAT; Set Two is an ANALOG transfer from Schoeps CMC 421's in the T.S (AAD); DAT's provided by Lance Deal; Transfer: Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Transferred and liberated to bt.etree on August 24, 2014 by jwpetty notes 7999. 10/23/89 Flac 24/96 - 0, 147645 Charlotte Charlotte Coliseum flac24; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel notes 8000. 10/23/89 Flac 24 - 0, 147762 Charlotte Charlotte Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 8001. 10/23/89 Flac 16/48 - 0, 147918 Charlotte Charlotte Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147762) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147645) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - surround mixing by Kevin Tobin notes 8002. 10/23/89 Flac 16 Dts.5.1 - 0, 147917 Charlotte Charlotte Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147762) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147645) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - matrix mixing by Kevin Tobin notes 8003. 10/23/89 Flac 24/96 Mtx - 0, 147913 Charlotte Charlotte Coliseum flac24; Matrix 2 Source Mix - SBD (shnid = 147762) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147645) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - matrix mixing by Kevin Tobin notes 8004. 10/23/89 Flac 16 Mtx - 0, 147916 Charlotte Charlotte Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 147762) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147645) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - matrix mixing by Kevin Tobin notes 8005. 10/23/89 Flac 16 - 0, 148155 Charlotte Charlotte Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 8006. 10/23/89 Flac 16 - 0, 96922 Charlotte Charlotte Coliseum flac16; Source: Audience Recording Lineage: Nak CM-300s with CP-4 caps (OTS on tall stand) > D-5 > MAC > Nak zx-7 > Tascam HD-P2 > 24/96 wave > wavelab 5 > plugs > r8brain pro > 16/44.1 wave > cd wave > flac 16 (TLH lvl 8) notes 8007. 10/23/89 Flac 16 - 0, 149694 Charlotte Charlotte Coliseum flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section notes 8008. 10/25/89 Flac 16 - 0, 83398 Miami Miami Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 8009. 10/25/89 Flac 16 Mtx - 0, 125645 Miami Miami Arena flac16; 2 Source Matrix by dusborne Soundboard (shinid:83398) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16; All Transfers and Mastering By Charlie Miller and Audience (shnid:124034) Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz) Config/Location: ORTF/FOB on a stand Transfer: Sony PCM-2600(Apogee ES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ) Taped by: Ted Mattes notes 8010. 10/25/89 Flac 16 - 0, 83398 Miami Miami Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 8011. 10/25/89 Flac 16 - 0, 79611 Miami Miami Arena flac16; Nakamichi 300 shotguns > Sony D5 > MAC taped by Tim Alexander Transfer: MAC playback on Nakamichi DR-1 > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC notes 8012. 10/25/89 Shn - 0, 1828 Miami Miami Arena Cassette SBD> DATs> CDRs> EAC> SHN; via Peter L., Sean Cribbs, Darrin Sacks notes 8013. 10/25/89 Flac 24/48 - 0, 79637 Miami Miami Arena flac24/48; Nakamichi 300 shotguns > Sony D5 (Dolby B) > MAC taped by Tim Alexander Transfer: MAC playback on Nakamichi DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC notes 8014. 10/25/89 Ultra MtxFlac24 - 0, 140815 Miami Miami Arena flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 8015. 10/25/89 Flac 16 - 0, 140917 Miami Miami Arena flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 8016. 10/25/89 Flac 16/48 - 0, 142606 Miami Miami Arena flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 8017. 10/25/89 Flac 16 Mtx - 0, 143025 Miami Miami Arena flac16; Matrix 2 Source Mix - SBD (shnid = 140815) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142606) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dts mixing by Kevin Tobin notes 8018. 10/25/89 Flac Dts 5.1 - 0, 143027 Miami Miami Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 140815) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142606) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dts mixing by Kevin Tobin notes 8019. 10/25/89 Flac 16/48 - 0, 143028 Miami Miami Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140815) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142606) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - surround mixing by Kevin Tobin notes 8020. 10/25/89 Flac 24 - 0, 143033 Miami Miami Arena flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This source has a fixed Hell In A Bucket notes 8021. 10/25/89 Flac 16/48 - 0, 124034 Miami Miami Arena flac16/48kHz; Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB on a stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; Transferred and seeded by: Lenny Stubbe notes 8022. 10/25/89 Flac 16 - 0, 124035 Miami Miami Arena flac16; Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB on a stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; Transferred and seeded by: Lenny Stubbe notes 8023. 10/25/89 Flac 16 - 0, 143511 Miami Miami Arena flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This source has a fixed Hell In A Bucket; This file set is 16/44.1 notes 8024. 10/26/89 Flac 16 - 0, 83428 Miami Miami Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 8025. 10/26/89 Flac16 Mtx - 0, 125695 Miami Miami Arena flac16;2 Source Matrix by dusborne Soundboard (shinid:83428) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Audience (shnid:123831) Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz) Config/Location: ORTF/FOB on a stand Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ) Taped by: Ted Mattes notes 8026. 10/26/89 Shn - 0, 18664 Miami Miami Arena SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN Set 2 only. Converted By Charlie Miller notes 8027. 10/26/89 Shn - 0, 24587 Miami Miami Arena Complete show Set 1 from shn id 20614 and seamlessly fixed Set 2 from shn id 18664 notes 8028. 10/26/89 Shn - 0, 20614 Miami Miami Arena Set 1 only. SBD -> Cm -> Dat -> CD -> EAC -> Samplitude v7.02 -> SHN by Charlie Miller notes 8029. 10/26/89 Shn - 0, 1829 Miami Miami Arena Soundboard > Cassette > DATs > CDRs > EAC > SHN; via Peter L., Sean Cribbs, Darrin Sacks notes 8030. 10/26/89 Shn - 0, 19163 Miami Miami Arena Soundboard (Ultra Matrix) > DAT Master > DAT > Sonic Solutions > Master CD > EAC > .wav > FLAC Frontend > FLAC, Compiled by Dan Lynch, Master CD provided by David Gans notes 8031. 10/26/89 Flac 16 - 0, 107258 Miami Miami Arena flac16;Schoeps CMC34 > PCM F1 > DAT (Fostex D-10 Playback) > CD (hhb800 standalone) > EAC (0.93b) > WAV > SHN (via MKWACT) notes 8032. 10/26/89 Flac 16/48 - 0, 142607 Miami Miami Arena flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 8033. 10/26/89 Flac 16/48 - 0, 123831 Miami Miami Arena flac16/48kHz; Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB on a stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 8034. 10/26/89 Flac 16 - 0, 123832 Miami Miami Arena flac16; Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB on a stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes 8035. 10/26/89 Flac 24 UMtx. - 0, 147714 Miami Miami Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 8036. 10/26/89 Flac 16 - 0, 147766 Miami Miami Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes 8037. 10/26/89 Flac 16/48 - 0, 147754 Miami Miami Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147714) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142607) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - surround mixing by Kevin Tobin notes 8038. 10/26/89 Flac 16 Dts.5.1 - 0, 147753 Miami Miami Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147714) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142607) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dts mixing by Kevin Tobin notes 8039. 10/26/89 Flac 16 Mtx - 0, 147752 Miami Miami Arena flac16; Matrix 2 Source Mix - SBD (shnid = 147714) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142607) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - matrix mixing by Kevin Tobin notes 8040. 12/06/89 Shn - 0, 14917 Oakland Oakland-Alameda County Coliseum SBD -> Dat (Encore is SBD>Cm>Dat with AUD Patch starting at 4:16) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN (2 Discs SHN / 3 Discs Audio Transfered and Edited By Charlie Miller notes 8041. 12/06/89 Flac 16 - 0, 92964 Oakland Oakland-Alameda County Coliseum flac16; FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA-XG 90's with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes 8042. 12/06/89 Shn - 0, 7446 Oakland Oakland-Alameda County Coliseum sdb>dat>wav>cooledit>shn; via John Acquafredda notes 8043. 12/06/89 Flac16/48 UMtx - 0, 138926 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Ultra Matrix Soundboard Master > DAT; Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT notes 8044. 12/06/89 Flac 24 UMtx - 0, 140164 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 8045. 12/06/89 Shn - 0, 33821 Oakland Oakland-Alameda County Coliseum Seamless fix of shn id 14917 - SBD -> DAT -> Prodif Plus -> Samplitude v6.0 -> SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes 8046. 12/06/89 Flac 16 UMtx - 0, 140264 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 8047. 12/06/89 Flac 16/48 - 0, 142700 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 8048. 12/06/89 Flac 16 - 0, 107991 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Beyer M-160 microphones > Sony TC-D5M ~ Mics @ 6 feet ~ 25 feet from stage-center ~ Maxell MX90's Transfer: Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes 8049. 12/08/89 Flac 16 - 0, 88396 Inglewood Great Western LA Forum flac16; SBD -> Dat -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 8050. 12/08/89 Shn - 0, 15641 Inglewood Great Western LA Forum Source: Set 1 SBD>CM>CM?>DAT>CDR>WAV>SHNv3 Set 2 SBD>CM>DAT>CDR>WAV>SHNv3 (w/ aud splices). See info file for splice details. Source discs via M.Rider. SHN encoding/initial propagation via neo_levo/candyman FTP. notes 8051. 12/08/89 Shn - 0, 8961 Inglewood Great Western LA Forum AUD>DAT>CDR; Seeded to etree by Tim W notes 8052. 12/08/89 Flac 24 UMtx - 0, 140166 Inglewood Great Western LA Forum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 8053. 12/08/89 Flac 16 U Mtx - 0, 140265 Inglewood Great Western LA Forum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 8054. 12/08/89 Flac 24/96 - 0, 35372 Inglewood Great Western LA Forum flac24; Ambient recording master by Mike French / Tapers From Hell From the Impact Zone, fob/dfc (same spot as entire 02-89 run, and entire 12-89 run) Sennheiser MKE2002 omni's HRTF stealth stereo -> Sony TC-D5M to 24/96 pcm: Sony TC-D5M and cassette master, no n.r. -> Tascam DVRA1000 in pcm mode @24/96 to flac: Tascam DVRA1000 in usb 2.0 mode, master disc file import -> Mac G4 OS-X Tiger. Flac compression (6/8) by xACT by Scott Brown NOTE: this is not the "exact" .flac fileset seeded my Mike French, reencoded to flac level 8 added id3 tags by Bob Loy notes 8055. 12/08/89 Flac 16 - 0, 132701 Inglewood Great Western LA Forum flac16; Recording info on DAT's: FOB/Schoeps cmc 44's; DAT's provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty notes 8056. 12/08/89 Flac 16 - 0, 76251 Inglewood Great Western LA Forum flac16; Ambient recording master by Mike French - Tapers From Hell From the Impact Zone, fob,dfc (same spot as entire 02-89 run, and entire 12-89 run) Sennheiser MKE2002 omni's HRTF stealth stereo -> Sony TC-D5M to 24/96 pcm: Sony TC-D5M and cassette master, no n.r. -> Tascam DVRA1000 in pcm mode @24/96 to flac: Tascam DVRA1000 in usb2.0 mode, master disc file import -> Mac G4 OS-X Tiger. Flac compression (6/8) by xACT by Scott Brown -> 16/44 conversion - shntool join -> Wavelabs 5: converted to 44100hz -> Isotope Ozone - dither: type mbit+, noise shaping high, bit depth 16, dither amount normal -> Wavelab - processed to 16bit -> Audacity: tracking only -> ffe l6 sector boundaries aligned>id3 tag <-Seamless transition between Discs 2 and 3-> notes 8057. 12/09/89 Shn - 0, 5450 Inglewood Great Western LA Forum SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer - via C. Miller. DAE, tracking (EAC > cdwave > shntool > mkwact) and FTP/ABGD via C. Ladner; see info file for listening notes notes 8058. 12/09/89 Shn - 0, 29754 Inglewood Great Western LA Forum Source: SBD > DAT > CDR > WAV > SHNv3. This is shn id 5450 with undocumented changes to d2t01 via LMA. notes 8059. 12/09/89 Flac 24 U Mtx - 0, 140180 Inglewood Great Western LA Forum flac24; Recording Info: UltraMatrix Master Soundbonard Dat 16/48 > Dat clone 16/48 directly from Dat master; Transfer Info: Dat 16/48 (Sony PCM-R500) > Sound Devices 744T 16/48 > Adobe Audition 3.0 > TLH flac1648; All Transfers and Mastering By Charlie Miller notes 8060. 12/09/89 Flac 16/48 - 0, 140198 Inglewood Great Western LA Forum flac16/48 Recording Info: UltraMatrix Master Soundbonard Dat 16/48 > Dat clone 16/48 directly from Dat master. Transfer Info: Dat 16/48 (Sony PCM-R500) > Sound Devices 744T 16/48 > Adobe Audition 3.0 > TLH flac1648. Transfer by Charlie Miller. Mastered by Scott Clugston notes 8061. 12/09/89 Flac 16 U Mtx - 0, 140275 Inglewood Great Western LA Forum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; the original source had errors on the last three tracks; please don't circulate that version notes 8062. 12/09/89 Flac 16/48 - 0, 141796 Inglewood Great Western LA Forum flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 at 110 degrees on stand (FOB) > Oade capacitor supply > Panasonic SV-250 > DAT (48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes notes 8063. 12/09/89 Flac 24/96 - 0, 35373 Inglewood Great Western LA Forum flac24; Ambient master by Tapers From Hell: A Journey to the Impact Zone Analog Masters by Mike French "Moke" Sennheiser MKE2002 omni's HRTF (baffled omni's) -> Sony TC-D5M, FOB/DFC in the center of a giant quiet zone of tapers and friends. Mics at 6'5". I was also covering the fob mic tree for this entire 12/89 run. A Tapers From Hell gathering. to 24/96 digital: Sony TC-D5M master deck, master cassette, no n.r. -> Tascam DVRA1000 DSD recorder in pcm mode, 24/96 to flac: track marks originally applied via the DVRA1000 to the dvd+rw master. Then,.. master disc imported via Mac 10.4 Tiger, and flac compression by xACT by Scott Brown, level 6 NOTE: this is not the "exact" .flac fileset seeded my Mike French, it has added id3 tags by Bob Loy notes 8064. 12/09/89 Flac 16 - 0, 102174 Inglewood Great Western LA Forum flac16; Source: Nakamichi CM-300s w/CP-4's -> Sony TCD-D10 Lineage: M-DAT -> DAT/1 -> Tascam DA-30 -> HHb CDR 800 PRO via analog i/o Location: 2nd row OTS Taped/Transferred: Jeff Bowen CDR>EAC>TLH(6)>FLAC: Brad Foster (10/25/09) notes 8065. 12/09/89 Flac 16 - 0, 76273 Inglewood Great Western LA Forum flac16; Ambient recording master by Mike French - Tapers From Hell From the Impact Zone, fob,dfc (same spot as entire 02-89 run, and entire 12-89 run) Sennheiser MKE2002 omni's HRTF stealth stereo -> Sony TC-D5M to 24/96 pcm: Sony TC-D5M and cassette master, no n.r. -> Tascam DVRA1000 in pcm mode @24/96 All x'fers up to flac / master disc burn, by Mike French to flac: Tascam DVRA1000 in usb2.0 mode, master disc file import -> Mac G4 OS-X Tiger. Flac compression (6/8) by xACT by Scott Brown -> 16/44 conversion by Bob Loy -> shntool join -> Wavelabs 5: converted to 44100hz -> Isotope Ozone - dither: type mbit+, noise shaping high, bit depth 16, dither amount normal -> Wavelab - processed to 16bit -> Audacity: tracking only -> ffe l6 sector boundaries aligned -> id3 tag <-Seamless transition between Discs 1 and 2-> notes 8066. 12/10/89 Flac 16 - 0, 119728 Inglewood Great Western LA Forum flac16; Recording Info: SBD (Dan Healy's UltraMatrix Mix) -> Dat (48k); Transfer Info: Dat (Tascam DA20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes 8067. 12/10/89 Shn - 0, 5451 Inglewood Great Western LA Forum SBD > DAT > CDR > WAV > SHNv3; DAE via C. Ladner (EAC > CDWave > SHNTOOL > MKWACT), from Charlie Miller seed notes 8068. 12/10/89 Flac 16 Mtx - 0, 102402 Inglewood Great Western LA Forum flac16; Matrix 3 Source Mix - SBD (shn id 5451) SBD > DAT > CDR > WAV > SHNv3; DAE via C. Ladner (EAC > CDWave > SHNTOOL > MKWACT), from Charlie Miller seed + AUD1 (shn id 83792) Sennheiser MKE2002 omni's HRTF -> Sony TC-D5M. Mics at 6'5" Also covering an ortf pair of Neumann km84's -> Sony TC-D5M rig, on a stand. to 24/96 pcm: Sony TC-D5M master deck and master cassette, no n.r. -> Tascam DVRA1000 DSD recorder in pcm mode, 24/96 to flac: Tascam DVRA1000 in USB2.0 mode -> Mac OS-X Tiger import -> xACT by Scott Brown 6/8 level compression. + AUD2 (no shn id) low generation video supplied in dvd format by Dave Minor for video project - matrix mixing by Kevin Tobin notes 8069. 12/10/89 Shn - 0, 16669 Inglewood Great Western LA Forum Source: SBD > DAT > CDR > WAV > SHNv3. DAE via C. Ladner (EAC > CDWave > SHNTOOL > MKWACT). notes 8070. 12/10/89 Flac 16 - 0, 102510 Inglewood Great Western LA Forum flac16; SBD > DAT > CDR > WAV > SHNv3 - pitch correction and patches by Kevin Tobin (update of source ID 5451) notes 8071. 12/10/89 Flac 16 - 0, 137973 Inglewood Great Western LA Forum flac16; Source: (2) Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; recorded by Gris w/ my gear; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH notes 8072. 12/10/89 Ultra Mtx Flac - 0, 140202 Inglewood Great Western LA Forum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 8073. 12/10/89 Flac 16 - 0, 140276 Inglewood Great Western LA Forum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 8074. 12/10/89 Flac 16/48 - 0, 141797 Inglewood Great Western LA Forum flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 at 110 degrees on stand (FOB) > Oade capacitor supply > Panasonic SV-250 > DAT (48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes notes 8075. 12/10/89 Flac 24/96 - 0, 83792 Inglewood Great Western LA Forum flac24/96; Sennheiser MKE2002 omni's HRTF -> Sony TC-D5M. Mics at 6'5" Also covering an ortf pair of Neumann km84's -> Sony TC-D5M rig, on a stand. to 24/96 pcm: Sony TC-D5M master deck and master cassette, no n.r. -> Tascam DVRA1000 DSD recorder in pcm mode, 24/96 to flac: Tascam DVRA1000 in USB2.0 mode -> Mac OS-X Tiger import -> xACT by Scott Brown 6/8 level compression. notes 8076. 12/10/89 Flac 16 - 0, 102175 Inglewood Great Western LA Forum flac16; Source: Nakamichi CM-300s w/CP-4's -> Sony TCD-D10 Lineage: M-DAT -> DAT/1 -> Tascam DA-30 -> HHb CDR 800 PRO via analog i/o Location: 2nd row OTS Taped/Transferred: Jeff Bowen CDR>EAC>TLH(6)>FLAC: Brad Foster (10/25/09) notes 8077. 12/10/89 Flac 16/44,1 - 0, 146096 Inglewood Great Western LA Forum flac16/44.1khz Ambient Master by Mike French TFH: A Journey to the Impact Zone Sennheiser MKE2002 omni's HRTF -> Sony TC-D5M. Mics at 6'5" FOB/DFC (same spot as 2/89 run, and all 12/89 run) Also covering an ortf pair of Neumann km84's -> Sony TC-D5M rig, on a stand. to 24/96 pcm: Sony TC-D5M master deck and master cassette, no n.r. -> Tascam DVRA1000 DSD recorder in pcm mode, 24/96 to flac: Tascam DVRA1000 in USB2.0 mode -> Mac OS-X Tiger import -> xACT by Scott Brown 6/8 level compression. notes 8078. 12/10/89 Flac 16 Dts.5.1 - 0, 102513 Inglewood Great Western LA Forum DTS-Audio-CD 5.1 Mix; SBD (shn id 5451) SBD > DAT > CDR > WAV > SHNv3; DAE via C. Ladner (EAC > CDWave > SHNTOOL > MKWACT), from Charlie Miller seed + AUD1 (shn id 83792) Sennheiser MKE2002 omni's HRTF -> Sony TC-D5M. Mics at 6'5" Also covering an ortf pair of Neumann km84's -> Sony TC-D5M rig, on a stand. to 24/96 pcm: Sony TC-D5M master deck and master cassette, no n.r. -> Tascam DVRA1000 DSD recorder in pcm mode, 24/96 to flac: Tascam DVRA1000 in USB2.0 mode -> Mac OS-X Tiger import -> xACT by Scott Brown 6/8 level compression. + AUD2 (no shn id) low generation video supplied in dvd format by Dave Minor for video project - dts mixing by Kevin Tobin notes 8079. 12/27/89 Flac 16 - 0, 88397 Oakland Oakland-Alameda County Coliseum flac16; SBD -> Dat -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 8080. 12/27/89 Shn - 0, 82051 Oakland Oakland-Alameda County Coliseum Source: Dan Healy's Master Soundboard Cassette > CDR > SHN > patching/editing > SHN notes 8081. 12/27/89 Shn - 0, 6662 Oakland Oakland-Alameda County Coliseum Dan Healy's Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd notes 8082. 12/27/89 Flac 24 - 0, 140369 Oakland Oakland-Alameda County Coliseum flac24; Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints notes 8083. 12/27/89 Flac 16 - 0, 140420 Oakland Oakland-Alameda County Coliseum flac16; Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints notes 8084. 12/27/89 Flac 16/48 - 0, 142683 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 8085. 12/27/89 Flac 16 - 0, 142852 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 8086. 12/27/89 Flac 24 - 0, 142853 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 8087. 12/27/89 Shn - 0, 20785 Oakland Oakland-Alameda County Coliseum FOB>Shoeps CMC3/mk-4 > DAT > CDR > WAV > SHNv3; Taper unknown @ this time. notes 8088. 12/27/89 Flac 16 - 0, 105433 Oakland Oakland-Alameda County Coliseum flac16; Nakamichi Shotgun Mics>Sony D-5>Marantz PMD430; Recorded by Mike Mahoney notes 8089. 12/27/89 Shn - 0, 8960 Oakland Oakland-Alameda County Coliseum AUD>DAT>CDR; Seeded to etree by Tim W notes 8090. 12/27/89 Flac 16 - 0, 131027 Oakland Oakland-Alameda County Coliseum b>flac16; Digital FOB by Lance Deal using Schoeps CMC 521's (FOB)> Schoeps VMS 52 UB> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Fostex D-5 (AES/EBU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Transferred and liberated to bt.etree on August 24, 2014 by jwpetty notes 8091. 12/27/89 Flac 16 - 0, 117696 Oakland Oakland-Alameda County Coliseum flac16; Set 2 only Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 8092. 12/27/89 Flac 16/48 - 0, 144153 Oakland Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 142853) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142683) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - surround mixing by Kevin Tobin notes 8093. 12/27/89 Flac 16 Dts - 0, 144152 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid = 142853) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142683) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dtsmixing by Kevin Tobin notes 8094. 12/27/89 Flac 16 MTX - 0, 144151 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 142853) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142683) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - matrix mixing by Kevin Tobin notes 8095. 12/27/89 Flac 16 Mtx - , 165017 Oakland Oakland-Alameda County Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 142852 & 142683. notes 8096. 12/28/89 Flac 16 - 0, 32254 Oakland Oakland-Alameda County Coliseum flac16; SBD -> Master Cassette Transferred By David Gans Converted to FLAC By Charlie Miller notes 8097. 12/28/89 Flac 24 - 0, 126030 Oakland Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 8098. 12/28/89 Flac 16 - 0, 126031 Oakland Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 8099. 12/28/89 Flac 16/48 - 0, 139207 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Set 1 unknown taper: Schoeps CMC34 at 110 degrees ORTF > Panasonic SV250; hand held on Schoeps t-bar FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel: flac 16/48; Checksum & tags created in xACT notes 8100. 12/28/89 Flac 24 - 0, 140375 Oakland Oakland-Alameda County Coliseum flac24; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Front Of Board Master Audience cassette: Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints notes 8101. 12/28/89 Flac 16 - 0, 140421 Oakland Oakland-Alameda County Coliseum flac16; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Front Of Board Master Audience cassette: Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints notes 8102. 12/28/89 Flac 16/48 - 0, 142684 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source Info: 1st Set - Ted Mattes' Master (FOB) Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); 2nd Set - Master Audience Dat (OTS) AKG 414 mics > unknown Dat deck (16-bit/48k) > Ted Mattes' Dat (16-bit/48k); Transfer Info: 1st Set: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648; 2nd Set: Master Dat clone (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 8103. 12/28/89 Flac 16 - 0, 131028 Oakland Oakland-Alameda County Coliseum flac16; Digital FOB by Lance Deal using Schoeps CMC 521's (FOB)> Schoeps VMS 52 UB> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Transferred and liberated to bt.etree on August 24, 2014 by jwpetty notes 8104. 12/28/89 Flac 16 - 0, 117731 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 8105. 12/28/89 Flac 16 - 0, 91643 Oakland Oakland-Alameda County Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 from front of Taper's Section DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades and Sample Rate Conversion)>CDWAV>FLAC Recorded By Keith Litzenberger & Gerry Gordon, All Transfers by Keith Litzenberger notes 8106. 12/28/89 Shn - 0, 12565 Oakland Oakland-Alameda County Coliseum 2 Beyer M160 FOB > Sony TCD5M Cassette Master > SHN; Unknown seeder notes 8107. 12/28/89 Flac 16 Mtx - , 165021 Oakland Oakland-Alameda County Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 154423 & 142684. notes 8108. 12/28/89 Flac 24/96 - , 153956 Oakland Oakland-Alameda County Coliseum flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 8109. 12/28/89 Flac 16/44 - , 154423 Oakland Oakland-Alameda County Coliseum flac1644; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 153956 2496 > 1644 notes 8110. 12/30/89 Shn - 0, 9122 Oakland Oakland-Alameda County Coliseum Source: Ultramatrix (SBD/AUD mix); Lineage: DAT> CD> SHN; via Rob Harrison; Seeded to etree by Peter Braverman notes 8111. 12/30/89 Flac 24/96 - 0, 126975 Oakland Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes 8112. 12/30/89 Shn - 0, 8754 Oakland Oakland-Alameda County Coliseum ony G shntool fix of original Braverman seed; Ultramatrix (SBD/AUD mix); Lineage: DAT> CD> SHN notes 8113. 12/30/89 Flac 16 - 0, 126076 Oakland Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes 8114. 12/30/89 Shn - 0, 5069 Oakland Oakland-Alameda County Coliseum mixed source: Set 1- DSBD> ?> D> CDR; Set 2- Schoeps CMC3/mk-4 FOB notes 8115. 12/30/89 Flac 16/48 - 0, 139208 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Set 1 unknown taper: (FOB) Schoeps CMC34 at 110 degrees ORTF > Panasonic SV250; hand held on Schoeps t-bar; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/48; Checksum & tags created in xACT notes 8116. 12/30/89 Flac 24 U Mtx - 0, 141200 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 8117. 12/30/89 Flac 16 U Mtx - 0, 141314 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes 8118. 12/30/89 Flac 16/48 - 0, 142692 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod)> Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 8119. 12/30/89 Flac 16 - 0, 131029 Oakland Oakland-Alameda County Coliseum flac16; Digital FOB by Lance Deal using Schoeps CMC 521's (FOB)> Schoeps VMS 52 UB> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Panasonic SV-3700 (s/sdif)> M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Transferred and liberated to bt.etree on August 24, 2014 by jwpetty notes 8120. 12/30/89 Flac 16 - 0, 117741 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 8121. 12/30/89 Flac - 0, 109948 Oakland Oakland-Alameda County Coliseum (OTS) Nakamichi CM-300/CP-4 > TCD-D10 Lineage: DAT-M > Tascam DA-30 > HHb CDR 800 Recorded/Transferred: Jeff Bowen Extraction [CD>EAC>WAV>FLAC]: Brad Foster notes 8122. 12/30/89 Flac 16 Mtx - , 165033 Oakland Oakland-Alameda County Coliseum flac1644; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 141314 & 142692. notes 8123. 12/31/89 Flac 16 - 0, 87784 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes 8124. 12/31/89 Flac 16 - 0, 96560 Oakland Oakland-Alameda County Coliseum flac16; matrix of DSBD: shnid=28735 and DAUD: shnid=92896 by hansokolow using ProTools notes 8125. 12/31/89 Flac 24 - , 154970 Oakland Oakland-Alameda County Coliseum flac24/96 Recording Info: UltraMatrix SBD (Broadcast Mix) > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes 8126. 12/31/89 Shn - 0, 23574 Oakland Oakland-Alameda County Coliseum Pre-FM -> Dat -> Samplitude -> CD -> EAC -> SHN; Transfer By Charlie Miller notes 8127. 12/31/89 Shn - 0, 6116 Oakland Oakland-Alameda County Coliseum FMS > DAT > CDR > EAC (secure mode, test and copy) > SHN; EAC> SHN> etree by G. Gorinsky; with thanks to Glenn Gillis notes 8128. 12/31/89 Shn - 0, 28735 Oakland Oakland-Alameda County Coliseum Recording Info: Pre-FM -> Dat -> Samplitude -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers By Charlie Miller charliemiller87@earthlink.net; Cleaned and Patched by Darryl Hinko 3/21/05; Patch in Dear Mr Fantasy with unknown AUD notes 8129. 12/31/89 Shn - 0, 18674 Oakland Oakland-Alameda County Coliseum SBD>>PreFM>>DAT>>CDA>>WAV(EAC)>> SHN>>DAW(Bertha)>>CDA/SHN notes 8130. 12/31/89 Flac 16/48 - 0, 142693 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source Info: Master (FOB)Audience Dat; B&K 4011 mics (ORTF, 110 degrees)(16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes 8131. 12/31/89 Flac 16 - 0, 92896 Oakland Oakland-Alameda County Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 (1st few row of OTS) DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades)>CDWAV>FLAC Transferred By Keith Litzenberger notes 8132. 12/31/89 Flac 16 - 0, 117749 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes 8133. 12/31/89 Flac 16 - 0, 109949 Oakland Oakland-Alameda County Coliseum (OTS) Nakamichi CM-300/CP-4 > TCD-D10 Lineage: DAT-M > Tascam DA-30 > HHb CDR 800 Recorded/Transferred: Jeff Bowen Extraction [CD>EAC>WAV>FLAC]: Brad Foster notes 8134. 12/31/89 Flac 16 - 0, 105224 Oakland Oakland-Alameda County Coliseum flac16; Recorded by Mike Mahoney; Nakamichi Shotgun Mics>Sony D-5>Marantz PMD430 notes 8135. 12/31/89 Flac 16 Mtx - , 165046 Oakland Oakland-Alameda County Coliseum flac1644; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 155442 & 142693. notes 8136. 12/31/89 - , 154085 Oakland Oakland-Alameda County Coliseum flac16/44 Pitch corrected, re-patched version of shnid 87784 notes 8137. 12/31/89 Flac 16 - , 155442 Oakland Oakland-Alameda County Coliseum flac16/44 Recording Info: UltraMatrix SBD (Broadcast Mix) > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 154970 2496 > 1644 notes 8138. ??/??/89 Shn - 0, 123640 Various Ante Up - Built to Last interview SHN > WAV > Audacity (only to cut music out), FLAC Frontend Level 8, TLH to fix SBE notes